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Notes: ***B-STOCK: Box opened, product in perfect working order***


The Johnny Brook 20 Watt Amplifier is an ideal portable solution for any aspiring musician. It is suitable for most Electric and Electro Acoustic Guitars.

This ultra-portable amplifier is big on features: includes Volume Control (treble and bass), (6.5in.) 20 Watt speaker, 6.35 mm Input and 6.35 mm Headphone Output. It can also be used as a music speaker for your MP3 player, phone or laptop.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Befaco's unique GameBoy-based effects module allows you to change effects by swapping cartridges, all with CV control over key parameters. Effects include Skuara's harsh fuzz, Instruo's micro phaser and much more.

Supplier's Notes:
A crazy idea with the support of a bunch of crazy people.

A Multi FX module based on game carts!

FxBoy is a multi-FX module designed in collaboration with several talented manufacturers.

This is an effect unit with CV control over the parameters and Dry/wet control, with a Built-in CV controllable four bands EQ.

Each effect is physically hosted in a hot-swappable game cart and designed by a different manufacturer: Touell Skouarn with Skuara a harsh fuzz with overdrive, Instruo with micro Phaser, a two-flavoured Phaser, Feedback modules with a vintage Flanger, XOR with FX-Girl, a digital double effect module: Delay + Granularizer, Making sound machines with an analogue Wave folder, Tesseract with a bit crusher and Befaco Trash distortion!

What have these crazy people put in their cartridges?

Trash

Trash is a harmonic distortion that combines both clipping and folding flavours. Modes A and B will select between aggressive and more aggressive flavours!

Flanger

Analogue Wavefolder

Eskuara

AVMA
AVMA by Tesseract Modular is a bipolar VCA with one switchable wavefolder stage followed by an analogue frequency reducer. The VCA gain is x2, it can be used with i5V oscillator signals at the CV input for ring modulation effect.
Micro Phaser

Three cascaded all-pass filters, a built-in LFO and a saturator in the feedback path.

The purpose for this cartridge is to completely f&%k your phase up!

Instruo - We make sounds with the things that we make to make sounds with.

Technical Specifications

CV control over all parameters and Dry/wet
CV controllable four-band EQ, routable post or pre-effect.
Hot swap for all carts.
Selector for two different flavours of each cart.
Open specifications to design your own carts

Specs

Current needs: +12V: 125mA, -12V: 100mA, 5v: 0mA
Width: 12 HP
Depth: 35 mm (including power connector)
Aluminium, heat-treated front panel.
Designed and assembled in Barcelona.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Designed to integrate sound sources from outside Eurorack, Verbos's Real World Interface offers three channels including built-in microphones, preamps, envelope followers and a frequency detector.

Supplier's Notes:
The Real World Interface is a 3-channel external processing module intended for connecting with sound sources outside the system. The channels are oriented as vertical channel strips. The left and right channels have a built-in condenser microphone, preamp, envelope follower with variable decay and gate extractor. In addition to a preamp, envelope follower and gate extractor, the centre channel also has an Automatic Gain Control (fixed high ratio compressor), fundamental extractor (tracking lowpass filter), frequency detector and locked oscillator. Internal microphones are useful for introducing electro acoustic room sounds into the modular. Envelope followers can be used to have external signal levels effect parameters such as filter cutoff or level for building dynamics processors. Gate extraction allows external sounds such as metronomes, clicks, claps or room sounds to advance sequencers, trigger sounds or initiate other events. The Frequency Detector can extract the pitch of simple monophonic sounds but is also a semi chaotic CV source in the tradition of such modules since their introduction in the 1960's. The Locked Oscillator plays a sine wave at the same pitch as the input signal.

Size: 18HP

Notes: ***B-STOCK: Without original box, product in perfect working order***


Gate Expander for Sweet Sixteen mkII.

This is an expander, brings 8 gate inputs for the Sweet Sixteen mkII.

The panel is reversible, so jacks & buttons can be in the left or right side.

The orientation of the 10 pin ribbon cable is marked by the 'do not plug power here!' legend on the PCB, so it could be with the red stripe facing that in both GESS and Sweet Sixteen mkII modules.

Notes: ***B-STOCK: Without original box, product has light surface marks but otherwise in perfect working condition.***


ADSR is a four stage linear envelope with two expressive ranges. Each stage can be modified independently allowing for the creation of complex, multi-segment envelopes. Great for modulating filters, VCAs, and oscillators.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Flagship model in IK's Uno Synth range, the Pro X adds extra synth power to the three-oscillator analogue design, with plenty of hands-on control and sequencing power.

Supplier's Notes:
Freedom of sound

Paraphonic dual filter analogue synthesiser

Embark on a liberating sonic adventure with UNO Synth PRO X, a powerful analogue synthesizer that'll ignite your creativity and elevate your music to new dimensions. Prepare to be inspired as you explore a world of infinite possibilities, where technology meets the timeless allure of analogue warmth.

Get creative

Featuring three discrete wave-morphing oscillators, the UNO Synth PRO X invites you to explore a vast sonic landscape. Unleash your imagination with PWM, sync, FM, and ring modulation capabilities: Your sonic palette knows no bounds.

Unrivalled sound sculpting

Discover a new realm of sonic possibilities with the UNO Synth PRO X's dual-filter design, combining classic OTA and SSI-chip-based filters. Immerse yourself in the moment as you weave intricate textures and shape your sound to perfection. Dive deeper into sonic exploration with the 16-slot modulation matrix enabling you to create intricate and evolving textures.

Sound connection

Take complete control over your music with over 30 hands-on controls, providing immediate access to your sound-shaping tools. With USB, MIDI, CV and Gate in/out options, integrating the UNO Synth PRO X into your setup is effortless.

4 kinds of effects

With 10 studio-quality FX in three slots and an analogue drive, your music will further come to life with warmth and character.

3 effects slots + analogue drive
Vintage chorus and uni-vibe
5 different delays
Hall, plate and shimmer reverbs

From sequencing to arranging

Unleash your creative potential, easily creating complex ever-evolving sequences. Try the 10-mode arpeggiator, equipped with a pattern designer to bring your melodies to life. New horizons are just around the corner with the Bassline mode, along with legato, mono and paraphonic modes, offering unprecedented expression of your musical ideas.

Advanced paraphonic 64-step sequencer
Per-step parameter recording with up to 48 parameters
Sequence randomizer that follows the scale you select
Parameter automation per step and real-time
10-mode arpeggiator with pattern designer
New Bassline mode plus legato, mono and paraphonic modes

Seamless DAW integration

With 256 user-editable presets the UNO Synth PRO X is a playground for sonic fun and exploration. Effortlessly sculpt save and recall your own custom sounds recapturing every moment of your creativity. And with the included Editor/Librarian software providing seamless control from your Mac or PC anything becomes possible. The Editor works as both a standalone application and as a plug-in inside your favourite DAW. This means you can program and play the UNO Synth PRO X just like a virtual instrument.

Designed for portability
The UNO Synth PRO X is not only a fun sound-design partner but also the perfect musical companion on the go, adapting to any environment. From backpack to mainstage, new sonic destinations will always be within reach.
Ultralight and ultraportable
PSU or USB battery pack power supply
Balanced stereo and headphone outputs

Custom travel bag available

Whether you're a seasoned sound designer or on the way to becoming one, UNO Synth PRO X is here to travel physically and sonically wherever you go.

UNO Synth PRO X Specifications

Sound generation
3 discrete wave-morphing oscillators
3 super-fast envelopes with loop and retrigger options
PWM, sync, FM and ring modulation
Dual-filter design, OTA and SSI-chip based
12 studio-quality FX in 3 slots + analogue drive

Performance tools
Advanced paraphonic 64-step sequencer
10-mode arpeggiator with pattern designer
New Bassline mode plus legato, mono, paraphonic
Audio input to filters and FXs or pass-through

Complete controls
Over 30 hands-on controls
16-slot modulation matrix
256 user editable presets
USB / MIDI / CV / Gate in/out
Backlight control and onboard factory preset restore
Advanced software control for Mac/PC

Ready for travel
Ultralight and ultraportable
PSU or USB battery pack power supply
Balanced stereo and headphone outputs
Editor/Librarian included
Optional gig bag available

Dimensions
Size (W x D x H): 33.3 x 15 x 5 cm, 13.11 x 5.91 x 1.96 in.
Enclosure: Plastic
Weight: 800 g, 1.76 lb
Power: iRig PSU-3A (included) or USB (5V/1.5A, 7.5W or above)

Package includes
UNO Synth PRO X
1x USB-C to USB-C Cable - 60 cm, 23.6 in.
Power Supply Unit
Quick start guide
Registration card

NOTE: USB power has inherent ground noise, so when connecting the UNO Synth directly to your computer via USB, you may hear more noise and interference than when the synth is connected to a USB wall charger or running via batteries. With the direct computer connection, you can reduce the USB ground noise and other interference by either using a USB isolator or a custom TRS cable into a balanced input on your preamp or audio interface where the ground is not connected at the balanced input side.

