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Items 101 to 150 of 1,003 on page 3 of 21
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OXI Instruments Coral Polyphonic Multi-Engine Synth Voice Module
Cat: 938984 Rel: 01 Jun 23
 
An 8 full voice polyphonic, multipart, multi engine synthesiser module with sample playback, sweet reverb and chorus in 14HP.
Notes: Hugely powerful multi-engine synth module, offering up to eight voices and eight oscillators, sample playback, custom wavetables and much more. Ultra versatile.

Supplier's Notes:
8 full voice polyphonic, multipart, multi engine synthesizer module with sample playback, sweet reverb and chorus.

Create pads, basslines, riffs and drums. All in one module.

Group voices into parts and assign each voice a different engine or parameter settings to create complex patches.

Features:

Big Sound

Lots of computing power to deliver rich sounding engines, in an 8 voice package.
One voice can have 8 oscillators depending on the engine, which means up to 64 oscillators at the same time!

Polyphonic

Coral features 8 full voices with independent filter, amplifier and modulation envelopes per voice.
Individual FX sends and individual parameter can be set per voice!

Multiengine

Different sound engines can be assigned to each voice from the 10 available.
New engines will be available through firmware updates.

Multipart

The 8 voices can be freely split into different parts. Every single parameter (filter, envelope settings, engine, FX sends, pan, etc.) can be independently set for each part or voice to create complex patches out of the box.

Sample playback

CORAL supports almost any kind of wav file: 16, 24 and 32 bit mono and stereo files, no limit to playback time!
Add overdrive to your samples, sculpt them using the filter and envelopes, pitch them up and down in tune and even modulate the sample file or folder in real time using the CV inputs or CC MIDI commands!

Custom wavetables

You can load any wavetable .wav file to the SD card for the Wavetable engine. The wavetable can be morphed in 3 dimensions. Use our OXI Wave APP to create and edit 3D wavetables.

MIDI Integration

Control any part's parameter via MIDI CC, from FXs sends to sample selection.
Combine it with CV signals for a killer compact combo.

Effects

Space engine to create deep atmospheres and rich ensemble chorus.
Every effect send can be set per voice
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 2 in stock $440.05
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quote 938984
Xaoc Devices Drezno II 1989 Binary Conversion Komputor Module
Xaoc Devices Drezno II 1989 Binary Conversion Komputor Module (comparator/CV modulation/distortion/frequency divider/logic/quantizer/sample & hold/waveshaper synth module)
Cat: 945630 Rel: 10 Nov 23
 
An improved version of the original Drezno module in 12HP.
Notes: Part of Xaoc's Leibniz Binary Subsystem, the updated Drezno ADC/DAC module builds on the original with higher resolution converters, allowing you to use it for pitch quantisation.

Supplier's Notes:
Drezno II is an improved version of the original Drezno module. It is an essential member of the 8-bit Xaoc Devices Leibniz Binary Subsystem. The Leibniz subsystem is a family of modules that operate on 8 binary (two-state, on/off) signals. These signals are arranged as 8 bits of digital data and may represent analogue signals and voltages, or they may be whatever you want them to be (clocks, gates, rhythms, etc.).

Drezno features an ADC (analogue-to-digital-converter) and DAC (digital-to-analogue-converter), allowing it to act as an analog front-end of the system. In other words, Drezno allows one to convert analogue signals and CVs into digital numbers, as well as to obtain analogue signals back from some other digital numbers (or 8 binary signals). Between these two conversions there is a whole universe of digital shenanigans waiting to happen resulting in all kinds of signal transformations and modulations.

Both (ADC and DAC) sections of Drezno can work independently, or they can be linked. Input and output range of analogue signals may be adjusted using Gain and Offset sliders. Individual bit outputs (for the ADC) and inputs (DAC) allow for extensive cross-patching and the creation of complex waveforms and rhythms. A very fast clock (up to 2MHz) at which the conversions are performed may be replaced with any external clock (for each section separately).

Compared to its predecessor, Drezno II uses new converters of much higher resolution which results in much lower noise floor and higher accuracy. The lower bits are much more stable than before. It is easy now to use Drezno for quantizing pitch voltages with accurate results with 128 or 256 semitone steps. Potentiometer ranges are factory calibrated for precise chromatic scale. A new switch on the front panel allows the user to select the calibrated range of 10Vpp or 20Vpp, so that the lowest bit or the second bit correspond to 1 semitone.

Technical details

Eurorack synth compatible
12hp, skiff friendly
Current draw: +80mA/-50mA
Reverse power protection
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 3 in stock $250.55
1010 Music Bitbox Micro Compact Sampling Module (black) 1010 Music Bitbox Micro Compact Sampling Module (black) 1010 Music Bitbox Micro Compact Sampling Module (black)
1010 Music Bitbox Micro Compact Sampling Module (black) (sampling/drum/clock generator/controller/digital/dual/stereo/MIDI synth module)
Cat: 913321 Rel: 28 Dec 22
 
Compact sampling module
Notes: Black version of Bitbox's excellent sampling module. Touchscreen-based design allowing up to eight stereo samples, recording directly or loaded from SD card.

Supplier's Notes:
Bitbox micro provides Eurorack sampling for smaller racks and smaller budgets. In only 18 HP of rack space you can get a touch screen based sampler with support for 8 stereo sample pads. Now you can record samples directly into the module or load them from the microSD card. Trigger your samples via CV or MIDI, then apply effects and mix the outputs. Save your configurations to multiple presets for later reuse.

Powerful Sampling Capabilities in a Smaller Form Factor

With the sampling features of Bitbox micro you can add interesting new ways of generating sound and music to your Eurorack. Trigger one shots, play time synched loops or record live looping. Bitbox micro is equally at home in your studio or as a component of your live performance.

Features

Sample Playback
Play up to 24 stereo polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger stereo samples streaming directly from the microSD card
Configure 8 stereo sample pads per preset as single or multi-samples, clips, slicers, granular or new recordings
Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio
Trigger samples with the touch screen, CV gate inputs, or MIDI input
Control how samples start and stop by choosing from one-shot, toggle, and gate launch modes
Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, grain size, grain spread, grain count, and MIDI note and channel mapping

Sample Recording

Record Eurorack level audio straight into the module:
Record samples from a stereo audio input pair
Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Automate recording of a multi-sample bank via MIDI and CV
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer

Sample Modes

Find creative ways of using your samples with our 5 sample playback modes:
Trigger one shots or launch loops using sample mode
Load a folder of samples into a sample mode pad to improve the quality of the pitch shifting when playing a sample chromatically or to trigger different samples with each note
Play time-synchronized loops with constant pitch time shifting in clip mode
Skip between slices of a WAV using slicer mode
Create rich textures and other worldly sounds with granular mode

Inputs and Outputs

Use the 8 inputs the way you want: assignments include a stereo audio input, up to 8 gate inputs, up to 8 CV inputs and 1 clock input.
Route the audio from each pad out to one of 3 stereo audio outputs or one of 6 mono audio outputs
Listen to all of the pad outputs combined on the master stereo output
Inputs and outputs are DC coupled so you can record and play out CV signals
External Control and Synchronization
Playback can be immediate or synchronized to internal clock, TRS clock in, or MIDI clock in and out
Confidently connect with both TRS MIDI Type A and Type B, no adapter needed
Play a single or multi-sample pad pitch shifted using MIDI notes or CV
Trigger different sample slices using MIDI notes or CV
Modulate a wide variety of sample parameters through the MIDI input and up to 8 CV signals
Quickly set up MIDI modulation using Learn mode i no need to look up CC numbers

Module Features

Use the 2" diagonal touch screen to intuitively explore the features of the module
Get more creative with double the processing power of the original bitbox
Refine your sound with reverb and delay
Import or export WAV files with your Mac or PC using a microSD card
Save and recall multiple presets
Increase your capacity with larger microSD cards
Compare to Our Other Samplers
Our Sampler Selection Guide shows you how bitbox micro compares to our other samplers.

What Is Included

When you purchase bitbox micro, you will receive:

a bitbox micro Eurorack module
a microSD card with a bank of demo presets and samples loaded on it
a Eurorack power cable
a bitbox micro Quick Start guide
a MIDI Adapter
Firmware Updates
Get new features by downloading firmware updates from forum.1010music.com.

Documentation and Video Tutorials

The Bitbox Micro Support page has links to videos, the quick start guide and the full user manual to get you up and running quickly and answer your detailed questions. If you can't find answers there, reach out to the community with questions on the 1010 Music forum.
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! low stock $441.09
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quote 913321
Hexinverter Mutant Brain MIDI To Trigger/CV/Gate Module
Hexinverter Mutant Brain MIDI To Trigger/CV/Gate Module (clock generator/CV modulation/MIDI/utility module)
Cat: 690914 Rel: 26 Jul 18
 
16-output MIDI to trigger, sync, polyphonic CV & gate module - 8HP
Notes: The Mutant Brain is the central nervous system connecting your modular analogue eurorack system to MIDI gear, especially for percussion, polyphonic notes and sync duties! It packs 16 eurorack compatible outputs into a tiny, super affordable 8HP package.

The 4 CV outputs and 12 Gate/Trig outputs are all universally reconfigurable. Triggers, gates, clock divisions and sync signals, polyphonic keyboard playing, velocity, sequencer transport, LFOs - you name it!

Configuring your patch is easy - just assign each output as you like in the Mutant Brain Surgery configuration utility, then send the MIDI SysEx file to the module and forget about it - the Mutant Brain remembers it all for you.

Hexinverter supply a convenient download pack of pre-configured, ready to use Mutant Brain patches for some select sequencing and drum machine devices on the market today, easily turning those sequencers and drum machines into a modular control powerhouse!

Designed with live and studio performance in mind, the Mutant Brain does away with wasted panel space and complex menu-diving interfaces, while freeing you from the limited "auto-learn" type MIDI interface. An auto-learn interface sometimes doesn't play well with the limitless combinations of different gear setups which today's modular performers play live with.

4 CV Outputs (0V to 8V) can be

Notes (Mono or Polyphonic, V/Oct or V/Hz)
Pitch Bend, Velocity or Aftertouch
MIDI CC values (LFOs, modulation, etc.)
Fixed Voltage Values
12 GATE Outputs (0 to 5V) can be

Note Gates and Triggers
Drum Triggers, Retriggers
MIDI Transport (Start, Stop, Run, Resets)
MIDI Clock Ticks (Divisions)
CC Value Above/Below Threshold
Each GATE output has an adjustable trigger length between 1 and 120ms

Dimensions
8 HP
38 mm deep

Current Draw
19 mA +12V
4 mA -12V
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 2 in stock $187.39
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quote 690914
Endorphin.es Ghost Audio Processor Module (black)
Endorphin.es Ghost Audio Processor Module (black) (delay/digital/distortion/dual/stereo/dynamics/effect/filter/reverb synth module)
Cat: 880293 Rel: 05 Oct 22
 
In collaboration with Andrew Huang, based on his modern music production techniques, Endorphin.es developed a creative audio processor with multiple blocks that can be moved around in order to achieve different flavours for sound design.
Notes: Collabing with YouTube sensation Andrew Huang, Endorphin.es offer up this impressive multipurpose processor module. Building blocks of stereo filtering, compression, reverb and more offer huge creative potential.

