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Items 101 to 150 of 757 on page 3 of 16
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Cat: 731947 Rel: 10 Jun 19
Compact 4-channel mixer - 4HP
Notes: Module A-138n is a simple four channel mixer, which can be used with either control voltages or audio signals. Each of the four inputs has an attenuator available. The output is twice available (two sockets, hard-wired like a multiple).

The module is the slim version of module A-138a and offers nearly the same features. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-138a. The module is primarily planned for applications where only limited space is available. The only functional difference compared to the A-138a is the missing attenuator for the (dual) output.
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 3 in stock $56.57
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Cat: 589490 Rel: 10 Dec 15
4 channel voltage controlled clock divider/multiplier synthesiser module with master tap tempo - 10HP wide
Notes: Four channel voltage controlled Clock Divider/Multiplier with master Tap Tempo. Each channel can be synced to the tap tempo, to the channel above, or to an external clock. Each channel also has a reset jack.

With a Tap Tempo button and five sync'ed clock outputs, the QCD is a versatile head-of-the-chain "Master" clock module, and/or a complex rhythmic pattern generator.
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 1 in stock $217.34
Cat: 589508 Rel: 09 Dec 15
Power solution for eurorack systems - 30W
Notes: Row Power is a clean, regulated, and protected power solution for eurorack systems. Row Power 30 provides 30W of power, suited for any typical eurorack row (84HP to 168HP):

+12V @ 1.5A
-12V @ 750mA
+5V @ 500mA
Simply plug a universal power supply (laptop style) into either of the barrel plugs on the 4HP panel. Connect your modules via flying-bus cables or the Bus Stick.

Daisy-chain multiple Row Powers to use a single power brick for multiple rows (typically 3-5 rows per power brick). Each row will be independently regulated and protected for ultra-low cross-talk between rows. Rows can also be hot-swapped (plugged/unplugged without powering the whole system down).
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 2 in stock $102.47
Cat: 692508 Rel: 19 Jun 18
Multimode filter based on the filter circuit of the Oberheim Xpander - 12HP
Notes: Module A-106-6 is a multimode filter that is based on the filter circuit of the Oberheim Xpander. The module features 15 different filter types (those filters of the A-107 that were available in the Xpander) with 8 filters available simultaneously. The toggle switch Filter Group is used to switch between 2 filter groups.

These filter types are available:

- 1L (6 dB low pass)
- 2L (12 dB low pass)
- 3L (18 dB low pass)
- 4L (24 dB low pass)
- 1H (6 dB high pass)
- 2H (12 dB high pass)
- 3H (18 dB high pass)
- 2B (6 dB band pass)
- 4B (12 dB bandpass)
- 2N (notch)
- 3A (allpass)
- 2H1L (asymmetrical band pass made of a 12 dB high pass and a 6 dB low pass)
- 3H1L (asymmetrical band pass made of a 18 dB high pass and a 6 dB low pass)
- 2N1L (combination of notch and 6 dB low pass)
- 3A1L (combination of allpass and 6 dB low pass)

The module features voltage-controlled resonance. For filter group 2 (2L, 4L, 2B ...) even self-oscillation is possible.

All standard VCF controls are available: manual filter frequency control Frq, one control voltage input with attenuator (FCV2) and one without attenuator (FCV1, ~ 1 V/octave). In addition, voltage-controlled resonance with manual control (Q) and a CV input with attenuator (QCV) are available.

The circuit is based on a 24dB lowpass filter. The outputs of the four internal filter stages (i.e. the 6, 12, 18 and 24dB outputs) are mixed together with different levels and polarities to obtain 15 different filters. Because of this special circuit the outputs have slightly different levels and noise floor. This is caused by the different internal amplifications and numbers of stages that are required to generate the filter in question. If e.g. a filter is derived by one stage only (e.g. the 6 dB, 12dB, 18dB and 24dB low pass) the noise floor is smaller compared to a filter that is derived by a combination of all four filter stages.
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 2 in stock $131.43
Cat: 621355 Rel: 28 Nov 16
Breakout expander for the Batumi quadruple LFO module
Notes: Poti is a simple but very useful breakout expander for the Batumi quadruple LFO module by Xaoc Devices. Its panel provides an immediate access to the Batumi functions originally selected by the cluster of jumpers on the back of the module: Reset/Sync mode option and selection of the assignable waveform.
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 1 in stock $45.53
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Cat: 684450 Rel: 18 Jul 18
Dual ADSR envelope generator - 8HP
Notes: Module A-140-2 contains two ADSR type envelope generators behind a front panel with 8 HP only.

Each ADSR provides these controls and in/outputs:

- LED (displays the envelope output)
- A: manual Attack control
- D: manual Decay control
- S: manual Sustain control
- R: manual Release control
- Gate Input
- Retrigger Input
- CVT Input with attenuator (CVT = CV Time)
- Envelope Output 1
- Envelope Output 2

The output voltage range for each envelope is 0 - 10V. The time range of Attack/Decay/Release is about 1ms to 30s.

By means of internal jumpers one can select which time parameters are controlled by the CVT input (e.g. D only or D+R or A+D+R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question).

Socket CVT can be normalled to an internal fixed voltage (i.e. the switching contact is connected to an internal fixed voltage). That way it's possible to change all time parameters simultaneously by means of the CVT control.

Another jumper is used to set output 2 to normal or inverted envelope.

And another jumper is used for the normalling of Gate 2 to Gate 1 (i.e. ADSR#2 is also triggered by Gate 1).

Two more jumpers are used for the optional bus access to the gate signal of the bus for each ADSR. Changing the positions of the mentioned jumpers allows to modify the factory settings.
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 2 in stock $121.08
Cat: 671576 Rel: 29 Nov 17
Enhanced clock divider with multiple dividing factors - 4HP
Notes: Module A-160-2 is an enhanced version of the standard clock divider A-160. The module is a frequency divider for clock/trigger/gate signals, designed to be a source of lower frequencies, particularly for rhythm uses. The Clock input will take any digital signal from, eg. LFO, MIDI sync, or the gate from a MIDI-CV interface. At the outputs, you have access to three sets of seven different sub-divided clock signals, from half the clock frequency down to 1/128. The low/high levels of the output signals are 0V and about +10V.