UNO Synth Pro Editor Compatibility

Computers
64-bit application. Requires a 64 bit CPU and Operating System.

Macr (64-bits)
Minimal: macOS 10.15 or later.

Windowsr (64-bits)
Minimal: Windows 8 or late

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


The Eventide H9 Max features 45 algorithms and 99 factory presets from Space, TimeFactor, PitchFactor and Modfactor. More Presets are available via the H9 Control app and offer a huge range of effects; you may never need another stomp box again.

The H9 Max Stomp Box is fully controllable via its simple front panel one-knob user interface, but can also be controlled via a free iOS app, H9 Control, which can be downloaded to your iPhone or iPad for live editing, creating and managing presets and changing system settings wirelessly via Bluetooth. H9 Control is also available for your Mac and PC via USB.

The Eventide H9 features stereo audio I/O, MIDI I/O, Expression Pedal, and Auxiliary Switch inputs.

The H9 comes loaded with a set of Eventide's most popular algorithms taken from their award winning stomp boxes:

From ModFactor:
- Liquid Chorus
- Organic Chorus
- Shimmer Chorus
- Classic Chorus
- Phase XO Chorus
- Bias Tremolo
- Opto Tremolo

From PitchFactor:
- H910
- H949
- Crystals
- Tuner

From TimeFactor:
- Tape Echo
- Vintage Delay

From Space:
- Shimmer
- Hall

Notes: Think of the MFD like a tiny DJ mixer: two stereo inputs, one stereo output, with the option to cue either input and crossfade between the two. A simple idea very well executed.

Supplier's Notes:
Inspired by DJ mixers, the MFD allows you to cue and crossfade between signals. Ideal for live performance as well as jamming out ideas in the studio.

Supplier's Notes:
The 'MFD' is a 2-channel stereo crossfader designed for live DJ-style mixing and jamming in Eurorack. Two mono or stereo inputs are mixed to a single stereo output via direct or voltage control. Additional Cue controls provide preview monitoring of either input pre-mix via dedicated Cue switches and an output.

Voltage control over the crossfade and DC coupling allow for further creative uses such as a high quality stereo VCA or as a mix processor for either stereo audio signals or CV.

The MFD is designed to have very low noise and cross bleed and employs equal power crossfading for smooth constant level blending between signal sources.

Features:

Two channel stereo crossfader with voltage control.
Approx equal power crossfading.
Cue output switches for direct monitoring of either stereo input (pairing well with HPO for headphone monitoring).
Can be used as a high quality stereo VCA.
DC coupled for use with both audio and CV.
Skiff friendly with reverse power protection.
Two year warranty.
Made in England.

Ideal For:

Smoothly blending and monitoring 'tracks' or 'scenes' during a live set.
High quality VCA use for stereo based sources.
Voltage controlled crossfading and mixing of both CV and Audio signals.
Other advanced uses including audio rate modulation, stereo panning effects and a CV controlled FX send.

Technical Specifications

Supply: +12V 70mA / -12V 70mA

Size: 6HP

Depth: 32mm

Notes: ***B-STOCK: Box opened, product in perfect working order***


Explore unique sonic possibilities with this semi-modular digital synth, combining physical modelling with spectral sound sources, versatile effects and complex modulators.

Supplier's Notes:
An affordable hybrid monophonic synthesizer that allows you to create new sound universes inspired from the real world, where objects collide, vibrate, and resonate.

Anyma Phi blends the classic ingredients of electronic music with physical modelling technology, allowing it to simulate acoustic sound sources, such as strings or reeds, as well as resonating structures, like wood, glass, or metal.

Anyma Phi is compact enough to stand on your keyboard, or anywhere on your desk, and is compatible with any MIDI controller, such as keyboards, sequencers, or even wind controllers, including Aodyo's own Sylphyo.

Whether you play live or record in the studio, design sounds or play presets, Anyma Phi will become an indispensable tool. It can even be used as a stand-alone effects processor, or as part of a guitar effects pedal setup.

The heart of the Anyma Phi is the matrix, which provides a quick and easy way to explore your sounds by following a physical metaphor, with four macros for each of the five stages of sound generation:

With its matrix, Anyma Phi offers a straightforward way to tweak, explore, and create sound universes. It also provides easy ways to make your sound react to your MIDI controllers with mapping shortcuts. But don't be fooled by the simplicity!

If you want to dive deeper, you can take control of the powerful semi-modular synth engine beyond the matrix, with oscillators covering a wide range of synthesis techniques, effects, and modulators.

By connecting those together, you can create any kind of sound, and control it any way you want.

Anyma Phi offers you:
Up to 3 oscillators (sound sources)- physical models, classic spectral, noise souces, external input
Up to 5 effects: resonators, filers - EQ, pitch shifter, ring mod, delay - reverb, chorus - phaser, drive - folder
Up to 8 modulators: envelopes, LFOs, curves, slew limiter, math & logic

This amounts to 69 different module types available, including 30 sources, 22 effects, and 17 modulators.

Technical specifications:
Hybrid monophonic synthesizer
Stereo audio output:
Two 1/4" mono line jack outputs
One 1/4" stereo headphone jack output
1/4" stereo jack audio input (internal piezoelectric mic when external input unplugged)
MIDI inputs and outputs via USB and DIN ports
Powerful digital semi-modular synthesizer engine :
Memory: 200 patches
3 oscillator slot
5 effect slots along 2 serial buses (Main, Aux) + 1 mono reverb
16 modulator slots, including envelope generators, LFO, curves, interpolators, slew limiters, etc.
32 mapping slots (virtual patch cords), each allowing to control any synth parameter (including another mapping) using a modulator or a controller input, with a sidechain input
Responsive to pitch, pitch-bend, velocity, breath control / expression, as well as 4 other controller inputs

Additional features:
Percussive playing surface
Patch librarian / editor
Extended memory

The percussive playing surface will allow you to tap and scratch your sounds directly on the case, making your performance even more expressive and fun! This would be made possible by integrating a piezoelectric contact microphone into the case. The resulting sound would be available to use on the Anyma as an audio input, ready to be fed into resonators and effects!

You can edit patches directly on your Anyma, as well as send and receive patches via MIDI SysEx. But what about something more comfortable and powerful?

This software will allow you to easily manage and share patches, as well as edit them in depth in a streamlined environment on your PC or Mac, by making all the synth components directly visible and showing their interactions.

With more memory, you can have a huge library of sounds at your fingertips, or you can make many variations of your patches without having to worry about space or having the computer editor around to make backups!

Let's free the Anyma Phi from the shackles of the Western 12-tone equal temperament! A440 be gone!

Notes: SSL Recording Pack

Condenser mic, shock mount, studio headphones and XLR cable

Step Up Your Recording Game

Introducing the SSL Recording Pack from Solid State Logic, the all-in-one solution to capture your ideas and record great music. Available in a bundle with an SSL 2 interface, the SSL Recording Pack includes a condenser microphone with shock mount and thread adapter, closed-back studio headphones and an XLR microphone cable, bringing you everything you need to record with your SSL 2 interface.

Recording Made Easier

SSL Recording Pack includes everything you need to start recording now. Just plug your SSL microphone and headphones to your SSL 2 interface and start turning your ideas into records.

SMC 80 Studio Microphone

Capture every detail and nuance of your vocals, guitars and acoustic instruments with the SMC 80 studio condenser microphone.

SHP 20 Headphones

Listen with clarity and detail. Hear every step of your recording and production process with SHP 20.

Included with SSL 2 Interface

Bring Your Productions To The Next Level

The SSL 2 Interface include the acclaimed SSL Production Pack, featuring a selection of must-have virtual instruments, plug-ins, samples and DAW, to let your creativity shine and bring your productions to life.

