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Cat: 624463 Rel: 16 Sep 16
 
Chord Polyphonic Oscillator Module
 2 in stock $303.55
Cat: 658624 Rel: 18 Aug 17
 
Bass & drum synthesiser voice module - 14HP
Notes: The Entity Bass Drum is a complete and versatile synthesizer voice geared for designing a huge array of bass drum, percussive and synth sounds. Finally, a truly deep tool for creating analog bass drum, bass lines and other percussive effects is here!

The design consists of a high fidelity resonant filter, 2 stage slope generator (rise/fall) with independent slope shaping, a high fidelity VCA and discrete transistor saturation circuitry. Every parameter on the Entity Bass drum is voltage controllable.

By applying a trigger of any length and at least 2V amplitude, we excite the resonant filter to produce a percussive sine wave. The pitch control tunes the output with a range of 8Hz to around 2.2KHz. Both higher and lower levels are achievable using the FM input for modulation etc. The internal filter will track 3-4 octaves reliably and the tracking device is temperature compensated.

The slope generator (ENV) can be switched into the circuit via the 3 way switch below the FM LVL control. This control is a bipolar attenuator which affects the level of the slope generator and/or external modulator that affects the pitch of the output.
The 3 way switch selects FM, FM+ENV or just ENV as a mod source.

The rise/fall envelope is a two stage function generator. The controls provide slope timing from 1ms to about a minute. To the right of these controls is the shaping section where logarithmic, linear and exponential slope shapes are selected independently for the two envelope stages.

The envelope is designed to re-trigger at a set point. This allows for changing dynamics to occur to pitch and amplitude when the slope times are greater than the output transient time. For instance the sound can vary between any number of triggers that fire before the envelope set point is reached. Setting the slope time fast enough (below roughly 1 o'clock) provides for nominal operation. Settings will vary depending on trigger and ring decay timing.

The envelope can also be used exclusively or in a more complex patch via a direct +ENV output. Additionally, a novel DUCK output provides a means to control external VCAs - to work like slow compressors. DUCK is an inverted and positively offset version of the +ENV out. This keeps VCAs open when the envelope is off and effectively 'ducks' the VCA when the envelope fires. Of course, mod sources for these outputs are not limited to VCAs...

BODY is a subtle, yet novel control. This control simulates the tightness of a drum head. All the way tight, we get a softer and somewhat muted sound, to the right we achieve a more flabby sound. The middle region is the sweet spot for a nearly perfect resonant drum. BODY can have a greater effect depending on the other parameters and can be very useful for fine tuning the sound in a mix and designing original drum sounds.

RING controls the resonant decay time. Both short and plucky and an infinite ring are obtainable. The filter is tuned so that it will always resonate a little, even when RING control is all the way down.

Before the output section, we have the discrete transistor saturation. We like this because of the vintage low end distortion from overdriven class-A discrete amplifiers. This one is tuned a bit more aggressively and just a touch is necessary to add some bite. However, you can go over the top and get brutal if you so desire... ;-)
The saturator will overdrive the output stage for more of a hard clipping effect that can be tuned out by adjusting the output level control without sacrificing signal amplitude - its a hot signal by intention.

The OUTPUT section is a parallel signal processor design. The OUTPUT control blends the nominal output with a secondary input (or nothing) depending on the 2 way switch setting below the control and/or whether an external signal is patched into the AMP CV input. In 'AMP' mode, the OUTPUT control works like a volume control. If a signal is active on the AMP CV input, the control will blend between the nominal output and the CV control level. Similarly, in 'ENV' mode we get the same blending action using the internal envelope.

The VCA can also be accessed directly via the A-MIX input. This allows you to use the output section as a standalone VCA (modulated via the envelope or not) or to mix other sounds with the Entity. Feedback patching is a possibility using a stackable or mult to feed the output into the A-MIX input. This produces a juicy distortion effect of a different flavour, you may like it.

The filter can be used independently or in combination with the nominal output via the F-MIX input. This input is used as an aux trigger input that is sensitive to pulse/trigger width. As the effect is less dramatic than the main trigger, dynamic rhythms are achievable using both inputs and creative triggering.
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 2 in stock $304.61
Cat: 745931 Rel: 19 Sep 19
 
Control voltage processor - 14HP
Notes: The Model 156 was likely the first "CV manipulation" tool ever available to modular synthesists. In the original 100 series environment, the 156 was used as a front end to nearly every other module with a CV input. The majority of CV inputs throughout the 100 series do not have associated attenuators or offsets built into the modules, and thus they relied on the 156 to scale, offset, and attenuate the voltages traveling around the system. The 156 consists of 2 independent "voltage processors" Each with a control to mix the two inputs, add a voltage offset (positive only), and then a control to mix between the external CV to be processed and the internal offset. In addition, the "B" channel has an inverting input. The 156 is as close a replica to the original 156 as possible, and is built entirely of discrete analogue components.
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 1 in stock $305.65
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Cat: 745924 Rel: 19 Sep 19
 
6 channel mixer based on the mixer of Buchla’s 100 series
Notes: The Model 106 is a 100% discrete transistor based 6 input audio mixer.

Functionally, it allows the user to manually mix 6 signals into 1 output (All), or it may be used as 2 independent 3 into 1 mixers ("1-3" side and "4-6" side).

Aurally, the all transistor signal path adds its own unique sonic signature, imparting a subtle lo-fi warmth and saturation to the sound.

Additionally, the "All" output is inverted with respect to the "1-3" and "4-6" outputs. This feature can be exploited to creative effect.
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 1 in stock $305.65
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Cat: 745929 Rel: 19 Sep 19
 
Control voltage processor - 14HP
Notes: The 156 is an accurate reproduction of the original 156, however it's accuracy also means that it's functionality is based entirely on the needs of a cohesive system designed in the mid 60's. It cannot work with negative voltages, the maximum gain is set at 1:1, and the transistor core makes it inherently nonlinear.

The 156M is a modern update of the original 156 that we feel both works within the paradigm of the original 100 series and helps to interface with modern Eurorack gear. Like the 156, the 156M consists of two independent voltage processors. Each side can mix between 2 independent control voltages. This mix can then be offset by either a positive voltage or (unlike the original) a negative voltage. The mixed and offset control voltages can then be attenuverted - which allows the user to set the gain in either a positive or negative direction and can also boost the gain to approximately 1.5x the original signal. In essence, the combination of these three facilities allow you to mix, offset, compress, expand, invert, amplify, or scale any CV source.
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 1 in stock $305.65
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Cat: 673542 Rel: 23 Feb 18
 
Analogue multi-tap phaser - black faceplate
Notes: Mega-Phase 12 is an analogue stereo phaser with beefy, very vocal sound. The module is based on the effect pedal Small Stone developed by Electro Harmonix. In contrast to the classic, here you don't have four, but up to twelve stages at hand. The resonance can be picked up from different points in the signal path. Thanks to several inputs and outputs, it is possible to patch a second, external feedback loop with additional effects. Without a doubt the most flexible phaser module on the market.
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 2 in stock $306.70
Cat: 677589 Rel: 15 Oct 18
 
Organic wavetable oscillator featuring scanned synthesis - 16HP
Notes: Scanned is an organic wavetable oscillator. It uses an unexplored technique known as Scanned Synthesis to animate wavetables that are created in real-time. This synthesis method was conceived by the father of computer music, Max Mathews, as the next paradigm in digital oscillators, and until now, has never been implemented on hardware.

