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Notes: Wireless music creation with ultra-low latency and uncompressed audio with W+ Link technology.

Uncompressed and robust 16ms latency connection for high quality wireless audio designed for enhanced freedom and creativity.

Signature AIAIAI bio-diaphragm speaker tuned for clarity and detail.

Critically acclaimed sound stage specifically designed for music creation with a clear and highly detailed sound representation.

Enhanced comfort with Alcantarar over-ear memory foam cushions.

Soft over-ear memory foam cushions covered with resilient, CO2 neutral, and highly comfortable Alcantarar, ideal for longer sessions.

Modular product design.

This TMA-2 modular headphone system offers a customizable solution that adapts to your creative process. With interchangeable components such as earpads, cables, and drivers, you can upgrade or change parts of your headphones to improve sound quality, comfort, or style.

Extended versatility with added Bluetooth for +80h playback and hi-fi coiled cable.

Seamlessly switch to Bluetooth 5.0 with +80h playback for everyday listening and inspiration, and a coiled hi-fi cable included for a traditional connection.

Headphones for life.

AIAIAI offer lifetime trade-in for your headphones or modular parts. With this program, users can leverage the modular product design to get maximum value from their purchase by swapping out used or non-functional headphones or parts for future credit. This means only investing in one pair of headphones, for life.

Wireless music creation with ultra-low latency and uncompressed audio with W+ Link technology.
Signature AIAIAI bio-diaphragm speaker tuned for clarity and detail.
Enhanced comfort with Alcantarar over-ear memory foam cushions.
Modular product design - Headphones for life.
Extended versatility with added Bluetooth for +80h playback and hi-fi coiled cable.

Technical specifications

W+ Link Headband

Audio quality: Lossless
Latency: 16 ms
Operating range: 12 m
Playback time: 16 hrs
Bluetooth version: 5.0
Bluetooth range: 10 m
Charging time: 2 hrs
Battery: 970 mAh
Omnidirectional mic: 100 Hz - 10 kHz
Bluetooth codecs: AAC, SBC

W+ Link Transmitter

Audio quality: Lossless
Latency: 16 ms
Operating range: 12 m
Playback time: 30 hrs
Charging time: 3 hrs
Battery 2700 mAh

Notes: When you add drive, dirt or other sound manipulation devices to your signal, the trade-off is always noise. So, many players turn to noise gates to help tame these unwanted nasties. Unlike many noise gates on the market, the PYLON ATB Noise Gate seeks to not only drive back the hordes of fizz and hum, but also arms and reinforces your tonal attack, shutting down the noise and yet helping you enjoy your rig's true potential.

This advanced, multi-functional and super-versatile pedal not only features an ultra-fast Gate with a smooth trigger, an integrated Boost section, an External Trigger Input for external bypass switching or Gate-triggering, a relay-based Channel Switcher for your amp but also sports a built-in Audio Transformer to help enhance and balance your rig. Hear and feel the quiet in the eye of the storm!

"Deep within the solitude of the temple, the Sau's of the Per-Ankh assembled in silence. Their conclusion was self-evident. Only those pure of tone could be received in the temple and find sonic peace. From the centre of their silent circle, the Orb swelled and raised above the Pylons. Erupting in a rain of light and spewing forth daggers of lightning, their new God subdued and separated the chaotic ocean of noise from the perfect breeze of stillness. Peace reigned once more, the hordes of cacophony overcome."

When talking about signal gain, we all know drive circuits at full tilt can be noisy malice monsters. To help get a grip on your noise floor, PYLON's NOISE GATE is based on a high-performance Blackmerr VCA and provides lightning-fast and precise performance. To find the right spot, simply choose between one of the two detection-range settings and dial in the THRESHOLD to taste. With either softly decaying notes using HIGH mode or a fast-closing response in LOW mode, you're sure to be able to dial in super tight tones when you need it, but without interfering with your sonic signature. Fast palm-mutes? No problem. Decaying notes? Dead simple to accomplish and just so you know when it is operating, the white status LED will also turn blue as soon as the gate starts to act.

Providing up to 30 dB of gain, the integrated BOOST circuit can really help to fine tune your tone, but it can also serve as an attenuator too. Its CUT control will tighten up your low end and is selectable between 65-730 Hz to ensure a mid-focussed and cutting lead sound when pushing your amp's preamp into saturation. Choosing between three different modes for the boost's on/off state, gives you plenty of options on how you want to use it. Either leave it ON to always help shape your tone, OFF if you don't need it, or use SYNC mode so it is activated with the GATE. Both CUT & BOOST knobs are backlit, in order to show you the on/off status of the BOOST section at a glance.

Using transformers in pro-audio gear is nothing new, but while they help to easily match the impedance of low-level and unbalanced signals such as from guitar or bass instruments, PYLON's audio-grade-transformer also gives additional warmth with associated nice low-frequency harmonics. Your guitars, synths or in fact anything you put through the pedal will never have sounded so solid. The pedal gives more 'heft' and enhances the core tone, in a much finer way and without any of the phase issues that can happen when using EQ alone!