What's in the Kit

SSL 2
SSL headphones (including 1/4" jack adapter)
SSL condenser microphone, shock mount and thread adapter (5/8" outer and 3/8" inner) for microphone stands
2.5 M XLR microphone cable

Specifications

SHP-20 Headphones
Operating Principle: Closed
Fashion: Supra-aural Transducer Type Dynamic
Loudhailer: 50mm
Impedance: 32 O
Sensitivity: 98 +/-3dB
Frequency Response: 15Hz-25kHz
Max. Power: 1200mW
Rating Power: 300mW
Cable: About 3m (straight)
Plug: 3.5mm + 6.3mm

SMC-80 Microphone
Element: 25mm condenser capsule
Polar Pattern: Cardioid
Frequency Response: 20Hz-20kHz
Sensitivity: -36dB+/-2dB (0dB=1V/Pa at 1kHz)
Output Impedance: 200+/-30% (at 1kHz)
Load Impedance: >1000 O
Self-Noise: 16dB A
Max. Input SPL: 136dB (at 1kHz<1% T.H.D)
S/N Ratio: 78dB
Phantom Power Requirement: 48V DC Phantom Power
Weight: ~340g
Dimensions:55x38x165mm

Notes: The excellent SSL 2+ interface gets bundled up with a vocal mic, headphones and accessories to get you started recording. Great value.

Supplier's Notes:
SSL Recording Pack

Condenser mic, shock mount, studio headphones and XLR cable

Step Up Your Recording Game

Introducing the SSL Recording Pack from Solid State Logic, the all-in-one solution to capture your ideas and record great music. Available in a bundle with an SSL 2+ interface, the SSL Recording Pack includes a condenser microphone with shock mount and thread adapter, closed-back studio headphones and an XLR microphone cable, bringing you everything you need to record with your SSL 2+ interface.

Recording Made Easier

SSL Recording Pack includes everything you need to start recording now. Just plug your SSL microphone and headphones to your SSL 2+ interface and start turning your ideas into records.

SMC 80 Studio Microphone

Capture every detail and nuance of your vocals, guitars and acoustic instruments with the SMC 80 studio condenser microphone.

SHP 20 Headphones

Listen with clarity and detail. Hear every step of your recording and production process with SHP 20.

Included with SSL 2+ Interface

Bring Your Productions To The Next Level

The SSL 2+ Interface include the acclaimed SSL Production Pack, featuring a selection of must-have virtual instruments, plug-ins, samples and DAW, to let your creativity shine and bring your productions to life.

What's in the Kit

SSL 2+
SSL headphones (including 1/4" jack adapter)
SSL condenser microphone, shock mount and thread adapter (5/8" outer and 3/8" inner) for microphone stands
2.5 M XLR microphone cable

Specifications

SHP-20 Headphones
Operating Principle: Closed
Fashion: Supra-aural Transducer Type Dynamic
Loudhailer: 50mm
Impedance: 32 O
Sensitivity: 98 +/-3dB
Frequency Response: 15Hz-25kHz
Max. Power: 1200mW
Rating Power: 300mW
Cable: About 3m (straight)
Plug: 3.5mm + 6.3mm

SMC-80 Microphone
Element: 25mm condenser capsule
Polar Pattern: Cardioid
Frequency Response: 20Hz-20kHz
Sensitivity: -36dB+/-2dB (0dB=1V/Pa at 1kHz)
Output Impedance: 200+/-30% (at 1kHz)
Load Impedance: >1000 O
Self-Noise: 16dB A
Max. Input SPL: 136dB (at 1kHz<1% T.H.D)
S/N Ratio: 78dB
Phantom Power Requirement: 48V DC Phantom Power
Weight: ~340g
Dimensions:55x38x165mm

Notes: ABY; Consistent Connectivity

"To A and B or not to B - that is the question."
Enrico Shakespeare, ye-olde scribe of Berlin

An ABY box is not something that will set the world on fire. But what a good ABY box can do, is start a flame that'll fully ignite your creativity, and this new ABY pedal is a REALLY GOOD one. Expertly built, noise-free, gorgeous looks AND affordable - it just ticks all the boxes.

Whether you're looking to switch or combine your mono input signal using two separate outputs, or switch or combine two separate input signals into one output, the KMA Machines ABY pedal is a dependable little helper for your tonal quest.

Created with a focus on durability, reliability, simplicity and hassle-free operation, this passive ABY switcher also features True Bypass active silent relay-based soft switching to reduce mechanical noise and unwanted pops and clicks when in use.

So, all you have to do is choose your path and perform!

KMA's ABY pedal features a fully passive design for the best signal integrity, along with KMA's True Bypass active silent relay-based soft switching.

While that might be a hell of a wordy mouthful, what it means practically is that the audio signal itself is entirely untouched and without any colouration. Plus, you can use the device in either direction, for sending to different sets of amps or effects or for switching inputs/instruments/devices into your chain.

However, the actual switching is taken care of by KMA's reliable and sturdy soft switches as a separate active circuit. By employing this switching technology, mechanical noise is greatly reduced, as is the risk of those pesky loud clicks and pops that have plagued so many boards and has haunted so many musicians, since the inception of ABY boxes.

The bears eyes light up - how awesome is that!? Okay, besides just looking cool and fulfilling boyhood dreams of an army of robot bears with freaking lasers as eyes, the 3 distinct LEDs actually serve a practical purpose; to quickly and easily show you what signal path you've selected at a glance. Red for A, Yellow for B and Blue in the centre for A&B.

This pedalboard-friendly device seamlessly integrates with your existing setup. It's compact, rugged, lightweight, durable, affordable and can be powered via a standard 9V DC power supply, making it convenient for all walks of sonic life. What's not to like?

So, will you choose A or B? With the KMA Machines ABY pedal, the fate of your signal is in your hands!

Notes: ABY Stereo; Consistent Stereo Connectivity

"To A and B or not to B, in Stereo - that is the question."
Enrico Shakespeare, ye-olde scribe of Berlin

There's nothing new about ABY boxes. They're a very commonly used accessory and a staple part of many setups out there. But if they are so common, then why is it so difficult to find one in a stereo format that's well built, noise-free AND affordable?

So, KMA made a killer stereo ABY switcher to use in the workshop. In the process it was found to be so useful, it has been made available to the world too in a pedal format.

Whether you're looking to switch or combine your stereo input signal between two separate destinations or switch or combine two separate stereo input signals into a single output, the KMA Machines STEREO ABY pedal is a dependable little helper for your tonal quest. Created with a focus on durability, reliability, simplicity and hassle-free operation, this passive ABY switcher also features True Bypass active silent relay-based soft switching to reduce mechanical noise and unwanted pops and clicks when in use. So, all you have to do is choose your path and perform!

KMA's STEREO ABY features a fully passive design for the best signal integrity, along with True Bypass active silent relay-based soft switching. While that might be a hell of a wordy mouthful, what it means practically is that the audio signal itself is entirely untouched and without any colouration. Plus, you can use the device in either direction, for sending to different sets of amps or effects or for switching inputs/ instruments/devices into your chain.

However, the actual switching is taken care of by reliable and sturdy soft switches as a separate active circuit. By employing this switching technology, mechanical noise is greatly reduced, as is the risk of those pesky loud c
licks and pops that have plagued so many boards and has haunted so many musicians, since the inception of ABY boxes.

The bears eyes also light up - how awesome is that!? Okay, besides just looking cool and fulfilling boyhood dreams of an army of robot bears with freaking lasers as eyes, the 3 distinct LEDs actually serve a practical purpose; to quickly and easily show you what signal path you've selected at a glance. Red for A, Yellow for B and Blue in the centre for A&B.

This neat accommodating Stereo device seamlessly integrates with your existing setup. It's compact, rugged, lightweight, durable, affordable and can be powered via a standard 9V DC power supply. In addition, without tooting our own horn too much, it just looks awesome. All helping to make it feel right at home amongst the artistic landscape that is your pedalboard. What's not to like?

So, will you choose A, B or both? With the KMA Machines ABY Stereo, the fate of your signal is in your hands!

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Combining vintage sound with modern features, the S2400 draws heavily on the iconic Emu SP1200 to create a new instrument with a distinctive character. One of the best samplers money can buy.

