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Cat: 732306 Rel: 09 Sep 19 • View all Synth modules
 
Stereo thru-zero state-variable VCF - 16HP
Notes: The only module named after a Swedish botanist? Possibly. Relentless synth innovator Dave Rossum pushes the boundaries again with a state-variable stereo filter offering through-zero frequency modulation. Sounds complicated. Sounds good.

Supplier notes:
Following in the tradition of Evolution and Morpheus, LINNAEUS represents yet another Dave Rossum innovation in filter technology.

LINNAEUS is a stereo state-variable filter that provides the unique ability to linearly modulate its resonant frequency through zero into negative frequency, while maintaining stability. With extensive voltage control of nearly every parameter, Linnaeus lets you manipulate the filter's natural response curve in new ways, to create both subtle and dramatic timbral effects. And with a "one-knob-per-parameter" interface, LINNAEUS inspires sonic creativity that invites (and rewards) real-time interaction.

LINNAEUS's cutoff/resonant frequency is exponentially voltage controllable from sub-audio to ultrasonic frequencies, while its resonant gain (Q) is exponentially voltage controllable from 0dB to greater than 60dB.

LINNAEUS's channel output response characteristics are independently and continuously variable from Lowpass, through Bandpass, Highpass and Notch, to Low and High Shelving characteristics. Voltage control of the response characteristics are independently selectable for each of the two channels.

The linear thru-zero modulation is provided by an integrated modulation oscillator and/or an External Linear FM modulation input.

The voltage-controllable modulation oscillator can track the filter's exponential frequency or operate independently. The modulation oscillator's output waveform is continuously variable from Off through Sine, Triangle, and Sawtooth, to Square. The modulation oscillator output is summed with the external linear FM input and applied to the modulation index VCA, which controls the linear thru-zero modulation index from zero to 8X. The modulation index is, of course, also voltage controllable.
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 5 in stock $394.38
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Cat: 745784 Rel: 09 Sep 19 • View all Synth modules
 
Analogue sequencer for CV's & trigger/gates
Notes: The Doepfer A-155 has two CV rows, each with selectable voltage range, glide and sample & hold options. Three trigger rows and a one gate row. Logic inputs for clock, reset, start and stop. It's even possible to insert external signals per step instead, overriding the CV generated by the 2nd row's potentiometer. The A-155's functions can be expanded by the A-154 Sequencer Controller, as it's an entire control unit with step number limitation, voltage controllable clock generator, variable gate length and a number of playback modes.

Features of the analogue rows (knobs):

- 8 potentiometers (knobs)
- Lower row: Scale (knob), voltage output range 0 ... ~ +6,5V
- Upper row: 1V/2V/4V (octave range switch for exact VCO control), voltage output ranges 0 ...1.0V / 0 ...2.0V / 0 ...4.0V
- Glide time (knob), same as portamento or slew limiter
- Glide Control (control input for switching glide on/off)
- S&H Control (control input for internal S&H, works like A-148)
- Pre Glide/S&H-Out (analogue output before S&H and glide unit, especially required when external audio signals are used as inputs of the lower row)
- Post Glide/S&H-Out (analogue output after S&H and glide unit)
- Lower row: external inputs for the 8 steps (switched jack sockets), control signals or audio signals may be used as inputs (allowed voltage range -5V...+12V), the knobs of the lower row are working in this case as attenuators

Features of the trigger rows (switches):

- 4 Trigger/Gate tracks with 2 rows of switches
- Toggle switches of 1-0-1 type (with middle position), which can be used to send a trigger/gate to the track above or below or to send no trigger/gate (middle position)
- 3 trigger rows (i.e. short pulse for each step set, pulse width corresponds to the pulse width of the clock/step input signal)
- 1 gate row (i.e. a high signal is applied during the length of the step set)

Control inputs and buttons:

- Step (defines the tempo of the sequence, same as clock or trigger input)
- Reset (resets all rows to step 1)
- Start (starts the sequence at the momentary position)
- Stop (stops the sequence at the momentary position)

Step and Reset are compatible to the MIDI interface A-190, i.e. in combination with the A-190 the A-155 may be synchronized via MIDI. The quantizing module A-156 can be used to quantize the infinite analogue voltages coming from A-155 into discrete semitone steps (multiples of 1/12V). Without MIDI interface e.g. a LFO rectangle output can be used to define the tempo of the sequence.

The sequencer controller A-154 adds a lot of new functions to the A-155 (e.g. voltage controlled addressing, forward/backward/pendulum/random mode, voltage control of first and last step, voltage controlled clock and gate length, step skipping, combination of several A-155 in parallel/serial mode and many more).
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 1 in stock $306.96
Cat: 745786 Rel: 09 Sep 19 • View all Synth modules
 
52HP 8-channel, 16-step-button Eurorack step sequencer with breakout modules
Notes: A-157 is a trigger sequencer subsystem that generates eight trigger signals controlled by a 8x16 LED/button matrix (some customers call it "Miniature Schaltwerk" as it is based on the same matrix as the no longer available Schaltwerk).
The subsystem contains three modules:

A-157-1: 8 x 16 LED/button matrix and function addressing buttons/LEDs
A-157-2: Trigger Output module
A-157-3: Control Inputs module

The LED/button matrix module A-157-1 is the core of the subsystem. It is used to set or reset the trigger event on each of the 16 steps of each of the 8 rows. In addition the buttons and LEDs of the matrix are used for other functions too (like setting the first and last step of each row or addressing the preset memory).

The Trigger Output module A-157-2 outputs the 8 trigger signals and has an LED display for each trigger available.

The Control Inputs module A-157-3 has manual controls and trigger inputs available for the basic control functions start, stop, reset and clock. In addition four functions inputs are available which will be used in future firmware versions to assign these inputs to special functions (e.g. shifting a row left or right by means of an external gate/trigger signal or a second set of start, stop, reset and clock for individual rows).
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 1 in stock $488.03
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Cat: 732315 Rel: 11 Sep 19 • View all Synth modules
 
MIDI-CV converter module for Eurorack - 14HP
Notes: Eight-voice modular synthesis? Yes please. Updated version of the Poly splits your MIDI signal to CV and gate for fully polyphonic action. Chain multiple units for even more multi-voice madness.

Supplier notes:
The Polyend Poly 2 module is a polyphonic MIDI to CV converter Eurorack module, and it will change how you interact with your sequencers, controllers, DAW, and more. This powerful module features MIDI I/O plus USB A and USB B inputs, with a total of four Gate outputs, four Pitch outputs, and 12 outs for CV (CC 0-127) signals. And using the Smart Thru connection, you can daisy-chain multiple Poly 2 modules together for even more voices. And Sweetwater was excited to report that Poly 2 is even compatible with the MPE (Multidimensional Polyphonic Expression) standard used in innovative controllers such as the Roger Linn Design LinnStrument and the ROLI Seaboard series. Once you've explored the polyphonic expression the Polyend Poly 2 module is capable of, you'll never want to be without it.

No matter what kind of MIDI controller you use - keyboard, ribbon controller, pressure pad, or whatever - the Poly 2 module offers built-in scale filtering rewards you with highly musical output. Select a scale, and only the notes within that scale will be passed along to your patch destinations. This is different from scale quantization, which forces ANY input to trigger the note its closest to in the scale, and can make it much more enjoyable to use alternative MIDI controllers with the Poly 2 module.
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 More than 10 in stock $397.49
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Polyend Preset Module (synth module)
Cat: 732317 Rel: 11 Sep 19 • View all Synth modules
 
Macro controller & sequencer - 22HP
Notes: Presets on a modular? Sacrilege! Or the best of both worlds, depending how you look at it. We'll probably go with the latter, because this is a super versatile little programmer/sequencer/preset storage module.

Supplier notes:
The 22 HP interface is simple, clean and streamlined. At first glance, Polyend Preset module might look like simple a digital preset manager for Eurorack systems, but it's much more than this. Its vast implications make it a very smart companion for your modular system. But let's start from the basics. With the use of 9 LED coloured clickable encoders, Preset allows you to store up to 9 different CV output values in 32 banks of 32 presets. Yep, 1024 in total!

It's capable:

Program the notes sequences using one of the 32 build-in musical scales. Record the automation using the encoders or external source.

Four modes, totally different possibilities:

Depending on what you want to achieve, there are four modes you can choose from: First, Next, Channel and Note.

Both First and Next modes are perfect for building your unique polyphonic synthesizer.

The Channel mode lets you choose which MIDI Channel is responsible for which voice. This mode is what the majority of users utilise to connect DAWs or external sequencers.

The Note mode translates data received from MIDI Notes C through G and directs them into the corresponding voices (no matter the octave). This scenario works excellent for triggering drums from drum pads or drum triggers.
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 More than 10 in stock $431.83
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Cat: 659966 Rel: 16 Oct 17 • View all Samplers
 
Innovative performance sampler based on the Roland SP-404SX
Notes: A Legendary Sampler Meets an Iconic Sequencer:

Designed for live use, the SP-404A Linear Wave Sampler expands the sounds of the Roland AIRA TR-8 Rhythm Performer for a powerful combination of sample and percussive synthesis. The fast, hands-on approach of the acclaimed SP-series performance samplers is a perfect fit for the impressive rhythmic effects and iconic step-sequencer of the Roland AIRA TR-8.

All of the functions and features of the popular SP-404SX are contained in the SP-404A, including its distinctive 16-bit linear sampling, 29 onboard DSP effects, smooth FX switching, and 12 professional performance pads. Plus, a new library of sounds curated by sample-industry leader Loopmasters are provided via the included SD card.

Whether used standalone or controlled by the TR-8, the SP-404A makes for an intuitive and inspiring addition to the AIRA range of performance instruments for DJs, musicians, and producers.

TR Sequencer Meets SP-Style Sampling:

The SP-404A can be triggered from the TR-8 Rhythm Performer for powerful, integrated beat and sample production. Simply connecting a MIDI cable between the two gives you the ability to incorporate samples from the SP-404A and use them in conjunction with your drum patterns. Each of the TR-8's 11 tracks can trigger a sample on the SP-404A, play a TR-8 sound, or both, enabling you to create interesting layers and accents. The TR-8 can trigger any sample from any of the multiple banks in the SP-404A, making it easy to access new sounds with a turn of the dial.

Sample Scatter and Side Chain:

By connecting the stereo output of the SP-404A to the TR-8's external audio input, you can use the TR-8 as a sub-mixer and processor for the sampler. In this configuration, all samples played on the SP-404A can be effected using the powerful TR-8 Scatter feature to reverse, glitch, gate, truncate, stutter, and perform all manner of rhythmic variations from subtle to extreme, and all in perfect sync. The use of the external input also allows samples to be effected by the TR-8's per-step Side Chain function-simply program a pattern with Side Chain in TR-REC Mode and access eight rhythmic ducking and gating effects.

Sounds by Loopmasters:

The SP-404A comes with nine banks of premium samples to get you started with sample looping. The sound library on the included SD card was created by Loopmasters, one of the world's leading sample developers. The samples in the library have been designed specifically to complement the TR-8, but will work great in standalone applications.

Instant Sampling:

Sampling is not limited to the studio with the SP-404A. The built-in microphone allows for simple recording anytime and anywhere inspiration may strike, powered by AC or six AA batteries. Line inputs enable direct sampling from a mixer or external device, and a mic input is also available for sampling with an external microphone. And your sampled material always sounds great, thanks to the SP-404A's high-quality, uncompressed WAV audio-capture format.

Hands-On Performance:

With its interactive loop and pattern sequencer controls, the SP-404A is made to be played. Take command with three non-slip control knobs and 12 rubber trigger pads, plus a Sub Pad for rapid-repeat triggering in real time. On dark stages or DJ booths, the SP-404A is an ideal live machine, as the clearly illuminated pads and bright LED screen ensure clear visibility as soon as you power on.

Extreme Effects:

Your signature sounds can be sculpted at any time via the SP-404A's 29 onboard DSP effects. Essentials include spacious reverbs and choruses plus lush filters and delays, and all provide seamless switching for smooth transitions while performing. There are also striking, performance-based effects on hand, including a voice transformer and a looper. The filter and isolator provide the ability to radically alter your sounds and transform them into all-new elements for reuse.

Combined with a DJ mixer, the SP-404A can be used as a standalone effects processor. A unique "limiter" mode is used in 17 effects types to prevent overloading, ensuring stable sound with no unwanted sonic artefacts. This mode is especially effective for live DJ performances, safeguarding your sounds at critical moments.

