Review: Emotional Rescue turn their attention to Rare Silk and their sublime cult classic "Storm". It's one of those rare tracks with a wonderful otherworldly quality that manages to be smooth and accessible, and somehow not like anything you've ever heard before. It must be somewhere in the mix, between the dreamy harmonized vocals, lush instrumentation and curious sense of space. The original on the A side is a treat enough, but then throw in a mercurial dubbed out version by Arp on the flip and you've got yourself a 12 inch portal to a most delightful dimension.
Review: Fresh from delving into his ambient side on the pastorally-enhanced "Loom Dream" album for Whities, Leif revives his self-manned Tio Series with another double-shot of delicate but impactful cuts outside the conventional slipstream of modern techno. The rhythms fall crooked, the synths trickle, bubble and cascade around the groove and the atmosphere remains humid and heady, especially on ear-snagging B-side "Rumex". "Montpelier" sports more explicit dubby flourishes and a spread of sonic flora and fauna in the middle distance that truly brings the track to life.
Pimping People In High Places (Woodword Ave alternative mix) (6:50)
The Medusa Touch (6:52)
Review: Gary Martin is well known for his unique productions and his label Teknotika is surely a classic coming out of the famous motor city. This special 10" holds two sought after tracks that were found on a lost DAT tape by Yossi Amoyal and Gary Martin himself. On the A side we have a long time secret weapon, it's a hypnotic groove that was heard on many classic sets, Zip and Ben Klock to name a few. An extremely insane, hard to find Gigi Galaxy track that was changing hands for silly prices is on the B side, for those who know... massive release!
Review: Fresh in the chem trails of his Bandulu release, the inimitable Bengal Sound crash lands back into our psyches with his disarming, not-of-this-world take on 140 music. "Young Skeleton" arrives just in time for Halloween, scaring the dickens out of us with its warped humanised tones, dusty atmospheres and distant chimes. "Coroners" takes us from the graveyard to the morgue... But with these hazy arpeggiated trinkles and eerie shimmers are we stepping towards the light or simply waking up? That's for you to work out.
Review: Sheesh! And the award for the swampiest, most mutated and wooziest 140 jam of recent times goes to Sibla & Teffa's "Bobby". Presented here on the a; proper sleazy, rolling, oily cosmic dub funk - with some fantastic vocal stamps from the master - it's quite remarkable for the pair's first ever collaboration. As is 'I Wonder Why' on the B. Taking a slightly more traditional dub route, here they dig deep into the roots and really get involved in the sounds and elements, gradually easing us deeper and deeper into the blend before we realise we're cap-deep in a pretty heady psychedelic stew... And we have no plans to swim to shore. Limited to 300, this won't hang around.
Review: Techno hero Adriana Lopez follows up powerful releases on Modularz and her own Grey Report with this collection of mesmerising techno journeys for the ever reliable Stroboscopic Artefacts' sixth installment in their Totem series. "Embera" sees the Colombian artist venturing down a ghostly trail previously unexplored. Enter the void on the tunnelling freefall session of the title track, trance out to the strobe-lit hypnotherapy of "Saija" before the mental overdrive of closer "Awa" takes you further down the spiral with its intoxicating and droning motions. Exactly the type of sonic tools that you could imagine her deploying during one of her acclaimed and epic DJ sets - this one is serious!
Review: The well-established drum & bass label Circle Vision continues with its often mysterious, uncredited white label series. This third instalment comes under the Circle Vision alias, which could be one person, loads of people or whatever else. What we do know is that "Hollow" bangs - frazzled bass zips about under big jungle breaks, with sci-fi pads bringing a sense of futurism to this bassbin bothering banger. "Tings In Boots" hits just as hard with raved up, strobe lit chords and some brilliantly old school sub-bass. Dark, raw, physical, it is pure dancing music of the highest order.
Review: Throughout his career, L.I.E.S. regular Beau Wanzer has proved adept at delivering decidedly fuzzy, lo-fi workouts that variously draw influence from industrial, EBM, techno and electro. He's at it again on "Do The Spider Shimmy", a tidy ten-inch containing six wonderfully wayward cuts. It's a noticeably stripped-back affair, with most of the cuts existing of little more than sparse but heavy basslines, occasional electronics, minimalist electro beats and the odd droning, stylized vocal. Highlights come thick and fast, from the gently spacey synth-scape "Never Look Back" and the buzzing simplicity of "You Can't Stand On Broken Shoes", to the lo-fi no wave pop of "Choice Curve" and the raw, laid back electro sleaze of the title track.