Supplier's Notes:
A legend, reborn.

The S2400 is nothing short of a passion project. Along with a small team of talented Software Engineers, CAD Engineers and revered artists, Isla Instruments have developed a future classic.

The S2400 is a passion project - to recreate the sound of one of the world's most iconic sampling drum machines, and bring it up-to-date with modern features. The result is the very best of old school and new school technology coming together.

Brad has been obsessed with drum machines for many years - owning, repairing, restoring, modifying countless makes and models (see his HR-16 mods on YouTube).

Staying true to form in both sonic characteristics and design aesthetic were the main drivers in the realisation of this project, while bringing the hardware into the 21st Century and keeping the same 'instant gratification' and intuitiveness of its spiritual pre-predecessor at heart.

A machine built for the now and the future.

S2400 Specifications

Sampler / Audio:
16-Bit 48Khz 'Hi-Fi' Sampling/Playback Engine
12-Bit 26Khz 'Classic' Sampling/Playback Engine
Engine type assignable to each of the 32 sample slots
Sample up to 21.5 minutes per slot (Classic / Mono),
5.5 minutes (Hi-Fi / Stereo)
Simultaneous (Full Duplex) playback and record with 8 channel LiveLooping functionality.
On-screen waveform display (slice audio, set loop-points with ease)
128 MB of built-in factory drum kits (from some of our featured beta team)
Independent Headphone output for monitoring (effectively 2 extra channels)
DSP based LP/HP Filtering per track (more FX planned for future)

Sequencer:
Multiple sequence entry methods: Live recording, Step Sequence, Piano Roll GUI, TR x0x Style
32 Stereo Audio Tracks w/ 16 Voice polyphony
32 MIDI Tracks (for sequencing external equipment)
96 PPQN Clock
Per track quantization and swing (including classic mode)
Patterns are up to 100 measures, any time signature
All parameters (level, pitch, envelope, filters) configurable per pattern step
Song mode

Hardware

Bright 128 × 64 pixel OLED display (viewable from any angle)
Ultra High quality Grayhill Optical Data Entry Encoder
8 x 60mm Professional Dual Rail Faders
8 x Dual 'concentric' Pro-Audio rotary pots
Broadcast Equipment grade A/V backlit pushbutton switches
Tactile silicone pads backlit with RGB LEDs
SD Card storage (up to 1TB currently tested)
Classic (OG) input and output analogue filtering circuitry.

I/O

MIDI In/Out/Thru (Standard 5-pin DIN)
2 × 1/4" Stereo Mix Out jacks (psuedo balanced)
8 × 1/4" Individual audio out jacks (psuedo balanced)
4 × 1/4" External input jacks (with adjustable pre-amp modes)
2 × Stereo RCA Line/Phono Inputs (with dual phono pre-amps)
Hi-speed USB 2.0 device port. (USB Audio/MIDI)
USB Host port (connect external USB peripherals, MIDI controllers etc).
3.5mm Clock/trigger in and out jacks (to sync/trigger vintage equipment or modular synths)
Universal Voltage100-250V AC Mains powered.

Physical

Rock Solid 16Ga Cold Rolled Steel enclosure with 6mm Anodised aluminium sidewalls.
Aluminium knobs
Dimensions: (Including knobs, jacks, feet)
Imperial: W18" x D12" x H5" (back) 3" (front)
Metric: W460mm x D310mm x H130mm (back) 80mm (front)
Weight: approximately 13lbs / 6Kgs (metric)

*** Please note: This product does not come with the three-pin PSU kettle leads required, please purchase separately. ***

Notes: Black Truck combines 6 individual effects pedals, a high precision tuner, an effects loop and a loop switcher, bringing them all together into a single portable unit that's built for the road.

Although incredibly versatile and useful as a tool for all styles of music, Black Truck has been designed primarily for hard rock and heavy metal musicians. With this in mind, a carefully selected array of popular analogue pedals from the Mooer Micro Series make up the Compressor, Overdrive and EQ modules.

A brand new 'amp like' analogue hi-gain distortion has been developed specifically for this product which, in itself, covers a huge spectrum of tonal possibilities and a wide range of gain.

These analogue modules are complemented well by a multi-modulation pedal and a digital ambience engine, simply named Space, which consists of a high-quality digital delay and a stereo reverb. Both of these digital modules are fully controllable by the dedicated tap tempo control footswitch.

When used in conjunction with the integrated loop switcher, Black Truck can very easily be programmed to provide one step presets.

Following a lot of feedback previously from the Red Truck, an independent volume control has been added to the cab simulated output so it can be used simultaneously with the main outputs.

Notes: ***B-STOCK: Without original box, product has light surface marks but otherwise in perfect working condition.***


The Sonicware SmplTrek is a compact and powerful sampler that opens up endless creative possibilities for music producers and performers alike. With its intuitive interface and versatile feature set, the SmplTrek is the perfect tool for capturing and manipulating audio on the go.

The SmplTrek boasts a wide range of sampling and synthesis capabilities, including built-in effects, a step sequencer, and a wide variety of sound-shaping tools. It's a powerful and versatile instrument that's perfect for creating beats, melodies, and textures for your music.

To ensure the longevity and protection of your device, Decksaver has designed a custom-fit cover made from super-durable polycarbonate material. Decksaver's team of experts has spent many hours researching and testing to ensure that these covers provide the highest degree of protection against dust, debris, spills, and other potential hazards.

The Decksaver cover for the Sonicware SmplTrek is an essential accessory for any musician who values their equipment. Not only does it provide top-tier protection, but it also adds a sleek and professional look to your setup.

With this cover, you can rest assured that your SmplTrek will stay safe and secure, allowing you to focus on making music without any worries.

Dimensions

Weight: 0.70 kg
Length: 18.1 cm
Width: 15.3 cm
Height: 2.3 cm

Material: Smoked clear polycarbonate.

WARNING: When your Decksaver cover is in place, please ensure that your equipment is kept away from direct and high heat sources, such as radiators, fires and sunlight.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Arpopone from LepLoop is a little synth-voice for generating a melody or bass line and a chord section at the same time. It is based on analog ramp dividers of which each one generates a voltage ramp starting from a master clock that can be internal or external.

Trig1 and Trig2 potentiometers set the number of clock pulses.

With the Trig Mix switch it is possible to select between a single trigger (1 or 2) or both (1+2) to advance the scales.

The Scale Step potentiometer sets the number of steps for the two scale generators.
In the mixer section, the two scales are summed together to obtain a more complex pattern. The amount of each scale can be set by two controls and can be positive (ascending scale) or negative (descending scale).

With the VCO Pitch knob, the melody can be transposed while maintaining the same interval between notes.

The note generated by the VCO is fed to a chain of dividers to obtain four sub harmonics of the original note. One of these is the bass section with its own filter and envelope, the other three form the chord section with their envelope.

The two envelope sections are identical, both have a selector for different trigger sources:

Trig1 & Trig2: the envelope starts at the flash of the green LED (bass) or yellow LED (chord)
SB1 & SB2: the envelope starts at the first step of Scale1 (bass) or Scale2 (chord)
White & Blue: the envelope follows the intensity of the white LED (bass) or the blue LED (chord). Except for this setting the envelope length is set by the two controls Bass ENV and Chord ENV. Additionally, an EXT CV input allows to provide an external envelope.
The bass channel is passed through a resonant low-pass filter with Cutoff and Resonance control.

Finally the Bass and Chord channels are mixed together. The output level is set by the Bass LEV and Chord LEV controls.

Notes: ***B-STOCK: Old version in box, product in perfect working order***


A discovery born out of necessity, the Old Blood Noise Endeavors Split | Meld is a practical non-destructive way to manage parallel dual-mono and stereo signal paths and adds to the OBNE line of pedalboard friendly utility devices.

As a routing solution that splits two sets of stereo TRS to dual mono TS signal paths (and vice versa), this little passive box of tricks is an ideal route for parallel signal paths in a myriad of creative ways.

Especially useful for stereo pedalboards and setups with devices that have TRS stereo inputs & dual-mono outputs, Split | Meld can also be used to make use of a pedal's TRS effects loop, without the need to fiddle with TRS splitter cables that often can be poor quality and get in the way.

No power supply is needed here - simply connect and go.

Notes: The latest update of Arturia's legendary plugin collection, featuring 39 instruments, three expansion packs and over 9,000 presets. New instruments include CP-70 V, MiniFreak V, Acid V and three Augmented collections.