The A-160-2 also has a reset input. Whenever a reset signal is sensed, all outputs are set to certain levels which depend upon the selected mode.

These are the most important features of the module:

Three different sets of dividing factors, selected by a three-position switch at the front panel:
- Power of two: 2, 4, 8, 16, 32, 64, 128
- Prime numbers: 2, 3, 5, 7, 11, 13, 17
- Integer: 2, 3, 4, 5, 6, 7, 8

Two output modes, selected by a two-position switch at the front panel:
- Gate mode: outputs act like the outputs of typical binary dividers
- Trigger mode: in this mode the outputs are AND-wired with the clock signal (i.e. the clock pulsewidth affects the pulsewidth of the outputs)
- Clock edge type selected by a jumper on the pc board:
- Positive: the rising edge of the clock signal triggers the state change of the outputs
- Negative: the falling edge of the clock signal triggers the state change of the outputs

Reset behaviour by two jumpers on the pc board:
- Level triggered: the level at the Reset input triggers the Reset
- Edge triggered: the edge of the signal at the Reset input triggers the Reset
- Positive: a high level (> 2.5V) or the rising edge at the Reset input triggers the Reset
- Negative: a low level (< 1 V) or the falling edge at the Reset input triggers the Reset

Output polarity selected by a jumper on the pc board:
- Positive: non-inverted outputs
- Negative: all seven outputs are inverted

Width: 4HP / 20mm
Depth: 35mm (Measured from the rear side of the front panel)
Current: +12V: +50mA, -12V: -0mA
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 2 in stock $91.07
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Cat: 577745 Rel: 29 Nov 17
Two sample & hold units in one module for generating stepped random voltages or slicing signals
Notes: Module A-148 (Dual S&H) has two identical sample & hold modules, designed to produce 'staircase' voltages. The signal present at the sample input is sampled at a rate set by the signal at the trigger input, and held at that voltage at the S&H output.

The exact shape of the staircase depends on the sort of waveform at the sample input: NOISE or RANDOM signals produce random patterns; an LFO produces rising or falling staircase patterns.

Two LEDs for each S&H indicate the voltage (positive or negative) of the sampled signal.
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 1 in stock $62.09
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Cat: 577769 Rel: 29 Nov 17
Standard VCO providing two CV inputs for pitch, an octave switch, four waveforms with separate outputs, pulse width modulation & hard sync - 10HP
Notes: Module A-110-1 is a voltage-controlled oscillator. This VCO's frequency range is about eight octaves (ca. 15Hz ... 8kHz). It can produce four waveforms simultaneously: rectangle, sawtooth, triangle, and sine wave (triangle and sine shapes are not perfect, see remark below). The output levels are typically 8Vpp for saw and rectangle, and 10Vpp for triangle and sine. The frequency or pitch of the VCO is determined by the position of the octave (Range) switch and tuning (Tune) knob, and by the voltage present at the CV inputs. Frequency modulation (FM) of the VCO is therefore a possibility. Footage (the octave of the fundamental) is set by the Range control in five steps, and Fine tuning controlled by the Tune knob by about +/-1 one semitone (can be modified for a wider range).

You can control the pulse width of the square wave either by hand, or by voltage control - Pulse Width Modulation or PWM.

For more detailed information please look at the user's manual A110_man.pdf. In addition, the A-110 service manual is available as an example for the A-100 service manual that is available at extra charges. This document describes also how to modify the sensitivity of the tune control, how to re-adjust the 1V/octave scale and the frequency offset (i.e. the absolute pitch). Such modifications should be carried out by experienced users only!

The core of the A-110-1 is a sawtooth oscillator (in contrast to the A-111-1, which is based on a triangle oscillator). The other waveforms are derived from the sawtooth by internal waveform converters. As the sawtooth reset (i.e. the back-to-zero slope) is not infinite fast but takes a little bit of time the derived waveforms triangle and sine are not perfect! At the top of the waveform they have a small glitch or notch that is caused by the sawtooth reset and cannot be eliminated by the waveform converters. The sine is derived from the triangle by a simple diode-based converter and the sine shape is not perfect (only a rounded triangle).

If a perfect triangle is required, the A-111-1 is recommended. For a perfect sine wave the quadrature LFO/VCO A-143-9 is recommended.
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 1 in stock $141.78
Cat: 717585 Rel: 06 Feb 19
Utility module to convert signals to Eurorack level - 6HP
Notes: The Listen IO is a simple module which gets signals in and out of a Eurorack system by converting to and from normal modular levels. The top section converts any external signal to modular levels by providing up to 30x gain (+30dB), allowing you to use table-top synthesizers, keyboards, phones/tablets, computers, toys, microphones, etc. in your patches. The bottom section does the opposite: modular signals are converted to normal line level signals. The bottom two jacks can be used as line outs or as headphone jacks, so you and a friend can listen in stereo at the same time.

Each section has two inputs and outputs for use with a stereo signal or two mono signals. An LED bar graph for each output shows the signal level and clipping.
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 3 in stock $116.94
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Cat: 714704 Rel: 22 Jan 19
Compact voltage-controlled four-channel audio mixer - 8HP
Notes: A-135-2 is a miniature version of the A-135-1. Behind a front panel with 8 HP only four linear VCAs (voltage controlled amplifiers) and a voltage controlled mixer based on the VCAs are available.

