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Cat: CL 94960. Rel: 11 Apr 24
Experimental/Electronic
Kometenmelodie (CD2: King Biscuit radio 1975 - live On King Biscuit Flower Hour At Ebbets Field, Denver, CO, USA, May 20 1975)
Kling-Klang (CD3: BBC Broadcast In Concert 1975 - live At Fairfield Halls, Croydon, England, September 21, 1975)
Introduction (CD4: Utrecht 1981 - live At Muziekcentrum Vredenburg, Utrecht, Netherlands, December 10, 1981)
Neonlicht (Neon Lights) (CD5: Captain video 81 part 2 - live At Captain video, Paris, France, July 6, 1981)
Die Stimme Der Energie (The Voice Of Energy)/Uran (Uranium)/Die Sonne, Der Monde, Die Sterne/Ohm Sweet Ohm
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Review: Given the uniqueness of his madcap and mind-altering trademark sound, the release of any new album from Tom Jenkinson AKA Squarepusher is big news. Given that his last new full-length landed four years ago, the arrival of Dostrotime has got an awful lot of experimentalists in a bit of a lather. Like many albums that have surfaced in the last couple of years, it was apparently inspired by the "novel, eerie, sublime silence of lockdown", with the title being a reference to "how time passed differently". Quite how this plays out within the music itself is open to interpretation; for the most part, what's on offer is prime Squarepusher - all distorted, full-throttle acid lines, mutilated experimental D&B beats, analogue electronics and rasping, strobe-lit nods to raves,
… Read more in stock $12.97
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Cat: DUSTCD 120. Rel: 05 Apr 24
Experimental/Electronic
Review: Originally released in 2005, Silenced captures the essence of The Black Dog's enigmatic allure, transporting listeners to otherworldly realms with its lush, tuneful compositions and angular genius. Each track on the album is a testament to the group's unparalleled ability to surprise and entrance, evoking a sense of both unease and beauty. For fans of The Black Dog, Silenced serves as a welcome treat, while also serving as an entry point for those new to the group's mesmerising soundscapes. Definitelt one of their best full length albums yet to date.
… Read more in stock $14.00
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Cat: 525475 2. Rel: 05 Apr 24
Industrial/Noise
Review: Einsturzende Neubauten's description by label Potomoak - as a band that constantly evolves - is accurate enough. Over forty years on from their debut album Kollaps in 1981, Rampen appears as the latest and most unruly incarnation of their sound yet. Here, Blixa Bargeld, N. U. Unruh, Alexander Hacke, Jochen Arbeit, Rudolph Moser and Felix Gebhard present their least predictable and conventional sides: APM is described as alien pop music; the songs therein have been specially crafted not only for our universe but for every adjacent parallel universe to ours, with every slight multiversal variation in humanity's collective tastes held firmly in mind. The album fully lives up to its billing as anti-pop as alien pop, its challenging twists and turns fully sating the difficult whims of society's outcasts and cosmic punks.
… Read more in stock $21.77
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VARIOUS
Cat: SR 461. Rel: 05 Apr 24
Experimental/Electronic
in stock $12.43
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Cat: PRO 4162. Rel: 28 Mar 24
Ambient/Drone
in stock $23.08
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VARIOUS
Cat: SR 462. Rel: 05 Apr 24
Experimental/Electronic
in stock $12.43
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Review: The third full-length studio album from Singaporean singer-songwriter-producer Nat Cmiel (aka yeule) released to rave reviews earlier this September, following an ethereal rollout with singles 'dazies', 'ghosts' and 'inferno' showcasing exactly what yeule excels at: worldbuilding. 'softscars' is now the 3rd instalment in one of the most exciting album runs in modern alt-pop, shifting away from the glitchy, electronic ambience of predecessor 'Glitch Princess', moving in a more rock-centric, brighter direction. This isn't to say the album doesn't have its soul-crushing moments, opening track 'x w x' closes with a defiant scream of frustration, whilst the drums, guitar and synths fight each other for dominance - bottoming out into a gentle outro sequence. The calm after the storm. We could go on about this album for hours, as a yeule fan it feels so fresh but so perfect with it's oscillating directness in delivery. Whereas 'Glitch Princess' felt like travelling through a clastrophobia-inducing tunnel at time, 'softscars' is that moment you burst out of the tunnel and are hit with a huge green vista. It's my album of the year but, hey, what do I know?