Supplier's Notes:
V Collection X

Reference instruments for music makers
A premium suite of software instruments for unparalleled sonic exploration; from evocative emulations and hybrid synth engines, to authentically modelled keyboards and beautifully captured acoustic sounds - enhanced for today's production workflow.

This is V Collection X

Immerse yourself in an unparalleled music-making experience with iconic sounds and essential tools to suit your style, performance needs and production workflow. 39 instruments, 3 exclusive expansion packs, thousands of world-class presets - 1 canvas for infinite sonic exploration.

The ultimate selection

A hand-picked, expertly-engineered suite of instruments combining timeless sonic craft with cutting-edge enhancements that seamlessly integrate with demanding production workflows. The most iconic synths, blissful keyboards, evocative hybrids and faithfully captured acoustic instruments for endless inspiration, vivid composition and boundless play.

10,000+ presets

Find the crucial mix-finishing sounds you need in a few clicks with V Collection X's expansive library of expertly-designed sounds, complete with easy browsing. Tap right into any style, any instrument, any time.

Easy to use

You don't need to be an expert to enjoy professional sound. The instruments in V Collection X are designed with accessibility in mind, equipped with intuitive interfaces, interactive in-app tutorials, and intelligent features that deliver electrifying results without hassle.

Perfected for you

High-performance features that you can count on, premium sound quality you deserve; V Collection X is the result of over 20 years of engineering innovation, musical exploration, and a passion for audio excellence and expressivity.

39 Software titles

Augmented WOODWINDS
Augmented GRAND PIANO
Augmented BRASS
Augmented STRINGS
Augmented VOICES
Korg MS-20 V
SQ80 V
CS-80 V
Prophet-5 V
Prophet-VS V
Piano V
Analog Lab V
Vocoder V
Jun-6 V
OP-Xa V
Mellotron V
Synthi V
CZ V
CMI V
Clavinet V
Acid V
MiniFreak V
CP-70 V
DX7 V
Buchla Easel V
Synclavier V
Emulator II V
B-3 V
Mini V
Stage-73 V
Matrix-12 V
Farfisa V
Solina V
SEM V
Jup-8 V
ARP 2600 V
VOX Continental V
Wurli V
Modular V

Platform specifications

Windows

Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
32GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Required configuration

Works in Standalone, VST, AAX, Audio Unit, NKS* (64-bit DAWs only).

Apple

Mac OS 11.0+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or Apple Silicon CPU
32GB free hard disk space
OpenGL 2.0 compatible GPU

Work with ASC

An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

Notes: ***B-STOCK: Box opened, product in perfect working order***


A LS1lightstrip but in THREE fat dimensions!

A matrix of awesome and a powerful and unique CV controller for your system.

LP1lightplane is an expanded, tri-dimensional LS1 lightstrip. The same functions are exposed on either axis plus pressure (z) for three times the fun!

Notes: You may wonder - what's that strange connector on the top of the Bullfrog? This is the VOICECARD slot. Voicecards expand functionality of the Bullfrog and make it even more versatile. Essentially, the voicecards replace patch cables - they connect the "modules" of the Bullfrog internally. But that's not all about them - some voicecards have built in mixers, signal generators and advanced electrical circuits to control the synthesiser, for example, sequencer that sends CV to control pitch and gate to start events on the synthesiser.

When inserting voicecards, make sure, the front panel of the voicecard faces the main interface of the Bullfrog. It is recommend that you turn off the Bullfrog when inserting a new voicecard.

The ELECTRIC ORGAN voicecard makes internal connections of the Bullfrog to emulate pipe organ, when several notes are played together. It also illustrates the principles of ADDITIVE SYNTHESIS. In additive synthesis several simpler waveforms are mixed together to generate more complex sounds. On this voicecard the pulsewave is sent to the DIVIDER and all outputs of the divider are mixed together with the original pulsewave and sent to the VCF and then to the VCA. Both ENVELOPE GENERATORS are involved in the same way as on the Acid Bassline voicecard. The DIVIDER divides an original frequency by even numbers and as result produces a pitch that is even octaves down form the original pitch. Faders on the voicecard determine an amplitude of each suboctave. Set the VCA OFFSET all way counter clockwise, PULSE OUT to the max. Push the MANUAL GATE button to check the sound. Tweak settings of the faders and observe the difference in the sound. Tweak CUTOFF and RESONANCE knobs. Add some echo by setting the DRY/WET knob to 12:00 and find the best DELAY TIME and FEEDBACK settings. Now, connect the keyboard and you are ready to perform Toccata and Fugue in D minor.

Notes: The highly coveted Octave Clang has made a triumphant return to Death By Audio's Queens workshop. Long presumed extinct, the OC was never really gone, merely in a state of hibernation-evolving, refining, and enhancing its already extraordinary sound.

In the decade since it disappeared, Death by Audio have revisited the original Clang circuit, sculpting it into something better-a more ferocious, menacing, and thunderous force that is as usable as possible for today's musicians.

Embraced by professionals and punks alike, the vintage Octave Clang was created to unleash distinctly unconventional tones that captivated the senses. In this, it succeeded, but many users found it difficult to tame. Today, Death By Audio have refined and extended the range of the original controls, added a foot-switchable octave, and did some under-the-hood supercharging.

The resulting circuit is an insane yet versatile beast, empowering you to easily sculpt discordant ringing drones, visceral octave scrapes, and ground-shaking distortion. The revitalized Octave Clang is primed and ready to destroy!

Controls

Bypass (Left Footswitch): Turns the Octave Clang on and off (red LED).
Octave (Right Footswitch): Toggles the Octave Up mode (yellow LED). The yellow LED stays on/off when the pedal is bypassed to indicate if the Octave Up is engaged.
Volume: Controls the output level. Goes from totally silent to extremely loud. When set above your normal volume, it propels your chain into overdrive
Gain: Sets the gain of the Octave Clang. This can (and will) drive the rest of the circuit into overdrive and fuzz. Can provide up to +39dB of gain.

Tone: A powerful pre-gain tilt EQ, this control adjusts the amount of highs and lows going into the rest of the circuit. This can make the octave and fuzz react very differently. Overloading the lows yields a larger, more blown-out sound while overloading the highs gives a more cutting and clear sound.

Bias (Internal): Allows misbiasing the distortion circuitry. Leave this control in the middle (5-6) for standard functionality, or turn it left or right to skew the character of the distortion to a rougher sound.
Access this control by removing the back plate of the Octave Clang.

Specifications

Dimensions: 4.8" x 3.7" x 2.1" (including hardware).
Weight: 11.5 oz.
Power: The Octave Clang is powered by a standard 2.1mm 9V DC adapter with a centre-negative polarity. Isolated power supplies are recommended. It is also possible to use the Octave Clang with a 9V battery (not provided). When not using a battery, the internal battery snap should be attached to the corresponding battery snap holes on the board. This will prevent the contacts from shorting out against the circuitry. Do NOT leave the battery snap floating inside the pedal when not using a battery.
Current Draw: 10 mA

Notes: ***B-STOCK: Without original box, product in perfect working order***


Pico BBD is surprisingly great sounding (we were surprised ourselves), full analogue 4092 stage bucket brigade delay module; the smallest BBD in Eurorack. Besides nice and clean flanger and delay effects, at full CW settings of TIME and feedback knobs it can produce extreme sonic artefacts. Tweak knobs and enjoy!

Notes: Switchy is a module that allows you to turn on or off up to three modules (or busboard) independently of each other.

No need to turn off the whole case: All three voltages (+12V, -12V, 5V) are interrupted at the same time.

Used to reduce the background noise of certain "noisy" digital modules when not in use, to initialize certain modules or change their function, to change an SD card, to relieve the power supply with energy-consuming modules, etc.

Dimensions
6 HP
30 mm deep

Current Draw
20 mA +12V
20 mA -12V
20 mA 5V

Notes: Transpos lets you transpose three CV channel with a single source.

Adder:

The voltage of each CV input can be varied by plus or minus two octaves depending on the switch and the potentiometer of each channel. Transpos uses precision regulators: for example if we increase by a fifth with the switch on "+" we reduce it by a fifth when we pass on "-".

Transposer:

The 1V/o CV input will influence each of the three channels. By turning the CV potentiometer you can globally increase or decrease the transposition of the three channels at the same time.