The wavetables are dynamically generated from a set of "objects" tied together on a virtual string. These objects have physical properties including Mass, Stiffness, and Damping which affect the way that the string moves through space and time. Unlike physical modelling, however, this algorithm is a means of creating new electronic sounds, not replicating acoustic instruments.

To animate the waveform, the objects are morphed into the currently selected hammer shape and then released. This excitation of the sound generates evolving timbral landscapes that contain harmonic movement without external modulation. The hammer section also determines whether Scanned is a free-running oscillator, or a triggered sound source allowing it to function as a complete voice without additional filters or VCAs.
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 1 in stock $307.76
Cat: 745784 Rel: 09 Sep 19
 
Analogue sequencer for CV's & trigger/gates
Notes: The Doepfer A-155 has two CV rows, each with selectable voltage range, glide and sample & hold options. Three trigger rows and a one gate row. Logic inputs for clock, reset, start and stop. It's even possible to insert external signals per step instead, overriding the CV generated by the 2nd row's potentiometer. The A-155's functions can be expanded by the A-154 Sequencer Controller, as it's an entire control unit with step number limitation, voltage controllable clock generator, variable gate length and a number of playback modes.

Features of the analogue rows (knobs):

- 8 potentiometers (knobs)
- Lower row: Scale (knob), voltage output range 0 ... ~ +6,5V
- Upper row: 1V/2V/4V (octave range switch for exact VCO control), voltage output ranges 0 ...1.0V / 0 ...2.0V / 0 ...4.0V
- Glide time (knob), same as portamento or slew limiter
- Glide Control (control input for switching glide on/off)
- S&H Control (control input for internal S&H, works like A-148)
- Pre Glide/S&H-Out (analogue output before S&H and glide unit, especially required when external audio signals are used as inputs of the lower row)
- Post Glide/S&H-Out (analogue output after S&H and glide unit)
- Lower row: external inputs for the 8 steps (switched jack sockets), control signals or audio signals may be used as inputs (allowed voltage range -5V...+12V), the knobs of the lower row are working in this case as attenuators

Features of the trigger rows (switches):

- 4 Trigger/Gate tracks with 2 rows of switches
- Toggle switches of 1-0-1 type (with middle position), which can be used to send a trigger/gate to the track above or below or to send no trigger/gate (middle position)
- 3 trigger rows (i.e. short pulse for each step set, pulse width corresponds to the pulse width of the clock/step input signal)
- 1 gate row (i.e. a high signal is applied during the length of the step set)

Control inputs and buttons:

- Step (defines the tempo of the sequence, same as clock or trigger input)
- Reset (resets all rows to step 1)
- Start (starts the sequence at the momentary position)
- Stop (stops the sequence at the momentary position)

Step and Reset are compatible to the MIDI interface A-190, i.e. in combination with the A-190 the A-155 may be synchronized via MIDI. The quantizing module A-156 can be used to quantize the infinite analogue voltages coming from A-155 into discrete semitone steps (multiples of 1/12V). Without MIDI interface e.g. a LFO rectangle output can be used to define the tempo of the sequence.

The sequencer controller A-154 adds a lot of new functions to the A-155 (e.g. voltage controlled addressing, forward/backward/pendulum/random mode, voltage control of first and last step, voltage controlled clock and gate length, step skipping, combination of several A-155 in parallel/serial mode and many more).
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 1 in stock $310.92
Cat: 671743 Rel: 18 Dec 17
 
Gritty & aggressive Eurorack 10HP voice module
Notes: Manis Iteritas is a Eurorack 10HP voice based on the architecture of Basimilus Iteritas, but designed to be more gritty and aggressive. It accomplishes this by producing only sawtooth waves that are manipulated, modulated, and distorted through a rethought interface. Manis is suitable for leads, bass lines, drums, darkness, detuned madness, or pure mayhem.
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 1 in stock $310.93
Cat: 601493 Rel: 22 Apr 16
 
Eight output, modular control panel - 14HP wide
Notes: Highly configurable Control, Modulation, Triggering and Pattern module. 8 simultaneous Outputs and 12, individually assignable, Output types.

Output and Modulation types include Pulses, Gates, LFOs, Digital Noise, Loopable S&H modes and a collection of Arpeggios and Rhythmic Loops.

Tempo-sync for all Outputs is provided by the on-board Clock or
an External Clock Input with Tempo ranges from 20 to 270 BPM.

Outputs can be set to any Clock Division or Multiple from 1/16th
of a Beat to 16 Bars and can be Offset up to 360 Degrees.

Intuitive interface allows user-definable control over knob and parameter behavior to match the preferences of individual users.

For audio, please visit: http://www.abstractdata.biz/products/eurorack/3x/ade32/?tab=audio
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 4 in stock $311.98
Cat: 633762 Rel: 05 Jan 17
 
CV sequencer with eight channels, each containing up to 16 steps
Notes: 8 independent 16-stage CV sequencers packed with performance features and presets makes the Voltage Block the ultimate CV tool. Create quantized or unquantized sequences for each output, record your modulation changes, tie sequences together, mute on the fly, randomize your outputs and so much more. The Voltage Block can be used stand-alone or pairs well with Varigate 4 and especially Varigate 8+ to share clocking and preset save/recall. All in 20hp.
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 5 in stock $315.14
Cat: 705246 Rel: 08 Nov 18
 
Lo-fi oscillator featuring low-frequency basses, metallic drones & scratchy digital timbres
Notes: Ataraxic Iteritas is a 10HP voice based on the original Ataraxic Translatron but beefed up with loads more features and tonal controls. AI starts with one of three bit tables shaped via variable interpolation that is then scrolled through, amplitude modulated, folded, and distorted by the CV-controllable front panel controls. Subby basses, metallic drones, unrelentingly digital timbres and more are all to be had from the AI.
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 1 in stock $315.14
Cat: 732833 Rel: 25 Jun 19
 
stereo delay module
Notes: Erica Synths Black Stereo Delay is a hi-fi stereo delay with lot of unique features, based on our custom DSP engine. Developed in collaboration with Tim Pechersky aka TeemKaa of Useful Circuits. Tape, digital and ping-pong modes of delay, hold with overdub and delicate delay time and feedback control in combination with CV and trigger control over various parameters make this module not only great effects unit in your modular system, but also - an instrument on it's own.
Features:
" Stereo delay with adjustable delay time
" Tape, digital and ping-pong delay modes
" Tap and clock synchronization of delay time
" Reverse delay mode
" Hold mode (samples up to 20" of audio) with Add (overdub) feature
" Trigger control over Hold, Add and Reverse
" CV control over delay time, dry/wet mix and feedback
" Feedback path soft limiting compression
" Add to hold soft limiting compression
" Adjustable stereo delay spread
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 2 in stock $315.15
Cat: 743521 Rel: 01 Jan 90
 
***B-STOCK: Box opened, product unused***
Notes: Dual VCO:
Based on the classic SYSTEM-100M modular synthesizer, the SYSTEM-500 is a fully analog recreation of one of the most revered electronic instruments of all time. Newly designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of the original with the advantages of a modern instrument. Built in the USA and assembled in Japan, the SYSTEM-500 is made to exacting standards with top-quality components and solid controls. And it's surprisingly affordable, turning the fantasy of finally owning this legendary instrument into reality.

