Review: We're not sure who's behind the mysterious AC-EXP project, but the shadowy figure returns with more of that strange, submerged house music he's been tickling discerning DJs with over the past few years. After taking last year off, "1A" is a fine place to start things up again with a strutting jack track carrying acidic synth pulses that flirt with measured delay processing. It's a jam that sounds steamy and sinister all at once. "1B" maintains this restrained but seductive vibe with the slightly trancey throb of the lead synths pivoting around the snappy drums to great effect.
Review: AKO welcome long-timer Madcap. Oxford-based and on the scene for a good 20 years, he's been slowly building up a powerful arsenal on the likes of Good Looking, Soul Deep, Fokuz and many more for the last 10+ years. With the backing of Stretch, on his fast-developing 10" label AKO 10, this is one of the biggest moves yet. "Out Of Reach" is big and breezy deep jungle, loaded with space for the pianos to smoulder and the echoed vocals to waft majestically in and out of the mix. Flip for "Sunshine Dub" where you'll feel you've heard it all before... In the best possible way. Don't sleep on this one, it's a cheeky one.
Review: Barefoot Beats is a series of EPs released on Mareh Music, a record label based in Sao Paulo whose people are also the curators of the Mareh music festival in Boipeba - a remote island in Bahia. For their label's ninth edition, Rio de Janeiro's Joutro Mundo (Midnight Riot/Outra) delivers an edit of a lovely neon-lit boogie down number on "Revele", while on the flip the man from New York City Jkriv (Razor-N-Tape) gets a deep, soulful and life-affirming number into the mix with "Povo De Zambi".
Review: Owen Jay & Melchior Sultana's track Contrasts featuring singer Mykle Anthony which was originally released on BBR07 on Kiss The Sun EP receives the remix treatment from the Spanish Brothers, Dubbyman & Above Smoke. Both tracks have the distinct Deep Explorer Sound of real depth and warm grooves. This is the first vinyl from a forthcoming series of 10".
Review: There's a truly unique story behind this latest discovery from DJ Amir. Another great find from his Strata master tapes licence acquisition, TJ was written on the label of an undated, unmarked demo reel. No other information besides the beautifully raw soul on tape. Literally nothing is known about who TJ was (or were). Similarities with Shuggie Otis or perhaps Darondo are strong as the stripped back lightly treated guitars and his hazy, yearning vocal technique come on strong throughout. From the full bodied soul funk of "Love Flower" to the looped faraway harmonies and simple guitar backbone of "Time Is Wasting", the music is as strong the mystery itself. Beautiful.
Review: Back in 2016, legendary Afrobeat drummer Tony Allen approached techno pioneer Jeff Mills with the idea of working together. A series of live gigs and off-the-radar studio sessions followed, with the first fruits of their joint efforts finally appearing on this must-have 10". As you'd expect, the duo's collaborative work combines Allen's traditional Nigerian polyrhythms, traditional Afrobeat instrumentation, and the far-sighted, sci-fi inspired electronic futurism that has always marked out Mills' work. The result is a quartet of cuts that could arguably be described as retro-futurist Afro-tech - all delay-laden beats, basslines and organs subtly sparring with gentle acid lines, Motor City electronics, beguiling deep space textures and shimmering, 31st century motifs. It's arguably Allen's stylistic contributions that dominate, but that's no bad thing.
Review: It's now been two decades since Gallic producer Joan-Mael Peneau first donned the Maelstrom alias for the very first time. He's been in particularly fine form of late, offering up essential EPs on Cultivated Electronics, Central Processing Unit and Private Persons. Here he makes his debut on Craigie Knowes' hard-wired techno and electro offshoot C-Know-Evil with a formidably tough two-track offering. A-side "Spasm" is a riotous fusion of metallic percussion hits, high-octane electro drums, doom-laden acid lines and bass so raw and intense it was probably made in Scotland from girders. He opts for an even more doom-laden techno sound on fizzing flipside "Turbulence", wrapping increasingly intense electronic motifs around a surging rhythm track.