… Read more in stock $10.89
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Jon SAVAGE / VARIOUS
Jon Savage's Ambient 90s (limited unmixed CD)
Cat: CTRUE 32CD. Rel: 08 Jan 24
Ambient/Drone
Review: The 1990s was arguably the first 'golden age' of ambient - a time when the inherently atmospheric and laidback style not only exploded in popularity, but also became the post-club soundtrack of choice for a whole generation. This personal survey of the 90s ambient scene from journalist and author Jon Savage does a good job in gathering together a representative selection of genuine gems and overlooked classics, drifting between the bubbly, deep space brilliance of Richard H Kirk's Sandoz project ('Limbo'), bleeping ambient house ('Calm' by 2 Cabbages on a Drip), early progressive house (React 2 Rhythm), electronic psychedelia (the tabla rhythms and swirly noises of Rapoon), ambient blues (Underworld), IDM (U-ziq), and glacial, slow-motion bliss (Biosphere).
… Read more in stock $8.81
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Review: Few bands have sidestepped expectations as cannily as Mount Kimbie. Initially a duo but now expanded into a quartet, the British band has previously excelled in mixing, matching and fusing a wide range of experimental and left of centre electronic music influences. On The Sunset Violet, their first full-length as a quartet, they've shifted sonically once more, leaning into their indie-rock influences on a set recorded in California. The latter aspect - and the impact of being surrounded by sunshine and desert - is reflected in the warmth and haziness of the sound, which draws on the layered vocals and guitars of vintage shoegaze while also reaching for more familiar aspects of the band's previous experimental electronic sounds (for proof, check the ghostly musical vision that is King Krule collaboration 'Boxing').
… Read more in stock $10.89
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The Passage (Ocoeur remix)
Long Way, New Home (Miktek remix)
Miktek Remix (Tangent remix)
Runaway (Giulio Aldinucci remix)
Don't Runaway
Things Are Not What They Seem (Eraldo Bernocchi remix)
It Happened In July (Martina Bertoni remix)
Before & After (Ithaki remix)
Long Way, New Home (Nimh remix)
New Reality (Ithaki remix)
The Road
It Happened In July (Ithaki remix)
Things Are Not What They Seem (Ithaki remix)
in stock $8.81
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Review: The hype machine may have kicked into overdrive at the announcement of a new Aphex Twin EP, but after all there's a reason we all get so excited. Richard D. James is just a rare sort of artist - one who can wrench untold depth, detail and feeling from the oddest of angles and still keep it rave-ready in the process. It's been a while since we had some new material from the Cornish wonder, but now he's gifting us four fresh slabs of braindance par excellence which bristle with his distinctive touch. Those subtle microtonal shifts in the melodies, the particular flair with which the drums are dissected, the overall head-spinning tapestry of the whole thing - no one does it quite like Aphex, and this CD single gives you his considerable skills in the highest definition.
… Read more in stock $10.89
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Review: While Ben Frost's work has long been marked out by deft-touch dark ambient, experimental instincts and clandestine aural textures, he's always thrown in surprise excursions and drawn on musical inspirations that other like-minded producers would fear to embrace. This latter characteristic comes to the fore on Scope Neglect, his first solo set for six years. Remarkably, it utilises the moodiness, weight and ten-ton guitar licks of metal - played by Car Bombs guitarist Greg Kubacki and bass-slinger Liam Andrews of My Disco fame - as a starting point. Frost naturally puts these through the sonic wringer, combining them with his own skittish, IDM-influenced beats, dark ambient soundscapes and razor-sharp electronics. The results are unusual, impressive and emphatically enjoyable, sitting somewhere between timeless electronica, Nine Inch Nails and experimental metal.
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Review: La Planete Sauvage, or Fantastic Planet to give its Anglicised name, is a landmark of animation. In technical terms, it's perhaps not the most advanced film to have come out in 1973, but the creative vision, storyline and atmosphere of Rene Laloux's film remains an enduring influence, and that's helped no end by Alain Goraguer's surrealist, expressive score. As the film celebrates its 50th anniversary, Decca are pulling out the stops for a high-end reissue that remixes and remasters Goraguer's score from the recently discovered multi-track tapes, including seven previously unreleased pieces and three alternative mixes.