Controls, In/Outputs and Functions of each VCA:

- Level (manual control of the VCA amplification), small rubberized knob (L1...L4)
- Control voltage input with associated attenuator (CV1...CV4), for the full VCA control range about 0...+5V control voltage are required (attenuator fully clockwise), for higher control voltages the attenuator is used, the attenuators are without knobs, just plastic shafts with white marker
- Signal Input
- Signal Output
- All inputs and outputs are DC coupled. Consequently the VCAs can be used to process both audio and control voltages (e.g. to control the level of LFOs or envelopes)
- The signal input is not equipped with an attenuator. But the VCAs can process all signals up to 15Vpp / -7.5...+7.5V without clipping. In case of higher levels an external attenuator is required (e.g. A-183-1).
- The available amplification range is 0...1, the maximal amplification is 1 (i.e. it "clips" and remains at 1 even if the control voltage goes beyond the value that corresponds to amplification 1)

Functions of the voltage controlled mixers:

- Two outputs ("Selected" and "All")
- Selected output: the ouput if a VCA is removed from this sum signal when a plug is inserted into the corresponding VCA output.
- All output: sum of all VCA outputs, regardless of inserted plugs into the VCA outputs
- The maximal amplification is about 0.6 to avoid clipping at the mixer outputs (otherwise the outputs may distort with 15Vpp signals at each signal input and full amplifications)

Special functions of the voltage controlled mixers (selectable by internal jumpers):

- Dual Stereo VCA: In this case the control unit of VCA1 (L1 + CV1) affects also VCA3 and the control unit of VCA2 (L2 + CV2) affects also VCA4, the control units of VCA2 and VCA4 are out of operation
- Quad VCA: In this case the control unit of VCA1 (L1 + CV1) affects all four VCAs. The control units of VCA2, VCA3 and VCA4 are out of operation. In this mode the module has the same function as module A-132-2. That's why module A-132-2 will be discontinued.
- Normalling of the signal inputs: by means of internal jumpers signal input 1 can be normalled to signal input 2, signal input 2 to signal input 3 and signal input 3 to signal input In 4. That way the same input signal can be distributed to four different channels by means of control voltages (e.g. quadrophonic distribution of audio signals). Suitable control voltage sources are e.g. A-144 (Morphing Controller) or A-143-9 (Quadrature LFO).
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 4 in stock $120.05
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Cat: 670607 Rel: 10 Jan 18
Expander module for the Befaco Hex Mix
Notes: Hexpander adds great functionality to Hexmix module. Featuring Three aux send with stereo returns, individual outputs for each channel, complete PFL system and balanced output.

Hexpander is designed to be placed on top of Hexmix. Expanding Eurorack concept to 6u, allows every channel to be aligned as in traditional tabletop mixers.

Auxiliar sends:
For every channel you have three auxiliar sends. One pot will measure the amount of signal sent to each of them.

Every auxiliar send has a volume pot, that will measure the level of the signal sent. There are two jacks available so it is possible to send the signal both pre or post fader/EQ at the same time, allowing to patch externally depending if its desired to have the original signal, or the signal after being EQ'ed on the effect.

Returns are stereo, having a switch to select if the signal is coming from synth or line level. Like this, levels can be set, for example, either for a guitar pedal or a FX module at synth level.

Monitor section:
Hexpander features a complete PFL system, to send channels to the headphones before you add them to main mix.

Flip PFL switch to send that channel to the headphones out.

With PFL/Master Pot you can do a crossfade between the master signal and every channel sent to PFL. Headphones out will control headphones volume.

Level meter will show the level of the sum of all active PFLs. When there is no PFL active, it will show master level.

Output section:
Every channel has individual 6,5? jacks out at line level. Here you have the signal of every channel post EQ.

As an addition, you have master balanced output.
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 2 in stock $319.80
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Cat: 676565 Rel: 19 Jun 18
Complex 16-step CV sequencer - 10HP
Notes: Mimetic Digitalis is a 10HP step sequencer optimized for live use. MD includes four individually editable CV outputs and a trigger out. Each step can be manually programmed or use MD to live record CV sequences using the encoder. The zero button mutes the CV at a step and shred randomizes the voltage. Save and load up to 16 patterns. Edit a pattern and use undo to return to the unedited version.
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 2 in stock $227.69
Cat: 690950 Rel: 25 Oct 18
Stereo effects processor - 16HP
Notes: Erica Synths Black Hole DSP 2, an updated version of Black Hole DSP features 24 custom effects, designed in close co-operation of Erica Synths team rider KODEK and creator of SpinCAD software Gary Worsham. Each effect has 3 manually and CV controllable parameters, manual and CV control over sampling frequency for spanning from 48kHz to really Lo-Fi crunchy sound and full analogue dry/wet control. All effect parameter settings can be saved to the memory and instantly recalled with the effect, which makes Black Hole DSP II ideal for live performances.
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 2 in stock $278.40
Cat: 641954 Rel: 28 Feb 17
Comb oscillator, VOSIM, summation synthesis & phase modulation with adjustible waveform & wave folder
Notes: Loquelic Iteritas is a digital VCO with interpretations of three classic synthesis algorithms involving dual pitch control. It creates a huge variety of sounds parameterized by four tone and two pitch controls.

It has had glowing reviews from Surgeon and Surachai, and I am personally very excited about this module!

It has a simple interface, with 3 different synthesis algorithms allied to a number of different controls / CV inputs which have different effects, depending on which mode you choose. Simply hook up a number of modulation sources to the 4 inputs and start wiggling!

Rev.2 now features an additional sync input.

Size: 10HP Eurorack
Depth: 1.5 Inches
Power: 2x8 Eurorack
Draw +12V: 150 / 80
Draw -12: 5 / 5
Draw +5v: 0 / 90
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 2 in stock $310.49
Cat: 718794 Rel: 18 Apr 19
Distortion module with Plasma technology - 16HP
Notes: Gamechanger Audio is a Latvian company committed to exploring the uncharted territories of music electronics and creating devices that provide real value while stretching the imagination of both musicians and engineers. In their Plasma Pedal they managed to combine Tesla coil with a lots of Rock and Roll and the result is one of the worlds heaviest sounds with plenty of unique features and the potential to become the new standard of distortion.