Dan Piu & Venus News Network - "Once A While Transforming Into Unity"
Freddy Fresh - "Take Your Time"
QWERTY - "26xm" (Canal Time Shift mix)
Brad P - "Theory Test Level 3"
Darren Nye - "Alienated"
Reedale Rise - "Capricious"
Cygnus - "Vega"
Ewan Jansen - "Space Bar"
Review: While the Childhood Intelligence label has previous form when it comes to offering up multi-artist EPs, little they've released to date is quite as epic, expansive and eclectic as this compilation style double-pack. There's sadly not room to list all of the highlights and subtle variations on offer - it's pretty much fire from start to finish - but our current favourites include the acid-flecked sci-fi techno of Brad P's "Theory Test Level 3", the sparse, bass-heavy shuffle of Dei Sub's "Through Flow", the dreamy but out there ambient dub flex of QWERTY's "26xm (Canal Time Shift Mix)", the 21st century clonk revivalism of Reedale Rise's ace "Capricious" and the glistening analogue electro-meets-Chicago jack pulse of Cygnus' "Vega".
Review: Church's latest release - a rather tasty, two-track ten-inch single - comes courtesy of South London sorts DJ Malcolm and Dabriel Garius. A-side "Lulo", a jazzy deep house cut smothered in expansive piano solos, dreamy synth chords and sampled female vocals, is particularly potent, with the duo expertly layering up the percussion to give the track a sun-kissed, carnival-friendly feel. Flipside "Guava" displays a similar jazz influence, with the duo trading electric piano and trumpet solos over elastic synth bass and swinging, semi-broken deep house grooves. It's what we imagine a contemporary collaboration between Phil Asher and 2000Black boys Dego and Kaidi Tatham would sound like, which is high praise indeed.
Review: New to Claremont but certainly not new to composing; Denis Leonvich has been writing for screen for over a decade and has amassed an impressive collection of heavier floor friendly cuts on the likes of National Techno. If these two rather warm and woozy Balearic debuts are anything to go by, his future cosmic output will be just as impressive; "Sunset Sparks" sways with a balmy mysticism with folk singing, an alluring hang drum and hazy pads while "Boma" takes a slightly darker route with psych sinewy arpeggios and a subtle but unforgettable brassy bass texture and sleazy guitar plucks. We look forward to Alterleo's next adventures...
Review: The second collectible EP out of three, arriving on double white 10" vinyl, and containing tracks from Jon Convex's debut album, Idoru sees another four hard hitting fusions of techno and contemporary bass music. Unlike the first EP, which was surprisingly melodic, these tracks aim squarely at the floor, with "What I Need" a heavy tom-led piece of Detroit influenced techno, and "Aversion" providing some tracky functionalism. "Desolation" and "Four Faces" meanwhile provide some bleak electro dystopianism, much indebted to his Autonomic heritage.
Review: "Is the Cornuta Sound's return after a long resting time. This new 10" contains one of the most saved songs by Above Smoke (Deep Explorer) that runs into the jazz world and an outro take for djs. The flipside brings a great rework by the label boss (W&P Hgg)."
Review: With two releases already under their belt, the quintessential anonymous producer Crue is back with another exercise in dynamic analogue house and techno. "Track 1" is a steady 90s house workout, rich with warm chord stabs and a punchy beat, primed for slotting in amongst other garage shuffle revivalists. "Track 2" is where things get spicy with the primal, Detroit-weighted clatter of the drums falling in an almost-breakbeat, and the melodic stabs zipping in overhead. It's a staggeringly fresh sounding track, even whilst using methods of the past. Whoever they might be, Crue is clearly in command of some serious kit and a keen ear for what works,
Review: Bruno E has plenty of history in the field of future jazz and downtempo, and now he's been snapped up by D3 to deliver some of that cold-chilling lounge business with some interesting remixers on board. Pat Van Dyke is up first, creating a blissful version of "Ventos De Outono" that feels as cosy as a warm fire and a glass of whisky on an autumn evening. The original version of the track is actually a peppier affair with a broken beat lilt that wouldn't sound out of place alongside the Dego and Kaidi Tatham crew. Kirk Degiorgio is a natural fit for another remix given his jazzy roots, and his swirling techno treatment is the perfection lotion to pour over Bruno E's excellent original ingredients.
Review: Although most house and techno heads know him under a variety of different pseudonyms, Anthony Nicholson has been releasing smoking tunes since the 1990's for labels such as the mighty Prescription, on which he used to call himself African Blues. He's back in 2015 under his birth name, and he's landed on the lovely DeepartSounds, a home to artists such as Dubbyman, Giorgio Luceri, and the one like Ron Trent! On the A-side, "Optimum" fills your soul with a soothing array of gentle house swings, powered by sublime vocals and mid piano keys; the flipside is "Destination", and it's a funkier sort of tune, one that is a little less deep and little more disco. Beautiful house music for those looking for meditative gear.