Dimensions
8 HP
40 mm deep

Current Draw
70 mA +12V
70 mA -12V
0 mA 5V

Notes: Mûmack is built from a temperature-stabilized analog source producing the three classic waveforms: triangle, saw, rectangle. This basic signal can be altered or enriched in several ways, which can be combined with each other, and associated with one VCA per mode.

Peak Compressor:
In the central position the signal is not modified. Turning the potentiometer to the right or to the left will compress the signal positively or negatively. It is this signal that will then feed Usual, Mûm and Hack. An LFO is dedicated to the compressor, controllable in speed and amplitude. A CV input with attenuator can also control the compressor.

USUAL:
The three waveforms are freely mixable, a CV input and a potentiometer can change the shape of the rectangle wave (PWM). The compressor intervening upstream, it can strongly influence the final form and the amplitude of USUAL. This produces complex analog waveforms, moving in time with the LFO or the CV input. The linear potentiometer makes it possible to mix the signal with the others, and to dose the volume of the direct output. The rotary potentiometer acts as an attenuator for the VCA input.

MÛM:
The Waveform potentiometer move the waveform of Mûm continuously from a attenuated triangle to a more pronounced triangle, then to a sinusoid and finally to a square wave. An LFO allows you to add a vibrato adjustable in speed and amplitude. The linear potentiometer makes it possible to mix the signal with the others, and to dose the volume of the direct output. The rotary potentiometer acts as an attenuator for the VCA input.

HACK:
Mûm's signal is taken up in a Wavefolder + compressor. Depending on the settings of the Peak compressor, and the three LFOs, we obtain complex, moving, organic waveforms. Again the linear potentiometer allows to mix the signal with the others, and to adjust the volume of the direct output. The rotary potentiometer acts as an attenuator for the VCA input.

ALL:
The three channel (Usual, Mûm, Hack) are mixed and brought together in a single output. The output volume is adjustable and a CV input with attenuator works like a VCA.

MIXER & VCA
The voltages produced by Mûmack, as is the case with many analog VCOs, can be high. The mixer allows them to be attenuated if necessary. Each of the three channels, and the product of the three, can be controlled by the VCA, with attenuator. The VCA is designed to add distortion at high values. The mixer is exponential for more subtle adjustments in low values.

Dimensions
30 HP
40 mm deep

Current Draw
155 mA +12V
155 mA -12V
0 mA 5V

Notes: Soft over-ear memory foam cushions covered with PU leather. The thickness and materials provide better comfort and excellent isolation. Adding a low end boost for a warmer sound with powerful dynamics.

Notes: Ultra soft over-ear memory foam cushions covered with Alcantarar, an aesthetic, functional, and CO2 neutral material. Highly comfortable and ideal for longer listening sessions. Provides a spacious, open sound with low isolation.

Notes: High comfort headband with memory foam and head padding covered with PU leather for longer sessions.

Notes: Engineered with a 40mm speaker diaphragm made from stiff bio-cellulose to reduce distortion and increase transparency. Tuned for a balanced, accurate sound. Balanced sound - Bio-diaphragm.

Notes: Engineered with a 40mm speaker diaphragm made from stiff bio-cellulose for more defined high-frequency details, more pronounced mid-range, better dynamics, and more natural tonality.

Notes: Celebrating the classic, shimmering flanger sounds of Andy Summers, the EHX Walking on the Moon is a tribute to the tones Andy employed while carving his niche in the early days of playing with the Police. Liquid flange effects that hint toward chorus with extra depth and nuance make Andy's sound one of the most coveted in all of the guitar universe.

"This beautiful shimmering which sort of made the sound more bigger and more glamourous - became a sort of characteristic of my guitar sound - A big part of my guitar sound at that time in The Police was the flange sound which we have here today in this great new pedal." - Andy Summers

The Andy Summers Walking on the Moon is an analogue flanger with a simple but powerful control set of RATE, RANGE, and COLOR. RATE sets the speed of modulation which ranges from slow, smooth filter sweeps to jittering vibrato. RANGE controls how narrow or wide the effect sweeps into the bass frequency range. The COLOR control effects the intensity of the flanger effect from subtle chorusing effects to classic jet woosh sounds. These three controls interact to create a wide breath of modulation effects.

Additionally, the Walking on the Moon includes a FILTER MATRIX which disengages the LFO from the flanger circuit, freezing the flanger giving a fixed filter effect, which can add chime or metallic overtones to your sound without the movement of a traditional modulation pedal. A DRY output allows you to split your dry signal from the effected signal.

Special Artist Edition graphics featuring Andy's signature adorn the chassis and a tribute Walking on the Moon poster with art by Laura Josephson is included with each pedal.

Analogue Flanger / Filter Matrix sounds of Andy Summers
RATE sets modulation speed
RANGE adjusts lower limit of flanger sweep
COLOR controls intensity of flanger effect
Dedicated DRY output
Special Artist Edition Graphics
Includes Walking on the Moon poster design by Laura Josephson
True Bypass
9V Power Supply included (optional 9V battery not included)

Specifications
Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 40mA
Year Released: 2023

Notes: These covers are made from 3mm glass affect acrylic.

They fit perfectly, protecting your equipment whilst also looking absolutely stunning.

All the original details of your equipment are laser etched onto the underside of the acrylic, which means you can see it but not feel it on the smooth top surface.

Notes: This stand its part of a new concept in COVERUP. With differents parts, you can use to put on multiple synths, including big devices, until now, not possible with the other stands.

You can configure your setup with you like more, with two big devices, or three medium devices. Easy to ensamble, very light to move from your studio to live. Just you need 1 minute to arm and start to playing.

Your setup of synthesizers and studio equipment can change permanently and with it also the position on the work table.

Taking this into account, CoverUp developed a 3-level support, which can be set up in different ways depending on the number of machines that we are going to place and their size.

In the triple stand configuration (using all 4 parts), 3 20cm machines can be placed. deep and a maximum height of 7cm.

This space is enough for much of the hardware available today.

The triple bracket parts are assembled with screws (included) using a universal socket that holds them together firmly.

In turn each part can be used as a simple support. It is only enough to separate the parts by removing the screws and use each part as it suits us.

Each part has rubber feet underneath, so that the support does not slip and is firmly supported.

Both halves of the triple support are linked with wooden rods at various points to give it lateral stability.

The design contemplates space for the rear connectors of each equipment, so that none of them are obstructed by the support.

Measures:
Depth: 58cm
Height: 41cm
Width: 34cm

Notes: Your AKAI deserves to be in a comfortable position to enjoy it. That is why CoverUp have designed this stand so that in your studio, you have the best ergonomics and can make music without thinking about anything else.

Notes: The AKAI APC 40 MK2 Controller Stand is a highly versatile and practical accessory designed specifically for the APC 40 MK2 MIDI controller. This stand offers a host of features that make it an excellent choice for DJs, musicians, and producers who require an ergonomic, stable, and portable solution.

The stand is carefully crafted to provide an optimal working position for the controller, allowing for comfortable access to all knobs, faders, and buttons. Its ergonomic design ensures that you can use the controller for extended periods without straining your wrists or arms.

Stability is a key feature of the AKAI APC 40 MK2 Controller Stand. It is built with a sturdy and durable construction, ensuring that your controller remains securely in place during intense performances or studio sessions. You can confidently engage with the controls, knowing that the stand will provide a reliable platform.

Additionally, this stand excels in terms of portability. It features a lightweight and compact design, making it easy to transport from one location to another. Whether you’re going to a live gig, a studio session, or simply moving between different workspaces, the stand’s portability ensures that you can conveniently take it with you without any hassle.

In summary, the AKAI APC 40 MK2 Controller Stand is a superb product that combines ergonomic design, stability, and portability. It offers a comfortable and accessible platform for your APC 40 MK2 controller, making it an ideal choice for DJs, musicians, and producers who value convenience and performance.

Notes: The AKAI APC 40 MK2 Controller Stand is a highly versatile and practical accessory designed specifically for the APC 40 MK2 MIDI controller. This stand offers a host of features that make it an excellent choice for DJs, musicians, and producers who require an ergonomic, stable, and portable solution.

The stand is carefully crafted to provide an optimal working position for the controller, allowing for comfortable access to all knobs, faders, and buttons. Its ergonomic design ensures that you can use the controller for extended periods without straining your wrists or arms.