Track Builder:

The number of loops that the SP-404A can handle is practically endless, but this feature is only part of its immense power. Songs, jams, and tracks can be built in seconds thanks to the onboard Pattern Sequencer, which is specifically designed for real-time track creation. Optimized for live engagement, it features a powerful Quantize mode which includes shuffle feels for groove, swing, and movement. You can create patterns on the fly via the 99 available measures, and with continuous looping, the ability to layer, structure, and shape a track is available at your fingertips.
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 5 in stock $402.71
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Cat: 718224 Rel: 04 Mar 19 • View all Drum machines
 
Unique 6-track sampler/sequencer with 1GB of sample storage
Notes: Meet the six track groovebox that offers massive sound in a compact size. You get pretty much all of the Elektron superpowers in a sleek, lightweight, and accessible package. Loads of useful presets and loads of space for your own sounds. The controls are right there at your fingertips. A truly plug-and-play bundle of joy!

Packed with great sounds:

The sound engine uses high-quality digital samples. There are 300 preset sounds supplied by Splice, ranging from the familiar kicks, snares, and hi-hats to exotic, never-before-heard ones. With a few tweaks, you can easily personalize any sample until it sounds just the way you want it. Transfer your own samples into it, or use any of the expertly crafted custom sound packs.

Dedicated knobs:

As an Elektron first, this machine offers a complete set of tactile controls, with one function per knob. They're all right there on the front panel; just grab a knob and twist it. Unleash your music spontaneously using the six tough, velocity-sensitive pads. Record your every move live, or punch in your creation one step at a time using the superb Elektron sequencer.

Ready to go:

At under one kilogram, you're getting the benefits of a light and convenient machine that will surprise you with its snarling sonic power.

- Control All lets you twist your sounds to oblivion. Then use Reload to take you back to where you started
- Use Parameter Locks to automate parameters. Each step can have a totally different sound
- Load six samples at once - just like a kit. Great when you have made a Pattern with Parameter Locks, LFOs etc... Load six new samples to instantly experiment and come up with unique and unexpected results
- Write basslines and melodies using Chromatic Mode
- New Chance parameter. Chance determines the possibility whether the sequencer steps on a track are triggered or not. Combining Chance with the Control All functionality can lead to many interesting results and happy accidents
- Record sequences with or without quantization. Steps can be micro-timed with individual Swing control per track
- Individual Step Length per track
- Individual Tempo Multiplier per track
- Class compliant USB audio 2.0

Included in the box:

- Power Supply PSU-4
- Micro USB Cable USB-2
- MIDI adapter (5-pin DIN to 3.5mm TRS minijack)
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 More than 10 in stock $349.64
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Cat: 598443 Rel: 29 Jan 16 • View all Synthesisers
 
Polyphonic analog synthesiser
Notes: Meet minilogue; the stylish, innovative, 37 slim-key fully programmable analog polyphonic synthesizer:
minilogue's newly developed analog synthesizer circuit delivers polyphony and full programmability at a great price --- exactly what today's musician needs. With the minilogue, you can get your hands on the powerful sound that's only possible with real analog, and find inspiration with features including a polyphonic step and motion sequencer, on board tape-style delay, multiple sound shaping and filter options, and an oscilloscope display. All of these seamlessly integrated features make minilogue as fun and easy to use as it is powerful. It's the next-generation analog synthesizer for musicians of all types.

True analog sound:
The synth circuits for minilogue are all new ground up designs, delivering a synthesizer experience like no other. Unprecedented in this class, it's a four-voice polyphonic true-analog synth with an interface that's designed for accessibility. Whether you're performing live or producing in the studio, the minilogue is the fastest way for the user to explore and implement real analog synthesis in any situation.
The structure consists of 2VCO, 1VCF, 2EG, 1VCA, and 1LFO. The minilogue's unique wave shape capability lets you fine tune the oscillators' harmonics, creating the most divine sounds and compositions. The minilogue is also equipped with a variety of powerful types of modulation including cross modulation, oscillator sync, and ring modulator, as well as a delay with a high-pass filter. Powerful sound creation and rich variety are the true hallmarks of an analog synthesizer.

Polyphony and Presets - Perfect:
minilogue goes beyond analog synths in its price range by adding 200 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep pads to brilliant polyphonic leads and atmospheric sounds. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. For those who want to dive deeper into the heart and soul of minilogue's engine, the minilogue hold 200 programs; with 100 editable factory programs included, and 100 locations serving as blank canvases on which to create your next analog masterpiece. Each preset can also hold a step sequence and delay settings along with the sounds you create.

Voice modes:
Selectable voice modes let you freely configure the four voices for performance. The voices can be set to four note polyphony for chords or layered for thick basses and leads. Other modes cover a range of sounds from octave shifted bass explosions to delicately staggered layered triggering.

Eight voice modes:
- POLY - operates as a four-voice polyphonic synthesizer
- DUO - operates as a unison two-voice polyphonic synthesizer
- UNISON - operates as an all-unison mono synthesizer
- MONO - operates as a mono synth with sub-oscillator
- CHORD - produces chords
- DELAY - voices 2--4 sound consecutively at a delay following voice 1
- ARP - an arpeggiator operates with up to four voices
- SIDE CHAIN - when a note sounds, the volume of the preceding voice is lowered

16-step sequencer:
Get creative with the intuitive 16-step sequencer with motion sequence recording capabilities, and make your sound truly come to life. The minilogue provides real-time recording with overdubbing, and step recording that lets you record simply by consecutively specifying notes, giving you a great way to create phrases and performances.

Oscilloscope visualizes the sound:
The OLED display will show the waveform as you sculpt your sound. Visual feedback is both educational and entertaining, and represents a first on a hardware synthesizer.

Build quality:
The uniquely curved, sand-blasted 2mm aluminum front panel, metal shaft potentiometers, solid, chassis-mounted metal shaft potentiometers and rubber-coated knobs give the roadworthy minilogue a standout look and feel to complement its powerful and dynamic sound creation capabilities.

Sync with groove machine:
In addition to the standard MIDI connectors, the minilogue provides a sync connector that can be easily connected to Korg's groove machines. Connect this to a volca series unit, an electribe, or the SQ-1, and experience a session with synchronized sequencer playback.
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 2 in stock $399.20
Cat: 641949 Rel: 18 Apr 17 • View all Synth modules
 
Analog-inspired parameterized drum synthesiser
Notes: Basimilus Iteritas Alter is a parameterized digital drum synthesizer with its roots in the analog world. At its heart, it is a simple six-oscillator additive synthesizer with adjustable waveform, harmonic spread and decay. Adjustable attack including a noise oscillator is also included. dLese are summed and fed into an in..nifolder for crunch and variety.

Basimilus Iteritas Alter is an improved version of Basimilus Iteritas. It is 2HP smaller, includes CV of switches, adds an third mode, and pitch range and knobs know offset rather than attenuate.

Size: 10HP Eurorack
Depth: 1.5 Inches
Power: 2x8 Eurorack
Draw +12V: 150 / 80
Draw -12: 5 / 5
Draw +5v: 0 / 90
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out of stock $319.45
Cat: 558043 Rel: 25 Feb 15 • View all Subwoofers
 
Seatback tactile bass system with new optimised tactile transducers for improved accuracy and power efficiency
Notes: Accurate, immersive, and portable - the SubPac S2 is the latest addition to our line of revolutionary tactile audio systems that have quickly become essential tools for music production and enjoyment from the top studios in LA and London, to basement apartments and bedrooms worldwide. Not just for musicians and producers, the SubPac adds real depth, connection and enjoyment to whatever you play through it - your music and media comes to life with the added dimension of physical bass. Imagine standing in front of a beautifully tuned club system and feeling the bass - this is the experience the SubPac delivers, all without any external noise.

Building on the success of the original SubPac S1, our engineering team has taken a radical approach in redesigning the S2. Featuring an all-new ergonomic design with a flexible strapping solution for your chair, improved materials inside and out, newly optimized tactile transducers, improved battery life and the addition of Bluetooth 4.0 A2DP streaming for casual listening, the SubPac S2 is the most powerful and accurate seated tactile bass solution on the planet. Feeling is believing!
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 2 in stock $308.70
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Cat: 643387 Rel: 21 Aug 17 • View all Synth modules
 
Physical modelling percussion synthesiser module - 12HP
Notes: Plonk uses a technique known as physical modelling to synthesize, with great realism, the way in which sound is produced by acoustic instruments. The Plonk module is, itself, focused primarily on creating percussive sounds - both pitched and un-pitched; natural and unnatural; acoustic-sounding or totally electronic.

Plonk does this by breaking sound creation into two distinct elements - the exciter and the resonator. The exciter is a mathematical model of the device used to strike a particular surface. Plonk, because it's percussion oriented, has two types of exciters: one modelled on a mallet, and the other providing a noise source. The resonator is a virtualization of the object being struck, which vibrates, resonates and creates the body of a sound. Plonk offers several types of resonators: beam; marimba; drumhead; membrane; plate; and string.

Plonk provides numerous parameters that let you shape, mould and design both the exciter and the resonator, thus enabling you to synthesize the sound of striking or scraping almost any type of object - real or imagined. In this way, Plonk can accurately model the sounds of kicks, snares, toms, cymbals, claps, tablas, congas and all manner of traditional percussion instruments. It can also model pitched percussive instruments, like vibes, marimbas, and even bass or guitar-like tones. Of course, it additionally excels at modelling instruments that heretofore never existed.

Best of all, the sounds created by Plonk are not static - any sound you design can respond dynamically to velocity, as well as four different modulation inputs. This means the sound of Plonk can change completely from note-to-note (or strike-to-strike). Because of this, Plonk is actually a duophonic (2-voice) module, which lets the sound of one note decay naturally when a second note (possibly employing an entirely different set of modelling values) is struck. Thus, hitting a new note does not choke the sound of the previously struck note (unless you want it to, of course)!

Plonk stores up to 128 patches in its internal memory, and ships with many presets programmed by professional sound designers and composers. You may overwrite these patches if you wish, and banks of patches may be transferred via MIDI System Exclusive over Plonk's built-in mini-USB port to facilitate offline storage by programs or websites that support this capability.

Plonk was developed in cooperation with Montreal-based Applied Acoustics Systems - physical modelling pioneers, and the creators of Tassman, Lounge Lizard, String Studio, Ultra Analog, Chromaphone and numerous other plugins. It is with great pleasure that Intellijel brings the potential of this physical modelling technology to a hands-on, CV-laden device capable of the sort of dynamic control and sonic exploration that modular synthesists demand.
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out of stock $336.11
Cat: 599686 Rel: 26 Sep 16 • View all Synthesisers
 
Single voice patchable synthesiser
Notes: The 0-COAST is a single voice patchable synthesizer. Its name reflects the fact that it utilizes techniques from both the Moog and Buchla paradigms (aka "East Coast," and "West Coast," due to their locations), but is loyal to neither and thus implements "no coast synthesis."

While the 0-COAST utilizes classic modular synthesis techniques, it's designed to operate with or without the use of patch cables. The necessary connections have been made from circuit to circuit so it operates as an expressive, musical MonoSynth. Using only the MIDI controller of your choice you could apply new timbres to your existing musical forms!

Using the included Patch Cables you could get more scientific, experimenting with new ways to wire up the circuits. You might even forgo MIDI altogether, disappearing into a cloud of analog FM induced Sidebands and harmonics scattered around a single fundamental drone that has nothing to do with any form of music you've ever known.
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 2 in stock $455.77
Cat: 638949 Rel: 31 Jul 17 • View all Synth modules
 
Experimental sampler module - record, slice & rearrange audio material
Notes: The Morphagene is a next generation tape and microsound music module that uses Reels, Splices and Genes to create new sounds from those that already exist. Search between the notes to find the unfound sounds.

A few of the Morphagene's most basic uses: Splice recorded audio and jumble it using ORGANIZE. Manipulate playback speed and direction with Vari-Speed. Granularize with Gene-Size and Slide. Layer or Stagger Genes using MORPH. Undertake iterative music processes by recording manipulations and overdubs into new Splices, like having two machines (one for Playback and modulations, one for Record). Process sound in real time using Time Lag Accumulation. Utilize envelope following CV OUT and EOSG Trigger to engage Morphagene in conversation with the rest of your modular system. Stretch and squash sound with Clock input.

Width: 20hp
Max Depth: 30mm
Power: 165mA @ +12V, 20mA @ -12V

***MG137 Firmware Update:

Change Log

1. Improves Vari-Speed response for slow modulation rates.

2. Improves SD Card file format for more compatibility with software .wav file formats.

3. Doubles total record time per Reel.

Upgraded memory performance offers an increase from 1.45 minutes to 2.9 minutes of record time.

If you are using Splices that are over 1 minute long the SLIDE parameter will be scanning across a massive amount of material and therefore the longer the Splice the longer it will take to get to where you are Sliding toward. Imagine a tape machine shuttling forward or backward to get to your desired destination. No we cannot change this, the MG is scanning as fast as possible. This new double record time firmware will make this even more of a factor.