Review: Seleccion Natural is Oscar Mulero, Exium and Reeko, a techno dream team who have a new album on the way this autumn. Before that they offer up two tracks from it on a tidy 10" that brims with modular synthesisers, samplers and drum machines. "Split Didactics" will rewire your brain with squeaking lines and cantering kicks making for a real techno riot, and "A New Description Of Hell" layers up hammering kicks with howling synths into a rigid and unrelenting groove. Making this extra special is artwork by none other than Silent Servant.
Review: This tasty 10" from Ukrainian label Muscut features skilled musicians Ganna Brizhata, Polina Matskevich and Ira Lupu. Together as Chillera, they make for an EP that is influenced by everything from psyche to soft rock, dub to funk. Each track brims with live and authentic musicianship that makes them that bit more essential: "Koblevska AR" is all twinkling keys and star-gazing chords while "Pro Fun" is a more propulsive bit of funky dub with knotted bass guitar and splashing cymbals. "Spielc" closes things down in romantic fashion with plenty of bendy pitches and wah-wah effects.
I Have Been Waiting For You (DJ Duckcomb Digimix) (7:19)
Review: Emotional Rescue serve up a balmy curveball cut perfect for the summer months. Glen Ricks "I've Been Waiting For You" was originally released back in 1983 on the highly collectible Seraff label and recently reissued by the label (ERC081). Here, as an accompanying release to that boogie version is a 1990 digital rework for the Xterminator label. With a distinctive swung riddim and smoothly incorporated dubbed out chords, Ricks' vocal channels the most soulful Jamaican deliveries, sealing the deal on this evergreen jam that sounds great in original and version forms. DJ Duckcomb steps up with a tender "Digimix" that retains the dusty crunch of the original with just a little extra bite in the beats.
Review: "Call Of The Righteous" is the latest in an ongoing series of releases by Indica Dubs and Chazbo. Once again it is a 10" that boasts the perfectly interwoven drums, chords and bass of Indica, with the chest pumping, uplifting and warrior style synth leads of Chazbo. The bass rolls deep, the tops are crispy as bacon and the frequencies can be felt in your chest while hits ricochet about to enveloping effect. The low riding swagger and infinite horizons of "Raw (Dub Mix)" has to be the pick of the bunch for us.
Review: It's the release that recently moved Skream to tweet he'll make 140 music again, Rarefied dig deep back over the vaults for their first remix release. First up is the Skream co-signed remix of T. A. R.'s "Amplivagant" in which Navy Cut captain J.Sparrow flips the bassline into a steamroller of a mix where the groove has a technoid mind of its own and the demolished results speak for themselves. Flip for Crypticz twist on Primer's "Signals". Switching out the skittering two-steps for ghostly amen echoes while keeping the tone and vibe just as eerie and haunted, it's another remarkable remix. Absolute solid gold.
Review: Prolific producer Arno Volker AKA Einzelkind returns with his first outing of 2019, this time in cahoots with regular studio buddy and Point of View label founder Giuliano Lomonte. Between them, the experienced pair has conjured up a couple of exceptionally strong peak-time workouts. We're particularly enjoying A side "Civil Stretch", a bounding and melodically attractive affair where bubbly electronic motifs, alien chords and jaunty stabs rise above a rubbery, hip-swinging house groove. Flipside "This N That" continues in a similar hybrid tech-house/deep house vein, with the duo bolting woozy chords and eccentric vocal samples onto bustling drums and a thickset electronic bassline.
Review: Berlin-based DJ and producer Denise Rabe has become something of a cult heroine since her first releases in 2015. The years since have found her operate in her own parallel techno world, where psychoactive sounds and heavy drones permeate your ears, then your brain, then your whole being. Now she steps away from her own Rabe label for a debut on Stroboscopic Artefacts, which finds her take charge of the Totem series. Opener "Manifesto" is a driving techno groover with ghoulish synth designs and keys from the 5th dimension, then "Don't Leave" will utterly trip you out with its panning pads and mysterious leads. "Clouds" completes the journey with doom laden and wide spread kick drums that lurch over and over through some ruined post-human world. Tip!
Review: Fernando Zapico AKA Z@p is one of those producers whose work is always worth a listen, primarily because his quality threshold is very high. This two-track missive on My Own Jupiter picks up where his recent EP for Japanese imprint Cabaret left off, delivering faintly foreboding futurist techno whose sci-fi inspirations are clear to hear. A-side "Brutalismo" sets the tone, with paranoia-inducing analogue bass, creepy synth stabs and swirling electronic textures rising above a punchy drum machine-driven groove. "We Control The Sound" is notably denser and a little darker, with sturdier beats, moodier chord sequences and a bone-chilling breakdown.