Classic System. New Format:
The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analog and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens up vast possibilities for sound design and musical exploration.

512 Dual VCO:
The 512 Dual VCO (voltage controlled oscillator) is a single module consisting of two voltage controlled oscillators. Each independent VCO produces frequencies across a wide range with 1V/octave tracking and dedicated pulse, triangle, and saw wave outputs. Variable pulse width is available via panel control or CV modulation. Each oscillator's frequency can also be synchronized to the other in weak or strong modes to achieve a unique "sync" sound.
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 1 in stock $315.15
Cat: 687377 Rel: 19 Jun 18
 
Compact Eurorack module based on the SH-5 monophonic synth filter section
Notes: Inspired by vintage Roland modular synths of the 1970s, these new additions to the SYSTEM-500 family not only expand on the SYSTEM-100m-based modules, but also explore fresh territory. Designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of vintage Roland modular synths, with all the advantages of a modern instrument. The SYSTEM-500 is made to exacting standards in a collaborative design and production process between Malekko in Portland, USA and Roland in Hamamatsu, Japan.

Classic System. New Format:

The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesiser. Each module is completely analogue and has been designed for maximum compatibility with the world of contemporary synthesiser and effects modules. The SYSTEM-500 is a compact, powerful system that opens vast possibilities for sound design and musical exploration.

SYSTEM-500 505 VCF:

Inject the sound of the Roland SH-5's revered filter section into your modular rig. The Roland SH-5 is one of the most sought after monosynths in history. Its dual architecture was deep and sounded massive. It also happened to have one of the most distinguished filters of any monosynth in history. Combining a multi-mode filter with a band-pass filter, it produced a sound that has propelled it to "favourite filter ever" territory for many. In stark contrast to the traditional Ladder filter design, the SH-5's filter maintained its bass response with a meaty resonance growl. With the SYS-505, Roland and Malekko have brought this highly-coveted filter, in all its sonic glory, to the Eurorack format. With switchable outputs, built-in VCAs, and CV control of cut-off, resonance, this dual filter gives you two different vintage filter characters in a flexible and compact 16hp module.
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 2 in stock $315.15
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Cat: 644208 Rel: 06 Apr 17
 
High density octal linear VCA module - 18HP
Notes: VC8 is a high density VCA module designed to give you a large number of VCAs with CV level and OFFSET control, along with optional VCA controlled dual sub-mix capability.

The VC8 combines eight high-class VCAs with linear characteristics in one module. Each channel offers a modulation input plus attenuator, a bipolar offset potentiometer and a level LED. Routing options enable the user to create sub-mixes of four channels.
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 1 in stock $315.15
Cat: 658749 Rel: 11 Sep 17
 
Modulated ladder filter Eurorack module with Variable Slope, Q Intensity Control & Q Level Compensation
Notes: At the core of the EVOLUTION Variable Character Ladder Filter is Dave Rossum's enhancement of the iconic Moog ladder filter from the original E-mu Systems 2100 LPF module (which, incidentally, Dave counts as his favourite sounding of all of the analog filters he designed).

For EVOLUTION, Dave has designed new capabilities that not only allow you to dial in all of the outstanding qualities of the original 2100, but combine to let you create the sonic characteristics of a wide variety of other filter types.

They include:

- A Genus control that allows continuous voltage control of the number of filter poles (from 3 to 6 poles), essentially allowing real-time variation of Evolution's effective cutoff slope from 18dB/oct to 36dB/oct. LEDs give continuous indication of the current slope.
- A Species control that lets you vary the signal level into the ladder, letting you control the intensity of the filter's characteristic distortion. When in self-oscillation mode, this control modulates the amplitude of Evolution's output.
- Voltage controlled resonance with a variable Q Level Compensation control that controls the balance of the resonant peak and the frequencies below the cutoff frequency (which would otherwise be attenuated as the resonance is increased).
- An extremely accurate and temperature-stable frequency control exponential generator (accurate over 10 octaves), rivalling the specifications of the best analog VCOs.

Taken together, EVOLUTION gives you everything from the platonic ideal of the classic ladder filter to a vast selection of alternative filter characteristics.

And like all Rossum Electro-Music modules, it's solidly built, with machined aluminium knobs and high quality components throughout.
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 1 in stock $315.15
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Cat: 620696 Rel: 10 Aug 16
 
Analog compressor and tone shaper synth module in Eurorack format - 18HP wide
Notes: Analog coloring compressor module:

- 100% analog signal path and sidechain feedforward compressor
- Unique (log based RMS) detector
- Output routed through a specially selected Edcor transformer with highly desirable saturation qualities.
- Three carefully designed analog circuits to impose specific character on the output signal:
- TUBE adds non-linear distortion providing second order harmonics
- TAPE adds symmetrical distortion providing both even and odd harmonics
- XFRM modifies the transformer feedback circuit, giving a boost to low bass content
- All three color circuits can be engaged in any combination to react differently based on the input drive level and makeup gain
- Sidechain routed through a voltage controllable SVF filter with LP, BP and HP modes. A trimmer on the PCB allows you to adjust Q. This filter can be used independently of the rest of the module.
- External sidechain input allows triggering of the compressor with external sources.
- Link IN/OUT allows two Jellysquashers to be chained together for stereo operation.
- Full CV control of sidechain cutoff, threshold, ratio, attack time, release time, and makeup gain.
- Wet/Dry control allows for "New York" style compression where there is a blend of the dry and compressed output signal.
- LED bargraph with selectable display modes to view the signal level in VU or the gain reduction in dB.
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 1 in stock $316.19
Cat: 690936 Rel: 18 Apr 19
 
Dual-channel drum sample module - 14HP
Notes: Performance oriented Sample Drum brings you two independent drum sounds or loops with plenty of manual and CV controlled parameters. Samples are stored on the microSD card, and OLED screen makes working with samples instant and easy.

Sample Drum allows you to slice up loops directly in your modular system and rearrange them to taste. For processing, there are tuning functions (including 1 v/octave pitch tracking) and virtual VCAs plus AD envelopes. Thanks to the module's dual-channel concept, two loops can be combined. It is also possible to load one-shot samples instead of entire rhythms, of course. A total of six CV inputs guarantees lively results.

Sample Drum is composed of two identical audio players. WAV files (including cue points) are fed to the module via a micro SD card. Loops can be cut into several sections using the Data, Start and End potentiometers. The resulting slices may be played back in any order imaginable. A tune control allows real-time pitch changes. Additionally, there is a virtual VCA plus AD envelope per slice. - But that's not all! There are three CV inputs per channel, which can be routed to any parameters. It is even possible to play sounds according to the 1 v / octave standard. Results are emitted via one output per player.
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 6 in stock $316.19
Cat: 718794 Rel: 18 Apr 19
 
Distortion module with Plasma technology - 16HP
Notes: Gamechanger Audio is a Latvian company committed to exploring the uncharted territories of music electronics and creating devices that provide real value while stretching the imagination of both musicians and engineers. In their Plasma Pedal they managed to combine Tesla coil with a lots of Rock and Roll and the result is one of the worlds heaviest sounds with plenty of unique features and the potential to become the new standard of distortion.