Read and Write times will be MUCH longer when you have a Full 2.9 minute reel. So for example, if you decided to erase a 5 second Splice in the middle of a 2.9 minute reel it will take twice as long as before because the MG must re-write the entire 2.9 minute reel. Of course all of this is happening in the background and should not cause too much hassle. Still when that SHIFT button is flashing it is best to not perform more SD Card actions.

For most granular processing Splices of 10 seconds or less are recommended.

So why even bother increasing record time to 2.9 minutes? Well it allows for storing even more Splices on a Reel and it also makes it possible to record long portions of a patch for later arranging within your DAW. You could potentially capture a patch, including modulations of a shorter Splice (say 10 seconds), retrieve the sound from the SD Card and compile into a larger work using your DAW.

4. Increased max number of Splices to 300.
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 5 in stock $488.03
Cat: 626162 Rel: 27 Oct 16 • View all Synthesisers
 
Realistic recreation of the iconic TB-303 Bass Line synth, with new features
Notes: The battery-powered TB-03 is a direct descendant of the famous TB-303 Bass Line Synth. The layout and controls are unchanged, so it works just like the original. It sounds like it too, thanks to Roland's advanced ACB technology that recreates the hypnotic liquid grooves of the magic silver box. But the new TB-03 goes even further, with several enhancements not found on the original model. The four-digit LED display makes programming easier and more accurate, while overdrive and delay effects let you unleash a twisted, tribal wall of sound to send the crowd into a frenzy. Back in the studio, the TB-03 can send control information via MIDI or its USB port, the latter of which also functions as a 24-bit/96 kHz audio interface.

Authentic 303 Sound and Behaviour via Roland's ACB Technology:
You know when you hear a TB-303 - a hypnotic, tribal sound that works best in dark, crowded rooms with big sound systems. Using the same ACB (Analog Circuit Behaviour) technology from the acclaimed AIRA series, the TB-03 accurately emulates the expressive, slippery sound of its older brother, and even adds a few surprises. Saw and square waveforms are available, along with all of the rotary control knobs that help shape the 303's unique character, including tuning, cut-off, resonance, envelop mod, decay, and accent.

New Features Not Found in the Original:
The TB-03 includes several enhancements over the original TB-303. Firstly, the four-digit LED display makes programming easier and more detailed, since you now have a visual representation of the value being edited. Then there are a variety of overdrive, delay, and reverb effects that dramatically change the mood and tone of the TB-03, going from smooth to spiky to squealing. Programming patterns is also easier thanks to newly added functions that include step write, shuffle, and fine tempo control. Finally, the inclusion of MIDI and USB ports mean that the TB-03 can send and receive control information and connect easily to computer-based DAWs.

Classic TB Sequencer with Enhanced Functions:
If you're familiar with the TB-303's programming method, then you'll feel right at home with the TB-03. The original Pitch and Time write modes are included, along with an all-new Step mode. Pattern programming is also enhanced by the LED display, which shows the current step in the sequence as well as showing fine tempo values (such as 125.5 BPM). The internal sequencer can be triggered externally via the trigger input, and you can even switch between write and play modes without stopping pattern playback, opening up new possibilities for live performance.

Connect with External gear:
The TB-03 includes MIDI IN/OUT ports and USB, allowing control information to be exchanged with other instruments and devices. This turns the TB-03 into a versatile controller, especially as you can use the CV/Gate output to control external analog gear and modular synthesizers. This level of control works both ways, thanks to the trigger input that lets external gear drive the TB-03's internal sequencer. Once connected to a PC or Mac, both audio and MIDI data can be sent through the USB port.

Battery or USB Bus Power:
Some of the best music is made away from the studio, so the Roland Boutique series runs on 4 x AA batteries, ready for when inspiration strikes. Alternatively, the TB-03 can run on USB bus power.

USB Audio Interface for Direct Recording to Your DAW:
Via its USB port, the TB-03 functions as a high-quality 24-bit/96 kHz audio interface, providing a simple and reliable way of recording directly to your DAW application. You can keep your favourite settings and sequencer patterns safe too via the USB data backup function.
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out of stock $326.74
Cat: 636543 Rel: 10 Jan 17 • View all Synthesisers
 
Intelligent analogue monophonic synthesiser featuring 21st century transistor technology
Notes: Bass Bot is an intelligent sequencer featuring 21st century transistor technology. An analogue, monophonic synthesizer with classic step entry programming by the user or Bot computer-generated patterns. Seven unique preset personality programs, capable to generate up to 224 read only computer generated presets by the Bass Bot. An additional 224 Write Editable Patterns can compose up to 7 songs of up to 127 bars. All information is saved to on-board flash (permanent) memory and transferable directly to other Bass Bots via 8 DIN cable, (unit cloning) or to PC/MAC (backup) computers for storage with a downloadable transfer application available.

*Supplied with Euro two pin to UK three pin adapter*
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out of stock $326.73
Cat: 677564 Rel: 24 Aug 18 • View all Synth modules
 
Joystick/vector mixer for CV or Audio - 14HP
Notes: The most complex modulator is you. The Planar 2 puts macro control over six outputs - including a quad panning mixer - into your hands with a buttery smooth joystick. Record up to 30 seconds of your own movements, stretch it or mangle it with scan mode, use a trigger for playback, or just loop it - synced or not. Add yourself to your patch.

With its smoothly responsive precision joystick, Planar 2 facilitates hands-on vector control of two entirely independent sets of outputs (quadrants A-D, and axis X/Y), plus the ability to capture and playback your gestures. Recording your joystick movements enables the creation of organic and complex envelopes, wild and wobbly LFOs, or extended sonic evolutions. It mixes, morphs, routes and pans audio inputs; triggers gates; outputs control voltages and is itself, CV-controllable. Planar 2 puts the 'joy' back in 'joystick,' and the 'fun' back in 'function generator.' Its multitasking and tactile interface makes it a flexible and unique control device, no matter what your musical genre.
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 1 in stock $321.54
Cat: 622118 Rel: 20 Oct 16 • View all DJ turntables
 
High quality direct drive turntable with USB interface
Notes: Drawing on our heritage in making high-quality decks, the PLX-500 inherits the layout of the PLX-1000 professional turntable and produces warm, clear analogue sound. The high-torque deck is ideal for scratching and comes with everything you need including a cartridge, stylus and slipmat, and its USB out means you can easily make high-quality digital recordings of your vinyl collection in our free rekordbox software. You can use the PLX-500 and the rekordbox dvs Plus Pack to play and scratch digital files when you combine them with a compatible DJM mixer and the RB-VS1-K Control Vinyl. And you can choose between the black (PLX-500-K) and white (PLX-500-W) versions to match your set-up or the design of your home.

High-quality analogue vinyl sound:
The PLX-500 series inherits design features from the PLX-1000 professional turntable to produce the high-quality sound you expect from vinyl. The shortest possible audio routing from the stylus to the outputs reduces distortion, and the phono and line outputs mean you can connect directly to your sound system or powered speakers to enjoy warm sound.

Easy digital recording:
An in-built USB output means you can record your vinyl collection to high-quality digital WAV files by simply connecting the PLX-500 to your PC or Mac. Digitising your tracks is easy using our free rekordbox application and, once they're in your rekordbox collection, you can play them using the PLX-500 and a rekordbox dvs set-up, or on a DDJ controller, or on CDJs via USB. You can also enjoy them on your mobile devices whenever you want.

Using its audio analysis technology, rekordbox detects the silence between tracks and creates a separate file in your collection for each one, so you can just press play and record a whole album from an analogue source to individual tracks without resetting the recording in between songs. After you've finished recording you can name and tag all your new tracks.

How to record your vinyl to high-quality digital files:
- Connect the PLX-500 to your computer with a USB cable.
- Open our free rekordbox application (version 4.2.1).
- Click the record button in the software and it enters Record Standby mode.
- Press play on the PLX-500. rekordbox begins recording when the music starts and ends when the track finishes. If you're recording several tracks, they will be automatically recorded separately.
- When you've finished your recording session, press stop. A window opens in rekordbox where you can enter information for each track including name and artist. The tracks then appear in your rekordbox collection and you can search for them by name, artist etc.

High-torque direct drive turntable for DJ performances and rekordbox dvs:
The high-torque, direct drive PLX-500 is ideal for mixing and scratching on. You can also combine it with the rekordbox dvs Plus Pack to play and perform with your digital files when using a compatible DJM mixer and the RB-VS1-K Control Vinyl (available separately).

Dust cover with record sleeve stand:
You can enjoy the vinyl sound of your records and their artwork at the same time thanks to the dust cover that incorporates a stand for displaying record sleeves when open.

Layout inherited from the PLX-1000 professional turntable:
The PLX-500 inherits its slick design from the professional PLX-1000 turntable and you can choose between the black (PLX-500-K) and white (PLX-500-W) versions to match the colour of your gear or the interior of your home.

How to use rekordbox dvs:
Buy the RB-VS1-K Control Vinyl from a Pioneer DJ authorised dealer .Visit rekordbox.com to download the latest version of rekordbox for free, then buy rekordbox dj (€139) and rekordbox dvs (€129) licence keys. Alternatively you can subscribe to rekordbox dj for €9.90 per month and get rekordbox dvs as part of your subscription plan. Find out more about rekordbox dvs.
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 3 in stock $311.13
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quote 622118
Cat: 659961 Rel: 17 Oct 17 • View all Drum machines
 
Authentic recreation of the Roland TR-808 drum machine with added modern features
Notes: The Legendary Boom and Sizzle of the Most Famous Drum Machine Ever Made-Now in an Affordable and Modern Format.

The TR-08 is an obsessively detailed and faithful replica of the legendary TR-808-easily the most famous and influential drum machine ever made. After creating a monumental shift in the sound of music, the "808" has continued to shape and define entire genres. Beloved by musicians and producers the world over, it's one of the most revered and sought-after electronic musical instruments of all time. The TR-08 brings the look, sound, and feel of the original 808-with stunning accuracy-to the Roland Boutique format. It blends attention to detail and respect for legacy with modern convenience and reliability.

The Boom in the Room:

The TR-808 arrived in 1980 to an unsuspecting and somewhat bewildered public. To many at the time, its purely analog sound and range of tweakable parameters didn't exactly deliver "traditional" drum sounds. It wasn't until adventurous musicians and producers got their hands on the TR-808 and started tweaking those knobs that the world would fully realize the sonic impact it would leave on music forever. For the next three decades, the sizzling hi-hats and snappy snare, the robotic, clicky rim shot, the unmistakable cowbell, and yes, that booming bass drum, would be heard on many thousands of tracks. Worldwide hits, underground classic, and entire genres were spawned. Its influence is so deep that it's been name-dropped in famous tracks, had albums dedicated to it and bands named after it, and even been the subject of a feature-length documentary film.

A New Generation of 808:

Time has not diminished the TR-808's influence. New genres continue to make use of the 808, with some utilizing it as the main instrument and defining sound of the style. Sure, you can use samples of a TR-808, but there's nothing quite like the real thing. The 808's user interface with its buttons, knobs, and switches, and the odd quirks of how the sounds interact with each other-they're all vitally important to conjuring up that real 808 mojo. And you know it when you hear it.

The new TR-08 adds some thoughtful and modern touches to the classic formula. The sequencer has 16 sub-steps per step, so you can create detailed snare fills and intricate, rolling hi-hats. It also has a track-selectable trigger out for working with other instruments like the TB-03, SH-01A, or modular gear. An unobtrusive LED display provides finer control of tempo and shuffle. You can step-program or tap in your parts in real-time without stopping to change modes. Everything sends and receives MIDI control messages and it even supports audio and MIDI over USB.

Portable. Affordable. Authentic:

Original TR-808s are big and heavy, and their rarity makes them extremely expensive and sought-after on the used market. Because of this, many have resorted to 808 sample packs or hardware knockoffs. But there's something about the colours and controls and, of course, the sound of a genuine TR-808 that brings home the sound of so many classic tracks. The TR-08 accurately recreates the ingredients that make an 808 so special. The interface, while miniaturized, is 100% authentic. The sound is vibrant and alive thanks to our proprietary Analog Circuit Behaviour (ACB) technology. We use ACB to carefully recreate all the details and quirks of the original hardware by modelling each analog circuit, right down to the component level.

Not only does the TR-08 look and sound the part, but it also has some modern features and conveniences. With all this beat-making power, it would be a shame to keep it shackled to the studio. After all, inspiration can strike anywhere, and drum machines are fun to play live. The TR-08 is literally small enough to take just about anywhere. It's ruggedly built with sturdy knobs, buttons, and switches. It has several tilt options for easy viewing in various live and studio scenarios. It can be a low-latency, portable audio interface. It has a built-in speaker, and even runs on batteries for when the beat absolutely must go on. With all this power and flexibility, you may be most surprised by the TR-08's affordable price, which puts the legendary 808 vibe within reach of just about anyone who's ever dreamed of owning the iconic original.
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out of stock $327.77
Cat: 667567 Rel: 27 Oct 17 • View all DJ turntables
 
Professional upper torque turntable system - black
Notes: With the RP-7000 MK2, Reloop has built a turntable that caters to the high demands of professional DJs and modern nightclubs. With its powerful direct drive motor and rugged construction we were able to develop a sturdy and indestructible turntable that can take on harsh everyday life with ease.