Review: After succes releases on labels such as Tsuba, Slow Down, Sleazy Beats, Rose Records, and much more, German Luvless is ready with a strong release on Danish label Deso Records - You should is a strong Deep House track, with a beautiful hookline, that will make troubles everywhere is will be played. On the remix, we got the Mannequins back on Deso - this remix is supported by Jimpster to name one, Deep House when it is best. Limited solid white vinyl.
This EP is supported by names like: Mike W (Kolour Recordings) Lo Shea (Phonica) Nacjtbraker (Dirt Crew) Jimpster (Freerange) Onsulada (Yoruba) and much more! Get your deep head on!
Review: The mythical Transdance from UK duo Night Moves is given a much needed official repress by Domestica Records and the Barcelona label have spared no expense. A limited pressing of 400 10"s come housed in hand screen printed sleeves accompanied by a leaflet with complete biography of the band. Despite the paucity of Night Moves discography, it's clear the duo of Michael Guihen and John Davis have had an everlasting effect on the canon of synth music with their much admired debut. Transdance was originally released as a limited 12" white label in 1981, finding favour on the dance floors of Europe and New York City yet never really gained the wider exposure it richly deserved. Original copies of the GC1 pressing of Transdance still command slightly ridiculous prices on Discogs so kudos to Domestica for this rather special presentation which features a previously unreleased demo cut "Life Up" on the flip.
Review: Emotional Rescue turn their attention to Rare Silk and their sublime cult classic "Storm". It's one of those rare tracks with a wonderful otherworldly quality that manages to be smooth and accessible, and somehow not like anything you've ever heard before. It must be somewhere in the mix, between the dreamy harmonized vocals, lush instrumentation and curious sense of space. The original on the A side is a treat enough, but then throw in a mercurial dubbed out version by Arp on the flip and you've got yourself a 12 inch portal to a most delightful dimension.
I Have Been Waiting For You (DJ Duckcomb Digimix) (7:19)
Review: Emotional Rescue serve up a balmy curveball cut perfect for the summer months. Glen Ricks "I've Been Waiting For You" was originally released back in 1983 on the highly collectible Seraff label and recently reissued by the label (ERC081). Here, as an accompanying release to that boogie version is a 1990 digital rework for the Xterminator label. With a distinctive swung riddim and smoothly incorporated dubbed out chords, Ricks' vocal channels the most soulful Jamaican deliveries, sealing the deal on this evergreen jam that sounds great in original and version forms. DJ Duckcomb steps up with a tender "Digimix" that retains the dusty crunch of the original with just a little extra bite in the beats.
Review: Sheesh! And the award for the swampiest, most mutated and wooziest 140 jam of recent times goes to Sibla & Teffa's "Bobby". Presented here on the a; proper sleazy, rolling, oily cosmic dub funk - with some fantastic vocal stamps from the master - it's quite remarkable for the pair's first ever collaboration. As is 'I Wonder Why' on the B. Taking a slightly more traditional dub route, here they dig deep into the roots and really get involved in the sounds and elements, gradually easing us deeper and deeper into the blend before we realise we're cap-deep in a pretty heady psychedelic stew... And we have no plans to swim to shore. Limited to 300, this won't hang around.
Review: Miltiadis Merentitis is one of the greatest exponents of the underground Greek scene. After several releases on Nous, Echovolt and Synapsis he joins Jose Rico's Spanish imprint Freebeat with the Epitome Of Things EP. Miltiades explores the driest of territories through his characteristic chords, kicks and percussion which will transport you to another world. Take the first cut on the A side for instance: a deep hypnotic techno cut that creates perfect trance induction by relying on the most basic of analogue elements. On the flip, the second track is a gothic lo-fi house jam reminiscent of New York City's Patricia while the final offering channels the spirit of early '90's Detroit on this fine serving of hi-tech soul.