Similar to the Plasma Pedal, Plasma Drive gives you a new and previously unexplored method of achieving signal clipping in 16HP. Instead of using LED circuits, transistors or vacuum tubes to produce overdrive, the Plasma Drive boosts audio signal to 3000V and transforms it into a series of continuous high-voltage discharges in a xenon-filled tube. In essence - you are playing a lightning bolt of electricity, and the electrical discharges produced by your instrument are instantly converted back into an analogue audio signal, producing a quick, responsive, and extremely heavy distortion with tons of unique character!

The Eurorack module Plasma Drive brings sounds of the Plasma Pedal to the next level. As per Eurorack standards we added CV control over distortion level and dry/wet mix, as well as octave up and 1 and 2 octaves down tracking oscillators that add even more harmonics to the original signal. Tracking oscillators can be switched on/off manually or via trigger signals. The Plasma Drive module is powered via conventional Eurorack PSU ribbon cable and the power consumption is around 150mA.
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 2 in stock $316.19
Cat: 660467 Rel: 24 Jan 18
 
Frequency Shifter/Ring Modulator/Phase Shifter with wavetable modulation - 14HP
Notes: The E560 is a triple-mode effects module: a thru-zero frequency shifter, a phaser, and a ring modulator. What sets the E560 apart from other DSP effect modules is the unique carrier wave morphing feature. Traditional frequency shifters and phasers use sine waves as the carrier/modulator, but the E560 has eight different carrier waves that can be continuously cross-faded to create never-before heard soundscapes. The eight carrier waves are specifically selected to give the widest sonic palette, from simple frequency shifts, to 64-note "pattern sequences," to extreme harmonic content.

There are three operating modes available: Shift, RM, and Phase.

SHIFT is a frequency shifter that can shift thru-zero with two simultaneous outputs (down and up). Like traditional frequency shifters, a sine carrier will generate a smooth shift but the E560's seven other waves will generate a vast array of harmonic content and even patterns of evolving timbral shift.

RM is a standard ring modulator (4-quadrant multiplying VCA) with a twist: the two outputs are always forced into quadrature (90 degree phase shift). The eight carriers can produce everything from tremolo effects to gating to high degrees of distortion.

PHASE is an E560 exclusive mode. The audio input is applied to an eight-stage all-pass network. The two audio outputs are in quadrature, but in turn phase shifted from 0 to 360 degrees relative to the input. Not only that, the "vector" the phase shift follows is the data in the carrier wavetable. The phase shifting can be linear (saw wave), traditional (triangle), or bouncing all over the place (64-random phase waveform).

Not only do you have full control over the chosen effect, but also the Wet/Dry mix, and applying either positive or phase-inverted (negative) feedback, this introduces peaking at certain harmonics or cancellation of those harmonics. Applying a slow LFO to the feedback CV can produce a wide range of constantly changing spectral content.

There are four CVs available to control the E560 in real-time. All four of the panel controls have a corresponding CV input, so that you can "turn" all 4 knobs at once by applying 4 CVs.

The E560 is another unique DSP-based module that has no equal in the modular world, in any format. If you're stuck in a musical rut and looking for a new module with a wide range of sounds, the E560 might be exactly what you're looking for.
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 1 in stock $317.24
Cat: 658626 Rel: 08 Jan 18
 
Versatile percussion synth voice module
Notes: The Entity Percussion Synthesizer is a complete and versatile voice module, geared for designing a huge array of percussion, bass and lead sounds and well suited for processing external audio sources.

The design consists of a high fidelity resonant band pass filter, two voltage controlled decay envelopes, multi-mode noise generator, a high fidelity VCA and a voltage controlled diode wave multiplier. Every parameter on the Entity Percussion is voltage controllable.

Features and controls:

SOUND SHAPING:

BODY control simulates the tightness of a drum head. From soft and muted to flabby and bass heavy.

PITCH affects the frequency of the resonant filter. The nominal control range is from about 8Hz to 2.2kHz. This range is expanded upon use of internal and external control voltage sources.

HARMONICS increases the number of overtones heard via the main resonant sound source. Subtle to extreme. A substantial function of the Entity PS.

RING controls the resonant decay time, independently from the modulation controls. Both short and plucky and very long rings are obtainable. The filter is tuned so that it will always resonate a little, even when RING control is all the way down.

OUTPUT section controls the resonator volume level and the overall output level when NOISE-FILTER mode in enabled. MIX switch selects processing the internal resonator, external source via the EXT IN jack or a mix of both, greatly enhancing the sound capabilities of the Entity PS.

NOISE generator inspired by the Quantum Rainbow 2, with three select-able noise modes - WHITE, PINK and FILTER. FILTER mode routes the noise into the resonator's signal path - to be processed through the resonant filter, harmonics processor and main VCA.

N-LEVEL independently controls the volume and CV level of the noise VCA.

MODULATION:

Two voltage controllable decay envelopes are provided to modulate the frequency and/or volume of the resonator and noise. DECAY controls the FM/VCA decay time of the resonator, N-DECAY controls the VCA decay time of the noise generator.

DELAY provides voltage controlled delay of the resonator DECAY envelope with respect to the noise (N-DECAY) envelope - a useful feature for creating various snare, clap and snap sounds and layering internal and external sources.

FM LVL is a bipolar attenuator for controlling the frequency modulation depth of the resonator. The switch below selects the internal resonator decay envelope, a mix of the decay envelope and external FM CV source, or the external FM CV source only.

DUCK output jack provides an offset and inverted copy of the resonator DECAY envelope for ducking VCAs and other modulation duties.

Additional Features:

PING! button to demo sounds without a trigger source.

RGB LED for visual feedback of trigger, FM and output waveform

All parameters are voltage controllable.
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 2 in stock $317.25
Cat: 590406 Rel: 10 Nov 15
 
Matric sequencer synth module - 28HP wide
Notes: The Z8000 Matrix Sequencer is a powerful modulation source in a compact package. The 16 knobs of the Z8000 are accessed by ten sequencers each with their own clock, direction and reset inputs. The ten sequencers are as follows:

- Four 4-step CV sequencers on the horizontal.
- Four 4-step CV sequencers on the vertical.
- One 16-step CV sequencer on the horizontal.
- One 16-step CV sequencer on the vertical.

With the Z8000, you can simultaneously modulate many parameters in your synthesizer polyrhythmically, with unprecedented motion. One knob affects all 10 CV outputs! Imagine modifying 10 parameters from one knob, and all clock inputs can be driven at audio rates.

Your synthesizer is modular, so your sequencer should be too. The Z8000's open design allows you to create a custom sequencing environment to fit your personal needs. Add clock dividers, clock sequencers, switches, trigger sequencers and logic gates to create a completely unique system.
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 2 in stock $322.52
Cat: 749780 Rel: 29 Aug 17
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


You've been waiting all your life for the ZVEX Fuzz Factory Eurorack module. Over the years there have been many requests from the synth community for a Fuzz Factory that would behave the same way for them as the Fuzz Factory does for guitarists. The self oscillation, the gating, the gooey, sticky fuzz, all of that strange wonderful interactive excitement has arrived in this incredibly controllable box of mayhem...