Sturdy Casing Construction:

By using a combination of metal, rubber and synthetic materials, the RP-7000 MK2's housing is more reinforced and heavy than ever before. This results in a turntable that is extremely resistant to vibrations that can be caused by heavy bass sounds in DJ booths and its shock-absorbing feet help to further improve isolation. The surface is coated with a scratch-resistant high-quality deep black or classic silver metallic finish.

Balanced S-Shaped Tone Arm with Upgraded Tone Arm Base:

The RP-7000 MK2 features a statically balanced S-shaped tone arm with hydraulic lift and anti-skating mechanism. The newly developed tone arm base provides improved stability and adjustable height/vertical tracking angle (VTA). The low-resonance tone arm comes with a universal connection for pick-up cartridge systems (SME).

Dual Start/Stop Buttons, Precise Motor Control and Reverse Function:

As well as the above technical innovations, the RP-7000 MK2 is equipped with a few functions that will make any DJ's life much easier. The newly developed aluminium LED target light is freely moveable to help you find the stylus position in dark surroundings. The target light is also removable and easily exchanged. An additional start/stop button has also been integrated to facilitate a vertical setup (battle position) and by using the buttons on the RP-7000 MK2's top panel, you can switch between the three motor speeds (33 1/3, 45 & 78 rpm). Dedicated buttons for forward and reverse mode allow for further creativity in your mix.

High-Resolution Pitch Section with Digital Fader:

Using the high-resolution pitch fader you can adjust the platter speed in the classic turntable pitch range +/-8%. However, the RP-7000 MK2 is also cable of a wider, DJ-friendly +/- 16% pitch range and a massive +/-50% ultra-pitch. This allows for increased creativity when modulating the playing record's tone. If quartz lock is active, the platter speed will remain unaffected by the fader position and will spin at zero pitch (0%).

High-Quality Connections and Integrated Phono Pre-Amp:

Thanks to the recessed rear connection panel, the RP-7000 MK2 can easily be mounted in a flight case and seamlessly positioned next to other DJ gear. The switchable integrated phono pre-amp makes it is possible to use the gold-plated RCA connectors for both phono and line output signals. An optional ground terminal offers additional protection in club environments. All cable connections (RCA/mains) are detachable and easy to exchange, which also helps with transport and storage.

Powerful Motor with Extensive Adjustment Possibilities:

The fine-tuned, quartz-driven motor with digital pitch correction operates at a starting torque of 2.8kg/cm, which can be adjusted up to a maximum of 4.5kg/cm. This makes it an extremely smooth running turntable with wow and flutter of just 0.01% WRMS*. Furthermore, the turntable break speed (platter stop) can be adjusted from 0.2 - 6 seconds and the precision-machined, heavy die-cast aluminium platter is lined with vibration reducing rubber to eliminate unwanted vibrations and resonance.
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 2 in stock $379.81
Cat: 690936 Rel: 18 Apr 19 • View all Synth modules
 
Dual-channel drum sample module - 14HP
Notes: Performance oriented Sample Drum brings you two independent drum sounds or loops with plenty of manual and CV controlled parameters. Samples are stored on the microSD card, and OLED screen makes working with samples instant and easy.

Sample Drum allows you to slice up loops directly in your modular system and rearrange them to taste. For processing, there are tuning functions (including 1 v/octave pitch tracking) and virtual VCAs plus AD envelopes. Thanks to the module's dual-channel concept, two loops can be combined. It is also possible to load one-shot samples instead of entire rhythms, of course. A total of six CV inputs guarantees lively results.

Sample Drum is composed of two identical audio players. WAV files (including cue points) are fed to the module via a micro SD card. Loops can be cut into several sections using the Data, Start and End potentiometers. The resulting slices may be played back in any order imaginable. A tune control allows real-time pitch changes. Additionally, there is a virtual VCA plus AD envelope per slice. - But that's not all! There are three CV inputs per channel, which can be routed to any parameters. It is even possible to play sounds according to the 1 v / octave standard. Results are emitted via one output per player.
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 7 in stock $310.08
Cat: 600727 Rel: 12 Feb 16 • View all MIDI converters & accessories
 
Professional conversion box for syncing multiple hardware devices
Notes: Professional Sync:
The multiclock solves your sync issues in the studio and on stage once and for all.
Synchronisation of the multiclock to a DAW relies on a sample accurate audio clock stream, which in consequence guarantees absolutely tight clock signals with i1 sample of jitter.
Moreover, you can use it as a standalone generator or hook it up to follow other MIDI, DIN or analog master clocks.

Shift & Shuffle:
To compensate for any time lag of connected gear, you can shift each output channel individually and in realtime back and forth relative to the master clock.
The shift range is completely configurable and has a maximum of i400ms, the resolution is 20us.
If you have set your machines up to be on the spot, start playing with shuffle. Again, individually for each channel and in realtime.

Midi, Din, Modular & LFO:
Each channel can be set to either emit MIDI Clock, DIN sync (sync24) or analog clock.
Analog clock signals are configurable in polarity, start/reset behaviour and feature a flexible clock divider. An analog LFO is available with various waveforms and a range of 0-5V.
If you got them configured, channel settings can always be named and saved as a preset for later recall. Just in case you have a lot of gear.

USB Add-On
If you want, you can have your multiclock with an extra class-compliant USB Midi Add-On.
This enables you to send any MIDI commands from a DAW to your connected slaves while syncing to audio clock.
There is one virtual MIDI output for each channel and all commands are priority-merged with the accurate clock.
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 5 in stock $452.64
Cat: 632730 Rel: 14 Nov 16 • View all Audio & MIDI interfaces
 
10-in/14-out desktop USB audio interface with high performance Burr Brown converters
Notes: INCLUDES 500 POUNDS WORTH OF PLUG-INS AND CREATIVE SOFTWARE:

When you buy any Audient product you will also receive over 500 pounds worth of plug-ins and creative software with ARC - Audient's creative hub. Included in this offer is Eventide's Ultrachannel and Ultrareverb plugins (350 pounds), Steinberg's Cubase LE and Cubasis LE2 (for iOS), 10 free masters for automated mastering service LANDR (120 pounds) and 2 free courses and a 20 pounds voucher for online audio educators Producertech.

***OPEN TO NEW AND EXISTING CUSTOMERS***

***ALL YOU HAVE TO DO IS REGISTER YOUR PRODUCT AND TAKE ADVANTAGE OF THESE GREAT OFFERS FOR FREE!***

iD22 delivers the audio performance of a large format console in a compact and elegant desktop package. Providing a pair of Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I, ADAT expandability, user defined function keys, balanced inserts and more, iD22 will become the hub of your studio in no time.

The professional sound you deserve:
We are the only company that use the same Class-A mic pre design throughout our entire product range, whether you're in the studio with an Audient console or on the road with iD22, you're always guaranteed the same world class Audient sound.

Brilliance on the inside enables brilliance on the outside:
iD22 provides you with high performance AD-DA converters from Burr Brown, the leaders in converter technology. Quality in the analogue stages of design comes from years of experience as analogue console designers, and when coupled with outstanding converter technology it enables you to hear audio as it's supposed to sound. The importance of converters should never be underestimated. Experience audio the Audient way.

Grows with your needs:
iD22 is more than just a two in, six out interface. As your system grows iD22 can be expanded via the optical input and output connectors, supporting both ADAT and SPDIF. If you need to track drums or simply need more inputs you can expand up to ten inputs via an eight-channel mic pre such as our ASP880.

You can't unhear quality:
During iD22's development we discussed ways in which we could showcase iD22's versatility in a variety of genres. We were so confident you could make a release quality recording with iD22 we decided to get out in the field and record three different artists varying in style. Listen to the result for yourself...

Integrate your outboard:
Two fully balanced insert points enable you to bring your outboard gear in from the cold and prior to conversion. Insert your favourite compressors or EQs and start creating vocal chains that rival the very best. The insert return also gives you direct access to the analogue to digital converters - providing the cleanest signal path possible, making it great for print-backs or integrating outboard line level sources.

Customise your control surface:
iD22 has a range of incredibly flexible console style monitor control functions such as mono, polarity, dim, cut, speaker select, talkback & cue mix monitoring. We know how important it is to focus on the music and to make tracking as simple as possible we added three programmable function keys. No more time spent searching for software controlled features, just assign the monitoring functions you need to the three hardware function keys and allow the creativity to flow. Real hardware control at your fingertips!

Plug in and be inspired:
As well as offering you 2 channels of mic pre, iD22 has a harmonically rich JFET D.I input. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine straight in and start recording instantly.

Discover just how simple it can be:
We understand the need to keep things simple and iD22's mixer app was designed with that in mind. Whether you're creating low latency cue mixes or utilising the flexible monitor control, iD22 tightly integrates the hardware and software making the recording process easy. Enabling you to concentrate on what's really important - the music.

Quality deserves protection:
iD22 has been designed to last, from its all-metal construction, hand finished aluminium knobs and high grade component selection, iD22 will stand up to countless late nights in the studio and days on the road.
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 5 in stock $311.13
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quote 632730
Cat: 318390 Rel: 24 Jun 08 • View all DJ mixers
 
Professional DJ mixer with 2 mixing channels
Notes: The NUO 2.0 mixer is a 2 channel analogue mixer addressed to the professional DJ of any kind, in despite of the music style.


The NUO 2.0 mixer features the professional characteristics that made its predecessors acclaimed worldwide and it equips the best analogue components available in the market place in order to obtain the highest sound performance.



Whether you play house, techno or hip hop, perform smoothly or as a scratch DJ, the NUO 2.0 mixer will please all your needs thanks to its versatility and plenty of features, such as the precise and ergonomic full cut EQ, FX Send control per channel in pre or post fader mode, faders curve adjustments and suitability for the awarded magnetic Eternal crossfader for the professional scratch DJ.

Its superb sound quality and robust format, plus balanced XLR master output and booth output for monitoring make it also a perfect mixer for small installations.



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MRP:$387.10 SAVE 14%
 5 in stock $334.34
Cat: 728570 Rel: 16 Jul 19 • View all Synth modules
 
26HP Eurorack spectral re-synthesiser module
Notes: Rossum Electro-Music Software Architect Bob Bliss (who also, as it happens, fathered E-mu's famed "EOS" Emulator Operating System) has created Panharmonium, a unique music and sound design tool that analyses the spectral content of any audio signal and uses that analysis to drive a bank of from 1 to 33 oscillators. Depending on various control settings, Panharmonium can accurately reproduce the input spectrum in real time or modify it in a multitude of wildly creative ways. All with an interface whose immediacy encourages performance and interaction.

Panharmonium input can be anything from a single oscillator to an entire mix (including vocals). From dense, swirling pads and drones that evolve with the input's changing spectrum, to clock-syncable spectral arpeggiation, to as-yet unnamed harmonic effects, Panharmonium opens up an entirely new world of sonic possibilities.

Additionally, Panharmonium can take a snapshot of an instantaneous spectrum and use that as a complex harmonic oscillator, which can then be modified and modulated by all of Panharmonium's other controls.

Panharmonium accomplishes its magic though a combination of functional submodules:

Spectral Analyser:

The Spectral Analyser provides tools for defining the analysis process.

- The Slice parameter sets the rate at which the incoming audio is transformed to spectral data. It can be set by the Slice and Multiplier controls, the Tap button, or by an external clock signal. Very short slice times result in real-time spectral data, while longer times can create rhythmic spectral patterns.
- The Centre Freq and Bandwidth controls (and associated CV inputs and attenuverters) control the range of frequencies to be analysed. The Bandwidth control allows the selection of narrow to wide pass bands on the left side of the pot and narrow to wide notches on the right side of the pot. The ability to sweep the frequency and modify the bandwidth under CV control opens up a wide range of sonic effects.
- The Freeze button lets you freeze the spectral integrator, sustaining the currently analysed spectrum.

Spectral Modifiers:

These controls allow you to creatively modify the analysed spectra.

- The Voice parameter lets you select from 1 to 33 oscillators to resynthesise the spectrum.
- The Blur parameter (and associated CV input) is a spectral lag processor that controls how quickly the spectrum can change.
- The Feedback control (and associated CV input) lets you route the re-synthesised audio back into the entire processing chain for subtle or dramatic feedback effects. At its max, the output becomes self-sustaining, even if the input is removed.

Oscillator Bank:

The Oscillator Bank resynthesises the analysed spectra.

