Review: "Call Of The Righteous" is the latest in an ongoing series of releases by Indica Dubs and Chazbo. Once again it is a 10" that boasts the perfectly interwoven drums, chords and bass of Indica, with the chest pumping, uplifting and warrior style synth leads of Chazbo. The bass rolls deep, the tops are crispy as bacon and the frequencies can be felt in your chest while hits ricochet about to enveloping effect. The low riding swagger and infinite horizons of "Raw (Dub Mix)" has to be the pick of the bunch for us.
Review: We're not sure who's behind the mysterious AC-EXP project, but the shadowy figure returns with more of that strange, submerged house music he's been tickling discerning DJs with over the past few years. After taking last year off, "1A" is a fine place to start things up again with a strutting jack track carrying acidic synth pulses that flirt with measured delay processing. It's a jam that sounds steamy and sinister all at once. "1B" maintains this restrained but seductive vibe with the slightly trancey throb of the lead synths pivoting around the snappy drums to great effect.
Review: Dropping a searing double pack of 10" badness ahead of the forthcoming Angels & Devils album, The Bug is back in business with some apocalyptic gutter bass of the highest order. "Freakshow" matches the leering delivery of Danny Brown with the sinister croon of King Midas Sound's Kiki Hitomi over a horn-laden trap swagger to devastating effect. "Louder" pits Flowdan in the depths of a nauseating half-step march, while "Dirty" takes the London MC into a barrage of equally nerve-jangling drum rattles and alarm-clanging stabs. Long-time Bug collaborator Daddy Freddy rolls up his sleeves for "Kill Them", anchoring the dread stomp with a fearsome growl as anthemic as it is nihilistic.
Review: Naturally, there's been plenty of hype surrounding this new Hyperdub 10", which features Burial indulging his often-discussed ambient influences. It's a typically creepy and ghostly affair, with the lack of beats - if not rhythmic elements - only serving to amplify the shadowy producer's impeccable sound design and brilliant use of manipulated field recordings. A-side "Subtemple" is particularly paranoid in tone, featuring as it does chilling melody loops, curious vocal samples, looped vinyl crackle and all manner of layered background noise. Flipside "Beachfires" is, if anything, even more dystopian, with Burial basing the action around the kind of pulsing chords that gust back and forth like an autumnal breeze.
Review: Minuendo calls upon Vincent Inc and Danijel Kevic to kick off their latest single, and they do so in fine style with the luxurious sweeping chords of "Space". Twinkling pianos, speech samples and a carefully measured set of deep house drums make this the consummate slice of pool-side dance music for those who can still find some sun at this time of year. Lola Allen steps up to the B side with something a little more sassy in the shape of "Afrofusion Jazz". As the title might suggest, there's a mixture of influences tumbling into this track, most notably with some wildly filtered jazz organ and funk licks stewing in the pot, and just when you think it's going to break it swerves off into submerged Moodymann territory. This is unpredictable house music at its finest.
Review: "Is the Cornuta Sound's return after a long resting time. This new 10" contains one of the most saved songs by Above Smoke (Deep Explorer) that runs into the jazz world and an outro take for djs. The flipside brings a great rework by the label boss (W&P Hgg)."
Review: Ali Wells's Perc Trax has done incredibly well over the years, and in fact, this latest EP (the third in the series) marks the label's ten year anniversary! Patrick Sottrop aka Kareem drops "Just When You Thought It Was Over" on the A-side, unleashing a militant and subtly dubbed-out warhead for the peak time hours, while Wells himself touches down as Perc with the stormy, wide-eyed sound sculpture that is "Volley". Surprisingly, the kick drum - a menacing pound to the head - only pops up well into the track, leaving space for all other sorts of atmospherics and distortion to surface. Excellent, as per usual.
Review: Woof! Hyperdub bring together two of the most recognisable and enigmatic artists of recent times on this 10", as Zomby and Burial square down ahead of the former's new album for the label. Zomby's Ultra LP is undoubtedly one of this year's most anticipated albums and "Sweetz" suggests it may be a very moody affair indeed. Whilst rooted in UK dance, Zomby and Burial do look elsewhere for inspiration too. Just under seven minutes long, "Sweetz" veers through various sub-heavy soundscapes with intermittent rhythmic patters and a distinctive looped vocal sample whose pitch changes with dramatic effect.
Review: Detroit/Houston based Kolour have had some pretty credible names feature on their new 10 inch series this year, such as Eddic C, Napoleon, Frank Booker and Lady Blacktronika. Now it is over to the Belarus based disco DJ Funkyjaws who serves up two irresistible jams on Vol 8 of the series. On the A side, we have the soulful and life affirming African boogie of "Them & Us". We have not heard the original but it sounds pretty seamless to us: a respectful edit indeed. On the flip, we have one seriously mad boogie-down jam in the form of "Peasant Dance" which is a truly exotic affair from god knows where! Accordions, wah-wah guitar and some super string arrangements clash wonderfully. This may sound like an unholy mixture but this is exactly the kind of disco deviance that truly floats our boat! The Grodno based producer last appeared for the label on Kolour LTD 22 a couple of years back, and in the meantime has also appeared for the likes of Shadeleaf Music and Austrian imprint Pusic.