Similar to the Plasma Pedal, Plasma Drive gives you a new and previously unexplored method of achieving signal clipping in 16HP. Instead of using LED circuits, transistors or vacuum tubes to produce overdrive, the Plasma Drive boosts audio signal to 3000V and transforms it into a series of continuous high-voltage discharges in a xenon-filled tube. In essence - you are playing a lightning bolt of electricity, and the electrical discharges produced by your instrument are instantly converted back into an analogue audio signal, producing a quick, responsive, and extremely heavy distortion with tons of unique character!

The Eurorack module Plasma Drive brings sounds of the Plasma Pedal to the next level. As per Eurorack standards we added CV control over distortion level and dry/wet mix, as well as octave up and 1 and 2 octaves down tracking oscillators that add even more harmonics to the original signal. Tracking oscillators can be switched on/off manually or via trigger signals. The Plasma Drive module is powered via conventional Eurorack PSU ribbon cable and the power consumption is around 150mA.
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 1 in stock $310.49
Cat: 664480 Rel: 11 Oct 17
Percussion module using granular synthesis - 8HP
Notes: The Chimera, pronounced "kai-meer-ah", is WMD's first percussion synthesizer module for Eurorack.

First, they recorded samples of different metallic hits to create the sonic signatures that they call Surfaces. The sources include tambourines, sleigh bells, drill bits, wrenches, shell casings, coins, chains and stomp box enclosures.

Second, they built a proprietary granular synthesis engine around the sonic signatures with the goal of making a module that could sound like a human hitting and shaking a tambourine. With the fundamentals finished, they tweaked the control ranges, built the post-engine effects, and bomb-proofed the hardware.

From there they pushed and polished the engine and user experience, squeezing every juicy drop out of 8HP.

Humanistic shakers, drum machine tambourines, laser guns, minimal techno offbeats, giant-robot movie sound design, etc. It's all yours with the Chimera.
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 2 in stock $225.62
Cat: 677518 Rel: 13 Apr 18
8HP drum/percussion synth module
Notes: Originally inspired by audience applause, hip-hop samples, and classic drum machines, Fracture is a multi-particle percussion synthesizer that applies concepts from classic analogue clap circuits to granular synthesis methods.

It all starts from proprietary micro-samples we recorded specifically for this purpose and ends with an engine built to suit these samples.
Unlike our other percussion module, the Chimera which uses impulse rich samples as it's tonal centre, Fracture uses single impulse samples like Claps, Snaps, Ping Pong Balls, Opening a beer can, and many more. It then plays a group of similar samples back in a psuedo random order for unique hits. Density, Decay, and Tail affect tone and how "tight" your virtual clappers are to playing together.

Our goal was to design a clap percussion module covering the range from classic drum machine claps all the way to full audience applause. We ended up with a module that covers a huge range of timbres beyond claps. We hope this engine provides you with the tools to intuitively create wild percussion sounds that bring your system to life in a new way.
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 2 in stock $248.39
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Cat: 688824 Rel: 01 Aug 18
Analogue waveform animator & dual channel device - black, 14HP
Notes: The WaveSwarm is a waveform animator and all analogue dual channel device.

Each channel simulates up to six VCO's beating in unison with a different beat frequency between each animation. The fixed beat frequencies are generated by twelve onboard LFO's, and the front panel pots control the level of each of the six animators, along with the level of the dry signal to the final mix. In addition to independent channel inputs and outputs it also has an A+B output, which sums the outputs of the two channels, creating an effect similar to twelve VCO's in unison! This is possible because channel B uses slightly different beat frequencies to channel A, they are not identical.

The input waveform can be saw, triangle, sine or wavetable/complex waveforms, in fact most waveforms with the exception of square or PWM waves will give some form of animation.

A soft clip circuit is built in so that at higher signal levels the signal magnitude is limited by rounding the top and bottom of the waveforms, thus slightly softening the sound. There are soft clip LED indicators for both channels.

It can produce huge, fat drones or supersaw type waveforms from a single sawtooth or triangle wave input.
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 2 in stock $259.77
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Cat: 671535 Rel: 28 Feb 18
Versatile, easy-to-use four-track, eight step sequencer - 12HP
Notes: The Varigate 4+ is a 4-channel, 8-step sequencer that includes the features of the original Varigate 4, PLUS the new option to output both CV (quantized or unquantized) and gates simultaneously. Other new features include a Play/Stop function, Preset Banks (4×4), Glide Per Step, Scales and can also be configured as master for the Malekko Voltage Block as well as a slave to the Varigate 8+ if you're looking to expand your total channels and presets (up to 14 channels and 100 presets with V8+).

Each Channel (or Track) correlates with its own sequencer (so 4 independent sequencers). The addition of the Gate/CV Switch allows for switching between 4 channels of CV, 2/2 for 2 channels of CV and 2 channels of gates, or all 4 channels to output only gates. Additionally, each step of a sequencer can be programmed with Probability for gates, Repeats, Glide and Notes (when in a CV mode). There is a also a Randomization feature for Repeats, Notes and Glide. Channel parameters for Scales, Sequence Direction (Forward, Reverse, Pendulum and Random), Sequence Length, Division, Multiplication and Pulsewidth are all easily accessible using Track Mode.

Easy Preset Recall makes the Varigate 4+ perfect for live performance. Pair it with the Malekko Voltage Block for maximum control!
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 2 in stock $254.60
Cat: 677587 Rel: 29 May 18
Granular sample player/DSP platform - 20HP
Notes: Record. Mangle. Destroy.

Nebulae is a granular sampler and DSP platform. Its phase vocoder audio engine provides elastic audio, which can be time stretched, granularized, and mangled to no end. With independent control over pitch and speed, and granular controls such as overlap, window, and density, finding new sonic territory is only a knob turn away. Nebulae can use live audio input, a recorded buffer, or audio files as the source material for its powerful audio manipulations. The live input buffer can record up to five minutes of stereo audio at 48kHz, 24 bit. In addition, up to 75 MB of stereo audio can be loaded simultaneously through the USB port. No naming convention or special formatting necessary; just plug and play.