However, when the output transformer is boosted even further in level, it can overload many amplifier or pre-amp inputs and make things appear muddy, especially with high levels of additional gain. So, to help tame superfluous low end (especially for rhythm chugging and soloing), KMA Machines added a fixed built-in roll off that affects everything below 65 Hz when the internal BOOST section is activated.

Powered by an optional standard 9V DC (max.) PSU (negative center, 2.1mm, >160mA current draw)

Notes: ADDAC710 is a dual channel Isolated DI box and is all about keeping the sound coming from your Modular free from any undesired noisy interferences, making sure that what you're getting from your outputs is what your Modular is actually producing. It provides galvanic electrical isolation between the Modular system and external sources preventing impedance mismatch and ground loop induced hum. ADDAC's 710 circuit is designed around a unity 1:1 type Low-cost Audio Transformer operating in the 20 Hz to 20 KHz range, this impedance matching transformer provides two fully balanced outputs (via XLR connectors). ADDAC710 is a low-cost alternative to the ADDAC800X High-End Outputs module, we redesigned the original circuit using a smaller low-cost transformer that also reduced its depth allowing it to fit shallow Eurorack cases.

There are two independent channels on the module with:

Audio Input

LIFT/FLOAT/GND toggle switch
Signal overload warning led
XLR Output

The LIFT/FLOAT/GND 3-way switch lets you choose between lift, ground or floating ground.
In the LIFT position (left) the module circuit will be "lifted" to ground through a 100R resistor and a 10nF capacitor.
In the FLOAT position (middle) Ground will not be shared leaving ins and outs grounds completely apart from each other fully isolating both signals. in the GND position (right) Ground will be shared between inputs and outputs, here no isolation is used.
Any of these three positions may be the best form of avoiding ground loops or any other undesired interference occurring between your modular and the sound system you're plugging it into. Try out which one of these options will work best in any given situation.

Tech Specs:

6HP
4 cm deep
40mA +12V
40mA -12V

The importance of using Audio Transformers
Applying a transformer balanced output isolation has lots of advantages over other less expensive ways for dealing with ground loop issues. This method provides the chance to set a very simple and clean circuit in which the signal transfer process develops smoothly and humming free. The transformer is a device that performs both signal balancing and high-to-low (or vice-versa) impedance conversion, while rejecting straggled DC voltage and Radio Frequency Interference from signal passing through a magnetic bridge. In a transformer, two (or more) coils (called windings) of insulated wire wound around a magnetic metal core allow for its input(s) and output(s) not to be physically connected together. When an AC signal passes through the input winding (the primary), a perfectly related AC signal appears on the output winding (the secondary). This way, by the fact that signal flows via inductive coupling between the two windings of the transformer, this module presents a most accurate electrical isolation between its input and output. A same number of windings on each coil guarantees that there's no gain loss when audio signal passes from the primary to the secondary windings. Furthermore, since these two windings are insulated from each other, the transformer will electrically isolate ADDAC710 from any other device, preventing hum problems coming from an outsider ground. Being a low-cost transformer the frequency response curve is not as linear as our 800X, still the -0.2dB attenuation at 50Hz feels negligible.

Phantom Power

+48V Phantom Power is NOT needed for the module to operate.
In any case having Phantom Power ON won't influence the module operation.

Notes: The ATH-M50xBT2 is the second generation of Audio Technica's critically acclaimed M-Series wireless over-ear headphones. These headphones feature 45 mm large aperture drivers in a wireless design, so listeners will enjoy the same sonic signature of the legendary ATH-M50x studio headphones. With this update, Audio Technica have also introduced several noticeable enhancements, such as improved vocal pickup for better call quality, an updated USB-C connection, and multipoint pairing mode.

So, whether you're looking for high-fidelity audio for your commute to work, conference call setup, or just relaxing and enjoying the music, the ATH-M50xBT2 lets you go wireless whenever you need it.

Building on the acclaimed sonic signature of the ATH-M50x headphones, the ATH-M50xBT2 headphones utilise Bluetooth wireless technology and offer the same studio-quality sound in a wireless package. The large-aperture drivers deliver deep and accurate bass response for an immersive listening experience, while the AK4331 advanced audio DAC and dedicated internal headphone amp provide superior clear, high-fidelity sound.

The ATH-M50xBT2 features dual microphones and beamforming technology, which provide improved vocal pickup ensuring crystal-clear audio call quality. Additionally, users can conveniently mute with the press of a button or access the built-in Amazon Alexa voice assistant, as well as Google Assistant and Siri.

These headphones have a battery life of up to 50 hours on a continuous full charge, with up to 3 hours of use on a 10-minute rapid charge via the USB-C connection, making them some of the longest-lasting wireless headphones available.

