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Review: Berlin based Cinthie is a firm favourite here at Juno HQ, as well as all around the European house scene. She runs various labels, her own record shop, and all with a great sense of personality. We couldn't be happier that she is next up in the legendary DJ-kicks mix series and of course, she doesn't disappoint. Her selections take in plenty of the raw, stripped back house you would expect. She includes one of her own tunes, the vital 'Organ' as well as fresh material from Ruff Stuff, Anil Aras and Felipe Gordon and puts it all together in an unfussy but hypnotic style. This doubt vinyl album offers you some of the standout cuts.

Review: 11 years on from DJ Koze's one and only commercial mix, 2004's All People Is My Friends for Kompakt, the Pampa boss lines the 50th DJ Kicks mix, following high profile contributions from Nina Kraviz and Actress. This vinyl edition offers the best of both worlds really, featuring some 17 highlights of Kozalla's selection in their original form spread across two slabs of vinyl whilst !K7 have also thrown in a CD copy of the mix so you can hear how it's all done Koze-style. As you'd expect Koze presents one of the more far-reaching selections in the series, with Madlib-produced Freddie Gibbs nestling up alongside William Shatner, Boards of Canada remixes, Broadcast whilst the likes of Marcel Fengler, Session Victim and Frank & Tony offer some deepness.

Review: Viennese duo Tosca have been dealing in ambient sounds for most of their long-running career, but this new LP on Germany's K7 marks a change in their musical style and vision. While they've been praised for their downbeat jams and abstract sounds in the past, Outta Here is all about rhythm and motion wrapped in a warm, jazzy blanket. "Crazy Love", for example, is basically a boogie tune, while "Have Some Fun" sounds like the perfect leeway between hip-hop and house. "Swimswimswim" is another favourite of ours, mainly for its sensual vocals and alluring groove. A sublime turnout for the Austrian boys!

Review: Given his multiple production aliases, love of collaboration and two acclaimed labels - the effervescent Aus and Simple Music - its surprising Will Saul has time to think, let alone lay down a DJ Kicks mix. That the resultant mix is a woozy, atmospheric, multi-textured voyage through many shades of deep house, techno and bass-flecked electronic music is less surprising. Tightly packed with exclusives - see Bicep's rave-flavoured "Nova", for starters - and with cuts from pals October, George Fitzgerald, Cottam and Axel Boman, amongst others, there's plenty for fans of Saul's ever-evolving sound to cheer. This vinyl edition packs 12 of the 24 cuts from the mix across two slabs of vinyl and you get also get a CD of the mix with Saul building a distinctly warm and wide-eyed vibe over 80 mesmerizing minutes.

Review: The last few years have really seen Paul Woolford reach the top of his game in many different ways. Be it bowel emptying rave as Special Request, festival baiting piano house tunes or chart topping pop dance crossovers under his own name, the man is proving himself to have a real golden touch. He sure does crank out all these tunes at a prolific rate, too, but you still feel he does everything with meticulous precision. This DJ Kicks is a case in point. It touches on all the many different facets of his sound from glossy and feel good house to early Chicago classics, post-rave dreamscapes to brutal jungle breaks. What a legend.

Review: Dam Funk has been foundational in crystallising Stones Throw's undisputed leadership in the nu-school funk and boogie scene, and he's up there with the great J Dilla in our books. Naturally, he's been asked to mix up the latest series of DJ Kicks and, ladies and gentlemen, it's a real masterclass - one of those comps you can safely leave on and let it do its thing on you. The mood is personified by a fine blend of electronics and tougher, funkier rhythms by artists such as Index, Moon B, and Dam himself. There are also a few rare cuts by Chicago house legend Gemini that fit in perfectly, and a whole heap of wavy, Cali-inspired electronic funk. Badass.