Nebulae lives a double life as an open source DSP platform with an extensive library of off the shelf alternate instruments. You can turn the module into a lush reverb, spectral delay, or tape-style looper simply by loading a new file onto the flash drive. Do you want to tweak one aspect of an existing instrument, even the default functionality? No problem. No prior coding knowledge is necessary to tweak and refine existing firmware to your liking or start with one of our templates. Alternate firmware files can be written with Pure Data, Csound, SuperCollider, and even bare-bones C programs.
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 4 in stock $382.94
Cat: 631136 Rel: 11 Nov 16
Sampler & looper module with 24-bit audio path & clock/MIDI inputs
Notes: Bitbox delivers recording, clip launching, and looping in a musically intelligent way. With a 24-bit audio path, you can capture and play samples with impeccable audio quality. With clock and MIDI inputs, you can create loops pre-cut to bars or beats and launch clips with similar synchronization. Bitbox has a capacitive touch screen that makes easy work of tweaking, browsing, and loading sounds from microSD card.
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 3 in stock $547.50
Cat: 601493 Rel: 22 Apr 16
Eight output, modular control panel - 14HP wide
Notes: Highly configurable Control, Modulation, Triggering and Pattern module. 8 simultaneous Outputs and 12, individually assignable, Output types.

Output and Modulation types include Pulses, Gates, LFOs, Digital Noise, Loopable S&H modes and a collection of Arpeggios and Rhythmic Loops.

Tempo-sync for all Outputs is provided by the on-board Clock or
an External Clock Input with Tempo ranges from 20 to 270 BPM.

Outputs can be set to any Clock Division or Multiple from 1/16th
of a Beat to 16 Bars and can be Offset up to 360 Degrees.

Intuitive interface allows user-definable control over knob and parameter behavior to match the preferences of individual users.

For audio, please visit: http://www.abstractdata.biz/products/eurorack/3x/ade32/?tab=audio
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 3 in stock $306.36
Cat: 676299 Rel: 12 Apr 18
CV/Gate-controllable sampler - 28HP
Notes: The ASSIMIL8OR is a CV/Gate-controllable sampler with eight independent channels. Each channel is not only its own voice, but also has a separate audio output and a gate/trigger and three CV inputs. Given ever get two sample inputs and main outputs. Thus, Stereo Sampling and playback is possible. Mixed operation of stereo or mono is possible and is limited only by the maximum number of eight channels or parts.

The ASSIMIL8OR works with high-quality 24-bit AD and DA converters. Internally, however, sample and bit rate for lo-fi sound can be lowered, the latter is even CV-controllable. The samples can also be otherwise manipulated in many ways. Thus, the phase of a sample via CV or a different sample can be modulated. Likewise, the loop points can be controlled and the sample can be traversed with CV control (scrubbing), whereby wavetable similar effects could be achieved. The following parameters can be addressed via the gate / trigger and CV inputs:

- Pitch
- Level
- Bit Depth
- Phase Modulation
- Pan
- Scrub
- Sample Start
- Sample Length
- Loop Start
- Loop Length
- Release Decay

Samples and presets are stored on an SD card, which is easily accessible plugged into the module front.
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 1 in stock $774.18
Cat: 736449 Rel: 15 Jul 19
Facilitates effects processing between eurorack, guitar pedals & electronic instruments
Notes: Want to connect outboard gear to your eurorack synthesizer without taking up valuable HP in your case? The INTRFX allows eurorack-level signals to be processed with pedals and/or outboard effects, and also allows line-level instruments to be processed with eurorack modules. Each of its three channels has an Interchange Switch to swap this mode, as well as an FX Blend parameter which can be controlled via CV. Because of its compact physical design, the INTRFX can be placed almost anywhere and connected to eurorack systems with 3.5mm patch cables rather than bulkier 1/4-in cables.

Feedback effects can be achieved by switching into the "wrong" mode, sending the FX return back into the FX send, while still allowing for dry signal blend and modulation. Channels can also be patched into one another and toggled between modes for experimental routing. Conveniently, each channel can operate as a reversed linear VCA for both audio and DC signals if no effects are used.

Whether you'd like to patch eurorack through some classic pedals or run a drum machine through your gnarliest modules, INTRFX makes these connections easy and flexible.
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 7 in stock $205.97
Cat: 680755 Rel: 22 May 18
Dual vactrol based LPG/VCA module - 2HP
Notes: The Meng Qi DPLPG is a Dual Passive 1-pole vactrol based Low Pass Gate/VCA in modest 2 HP. No power is required as the design is completely passive.

Handpicked components ensure that the modules will be musical.

Feed it a trigger and enjoy the natural smooth decay of a vactrol.
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 3 in stock $66.23
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Cat: 719655 Rel: 03 Sep 19
High quality stereo digital FX for AE modular
Notes: Stereo effects processing for Tangible's affordable AE modular system. Offers a total of 15 digital effect programs with CV control over three parameters each. Can run in Eurorack via an optional adaptor frame.

Supplier notes:
The MULTIFX module offers 15 different stereo audio FX programs, a wide variety from common FX like reverb and delay to unique effects like Ring Crusher or Glitch delay. Also a nice shimmer effect is onboard.

Each program has 3 parameters that can be adjusted and additionally be CV-controlled.

With a switch the sample rate can be reduced to half the normal rate, resulting in doubling the effect times (with reverb, delay...) and introducing a nice portion of aliasing.

It is based on the FV-1 DSP chip that is well-known from other FX-modules in the Eurorack world; the MULTIFX module offers the 7 factory programs of the chip plus 8 new and unique ones created by Tangible Waves.
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 2 in stock $109.70
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Cat: 719650 Rel: 03 Sep 19
Analogue 16-step CV sequencer
Notes: The SEQ16 is a 16-step sequencer for controlling oscillator pitch and triggering envelopes.