Supplier's Notes:
In collaboration with Andrew Huang, based on his modern music production techniques, Endorphin.es developed a creative audio processor with multiple blocks that can be moved around in order to achieve different flavours for sound design.

Processing unit without fixed structure: intuitively create astonishing and ephemeral timbres, from atmospheric rumbles to heavy or distorted textures.
Creative stereo effect processor with delay, reverb, filter and distortion with quickly explorable routing chain with single button press.
New generation ARM Cortex - M7 processor with 96 kHz 32 bit internal processing.
Lush hall and whooshing reverse reverbs with audio freeze and pre-delay.
Sidechain audio ducking envelope available both internally and externally with additional one knob single band compressor.
Tap delay with maximum delay time up to 2.5 seconds, external clock input with onboard clock divider and 1v/oct time control.
8x oversampled distortion algorithm.
Pre- and post - VCA, tone and volume controls with extra gain.

Power consumption:
135 mA +12V
35 mA -12V
0 mA 5V

Dimensions:
16 HP
26 mm deep with power ribbon cable connected.
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 2 in stock $408.46
ALM Jumble Henge 16-Input Stereo Spectral Mixer Module ALM Jumble Henge 16-Input Stereo Spectral Mixer Module ALM Jumble Henge 16-Input Stereo Spectral Mixer Module
ALM Jumble Henge 16-Input Stereo Spectral Mixer Module (dual & stereo/equaliser/mixer/panning synth module)
Cat: 812641 Rel: 05 Feb 21
 
A 16 input stereo spectral mixer with a unique patch-based mixing interface in a compact space.
Notes: The Jumble Henge is a 16 input stereo spectral mixer with a unique patch-based mixing interface in a compact space. Each input has a carefully tuned resonant analog filter and a unique fixed pan value, providing each sound its own space within the mix. There is a Mix control to adjust the depth of the filtering and a clean external stereo input for chaining with another mixer or extra sound source. Jumble Henge is a space efficient solution for creating rich stereo mixes from a number of both mono and stereo sources.

INPUTS
Vertical and horizontal patch position determines a source's spectral and stereo placement in the mix respectively.

Aside from centred inputs, every input sits in its own unique pan position, helping to keep a separation between sounds but building a complete stereo image when combined.

The centre right inputs of the top two rows are normalised to the centre left inputs. - i.e if just a left input is patched it will be effectively panned center.

Towards the highs the panning becomes wider - as the human ear better pinpoints direction at higher frequencies, whereas the lows remain more centred for a tighter, more focused sound.

MIX CONTROL
Mix control for the overall depth of the filters applied to the inputs. Note: a slight volume increase occurs near the centre of the dial.

EXTERNAL INPUT
An additional clean stereo input pair for chaining with another mixer or additional source. Right input normalised to left input to accomodate mono sources.

OUTPUTS
Stereo mix output, the sum of all 16 inputs.

Jumble Henge was designed in collaboration with Worng Electronics and is based on the 'SoundStage'.

Technical Specifications

Supply: +12V 70mA / -12V 70mA

Size: 8HP

Depth: 38mm
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 5 in stock $240.01
Intellijel Metropolix Multitrack Performance-Oriented Pitch Gate & Mod Sequencer Module
Intellijel Metropolix Multitrack Performance-Oriented Pitch Gate & Mod Sequencer Module (clock generator/controller/CV modulation/digital/envelope generator/function generator/sequencer synth module)
Cat: 814424 Rel: 24 Feb 21
 
Clock generator/controller/CV modulation/digital/envelope generator/function generator/sequencer eurorack module
Notes: Successor to the excellent Metropolis, the Metropolix is a performance-focussed step sequencer with some really neat features, including modulation and sub-sequences in Loopy mode.

Supplier's Notes:
The Intellijel Metropolix is a unique and powerful Eurorack format musical sequencer. With an abundance of hands-on, tactile controls and a wealth of modulation possibilities (both internal and external) you can quickly and easily create infectiously musical sequences that are never boring. Even the simplest riff can be brought to life with seemingly endless options to create variations or real-time manipulations. Equally at home in the studio or a live improvised performance, the Metropolix is sure to become a staple source of fresh ideas and killer riffs in your creative process.

Width: 34HP
Depth: 25mm
Power: 95mA @ +12V 10mA @ -12V

On first blush, it appears to be a simple 8-stage sequencer - but there is far more functionality than first meets the eye:

There are two tracks (TRK 1 and TRK 2) that are variants of the single master pitch/gate sequencer, which is programmed via the PITCH sliders, PULSE COUNT and GATE TYPE switches. Each track interprets the master sequence in a variety of ways - creating complementary sequence variations that enable you to generate counterpoint, polyrhythms, and all manner of sonic movement (both subtle and extreme). Each of these tracks has its own playback ORDER, sequence LENgth, clock DIVision, SWING amount, SLIDE time, and track GATE lengths. Other track-based sequence variables are accessible from the TRACK MENU, and include Pitch Slider inversion; sequence note range; track transposition; and more. In addition, Tracks 1 & 2 both have multiple lanes of per-stage playback parameters, including: GATE override; PITCH override; RATCHet count; PROBability of playback; ACCUMulating transposition, and a dedicated CV lane. Each stage also has a SKIP feature, and a pitch SLIDE option.

8 separate and individual MODulation lanes are accessed via the MOD button. Each MOD lane has 8-stages of modulation values and its own playback ORDER, LENgth, and clock DIVision; and each lane is routable to one of Metropolix' two assignable outputs or to dozens of internal destinations, allowing for some sophisticated and powerful self-modulation.

A trio of AUX inputs allows for external modulation of user-assignable sequencer parameters for even greater variation, while two assignable CTRL knobs give you direct access to the parameters you want to adjust most frequently during a performance. With dedicated Pitch/Gate outputs for both Track 1 and Track 2; two totally user-assignable outputs (A and B); and internal MOD routing, Metropolix features a wealth of patching opportunities.

Metropolix also features a Loopy mode, allowing you to instantly play back short sub-sequences, or even "play" the stage buttons directly (like a 'keyboard').

Metropolix stores up to 64 preset configurations (in 8 banks of 8 presets), and all live settings are stored in EPROM, ensuring that your Metropolix will always power up exactly as you left it - even if you haven't saved them to a preset. By default presets can change all the structural (menu-based) elements of your sequencer without overwriting the front panel controls, but full recall is also available.

The operation of the Metropolix is optimized for live performance and jamming, with quick access to all the most important performance parameters, and the ability to greatly affect your sequences with a single slider or switch.
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 3 in stock $614.80
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Cosmotronic Delta-V Dual Amped Envelope Generator Module Cosmotronic Delta-V Dual Amped Envelope Generator Module Cosmotronic Delta-V Dual Amped Envelope Generator Module
Cosmotronic Delta-V Dual Amped Envelope Generator Module (CV modulation/envelope generator/LFO/polarizer/slew limiter/utility/VCA synth module)
Cat: 803494 Rel: 20 May 21
 
CV modulation/envelope generator/LFO/polariser/slew limiter/utility/VCA module
Notes: Delta-V is a fully analogue dual-channel function generator, featuring a dedicated VCA and LFO cycle switch for each channel. It packs a great deal of functionality in only 10HP, and will surely find use in almost every patch.

Generate envelopes, slew gates and signals, or run LFOs with precise control over attack and decay times. Using the SHAPE knob, Delta-v can create a wide range of envelopes, from very snappy exponential curves for percussion to logarithmic thumps for bass lines.

If VCA's input is unpatched, the module outputs a regular voltage envelope. When an audio signal is patched into the VCA input, the output signal becomes the audio signal amplified by the envelope.

Sending other envelopes or an LFO to VCA input lets you modulate those modulators, quickly creating complex control voltages that go beyond the usual attack-decay envelope.

Combine this with the SUM output, which sums the two channels, and the attenuverters, which can quickly attenuate or invert the signal, and you have a whole array of signal processing capabilities.

The TRIGGER input fires a Attack-Decay envelope, while the SLEW input will affect the rate of change of the signal.

The trigger for channel 1 and 2 can be linked together, so you can fire two envelopes with one patch cable.

Each channel has an End of Cycle output, (EOC) this outputs a short trigger at the end of each envelope cycle.

The output voltage ranges from -10 to +10 volts, set with handy output attenuverters.

The CYCLE switch starts looping the envelope, creating LFO's that go up to audio rate, and that can also be used as an interesting sound source.

There are many ways to utilise Delta-V.

Challenge yourself to explore new, unconventional territories!


Width: 10HP
Depth: 27MM
Power: +12V 70 MA
Power: -12V 70 MA
Power 5V: 0 MA
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MRP:$216.87 SAVE 11%
 2 in stock $192.64
After Later Audio Pachinko Marbles Redesigned Module
After Later Audio Pachinko Marbles Redesigned Module (clock generator/clock modulator/quantizer/random/sequencer synth module)
Cat: 805525 Rel: 14 Jan 21
 
Random sampler module/rebuild of Mutable Instruments Marbles
Notes: This is a brand new build of a JakPlugg designed Pachinko, which is a micro version of Mutable Instruments Marbles. It retains all of the functionality of the original but takes up less space (12HP) than the original Marbles (18HP).

The module is fully assembled, tested, and calibrated. The calibration is done with a 6.5 digit multimeter, itself recently calibrated, to ensure you get the highest accuracy from your module.

The panel is a custom black After Later Audio panel that offers metallic gold accents.

The module comes with a power cable and a 1 year warranty.
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 2 in stock $235.81
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Xaoc Devices Zagrzeb 1979 Stereo Four Pole VC Filter Module
Xaoc Devices Zagrzeb 1979 Stereo Four Pole VC Filter Module (dual/stereo/effects/filter synth module)
Cat: 846578 Rel: 14 Jan 22
 
A stereo multimode 4-pole (24dB/oct) state variable voltage-controlled filter (SV VCF).
Notes: A seriously versatile filter here, much more than meets the eye. Stereo, state-variable, multi-mode design gives you huge control over frequency response and stereo image.