Basic controls include:

- Three position range switch settings of 0db, -20db, and -40db, critical for fixing the operating level
- Knobs and CV ins for the standard Fuzz Factory controls Gate, Comp, Drive, and Stab
- New knobs and CV ins for Input Level, Input Impedance, Fatness and Dry/Wet mix
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 1 in stock $322.96
Cat: 732315 Rel: 11 Sep 19
 
MIDI-CV converter module for Eurorack - 14HP
Notes: Eight-voice modular synthesis? Yes please. Updated version of the Poly splits your MIDI signal to CV and gate for fully polyphonic action. Chain multiple units for even more multi-voice madness.

Supplier notes:
The Polyend Poly 2 module is a polyphonic MIDI to CV converter Eurorack module, and it will change how you interact with your sequencers, controllers, DAW, and more. This powerful module features MIDI I/O plus USB A and USB B inputs, with a total of four Gate outputs, four Pitch outputs, and 12 outs for CV (CC 0-127) signals. And using the Smart Thru connection, you can daisy-chain multiple Poly 2 modules together for even more voices. And Sweetwater was excited to report that Poly 2 is even compatible with the MPE (Multidimensional Polyphonic Expression) standard used in innovative controllers such as the Roger Linn Design LinnStrument and the ROLI Seaboard series. Once you've explored the polyphonic expression the Polyend Poly 2 module is capable of, you'll never want to be without it.

No matter what kind of MIDI controller you use - keyboard, ribbon controller, pressure pad, or whatever - the Poly 2 module offers built-in scale filtering rewards you with highly musical output. Select a scale, and only the notes within that scale will be passed along to your patch destinations. This is different from scale quantization, which forces ANY input to trigger the note its closest to in the scale, and can make it much more enjoyable to use alternative MIDI controllers with the Poly 2 module.
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 6 in stock $323.58
Cat: 670607 Rel: 10 Jan 18
 
Expander module for the Befaco Hex Mix
Notes: Hexpander adds great functionality to Hexmix module. Featuring Three aux send with stereo returns, individual outputs for each channel, complete PFL system and balanced output.

Hexpander is designed to be placed on top of Hexmix. Expanding Eurorack concept to 6u, allows every channel to be aligned as in traditional tabletop mixers.

Auxiliar sends:
For every channel you have three auxiliar sends. One pot will measure the amount of signal sent to each of them.

Every auxiliar send has a volume pot, that will measure the level of the signal sent. There are two jacks available so it is possible to send the signal both pre or post fader/EQ at the same time, allowing to patch externally depending if its desired to have the original signal, or the signal after being EQ'ed on the effect.

Returns are stereo, having a switch to select if the signal is coming from synth or line level. Like this, levels can be set, for example, either for a guitar pedal or a FX module at synth level.

Monitor section:
Hexpander features a complete PFL system, to send channels to the headphones before you add them to main mix.

Flip PFL switch to send that channel to the headphones out.

With PFL/Master Pot you can do a crossfade between the master signal and every channel sent to PFL. Headphones out will control headphones volume.

Level meter will show the level of the sum of all active PFLs. When there is no PFL active, it will show master level.

Output section:
Every channel has individual 6,5? jacks out at line level. Here you have the signal of every channel post EQ.

As an addition, you have master balanced output.
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MRP:$403.47 SAVE 19%
 4 in stock $325.69
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quote 670607
Cat: 662842 Rel: 18 Sep 17
 
Dual filter module with flexible routing & excellent audio properties - 24HP
Notes: There is almost no modular system without at least one filter-module. You can look at them as the stars within the giant Eurorack-jungle. twinVCFilter is such a star as well. A dual filter module with flexible routing and excellent audio properties. It covers a huge range of different applications without the slightest effort.

Features and Routing:

Each filter section of twinVCFilter works as low- or highpass-filter with a slope of 12 dB/octave or as bandpass-filter with 6 db/octave. Signals can be directed in three ways through the module:

- Serial: The incoming signal passes both filter sections in a row.
- Dual: The filter sections act completely separated of each other. As if they were two individual filter modules.
- Parallel: The incoming signal passes both filters at the same time.

With these routings you can i.e. generate bandpasses or notches with variable slopes and different resonance settings or doubling the filter's slope. These are the more obvious combinations but there is a lot more to discover.

The convenient link-feature allows to couple cutoff- and resonance of both filter sections for straightforward stereo use in dual mode.

Mix section:

The flexible signal-routing is supplemented by the mix-section. Here you can crossfade both filter sections manually or by control voltages. Seamless movements from low- to highpass-filter, is as easy as crossfading from half to doubled slope. Of course you can mix two completely individual signals or toggle between them by using a rectangle-LFO-modulation.

Resonance:

Resonance is a key factor in the context of sound-shaping and sound-generation using a filter. Therefore we carefully trimmed twinVCFilter's resonance to be as musically and stable as possible. You can apply subtle frequency-dependent emphasis to signals and tear them up to self-oscillation. The latter generates a solid sine-wave which is an excellent base for percussive sounds. Possible cross-modulations significantly enhance the sound-generator features. By the way: If you are missing a vibrato-LFO in a patch, twinVCFilter can do the job.

twinVCFilter offers a huge set of features to form impressive soundscapes. It can take subtle influence to signals or massively truncate frequencies. It leaves nothing to be desired. Despite, for those who need additional possibilities we especially designed the tVCF-Extension module.
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 2 in stock $327.78
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quote 662842
Cat: 698444 Rel: 09 Aug 18
 
Dual vintage state variable filters - silver faceplate
Notes: The Gemini 2412 is a creamy, extremely fat sounding dual filter based on vintage Oberheim SEM circuits. In addition to high-pass, band-pass and low-pass, there is the infamous variable filter type, which allows you to blend between several characteristics. Thanks to its dual concept, serial and parallel modes of operation and an ingenious modulation system, the Gemini 2412 should not only be able to achieve classic, extremely bulbous results, but also wafting stereo effects and lively formant sounds.
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 1 in stock $328.84
Cat: 731930 Rel: 21 May 19
 
analogue synth module with simultaneously waveform outputs
Notes: Fusion VCO2 is a full analogue sound source with lots of distinct features.

The core of the module is highly stable AS3340-based VCO with three simultaneously available waveforms, transistor-based suboscillator and detune function - two BBD delay lines that make frequency shifter that is mixed back to the principal oscillator in order to emulate two detuned VCOs. Tube crunch - distinct tube overdrive - is added on the top of the mix. Furthermore, Audio input mixes an external audio signal with the principal oscillator which results in crazy sonic experience. Fusion VCO2 is exactly what you need, if you wish to get really low frequencies and have a sound that sets your modular system apart from mass!

Features:
" Full analogue design
" Great tracking over 8 octave range
" Detune function for thickening the sound
" -1 oct transistor based suboscillator
" Tube overdrive circuit
" External audio input
" VCO synchronization
" Simultaneous waveform outputs
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 1 in stock $328.84
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quote 731930
Cat: 751611 Rel: 08 Oct 19
 
Analogue-inspired parameterized drum synthesiser
Notes: Basimilus Iteritas Alter is a parameterized digital drum synthesizer with its roots in the analog world. At its heart, it is a simple six-oscillator additive synthesizer with adjustable waveform, harmonic spread and decay. Adjustable attack including a noise oscillator is also included. dLese are summed and fed into an in..nifolder for crunch and variety.