Review: Russian enfant terrible Pavel Milyakov aka Buttechno appears next on Gost Zvuk: an imprint dedicated exclusively to the Russian and ex-USSR scene and only releasing music of producers from these regions. The label's seventh release (known elsewhere as 'Swamp Tracks') showcases the diverse array of Milyakov's sonic repertoire, that has seen his release on labels as diverse as Cititrax, Incienso and Zodiac 44. The fierce sonar transmission of "Project Loop 1" or "Subsonic II" will no doubt bear comparisons to Berlin legend Sleeparchive, but still hold their own. Milyakov is really in his element when delving deep into electro mutations as heard on "Industrial Acid" or the tripped-out minimal techno cut (and our favorite) "2x Clouds".
Review: Woof! Hyperdub bring together two of the most recognisable and enigmatic artists of recent times on this 10", as Zomby and Burial square down ahead of the former's new album for the label. Zomby's Ultra LP is undoubtedly one of this year's most anticipated albums and "Sweetz" suggests it may be a very moody affair indeed. Whilst rooted in UK dance, Zomby and Burial do look elsewhere for inspiration too. Just under seven minutes long, "Sweetz" veers through various sub-heavy soundscapes with intermittent rhythmic patters and a distinctive looped vocal sample whose pitch changes with dramatic effect.
Review: Naturally, there's been plenty of hype surrounding this new Hyperdub 10", which features Burial indulging his often-discussed ambient influences. It's a typically creepy and ghostly affair, with the lack of beats - if not rhythmic elements - only serving to amplify the shadowy producer's impeccable sound design and brilliant use of manipulated field recordings. A-side "Subtemple" is particularly paranoid in tone, featuring as it does chilling melody loops, curious vocal samples, looped vinyl crackle and all manner of layered background noise. Flipside "Beachfires" is, if anything, even more dystopian, with Burial basing the action around the kind of pulsing chords that gust back and forth like an autumnal breeze.
Review: Fresh in the chem trails of his Bandulu release, the inimitable Bengal Sound crash lands back into our psyches with his disarming, not-of-this-world take on 140 music. "Young Skeleton" arrives just in time for Halloween, scaring the dickens out of us with its warped humanised tones, dusty atmospheres and distant chimes. "Coroners" takes us from the graveyard to the morgue... But with these hazy arpeggiated trinkles and eerie shimmers are we stepping towards the light or simply waking up? That's for you to work out.
Review: Italojohnson has clearly decided that less is more, having limited their output to one self-released 12" a year since 2013. Volume 10 in the mysterious threesome's self-titled series predictably contains more twisted, tried-and-tested material. The untitled A-side sounds like a modern update of a breakbeat-boasting Frankie Bones classic, with hectic bursts of percussion, surging sub and a classic riff taking it in turns to impress. There's more of an acid house feel to the similarly untitled flipside workout, with booming, mangled vocal snippets and sharp electronic stabs riding a thunderous groove, '80s electro hits and a classic Chicago bassline. There's little subtle about either track, but they sound like guaranteed floorfillers.
Review: Detroit/Houston based Kolour have had some pretty credible names feature on their new 10 inch series this year, such as Eddic C, Napoleon, Frank Booker and Lady Blacktronika. Now it is over to the Belarus based disco DJ Funkyjaws who serves up two irresistible jams on Vol 8 of the series. On the A side, we have the soulful and life affirming African boogie of "Them & Us". We have not heard the original but it sounds pretty seamless to us: a respectful edit indeed. On the flip, we have one seriously mad boogie-down jam in the form of "Peasant Dance" which is a truly exotic affair from god knows where! Accordions, wah-wah guitar and some super string arrangements clash wonderfully. This may sound like an unholy mixture but this is exactly the kind of disco deviance that truly floats our boat! The Grodno based producer last appeared for the label on Kolour LTD 22 a couple of years back, and in the meantime has also appeared for the likes of Shadeleaf Music and Austrian imprint Pusic.
Review: Chevals, who brilliantly describes himself as a "French house producer, disco cutter and horse", came to our attention last year via a fine debut on Better Listen. You'll find further proof of his "rising star" status on this tasty, two-track contribution to Kolour LTD's 10-inch series. Both tracks are essentially re-edits, though there are enough additional touches and new musical elements to elevate them way beyond your average scalpel re-arrangement. The Frenchman kicks thing off with "I Can Prove It", a gently tooled-up and reworked version of a soaring, glassy-eyed disco-soul gem that will sound fantastic at this summer's open-air events. Flipside "Free Love" is an altogether more low-slung affair, with a fizzing, funk-fuelled groove building towards a rush-inducing Philadelphia Soul-goes-disco-house conclusion.