Supplier's Notes:
Zagrzeb is a stereo multimode 4-pole (24dB/oct) state variable voltage-controlled filter (SV VCF). It offers five distinct frequency responses, three of which are available simultaneously. Spread control allows for animation of the stereo image by moving the left and right filter cutoff frequencies in opposite directions. Zagrzeb is designed to sound smooth and clean unless it is overdriven with a hot signal- however, it does not lack character! We believe it will be appreciated by fans of old Japanese synthesizers, but bear in mind that Zagrzeb is not a clone of any existing design. The four-pole state variable structure is a new development and offers unique sonic characteristics. While Zagrzeb is designed for filtering stereo signals (e.g. samples or stereo oscillators like Xaoc Devices Odessa), it can easily handle mono signals and is capable of creating a faux stereo pair thanks to a special phase shifting network at the input.

Dimensions:
8 HP

Current Draw:
70 mA +12V
60 mA -12V
0 mA 5V
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 3 in stock $235.81
Buchla & TipTop Audio Source Of Uncertainty Model 266t Module Buchla & TipTop Audio Source Of Uncertainty Model 266t Module Buchla & TipTop Audio Source Of Uncertainty Model 266t Module Buchla & TipTop Audio Source Of Uncertainty Model 266t Module Buchla & TipTop Audio Source Of Uncertainty Model 266t Module Buchla & TipTop Audio Source Of Uncertainty Model 266t Module Buchla & TipTop Audio Source Of Uncertainty Model 266t Module
Buchla & TipTop Audio Source Of Uncertainty Model 266t Module (attenuator/clock generator/CV modulation/dual & stereo/quantizer/random/utility module)
Cat: 846752 Rel: 12 Dec 22
 
Random voltage generator & sculpting module - 24HP
Notes: More great value from TipTop's Eurorack reissues of classic Buchla modules. Noise sources, random voltages, sample-and-hold and integrator (slew) provide a range of modulation and processing options.

Supplier's Notes:
Offering tonnes of opportunity for creating unique instances of controlled randomness, TipTop Audio's Buchla Model 266t Source of Uncertainty is a recreation of the classic random voltage generator and sculpting module. Bringing back a classic set of Buchla's 200-series modules, the 266t recreates six different tools in one classic interface for all of the Eurorack community to bask in. The 266t divides into two sections of generation and modification, featuring two different processors and four generator types with one producing three flavours of analogue noise, labelled flat, -3dB/oct, and +3dB/oct.

The fluctuating random voltages section features two individual smooth voltage generators for adding wiggles and warbles to your modules, each controlled by a rate parameter with CV inputs for modulation. Right below is the quantized random voltage, offering a stepped random output that randomly decides voltage based upon one of two equations corresponding to a value called "n". Depending on the output, you can tune your range to a set amount of possibilities with n+1 output being more localized to the 5V range and the 2^n output having equal opportunity across all 10 volts. The final generator labelled stored random voltage produces two outputs of stepped voltage with an equally distributed random voltage output as well as a selectable bell distribution output that centres its options based on the probability control.

Looking at the processing section, the top-right sample and hold section is actually a track and hold processor, tracking the cv input and changing only at the next high input on the pulse in. The resulting CV output additionally has two alternate outputs that base off alternative pulse counts, and the pulse output alternatives similarly alternate each pulse count. The final section of the 266t lies in the integrator, featuring a simple yet very handy smoothing processor by determining the time it takes to reach from one CV value to the next. With all this versatility to work amongst many modules or even self-patch for related modulation, the Buchla Model 266t Source of Uncertainty will certainly make any modular system lively.

Specifications:

Size: 24 HP
Depth: 25mm
Power: +12V 150mA / -12V 100mA
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MRP:$293.72 SAVE 18%
 3 in stock $242.17
Squarp Instruments Rample Wave System 4-Voice Sample Player & Audio Processor Module
Cat: 783294 Rel: 09 Sep 20
 
Sample player & audio processor module
Notes: Nicely thought out four-voice sample playback module from Parisian innovators Squarp. Load up a microSD card with samples (up to 2600 kits), then trigger and process. Neat.

** Firmware update- February 2024 ***

Thanks to a major rework of the OS, this upgrade includes an overall better sound quality and an improved latency.

Moreover, the effects Freeze and Bitcrusher have been redesigned, and the parameters Start and Sample Length are now exponential to facilitate the fine-editing of your samples.

Supplier's Notes:

Rample waves system

Eurorack 4-voice sample player & audio processor

Versatile sample machine

From percussive drum-machine kits to synth samples, breakbeats to sound FX, backing tracks to hour-long audio music, Rample can play up to 4 .wav files on independent audio outputs :

These samples are stored inside the provided SD card, and organized as kits, from A00 to Z99... allowing up to 2600 banks of 4 voices, with on-the-fly loading! The SD card is preloaded with tons of samples, and we made it very easy to import your own kits.

Thanks to the DC coupled audio outputs, it's also possible to play CV waveforms.

Effects rack

Each voice has its own "rack" of effects, and all audio effects can be enabled at the same time, allowing you to manipulate your samples in real time, from a gentle lowpass to massive destruction!

pitch - a great sounding pitch engine, based on a 6-pole interpolator, which ranges from -1 octave to +1 octave.

bits - two different bitcrushing algorithms, based on sample rate and resolution reduction. It produces distortion and warms the audio signal.

filter - a low resonance filter, DJ-style, cutting off the high frequencies or the low frequencies.

freeze - sample and loop a fraction of the played waveform, creating a glitching effect.

levels - decrease the gain or drive the signal.

It's also possible to edit 'advanced parameters' like the start point, sample length, attack/decay and run mode, and create mute groups without breaking a sweat.

Finally, thanks to the 4 CV inputs, any of the effects (or advanced parameters) can be assigned to create amazing modulations!

Multi-layer sampling

One of the key feature is the ability to "multi-sample" your kits, multiplying Rample's potential. Each voice supports up to 12 samples, can be played randomly or in a controlled fashion. It's a great way to add complexity and variations, to create organic/acoustic sounding drums, or simply to increase the number of samples per kit (up to 48).

As an example, Squarp are providing a multi-layered drum kit, with 12 different recordings of a kick, 12 different recordings of a snare, etc. Sequencing them randomly leads to a more natural drum playing.

Another kind of multi-layered acoustic drum kit is also provided, where each drum is recorded with 12 levels of velocity. Controlling the layer to be played leads to intricate, convoluted drums programming.

Of course, it's very easy to create your own multi-layered kit, and you can use this method to perform multiple synth chords, sound glitches, voices, breakbeats, ...

CV/Gate and Midi interface

Rample is designed to be the perfect rhythmic companion of your eurorack system thanks to its Gate (trig samples) and CV (modulate samples) connectivity.

You can also use it as a standalone midi machine, without using the CV/Gate connectivity: the midi in port allows you to trig & control all samples parameters + effects values at the same time. Each Rample comes with a 'stereo jack to midi DIN' and 'stereo jack to jack' adapters, easing the chaining of multiple modules in order to create an 8-voice, 12-voice, 16-voice (or more) midi drum machine!

SD card preloaded with 200+ kits from artists and sound designers, covering a large range of audio samples
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 2 in stock $334.76
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quote 783294
Dreadbox Eudemonia Filter-Mixer-VCA Module
Cat: 809393 Rel: 20 Jan 21
 
Filter/mixer/VCA eurorack module
Notes: The compact and complete VCA. Filtering and mixing rolled into one powerful unit. The Dreadbox Eudemonia Filter is an analog wave generator processor. It provides accurate mixing capabilities and features a dual filter in series. The filters are a 24dB resonant Low Pass Filter and an 18dB non-resonant High Pass Filter - these allow you to shape your sound before sending to your output. In order to keep things in line, the exponential VCA has a peak indicator to help you reference your levels.

Power Consumption: 61mA @ +12V , 69mA @ -12V
61 mA +12V
69 mA -12V
35 mm deep
10HP
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MRP:$100.01 SAVE 19%
 2 in stock $81.34
Erica Synths Graphic VCO Advanced Wavetable VCO Module
Erica Synths Graphic VCO Advanced Wavetable VCO Module (oscillator/waveshaper/distortion/effect module)
Cat: 771733 Rel: 06 Apr 20
 
Advanced wavetable VCO module with wave & FX design features - 16HP
Notes: Better known for analogue modules, it turns out Erica Synths are pretty damn good at digital too. Draw your own waveforms, build wavetables, tweak in real time and get freaky. Killer VCO.

Supplier's notes:
Erica Synths Graphic VCO allows you to draw your own waveforms, arrange them in wavetables and wavetable banks, morph between two selected waves and alter the resulting wave in advanced ways (FXes) - apply FM, phase distortion, ring modulation, wavefold/wavewrap, bitcrush.

Waves, wavetables, FXes and other settings can be saved and recalled from the memory instantly. The module has two outputs - the main output and the output with configurable suboscillator.

NB! To have the module functionality up to date, we recommend you to check the Erica Synths home pageor our social media from time to timefor announcements about firmware updates for the Graphic VCO. You can update the firmware of the module via miniUSB cable. More detailed instructions of the firmware update can be found in the User Manual.

The sound is clean, modern, punchy and detailed thanks to the unit running at 96kHz - quite different to some low bit-rate wavetable oscillators on the market. Wavetable interpolation is smooth as butter and with the built-in effects you can dirty things up in many different ways. The module scores highly on the sound front. The Graphic VCO is a very capable oscillator module with excellent sound quality and a lot of features that could make it the right choice, especially if live performance is your thing. - Sound On Sound
The bottom line is that the Graphic VCO is a joy to use. It's a module that's unashamedly digital, yet unmistakably eurorack. I think Erica showed a great deal of careful judgement and restraint in the design of this module. It would have been easy to have made it bloated and cumbersome trying to cram as many features as possible into it, but they kept it fairly simple which keeps the module fun and immediate in use. It's capable of a huge tonal palette ranging from beautiful to brutal that is bound to fit in with a lot of different styles and systems. - Ask Audio
The ability to draw and then effortlessly jump between different custom digital waveforms in this way feels unique on the Eurorack stage, and allows for a wide range of tones and transitions between them. - Orb Mag

Technical specifications:

Audio output amplitude
10Vptp
Octave range
C0-C8
Sample rate
96kHz
Unipolar CV input range
0 -+10V
Bipolar CV input range
-10V -+10V
Panel Width
16 HP
Module depth
30mm
Power consumption
152mA@+12V,
20mA@-12V
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MRP:$356.88 SAVE 31%
 2 in stock $245.28
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quote 771733
Doepfer A-124 VCF5 Wasp Filter 12dB Multimode Filter Module (special edition, black/yellow)
Cat: 671564 Rel: 29 Nov 17
 
12dB multi-mode filter with unique classic circuitry, based on the filter from the 70s EDP Wasp synth
Notes: Module A-124 is a special 12dB multimode filter using the "strange" filter circuit of the "EDP Wasp" (an analog synthesizer with black/yellow case built end of the seventies, manufactured by the UK company "Electronic Dream Plant" with Chris Huggett und Adrian Wagner). This design "abuses" digital inverters as analog operational amplifiers leading to distortions and other "dirty" effects that generate the specific sound of this filter. The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates. The module does not feature self-oscillation in contrast to most of the other filters of the A-100 system.