- The Waveform parameter selects the oscillators' waveform. In addition to the usual sine, triangle, sawtooth and pulse waveforms, two special crossfading sine and sawtooth waveforms are included.
- The Freq control lets you tune the oscillators over a +/-7 semitone range. The frequency is further controlled by the 1V/Oct input and the FM input and attenuverter.
- The Octave control, not surprisingly, shifts the pitch of the output by octaves.
- The Glide parameter sets the amount of polyphonic glide (i.e., each oscillator has its own glide circuit).
- The Mix control (and associated CV input) sets the balance between the original input audio and the resynthesised audio.

Optional Functions:

A number of optional functions can be selected by using the Output Mode and Tap buttons.

- Holding the Output Mode button and adjusting the Slice control enables Drums Mode, which optimizes the spectral analysis for drums and other percussive inputs.
- Holding the Output Mode button and adjusting the Centre Freq control allows you to instead set the lower frequency of the analysis range.
- Holding the Output Mode button and adjusting the Freq control enables Spectral Warping. In contrast to conventional frequency adjustment, where the harmonic relationships between the spectral elements are preserved, Spectral Warping shifts the harmonic elements individually, producing a variety of clangourous, swarming textures.
- Holding the Tap button and adjusting the Freq control quantizes the resulting frequency adjustments to semitones.

Spectra Memories and Presets:

Panharmonium provides 12 user Spectra memories and 12 user Presets (in addition to 12 each factory memories).

- The Spectra memories let you store up to 12 frozen slices. When selected, a spectrum (up to 33 oscillators wide!) replaces any live input and can have its pitch controlled by the 1V/Oct input and FM controls.
- A Preset is a snapshot of all of the module settings, along with the value of any CVs present at the moment the preset is saved.

Panharmonium is 26HP wide and 25mm deep.
Power requirements (max): 140mA +12V, 30mA -12V. Reverse polarity protected.
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 2 in stock $464.10
Cat: 742403 Rel: 12 Aug 19 • View all Synth modules
 
Tiptop Audio 808 annivesary bundle featuring all six 808 modules
Notes: This limited-time bundle includes all of Tiptop's 808 series drum modules: a classic combination the brings the sounds of the iconic Roland TR-808 to the Eurorack ecosystem. Designed to be the first Eurorack drum machine, Tiptop's 808 series are now some of the best-loved drum modules around, using reverse-engineered 808 circuitry to provide an authentic translation of some of the most powerful electronic instrument sounds in history.

The BD808 and SD808 provide the kick and snare backbone of this set of modules, while the HATS808 offers open and closed hats with gnarly opportunities for creating crushed, filtered hat tones. Top it all off with some claves, cowbell, rimshot, and maracas and you've got a Eurorack drum machine that sounds like it came straight from the early 1980s - in the best way possible.
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out of stock $393.34
Cat: 659963 Rel: 21 Sep 17 • View all Synthesisers
 
Synthesiser based on the classic Roland SH-101 featuring Analog Circuit Behaviour technology - grey edition
Notes: The SH-01A is a meticulous reproduction of the iconic Roland SH-101, one of the most popular classic synthesizers of all time. Analog Circuit Behaviour (ACB) technology reproduces the SH-101's legendary sounds by faithfully recreating the actual behaviour of the original analog circuits, right down to the fine details and odd quirks that have endeared the synth to musicians and producers for decades. The SH-01A builds on the great sounds and creative immediacy of the original, now in the popular Roland Boutique format - offering exciting new polyphonic capabilities, inspiring new performance features, and a level of authenticity that could only come from Roland.

Beauty Through Simplicity:

The now-legendary SH-101 was a seemingly simple monophonic synthesizer launched in 1982. Unlike more complex synthesizers available at the time, the SH-101 quickly became popular for its characteristic tone and simple one-VCO, one-VCF, one-VCA, one-LFO structure. A legion of artists found it quick to program and adept at bright edgy tones and exciting sound effects. Its bass sounds are universally revered, and somehow any sound it produces always just fits perfectly in a mix.

More than thirty years later, the SH-101's hallmark sounds continue to be sought after by electronic artists the world over. It's a staple of vintage synth collectors and well-equipped, world-class studios, and now returns as the inspiration for the SH-01A.

An Inspired, Iconic Sequencer Revisited:

One of the most creative features of the original SH-101 was its 100-note step sequencer. Press Load, add sequential notes with legato and rests, and press Play. Easy. Designed to inspire through simplicity, the SH-101 sequencer has been the source of countless bass lines and lead melodies on legendary dance tracks. But the limitation of playing one sequence back at a time has been resolved with the SH-01A. Now you can save and access 64 sequence patterns, perfect for any performance situation. Recall any pattern at any time, and use the iconic sequencer to control your modular rig, hardware synthesizers, and software plugins via CV/Gate, MIDI, and USB. Let the SH-01A be the heart of your electronic instrument setup, on stage or in the studio.

Portable. Performer:

The simple design of the SH-101 made patch creation immediate, with sounds quickly forming under the movement of each key and slider. But that inspiring sound could vanish as quickly as it appeared due to its lack of patch memory. The SH-01A adds 64 writeable patches that can serve as presets for different tracks or quick starting points for experimenting with new sound designs, making inspiration only a button press away.

The SH-01A takes the original SH-101's portability and stage prowess to a whole new level. It's small enough to take just about anywhere, yet ruggedly built with sturdy knobs, metal-shaft sliders, and solid silver buttons like the original. It has several tilt options for easy viewing in various live and studio scenarios, and can serve as a low-latency, portable audio interface. In addition, it has a built-in speaker, and even runs on batteries. And when mounted in the optional K-25m Keyboard Unit, it can be used as a compact, all-in-one synth with 25 velocity-sensitive keys. With all this power and flexibility, you may be most surprised by the SH-01A's affordable price, which puts the iconic SH-101 mojo within reach of just about anyone.

A is for Authentic:

Original SH-101s are becoming increasingly rare, making them ever more expensive on the used market. Because of this, many have resorted to sample packs, hardware knockoffs, or software plug-ins loosely inspired by the SH-101. The SH-01A accurately recreates what makes the original so special, and the interface, while more compact, is 100% authentic.

The sound is vibrant and alive thanks to proprietary Analog Circuit Behaviour (ACB) technology, which carefully recreates all the details and quirks of the original hardware by modelling each analog circuit, right down to the component level. Face-to-face consultation with the original designers and relentless research beyond the original schematics provides meticulously recreated oscillator, filter, and envelope behaviour - a perfect foundation to build upon for a new generation of '101' fans.

Did You Say Polyphonic:

The SH-101 found its power in a huge monophonic voice for a wide variety of sounds. The SH-01A now has four huge voices, allowing for more modes to expand upon the original's sound palette. On top of the classic Mono mode, you can stack the four voices in Unison mode to add some punch to your bass and lead lines. Chord mode layers any four notes, and can be shifted up and down in semi-tone intervals. Poly mode allows for four notes to be played simultaneously, making the famous monosynth now capable of pads and chords.
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 1 in stock $311.13
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Cat: 525484 Rel: 02 Jul 14 • View all DJ mixers
 
Professional 4 channel DJ mixer with internal sound card, packaged with DJ software
Notes: The Xone:23C brings together the best of digital DJing and conventional mixing in a compact accessible format.

This high performance DJ mixer is equipped with a premium quality, 4 stereo channel 96kHz 24bit internal soundcard and offers plug n' play connection via X:LINK to Xone:K series controllers, making it perfect for performers looking to combine the convenience of digital DJing and recording with the hands-on control and visual appeal of a real mixer.

Xone:23C includes an enhanced version of the legendary Xone filter with resonance control, VCA faders, 3 band total kill EQ, illuminated switches, crossfader curve selector and styling inspired by the flagship Xone:DB4.

At the heart of the mixer is the renowned analogue Voltage Control Filter (VCF) system offering Low-Pass and High-Pass filters, frequency sweep and 'mild to wild' resonance control. There is also an FX loop to connect to third party FX units, which route back in through the filter system.

Xone:23C features 2+2 stereo channels with dual levels for phono and line inputs, allowing four music sources to be connected at the same time, including turntables and CD/media players. Additionally, the internal soundcard enables replay and recording from DJ software, offering users all the benefits of digital DJing whilst using hands-on mixer controls.

The main mix output and mic input are on professional standard balanced XLR's, and there is a dedicated record output. The Xone:23C is equipped with comprehensive monitoring facilities, including a dedicated booth output with its own volume control, a cue mix control, and signal levels clearly displayed on the 9 segment peak hold meters.

Styled on the flagship Xone:DB4, the Xone:23C includes soft touch, backlit controls, light-piped meters and a distinctive new shaped steel faceplate. The mixer can also be upgraded with the latest Innofader for enhanced scratch performance, available as an accessory.

Xone:23C comes with Mixvibes Cross LE Software, providing DVS control (requires reconfiguration of internal jumpers) and plug n'play mapping for Xone:K series controllers.

96kHz 24bit 4 stereo channel USB soundcard which enables replaying and recording from your chosen DJ software, offering digital DJing with a real mixer.

X:LINK provides power and MIDI data over ethernet connection to our Xone:K Series controllers, saving USB ports on computers and offering extended software control.

At the heart of the mixer is the renowned analogue Voltage Control Filter (VCF) system offering Low-Pass and High-Pass filters, frequency sweep and 'mild to wild' resonance control. There is also an FX loop to connect to third party FX units, which route back in through the filter system.

Seamlessly integrate your favourite external FX unit into your setup with send and return connections plus FX loop switching.

Both channels feature 3 band EQ Isolator, allowing you to creatively eliminate frequencies and bring them back into the mix with complete control.
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 1 in stock $312.38
Cat: 733238 Rel: 18 Jul 19 • View all Synth modules
 
Eight channel audio & CV sampler for Eurorack - 21HP
Notes: The 'Squid Salmpler' is a Eurorack 8 channel audio & CV sampler. It is designed for immediate real time sampling, editing and mangling within a modular context.

Taking influence from early hardware samplers, The Squid Salmple focuses on usability and instinctive operation, incorporating a proven Pamela's Workout style user interface for minimal screen dependence and a fun, hands on experience.

With support for sampling and playback for both audio and CV, as well as CV control of all parameters, on-the-fly bank loading and saving to USB, The Squid Salmple brings a unique take on old school sampling into the modular realm.

The Squid Salmple comes with a USB Stick containing approximately 90 banks of original carefully curated royalty free samples. This includes a wide range of sounds from classic drum machines and weird synths to field recordings and CV modulations. Banks are provided by both ALM and some of our favourite artists and friends including Mumdance, Solid Blake, Russell Haswell, Lauren Flax, Dave Burraston (NYZ), Sue Zuki, Dungeon Acid, Sasha Lewis and Andrew Duff.
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out of stock $414.14
Notes: The theremin is to Moog what the Model T is to Ford. Well, kind of. You either get it or you don't, but this is where it all began for Bob Moog back in the day. Total wacko instrument but a proper classic. We love it.

Supplier notes:
The theremin is one of the oldest electronic instruments, and the only one known that you play without touching. Moving your hands in the space around its antennas controls pitch and volume. The Etherwave is an authentic adaptation of inventor Lev Termen's original design.

The Etherwave is a quality musical instrument designed for ruggedness and portability. It has a 5-octave pitch range and reliable spacing between notes for sophisticated playability. Antennas are nickel-plated 3/8" brass tube and cabinets are furniture-grade hardwood, finished with a custom Moog stain. The Etherwave is fitted with an adapter for mounting on a standard microphone stand and works best with Moog's TB-15 instrument amplifier.

All Etherwaves ship with 2 video tutorials on one DVD: Clara Rockmore: the Greatest Theremin Virtuosa and Mastering the Theremin, featuring Lydia Kavina.

The power supply is included: 220V for use in Europe, Asia, South America and Australia. 220V Etherwave ships with DVD in PAL format.

http://www.youtube.com/watch?v=4nM9UpBBPhI
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 1 in stock $430.80
Cat: 718805 Rel: 14 Mar 19 • View all DJ turntables
 
Professional direct drive manual turntable - black
Notes: One of our favourite DJ turntables. Clearly inspired by the classic Technics SL-1200 but clocking in at a more affordable price point. Direct drive motor, decent build quality and a few nice bonus features like adjustable pitch range.

Supplier notes:
The AT-LP140XP fully manual professional DJ turntable features a high-torque direct-drive motor and anti-resonant, mass-damped, die-cast aluminium platter to ensure stable, on-axis rotation at 33-1/3, 45, and 78 RPM. It is equipped with an S-shaped tonearm with height adjustment, adjustable tracking force (counterweight) and adjustable dynamic anti-skate control.

Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the durable, high-output AT-XP3 DJ cartridge with 0.6 mil conical bonded stylus included with the turntable. It comes pre-mounted to an AT-HS6 universal 1/2"-mount headshell.

Designed to connect to components with a dedicated phono input, the turntable comes with a detachable dual RCA output cable and supplies a strong 5.5 mV output.