Stability is a key feature of the AKAI APC 40 MK2 Controller Stand. It is built with a sturdy and durable construction, ensuring that your controller remains securely in place during intense performances or studio sessions. You can confidently engage with the controls, knowing that the stand will provide a reliable platform.

Additionally, this stand excels in terms of portability. It features a lightweight and compact design, making it easy to transport from one location to another. Whether you’re going to a live gig, a studio session, or simply moving between different workspaces, the stand’s portability ensures that you can conveniently take it with you without any hassle.

In summary, the AKAI APC 40 MK2 Controller Stand is a superb product that combines ergonomic design, stability, and portability. It offers a comfortable and accessible platform for your APC 40 MK2 controller, making it an ideal choice for DJs, musicians, and producers who value convenience and performance.

Notes: Your AKAI deserves to be in a comfortable position to enjoy it. That is why CoverUp have designed this stand so that in your studio, you have the best ergonomics and can make music without thinking about anything else.

Notes: These supports allow the equipment to be used in an inclined position in such a way that its operation is more comfortable.

The two feet that support the equipment are connected by two 6mm wooden rods. that give it greater stability and prevents the feet from separating.

The temples and the silicone legs are included.

Notes: One of Native's latest creations has its ergonomic stand ready for studying.

Now you can have greater comfort, view your screen and all the equipment thanks to this custom-designed stand.

At the base, there are 3m rubber feet so that the equipment does not move at any time.

Weight: 0.1 kg
Dimensions: 5 × 5 × 1 cm

Notes: The ideal support for your three Boutique synthesizers.

To use them in a comfortable and ergonomic position, which in turn saves space.

Specially designed taking into account the need for space for wiring and rear connectors.

On the support faces, each support has a recess to place silicone feet and prevent the equipment from slipping or scratching.

Includes the two side supports, the rods and the silicone feet

Notes: Triple support for the entire Korg Volca line (Beats, Kick, Sample, FM, Keys, Bass, Drum, Modular, Mixer)

Save space in your studio and operate your synthesizers more comfortably.

The brackets fit directly into the Volca without the need for screws or moving parts. This makes them easy to transport and set up for those who go out and play with their Volca.

On the bottom, each foot has silicone legs to prevent them from scratching or slipping.

The pictures show red, but the colour is black.

For up to 3 Korg Volca devices
Made of biocompatible PLA plastic
Connection of the side parts by means of wooden rods
Dimensions (W x D x H): 196 x 246 x 271 mm

Suitable for:

Volca Beats
Volca Drum
Volca Bass
Volca Keys
Volca FM
Volca Kick
Volca Nubass
Volca Modular
Volca Sample
Volca Mix

Notes: The studio legends

For decades now, professional users all around the world have placed their trust in Beyerdynamic's classic range: DT 770/880/990 PRO. These benchmark-setting studio headphones, available in three different models, boast extremely detailed resolution and very transparent sound.

The DT 770 PRO headphones is the range's closed-back model and offers maximum flexibility and detailed sound that you can rely on.

Impressive sound volume

The Beyerdynamic DT 770 PRO headphones have established themselves as a firm favourite amongst music producers, sound engineers and broadcasters and are used in studios all over the world. They reproduce the entire frequency range with incredible precision, and even reproduce low frequencies in punchy detail.

Top-notch impulse response

The headphones are designed for critical music and sound monitoring, providing a perfectly neutral listening environment with exceptional isolation and top-notch impulse response. High frequencies are translated into an analytical and differentiated sound. Ultra-low bass sounds are defined and reproduced crisply.

Extreme comfort

The robust spring steel headband ensures a secure fit for the wearer. Soft ear cups mean that the headphones are comfortable even if worn for prolonged periods. The single-sided cable allows the headphones to be put on and taken off frequently without cables getting tangled.

Allrounder; universal studio

These 80-ohm headphones are the ideal Choice for a range of studio applications.

Made in Germany

The DT 770 PRO headphones are and always have been handcrafted in Germany. The durability of these headphones is worth noting, because all the components used are replaceable if necessary.

High-end studio quality

Thanks to the Tesla technology developed in Heilbronn, the DT 770 PRO offers even finer resolution with precise and powerful bass. The pro flagship also sets new standards in terms of wearing comfort and workmanship.

Technical specifcations

Transmission type: wired
Weight headphones without cable: 270 g
Transducer type: Dynamic
Operating principle: Closed
Nominal frequency response: 5 - 35,000 Hz
Nominal impedance: 80 O
Nominal SPL: 96 dB
Nominal T.H.D: < 0.2%
Power handling capacity: 100 mW
Sound coupling to ear: Circumaural
Ambient noise isolation: approx. 18 dBA
Nominal headband pressure: approx. 3.5 N
Weight: 345 g
Length and type of cable: 3 m / straight cable
Connection: Gold plated mini stereo jack plug (3.5 mm) & 1/4" adapter (6.35 mm)

Notes: The Sloer Stereo Ambient Reverb builds on our popular Slo lineup but adds two additional reverb algorithms, stereo width control, two additional modulation wave shapes, and the ability to control the sample rate. Now you can create immersive, lush, modulated, sleepy, and ambient soundscapes with more width and depth than ever before.

Save your favourite dreamscapes with three onboard presets by simultaneously pressing and holding down on the bypass and sustain switches. Scroll through them by simultaneously pressing and releasing bypass and sustain.

The five-way rotary dial allows five different reverb modes - the three you know and love from the Slo: Dark (Lower Octave), Rise (Ambient Swell), and Dream (Latching Pad); and the addition of two new modes: Rain (Delay Tap Diffusion) and Light (High Octave Shimmer). Secondary functions on the dial change between five different wave shapes for modulation on the reverb trail.

Combine deep modulation, long washy trails, and an immersive stereo field to experience Sloer.

5 reverb modes:

DARK - Add a lower octave to your reverb trail. Here you'll create deep and wide atmospheric sounds and channel nightmarish soundscapes. X knob sets the level of a -1 octave signal that feeds the reverb.

RISE - This is an auto-swell reverb for beautiful cinematic swells. Don't rush it. Let it breathe and gently wake up. X knob sets the amount of time it takes the reverb to swell in after a note is played. Set lower for shorter rise times and higher for longer rise times.

DREAM - Lush reverb with a latching pad function. Press the sustain switch to latch signal. Experiment with the X knob to add vibrato over the pad. Press sustain again and the pad will decrescendo according to where the decay knob is set. X knob sets the depth of vibrato applied to the reverb trail.

RAIN - Tappy and trippy, this program creates a unique effect with lower levels of diffusion allowing the reverb delay taps to audible create an echo-like effect within your reverb. Use the Xcontrol to set the amount of diffusion of the delay taps.

LIGHT - Bright and smooth reverb with an octave-up shimmer. Create a range of ethereal sounds with the X slider, keep it low for a smooth pad-like reverb or push it higher for a bright shimmer effect.

5 wave shapes

The Sloer also features five different wave shapes accessible by holding down bypass while switching the algorithm dial.

Sine - Smooth and even pitch up and down modulation.
Warp - Asymmetric pitch up modulation similar to a warped record.
Sink - Asymmetric pitch down modulation for sinking detune similar to a Bigsby.
Square - Symmetric pitch up and down modulation for stepped modulation.
Random - Uses sample and hold that picks new random values.

Momentary functions

Bypass: When the switch is in the off position, press and hold to temporarily activate the effect to add a moment of reverb texture. Releasing the switch turns the effect off, and fades it out.

Sustain: When pressed, the decay switch ramps up the reverb trail to maximum creating a long dreamy reverb trail, and then ramps back down to the decay knob setting when released. In the "Dream" algorithm, the sustain switch is latching. Press it once to capture and sustain the current reverb decay for extremely long pad-like sounds. Press it again to let the reverb trail taper off, based on the position of the decay knob.

Trails mode

The Sloer can run in trails or no trails mode. In trails mode, when you turn the pedal off, the reverb decay dies off naturally. In no trails mode, the decay is abruptly cut off when you turn the pedal off. To toggle between either mode, hold down the bypass switch for 1 second while applying power to the pedal. Unplug power and repeat to toggle to the other mode.

Preset spillover

When scrolling through presets, there is only preset spillover if the next preset is the same algorithm as the one preceding it. For example, if your red and green presets are both in Dream mode, switching from red to green will not cut your reverb trails.