Basimilus Iteritas Alter is an improved version of Basimilus Iteritas. It is 2HP smaller, includes CV of switches, adds an third mode, and pitch range and knobs know offset rather than attenuate.

Size: 10HP Eurorack
Depth: 1.5 Inches
Power: 2x8 Eurorack
Draw +12V: 150 / 80
Draw -12: 5 / 5
Draw +5v: 0 / 90
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 1 in stock $330.95
Cat: 690948 Rel: 19 Sep 18
 
Synth voice module for ultimate acid basslines - 14HP
Notes: Erica Synths Bassline is fully analogue synth voice module for ultimate basslines and leads.

It features AS3340 VCO with three waveforms, a filter inspired by Erica Synths Acidbox and unique features - transistor based suboscillator and two BBD lines that emulate VCO detune creating a sound of massive polysynth from one oscillator.

Accent provides more expression to the bassline, by adding volume and opening the VCF slightly.
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 1 in stock $334.11
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quote 690948
Cat: 581793 Rel: 04 Jul 16
 
Dual Voltage Controlled Oscillator (VCO) synth module - 16HP wide
Notes: Dual VCO:
Based on the classic SYSTEM-100M modular synthesizer, the SYSTEM-500 is a fully analog recreation of one of the most revered electronic instruments of all time. Newly designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of the original with the advantages of a modern instrument. Built in the USA and assembled in Japan, the SYSTEM-500 is made to exacting standards with top-quality components and solid controls. And it's surprisingly affordable, turning the fantasy of finally owning this legendary instrument into reality.

Classic System. New Format:
The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analog and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens up vast possibilities for sound design and musical exploration.

512 Dual VCO:
The 512 Dual VCO (voltage controlled oscillator) is a single module consisting of two voltage controlled oscillators. Each independent VCO produces frequencies across a wide range with 1V/octave tracking and dedicated pulse, triangle, and saw wave outputs. Variable pulse width is available via panel control or CV modulation. Each oscillator's frequency can also be synchronized to the other in weak or strong modes to achieve a unique "sync" sound.
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 1 in stock $334.12
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quote 581793
Cat: 673546 Rel: 23 Feb 18
 
Dual vintage state variable filters - black faceplate
Notes: The Gemini 2412 is a creamy, extremely fat sounding dual filter based on vintage Oberheim SEM circuits. In addition to high-pass, band-pass and low-pass, there is the infamous variable filter type, which allows you to blend between several characteristics. Thanks to its dual concept, serial and parallel modes of operation and an ingenious modulation system, the Gemini 2412 should not only be able to achieve classic, extremely bulbous results, but also wafting stereo effects and lively formant sounds.
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 1 in stock $335.16
FORTHCOMING
Befaco VCMC Voltage Controlled MIDI Controller Module (assembled)
MRP:$403.47 SAVE 17%
coming soon $336.23
Cat: 740273 Rel: 02 Oct 19
 
32 step sequencer with fractal-like pattern generation
Notes: If we're honest we don't really understand fractals. Something to do with maths, apparently. But that doesn't really matter because we do understand this sequencer module, which is ideal for randomly twisting and morphing sequences.

Supplier notes:
Bloom is a fractal sequencer capable of generating infinitely evolving melodies with a host of musical features.

At its core is a powerful 32 step sequencer with two independent channels and an intuitive interface. What makes the Bloom come alive are its fractal algorithms which can transform existing sequences into powerful melodies, or even generate new patterns altogether. The base sequence is known as the Trunk and can be programmed by hand, or automatically generated with the Mutate function. Once a Trunk sequence is in place, fractal transformations are only a knob turn away by using the Branch and path controls. Each new Branch adds a complete variation to the base sequence and Path determines its passage through the set of recursively generated sub-sequences, offering a unique take on the melody with each turn of the knob.

Bring your sequencing to life with Bloom.
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MRP:$403.47 SAVE 17%
 4 in stock $336.23
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quote 740273
Cat: 669145 Rel: 28 Jan 18
 
Complex multi-tap delay - 18HP
Notes: The Tapographic Delay is a complex multi-tap delay in the Eurorack format with a unique interface designed for live performance. It excels at transforming the simplest audio (a drone, a percussive sound) into complex rhythmic structures, meshes of organic textures, lush harmonic mille-feuilles, liquid and resonant effects.

Have you ever got tired of the monotonous repetitions that your standard delay pedal/module produced? Have you ever wished for a more complex rhythmic structure than just decaying repetition? If yes, you have come to the right place: the Tapographic Delay is an advanced effect that lets you handle repetition in a completely novel way. It is to a traditional delay what a full rhythmic sequencer (with pattern recall, velocity control, tactile input) is to a simple clock. With the TD, you interactively define the rhythm that the repetitions will follow: a velocity-sensitive sensor allows you to record, edit, modify, and sequence your own arrangements of delays. In a sense, the TD is the converse of the classic Frippertronics sound-on-sound setup popularized by Robert Fripp in the 70's: you don't play the guitar, you play the tape loop!

The Tapographic Delay is an expressive experimental instrument meant to be played in real-time, rather than a set-and-forget end-of-chain effect. Interact with it! Experiment! Push it to its limits!
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 1 in stock $346.76
Cat: 655331 Rel: 31 Jul 17
 
Analog bus mixer with effects - 24HP
Notes: The Mutant Hot Glue is a powerful bus mixer for analog effects chain design. The included high quality analog compressor offers series or parallel compression, and a sidechain input, making it well suited for drum processing. The voltage controlled distortion is based on the batteryACID: IDOW Edition design, but improved for better signal fidelity and performance. It can be used in its default position, normalized to the effects send, or like every other part of the module, broken out and used elsewhere in your modular system.

By default, the 4 channel mixer's output conveniently feeds into the compressor's input, giving access to easy New York style parallel compression by way of the compressor blend control. The dedicated output and mixer bypass switch for channel A allow you to easily use it as a sidechain source for the compressor. An effects send and return allow you to create complex effects routings within your modular system. With the number of excellent DSP and other effects modules on the market today, this makes it easy to combine modules to great effect, all within the Eurorack modular domain.
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 3 in stock $346.77
Cat: 732823 Rel: 05 Sep 19
 
Nutube-based distortion module - 18HP
Notes: Gloriously grimy valve distortion for Sonocurrent's Eurorack debut. Subtle saturation through to filthy self-oscillation via Korg's low-power Nutube triodes. Nasty but nice.

Supplier notes:
The M T2D dual triode distortion is a Nutube-based distortion module for the Eurorack format, offering two independent channels which can be patched separately for parallel processing, stereo, or multiple sources, or used in series for more complex distortion of a single source (or simply extreme distortion settings).

Spectral tilt filters before each triode stage alternately boost or cut high and low frequencies for different harmonic emphasis. These filters also affect the feedback loops, and can interact in very interesting ways with high feedback settings. The individual tube bias controls can also have a strong influence in combination with high feedback levels, in addition to more subtle shaping of the distortion when feedback levels are low.