The multipoint pairing function allows users to stay connected to two Bluetooth devices at once, making it easier than ever to switch between tasks. You can also personalise and adjust the ATH-M50xBT2 to your preferences with the A-T Connect app. Adjust additional controls like activating low latency mode, adjust and save EQ to your headphones, change the L/R volume balance, select desired voice assistant, and more.

Included Accessories: The ATH-M50xBT2 comes with a 1.2 m (3.9") cable for an optional wired connection.

Expect more from your wireless - the ATH-M50xBT2 headphones deliver the legendary M50x studio sound - with exceptional clarity and deep, accurate bass response - for an exhilarating wireless listening experience.

Enhanced call quality - Dual mics and beamforming technology provide exceptional vocal pickup, resulting in crystal-clear phone calls and reliable communication with the built-in Amazon Alexa voice assistant.

50 hr Battery Life - with the ATH-M50xBT2 there's nothing to hold you back. You get up to 50 hours of continuous use on a full charge.

Personalised Listening Experience - download the A-T Connect app to gain greater control of your headphones. Easily activate low latency mode, adjust EQ, change L/R volume balance, select desired voice assistant, locate misplaced headphones, change codecs, and more.

A permanent quest for quality

How do Audio Technica improve on the original ATH-M50xBT and the same critically acclaimed sonic performance as the original ATH-M50x professional studio headphones? By expanding the limits of audio technology, pursuing an ever-changing purity of sound.

Specifications

Headphones

Type: Closed-back dynamic
Driver Diameter: 45 mm
Frequency Response: 15 - 28,000 Hz
Sensitivity: 99 dB/mW
Impedance: 38 ohms
Battery: DC 3.7V lithium polymer battery
Battery Life: Approx. 50 hours continuous use
Weight: Approx. 307g
Charging Time: Approx. 3.5 hours
Microphone Type: MEMS type
Microphone Sensitivity: -38 dB (1V/Pa at 1 kHz)
Microphone Frequency Response: 85 -15,000 Hz
Microphone Polar Pattern: Omnidirectional

Accessories Included: USB charging cable, (30cm USB Type-A / USB Type-C), Audio cable (1.2m/ 3.5mm stereo mini-plug), Pouch

Bluetooth

Bluetootr Version: Bluetooth Ver.5.0
Operating Range: Line of sight - approx. 10 m (33?)
Compatible Bluetooth Profiles: A2DP, AVRCP, HFP, HSP
Support Codec: LDAC / AAC, SBC

Notes: EarthQuaker Devices White Light

Limited Edition Reissue Overdrive - limited to 2,000 units worldwide.

The White Light is a hard clipping, vintage-voiced overdrive that takes its cues from the vintage dirt pedals that defined the sounds of heavy rock. Think OD250 or Distortion+ without being overly derivative, a new voice to an olde sound if you will. The White Light gives you total control over the feel and voice of the dirt along with a modern presence that is highly responsive to your playing. You'll find that it is much more dynamic, open and harmonically rich than these classic overdrives it shares its lineage with. This classic EQD overdrive has been updated with a new enclosure, top-mounted jacks and Flexi-Switchr Technology.

Gain: Controls the amount of distortion.

Weight: A multi-functional control, allows the level of saturation, low end response and the overall feel of the device to be altered.

Level: Controls the output.

Compression Switch:

Minus (-): open with more high-mids and bite.
Plus (+): crunchy and compressed with a bit less bite and a flatter mid response.
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.
For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.
For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.
Since the switching is relay based, it requires power to pass signal.

Power

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Earthquaker Devices always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.

Do not run at higher voltages!

Tech Specs

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 10 mA
Input Impedance: 500 kO

Notes: The Zoom G2x Four is a compact, easy-to-use multi-effects processor that offers a huge range of sounds with new amp modelling, multi-layer IR technology and over 100 effects:

Features

22 amp/cabinet models with newly developed multi-layer IR technology
79 guitar effects including boutique pedal modelling
Use of up to 7 effects simultaneously
250 preloaded patches with sounds that recreate guitar sounds from the 50s to today
300 patch memories in total
Additional effects/patches can be installed, edited and saved via the Handy Guitar Lab app for iOS and Android.
Expression pedal lets you control effects such as volume, pitch and wah in real time
Lightweight and compact design that fits in the pocket of your guitar case
80-second looper function
68 rhythm patterns that can be played in sync with the looper
Output EQ for quick adjustment of the overall sound to the playing environment
AUX IN jack for connecting a music player, etc.
Autosave function that automatically saves effect settings
Tuner function that supports open tuning and drop tuning
USB connection for Handy Guitar Lab, 2-in/2-out audio interface and firmware updates
Can be powered via USB bus (computer or power bank) or via the supplied AC adapter (AD-16)

Sounds without end

Using all-new amp modelling and innovative IR technologies, the Zoom G2X Four gives guitarists more sound variations to choose from than ever before. You can create amazing sounds right out of the box.