Inputs: Audio In, CV In (2x)
Outputs: Bandpass Out, Low/Highpass Mix-Out
Controls: Audio and CV attenuator, Frequency, Resonance, LP/HP Mix

The function and operation of this module is very similar to the module SEM VCF A-106-5. But the sound of both filters is very different! The only functional difference is the position of the sockets and controls, and the function of the controls CV2 (A-124: normal attenuator, A-106-5: polarizer).

- 3U Eurorack module, 8HP wide, 45mm deep
- Current draw 30mA
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Xaoc Devices Odessa 1975 Variable Spectrum Harmonic Cluster Oscillator Module
Cat: 689812 Rel: 22 Nov 19
 
Addiditive synthesis engine
Notes: Additive synthesis oscillator based on the concept of building up harmonics from sine waves. A complex idea nicely executed for ease of use.

Suppliers notes:
Odessa implements the principle of additive synthesis controlled by a set of carefully tailored macro parameters to harness thousands of sinusoidal partials that altogether form the resulting sound.

The interface is kept simple and accessible, so you can easily build rich and full, great sounding timbres of very complex spectra, that can be either harmonic or inharmonic. Even though inharmonic spectra yield non-periodic waveforms, all partials are frequency related to the common fundamental controlled by a V/oct input. The series of harmonics can be squeezed or spread apart, tilt, and pruned by a comb-like frequency response, resulting in a variety of unearthy sounds. Animating the comb response yields radical effects similar to flanging and phasing. Additional, often sought after features are implemented: through-zero linear frequency modulation, and unison detune: up to 5 copies of the sound can be spread apart for a fat and dense cluster of voices.

There are nine parameters, each controlled by a dedicated knob, so the workflow is as smooth and immediate as possible. Furthermore, every parameter has a dedicated CV input, allowing live animation for organic audio effects. Odessa sports two main outputs for banks of harmonic partials that can be further scaled in frequency, as well as an additional output that can either spit out a square wave or a single sinusoid of the fundamental frequency. Interesting spatial effects, crazy modulation feedbacks as well as synchronisation is possible that way.

The hardware is based on a powerful FPGA chip offering massive parallel computing. The synthesized signal is devoid of aliasing through the entire audio range thanks to intrinsically bandlimited algorithm. A simplified spectral analyser helps you to keep a visual track of what is actually happening to the harmonics.

For even more control over Odessa, you can use the Leibniz subsystem (or just the Lipsk) that can be connected to a header at the back of the module.
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 2 in stock $454.78
2hp Tune Multi-Scale Pitch Quantizer Module (black)
2hp Tune Multi-Scale Pitch Quantizer Module (black) (CV modulation/quantizer/utility synth module)
Cat: 686043 Rel: 04 May 18
 
Multi-scale pitch quantizer
Notes: Tune is a multi-scale pitch quantizer. It features 11 scales ranging from chromatic to octatonic with everything in between. In addition, the bias control allows the user to transpose the melody to a different octave or starting note.

This functionality opens up every musical mode for each of its 11 scales and provides a performable control for transforming melodies on the fly.
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 2 in stock $108.43
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Doepfer A-151 Quad Sequential Switch Module (silver)
Cat: 577792 Rel: 06 Jun 19
 
Electronic switch with up to four steps - 4HP
Notes: Module A-151 (Quad Sequential Switch) is like an electronic four-position rotary switch.

It includes trigger and reset inputs, four in / outputs, and a common out / input. Each time a pulse is received at the trigger input socket, the common out / input is connected to the next in / output. After the fourth in / output, the next trigger makes it step back to the first again, and so on. A positive pulse at the reset input switches the out / input immediately back to the first in / output (see Fig. 1). Voltages in the range -8V...+8V at the O/I resp. I/O sockets can be processed by the module.

Four LEDs indicate the active in / output (i.e. the on that is connected to the out / input at any particular time).
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 3 in stock $58.95
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After Later Audio Cloaks 4-Channel Voltage Controlled Amplifier Module
Cat: 943138 Rel: 04 May 23
 
A hardware replica of the Mutable Instruments Veils 2020 module in 10HP.
Notes: This is an exact hardware replica of the Mutable Instruments Veils 2020 module. After Later used the "hard-to-find" OPA1679 opamps, but we did switch the package from TSSOP to SOIC, to keep costs down. It is the same part/specs, just a different package.

Based on open source designs by emilie gillet under Creative Commons (CC-BY-SA) license.

Width: 10hp
12V: 50mA
-12V: 50mA
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 1 in stock $166.33
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Knobula Chord Pilot MIDI Chord Explorer & Arpeggiator Module
Cat: 910319 Rel: 07 Feb 23
 
MIDI chord explorer & arpeggiator module - 12HP
Notes: Another clever one from Knobula, this chord-based sequencer/arpeggiator adds versatile harmonic options to your creative process. Pair it with the Poly Cinematic module for best results.

Supplier's Notes:
Generate extraordinary chords without using a keyboard.

Chord Pilot introduces a whole new take on the task of chord creation and performance offering 192 chord memories, a strummer, an arpeggiator and an 8 step chord progression sequencer, all in one compact 12hp package.

Knobula have thrown away the music theory rule book and instead offer a module that encourages the curious mind to discover alternative musical pathways, whether for generative patches or for EDM riffs.

To generate a new chord, Chord Pilot uses a series of controls that alter the width and spread of 'fingers' over a virtual keyboard before conforming them into a variety of musical moods from the pure and harmonious to the terrifying and cacaphonic.

Like all Knobula products, Chord Pilot has been designed primarily with performance in mind, to inpsire by experimentation, to lose yourself in the moment, and to occassionaly generate impossibly hard to play super chords.

With the ability to store and transfer chords in sets of eight, Chord Pilot makes a great companion module for Poly Cinematic, but it is equally at home serving any poly synth with a midi input.

Discover Chord Pilot, your guide, navigator and explorer to a whole new universe of musical harmony, and beyond.
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MRP:$394.78 SAVE 21%
 1 in stock $312.01
AJH Synth MiniMod Vintage Transistor Core VCO Module (black)
Cat: 625058 Rel: 22 Sep 16
 
Mini Mod Vintage Transistor Core VCO Module
Tags: VCO module
MRP:$300.03 SAVE 13%
 1 in stock $261.07
Tiptop Audio Z5000 Multi-Effect Module (white)
Cat: 757467 Rel: 17 Dec 19
 
Powerful DSP effects module - 8HP
Notes: Back in 2008, the original Z5000 was not only the world's first Eurorack DSP effects module but also the first Tiptop Audio module released. It brought voltage controlled digital effects to Eurorack for the first time and the Z5000 was eventually replaced by the Z-DSP open source platform. Now, years later with over a decade of experience developing audio effects for Eurorack signals we are introducing a totally new version of the Z5000: a compact stereo 8HP multi effect with voltage controlled parameters, VC analogue clock generator driving the DSP chip and 24 of our creme de la creme reverbs, delays, modulation, harmonization and pitch modulated effects. A number of programs in the Z5000 combine more than one effect, in series or parallel, that represent studio techniques from-the early days till modern times often leaning toward the more experimental side.
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MRP:$236.87 SAVE 27%
 2 in stock $173.59
ALM mmT MIDI To CV Expander Module For mmMidi
Cat: 757948 Rel: 09 Dec 19
 
MIDI to CV expander module for mmMIDI - 3HP
Notes: The mmT is an optional 3HP expander which connects directly to the expand socket on the rear of the mmMidi using supplied cable.
It maps the third configured MIDI channel key presses to corresponding trigger/gate outputs as shown on the mmT front panel.
It's useful for controlling drum modules and in particular the ALM Squid Salmple.

Dimensions
3 HP
38 mm deep

Current Draw
30 mA +12V
0 mA -12V
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! low stock $84.24
Happy Nerding LED Meter Module (silver, green/yellow/red LEDs)
Cat: 944549 Rel: 18 May 23
 
A handy utility module designed to show audio levels in 4HP.
Notes: LED Meter is a handy utility module designed to show audio levels. Three color versions are available:

- green colour with yellow-red peak segments.
- all blue colour
- all yellow colour

There are total 30 led segments, each one roughly corresponds to 1 dB of level, so it is 30 dB of measurement level available with this module.
The module has an input for the signal to be displayed, and its buffered copy is sent to the output for further processing, so no external splitter is needed.
Two trimmers are accessible via holes on the front panel: left trimmer adjusts brightness and right trimmer is used for the level adjustment. So the module can represent full scale signals ranging from 1 V to 12 V.
There is operation mode jumper on the back side. When the jumper is installed - bipolar operation is active, and when the jumper is removed - ordinary audio meter is active.

Dimensions
4 HP
40 mm deep

Current Draw
150 mA +12V
20 mA -12V
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 1 in stock $73.69
Intellijel Att 1U Passive Variable Signal Attenuator Module (silver)
Cat: 895310 Rel: 22 Aug 22
 
Passive Variable Signal Attenuator
Notes: Att 1U Passive Variable Signal Attenuator

This passive attenuator has a 100K linear potentiometer that is DC coupled. Perfect for adding attenuators to those 1U/3U modules without.

Width: 6HP
Depth: 18mm
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 1 in stock $22.37
Make Noise modDemix Dual Balanced Modulator Module
Make Noise modDemix Dual Balanced Modulator Module (dual/stereo/mixer/ring modulator/VCA module)
Cat: 557490 Rel: 19 Dec 14
 
Dual ringmod, VCA, mixer, mult, polarizer & attenuator module - 6HP
Notes: The modDemix music synthesizer module features 2 identical direct-coupled balanced modulator circuits that may be used together or independently for Ring Modulation, VCA, Mixer, Signal Multiplication, Voltage Controlled Polarization, Attenuation and more.

Features

Unique balanced modulator circuit turns OFF around zero volts at the Carrier/ Control INput, making the circuit behave well as a VCA.

STRENGTH is a Combo Knob, with nothing patched to STRENGTH CV IN, it works as a standard panel control, setting Level. With signal patched to STRENGTH CV IN, it works as an attenuator, setting the strength of the modulation.