Additional professional features include a start/stop button; forward and reverse play; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-8%, +/-16%, and +/-24% adjustment ranges; a stroboscopic platter with speed indicator; a retractable plug-type stylus target light; and a removable hinged dust cover.
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 2 in stock $353.80
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Cat: 718794 Rel: 18 Apr 19 • View all Synth modules
 
Distortion module with Plasma technology - 16HP
Notes: Gamechanger Audio is a Latvian company committed to exploring the uncharted territories of music electronics and creating devices that provide real value while stretching the imagination of both musicians and engineers. In their Plasma Pedal they managed to combine Tesla coil with a lots of Rock and Roll and the result is one of the worlds heaviest sounds with plenty of unique features and the potential to become the new standard of distortion.

Similar to the Plasma Pedal, Plasma Drive gives you a new and previously unexplored method of achieving signal clipping in 16HP. Instead of using LED circuits, transistors or vacuum tubes to produce overdrive, the Plasma Drive boosts audio signal to 3000V and transforms it into a series of continuous high-voltage discharges in a xenon-filled tube. In essence - you are playing a lightning bolt of electricity, and the electrical discharges produced by your instrument are instantly converted back into an analogue audio signal, producing a quick, responsive, and extremely heavy distortion with tons of unique character!

The Eurorack module Plasma Drive brings sounds of the Plasma Pedal to the next level. As per Eurorack standards we added CV control over distortion level and dry/wet mix, as well as octave up and 1 and 2 octaves down tracking oscillators that add even more harmonics to the original signal. Tracking oscillators can be switched on/off manually or via trigger signals. The Plasma Drive module is powered via conventional Eurorack PSU ribbon cable and the power consumption is around 150mA.
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out of stock $312.16
Cat: 688313 Rel: 13 Jul 18 • View all PA speakers
 
Stage-ready personal PA with compact & lightweight design
Notes: As a LIVE musician, public presenter, or anyone else who's had to ensure their audience can hear them clearly, you've almost certainly run into the shortcomings of most portable live sound speaker systems. They're either too big and heavy to easily transport and set up, or they're small but don't offer the power, sound quality, and reliability you need for your most confident performances.

Push those concerns aside. Mackie's new FreePlay LIVE is the perfect personal PA for anyone who needs a lightweight and great-sounding solution for music performance and speech presentations with plenty of power on tap. It can run on either AC or battery power, with the built-in high-capacity rechargeable battery offering up to 15 hours of rich, powerful sound.

FreePlay LIVE is flexible, with inputs for your microphone, guitar, keyboard, or playback device. You can also stream music wirelessly from any Bluetooth enabled device. Plus, with the FreePlay Connect app, you get mobile freedom to control everything from levels to EQ for amazing sound in any situation and wirelessly link to a second FreePlay Series Bluetooth speaker for music playback.

So get ready to rock that coffeehouse. To host that open jam on the beach. To give that presentation to the sales team, or to lead that rally in the park. FreePlay LIVE gives you the freedom to be confident with your sound no matter where you go or what you do.
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 2 in stock $304.57
RME Digiface USB Audio Interface (USB audio interface)
RME
Cat: 641232 Rel: 31 Mar 17 • View all Audio & MIDI interfaces
 
24-Bit/96kHz digital multi-format interface
Notes: This compact, portable and lightweight audio interface (only 220 g /0.49 lbs) transfers digital audio data in SPDIF and ADAT format to Windows and Mac computers.

The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB.

The Digiface USB is an extremely compact & portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6.3 mm TRS jack. Continuing the legacy of RME's famous HDSP Digiface, a triple ADAT I/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32 channels input and output each when using ADAT optical.

The analog output hosts channels 33/34, and can be used freely thanks to TotalMix FX, RME's routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).

Each single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.

Its small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.

Like all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.

Here are some typical applications for TotalMix:

- Setting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends.
- Unlimited routing of inputs and outputs (free utilisation, patchbay functionality).
- Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.
- Simultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.
- Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.
- Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.
- Every single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.
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 3 in stock $344.43
Cat: 553403 Rel: 19 Nov 14 • View all Synth modules
 
Bass drum synth module
Notes: We are happy to introduce our new Jomox 19" euro rack module series.

In the 19" euro rack market we also want to keep our concept of storeable analog sound production because it offers just too many advantages.
In order to achieve this, we had to develop a complete new analog control system for our circuitries inside these modules.

We'd like to make these euro rack products interesting for both live drummers and modular people. Therefore, a CV/Gate control and trigger inputs for drumpad pickups are available.
For regular modular use, analog routable CV inputs and an analog output are accessible via 3.5mm jacks. The Gate can be configured as 0-5V (0-15V is accepted too), inversed or s-trigger.

Everything is storeable and can be recalled via encoder klick from 100 presets. But for the analog feel of modular, eight potentiometers give you the fine and precise editing of the most important parameters without stepping through menus.
E-Drummers can create complete E-drum setups, because there is an internal Jomox analog connection bus with a fast digital link which can do a submix and an FX send mix from each module hooked up to the bus.
With this system bus you won't need to use the audio outputs but instead you have a programmable bus system that can link to future master, sequencer and mixing or effects modules - which can take control over the single modules.
This makes the whole modular setup recallable and storeable from a center module like a drum machine.

Also, to link the ModBase modules to our other products, they all have a Midi interface on the rear that can be wired within the rack case and being cascaded from one module to another.
The menu selection is paged by two-colored LEDs for both sides of the menu.
Two internal LFOs which both control the tuning of the kick drum VCO expand the sound spectrum once more.

All analog parameters are either storeable and controllable via Midi. The Midi notes control the pitch of the kick drum VCO.

Too, the modules are controllable via CV/Gate and via trigger pads for live drummers. With the trigger input, the threshold and velocity dependend dynamics can be adjusted.

Four routable CV inputs let all internal sound parameters (incl. LFOs and metallic noise) be controlled by CV sequencers. Every CV input provides an own programmable amount which can be negative too (i.e. subtracting the CV value from the internal value). The range goes from 0..5V.
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 5 in stock $339.23
Cat: 598313 Rel: 13 Jan 16 • View all VST instruments & samplers
 
Virtual synthesiser instrument, with new audio import feature, 400 new DSP waveforms for the oscillator & over 3,000 new patches
Notes: After many years of development, Spectrasonics are thrilled to announce that Omnisphere 2! This is the first v2.0 of any Spectrasonics instrument and it's truly a gigantic one! Check out the new feature list and the video introduction by Spectrasonics Founder and Creative Director, Eric Persing.

Vast New Synthesis Possibilities:
- Audio Import - Use your own audio file as a soundsource in Omnisphere
- Over 400 New DSP Waveforms for the Synth Oscillator - an increase of 100X
- Wavetable Synthesis - Each Waveform is now a Morphing Wavetable
- Powerful New Granular Synthesis algorithm
- Deeper FM/Ring Mod capabilities for aggressive timbres
- 8 New Filter Types - New Power Filters, Vowel, Resonators
- New Unison Drift models Analog Polysynth behavior
- Expanded Modulation with new sources and many more targets
- Polyphonic LFO and Modulation Envelope options
- Soundsource Reversing

Now includes over 10,000 sounds!
- More than 3,000 New patches and soundsources from acclaimed Spectrasonics Sound Design Team
- New Omnisphere EDM library with cutting-edge, modern sounds
- New Exclusive Soundsources from Diego Stocco's Custom Built Instruments
- New category of Phrase-based Soundsources for granular synthesis
- Hundreds of new Circuit Bent Soundsources
- Many Innovative new Psychoacoustic Soundsources
- New Melodic Cave Stalactites Soundsources
... and much, much more!

New Interface:
- Redesigned Wider User Interface with many improvements
- New Show Modulation pane opens modulation routings/sources on left side
- New Mini-Browser available at all times
- Larger Full Browser Design

Enhanced Browsing Experience:
- Sound Match feature instantly locates any related sounds in the library
- Sound Lock allows endless useful variations by locking sound aspects while you browse
- Easy Sound/Project Sharing for collaborators and third party libraries
- Greatly Improved sound organization system
- Fast Progressive Loading allows rapid auditioning
- Browse Patches by Mood
- Expanded Genres
- Browse by Oscillator type
- Boolean search options

New Arpeggiator Features:
- Note transposition for step seq-style patterns
- Arp pattern lock while browsing
- Speed Offset control allows slow down/speed up effects
- New modulation capabilities

25 New FX Units:
- Innerspace
- Quad Resonator
- Thriftshop Speaker
- Classic Twin
- Bassman
- Hi-Wattage
- Rock Stack
- Brit-Vox
- Boutique
- San-Z-Amp
- Stompbox Modeler
- Metalzone Distortion
- Toxic Smasher
- Foxxy Fuzz
- Analog Phaser
- Analog Flanger
- Analog Chorus
- Analog Vibrato
- Solina Ensemble
- Vintage Tremolo
- Envelope Filter
- Crying Wah
- Stomp-Comp
- Precision Compressor
- Studio 2-Band EQ

Flexible New FX Features:
- 16 FX units per patch
- Full matrix modulation of every FX slot
- New Aux FX rack per patch with Pre/Post fader sends
- Hundreds of New FX Presets and Racks
- Lock FX while browsing

Improvements/Special Features:
- Live Mode with key splits
- Enhanced Orb with Attractor mode
- Tweak Trilian Custom Controls Interface inside Omnisphere
- Global Clock Speed (Halftime, Doubletime, etc)

- and more!
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out of stock $351.71
MFB
Cat: 603453 Rel: 21 Mar 16 • View all Drum machines
 
Drum machine with five powerful analogue instruments and two samples sections with 16 different 12 bit sample
Notes: The Tanzmaus drum computer is a further development of our MFB 503. It offers five analogue percussion instruments and two sample sections, each of which have access to 16 samples. Furthermore you can program an alternative sample. A chase sequencer stores up to 64 patterns. You can chain up to 16 different patterns, A/B let you switch or alternate between A and B.

Moreover you can program up to 16 different Flam algorithm. Step length is individually selectable for each instrument - polyrhythms are easy to achieve. 32 steps, 16th or 16th/8th triplets are the basic metrics and 15 different shuffles can be set globally.

Four different accents are available. Five independent LFOs can be used to modulate the pitch of Bass drum, Claps, Tom, Sample 1 and Sample 2. They offer four waveforms and can be programmed independently for each step. All Sound parameters can be recorded in step - or real-time mode. The sequencer sends MIDI notes and can trigger other sound sources.

Tanzmaus sends and receives MIDI Clock. Beside Master Volume each instrument has its own volume pot and mute function. You have five individual outs and one stereo out, Claps are in stereo. The compact chassis is built from steel plate. MFB offer a selection of exchangeable samples from their website (http://mfberlin.de/en/home).

Instrument Parameters:
Bassdrum : Attack Level, Decay Time, Noise Level, Noise Decay Time, Pitch, Tune, Attack Type, Distortion, LFO
Snare: Tune, Noise Level, Noise Decay Time, Tone Decay Time, Attack Type
Rimshot: -
Claps: Filter, Reverb Decay Time, Intensity, Number and Patterns of Attacks, LFO
Tom: Decay Time, Tune, Pitch, Attack Level, Attack Type, Panning, LFO
Sample 1 (Alt) and 2 (Alt): Decay Time, Attack Time, Tune, LFO

*2-pin EU power supply included
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 2 in stock $414.15
Cat: 739126 Rel: 16 Jul 19 • View all Synth modules
 
Expanded take on Mutable Instruments' famous Clouds granular texture synthesiser - black faceplate, 34HP
Notes: Clouds, the granular synthesis module from Mutable Instruments, was discontinued in 2017. Supercell brings back Clouds in a more accessible 34 hp form factor, offering an improved user interface and several additional features:

- Each of the Blend parameters (Feedback, Panning, Mix, and Space) have dedicated knobs with their own CV inputs and inverting attenuators (attenuverters).

- The inputs and outputs now have mute switches, stereo VCAs, and separate VU meters. The knobs act as offset controls when their respective VCA inputs are patched.

- A stereo output gain control has been added, providing an additional +6 dB of gain to compensate for low output levels when using certain parameter combinations.

- The complex process of changing the sampling time and managing presets has been simplified with dedicated switches and status LEDs.

- Extensive modulation options for all parameters including direct patching of external CV, distribution of one CV to all parameters via the AUX input, or an internal smooth random CV that is normalized to any unpatched inputs when AUX is also unpatched. The attenuverters control the modulation depth in all three cases. As of firmware v1.01 the internal modulation rate can be adjusted within a range of 1 to 100 Hz.

- The inputs and outputs now include stereo VCAs and separate VU meters. The knobs act as offset controls when their respective VCA inputs are patched.

- Pitch is now controlled by two separate inputs: the V/Oct input is exponential and the Pitch input is linear. When both inputs are used, their voltages are summed.