Specs

The Sloer comes in a Lollipop Blue finish with light blue and off white ink featuring original artwork by Christi Du Toit OR a matte black finish with cream ink.
The die-cast enclosure's exact size is 4.79" x 3.62" x 2.25" including knobs.
Power requirements are 9VDC (100mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended.
Power supply not included.

Notes: The Sloer Stereo Ambient Reverb builds on our popular Slo lineup but adds two additional reverb algorithms, stereo width control, two additional modulation wave shapes, and the ability to control the sample rate. Now you can create immersive, lush, modulated, sleepy, and ambient soundscapes with more width and depth than ever before.

Save your favourite dreamscapes with three onboard presets by simultaneously pressing and holding down on the bypass and sustain switches. Scroll through them by simultaneously pressing and releasing bypass and sustain.

The five-way rotary dial allows five different reverb modes - the three you know and love from the Slo: Dark (Lower Octave), Rise (Ambient Swell), and Dream (Latching Pad); and the addition of two new modes: Rain (Delay Tap Diffusion) and Light (High Octave Shimmer). Secondary functions on the dial change between five different wave shapes for modulation on the reverb trail.

Combine deep modulation, long washy trails, and an immersive stereo field to experience Sloer.

5 reverb modes:

DARK - Add a lower octave to your reverb trail. Here you'll create deep and wide atmospheric sounds and channel nightmarish soundscapes. X knob sets the level of a -1 octave signal that feeds the reverb.

RISE - This is an auto-swell reverb for beautiful cinematic swells. Don't rush it. Let it breathe and gently wake up. X knob sets the amount of time it takes the reverb to swell in after a note is played. Set lower for shorter rise times and higher for longer rise times.

DREAM - Lush reverb with a latching pad function. Press the sustain switch to latch signal. Experiment with the X knob to add vibrato over the pad. Press sustain again and the pad will decrescendo according to where the decay knob is set. X knob sets the depth of vibrato applied to the reverb trail.

RAIN - Tappy and trippy, this program creates a unique effect with lower levels of diffusion allowing the reverb delay taps to audible create an echo-like effect within your reverb. Use the Xcontrol to set the amount of diffusion of the delay taps.

LIGHT - Bright and smooth reverb with an octave-up shimmer. Create a range of ethereal sounds with the X slider, keep it low for a smooth pad-like reverb or push it higher for a bright shimmer effect.

5 wave shapes

The Sloer also features five different wave shapes accessible by holding down bypass while switching the algorithm dial.

Sine - Smooth and even pitch up and down modulation.
Warp - Asymmetric pitch up modulation similar to a warped record.
Sink - Asymmetric pitch down modulation for sinking detune similar to a Bigsby.
Square - Symmetric pitch up and down modulation for stepped modulation.
Random - Uses sample and hold that picks new random values.

Momentary functions

Bypass: When the switch is in the off position, press and hold to temporarily activate the effect to add a moment of reverb texture. Releasing the switch turns the effect off, and fades it out.

Sustain: When pressed, the decay switch ramps up the reverb trail to maximum creating a long dreamy reverb trail, and then ramps back down to the decay knob setting when released. In the "Dream" algorithm, the sustain switch is latching. Press it once to capture and sustain the current reverb decay for extremely long pad-like sounds. Press it again to let the reverb trail taper off, based on the position of the decay knob.

Trails mode

The Sloer can run in trails or no trails mode. In trails mode, when you turn the pedal off, the reverb decay dies off naturally. In no trails mode, the decay is abruptly cut off when you turn the pedal off. To toggle between either mode, hold down the bypass switch for 1 second while applying power to the pedal. Unplug power and repeat to toggle to the other mode.

Preset spillover

When scrolling through presets, there is only preset spillover if the next preset is the same algorithm as the one preceding it. For example, if your red and green presets are both in Dream mode, switching from red to green will not cut your reverb trails.

Specs

The Sloer comes in a Lollipop Blue finish with light blue and off white ink featuring original artwork by Christi Du Toit OR a matte black finish with cream ink.
The die-cast enclosure's exact size is 4.79" x 3.62" x 2.25" including knobs.
Power requirements are 9VDC (100mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended.
Power supply not included.

Notes: PanMix Jr is a high quality 3 channel mixer with manual panning and volume controls with dual concentric knobs. Each channel's output is separately available. Also channels 1 and 2 can be switched to be mixed with the subsequent channel, allowing for 1-1-1, 1-2, 3 mix configurations. Equal power pan law (3dB) is provided. Left and Right led indicators available for all three channels.

Several modules can be chained together via connections on the back side. This connection is possible with other Happy Nerding stereo modules too. At the moment PanMix Jr stereo output can be internally sent to another PanMix Jr, 3x Stereo Mixer and Isolator module. Or stereo signal can be received from another PanMix Jr, OUT, 3x Stereo Mixer, latest revision of PanMix.

55 mA +12V
55 mA - 12V
35 mm Depth
6 HP wide

Notes: PanMix Jr is a high quality 3 channel mixer with manual panning and volume controls with dual concentric knobs. Each channel's output is separately available. Also channels 1 and 2 can be switched to be mixed with the subsequent channel, allowing for 1-1-1, 1-2, 3 mix configurations. Equal power pan law (3dB) is provided. Left and Right led indicators available for all three channels.

Several modules can be chained together via connections on the back side. This connection is possible with other Happy Nerding stereo modules too. At the moment PanMix Jr stereo output can be internally sent to another PanMix Jr, 3x Stereo Mixer and Isolator module. Or stereo signal can be received from another PanMix Jr, OUT, 3x Stereo Mixer, latest revision of PanMix.

55 mA +12V
55 mA - 12V
35 mm Depth
6 HP wide

Notes: Black version of Elta's fantastic reboot of the legendary Polyvox filter. Stereo or dual mono operation, with precise control over all parameters and that classic filthy sound.

Supplier's Notes:
POLYVOX PF3 double-stereo filter utilizes the classic Soviet filter chip for a unique and iconic filter tone. Two independent 12dB multi-mode filters that can be controlled by a single cutoff knob. Turning the filter into a 24dB filter, when connected in series. When connected in stereo, you can achieve interesting effects by using different modes to each channel. A noise generator is on board pre-filter and can be used separately as a source of white and pink noise. Volume as well as clean and processed signal balance per channel. Can be used as two independent filters or stereo mode.

WARNING: Before using the device, turn it on for 5-7 minutes and let it stand. The control transistor should warm up. So that in SOFT mode there is no feedback when the FREQ knobs are in zero position. If you overdo it. The UD1208 chips used in the filter are very sensitive and are never the same. Therefore you will not mathematically get two identical filters. Which is an advantage when using the unit in stereo.

FILTER modes - Lowpass, Bandpass, Hi-pass, Notch.

NOISE generator - pink, white and channel balancing.

FILTER 1 and FILTER 2 - CV controls.

LINK switches to control two filters and CV at the same time with one slice knob.

SOFT/HARD cutoff control

Technical specifications:

Input audio signal level: Max 1.5 V
Modulation CV input: - 5 to +5 V or 0 to + 10V
Power supply: universal mains adapter 100-220V / 12V 1A out
Filter weight: 0,7kg
Packed weight: 1 kg
Dimensions: 175 x 135 x 50mm

Notes: In recent years, stereo signal paths have increasingly found their way into the wonderful world of Eurorack synthesis - so naturally, utilities should follow suit. Introducing psATT, a simple solution to a problem you might not even realise you had. Far from just useful as an attenuator for audio sources in mixdowns, the psATT can also be used to bring stereo audio signals down to more manageable levels (such as line level), attenuate multiple signals simultaneously (like increasing the modulation depth of two LFO's at the same time! It's like having two hands, but with one hand!) and is even normalled, so if you only have a mono signal, the attenuated signal will be present at both outputs. That's what utility is all about!

There's not much else to say, except that it's passive, and draws no power - and it looks very classy in black and gold; and it's also only 2hp.

Notes: A compact Voltage Controlled Oscillator designed for generating SINE waves, Variable wave-SHAPEs, SUB-Octaves, Oscillator SYNC and Linear FM in the analog domain.

The Sub-Timbral Oscillator is the more subtle and melodic friend to the DPO's complex harmonic lattice.