Compared to "classic" analogue sequencers it works a bit different: Instead of setting the CV for each step independently (which means in fact "tuning" each step which can be a bit tedious), the SEQ16 has 5 knobs for pre-setting different CV's (= notes); each of the 16 step knobs selects one of these CVs, plus 0V (=base note) plus Pause (no trigger output). So some CVs have to be fine-tuned once; with the step knobs you can focus entirely on the sequence itself and you can even modify it on the fly, still remaining in tune.

An additional feature is "accent"; this can be set for each step by turning the knob fully clockwise. If a step is set to "accent", a separate trigger output is set and also a gate repeat for the regular gate output can be selected (from one to eight repeats).
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 1 in stock $85.89
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Cat: 731956 Rel: 16 May 19
3-channel module for recording & playing back movements of controllers - 6HP
Notes: The FLAME "C-3 MK2" is a three-channel module for recording and playing back movements of controllers. These can be recorded with each channel's individual knob. The movements will be output as control voltages. The recording time per track is over one minute. The playback speed is adjustable. All three tracks have a common reset input. The track data remains permanently stored (battery-backed memory). The module can be globally switched to bipolar or unipolar voltage range (switch on the PCB).
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 1 in stock $154.20
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Cat: 742228 Rel: 05 Sep 19
Low pass filter, VCA & distortion with brass touchpoints - 14HP
Notes: The 100 Grit is a touch-controlled distortion unit inspired by the output section of a vintage synthesizer. Sonically it can range from subtle tone shaping to complete sonic obliteration depending on the positions of the knobs and output chosen
The 100 Grit consists of a low pass filter, VCA, and distortion section with 8 touch points, voltage control overdrive, resonance, and frequency, along with a plethora of feedback paths allowing it to operate as a hands-on performance instrument with or without any input.

The touchpoints enable touch-controlled resistive patching between the cv points (gain, frequency, and resonance), sensitive points in the distortion circuit, and different distortion outputs for a mix of touch-controlled audio rate modulation and crackle box-like noise freakouts.

The low pass filter is a 24dB self-oscillating transistor ladder type with a jumper selectable resonance compensation scheme allowing more bass and volume at higher resonance settings.

The VCA is an OTA based circuit, which when pushed past 75% will impart a soft distortion characteristic, turning a triangle wave into a sine before being finally driven into a square wave close to max. If the levels are kept lower it is a reasonably clean vintage-style output section.

The distortion circuit is driven by the VCA, allowing for a voltage controlled gain amount and goes from heavy to extreme, especially when the x100 gain switch is engaged or the various self-modulation/feedback paths are utilized. The circuit is loosely based on a headphone amplifier circuit cranked into instability and self-oscillation.

Each Audio and CV input is normalized to a different feedback path, allowing for wild, self-oscillating distortions and extensive tone control with no external CV applied, or full control from external sources.
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 1 in stock $263.93
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Cat: 731216 Rel: 18 Jun 19
4 variable waveshape operators for linear FM synthesis - 30HP
Notes: Implementing frequency modulation synthesis completely from scratch in firmware, the Quad Operator is able to provide a modern take on frequency modulation synthesis.

- One knob per function design for true ease of use
- Any FM algorithm is possible via modulation matrix
- The Algo expander provides algorithm save/recall and crossfading capabilities
- Independent output per operator
- Virtual VCA per operator for both animating modulation and output volume control
- Includes a dedicated "AR FM" input with its own modulation sends, designed to bring an audio rate signal in from your rack for use as a modulator. Try processing a phase locked operator, and feeding it back in!
- Each operator can also be unlocked then tuned and patched independently, making the module a great general purpose oscillator bank
- Convincing digital emulation of classic analogue waveshapes - sine, triangle, square, and saw
- An LFO mode, enabled the generation of phase locked, complex modulation signals
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 3 in stock $429.51
Cat: 595820 Rel: 03 Aug 16
Links up to 3 Zeus Studio Bus boards with an external power supply - 4HP wide
Notes: Zeus Access provides a simple, fast, and cost-effective solution for linking up to three Zeus Studio Bus boards with an external Cincon-TTA brick-style power supply. It is a tethered 4HP space-saving front panel with a long lasting high power rating On/Off switch and power socket.

It comes fully assembled and wired with 16AWG wire and plated copper terminals leads that require no additional assembly or special tools for connecting to a Zeus Studio Bus board.
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 1 in stock $35.71
Cat: 596644 Rel: 18 Dec 15
Physical modelling synthesis Eurorack synth module - 14HP wide
Notes: Rings brings physical modelling synthesis to your Eurorack system, from a more modular angle than Braids' models or Elements. Instead of trying to be a complete instrument, Rings focuses on the key ingredient, the resonator, ready to be excited by envelope clicks, trigger pulses, granular noise or any other audio source produced by the rest of your system.

Three families of vibrating structures are simulated by the module, with CV control over their parameters:

- Strings, membranes and tubes as modelled by Elements' resonator section (modal synthesis).
- Strings coupled together and vibrating in sympathy, with controllable intervals between them.
- Strings with a variable amount of inharmonicity.

Rings can be configured so that each new note is played on its own virtual string, while the previously played note(s) still decay(s). This unique take on polyphony allows the module to play strummed chords.

*For audio demo, please visit - http://mutable-instruments.net/modules/rings
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 7 in stock $293.93
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Cat: 580353 Rel: 04 Sep 15
Multi-Voice, Multi-Algorithm synthesiser module - 14HP wide
Notes: The tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer module named for the music hall considered by some to be the location of the first electronic music concerts. It was coded by Tom Erbe with the goal of presenting three historically important pioneering electronic tone generation techniques less often implemented within the modular synthesizer.