- A manual Trig switch (for capturing individual grains) has been added, in addition to the Trig input that was present on Clouds.

All other features of the original Clouds remain intact, including access to the alternate modes. Thanks to Olivier Gillet for making the original Clouds hardware and firmware available under open-source licenses. Third-party firmware such as Parasites (by Matthias Puech) and Beat Repeat (by Julius Kammerl) will be supported in future firmware updates after the initial release of the module.
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out of stock $467.21
Cat: 395777 Rel: 16 Jun 10 • View all Synthesisers
 
True synthesiser with analog modelling tone generator & 128 programs for immediate use - includes a full range of effects
Notes: State-of-the-art analog modelling and multi-band vocoding are finally available in a compact, portable instrument. With 37 keys and 128 user-rewritable programs, the microKORG synthesizer/vocoder is perfect for the performer, producer, computer musician or beginner looking for an affordable synthesizer. The new microKORG delivers the quality sounds and features you expect from Korg at a price that will astound you.

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modelled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

4 filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. 2 classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a virtual patch matrix that lets you create advanced modulation settings U routing the mod wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. U and you have performance that is unheard of from a synthesizer in this price range.

The microKORG includes an 8-band vocoder with many advanced features. You can capture and freeze the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.

3 types of modulation effects (chorus/flanger, phaser, ensemble), 3 types of delay effects (stereo, cross, L/R) and a 2-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock U a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

Korg have used all of the microKORG's synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the latest musical styles plus many vintage favourites. Sixteen vocoder Programs are also included. The pitch bend wheel, modulation wheel and 5 other knobs provide flexible realtime control over filter cutoff, attack, release and other important parameters. The edit mode allows you to fully edit the existing sounds, or to create your own new ones.

6 types of arpeggio patterns (UP, DOWN, ALT1/2, Random, Trigger) are built in, with control over tempo, gate time, swing, and up to a 4-octave range. You can turn individual steps on or off within a pattern, providing the feel and functionality of a step sequencer.

2 external audio input jacks are provided, so you can run other instruments, CDs and more through the microKORG's filter and effects, allowing you to process sounds in truly creative ways.

The microKORG's compact size is perfect for the musician or DJ looking to add a synth to his or her setup when space is tight. It's also a great choice for use in a computer-based music setup. The five realtime knobs on the front panel can transmit MIDI messages (control changes), so they can be used as controllers for software synthesizers. Use the 37-note velocity-sensitive mini-keyboard for controlling other gear or for recording and editing with your sequencer. And thanks to battery-power, the microKORG is the ultimate portable controller when used with a laptop computer!

There's no complex menu structure - all parameters are located on the panel for easy access to any function. A large dial and LED illuminated buttons provide easy program selection even on a dark stage. With its beige-gold body, wooden side panels and retro-influenced design, the microKORG has a look that's both vintage and funky.
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MRP:$439.54 SAVE 30%
 2 in stock $309.70
Cat: 718736 Rel: 27 Feb 19 • View all Synth modules
 
Multi-mode filter with four filter types - 18HP
Notes: The Quad Peak Animation System combines the auditory enveloping of stereo spaced peaks with the animation of two or more peaks in a single channel dancing around each other or engaging in primitive vocalizations. QPAS is Quad Core, containing four identical state variable filter cores with a control system powerful enough to guide them in stereo multi-peak operation, but simple enough to encourage system integration rather than domination.

- Quad Core Stereo Analogue
- Multi-Peak with clean resonance
- Fast response encourages deep FM
- Radiate spaces stereo image and animates associated channel
- High Q settings are under damped, excitable and ring by gate or trigger
- 2 modulation inputs aid patch exploration
- Stereo VCA, pre-filter with gain
- Mono to Stereo, Stereo to Mono, Mono to Mono and Stereo to Stereo operations
- Smile Pass filter response unique to QPAS
- Low Pass, Band Pass, High Pass and Smile Pass outputs simultaneously available
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out of stock $347.55
Cat: 557456 Rel: 19 Dec 14 • View all Synth modules
 
Reverb synth module with size ranges from "coffin" to "the heavens"
Notes: The Erbe-Verb is more than a collection of reverb algorithms or presets, it is a unique, modeless, continuously variable reverb algorithm with complete voltage control.

Typical reverb types such as plate, room, hall, shimmer and others may be programmed by adjusting the knobs. The continuously variable algorithm allows for hybrid and unreal spaces to be found.

Traveling between spaces is possible by modulating the algorithm or manually sweeping parameters. More than an end-of-chain effects unit, it's a whole new building block for modular synthesis. Like the Echophon, it's coded by Tom Erbe of soundhack.
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out of stock $458.90
Cat: 688915 Rel: 25 Jun 18 • View all Synth modules
 
Open-source, cartridge-based, digital sound processing & generating platform
Notes: Tiptop Audio's Z-DSP is a cartridge-based open source digital sound processing and effects generating platform for your modular synthesizer. Lush audio processing, greater stereo depth and a unique set of digital synthesis is what the Z-DSP is all about.

The Z-DSP has a stereo digital sound processor with 24-bit sampling, 15kHz of bandwidth, voltage-controlled parameters of stereo feedback, program switching, DSP parameters, equal power crossfading dry/wet mixing, as well as sequential program control switching and a clear display - all in Eurorack format. A dedicated clocking input for the DSP chip does wonders to passing sound by bending the algorithms in an unexpected way, a hardware technique computer plugins can't do and is unique to the Z-DSP.

In a recent update, the Z-DSP (NS) got an all new design of its analogue circuitry, contributing to a lower noise signal path, clearer sound of the entire frequency range, lower distortion and better immunity to noise emitted by other modules sharing the same power supply. A new analogue dry/wet circuit has been implemented to remove the 3db gain drop when the mix knob passes through the centre of the dial making the use of this function more practical in a live application. A reverse polarity protection has been added as well. The new front-panel matches Tiptop's colourful design, and a single printed circuit board and surface mount technology improve reliability during production and use. The powerful Z-DSP engine remains the same as the original Z-DSP module and all cards are compatible across both versions.

An assortment of interchangeable cards, programmed by Tiptop Audio and specialists like Valhalla DSP, provide a wide range of boutique effects algorithms such as Halls of Valhalla, Time Fabric, Clocked Delays and Grain De Folie. Tiptop Audio also offers blank Z-DSP cartridges and a development tool called NumberZ for developers, students and power users who want to design their own effects and cards with the FV-1 DSP chip programming language. Blank cards can be loaded using programs that are freely available for non-commercial use and can be found in the modular community through online forums. With each card swap, the Z-DSP takes on new effect algorithms, changing like a digital chameleon and bringing colourful digital effects processing to your Eurorack setup.

The Z-DSP comes included with 2 cards: Halls of Valhalla and Dragonfly Delay MKII.
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 1 in stock $407.90
Cat: 662213 Rel: 04 Oct 17 • View all DJ headphones
 
Flagship professional over-ear DJ headphones - black
Notes: Stay on top of your game with the HDJ-X10, designed with input from professional DJs to serve you in every circumstance, from festivals to clubs. The HDJ-X10s are the world's first DJ headphones1 to produce high-resolution sound ranging from 5 Hz to 40 kHz, allowing you to hear frequencies other DJ headphones can't reproduce. Make an even deeper connection to the music.

The polyurethane leather ear pads and headband cushion are resistant to deterioration thanks to the use of nano coating2, so you can easily wipe off sweat and dirt.

The HDJ-X headphones are designed to be flexible. Their swivel mechanism allows you to wear them comfortably, whichever way you prefer, for long periods of time. Don't worry about bumps and knocks during transport as these DJ headphones can handle severe conditions and heavy use. They even cleared the US Military Standard Shock test.

High-quality audio design:
The HDJ-X10s are the world's first DJ headphones to produce high-resolution sound ranging from 5 Hz to 40 kHz, allowing you to hear frequencies other DJ headphones can't reproduce.

Rigorously tested:
Even on the road, your headphones will handle severe conditions and heavy use. Durable metal is used in the moving parts, enabling a strong construction that cleared even the US Military Standard Shock test.

Nano coating:
The polyurethane leather ear pads and headband cushion on the HDJ-X10 headphones are resistant to deterioration thanks to the use of nano coating, a world first for DJ headphones, so you can easily wipe off sweat and dirt.

Comfortable fit:
These headphones are comfortable to use no matter how you wear them. The housing design reduces pressure on your head, while its outside texture enhances grip. To help you find the perfect fit, they also feature a flexible, durable headband and a flexible swivel.

Solid, refined design:
All the HDJ-X headphones feature a refined look and durable construction. Choose from black or silver versions to complete your desired look.
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out of stock $311.13
Cat: 746936 Rel: 19 Sep 19 • View all Drum machines
 
Modern groove production tool with 3,000 built-in sounds & 80 drum kits
Notes: Produce and perform music anywhere, anytime - without clutter or complications. The MC-101 GROOVEBOX has all the high-quality sounds, sequencing, and effects of the professional MC-707, in a compact four-track version that's go-everywhere portable. Get started with an inspiring collection of ready-to-go sounds and patterns, or easily create your own. Craft a unique style by importing custom sounds and loops that sync to tempo. And you can perform with the MC-101, triggering clips and shaping your sounds with direct, hands-on control.

Pocket production studio:

The MC-101 is a professional production tool, sharing the sounds and many of the capabilities of its bigger sibling, the MC-707. And there are advantages in being small. The MC-101 is solid-yet-light and runs for about five hours on four AA batteries, so you can design sounds, create drum patterns, and compose musical phrases just about anywhere. And it's not just a scratch pad for simple ideas. You can produce fully-fledged professional tracks or create backing tracks and accompaniment for live performance.

Turn a creative spark into fire:

The MC-101 has a four-track sequencer optimized for creating today's electronic and dance-focused music. You can use the 16 RGB pads to create drum, bass, and synthesizer patterns and produce your own original music. Explore a musical playground, where you can freely combine loops and one-shots with melodic phrases including your own MIDI sequences and imported audio recordings. Compose and trigger clips, rearrange, re-sample, record automation, and more.

A portable studio full of vintage gear:

The MC-101 has the Roland sounds that have defined electronic and dance genres for over forty years. Legendary instruments like the TR-808, TR-909, JUNO-106, and SH-101 are all here, ready to replicate classic sounds or be combined, tweaked, and processed into entirely new sounds.

Expandable sounds, patterns, and phrases:

Compose from a curated collection of built-in beats, phrases, and sounds, all expertly crafted by renowned artists and sound designers. And the MC-101 is part of an expandable platform. So, when you're ready for more, or want to explore new genres and styles, you can easily change things up by adding new content.

Play your own custom audio in perfect sync:

Each track contains a powerful sample player so you can import your own custom sounds. Use your own voice, or the sound of your favourite instrument from your computer. Imported audio can sync with the MC-101's tempo or be processed with the arsenal of built-in effects and hands-on controls.

Produce tracks ready to stream or perform:

With the MC-101's wide range of pro effects, your music sounds polished and fully produced. Each track has independent effects processors with a huge number of variations. Lush chorus brings depth to pads and other synth sounds. Delays and reverbs create evocative spaces and add movement to delicate sequences. Overdrive, distortion, and amp simulation inject grit and intensity into synths, guitars, drums and more. You can also run your entire mix through master effects like filters, bit-crushers, and a master bus compressor that glues it all together with punch and clarity.

Produce and share with the world. With a single cable:

When you're ready to further develop your tracks, or share your creations with friends and fans, simply connect the MC-101 to your computer with a single USB cable. It has advanced USB audio interface capabilities and can record an entire mix or all four parts to individual tracks in your DAW. Or sample sounds from your DAW to capture backing tracks, stems, or the sound of a favourite software synth for your next live show.
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out of stock $456.82
Cat: 687377 Rel: 19 Jun 18 • View all Synth modules
 
Compact Eurorack module based on the SH-5 monophonic synth filter section
Notes: Inspired by vintage Roland modular synths of the 1970s, these new additions to the SYSTEM-500 family not only expand on the SYSTEM-100m-based modules, but also explore fresh territory. Designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of vintage Roland modular synths, with all the advantages of a modern instrument. The SYSTEM-500 is made to exacting standards in a collaborative design and production process between Malekko in Portland, USA and Roland in Hamamatsu, Japan.

Classic System. New Format:

The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesiser. Each module is completely analogue and has been designed for maximum compatibility with the world of contemporary synthesiser and effects modules. The SYSTEM-500 is a compact, powerful system that opens vast possibilities for sound design and musical exploration.