… Read more in stock $16.59
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Cat: 405053 8877502. Rel: 25 May 23
Indie/Alternative
Review: Suicide are generally referenced in terms of their earth-shattering late 70s debut, but of course Martin Rev and Alan Vega did work together after that. A Way Of Life was their third album, released in 1988 when the world around them had changed so much from when they started out, and yet their sound was still devastating and imposing amidst the culture of bands they'd influenced. Recorded with The Cars' frontman Rip Ocasek, the resulting nine industrial pop songs are as brilliant as anything from their fabled earlier works, and in this special expanded edition we're also treated to a fully remastered version including a clutch of additional tracks including their live cover of Bruce Springsteen's 'Born In The USA'.
… Read more in stock $7.78
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Review: Loraine James continues to trust her instincts and serve us some of the most honest and original music within the leftfield electronic sphere right now. Having recently paid tribute to the work of Julius Eastman on Build Something Beautiful For Me, now she retunes to Hyperdub with the record she claims the teenage version of her would have made. The label text makes explicit reference to the likes of DNTEL and Telefon Tel Aviv as well as math rock, but James is also way out in her own zone metabolising such influences into unique expression. There are some wonderful guest spots from the likes of RiTchie, Marina Herlop and Eden Samara, while James herself centres her voice for some of the album's most poignant moments. Gentle Confrontation is another outstanding chapter in James' ever-intriguing story.
… Read morePlayed by: Juno Recommends Bass
in stock $14.00
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Cat: WARPCD 354. Rel: 27 Apr 23
Indie/Alternative
Review: Sean Bowie's fifth full-length as Yves Tumor arrives with an epic title (the academically minded will be debating its meaning for years to come), a grandiose electro-rock/post-punk goes-electroclash sound, and a bagful of valedictory reviews. It's basically an extension of Bowie's previous work with a few twists, but that's no bad thing; after all, the artist's distinctive sound and strong songs have always been an impressive calling card. Highlights are plentiful, from the fizzing, 21st century punk-funk of 'Lovely Sewer', and the Prince-does-Nine Inch Nails-flex of 'Parody', to the alternately jangling and sleazy 'Operator', and the post-ESG dancefloor heaviness of 'Fear Evil Like Fire'.
… Read more in stock $8.81
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Cat: 581973 6. Rel: 21 Sep 23
Experimental/Electronic
Review: During recent interviews, James Blake framed Playing Robots Into Heaven, his sixth album, as a kind of return to his club roots - an idea borne out by his decision to structure the album as a kind of imaginary "night out raving". Of course, this is Blake we're talking about, and while the album does lean heavily on the post-dubstep sound that made him famous (which itself drew as much from experimental electronica and outsider pop as dubstep, house or techno), it's not like he's suddenly turned into Ben UFO, Scuba or Mala. It's a highly enjoyable album, though, and one that combines his most familiar and cherished elements - heavily treated, emotive vocals, piano motifs, woozy electronics and ghostly chords - with grooves rooted in techno, house and UK bass. If you're a fan, you'll love it.
… Read more in stock $13.23
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Review: Actress (Darren Cunningham) releases his ninth album to date, 'LXXXVIII', coming as the very first presentation of the artist's voyage into "luxury sonics". ?A lifetime in the making, 'LXXXVIII' is the culmination of 25 years' honing mind-shorting, soul-igniting audio infusions for dancefloors, rave dens, festivals and concert halls. Less grainy than earlier works like Ghettoville or more recent albums like XX2RME, this one recalls a more immediate approach, the same onee heard on his forum-bound free downloadable albums, working in a wider stylistic gamut from minimal to glitch.
… Read more in stock $10.89
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Review: Geir Jennsen returns as Biosphere, one of the most enduring names in Norwegian electronic music and by now synonymous with elegant, plaintive ambient of the highest calibre. Inland Delta is made up of nine new musical pieces recorded between 2022 and 2023, primarily focused on improvised performance on a range of vintage keyboards recently restored to pristine condition. As lead track 'Franklin's Dream' demonstrates, there's space for traditional piano as well as the looming drones we know and love Biosphere for, all composed on the fly with a keen sense of harmony that comes from Jenssen's vast experience in this corner of experimental music.