Comprehensive amp models

The G2X Four takes amp modelling to the next level. Carefully recreated emulations of classic amps are combined with speaker simulations using our new multi-layer IR technology. As a result, guitarists benefit from great sounds and always have the feeling of being on the "big stage", regardless of the environment.

Multi-layer IR

Each amp model is based on Zoom's innovative Multi-Layer IRs, which capture the sound characteristics as well as the feel of classic amps and speaker cabinets. These IRs have been miked at three volume levels through legendary cabinets and can be crossfaded and activated depending on the volume of your guitar.

Historical guitar sounds

Preloaded in the form of 250 presets, these patches were designed to document the sonic evolution of guitar sound. Each patch recreates the sound of a legendary song from the 1950s to the present day.

Brimming with effects

The internal patches include over 100 effects, recreating a wide range of traditional and boutique sounds, from classic spring reverbs to extreme distortion and modulation effects to wah-wah and more. Mix and match up to 7 effects to create your own patches.

Controls

Zoom's new cross-key navigation concept helps you control the pedal with just your feet and make adjustments on the fly. In addition, four endless knobs allow you to quickly adjust effect parameters as well as output settings.

Programming

The redesigned control surface makes it even easier to edit effect parameters, rearrange effect chains, and access the looper and tuner.

The perfect addition to your pedalboard
The G2X Four's compact design and diverse effects selection make it a powerful addition to any existing pedalboard.

Optimised for amps, monitor speakers and headphones

The G2X Four is designed to connect to guitar amps, studio monitors, PAs and headphones. After switching on, set up the G2X Four perfectly for your setup by selecting between LINE and AMP.

Looper

Use the built-in 80-second looper for songwriting or enhance your performance with additional sound layers.

Play to the beat

Play along to any of the 68 beats on the built-in rhythm machine. This rhythm section is the perfect accompaniment when practising, whether it's metal, blues or any other genre.

Express yourself

The G2X Four features an expression pedal for controlling volume, wah-wah and more.

Audio interface

Record at home or in the studio with your favourite effects and amp models by connecting the G2X Four to your computer via USB-C.

Guitar lab

Thanks to the ever-growing library of patches and effects, every guitarist can expand their sound selection via the Guitar Lab app (for iOS / Android).

Notes: Shortwave

(Lo-fi Radio and Wire Recorder Emulation)

Inspired by espionage devices used during World War II and the Cold War, Shortwave transforms audio into clandestine operations of the past; Russian number stations, mysterious sounds transmitted by radio, and eerie sounds stored on early portable recorders.

Choose between 2 types of noise and interference, and control it with the Exposure parameter. Velocity and Focus control the amount of pitch stabilization. Shortwave will add an interesting emotional response and atmosphere to dry, simple sounds, or destroy a signal like no other fuzz pedal can.

Hand-wired in Seattle, Washington. Shortwave operates on a standard "Boss" style 9vdc power supply, not included. True bypass switching. Includes a limited lifetime warranty, if registered within 30 days of purchase.

Enclosure size: 4.77" x 2.6" x 1.39"

Notes: Part of Xaoc's Leibniz subsystem, which processes signals and voltages by manipulating binary 8-bit numbers, the Poczdam allows switching between two data sources.

Supplier's Notes:
Poczdam is a binary data routing solution for the Xaoc Leibniz Subsystem. It facilitates manual and remote switching between two Leibniz data sources, modifying individual bits of the data stream, and re-clocking the data with its onboard voltage-controlled wideband oscillator or any external clock signal. Poczdam is particularly useful within complex Leibniz setups where the user needs to reconfigure the data flow between multiple modules. However, it can also be employed in small creative patches, e.g., for waveform splicing, disrupting rhythmic loops, or generating digital chaos.
To better understand the device and avoid common pitfalls, it is strongly advised to read through the entire user manual before use.

Component of the Leibniz Binary Subsystem
Routing Leibniz data
Reclocking Leibniz data
Additional CV clock generator (up to 2MHz)

6hp, 30mm deep
Current draw: +20mA/-10mA
Reverse power protection

The high quality Coal Mine black panels are available for all Xaoc Devices modules. Sold separately. Ask your favourite retailer.

Drezno is the input/output front-end of the system, consisting of an analogue-to-digital converter (ADC) and a digital-to-analogue converter (DAC), that alone can be used for manipulating analogue signals and voltages based on their binary representation.

Lipsk is a binary logic processing expander module that can flip (invert) individual bits of the digital signal representation. There are more Leibniz Binary Subsystem elements coming, with specialized and advanced sets of features.

Jena is a digital module that may be used as a flexible waveshaper for CV and audio signals, a wavetable oscillator, a Walsh function generator, or a rhythm generator.

Erfurt is a bi-directional digital counter, frequency divider. It has multiple applications: the output of the counter may be used as a phase source driving a digital wavetable, connected to other Leibniz modules it may scan waveshapes in Jena, produce stepped voltages useful for making interesting glissandi with Drezno and any VCO, generate gate patterns animating the spectrum of Odessa harmonic banks, spawn pseudo-chaotic sequences when fed back to Lipsk, etc.