The tELHARMONIC's roots go back further than the advent of electronic music, as it also takes a new approach to handling music theory in the modular context. TONIC, INTERVAL, DEGREE and D-GATE, allow for patch-programming of complex chord progressions, scales, melodies and playing styles. This Voltage Controlled Music Theory guides the Algorithms in a unified way, whereas CENTROID, FLUX and H-LOCK sculpt the timbre of each Algorithm uniquely, allowing for complex sounds to be created around a unified melodic structure and pattern.


The Spiratone is a form of Shepard Tone generator. It is a sonic barber pole that creates the auditory illusion of a tone that continually ascends or descends in pitch, yet ultimately seems to get no higher or lower.

It occupies the same space as the tELHARMONIC. To find it, have nothing patched to D-Gate and HOLD H-LOCK for 5 seconds. The sound will dramatically change... you've found the Spiratone inside your tELHARMONIC.
Multi Voice Shepard Tone generator inspired by Jean-Claude Risset "Computer Suite from Little Boy: Fall," 1968 & James Tenney "For Ann (rising)," 1969

CENTROID sets spacing of the oscillators

INTERVAL allows for complete control of modulation depth and direction

FLUX adds random pitch fluctuations

8 octaves of continuous 1V/ Octave pitch control

8 octaves of quantized pitch control

DEGREE Modulation able to be synchronized by clock or gate via D-Gate input

Gate Out completes the conversation between Spiratone and rest of system!

Utilizes High performance DSP hardware with 24bit, 48kHz codec, 32 bit floating point processing

Reasonable power consumption

Pairs well with Optomix

Video demo - https://www.youtube.com/watch?t=1&v=Mz6n-tzX5Xk
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 1 in stock $332.22
Cat: 739060 Rel: 29 Jul 19
Dedicated jack expansion module for use with the Stereo Out 1U module
Notes: 1/4" TRS jack panel in 1U for the Stereo Line Out 1U module.

If you don't own an Intellijel case with built-in compatible 1/4" jacks, then you need to purchase a Stereo Out Jacks 1U module, which connects via ribbon cable to the Stereo Line Out 1U module to provide 1/4" TRS output jacks for interfacing with other studio or stage gear.
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 1 in stock $23.55
Cat: 590408 Rel: 19 Jan 16
Trigger sequencer
Notes: From a conceptual view, the Trigger Riot generates 16 clock streams consisting of multiple time manipulation functions (division, offsets, etc) that interact to create the trigger output, and direct access to each parameter via individual knobs allows for quick manipulation. The 8 outputs are the sum of those manipulated streams per row. The outputs of the module are arranged as either a 4x4 matrix, where each of the 16 knobs affects both row and column, or as a set of independent outputs for each row or column. This allows forming 8 complex musical interactions in a 'Matrix' mode or 8 independent streams in 'Independent' mode and is switchable from one to the other on press of a button for some unexpected results.

Since each of the 16 knobs represents a real time tweakable trigger generator/modifier the Trigger Riot is extremely playable and can result very complex patterns with only few knob turns; patterns that would otherwise take much longer and in some instances be almost impossible to produce using grid based step sequencing. Patterns can have unique time signatures that can repeat or be randomized through probability, time shifted and phased, divided, multiplied and counted, it's unbelievable how complex this module can get with minimal input.
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 1 in stock $429.53
Tiptop Audio Happy Ending Kit (silver) (modular synth starter kit)
Cat: 590438 Rel: 10 Nov 15
Modular starter kit containing rails, rack ears and power supply
Notes: The Happy Ending Kit is an easy way to get everything needed to start a Eurorack modular system.

The Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter
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 1 in stock $142.83
Cat: 557451 Rel: 19 Dec 14
Random voltage generator synth module
Notes: The "WoggleBug" is a random voltage generator, originally designed by Grant Richter of Wiard Synthesizers. It is a continuation of the "smooth" and "stepped" fluctuating random voltage sources pioneered by Don Buchla within the Model 265 "Source of Uncertainty," expanding it to include the other-worldly Woggle CVs (stepped voltages with decaying sinusoids edges).

The Wogglebug is a very musical random voltage generator where it is possible to synchronize all random signal to a Master Clock. Guaranteed to unleash your synthesizer's ID MONSTER!
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 1 in stock $225.63
Cat: 557508 Rel: 19 Dec 14
Multiple signal sending module
Notes: The Multiple is a simple but important module that allows for sending a signal to multiple destinations. Within the Make Noise system the Multiple may also be used for combining clock, gate and pulse signals together to create interesting timing sources (in other words, it acts as a Gate combiner aka logic OR circuit).

It has 9 inter-connected sockets that may be split into different group combinations depending upon how it is patched. The jacks circled in white will make or break the interconnects between the 3 groups of three, thus allowing for three 3-way, one 5-way/ one 3-way or one 7-way multiple.

The Multiple is passive, because the Make Noise system does not require Buffered Multiples since all critical control signals are already buffered in such a way as to provide a large fan-out capability.
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 2 in stock $35.71
Cat: 563579 Rel: 10 Mar 15
Dual slider based ADSR envelope synth module, 14HP wide
Notes: The circuit is based in part on the Roland SH-101 / System100m design with several enhancements.
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 3 in stock $204.92
Cat: 563679 Rel: 10 Mar 15
Quad functon/envelope generator synth module with 4 x function generators and 3 modes: "ad (attack - decay), "ahr (attack - hold - release)", & cycle (ad envelope loops)
Notes: Each function can have a linear or exponential curve.

wide time range for attack/decay controls: <0.5ms to well over 30s

All analog and discrete logic for function generation (totally smooth and continous waveforms)

12hp and skiff friendly
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 1 in stock $249.42
Cat: 563709 Rel: 10 Mar 15
Dual 3:1/6:1 unity gain mixer (for cv or audio) synth module, 2HP wide
Notes: Dual 3:1 audio and cv mixer (up to three buffered inputs with a single buffered output).

