Review: After succes releases on labels such as Tsuba, Slow Down, Sleazy Beats, Rose Records, and much more, German Luvless is ready with a strong release on Danish label Deso Records - You should is a strong Deep House track, with a beautiful hookline, that will make troubles everywhere is will be played. On the remix, we got the Mannequins back on Deso - this remix is supported by Jimpster to name one, Deep House when it is best. Limited solid white vinyl.
This EP is supported by names like: Mike W (Kolour Recordings) Lo Shea (Phonica) Nacjtbraker (Dirt Crew) Jimpster (Freerange) Onsulada (Yoruba) and much more! Get your deep head on!
Review: Firecracker Recordings' Unthank label has been a decidedly intermittent concern since it's eye catching arrival back in 2010 with the Parris Mitchell mangling antics of Berlin dwelling Estonian producer Bakey USTL. It makes for somewhat poetic reading that the label's sixth release should usher in the return of a producer whose last apparent production credit was a contribution to the Fudge Fingas cut "Fidgety Friends" way back in 2007! Quite what the West Yorkshire based Denaji has been doing in the subsequent years is not clear, but your focus should be on his contributions here, with the Wuhti 10" quite sublime. The title track and "Dharma Dharma" are the sort of star gazing boogie and fizzing deep house that fit snugly into the overarching Firecracker sonic canon and do check the wondrous remix of "Wuhti" from Norwegian Sex Tags mastermind DJ Sotofett.
Review: Launched over the summer, the Rasta Vibez label looks to bridge the gap between drum and bass and classic dub and reggae that has grown somewhat since the heyday of Jungle. If you were swayed by the distinct charms of the debut drop Jungle On Broadway, it's highly likely you will be compelled to check out this second 12". There's no complex science to either "Ice Cream Sound" or "World A Jungle Music" just a well executed take on a formula that has worked perfectly well many times over; delay and fx meet classic dub strains and jungle rhythms uptown
Review: Longstanding Innamind representative Mikael sparks up our inner freaks once more with two system-primed sub smashers. "Wildfire" see-saws on a pivot-like atonal riff over a lolloping sub/kick flow and big splash rimshots while "Lintumies" is a spacier jam where stretched outer-space aesthetics play games with your head and the bass keeps kicking you out of orbit.
When The Devil's Paid (Vanilla Dream DnB remix) (8:12)
Review: Here's a spot of unlikely cross-cultural collaboration, as Finnish jazz man Timo Lassy joins forces with veteran Brazilian soul man Ed Motta. The resultant cut, "When The Devil's Paid", is a summery and sun-kissed chunk of gentle samba-soul with Motta providing a typically breezy and emotion rich vocal. Lassy's old pal Jimi Tenor heads up the accompanying remix package, wrapping the original's snaking sax and heartfelt vocals over a hybrid electronic/acoustic groove. Elsewhere, Alex Trebo delivers a sensual nu-jazz rub and Vanilla Dream unfurls a pleasingly punchy and jazzy drum and bass interpretation. When the weather outside is grey and damp, stick this on and all will be well with the world.
Review: America's Bruce Ditmas has always relied on the outer fringes of the jazz scene, even before he began to experiment with abstract electronics. The man is a classically trained drummer who has made the switch to pastures more left of field, and that's how he's landed on the sorts of sounds emanating from the present Visioni Sconvolgenti. Out through Dead-Cert, this is one of the most intriguing slices of experimentation that we've heard the year, and it blows a lot of the current generation's work out the water. The label has always been a source of quality gear, but this might just be one of the best things they've put out. For fans of Hanson, Dilloway and Turman.
Review: Having soared us through the dense black marsh earlier this year, Portuguese deepsmith 3WA takes us through even swampier, intense territories with this Crucial debut. "Viagem" is like stepping into a deep boggy cave where the drips from the stalactites get heavier and the ground swallows you like quicksand. "Encanto" then hauls your keister out of there with insistent hang drum percussion and rolling kicks before blowing you dry with powerful flutes and pipes. Charmed.
Review: Having dazzled disco lovers via a trio of sold-out 10" singles, the shadowy VEDIT crew delivers their first hand-stamped 12". This time round, the publicity-shy scalpel collective is focused more on left-of-centre synth-pop cuts from the new wave era. Our pick is undoubtedly the epic flipside revision, which takes a particularly wayward and intoxicating mid-'80s cut - think early Chicago house bass, discordant synth horns, experimental dub effects and half-spoken vocals - and turns it into something of an inspired beast. In contrast the two A-side cuts tamper with two slightly better known (though still relatively overlooked) left-of-centre synth-pop gems from 1984 and '85 respectively. They will no doubt get more rotations, but lack the insane thrills of the B-side edit.
Review: "Is the Cornuta Sound's return after a long resting time. This new 10" contains one of the most saved songs by Above Smoke (Deep Explorer) that runs into the jazz world and an outro take for djs. The flipside brings a great rework by the label boss (W&P Hgg)."