Notes: Popple is an 8hp multimode stereo filter based on the Mutable Instruments Ripples V1 filter section. Popple maintains the buttery smoothness of Ripples filter while giving you two separate audio paths. The audio paths share a resonance, control, a frequency cutoff control, resonance CV input, and a v/oct cutoff CV input. Each channel then has it’s own cutoff CV input with attenuverters (which are normalled to a 2.5V signal).

Popple will also self-oscillate at high resonance settings, when coupled with the v/oct CV control, it can also act as a dual sine wave oscillator.

Notes: Alan (micro Turing Machine) Shift Register Based Sequencer

The randomness of the Music Thing Modular Turing Machine, shrunk down to 6HP. Alan retains all of the same functionality as the original including the connectors for the expanders.

While this module has little to do with the original Turing Machine (by Alan Turing), it is a shift register based sequencer. You cannot program this sequencer, instead it builds random sequences that can be locked in.

Alan comes tested, calibrated and ready to bring random voltages.

The After Later Audio panel is black and gold and made from FR4. The package will include a power/ribbon cable and a one year warranty.

Notes: nRings

This is a new build of a micro version of Rings from Mutable Instruments. MicroRings, also called NanoRings, retains all the same functionality as a full-size Rings module.

The module is fully assembled, tested, and calibrated. Eurorack power cable is included.

These modules use tall bushing potentiometers to offer a more stable feel.

Notes: Compact, affordable and truly powerful DJ controller from one of our favourite brands. One of the best options for starting out with DJ software. Hook up to a smartphone, tablet or computer and get mixing.

Supplier's Notes:
This compact and powerful 2-channel DJ controller was designed and developed in close partnership with Algoriddim for the tightest integration possible with their award-winning djay app.

The Reloop Buddy offers DJs of any level all the tools they need to perform creatively and efficiently at a high level. Thanks to its powerful features and the brand new Neural Mix controls, the BUDDY is space-saving without compromising any functionality.

Whether you're a complete beginner or an experienced DJ, the Reloop Buddy offers you full control over your mixes thanks to powerful features including the intuitive pad section consisting of 8 performance modes (hot cue, auto loop, touch FX, sampler, slicer, bounce loop, Neural Mix™, looper), dedicated loop controls, a flexible effect section with FX paddles (hold & toggle), and responsive jog wheels for precise mixing and scratching.

Also, the Reloop Buddy includes extensive Neural Mix controls (pad / EQ mode) to isolate beats, instruments, and vocals of any song in real-time for even more creative mixing possibilities.

The Reloop Buddy offers you large FX Paddles with HOLD and ON positions for instant effect mixing.

In terms of outputs, a full headphones cue section and 14 inch jack are conveniently located at the side of the unit, together with an RCA out port for direct connection to active speakers and sound systems.

Thanks to its dedicated integration with Algoriddim's djay software, and built-in USB audio interface, the Reloop Buddy enables instant plug and play compatibility with smartphones, tablets, and computers.

The Reloop Buddy is built from quality, durable materials, and its space-saving, highly-portable design makes it perfect for your home setup, mobile use, and even on-the-go or while traveling. Furthermore, its built-in device slot can hold smartphones and tablets up to 12.9", which keeps the overall footprint of the unit to a minimum.

Not only can tracks be loaded to djay from your crates and libraries, but it's also even possible to mix millions of tracks instantly from popular streaming services such Tidal*, Soundcloud Go+*, Beatport LINK*, and Beatsource LINK*.

*Please note: An internet connection and a TIDAL Premium or HiFi subscription, Soundcloud GO+ subscription is required. Beatport Link and Beatsource Link are accessible with all 3 offered subscriptions.

HIGHLIGHTS:

Compact performance controller for djay across all platforms (iOS/Mac/PC)

Powerful features: FX paddles, sound filters and 8 performance modes

Neural Mix controls for real-time vocal and instrumental separation

Notes: QEG Quad Loopable ADSR Envelope Generator with 16 Trigger and Mix Outs

Quad Version of FEG plus Trigger Outs

Mix Out ( normal and reversed) of all envelopes for multistage applications

Very exponential "snappy" course and rounded

Edges for a compressed "bonky" sound

Two time zones are offered

Remote control via CV of two time zones

Loopzone from Attack to Release

One shot mode for trigger signals

Jumper at the back for reset mode

Manual Trigger button

Normal and Inverse Output

Trigger Outs for each section: Begin of Attack, End of Attack, End of Sustain, End of Release

Power consumption: 120 mA (+12 V) / 100 mA (-12 V)
Rackspace: 20HP
Depth: 25mm

Review: 30 years on, the power of Nevermind has never dulled. Of course it's the most commercially appealing of Nirvana's albums, but it's no less daring for it no matter how many times you've heard it. Well, how to toast an album as world-changing as this one? By going all out on the lavish vinyl edition of course, which in this case means a mammoth eight-disc 180gm vinyl edition with a 40-page hardback book. If you want an altar at which to worship one of the definitive moments in popular music, this authoritative release is surely all the plinth you need.