Both circuits feed a summing stage, allowing the module to be used as a voltage controlled mixer.

AUXiliary IN allows for the stacking of multiple modDemix and/ or Optomix to create larger mixes.

Part of a decentralized mix console integrated throughout the system along with Optomix, X-PAN, Dynamix, and RxMx.

Able to introduce warm distortions to audio signals, sounds like no other VCA or Ring Mod.

MAX BLINKENLIGHTS, 8 LEDs packed into a small 6hp module.

Pairs well with MATHS and Optomix.

Specifications

Width: 6hp
Max Depth
(incl. power cable): 32mm

Power:
30mA@ +12V
30mA @ -12V
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 1 in stock $146.33
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NANO Modules ST-MAR Analogue 3-Channel Stereo Mixer Module NANO Modules ST-MAR Analogue 3-Channel Stereo Mixer Module
NANO Modules ST-MAR Analogue 3-Channel Stereo Mixer Module (attenuator/dual/stereo/mixer/VCA synth module)
Cat: 964252 Rel: 07 Sep 23
 
3-channel stereo mixer module - 8HP.
Notes: ST.MAR is a 3-channel Stereo Mixer with individual and master volume controls, CV modulation and mute switches. All the basics to blend your stereo signals in only 8HP.

Voltage controls for each channel.

Modulate the volume of each audio source using external control signals, such as envelope generators or sequencers.

Details

Dimensions 8HP - 40×128,5mm
Current 50 mA +12V / 52 mA -12V / 0 mA +5V
Input & Output Signals +/-10V
Impedance Input 47k - Output 10k
Materials PCB and Panel - FR4 1,6mm
Depth 35mm - Skiff friendly
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 1 in stock $132.63
Doepfer A-105-2 24dB Low Pass (SSI-Type) Filter Module (silver)
Cat: 973741 Rel: 14 Nov 23
 
24dB SSI low pass filter - 4HP.
Notes: Module A-105-2 is a voltage controlled low pass filter with 24dB/octave slope.

It is the successor of the A-105 which had to be discontinued because the obsolete SSM2044 filter circuit. The A-105-2 is based on the SSI2144 which is in turn the successor circuit of the SSM2044. The features of both modules are nearly the same. The main difference is the clearly reduced front panel width of the A-105-2 (4HP instead of 8HP) and the associated changes of the controls and sockets positions. In addition the A-105-2 is equipped with 2 audio inputs.

The module has these controls and in/outputs available:

Control Frequ: manual frequency control
Control FCV2: attenuator for the frequency control voltage applied to socket FCV2
Control Q: manual resonance control
Control QCV: attenuator for the resonance control voltage applied to socket QCV
Control Input 1 Level: attenuator for the audio input signal applied to socket Input 1
Socket Input 1: audio input 1 (with attenuator)
Socket Input 2: audio input 2 (without attenuator)
Socket FCV1: frequency control voltage 1 (without attenuator, about 1V/oct scale)
Socket FCV2: frequency control voltage 2 (with attenuator)
Socket QCV: resonance control voltage (with attenuator)
Socket Out: audio output
Technical notes:

Frequency range: about 15Hz ... 15 kHz
Resonance up to self oscillation
Max. input voltage at Input 2 without clipping/distortion: about 15Vpp
Max. output voltage without clipping/distortion: about 15Vpp
The signals of both inputs are mixed before they are processed by the filter. This saves an external mixer for small setups.
Depth: 45 mm

HP : 4
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 2 in stock $103.16
Serge GTO Complex Multi-Functional Module
Serge GTO Complex Multi-Functional Module (CV modulation/function generator/oscillator/sample & hold module)
Cat: 974841 Rel: 17 Oct 23
 
Complex dual oscillator, slew and sample functions, CV modulator, filter and bitcrusher module - 18HP
Notes: The Serge GTO is a newly designed, complex multi-functional module which can be patch programmed to provide various slew and sample functions both for audio and CV signals, but also act as a (dual) oscillator or filter or bitcrusher or ... It is one of the essential Serge modules. The GTO is an offspring of the famous Serge SSG.

The Smooth section will place a positive and negative slew on input voltage transitions for lag effects, voltage controlled portamento and for low frequency filter applications. In Cycle-mode (cycle jack patched to the input), the Smooth side “will oscillate yielding a voltage controlled triangle wave LFO. A high level into the HOLD input will enable the Smooth Function to be used as a track-and-hold circuit with voltage controlled slew rate.

The Stepped function can be used as a sample-and-hold with voltage controlled slew rate limiting. In Cycle mode, a pulse applied to the Sample input will generate complex staircase waveforms for control voltage applications and for use as audio signals.

Each side has a temperature-compensated 1V/Oct input for use as an oscillator with a frequency range of up to 20kHz (left) and 8kHz (right). Each side tracks over 5 or 6 octaves.

The Coupler is an internal comparator which compares the output levels of the Smooth and the Stepped Generators. This output is useful for generating complex control voltages or random voltages.

Dimensions:
18 HP
25 mm deep

Current draw:
45 mA +12V
40 mA -12V
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ALM Mega Milton Compact Utilities Module
ALM Mega Milton Compact Utilities Module (utility/attenuator/external/mixer/multiple/noise/sample & hold/slew limiter module)
Cat: 993662 Rel: 19 Jan 24
 
Smorgasbord of handy all analogue utilities module - 8HP
Notes: The 'Mega Milton' is a smorgasbord of handy all analogue utilities in just 8HP that will greatly extend the functionality of your Eurorack system.

It includes a stereo line input converter for incorporating line level external sources into a Eurorack system, a fixed 4 input mixer with breakout attenuator for combining signals, a gated slew limiter for adding slides to sequences, a sample and hold with analogue white noise with a myriad of uses such as generative melodies or producing percussive textures and finally a buffered mult for droop free signal distribution with handy LEDs to monitor.

All sections are normalised to help with typical use cases such as generating random CV from the sample & hold section, a smooth random source from the slew output and breaking out a standalone attenuator from the fourth mixer input.

The 'Mega Milton' provides essential classic synthesizer building blocks for patching in any Eurorack system.

Ideal For

Incorporating stereo external sources easily into your Eurorack system.
Signal attenuation and basic mixing in a small space.
Building percussion sounds from an analogue noise source.
Producing clocked random to add interest and variation to patterns and sounds.
Adding gated 303 style slides to patterns.
Creating and Manipulating patterns with Sample and Hold.
Buffering and monitoring voltage across multiple VCOs or other destinations with no drop.

Tech Specs

Supply: +12V 70mA / -12V 70mA
Size: 8HP
Depth: 32mm
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Vermona Melodicer Stochastic Pattern Generator Module
Vermona Melodicer Stochastic Pattern Generator Module (sequencer/quantizer/random synth module)
Cat: 677524 Rel: 04 May 20
 
Sequencer module
Notes: Excellent Eurorack sequencer based on random chance and evolving patterns. Dial in a series of notes and build melodies, generate and tweak patterns in real time. Huge depth for studio production or live performance.

Supplier's Notes:
The Melodicer from Vermona is a CV/Gate sequencer with an innovative concept; the melody sequencer offers twelve faders for setting the note probability and two dice-(or random) buttons for generating melody and rhythmic structure.
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ALM SBG Guitar Effects Pedals Interface Module
ALM SBG Guitar Effects Pedals Interface Module (attenuator/external/utility/mixer synth module)
Cat: 584253 Rel: 15 Apr 16
 
Compact utility synthesiser module for interfacing guitar effects with eurorack modular system - 4HP wide
Notes: The 'S.B.G' is a compact utility module intended for the interfacing of guitar effect pedals with your eurorack modular system.

It provides both attenuation and amplification of audio signals for level matching together with a crossfade control to conveniently adjust the wet/dry mix of a processed signal. The module also offers regulation of outgoing CV signals for safer use of pedal expression inputs.

Technical Specifications:

Supply: +/-12V (Reverse voltage protection)
Current Draw: ~30ma
Size: 4 HP
Depth: 22mm (including power header)
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 5 in stock $91.58
Intellijel Buff Mult Buffered Multiple Module
Intellijel Buff Mult Buffered Multiple Module (multiple/dual/stereo synth module)
Cat: 563563 Rel: 10 Mar 15
 
Buffered multiple synth module, 2HP wide
Notes: Dual 1 x 3 buffered mult (one audio or cv signal in with multiple buffered outputs).

The output of the first mult is normalled to the input of the second mult to create a 1×6 buffered mult
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Make Noise Richter Wogglebug Random Voltage Generator Module
Make Noise Richter Wogglebug Random Voltage Generator Module (random/clock generator/oscillator/ring modulator/sample & hold/slew limiter module)
Cat: 557451 Rel: 19 Dec 14
 
Random voltage generator module - 10HP
Notes: The WoggleBug music synthesizer module is a random voltage generator, originally designed by Grant Richter of Wiard Synthesizers. It is a continuation of the "smooth" and "stepped" fluctuating random voltage sources pioneered by Don Buchla within the Model 265 "Source of Uncertainty," expanding it to include the other-worldly Woggle CVs (stepped voltages with decaying sinusoids edges). The Wogglebug is a very musical random voltage generator where it is possible to synchronize all random signal to a Master Clock. Guaranteed to unleash your synthesizer's ID MONSTER!

Features:
Complete Complex Random Voltage system, no external modules necessary
Two VCOs, Phase Lock Loop, Lag Processor, Clock, Burst Generator and Sample & Hold
Generates 7 Random Signals simultaneously: Smooth VCO, Woggle VCO, Ring Mod, Stepped, Smooth, Woggle, Burst
Generates voltage controlled Master Clock
External inputs for S&H (Heart IN) and Ring-Mod (Influence)
Disturb button adds performance element
Wonderful for modulating the Morphagene and DPO

Specifications:
Width: 10hp
Max Depth (incl. power cable): 32mm
Power: 50mA@ +12V; 40mA @ -12V
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MRP:$257.92 SAVE 11%
 1 in stock $230.55
Make Noise Mult Passive Multiple Module
Make Noise Mult Passive Multiple Module (multiple/logic synth module)
Cat: 557508 Rel: 19 Dec 14
 
Multiple signal sending module
Notes: The Multiple is a simple but important module that allows for sending a signal to multiple destinations. Within the Make Noise system the Multiple may also be used for combining clock, gate and pulse signals together to create interesting timing sources (in other words, it acts as a Gate combiner aka logic OR circuit).

It has 9 inter-connected sockets that may be split into different group combinations depending upon how it is patched. The jacks circled in white will make or break the interconnects between the 3 groups of three, thus allowing for three 3-way, one 5-way/ one 3-way or one 7-way multiple.