Review: This is Adam Wickens' - aka ADMIN - first appearance for Kolour LTD, and we're happy to see the UK deep house producer continuing his steady path to maturity. This two-tracker is part of the label's 'LTD 10s' series, and this particular one is the fourth instalment; we love it not only for the quality that has graced the releases up till now, but also because we're fools for the ten inch format. "Reach For Love" sounds like it could be on Moodymann's Mahogani, a sensual house charmer complete with gorgeous piano keys and assembled with pure hypnotic delight. Side B's "You've Got Me" is similarly cool and laid-back, but the beat is speedier here, the percussion more floor-centric and the vocals sexier than ever. What a gorgeous little tip - cop it!
Jason Fine - "Puttin It Out" (A Made Up Sound remix)
Jason Fine - "Human Need" (Heinrich Mueller Celestial Sphere mix)
Review: Repress: As one of the younger breed of Detroit talents, Jason Fine is still just starting to get a foothold, despite having a good few years of releases behind him. His Kontra Musik relationship has proven to be the most fruitful, and this remix package capitalises on that with two top shelf commissions. A Made Up Sound brings his unmistakable broken house swing to bear, with warming subs and thick swathes of pad and melody twisted to Dave Huismann's crafty designs. Heinrich Muller brings the Drexciyan vibes in abundance with his punchy electro stance that remains peerless after all these years.
Review: Hot on the heels of "Mission" earlier this year, Shuya Okino's Kyoto Jazz Sextet troupe present another gem from last year's Unity album complete with a remix of the highest calibre. This time the cascading, Latin rhythm and frenetic horn leads of "Rising" are given the midas dancefloor touch by none other than Ron Trent. Maintaining the wily spirit of the original while coating in warm organ blasts and subtly bumping kicks, it's a precision translation that brings the original into a whole new context.
Review: You could say that Kodiak Bachine is Brazil's greatest ever Brazilian electronic producer. That would not be an overstatement, it's just a simple fact. It was 1982 when he first released this EP, and it's been a classic, and a favourite of ours, ever since. In fact, "Electricidade" is so powerful because it sounds like it could have been made today; its tenebrous synths filling the airwaves from every angle, giving the track a strange sensation of lust and wonder. The flip, "Espirito Das Maquinas", is another enchanting ride through broken electric cables and abandoned power plants, a place where Bachine clearly thrives and surpasses all expectations. Highly recommend reissue!
When The Devil's Paid (Vanilla Dream DnB remix) (8:12)
Review: Here's a spot of unlikely cross-cultural collaboration, as Finnish jazz man Timo Lassy joins forces with veteran Brazilian soul man Ed Motta. The resultant cut, "When The Devil's Paid", is a summery and sun-kissed chunk of gentle samba-soul with Motta providing a typically breezy and emotion rich vocal. Lassy's old pal Jimi Tenor heads up the accompanying remix package, wrapping the original's snaking sax and heartfelt vocals over a hybrid electronic/acoustic groove. Elsewhere, Alex Trebo delivers a sensual nu-jazz rub and Vanilla Dream unfurls a pleasingly punchy and jazzy drum and bass interpretation. When the weather outside is grey and damp, stick this on and all will be well with the world.
Review: A special release from Minimal Wave here as the uber rare Irene & Mavis EP from UK synth poppers Blancmange is granted a reissue! Those with a pub quiz winning level of knowledge of UK synth pop will no doubt be familiar with the 80s hits of Blancmange duo Neil Arthur & Stephen Luscombe, yet this debut EP dating back to 1980 will still sound revelatory. The self released Irene & Mavis EP marked Arthur and Luscombe to be fully willing to experiment with DIY electronics, impressing Mute founder Daniel Miller sufficiently to proclaim them "maiden aunts of electronic music," and thus more than suited as a subject of focus from the Minimal Wave label. There are definite similarities between this nascent stage of Blancmange and the output of Cabaret Voltaire from the same era, particularly in the masked and disembodied nature of the vocals, whilst "Holiday Camp" and "Just Another Spectre" are wonderful examples of instrumental synth music. Despite originally being released in 7" format, the six newly remastered tracks are presented here in 10" format by Minimal Wave with the distinctive artwork retained!