Notes: Designed with versatility in mind, the Fold 6 is a six-stage wavefolder with simultaneous series and parallel outputs, dual signal inputs and voltage-controlled folding and overdrive shaping.

Supplier's Notes:
Often considered to be the opposite of filters within a modular system, wavefolders are designed to fold a signal over itself multiple times. This generates additional harmonics, resulting in rich timbres.

While there is a bewildering array of filter types within the synthesiser world, most wavefolders fall within only a few categories. Diode wavefolders in particular come in just two variants: series and parallel circuit topologies. Choosing a specific folder also means being limited to specific sounds and capabilities.

For the first time, Fold 6 puts forward a 6-stage hybrid series/parallel topology, yielding a greater sonic palette than ever in just 4 HP. Having both main (series) and alternate (parallel) outputs means a single module now gives access to just about all wavefolding tones imaginable.

To take things even further, an integrated symmetrical soft clipper limits the output signals to approximately 10 Vpp, keeping the amplitude within typical Eurorack levels and making it easier to create overdriven sounds at high fold ratios. This clipping stage can be driven continuously using the shape parameter, smoothly transforming the folded waveforms into pulse waves for even more harmonic content.

Two signal inputs are included, to mix audio signals or add in a DC voltage for asymmetric folding. The symmetry can also be manually controlled using the dedicated knob. Of course, both fold and shape parameters feature voltage control, to enable continuous timbral modulation.

Moving beyond simple signal processing, Fold 6 also lends itself perfectly for feedback patching, CV folding or frequency multiplication; its modest size belies the sonic capabilities within.

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Assignable CV input to effect controls or to Sample Rate reducer (changes internal clock). Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, assigns and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to CV input.

Reflashing mode: hold both buttons for 10 sec.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

By default it runs on 32.77 kHz and, if sample rate reduction assign is used, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz.

80 mA +12V
30 mA -12V
45 mm deep

Notes: A warm and deep sound source you can rely on

A flexible and warm Analog Multifunction Oscillator, rich in harmonics. Excellent for performance use!

ONA can work as an Audio Oscillator or as a Low Frequency Modulator and it provides control over all its parameters, making it a versatile, deep and easy-to-use oscillator.

Thanks to its triangle-core oscillator and wave-shapers you can choose between a big palette of output waveforms to give shape to your ideas.

Classic Waveforms. Sine, Triangle, Saw and Square.

2 Complex Waveforms with Pulse Width Modulation.

2 Sub-Waveforms to add some bass sounds easily.

Blend them to give unlimited depth to your sound!

Notes: Updated with new driver construction and recycled materials, AIAIAI's Studio model is designed for production work and mixing, featuring the same top quality modular design as the brand's other TMA-2 models.

Supplier's Notes:

Signature AIAIAI bio-diaphragm speaker tuned for clarity and detail.

Critically acclaimed sound stage specifically designed for music creation with a clear and highly detailed sound representation.

Enhanced comfort with Alcantara.

Ultra soft over-ear memory foam cushions covered with resilient, CO2 neutral, and highly comfortable Alcantarar ideal for longer sessions.

Versatile.

Trusted for music creativity in all environments - in the studio, on the road, and on stage.

Modular product design.

This TMA-2 modular headphone system offers a customizable solution that adapts to your creative process. With interchangeable components such as earpads, cables, and drivers, you can upgrade or change parts of your headphones to improve sound quality, comfort, or style.

Headphones for life.

AIAIAI offer lifetime trade-in for your headphones or modular parts. With this program, users can leverage the modular product design to get maximum value from their purchase by swapping out used or non-functional headphones or parts for future credit. This means only investing in one pair of headphones, for life.

Signature AIAIAI sound tuned for clarity and detail
Bio-diaphragm speaker for enhanced accuracy
Enhanced comfort with Alcantarar
Responsible modular headphones - headphones for life
High quality cable

Notes: CR8S-XBT

8" powered studio subwoofer

The CR8S-XBT subwoofer brings a tight, clean bass to your studio monitoring or home listening setup. This subwoofer is designed to meet the demands of modern musicians and content creators while offering Bluetooth connectivity for easy streaming

Feel the bass

Ready to upgrade your listening experience? With the Mackie CR8S-XBT subwoofer, you won't just hear the bass-you'll feel it too. The CR8S-XBT houses an 8" polypropylene-coated woofer within an all-wood sealed enclosure. The result? You get powerful bass reinforcement that delivers the bottom end you've been dreaming of.