Independent control of input level, tube bias, feedback level, and dry/wet mix is available for each channel, with CV inputs for the bias and mix controls. The CV inputs for the mix controls also have dedicated attenuators. A global plate voltage switch offers two different character options, for either smoother distortion or more severe clipping.
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 3 in stock $346.77
Cat: 660454 Rel: 29 Aug 17
 
14HP Eurorack fuzz & overdrive synth module
Notes: You've been waiting all your life for the ZVEX Fuzz Factory Eurorack module. Over the years there have been many requests from the synth community for a Fuzz Factory that would behave the same way for them as the Fuzz Factory does for guitarists. The self oscillation, the gating, the gooey, sticky fuzz, all of that strange wonderful interactive excitement has arrived in this incredibly controllable box of mayhem...

Basic controls include:

- Three position range switch settings of 0db, -20db, and -40db, critical for fixing the operating level
- Knobs and CV ins for the standard Fuzz Factory controls Gate, Comp, Drive, and Stab
- New knobs and CV ins for Input Level, Input Impedance, Fatness and Dry/Wet mix
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 1 in stock $349.92
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quote 660454
Cat: 718736 Rel: 27 Feb 19
 
Multi-mode filter with four filter types - 18HP
Notes: The Quad Peak Animation System combines the auditory enveloping of stereo spaced peaks with the animation of two or more peaks in a single channel dancing around each other or engaging in primitive vocalizations. QPAS is Quad Core, containing four identical state variable filter cores with a control system powerful enough to guide them in stereo multi-peak operation, but simple enough to encourage system integration rather than domination.

- Quad Core Stereo Analogue
- Multi-Peak with clean resonance
- Fast response encourages deep FM
- Radiate spaces stereo image and animates associated channel
- High Q settings are under damped, excitable and ring by gate or trigger
- 2 modulation inputs aid patch exploration
- Stereo VCA, pre-filter with gain
- Mono to Stereo, Stereo to Mono, Mono to Mono and Stereo to Stereo operations
- Smile Pass filter response unique to QPAS
- Low Pass, Band Pass, High Pass and Smile Pass outputs simultaneously available
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 3 in stock $352.04
Cat: 667758 Rel: 30 Oct 17
 
Eurorack polyphonic MIDI to CV converter that is MPE compatible - 22HP
Notes: There are many great, functional MIDI tools and devices (DAWs, controllers, sequencers, keyboards etc.) and as many fantastic Eurorack modules. Poly seamlessly connects these worlds thanks to its multiple inputs and outputs.

The interface:
Poly equips you with all kinds of MIDI inputs. Connect your computer, smartphone or tablet to its USB port, your class compliant MIDI controllers via USB Host, and all the other devices via the classic MIDI DIN port. A whole array of analog outputs give you the versatility to hook up loads of different types of modules. Eight rows of Gate, Pitch, Velocity, and Modulation let you freely control synth and drum voices.

MPE compatible:
Polyend created Poly to be compatible with MPE standard (Multidimensional Polyphonic Expression). They believe that MPE is a perfect match for the modulars.

Three modes, totally different possibilities:
Depending on what you want to achieve, there are three modes you can choose from: First, Next and Channel. Both First and Next modes are perfect for building your unique polyphonic synthesizer. In Channel mode a DIP switch on the back panel lets you choose between MIDI channels 1-8 or Notes C-G that are directed to corresponding CV voices.
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 2 in stock $353.72
Cat: 708085 Rel: 18 Apr 19
 
12 stage multi tap stereo phaser - silver, 18HP
Notes: The next generation 12 stage, analogue multi tap Phaser, which is a development of, and replacement for, our earlier MegaPhase 12 unit. It includes all the features of the MegaPhase 12 and is also built around the circuitry of the superb sounding EH Smallstone Phaser, which was used to such great effect on synthesisers and string machines by J M Jarre on his early albums. It has the same versatile Stage and Emphasis stage switching, and the same configuration of stereo outputs, where the left channel is taken from the Stage switch, and the Right output from the Emphasis Stage Switch.

New features include independent Level Controls for Input 1 and Input 2, and a Phase "Colour" Control, which can lighten or darken the phasing effect. We have also used much lower noise internal VCA's and low noise audio op-amps along with a four layer PCB design, so that the S/N ratio is improved and the noise floor is considerably reduced compared with the previous MegaPhase 12 phaser. Like its predecessor it occupies 18HP of Eurorack space.
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 1 in stock $354.13
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Cat: 708079 Rel: 22 Jan 19
 
12 stage multi tap stereo phaser - black, 18HP
Notes: The next generation 12 stage, analogue multi tap Phaser, which is a development of, and replacement for, our earlier MegaPhase 12 unit. It includes all the features of the MegaPhase 12 and is also built around the circuitry of the superb sounding EH Smallstone Phaser, which was used to such great effect on synthesisers and string machines by J M Jarre on his early albums. It has the same versatile Stage and Emphasis stage switching, and the same configuration of stereo outputs, where the left channel is taken from the Stage switch, and the Right output from the Emphasis Stage Switch.

New features include independent Level Controls for Input 1 and Input 2, and a Phase "Colour" Control, which can lighten or darken the phasing effect. We have also used much lower noise internal VCA's and low noise audio op-amps along with a four layer PCB design, so that the S/N ratio is improved and the noise floor is considerably reduced compared with the previous MegaPhase 12 phaser. Like its predecessor it occupies 18HP of Eurorack space.
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 1 in stock $360.46
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Cat: 690924 Rel: 21 Jan 19
 
Fully analogue multipurpose movement manager - 18HP
Notes: The FALISTRI is a fully analogue multipurpose movement manager designed to generate and edit voltages to easily accomplish any patch.

The module can be divided in two big parts: in the upper two thirds of the panel take place two specular function generators, while the lower third is composed by a dual cascaded frequency divider, a linear slew limiter and a four-quadrant multiplier.
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 2 in stock $362.57
FORTHCOMING
TouellSkouarn Ar Merc'het Brao Dual Filter & Overdrive Module
coming soon $363.63
Cat: 733026 Rel: 02 Nov 16
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Announcing the Dual Looping Delay from 4ms Company, designed by Gary Hall!

The 4ms Dual Looping Delay (or DLD) is an advanced audio processor for creative synthesis. Not a tape or analog emulation but a modern crystal-clear digital delay, the DLD combines features of delay, looping, and sample-tight synchronization for powerful and dynamic sound capture and modification. The DLD is designed to integrate seamlessly with modular time-base and sequencing devices such as the 4ms Quad Clock Distributor (QCD), etc.

What is a "Looping Delay"?
Modern looping devices grew directly from hardware digital delays of the late 70s and early 80s. A looping delay, modelled on units such as the classic Lexicon PCM42, has the very long storage times associated with dedicated looping, but without triggered record and playback functions.

By default, a looping delay records and plays continuously, though recording can be suspended at any time with Infinite Repeat. Sustain of delays and loops is mainly accomplished with regeneration, allowing an organic, evolving approach to sound creation as new material replaces old, more or less gradually. The 4ms Dual Looping Delay also provides advanced clock input and output facilities that allow for locking delayed and looped material with sequencers and rhythm devices of all descriptions.

The 4ms Dual Looping Delay is conceived and designed by Gary Hall. Implemented and manufactured by 4ms Company
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 1 in stock $368.90
Cat: 589504 Rel: 02 Nov 16
 
Advanced audio processor synthesiser module for creative synthesis - 20HP wide
Notes: Announcing the Dual Looping Delay from 4ms Company, designed by Gary Hall!