The Multiple is passive, because the Make Noise system does not require Buffered Multiples since all critical control signals are already buffered in such a way as to provide a large fan-out capability.
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 1 in stock $36.59
Animal Factory Module Orobas 2 Dual Tube Amplifier Module Animal Factory Module Orobas 2 Dual Tube Amplifier Module Animal Factory Module Orobas 2 Dual Tube Amplifier Module
Animal Factory Module Orobas 2 Dual Tube Amplifier Module (distortion/mixer/VCA/waveshaper synth module)
Cat: 852781 Rel: 24 Feb 23
 
A dual tube amplifier that is composed of two identical units.
Notes: The second batch of Animal Factory's dual-valve saturation all-rounder features hand-matched 6J32P valves for a faster, slightly more precise take on this unique blend of mixing, VCAs, distortion and wave folding.

Supplier's Notes:
Orobas is a dual tube amplifier that is composed of two identical units.

Each channel has two audio inputs with dedicated gain controls and one output volume control.
Thanks to clever routing, a wide variety of sounds can be created. The two channels can be connected in parallel or in series (Parallel / Series). In series connection, the output of channel 1 is still active, good for parallel signals (note: each channel output is phase-inverted in relation to the opposite input). This way, feedback can be generated by feeding back the signal from output 1 to e.g. a control voltage input.

The screen control voltage input determines the gain and the sound characteristics. Additionally, the input is normalized to INPUT 1 of the respective channel.

The Suppress control voltage input is normalized to the input signal if nothing is connected. The purpose of this input is to direct electrons reflected from the anode back to the anode. Turning the knob to the positive does not change as much, turning it to the negative slightly attenuates overtones. With a positive control voltage the change is minimal, but with a negative control voltage you can realize e.g. ducking effects and effectively switch off the tube. Audio Rate Modulation is also possible here and a bit milder than with the Screen CV, but still effective.

The evocation potentiometer controls the feedback of the second output into the first channel. The sonic performance is very much dependent on the Plate Bias switch. The Plate Bias switch effectively controls the headroom. This allows you to use the tubes in three different settings, from fuzz sound to full distortion.

*This version is equipped with other tubes than in version 1.

Tube length: 55mm

Depth: 45mm
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 1 in stock $485.31
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quote 852781
Soma Laboratory Lyra-8FX Dual Delay & Distortion Module (black) Soma Laboratory Lyra-8FX Dual Delay & Distortion Module (black) Soma Laboratory Lyra-8FX Dual Delay & Distortion Module (black) Soma Laboratory Lyra-8FX Dual Delay & Distortion Module (black) Soma Laboratory Lyra-8FX Dual Delay & Distortion Module (black)
Cat: 856133 Rel: 26 Nov 21
 
A cross-feedback dual delay module.
Notes: LYRA8-FX is a processor that can give you a significant part of the mysterious LYRA-8 sound thanks to the FX section from the LYRA-8, expanded with CV controls and packed into a Eurorack module.

It contains a double modulated lo-fi delay with cross-feedback and the unique possibility of self-modulation, where the delay output signal modulates its own sample rate. Also, it packs a parallel distortion with CV control of the drive. The distortion is after the delay. It's much more than a delay - you can get a simple reverb, comb filter, chorus and much more cool FXs which are hard to describe.

It has a famous LYRA-8 build quality - no SMD, no twisted plastic shafts.

Pots:
IN volume
Stage 1 delay time
Stage 2 delay time
Stage 1 delay time modulation depth
Stage 2 delay time modulation depth
Delay feedback
Delay feedback CV amount
Delay mix
Distortion drive
Distortion mix
Distortion drive CV amount

Switches:
- Stage 1 delay time modulation source
Stage 2 delay time modulation source

Ins:
Audio in
Delay time CV
Delay feedback CV
Distortion drive CV

Outs:
Main audio out
Delay only out

Dimensions:
Width: 20HP
Depth:40mm

Power consumption:
+12V - 90ma
-12V - 20ma
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MRP:$241.08 SAVE 10%
 1 in stock $217.91
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TipTop Audio WayOut8 Patchbay Module (white) TipTop Audio WayOut8 Patchbay Module (white) TipTop Audio WayOut8 Patchbay Module (white) TipTop Audio WayOut8 Patchbay Module (white) TipTop Audio WayOut8 Patchbay Module (white) TipTop Audio WayOut8 Patchbay Module (white)
Cat: 858191 Rel: 16 Dec 21
 
A patchbay module for Eurorack systems used to group your DAW inputs and outputs, or manage signals going from one case to another.
Notes: WAYOUT8 is a patchbay module for Eurorack systems used to group your DAW inputs and outputs, or manage signals going from one case to another. Wayout8 is grounded, meaning that even if nothing is plugged into the inputs your outputs are still grounded and will not pick up noise. The module is made so it can be mounted two ways, with outputs on the left or right, whichever is the most ergonomic placement in your case. All eight channels are passive so they do not modify your signals and can be used for audio and CV Gate. No power is required.
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 1 in stock $43.43
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OXI Instruments Pipe Expander Module For OXI One
Cat: 896144 Rel: 01 Feb 23
 
OXI Pipe unifies all control voltage signals in one single (HDMI) cable that connects to the OXI Pipe interface of the OXI One.
Notes: OXI Pipe unifies all control voltage signals in one single (HDMI) cable that connects to the OXI Pipe interface of the OXI One.

6 hp, no power required, no more cable spaghetti!

The OXI Pipe is an accesory, available in 3U format.
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 1 in stock $107.37
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Klavis Grainity Digitally-Controlled Full-Analogue Path Granular & Multi-Mode VCF Module (silver)
Cat: 934965 Rel: 19 Dec 23
 
Digitally-controlled full-analogue path granular & multi-mode VCF module in 10HP.
Notes: A unique analogue take on granular synthesis, inspired by Yannis Xenakis, the Grainity pairs a granular filter with a multimode filter to create new textures and harmonics.

Supplier's Notes:
The Grainity brings a unique and never-heard-before concept to the world of analogue VCF.

While being based on analogue filtering only, the Grainity expands and enriches the sound in creating subharmonics, harmonies, unison, flanging effects and formant filtering all at once.

The module presents two sections, the granular filter itself and a typical multimode filter, each with its own output.

A third output offers a mix of both filter paths. Numerous controls and CV allow a very wide palette of results.

What is the Grainity

Granular?

The word granular was chosen for this filter module in relation to the concept invented by the composer Yannis Xenakis, and which is described as assembling small chops of sounds - he called grains - according to a pattern.

This is exactly what the Grainity does, no more no less ... but, digital control allows doing it in ways that are decades away from what tape and scissors allowed at the time.

Technology wise ...

In the granular section, the incoming sound cycle is determined in order to step through various filtering and phase variations of itself according to predefined patterns called structures.

The controls allow alterations to the cycling phase, cycling frequency offset (tuning), structure selection and frequency division of the filters cycling. This comes in addition to the usual filter frequency and resonance controls.

What the Grainity is not

Technology wise ...

Despite relying on a microprocessor, the Grainity is not a digital audio processor. At any time, the sound remains in the analog domain and goes through analog circuits from in to out.
The digital processor does not convert or generate audio signals; it is there to control the analog circuitry and manage the interface and display.

Sound wise ...

Several digital modules offering granular processing rely on the layering of sound grains, which leads to blurry and cloudy textures.
Layering of the grains is a late addition to the concept of granular synthesis and is not a mandatory feature of the concept.
The Grainity does not use delay lines or sampling memory but is nevertheless true to the foundations of the granular synthesis concept.

The granular VCF in the Grainity is unconventional in that, most of times, it is not filtering the sound in the common expectation of removing something. Typically, the granular process adds more than it removes by expanding both the lower range, creating subharmonics, and the upper harmonic contents in multiples ways.

Dimensions
10 HP
21 mm deep

Current Draw
101 mA +12V
59 mA -12V
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 7 in stock $261.07
Intellijel Flurry Clock/Random Pulse Source Module
Intellijel Flurry Clock/Random Pulse Source Module (clock generator/envelope follower/noise/random/sample & hold/slew limiter/utility synth module)
Cat: 936173 Rel: 28 Mar 23
 
Clock, random pulse source module in 8HP.
Notes: A multi-purpose module designed to combine noise and modulation sources, slew, sample-and-hold, envelope following and more. Extremely versatile way to add randomness and controlled movement to patches.

Supplier's Notes:
Flurry collects and connects a number of practical modular synthesis tools, focused on clocks, noises, and randomness to create a module that is rife with opportunities for exploration and experimentation. Equally capable as a synthesis source, modulator, clock, or signal modifier; It is bound to find a way to bring new life and dimensions to your synth patches.

Core Functions:

A clock and random pulse source with adjustable and modulatable rate
Accurate pink and white noise sources
Analogue sample & hold and track & hold circuits with very low droop
Analogue slew with adjustable slew time and edge selection (rising edge, falling edge, or both)
Envelope follower
16 noise synthesis algorithms, each with 2 parameters.

One of Flurry's more interesting aspects is its collection of digital noises, which provide a wealth of interesting noises, suitable for either audio or modulation purposes. Each noise type has its own pair of unique parameters to further dial in the desired characteristics, with the primary parameter under CV control.

Most people consider noise to be "undesirable," and product developers expend great effort to design circuits that minimize noise. So why make a module designed specifically to create noise?

Indeed, unwanted noise is undesirable. But not all noise is unwanted. Synthesizing the sound of wind or waves are a couple of the more obvious uses for a noise generator, but the possibilities go far beyond. The crack of a snare hit; the breathiness of a flute sound; an added sizzle to a resonant pad - all are within the sonic domain of noise.

But noise has many other benefits beyond simply being heard. Noise happens to make a wonderful modulator. When noise is used to modulate a filter's cutoff frequency, or an oscillator's pitch or pulse width, then all sorts of raspy, buzzy, gritty timbres are obtained.

Noise is also a key ingredient in sample & hold circuits - a technique most commonly used to generate stepped, random voltages. The circuit works by sampling an input signal's voltage each time you send it a clock pulse, and holding that voltage until the next clock pulse. So, naturally, Flurry also contains the requisite clocking tools! Two of the most common destinations for the S&H output are a filter's cutoff frequency (creating stepped, clocked timbral changes), and oscillator pitch (which produces random notes at clocked intervals).
Of course, you might not always want your voltages to change so abruptly at each clock pulse. Maybe you'd prefer they wobble about gradually and with more grace? To do that, you need a slew circuit, and once again Flurry has you covered - allowing you to select not just the slew time, but also whether the slew is applied to rising voltages, falling voltages, or both. A flick of the switch, and that Slew circuit becomes an envelope follower, enabling Flurry to generate envelopes from input signals (syncing to drum hits are a common use).