Product features
Premium 8" Woofer and Wood Cabinet
Sleek, Brushed Metal Grille with Outlined Design Flexible I/O-1/4" TRS, RCA and Bluetooth
Included CRDV Desktop Volume Remote

Studio-quality sound

How else are you going to hear those deep 808s when you're mixing or listening to music? Adding the CX8S-XBT to your setup brings powerful low-end to your studio or home audio system. You'll know it when you feel it.

Sleek cosmetics

Sounding great is only half the battle-your multimedia monitors should reflect your style too. The sharp aesthetic of CR8S-XBT monitors looks great in the studio, the bedroom or any home listening setup. Be bold and make it loud without sacrificing style.

Bluetooth streaming

Effortlessly pair any Bluetooth-enabled device for easy streaming. We'll let you in on a secret. Paired with the CR8S-XBT, you can transform a set of regular CR-X monitors into Bluetooth monitors that you can pair with any compatible device. Has your dream come true yet?

Control it

All the control you need is always within reach. We include a CRDV desktop remote to give you control over the input and output levels of your subwoofer and stereo speakers. You'll never have to get up from your chair to adjust volume ever again.

Flexible inputs and outputs

In addition to Bluetooth connectivity, you can connect your subwoofer using TRS or RCA cables. This makes it easy to use your subwoofer in a studio or a home listening setup-the choice is all yours.

Wattage: 200W
Driver Size: 8"
Bluetooth: Yes

Notes: Compact audio and MIDI interface from one of the longest-running and most trustworthy brands in the business. Simple 2x2 setup with clear sound. A great entry-level option for getting sounds in and out of your computer.

Supplier notes:
Equipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M2 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.

The M2 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).

When recording and mixing, nothing is more critical than achieving optimum levels. The M2 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.

The M2 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M2 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!

Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.

Notes: Add external feedback loops, tilt filters and more to the Timiszoara effects module with this versatile expander. A must-have for Timiszoara owners.

Supplier's Notes:
Deva is an expander for Xaoc Devices' Timiszoara multi-fx module designed for creative exploration of the dirty/nasty side of signal processing. Deva opens up the Timiszoara programs you've come to love with some unexpected twists and turns along the way. The analog side features two external feedback loops (for the left and right channel) with tilt filters adjustable via sliders with two additional switches for choosing positive or negative feedback (for each channel). The third slider controls the DAC clock - from overclocking by a factor of two down to 16-times slower, so you can go from chipmunk to hardcore teeth gnashing of underclocked goodness. A switch allows for turning the clock control off for normal/regular operation. All features have inputs for external CV.

Technical details

Eurorack synth compatible
8hp, skiff friendly
Power drawn from Timiszoara: +60mA/ -50mA
Reverse power protection

Notes: Arturia's new KeyLab Essential 3 offers a new level of accessible, enjoyable, and creative music making, redefining the essence of a modern universal keyboard controller.

From its refreshing new design, to its vastly upgraded creative workflow, to an expanded software package, it promises to shake up the affordable controller market by empowering modern musicians and sound explorers looking to expand their setup without breaking the bank.

Main selling points

Fit for any style and any setup

For DAW producers, musicians with hybrid setups, or performers using hardware; enhance any creative setup or musical style with MIDI out & USB power, deep DAW compatibility, and premium software.

The new standard for affordable keyboard controllers

A keyboard controller that doesn't need tons of controls, menu diving, or complex configuration to operate. KeyLab Essential 3 looks modern, feels great, and removes creative barriers for next-level music making.

Directly-linked with Arturia's industry-leading software ranges

Many musicians and producers will be familiar with Arturia's award-winning software; KeyLab Essential 3 is part of the same range, seamlessly integrating with Analog Lab V, Pigments, and V Collection.

Features

Premium Keybed quality
49 note velocity-sensitive keyboard with hybrid synth-piano feel

Pads & controls
1 clickable encoder
9 rotary encoders
9 x 30mm faders
8 transport switches
4 command switches
1 modulation wheel & bend wheel
8 touch & pressure-sensitive pads

Display control
2.5" LCD display with contextual buttons
Real-time feedback on tweaks and controls
Smart features

Multi-mode arpeggiator
Chord mode
Scale mode
Hold function
Semitone transpose

Software integration
Seamless integration with Analog Lab V: select sounds, browse presets, smart-assigned controls
Custom DAW scripts for FL Studio, Logic Pro, Ableton Live, Cubase, Bitwig Studio
Also compatible with MCU/HUI control
Up to 6 user presets for a totally customizable experience

Included Software titles & services
Analog Lab V software with 2000+ sounds
Ableton Live Lite
Native Instruments' The Gentleman
UVI Model D
2-month Loopcloud subscription
Melodics subscription for 40 lessons

Connectivity
USB-C connects to computers and MIDI Control Center
MIDI 5-pin DIN output for connection to external instruments, gear
Control input for pedal: sustain, expression, or footswitch
USB-C powered

Platform specifications

Windows
Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
3GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Required configuration
Works in Standalone, VST, AAX, Audio Unit, NKS (64-bit DAWs only).