SYSTEM-500 505 VCF:

Inject the sound of the Roland SH-5's revered filter section into your modular rig. The Roland SH-5 is one of the most sought after monosynths in history. Its dual architecture was deep and sounded massive. It also happened to have one of the most distinguished filters of any monosynth in history. Combining a multi-mode filter with a band-pass filter, it produced a sound that has propelled it to "favourite filter ever" territory for many. In stark contrast to the traditional Ladder filter design, the SH-5's filter maintained its bass response with a meaty resonance growl. With the SYS-505, Roland and Malekko have brought this highly-coveted filter, in all its sonic glory, to the Eurorack format. With switchable outputs, built-in VCAs, and CV control of cut-off, resonance, this dual filter gives you two different vintage filter characters in a flexible and compact 16hp module.
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out of stock $311.13
Cat: 561030 Rel: 31 Mar 15 • View all Studio mixers
 
18 channel perfomance mixer with step-sequenced FX, transport and tempo control
Notes: The MX-1 Mix Performer brings together your synths, drum machines, loops, DAW tracks, and more into a single performance-optimized mixing instrument. Combining elements of a mixer, control surface, audio interface, and step-based effector, the MX-1 is designed to be the nerve center of your electronic music rig. It's a mixer you can play - and so much more.

With six analog inputs, four AIRA Link USB ports, digital I/O, send and return jacks, and the ability to stream 18 channels to and from your DAW, the MX-1 brings together a wide range of musical sources and puts them directly under your fingertips. But this is no ordinary mixer. The smooth, solid faders each have six different volume curves available. Every channel has an adjustable Tone/Filter knob with ten types of filters, EQs, and isolators. Mutes are placed for quick access, working with the LED-lit faders to clearly show their status, even in dark environments. The DJ-style headphone cue monitoring lets you smoothly mix in any source whenever you're ready, or drop in tracks right on the beat. Separate headphone and master volume knobs along with smooth and bright metering keep levels firmly in check. And everything, including all the FX configurations and settings, can be saved and recalled for instant access.

There's no question that effects play a huge role in creating a unique vibe and defining your sound. And the MX-1 integrates effects in exciting new ways. Not only do the MX-1's effects sound great, they're designed for ready manipulation and rhythmic sensibility, thanks to the MX-1's tempo awareness and the TR-style step interface. In addition to an aux send for feeding external effects, each channel has its own Beat FX including Filter, Side Chain, and Slicer. These are applied using sixteen TR-style step sequencer buttons like those found on famous Roland drum machines. This lets you independently filter, duck, and slice each channel, creating cool rhythmic variations, polyrhythms, and all manner of intricate grooves. Beat FX can be instantly switched on and off per channel with dedicated, illuminated buttons. Six kinds of Master FX, each with lots of variations, add spice and drama to any or all channels. And the large control knob gives them supreme playability. The Master FX can even be step-sequenced in various combinations, creating stunning movement and glitchy interludes that must be heard to be fully appreciated.

Computers already play a big role in production, and they increasingly play a role in performance. But they don't always integrate so well with other live instruments, and require their own audio interface and controller. The MX-1 addresses these problems through its ability to operate in any one of three different modes. In Control Surface mode, the MX-1 can sync to your computer and act as a high-quality MIDI controller for your DAW. Cool. But it gets way more interesting... In Mixer mode, the MX-1 can mix all connected sources, including analog and digital inputs, AIRA gear, and your computer's output. While there's a dedicated channel for a stereo output from your computer, you can also send computer audio to USB channels 1 thru 4 if no device is connected to the AIRA Link USB ports. Very cool. In External mode, the MX-1 can send all its inputs directly to your DAW, acting as a high-quality audio interface. At the same time, it can mix 18 channels back from your DAW, putting them on the MX-1's faders. This lets you utilize the recording, clip triggering, effects, and mixing functions of your DAW along with the MX-1's cue monitoring, sync, and performance-optimized mixing and effects capabilities. It's mind-bending stuff. Just take a moment to imagine the possibilities. While the MX-1 obviously makes working with a computer way more fun, it's just as happy on its own. So whether it's full hands-on control of your DAW or completely out-of-the-box production and performance, the MX-1 is right at home.

The MX-1 is so much fun to play that you're bound to want to plug all kinds of things into it. Four individual 1/4-inch jacks support just about any kind of instrument, and the stereo 1/8-inch jack is perfect for smartphones, tablets, and various gadgets. There are also four AIRA Link USB ports that make connecting your AIRA gear literally plug and play. With fully automatic detection, AIRA Link USB ports transmit audio, MIDI, and sync over a single USB cable. One of the ports can even provide bus power for a compatible AIRA device like the TB-3 Touch Bassline or VT-3 Voice Transformer. AIRA Link reduces cable clutter and makes setup fast and simple. The MX-1 is also fully time aware and gives you hands-on control of start, stop, tempo, and timing. Sync an array of musical devices over MIDI or AIRA Link. Control everything with the brightly lit TR-style start/stop button and large tempo knob with fine adjustment, shuffle control, and tap function.
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 2 in stock $356.26
Cat: 707840 Rel: 22 Oct 18 • View all DJ mixers
 
5-channel rotary mixer primarily designed for DJ's
Notes: - Classic rotary mixer with 5 input channels for DJs
- Vintage ALPS potentiometers (Blue Velvet RK27)
- High-grade components ensure long life and excellent sound quality
- Gain control, cue button and source selector per channel
- 10 line inputs, 3 of which switchable phono/line
- DJ microphone channel with separate level control and 2-band EQ
- Prefader listening to input channels and the master output via adjustable headphones output, with cue mix/split function
- Master, booth and balance control
- Record output, switchable pre/post
- FX send/return for external FX unit
- Rack installation: 2 U
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 3 in stock $338.10
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Cat: 589504 Rel: 02 Nov 16 • View all Synth modules
 
Advanced audio processor synthesiser module for creative synthesis - 20HP wide
Notes: Announcing the Dual Looping Delay from 4ms Company, designed by Gary Hall!

The 4ms Dual Looping Delay (or DLD) is an advanced audio processor for creative synthesis. Not a tape or analog emulation but a modern crystal-clear digital delay, the DLD combines features of delay, looping, and sample-tight synchronization for powerful and dynamic sound capture and modification. The DLD is designed to integrate seamlessly with modular time-base and sequencing devices such as the 4ms Quad Clock Distributor (QCD), etc.

What is a "Looping Delay"?
Modern looping devices grew directly from hardware digital delays of the late 70s and early 80s. A looping delay, modelled on units such as the classic Lexicon PCM42, has the very long storage times associated with dedicated looping, but without triggered record and playback functions.

By default, a looping delay records and plays continuously, though recording can be suspended at any time with Infinite Repeat. Sustain of delays and loops is mainly accomplished with regeneration, allowing an organic, evolving approach to sound creation as new material replaces old, more or less gradually. The 4ms Dual Looping Delay also provides advanced clock input and output facilities that allow for locking delayed and looped material with sequencers and rhythm devices of all descriptions.

The 4ms Dual Looping Delay is conceived and designed by Gary Hall. Implemented and manufactured by 4ms Company
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 1 in stock $368.36
Cat: 589505 Rel: 10 Dec 15 • View all Synth modules
 
Innovative resonant filter synthesiser module - 26HP
Notes: The Spectral Multiband Resonator from 4ms Company is an innovative resonant filter which can process audio like a classic filter bank, ring like a marimba when plucked/struck, vocode, re-mix tracks, harmonize, output spectral data, quantize audio to scales, and much more...
A gorgeous ring of colored lights displays the frequency of each filter, as well as the levels and current scale selection(s).

At a glance, the SMR works like a normal six-band graphic EQ: six frequency band-pass filters are mixed together using sliders. Resonance/Q is variable, which changes the "ringy-ness" or width of the bands.

But here's where comparison stops. The frequency of each channel is treated like a note in a scale, and the six bands form a chord. Spin the Rotate knob and the "notes" circle around the scale, rotating back to the bottom once they've reached the top. Adjust Spread and the distance (interval) between each note changes. Triggers for up/down motion, CV inputs for sequencing and scale selection allow for flexible control with external modules. Morph, which automatically cross-fades between frequencies, together with variable Slew allows rhythmic clocks drive the SMR as a variable-speed evolving resonant filter.

At maximum Resonance/Q, the SMR can be struck like a gong or marimba by inputting clocks or triggers. The frequency of each channel is quantized to a scale: beautiful chords, ethereal tones and eerie ambiance flows easily. With lower resonance, the SMR can pull out particular frequency bands, and sweep these across the spectrum.

Two 1V/octave Frequency jacks allow for tracking even and/or odd bands and creating floating melodies over evolving chord bases, or complex percussive membrane sounds.

Save your settings into one of six storage banks, and recall on the fly. On startup, the SMR instantly jumps to the last saved settings. The color scheme of the lights can be adjusted, so if you prefer all white lights on your modular, you can have that (or all red, or rainbows, pastels, etc..)!

Advanced features:
- Program your own scale. The frequency of each of the 20 notes can be assigned by setting the octave, the semi-tone, and coarse and fine micro-tone. Up to 11 scales can be saved permanently in the user bank
- Adjust color scheme of the LEDs. Pick a pre-programmed color scheme or create your own using the sliders to set Red/Green/Blue values. Custom color schemes can be saved permanently
- Save your settings in one of six parameter banks. Note position, scale and bank selection, Q value, Lock settings and color scheme can be saved and recalled on the fly. On startup, the SMR loads settings from the last saved bank.
- Optional alternative filter type for a more exponential decay when plucked and different timbral qualities. Freq jacks no longer track 1V/oct in this mode.
- Slider LEDs can be assigned to display level for each channel (combination of slider position and CV on the jack), or clipping for each channel.
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out of stock $399.57
Cat: 670606 Rel: 11 Jan 18 • View all Synth modules
 
6-channel performance mixer with three band EQ, mute & pan - 28HP
Notes: Hexmix System is a six channel performance mixer specially designed for Eurorack.

The system has two separate modules, the core of the mixer: Hexmix that has six channels with three band EQ, mute, pan and EQ section on the master, and Hexpander that add three auxiliar sends per channel, PFL, individual outs and balanced output.

The mixer has a strong inspiration in classical DJ mixers, providing sharp EQ's for enhanced performance, auxilliar send for effects and individual outputs to record your performance per channel.

The unique Mute Section is a powerful tool for performances, providing a momentary mute function controlled by vactrols and adding a smooth release to the signal decay.

The system is designed to be placed in 6U, instead of the traditional 3U paradigm in Eurorack. So we will have every feature for each channel vertically as a conventional tabletop mixing deck.

This is a six channels mixer with three band EQ, vactrol mutes, pan and volume control per channel.

Inputs for every channel are located at left side of Hexmix. Each jack is normalized to a VCA Expander connection in the back, so if you have a Hexmix VCA, you will have the output of each VCA to every input. connecting a jack in any input will disconnect whatever is coming from VCA.

Each Channel Strip is divided in four basic sections, that will go in the following order: Gain, Mute, EQ and Pan.

Gain is set to unity, so it will act as an attenuator of the input signal. Mutes are clickless, as they are vactrol based. This circuit provide some decay on the mutes, rather than a sharp cut.

Switches have latch position and momentary ones to unmute the channel, providing some really nice performative capabilities.

EQs are quite sharp (12dB) inspired in classic DJ mixers to aggressively cut selected frequencies.

Master section has its own EQ and volume control for the mix of all channels. Master EQ is software than individual channel's (6dB) and it's meant to provide control over the final mix.

It's possible to change output level from line to synth with a switch located in the back.

This will be pretty useful when used in combination with Hexpander, that provides a balanced out at line level. Like this it's possible to have a mix at synth level to re-route the master signal while having an output to PA.
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 2 in stock $424.56
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Cat: 670607 Rel: 10 Jan 18 • View all Synth modules
 
Expander module for the Befaco Hex Mix
Notes: Hexpander adds great functionality to Hexmix module. Featuring Three aux send with stereo returns, individual outputs for each channel, complete PFL system and balanced output.

Hexpander is designed to be placed on top of Hexmix. Expanding Eurorack concept to 6u, allows every channel to be aligned as in traditional tabletop mixers.

Auxiliar sends:
For every channel you have three auxiliar sends. One pot will measure the amount of signal sent to each of them.

Every auxiliar send has a volume pot, that will measure the level of the signal sent. There are two jacks available so it is possible to send the signal both pre or post fader/EQ at the same time, allowing to patch externally depending if its desired to have the original signal, or the signal after being EQ'ed on the effect.

Returns are stereo, having a switch to select if the signal is coming from synth or line level. Like this, levels can be set, for example, either for a guitar pedal or a FX module at synth level.

Monitor section:
Hexpander features a complete PFL system, to send channels to the headphones before you add them to main mix.

Flip PFL switch to send that channel to the headphones out.

With PFL/Master Pot you can do a crossfade between the master signal and every channel sent to PFL. Headphones out will control headphones volume.

Level meter will show the level of the sum of all active PFLs. When there is no PFL active, it will show master level.

Output section:
Every channel has individual 6,5? jacks out at line level. Here you have the signal of every channel post EQ.

As an addition, you have master balanced output.
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 4 in stock $321.54
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