… Read more in stock $12.43
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Review: Confusingly, two staggering out-there experimental albums arrived in 1992 bearing the same title: Thunder Perfect Mind. One came from Current 93, a group led by David Tibet featuring Nurse With Wound founder Steven Stapleton. The second was the latter's own experimental musical meditation on the same musical theme - a follow-up to the classic Soliloquy For Lilith that was, if anything, even darker, weirder and more intense than Current 93's paganistic LP. This expanded reissue presents a remastered version of the original two-track set on disc one - complete with musical contributions by Colin Potter and David Tibet - and a wealth of rare, unreleased and recently unearthed contemporaneous material on CD2. It's the ultimate version of an inspiringly out-there set.
… Read more in stock $29.82
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VARIOUS
Smalltown Supersound Remix Anthology Vol 1-4: 2002-2022 (unmixed 4xCD)
Cat: STS 350CD. Rel: 01 Sep 23
Experimental/Electronic
Todd Rundgren/ Emil Nikolaisen/ Hans-peter Lindstrom - "Put Your Arms Around Me" (Stereolab/High Llamas remix)
in stock $15.30
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Review: Seven arresting, original new exercises from E-Saggila aka Canadian producer Rita Mikhael. She wears her love of dub on her sleeve - see the slow motion skank of 'Amnesiac' aming others - but not in the usual reassuring, bubbling echoes of dub techno, aiming for something much more angular and alarming. "Breaks remain staccato hammers," says the blurb, with maximum accuracy, "and kicks are cast to negate cardiac systems," while the rhythms veer from off kilter to nailed down and the sonics vary from the lush to the caustic. This territory to the left(field) of electronica is over saturated with identikit productions, but Mikhael does it like you've never quite heard before.
… Read more in stock $18.93
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in stock $11.40
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Xylophonics & Robot X (limited numbered 2xCD with obi-strip)
Cat: IP 08889SECD. Rel: 28 Mar 24
Experimental/Electronic
in stock $19.19
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Review: Named in honour of an experimental silent movie of the early 1920s, Polish duo Nanook of the North are a unique proposition: a collaboration between composer/violionist Stefan Wesolowski and electronic musician/guitarist Piotr Kalinski that defies easy categorization. Heide, the pair's second album, was recorded pretty much in the middle of nowhere, and its' musical blend of effects-laden ambient electronics, simmering strings and acoustic guitar motifs was reportedly inspired by "wildness and untamedness". It's a genuinely brilliant, ultra-atmospheric affair that uses repetition magnificently (a nod, we'd argue, to American minimalism) and benefits from guest contributions from mezzo-soprano Margarita Slepakova.
… Read more in stock $12.43
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Good Luck (Japanese Edition) (CD with obi-strip)
Cat: SP 1533CDJ. Rel: 11 Apr 23
Experimental/Electronic
in stock $25.42
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Review: Standers is the second album by anonymous musician Craven Faults, amounting to a pilgrimage through sound to the ancient stone monuments that dot the region of northern England - known as standing stones or standers. Using vintage synthesizers and tape machines, the producer plunges the depths of English folk mysticism, coinciding with the nascent pagan revival that has cropped up in recent times. Sonically, meanwhile, each track moves through cinematic pulses, arpeggiating and filter-sweeping through nods to different eras and years; 1213, 1908, 1966.
… Read more in stock $9.86
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The Bootleg Box Vol 2 (Japanese Edition) (7xCD with obi-strip)
Cat: CDSOL 71392. Rel: 20 Apr 23
Experimental/Electronic
Notthingham Albert Hall November 8th 1976 (CD1)
Washington Lisner Auditorium April 4th 1977 (CD2)
Washington Lisner Auditorium April 4th 1977 (CD3)
Hamburg Audimax February 24th 1978 (CD4)
Newcastle City Hall October 25th 1981 (CD5)
Newcastle City Hall October 25th 1981 (CD6)
The Fassbinder Memorial June 11th 1983 (CD7)
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