Review: Bruno E has plenty of history in the field of future jazz and downtempo, and now he's been snapped up by D3 to deliver some of that cold-chilling lounge business with some interesting remixers on board. Pat Van Dyke is up first, creating a blissful version of "Ventos De Outono" that feels as cosy as a warm fire and a glass of whisky on an autumn evening. The original version of the track is actually a peppier affair with a broken beat lilt that wouldn't sound out of place alongside the Dego and Kaidi Tatham crew. Kirk Degiorgio is a natural fit for another remix given his jazzy roots, and his swirling techno treatment is the perfection lotion to pour over Bruno E's excellent original ingredients.
Review: Publicist is longtime producer/performer/musician Sebastian Thomson. His tracks approach house music from a darker angle, adding processed vocals and noise to a raw foundation that also takes cues from New Beat, acid house, and Detroit techno.
When performing live Publicist sequences the synths and not the drums, preferring to play an electronically treated drum kit in the middle of the dance floor. This adds an element of sweat, excitement and virtuosity not found in most electronic producer's live performances.
Sebastian Thomson is also known as a founding member of post rock pioneers Trans Am and as the drummer of heavy metal innovators Baroness.
Living in Brooklyn by way of Buenos Aires, Washington DC and London, Publicist has spent the last four years touring Europe extensively.
Review: Owen Jay & Melchior Sultana's track Contrasts featuring singer Mykle Anthony which was originally released on BBR07 on Kiss The Sun EP receives the remix treatment from the Spanish Brothers, Dubbyman & Above Smoke. Both tracks have the distinct Deep Explorer Sound of real depth and warm grooves. This is the first vinyl from a forthcoming series of 10".
Review: After succes releases on labels such as Tsuba, Slow Down, Sleazy Beats, Rose Records, and much more, German Luvless is ready with a strong release on Danish label Deso Records - You should is a strong Deep House track, with a beautiful hookline, that will make troubles everywhere is will be played. On the remix, we got the Mannequins back on Deso - this remix is supported by Jimpster to name one, Deep House when it is best. Limited solid white vinyl.
This EP is supported by names like: Mike W (Kolour Recordings) Lo Shea (Phonica) Nacjtbraker (Dirt Crew) Jimpster (Freerange) Onsulada (Yoruba) and much more! Get your deep head on!
Review: Ekkohaus is no stranger to the house scene!! You can hear his intelligent, funktifying rhythms and grooves on imprints like Morris Audio, 2020 Vision, Circus Company, Flumo, Eklo, Mule Electronique, Brut, Moon Harbour, Holic Trax, Claap, Gruuv, Hudd Traxx, Diaphan Music and now MixxRecords!! We welcome the Greek native with open arms...
This special 10" purple colored vinyl is most appropriate as for the entitled "A" side is called "Purple Divine" and divine it is!! Playful percussion and drum-work along with a simplistic, melodic bass groove keeps you in hypnosis just longing for more!
You'll find a more jacked-up and jazzed up pump on the "B" side with "Ordinary People". DEFINITELY a house banger!!
Review: Sect's third and final sampler for the It's All For You compilation ends on a bittersweet note, seeing the last release from Sect favourite Grovskopa, who has decided to retire following the closest of near death experiences. The A-Side features Lag's remix of his Sect classic "Atopic", reworking the lurching bass and broken-beat rhythms of the original into a hypnotic number with a fractured synth melody. The B-Side sees "2:69", a brittle yet powerful track with churning bass which recalls Drexciya's classically hard edged approach, combined with hazy orchestral sweeps - a fitting swansong for a great producer.
Review: Absolute damage: Spooky finally unleashes two of his biggest summer dubs. And he's doing it in pure pink vinyl style. Fiesta slaps with a well-known sample before hopping onto the gulliest skank of his life. The groove says party, but the bass says murderation. Flip for an even fruitier piece of funk as Eric Donaldson's reggae classic gets the murking it never knew it needed. Make no mistakes: Spooky is donning it right now.
Review: Deep grime instrumentals; few labels are doing it like Oil Gang. The clue's in the title - the tight-knit London crew are dealing strictly in sinister, seeping, dark, slick sounds. This one's even darker than usual as Spooky drops the aggro and goes straight in with the deep dagger dynamics. All stealth-like and creepy, "Low Rider" isn't a track you want on your headphones walking home through the wrong postcode at night. Boylan ups the energy with a stampier twist the rhythm and a dramatic riff croaking from the humanized bass tones. Badness.
Review: Bristol's finest Jules Smith aka October is back with more reduced EBM mutations following up the dusty and rusted experiments ts as heard on his great Death Drums cassette on No Corner just last year, not to mention 2015's wicked Black Body Radiation. It's the second edition of his new eponymous imprint here. On the A side we have "Repentant (version)" a grotty acid slow burner that squeals away menacingly above the seething dirt of vintage drum computers. On the flip "Judgement Dub" goes for an early Chicago vibe somewhere between Jamie Principle and K. Alexi with its haunting pads and funk bass supported by spitfire rhythm patterns and morose atmosphere that's geared for the early morning hours of a sweaty Berlin basement party.