Review: Minuendo calls upon Vincent Inc and Danijel Kevic to kick off their latest single, and they do so in fine style with the luxurious sweeping chords of "Space". Twinkling pianos, speech samples and a carefully measured set of deep house drums make this the consummate slice of pool-side dance music for those who can still find some sun at this time of year. Lola Allen steps up to the B side with something a little more sassy in the shape of "Afrofusion Jazz". As the title might suggest, there's a mixture of influences tumbling into this track, most notably with some wildly filtered jazz organ and funk licks stewing in the pot, and just when you think it's going to break it swerves off into submerged Moodymann territory. This is unpredictable house music at its finest.
Review: Ekkohaus is no stranger to the house scene!! You can hear his intelligent, funktifying rhythms and grooves on imprints like Morris Audio, 2020 Vision, Circus Company, Flumo, Eklo, Mule Electronique, Brut, Moon Harbour, Holic Trax, Claap, Gruuv, Hudd Traxx, Diaphan Music and now MixxRecords!! We welcome the Greek native with open arms...
This special 10" purple colored vinyl is most appropriate as for the entitled "A" side is called "Purple Divine" and divine it is!! Playful percussion and drum-work along with a simplistic, melodic bass groove keeps you in hypnosis just longing for more!
You'll find a more jacked-up and jazzed up pump on the "B" side with "Ordinary People". DEFINITELY a house banger!!
Review: Resurfacing Sun Ra treasures from the 1950s have become increasingly prominent and, by now, his younger fans can truly explore this legend's never-ending catalogue in its original vinyl format. Modern Harmonic are the ones responsible here, and reissuing "The Lady With The Golden Stockings is a great move on their part because it's one Ra monster that we'd been missing from our catalogue; the percussion, the sax and the general feeling of potential deconstruction at any given point make this a truly stupendous affair. "Spontaneous Simplicity" is calmer, more psychedelic and, if we're not mistaken, there's a very early drum machine rambling on in the lower end of the mix, while "Love In Outer Space" finishes this off with Ra's own voice backed by a more traditional sway from the famous Arkestra.
Review: Prepare to fire! Skeppy's got a brand new cut and he's and everyone's allowed a cheeky buzz on it. Yes it's finally time to get your grubby paws on the long-awaited "Musket". One of the Exit Records artists' most divisive of tunes, unlike his darker deeper tackle it's a jaunty, spiky jump-up tune. Addictive, fun to mix and guaranteed to get the crowd all wound up, this has all the hallmarks of a festival D&B anthem this summer. Grab it while you can.
Review: Dropping a searing double pack of 10" badness ahead of the forthcoming Angels & Devils album, The Bug is back in business with some apocalyptic gutter bass of the highest order. "Freakshow" matches the leering delivery of Danny Brown with the sinister croon of King Midas Sound's Kiki Hitomi over a horn-laden trap swagger to devastating effect. "Louder" pits Flowdan in the depths of a nauseating half-step march, while "Dirty" takes the London MC into a barrage of equally nerve-jangling drum rattles and alarm-clanging stabs. Long-time Bug collaborator Daddy Freddy rolls up his sleeves for "Kill Them", anchoring the dread stomp with a fearsome growl as anthemic as it is nihilistic.
Review: Seleccion Natural is Oscar Mulero, Exium and Reeko, a techno dream team who have a new album on the way this autumn. Before that they offer up two tracks from it on a tidy 10" that brims with modular synthesisers, samplers and drum machines. "Split Didactics" will rewire your brain with squeaking lines and cantering kicks making for a real techno riot, and "A New Description Of Hell" layers up hammering kicks with howling synths into a rigid and unrelenting groove. Making this extra special is artwork by none other than Silent Servant.
Review: Spanish sound sorcerer Santana steps over to Porn Wax for a highly limited marble vinyl 10". "Disco Panorama" stomps with a beautifully sedate groove as clouds of synths cast a subtle spell over the beats. "Magic Words", meanwhile, is a more stripped back affair where the emphasis is focused squarely on the big lolloping bassline and a series of emotional chords ebb and flow over the top. Genuinely stunning. And with a guarantee of no digital and no represses, this really can't be missed!