The 4ms Dual Looping Delay (or DLD) is an advanced audio processor for creative synthesis. Not a tape or analog emulation but a modern crystal-clear digital delay, the DLD combines features of delay, looping, and sample-tight synchronization for powerful and dynamic sound capture and modification. The DLD is designed to integrate seamlessly with modular time-base and sequencing devices such as the 4ms Quad Clock Distributor (QCD), etc.

What is a "Looping Delay"?
Modern looping devices grew directly from hardware digital delays of the late 70s and early 80s. A looping delay, modelled on units such as the classic Lexicon PCM42, has the very long storage times associated with dedicated looping, but without triggered record and playback functions.

By default, a looping delay records and plays continuously, though recording can be suspended at any time with Infinite Repeat. Sustain of delays and loops is mainly accomplished with regeneration, allowing an organic, evolving approach to sound creation as new material replaces old, more or less gradually. The 4ms Dual Looping Delay also provides advanced clock input and output facilities that allow for locking delayed and looped material with sequencers and rhythm devices of all descriptions.

The 4ms Dual Looping Delay is conceived and designed by Gary Hall. Implemented and manufactured by 4ms Company
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 3 in stock $373.11
Cat: 747021 Rel: 29 May 18
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Record. Mangle. Destroy.

Nebulae is a granular sampler and DSP platform. Its phase vocoder audio engine provides elastic audio, which can be time stretched, granularized, and mangled to no end. With independent control over pitch and speed, and granular controls such as overlap, window, and density, finding new sonic territory is only a knob turn away. Nebulae can use live audio input, a recorded buffer, or audio files as the source material for its powerful audio manipulations. The live input buffer can record up to five minutes of stereo audio at 48kHz, 24 bit. In addition, up to 75 MB of stereo audio can be loaded simultaneously through the USB port. No naming convention or special formatting necessary; just plug and play.

Nebulae lives a double life as an open source DSP platform with an extensive library of off the shelf alternate instruments. You can turn the module into a lush reverb, spectral delay, or tape-style looper simply by loading a new file onto the flash drive. Do you want to tweak one aspect of an existing instrument, even the default functionality? No problem. No prior coding knowledge is necessary to tweak and refine existing firmware to your liking or start with one of our templates. Alternate firmware files can be written with Pure Data, Csound, SuperCollider, and even bare-bones C programs.
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 1 in stock $375.38
Cat: 637399 Rel: 05 Jun 17
 
Modular waveform generator featuring 2 precision analog oscillators with voltage controlled shape contouring
Notes: Designed to be the nucleus of a synthesizer, the Double Helix Oscillator is a modular waveform generator like no other. A set of beefy, analog oscillators paired with voltage controlled shape contouring, deep modulation, and a performance ready voltage controlled modulation matrix create a dynamic, analog waveform playground.

At the core of the Double Helix are two, wide range, precision oscillators. The primary oscillator includes a full complement of waveforms and multiple modulation options. The Secondary oscillator offers a more focused set of waves and frequency modulation. Both oscillators reach deep into LFO range and can be used as voltage controlled modulation sources.

The contour section of the Double Helix Oscillator features a highly tuned wavefolder paired with our exclusive dynamic impulse low pass gate. The contour signal chain starts with a two-channel mixer. This allows multiple waveforms or multiple oscillators to be combined before passing though the contour section. The first half of the contour section is a voltage controlled, 6 stage wavefolder used to add odd harmonics to the incoming waveform. The timbre and timbre CV controls set the density and amplitude of the folds. When processing a sine wave, the wavefolder creates a spectral change from zero harmonics to square, with an infinite harmonic series.

The second half of the contour section is a dynamic impulse low pass gate. The effect of the low pass gate is similar to pairing a low pass filter and VCA together. As the dynamics control is opened, the filter adds harmonics and the VCA increases the amplitude of the waveform. As the dynamics control is closed, the filter removes harmonics and the VCA decreases the amplitude of the waveform. This pairing mimics how sound behaves in the real world creating a more naturally tonal response. The impulse input adds the ability to strike or ping the low pass gate circuit creating a very organic, percussive sound. The decay time of the impulse input is set by the dynamics response control allowing the strike to be tuned to a specific musical context.

The modulation section includes an LFO offering simultaneous sine, square, and random waveforms. A noise source is also available for audio or modulation use.

A pair of voltage controlled routers manage all the CV inputs creating a dual, voltage controlled modulation matrix perfect for complex signal paths, experimentation, and live performance. The matrix consists of two voltage controlled amplifiers designed to control the modulation amount inputs that can be routed to any of the Double Helix CV inputs. Each of the CV inputs can be switched to channel a, bypass, or channel b and mixed with a dedicated CV input.
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MRP:$529.95 SAVE 28%
 1 in stock $379.44
Cat: 671550 Rel: 29 Nov 17
 
VCO module featuring four precision oscillators - 18HP
Notes: A-111-4 contains four precision VCOs and has individual controls, inputs and outputs for each VCO available as well as a common control and output unit. After all the A-111-4 is very similar to four A-111-3 without LFO mode but built in output mixers for the three waveforms, and a master unit for all four VCOs.

Controls, inputs and outputs for each of the four VCOs:

- 1V/Octave CV input
- Octave switch (+1 / 0 / -1 octave)
- Tune control (range internally adjustable by jumpers: ~ 2 semitones / ~ 1 octave / ~ 4 octaves)
- Modulation CV input
- Modulation destination:
- Upper position: exponential frequency modulation (XM)lower position: linear frequency modulation (LM) or pulsewidth modulation of the rectangle (PM), selectable via internal jumper
- Frequency Modulation (FM) or Pulsewidth Modulation of the rectangle (PWM)
- Modulation intensity
- Triangle output
- Sawtooth output
- Rectangle output (about 50% without external PWM)
- Sync input (hard or soft sync internally selectable via jumper, CEM3340 hard sync type)
- Min. 10 octaves range (with appropriate external CV)
- CEM3340 based VCO (triangle core)
- Each VCO has it's own separate internal +/- power supply for each for best stability and the prevention of unwanted synchronisation of the VCOs

Controls, inputs and outputs of the master section:

- 1V/Octave CV input
- Octave switch (+1 / 0 / -1 octave)
- Tune control (range internally adjustable by jumpers: 2 semitones / 1 octave / 4 octaves)
- Frequency Modulation CV input (FM)
- FM intensity
- Triangle sum output
- Sawtooth sum output
- Rectangle sum output
- As soon as the single waveform output of a VCO is patched this waveform of the VCO in question is removed from the sum (this function can be turned off for each single output socket by means of solder bridges on the pc board, i.e. the sum contains then all signals independent of the patching of the single output)
- CV output (outputs the sum CV that is used to control all four VCOs)
- Bus CV (selectable via jumper)

Typical applications:

- Fat sounding monophonic VCO with the possibility to adjust any intervals
- Paraphonic patches in combination with the polyphonic CV interface A-190-5 (all four VCOs processed by one VCF/VCA)
- Full polyphonic patches in combination with the polyphonic CV interface A-190-5 and four complete VCF/VCA sections
- Complex VCO patches with up to four VCOs by means of the frequency modulation features (exponential an linear) and the sync functions
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