With all these features, plus the ability to create random pulses, clock to external pulses, and perform more esoteric track & hold duties, Flurry is a noise lover's toolbox.

Width: 8HP
Depth: 34mm
Power: 116mA @ +12V 30mA @ -12V
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Patching Panda Particles Trigger Modulation & Pattern Variation Designer Module (black)
Cat: 931101 Rel: 06 Apr 23
 
Trigger modulation and pattern variation designer module in 12HP.
Notes: Particles, is 4 channels of trigger modulation, capable of mathematically variating and manipulating your patterns with a combination of features to play with.
It can evolve your rhythmic idea into more complex and groovy patterns which are difficult to achieve without music knowledge.

You can create your algorithms from the rhythmic tools provided to be able to change the patterns instantaneously in many ways without worrying to sacrifice
the original idea.

You can shift and scramble the outputs, you can repeat the triggers with different time signatures to transform the grooves, mute in different ways, disappear by probability trigger inputs, disappear by probability repetitions, use sequential switching to shift randomly with a different kind of resetting, bypass each channel and set it individually the amount of each feature per channel when feeding external CV.
The idea of Particles, was designed to provide features for building complex breaks, grooves, organic-evolving percussion sounds, and different options for
arpeggios, and even bass line grooves, the limits are decided by you.

Particles Features

4 trigger inputs/outs.

Repetitions with different distribution times to choose from.

Manually shift the output channels, scramble them randomly or clocked them in forward mode.

Reset the outputs to 4 different shift modes.

Disappear repetitions by probability per channel.

Disappear the input trigger by probability per channel.

Mute each channel with clock divisions from the input clock.

Mute manually the outputs

Disable triplets from repetitions to have musical patterns

Random voltages output clocked from clock input.

The slider keeps the adjusted value from each feature.
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4ms Looping Delay Crystal-Clear Clock-Synced Delay Module
Cat: 944887 Rel: 06 Jul 23
 
Crystal-clear clock-synced delay module in 16HP.
Notes: Crystal-clear clock-synced delay for loop up to 90 seconds, echoes, sound-on-sound, Karplus-Strong etc.

Features:
Loop or echo time is synchronized to a clock
87 seconds of delay/loop time maximum
48kHz/24-bit sampling rate, loop recorded at 16-bit (24-bit optional)
Extremely quiet, low noise and low jitter design
Tap tempo button and clock Ping input set the basis for one "beat"
Delay/loop time set as a number of musical beats (or fractions of beats) using the Time knob, switch, and CV jack
Sample-accurate clock output for perfect synchronization
Loop clock outputs for each channel
Time switches change range of Time knob from 1/8th notes up to 32 bars
Digital feedback, up to 110%
Delay Feed control, independent of dry/wet signal mix
Infinite Hold mode disables recording input and fixes regeneration at exactly 100%
Reverse mode plays memory contents backwards
With an infinite loop locked, knobs or CV can "window" around memory, by shifting the loop
Trigger inputs for toggling Infinite Hold and Reverse
Send and Return for applying effects to feedback with external modules
CV jacks to control Time, Level, Feedback and Dry/Wet Mix
16HP Eurorack module

Specs:
48kHz, 24-bit low-noise hi-fidelity
Up to 90 seconds of loop time
16HP
+12V: 110mA
-12V: 45mA

Included with the Looping Delay:
16-to-16 pin power cable
4 x M3 Knurlie screws
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 1 in stock $233.70
4ms Sampler Mono/Stereo Triggered Sampler Module
Cat: 944892 Rel: 06 Jul 23
 
A variation of the Stereo Triggered Sampler module in 16HP.
Notes: Great value from 4ms's twist on the Stereo Triggered Sampler module, this time capable of playing and manipulating stereo or mono WAV files from an SD card.

Supplier's Notes:
The Sampler is a variation of the Stereo Triggered Sampler.

Record, play and loop stereo .wav files with an SD Card. Includes the same 2022 Sampler Pack from the Stereo Triggered Sampler.

Features:

The Sampler plays stereo or mono .wav files from an SD Card. Samples are arranged into banks by placing .wav files into folders (each folder is a bank). A maximum of 10 samples can be loaded in a bank. There is a maximum of 60 banks (600 samples maximum total).
Sample files are limited to 4GB each, which is over 6 hours at 44k/16b/stereo.

Hundreds of samples included on microSD card
Extremely quiet, low noise and low jitter design
Stereo or Mono output

A knob and CV jack selects the Sample to play, and the Start Position knob and CV jack control where in the sample playback will begin. The Length knob and CV jack determine how much of the sample is played back: from tiny grains, to percussive hits, to longer loops... or just the entire file.

Pressing Play or firing a trigger into the Play Trig jack will play the sample. Holding the Play button down for a second will toggle looping.

There's also a Reverse button and jack for backwards playback, and an End Out jack for synchronizing loops, or cascading sample playback with other events.

To record samples, hold Play and Reverse for two seconds. Press Play again or fire a trigger into the Play/Rec Trig jack to start and stop recording. Each recording will create a new stereo 48kHz 24bit .wav file in the current bank's folder. Recordings can be as long as your card has the capacity for: a 256GB card is 18 days of continuous recording (432.9 hours). Audio data is split into maximum 4GB wav files on the microSD card.

Play button/trigger jack: Tapping the button or receiving a trigger starts/re-starts the sample
Sample CV/knob: select which sample within the channel's bank
Pitch CV and Pitch knob: playback pitch (-10 to +4 octave range)
Start Pos CV/knob: position in the sample to begin playback (loop start point)
Length CV/knob: playback time (loop end point)
Length knob at max: entire file is played
Length knob 50%-99%: 200ms - 5s of the sample is played (beginning at the Start Position)
Length knob <50%: Percussive decay envelope is applied to the playback (attack-only envelope if playing Reverse)
Length <1%: Tiny grains are played (can be used to sweep through sample file data manually)
Reverse button/jack: toggles forward/backwards
Bank button: selects channel's bank
Reverse + Start Pos button/knob combo allows for setting volume of playback
Maximum file size for playback: 4GB per file (6.7 hours per file at 44.1kHz/16b/stereo)
microSD Card is hot-swappable when Busy light is off: no power-down required to change cards.
Samples that are pre-loaded into memory can continue playing while card is swapped.

File Organization:

Using a computer, the intuitive automatic bank loading features make dragging and dropping your entire sample library a snap. No files need to be renamed. Just create folders and put up to 10 samples in each. If you want a folder to be associated with a particular colour of the Bank button, name the folder a colour name (such as "Blue - Loops").

Ships with a high-speed 16GB microSD card, loaded with hundreds of samples created for 4ms, from musicians such as Richard Devine, Wobbly, Moor Mother, Robert Aiki Aubrey Lowe, Joseph Pailo, Russell E.L. Butler, Hugo Paris & Marc Kate, Paul Barker, Baseck, Animal Collective, Cristian Vogel, Jay E, Marcus Fischer, Chris Carter, Daedelus, Nero Bellum, Anna Sitko, Thomas Fang, Bogdan Raczynski, and more (Sample List)

Intuitive bank/colour organization system; no need to rename your wav files
Record new samples directly to a bank with the Record Input jacks...
... or drag your folders of sound files onto the microSD card, and each folder will become a bank.
Folders starting with a colour name will be loaded into that colour bank
Example "Blue - Frooty Loops" will load into the Blue bank
Sub-folders are ignored, only folders in the root directory are scanned for wav files
Works best with UHS Speed Class 3 cards with |3| symbol printed on the card

Specs:

Electrical and Mechanical Specifications:
Module Size:
16 HP Eurorack format module
10-pin Eurorack power header
1.3" (33mm) maximum depth with power cable
Power consumption:
+12V: 135mA
-12V: 41mA
+5V rail: not used
Connect red stripe of power cable towards the bottom of the module, which is marked with a white stripe and the words -12V and POWER
Audio Inputs:
20Hz to 10kHz (+/-0.1dB); -6dB rolloff @ 20kHz
21V peak-to-peak maximum before clipping
Audio Outputs:
0Hz (DC) to 22kHz with maximum -1.8dB difference between file data and output
+10.5V to -10.5V maximum output
Trigger inputs:
Latency: 0.7us typical

Included with the Sampler:
16GB micro SD card (class 10)
SD adaptor
10-to-16 pin power cable
M3 Knurlie screws
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MRP:$304.24 SAVE 13%
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Neuzeit Instruments Warp Additive & Wavetable Synth Voice Module Neuzeit Instruments Warp Additive & Wavetable Synth Voice Module
Neuzeit Instruments Warp Additive & Wavetable Synth Voice Module (dual/stereo/oscillator/synth voice module)
Cat: 945406 Rel: 06 Oct 23
 
An additive and wavetable synth voice module in 24HP.
Notes: Warp is a novel synth engine that combines the best of additive and wavetable synthesis.

In the center of Warp's control panel is a colorful XY LED matrix that represents the sound space from which Warp draws its sounds. This XY sound space consists of 32x16 frequency spectra. Each of Warp's four voices can move freely and independently across the XY space. It always uses the surrounding frequency spectra to calculate a wavetable based on 512 sine waves in real time using additive synthesis. By changing the position, wicked wavetable sounds are possible, playable with four voices and eight oscillators and navigable in two directions. An intuitive integrated editor allows playful modeling of your own frequency spectra.
With Warp's SPEC effects the frequency spectrum can be filtered and deformed in realtime before a wavetable is calculated. The wavetable can then be modified with WARP effects like wavefolder, PWM bend, overdrive and redux. The resulting wavetable serves as source for two oscillators per voice, which can be detuned and also synchronized to each other. Each voice is followed by a 12/24dB/octave high pass and low pass filter.

Warp offers an integrated editor, with which you can playfully draw and modify your own frequency spectra. The XY-Sound Space is seen as a canvas on which you can draw your own frequency peaks. Several drawing algorithms are available as tools to edit single or a group of harmonics in a musically meaningful way. There is also the possibility to derive frequency spectra from audio samples from the SD card or to put whole wavetable audio files into the XY sound space. Likewise, the XY sound space can be exported to the SD card as a wavetable audio file of any length and bit depth, so Warp can also be used as an intuitive wavetable generator for other synthesizers.

Also on board are two internal ADSR envelopes and two LFOs, which can be routed to a variety of internal destinations using a modulation matrix. To keep the overview, all modulations are color-coded and are additionally visualized by pulsating LEDs in the modulation matrix view.

