Dan Piu & Venus News Network - "Once A While Transforming Into Unity"
Freddy Fresh - "Take Your Time"
QWERTY - "26xm" (Canal Time Shift mix)
Brad P - "Theory Test Level 3"
Darren Nye - "Alienated"
Reedale Rise - "Capricious"
Cygnus - "Vega"
Ewan Jansen - "Space Bar"
Review: While the Childhood Intelligence label has previous form when it comes to offering up multi-artist EPs, little they've released to date is quite as epic, expansive and eclectic as this compilation style double-pack. There's sadly not room to list all of the highlights and subtle variations on offer - it's pretty much fire from start to finish - but our current favourites include the acid-flecked sci-fi techno of Brad P's "Theory Test Level 3", the sparse, bass-heavy shuffle of Dei Sub's "Through Flow", the dreamy but out there ambient dub flex of QWERTY's "26xm (Canal Time Shift Mix)", the 21st century clonk revivalism of Reedale Rise's ace "Capricious" and the glistening analogue electro-meets-Chicago jack pulse of Cygnus' "Vega".
Review: 2013's Das Heise Experiment album was one of Robert Witschakwoski's wilder efforts under the storied Exaltics alias. This belated second volume is perhaps not quite as intense - there are less acid-fired workouts, for starters - but it is just as impressively mind-altering in tone. Although rooted in machine electro, the 12 obliquely-titled tracks draw on a myriad of influences, resulting in a largely dark, moody and clandestine mixture of dark and paranoid ambience, panicked IDM, punchy, Drexciya-style missives, end-of-days mid-tempo techno and fuzzy, L.I.E.S/Vatican Shadow style lo-fi murk. As you'd expect, the whole thing hangs together brilliantly, sounding not unlike the soundtrack to an imaginary sci-fi horror set on a haunted spaceship.
Review: The UK's Mica Levi is back on our charts and much like last time, we expect these five glorious slices of drone-laden experimentation to fly out of here in record time. The supremely off-kilter waves of this new EP land on Demdike Stare's DDS imprint, now something of an institution for the odder side of electronica, and they couldn't be better placed anywhere else. That said, the noisy ambient glows of "Delete Beach (Japanese)", and the sparse, aqueous drum machine loops of "Interlude 1" are perhaps a step further out into the ether compared to the label's usual bag of tricks. On the B-side, the instrumental cut of "Delete Beach" morphs and develops beautifully for the entirety of the waxplate while, stretching to disc 2, "Interlude 2" catapults us into a world made up of sporadic pianos and Vengelian synths, leaving the English version of "Delete Beach" to unravel what was said on the A1.
Review: Seven years later... Jay Kay and his band of merry soulmen return with bonafide grooves. Raw, to the point and covering a huge amount of ground, "Automaton" is an electrified hair-raiser that's designed to lift floors while "Nights Out In The Jungle" tickles the backbone from Daptone with its slinky, JB-style bass/drum groove and light rap/spoken word. Pure funk in both its original and most futuristic style... and on limited clear vinyl, too.