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Review: What is left to be written about the debut Joy Division album that hasn't been written already? Well, not much except to say if you've never heard it, you must. This is the more raw of the two studio albums, powered mainly by the foundations laid down by bassist Peter Hook and drummer Stephen Morris. But although the rudimentary electronic experimentalism of its successor Closer are missing - with the possible exception of 'She's Lost Control' - Martin Hannett's production job creates an uneasy world of magical reverbs and echoes that lure in the listener. From its iconic, Peter Saville sleeve to classic songs like 'Shadowplay' and 'Interzone' - which started life as a cover of Nolan Porter's Northern Soul cult hit 'Keep On Keeping On' - this is the template that effectively launched a thousand bands, from indie and post punk to goth and beyond.

Review: Decades after he died, pioneering rapper Christopher Wallace aka Biggie aka B.I.G remains a hip hop giant, not least for us here at Juno HQ. He had the flow, the character, the lyrics, and showed all of it on his masterclass album The Notorious BIG. It is now getting a well deserved reissue on double vinyl, with all the original tunes included. There are uber-hits like the ubiquitous 'Juicy', tracks that make astute social commentaries about the black experience such as 'Everyday Struggle' and then some darn right killer grooves like 'One More Chance' and 'Big Poppa.' RIP to the greatest to ever do it.

Review: Echo & The Bunnymen's first ever best-of compilation, first released in 1985, gets a reissue. Accruing all the hits, we begin with the seminal 'Rescue' before careening through 'Never Stop', 'The Killing Moon' and 'Seven Seas', recalling the new wave band's emotive drawl and gushing instrumentals, coinciding with the time in which their contemporaneous album, 'Songs To Learn and Sing', was released.

Review: One of the greatest house albums of all time is 20 this year. To mark the occasion the legendary French producer behind it - Ludovic Navarre aka St Germain - has selected a sympathetic team of expert remixes to add their own spin to the still classic source material. Atjazz is the perfect man to open up thanks to his deep, lounge and of course jazzy house style. Osunlade then brings his shamanistic sounds to 'Sure Thing' and it glows as a result with Ron Trent later tackling the anthemic 'Rose Rouge' and slowing it down to a lush jazz dance. With DJ Deep, Nightmares On Wax and more also featuring, this is a must cop.

Review: Rhino have embarked on a grand reissue mission and plan to put out all of the Echo & The Bunnymen's first four albums. Here we have a remastered version of Ocean Rain on 180-gram black vinyl. It was the fourth of the band's albums and was related back in 1984. It reached number four on the UK Albums Chart thanks to singles like 'Silver', 'Seven Seas' and personal favourite 'The Killing Moon.' The album got the band back to the top of their game after the rather less than warm reception to previous album Porcupine the year before thanks to its new found romantic sweetness and the band's bittersweet melodies.

Review: You can't help wondering what Atlantic Records were thinking when they rejected Little Earthquakes. Tori Amos' debut album, which finally saw the light of day in 1992, reaching 14 in the UK long form charts at a time when competition in the Top anything was ridiculously fierce, the record stands up very well on its own, trapped in your own listening capsule. More so, it marked the arrival of a truly unique voice who would go on to inspire a bunch of alt-pop sirens.
Of course, the finished article garnered praise from across the critical board, proving that what label executives don't know is often what the rest of us do - originality has far more longevity than a guaranteed number one. Producing timeless singles like 'Silent All These Years', 'China', 'Winter', and, of course, 'Crucify', it's a joy to hear again.

Review: Just as indie bands today tend to juggle membership of multiple outfits, shoegaze bands in the '90s were on the just the same wavelength. Luna, for example, received most of its initial attention thanks to Dean Wareham of Galaxie 500's involvement - now backed by new friends Stanley Demeski and Justin Harwood. But music always defies the static expectations of the press. Lunapark, first released in 1992, is a happy opiate of an LP, contrasting to Galaxie's moody, unfiltered aesthetic. With its sound palette largely immaculate, and its crunching guitar chord progressions influenced by blues and Americana - this album could be said to be an ode to overcoming, and/or basking in, addiction.