Navigation through the menu is as intuitive as with our QUASAR module and is simply done via a push-encoder and a back button. The display always shows which function the four surrounding aluminum encoders currently have, and colored LEDs next to the encoders provide visual assistance. Likewise, the tuning of the module is done via a detented encoder, which adjusts the pitch either in fine steps, in semitones or in octaves. An octave switch is thus already integrated.

For all its feature-richness, Warp still remains a playable and performance-oriented instrument. The large potentiometers serve as macro controls to control several parameters under the hood at once. This keeps the instrument straight forward with a manageable number of controls, but they are all very expressive.
Likewise, the module offers the ability to save and load presets and also comes with audio files and presets on board. Thus, Warp is ideally suited for both detail-oriented sound design and hands-on performance.

In the standalone version, Warp is a monophonic four-voice synth voice that can also be used as an oscillator. With an expander module, it will also be possible to play Warp four-voice polyphonic via MIDI and CV/Gate in the future.

Warp uses a novel hybrid engine that combines the best of additive and wavetable synthesis. With the integrated editor you can playfully draw your own frequency spectra like on a canvas into the colorful XY sound palette. Warp is a feature-rich powerhouse that lets you create all kinds of sounds, from glassy clean to crunchy crunch. Thanks to expressive macro tone controls, extreme morphs are possible in a single pot turn.



Main functions
4 Voices & 2 oscillators using a hybrid additive-wavetable synth engine
Big knobs act as macro controls for underlying parameters and enable expressive Hands-On playability
Polyphonic with expander, monophonic as standalone unit
Usable as a full synth voice or as an oscillator module
Additive synthesis with 512 sine waves per oscillator = 4096 sine waves in total
XY sound space as a collection of 32x16 frequency spectra
Each voice travels independently across the XY space and uses the underlying spectra to synthesize a wavetable in real-time
Spectral FX are applied on the spectrum before a wavetable is generated
Wavetable FX are applied once the wavetable is generated, e.g. Wavefolder, PWM-Bend, Redux, Overdrive
Two Post-Filters per voice: 12/24dB Lowpass and Highpass with resonance control
Independent oscillator settings per voice, e.g. volume, pitch, stereo pan, detune, sync, X/Y position
Integrated modulation by 2x ADSR, 2x LFO with many waveforms
Modulation matrix view to see everything that is going on at once
Integrated editor for playful drawing of own frequency spectra
Algorithms for musically meaningful drawing of harmonics

Width: 24 HP
Depth: 30 mm
Current draw +12V: 205mA
Current draw -12V: 20 mA
Current draw +5V: 0 mA

** Includes 3mm screws, 16-Pin to 10-Pin eurorack power cable, USB cable for firmware updates **

Warp uses a novel hybrid engine that combines the best of additive and wavetable synthesis. With the integrated editor you can playfully draw your own frequency spectra like on a canvas into the colorful XY sound palette. Warp is a feature-rich powerhouse that lets you create all kinds of sounds, from glassy clean to crunchy crunch. Thanks to expressive macro tone controls, extreme morphs are possible in a single pot turn.
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 1 in stock $631.64
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Knobula Pianophonic Polyphonic Wavetable Synthesiser Module Knobula Pianophonic Polyphonic Wavetable Synthesiser Module Knobula Pianophonic Polyphonic Wavetable Synthesiser Module
Knobula Pianophonic Polyphonic Wavetable Synthesiser Module (dual/stereo/oscillator/reverb/synth voice module)
Cat: 945443 Rel: 16 Oct 23
 
8-voice multi-oscillator wavetable synthesiser module - 12HP
Notes: Combining the power of multi-oscillator wavetable synthesis with the percussive detail of sampled sounds, Pianophonic is a powerful hybrid synth engine featuring 8 voices of polyphony. Not limited to Piano sounds, the voice architecture of Pianophonic is extremely versatile and easy to use with the essential controls laid bare on the front panel, and the most significant CV inputs and outputs provided for full integration within eurorack patches.

Taking its inspiration from the wavetable/sampler keyboards of the 90s, Pianophonic revisits a lean and mean approach to digital sound creation but instead with 24bit 48Khz quality and fingertip control of the parameters that really matter.

With a built in SD card and an online re-synthesise utility, allowing users to create their own sound banks, the possibilities for sound exploration are limitless.
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Xaoc Devices Ostrawa 1966 Full Stereo Voltage Controlled Mixing Console Module
Cat: 945615 Rel: 30 Aug 23
 
A full stereo four-channel voltage controlled mixer in 20HP.
Notes: Very nicely designed mixer module. Four-channel stereo design with CV control of balance and volume, aux sends and extensive chaining options, including the optional Bohumin expander module.

Supplier's Notes:
Ostrawa is a full stereo four-channel voltage controlled mixer featuring a stereo mixing bus, one stereo auxiliary send per channel (switchable between pre and post VCA) with stereo returns, clickless muting, individual level meters, and a super-clean and DC-coupled signal path designed with high-quality VCA and opamp chips.

Xaoc Devices have carefully crafted Ostrawa's voltage control response to achieve what we believe to be the optimal user experience found in a Eurorack mixer. The design features an elaborate control circuit that combines the internal voltages generated by the panel potentiometers with external CV over volume and stereo balance. The result is a natural attenuator response that constrains VCA gain to a usable range while minimizing distortion.

Ostrawa is a sister module to Xaoc devices Praga. It features a very similar response characteristics and similar layout of controls with some functional differences resulting from stereo inputs and limited panel space. Multiple Ostrawa and Praga units may be chained for a custom configurable mixing system. An expander called Bohumin is also available.

Technical details

Eurorack synth compatible
20hp, skiff friendly
Current draw: +180mA/-150mA
Reverse power protection
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 1 in stock $435.83
Joranalogue Bias 2 Precision Scaler/Offsetter Module Joranalogue Bias 2 Precision Scaler/Offsetter Module
Cat: 945831 Rel: 05 Jul 23
 
A pecision scaler/offsetter module in 2HP.
Notes: Voltage control is the basic tenant of modular synthesis: parameters may be modulated by changing control voltages (CVs), simply by plugging in a patch cable. However, during patching it's common to encounter incompatible voltage ranges, with signal outputs and inputs having different amplitudes and sensitivities.

An indispensable utility module, Bias 2 provides a compact yet precise solution to quickly interface signals between modules within a Eurorack modular system, without interrupting your creativity.

Comprising of two independent sections, each with dual inputs and dual outputs, its carefully selected combination of normalised reference voltages and amplification/attenuation factors makes it a breeze to convert between the most common signal ranges: -5 to +5 V, 0 to +5 V and 0 to +10 V.

Precision comes standard on Bias 2, with meticulously engineered analogue signal paths providing absolutely transparent performance for any Eurorack signal: CV, audio or gates/triggers.

Beyond the voltage conversion application, Bias 2 is a true all-rounder, capable of functioning as a pair of dual input unity gain mixers, -6 and +6 dB audio gain stages or a multi-output fixed voltage source.

2 HP | +12: 20 mA, -12: 20 mA
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Morphor Ensemble Analogue 8-Voice BBD Chorus Module Morphor Ensemble Analogue 8-Voice BBD Chorus Module Morphor Ensemble Analogue 8-Voice BBD Chorus Module
Morphor Ensemble Analogue 8-Voice BBD Chorus Module (delay/dual/stereo/effect/reverb module)
Cat: 946948 Rel: 19 Oct 23
 
Analogue chorus effect module with up to 8 BBD delayed voices in 12HP.
Notes: The Morphor Ensemble is an 8-voice fully analogue chorus effect module. The module can truly upgrade any input audio into a sound with body. Transform your creations into warm and full sounds as if a whole orchestra is playing them.

Morphor Ensemble features extensive control over your effect with number of voices selection, CV-able spread, two full-featured LFOs and control over the amount of dry-add signal. This way it is possible to create a wide range of effects, from subtle broadening or humanisation of your sound up to pitch-bending craziness.

The module features a true analogue audio path based on eight BBD devices, known for their authentic and warm timbre. In summary, the Morphor Ensemble is a high-end, flexible chorus module for every analogue lover.

Weight: 167 g
Dimensions: 128.5 × 60.6 × 40 mm
Width: 12 HP
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 1 in stock $363.20
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Eowave Tempete Magnetique Quad Complex Multimode Filter Module
Eowave Tempete Magnetique Quad Complex Multimode Filter Module (dual/stereo/envelope follower/filter/oscillator/waveshaper/quad module)
Cat: 947125 Rel: 15 Jun 23
 
Quad complex multimode filter module - 22HP
Notes: The successor to Eowave's Fluctuations Magnetiques module is an even more advanced quad analogue filter, designed for cross modulation, complex routing and self-oscillating fun.

Supplier's Notes:
The Tempete Magnetique is a fully analogue complex filter/synthesizer module.

It was that was created as an evolution of the "Fluctuations magnetiques".

More than a mk2, Eowave designed it to push you to play with one of the most interesting things in modular synthesis: to divert the primary usage of a module to create unexpected and new sounds (aka this is not only 4 filters)

Tempete Magnetique is deeply inspired by the classical filters design as well as West Coast synthesis complex oscillators.

At it's core, has 4 multi-mode 12db filters that can be chosen to be routed in series or parallel, which can be used independently or combined and even cross-modulated, controlled by CV or with an integrated envelope follower (which can be used as a dynamic responsive envelope) and even pinged.

The Tempete Magnetique was designed to have several levels of use. The individual level with the use of separate filters, perfect for quadraphonic processing of different sources (A B C D).

The pair sections which allows for more complex stereo effects or to generate synthesis voices (X, Y) and finally, the global level with a cross-modulation of filters.

The independent outputs have been designed to be fed back into their input, turning them into oscillators (not really precise one, but you can make synth voice kind of V/Oct tuned with their very own sound, due to the fully analogical design, these oscillators may have strange behaviours sometimes, but this instability will bring you the warmth of analogue gears).

The pairs sections, of course, can filter an incoming signal, but can be transformed to full synthesis voice, percussion engine (exited by the ping input and modulated with the envelope follower) and way more.

This filter allows for anything from gentle, subtle filtering to a storm where the undulations of your sound and their intensity create new types of textures.

Main features:

Four independents or linkable multi-modes 12 db filter
Envelope follower who can act as end decay envelope sensible to the velocity
Cross modulation engine who modulate both pair of filters
Ping input
Outputs with phase correction to be fed to inputs

Some applications:

Filtering (obviously), can be used for quadraphonic or stereo filtering
Weird synth voice
Waveshaper
LFOs/oscillators generator
Crossover
External rhythm following - auto filtering
Drum generator

Technical details

22hp
Skiff friendly
Reverse power protection
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 2 in stock $314.76
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