NOTE: Version 2 of the Unity Mixer has two sets of jumpers on the main pcb. These allow the top and bottom sum to be set to -6dB attenuation instead of unity gain. This creates more headroom when summing higher amplitude sources like raw VCO signals.
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 1 in stock $76.58
Cat: 569587 Rel: 10 Apr 15
Dual Bernoulli gate synth module, 6HP size
Notes: A Bernoulli gate takes a logic signal (trigger or gate) as an input, and routes it to either of its two outputs according to a random coin toss. The knob controls how fair the coin toss is - with the knob in minimal position, the first output always win, with the knob in maximal position the second output always wins - with random fun in-between. And obviously, this bias is CV-controllable!

Branches packs two such gates in a small 6-HP panel. Get a sequencer to randomly skip steps, randomize drum patterns, dispatch events from a sequence to two subpatches, or patch a monster modular Pachinko machine...

Input specifications: 100k impedance, 0.6V threshold.
Output specifications: 5V HIGH level.
Response time: 15us.
Current consumption: +12V: 10mA, -12V: 1mA.
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 3 in stock $91.07
Cat: 643383 Rel: 27 Mar 17
Utility module featuring Clock, Random Pulse, Analog Noise, Sample/Hold & Slew
Notes: Noise Random Tools comprises a collection of useful utility blocks that you could use in many of your patches - Clock, Random Pulse, Analog Noise, Sample and Hold, and Slew.


- Clock and Random pulse source with adjustable rate
- Analog pink and white noise source with very accurate spectrum
- Analog sample / track and hold with very low droop
- Analog slew with adjustable slew rate
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 5 in stock $97.28
Cat: 643384 Rel: 27 Mar 17
Voice allocator, note hocketing & analog shift register module - 6HP
Notes: The Shifty is essentially a combination of four sample and hold stages, a sequential gate and sequencer controller. This collection of functions allows for some specific and useful utility application.

One of the primary uses for Shifty is to take a monophonic sequence source and route each new note of the sequence to up to four different synthesizer voices in a specific pattern. In this way you can create pseudo polyphonic sequences since each voice can be triggered to play and sustain while the next voice int the sequence gets triggered. Another term for this is hocketing.

The other main application of the Shifty is to function as an Analog Shift Register. In this mode each new gate input received causes the current set of pitches to be shifted to new output locations as a new one is added and the oldest one is replaced. This can be an interesting way to create chords that are up to four stacked notes when used with a pitch sequence source that has a harmonious series of notes (e.g. a pentatonic scale works really well). Even just using two of the outputs will yield very interesting melodic interplay and is an excellent way to make a simple sequence much more complex and interesting.

In a more basic way the Shifty could be used as a simple Sample/Track and Hold module or as a sequential gate.
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 1 in stock $180.08
Cat: 602202 Rel: 04 Apr 16
Passive multiple synth module
Notes: Dual 1x5 Passive Multiple

Two rows of 1 x 5 Passive Multing
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 1 in stock $27.69
Cat: 606495 Rel: 24 Mar 16
utility synth module with three analog functions for altering the shape of audio or control signals - 4HP wide
 2 in stock $80.73
Cat: 616167 Rel: 09 Jun 16
4 channel coltage controller signal polarizer synth module - 12HP wide
Notes: Blinds is a 4-channel voltage-controlled signal polarizer. Each channel consists of a polarizer circuit, also known as a four-quadrant multiplier. This circuit acts like a VCA, except that a negative control voltage will cause the output signal to be inverted, instead of being silenced. Blinds' outputs are daisy-chained, allowing adjacent groups of 2, 3, or all 4 channels, to be mixed together.

One can think of Blinds' as a voltage-controlled version of Shades, the control center for all the modulation CVs used in a patch. Many other uses are possible, though. For example, each individual channel can be used to scale/offset a CV; and with audio rate modulation signals, each channel acts like a ring-modulator, with massive potential for drones and feedback patches.
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 2 in stock $150.08
Cat: 658619 Rel: 13 Sep 17
SD card for the ONE modular synth module
Notes: DOTS features 256 short/dots one shot sounds created specifically for ONE to further extend ZV_K's live Tiptop drum setup. These sounds were selected for their percussive transient response but are also great as monophonic sound sources to use alongside analog synth when sequenced. DOTS are samples of the signature sounds of Buchla, Cwejman, Mutable Instruments, Jomox, Mungo, Industrial Music Electronics (aka The Harvestman), HexInverter, Make Noise, Monomachine, Vermona, Audio Damage. Bastl, Epoch, Mungo, Delptronics as well as some human voice artefacts and even a prepared piano. Each sound was carefully selected from hours of recordings, edited but not altered to retain the original sound's qualities and dynamics and was extensively tested using the module to make sure all the sounds sound good at any setting. DOTS are very easy to fit into a mix, run through effects and are very well suited to be used and abused by a modular system.
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 2 in stock $26.91
Cat: 643385 Rel: 29 May 18
Touch-sensitive control surface for Eurorack - 20HP
Notes: Tetrapad is a versatile, multi-dimensional, touch-sensitive control surface for Eurorack. Each of its four pads use force sensing resistors to respond to both the vertical position of your finger and its pressure. Four push encoders and a shift function give you even more tactile control over your modular system.

Tetrapad operates in numerous modes - each of which configures the module to perform a specific control task. Through these modes, Tetrapad can emulate a bank of faders; a voltage storage device; a finger drumming surface; a chord generator; an 8-key keyboard; four independent LFOs; or an 8-switch panel. The chosen mode determines what type of signal (CV, note, trigger, gate, etc.) is sent from each of Tetrapad's eight independent outputs, while its multitude of multi-coloured LEDs keep you informed of exactly what's happening within each mode.

Tetrapad automatically remembers how you've configured each of its modes and retains these settings when powered off. By default, Tetrapad automatically saves these settings every minute, or whenever you change modes. This makes Tetrapad ideal for live performance, since you know it will always power up with your configurations intact.
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 1 in stock $274.26
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