Review: Launched over the summer, the Rasta Vibez label looks to bridge the gap between drum and bass and classic dub and reggae that has grown somewhat since the heyday of Jungle. If you were swayed by the distinct charms of the debut drop Jungle On Broadway, it's highly likely you will be compelled to check out this second 12". There's no complex science to either "Ice Cream Sound" or "World A Jungle Music" just a well executed take on a formula that has worked perfectly well many times over; delay and fx meet classic dub strains and jungle rhythms uptown
Review: For the latest single on Umwelt's essential Rave or Die label, the Lyon-based producer finds himself sharing vinyl space with Perc Trax regular Ansome. The South London producer handles side A, assaulting the senses via distorted breakbeats, chilling, held-note horror strings and gory electronic riffs on the industrial techno insanity of "Vakuum". Umwelt's track, "Affres", explores similar sonic territory, though his use of macabre audio loops, redlined electronics and rapid-fire, ray gun drumbeats gives the track a much more rolling and hypnotic feel. Both cuts are wild-eyed and aggressive in tone, even if they are every bit as sci-fi as classic Detroit cuts.
Review: A faceless producer, rumoured to be from Scotland and getting his 'revenge', appears here for the seventh release on Razor-N-Tape Reserve after great sessions by Caserta, Dirtytwo and Pools. On "Backchat" it's a looped up, boogie down affair complete with synth sax and pan pipes which support an obscure Steve Winwood sample. Absolutely electric and you're sure to get some hands in the air moments with this one. On the flip is a dub version that forgoes all the bells and whistles and works a razor sharp (mind the pun) arpeggio instead, for a more serious and late night version.
Review: Moscow's Arsenii is up next on New York City edits imprint Razor N Tape. Following up the great Allegria on Basic Fingers last year, he's back with some more obscure oddities spliced to perfection once again. He takes the razor to "Son of the Sun," which the label themselves describe as "the Shaft-in-outer-space drama" (and we agree completely) to the 'proto-balearic lilt' of "Jungle Melody" by Pierre Dalmon and of course the big band funk of "Fool Like A Child"; more commonly known to some as Christian Gaubert's "Sweet And Fool Like A Child" from 1979.
Review: Brooklyn label Razor-N-Tape get in on the Record Store Day action with this 10" edition of Beatin Tha Breaks from Nashville-based Magic In Threes. It's the remixes that come first, with Dutch artist Fouk going into similar house territory to Kenny Dope with plenty of live instrumental touches blessing the bristling percussion. It's a totally different vibe on the Freddie Joachem remix, with the Californian opting for some midtempo funk breaks that stay closer to the sound of Magic In Threes' original version . This closes out the RSD release on the B-side and is an easy-breezy affair dripping with soulful guitars and harmonies.
Review: Don't fear this Reaper... Reaper Recordings is a mysterious brand new label with little information besides their dedication to the jungle craft. If this launch release from Ghosty (AKA Hungry Ghost) is anything to go by, they're not mucking around. "Dead Already" is a powerful subby slammer with eerie top lines and drums that could pierce concrete while "Forward" takes more of a sassy soul approach on the musicality but still drops deep into gully science when it needs to.
Review: Original Chicago deep house producer Vincent Floyd has enjoyed something of a career renaissance since the release of Moonlight Fantasy, a collection of previously unheard 1990s productions, on Rush Hour in 2014. Here the Dutch label dips into his vaults again and unearths another gem from the late 1990s. "Hard to Love" is every bit as warm, rich and loved-up as you'd expect, with Floyd providing a yearning, soul-fired vocal to accompany his rich Windy City grooves and cascading synthesizer melodies. On the flip you'll find a fabulous instrumental version that closely mirrors the vocal take. That it stands up on its own without the headline vocal is testament to Floyd's impeccable composition and production skills.
The Devil Made Me Do It (The Invisible Cosmic Echoes version) (4:51)
The Devil Made Me Do It (The Invisible Astral Wave version) (4:30)
Review: Like many drummers, Alex Puddu has long been inspired by the work of Tony Allen. He pays tribute to the legendary Nigerian sticks-man on "The Devil Made Me Do It", a sumptuous dose of groovy downtempo Afrobeat laden with Allen-style polyrhythms, Africa '70 horns and lashings of eyes-closed electric piano solos. On the flip you'll find two different interpretations from Puddu. The first, subtitled "The Invisible Cosmic", doffs a cap to the Afro-cosmic world of Daniele Baldelli while retaining much of the warmth and musicality of the original mix. "The Invisible Astral" version is an altogether more spaced-out dub, with Puddu smothering the drums and horns in copious amounts of tape echo.