Apple
Mac OS 10.13+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or Apple Silicon CPU
3GB free hard disk space
OpenGL 2.0 compatible GPU
Work with ASC
An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

What's in the box

Box content:
KeyLab Essential Unit
USB-A to USB-C cable
Registration card

Dimensions for 49 keys
Size : 31.1 x 9.45 x 2.76 inches (790 x 240 x 70mm)
Weight : 6.1 lbs. (2.76 Kg)

Notes: Limited-edition reissue of EarthQuaker's excellent Disaster Transport, lightly updated for 2023. Modulated delay now with reduced noise floor, analogue-style filtering and switchable modulation modes.

Supplier's Notes:
Disaster Transport

Legacy Reissue

The Original Delay Modulation Machine

Limited to 3,500 units worldwide. Behold! The newest incarnation of one of Earthquaker Devices' most beloved pedals ever, the Disaster Transport. For those of you well versed in the pedal's celebrated history, you might notice some differences on this beautifully sparkly box. A new Mod Mode switch allows you to bend or stretch the modulation wave. The new Mod Speed switch offers three rates of modulation, from bizarrely animated gradual climbs and steep drop offs to rapid chorus and intense vibrato.

The delay line has been redesigned to reduce the noise floor and improve the quality of the delay. Plus, it's now filtered to sound more like an analogue delay than any of the previous versions. With knobs to control the Speed, Intensity, Mix, Repeats, and Time; this analogue-voiced digital delay sits perfectly in the background with an evolved ambiance, but can also be dialled in for the dramatic effect of your choosing.

EQD initially set out to recreate the original Disaster Transport pedal in its earliest form, but the OG of EQD, Jamie Stillman, couldn't resist tinkering and improving the whole thing, so you just got upgraded, my friend. In doing so, EQD redesigned the delay line to reduce the noise floor and improve the quality of the delay. The output was boosted with a cleaner mixing section; it's now filtered to sound more like an analogue delay than any of the previous versions.

EQD added a Mod Mode switch that allows you to choose between bending and stretching the modulation wave. The Bend setting offers a subtler vibe closer to a traditional chorus sound, while the new Stretch option gives you loads of pitch-stretching modulation to run wild with.

The other difference you probably spotted with your eagle eye is the Mod Speed three-position toggle switch. The Slow setting is excruciatingly slow and can produce bizarrely animated gradual climbs and steep drop offs. The Fast setting can go from a rapid chorus to an intense vibrato, while the Medium setting is the most traditional rate similar to the classic Memory Man circuit with a nice range to it.

The newly designed enclosure features knobs to control the Speed, Intensity, Mix, Repeats, and Time, with Modulate and Activate switches, making this a highly customizable pedal to get the delay sound of your dreams. Thanks to the ramp modulation circuitry, you can turn the delay time down and start to use feedback and modulation at a higher setting to harness a bizarre modulator and achieve subtle to wild chorus-type effects. Or set your delay time how you want to set it and use your modulation rates to set your tempo, so you can strum or pluck to the climbs and drop offs to match your riffs. The possibilities are endless.

Controls

1. Speed: Controls the speed of the modulation. The Speed operates in three ranges (Slow/Fast/Medium) selected by the Mod Speed toggle switch. The Disaster Transport uses a Ramp wave for the modulation. You'll find this to be much more intense than most modulated delays. Think of it as a traditional Triangle wave that falls off a cliff in mid-cycle, creating a drastic pitch bend in its wake. Or don't and just think about whatever you want.

2. Intensity: Controls how much the LFO modulates the delay time. More subtle chorus type effects are achieved with less intensity and more intensity will yield wild pitch stretching and bending. The overall modulation style can be made more or less subtle by using the Mod Mode toggle switch to select Bend or Stretch.

3. Mix: Sets the volume level for the delay signal. Hear more of what you just played 30-600ms ago by turning this up.

4. Repeats: Controls the intensity of delay feedback from no repeats at zero to self-oscillation at max. Let the past pile up on you until it implodes.

5. Time: Sets the delay time from around 30ms at zero to 600ms at max. Everyone needs more time; you are offered about 600ms worth.

6. Mod Speed: Three position toggle switch that sets the range in which the Speed operates.

7. Mod Mode: Two position toggle switch to choose the modulation style. Bend is more of a traditional chorus type modulation and Stretch is a wilder pitch stretching modulation.

8. Modulate: This foot-operated switch features Flexi-Switchr Technology and turns the modulation on and off.

9. Activate: This foot-operated switch features Flexi-Switchr Technology and turns the effect on and off.

Tech Specs

Dimensions: 3.65 x 4.65 x 2.25 in. (93 x 118 x 57 mm) with knobs
Current Draw: 35 mA
Input Impedance: 1 MO
Output Impedance: 1 kO

Flexi-Switch Technology

This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power

This device takes a standard 9 volt DC power supply with a 2.1mm negative centre barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.

*** Do not run at higher voltages! ***

Notes: Representing the pinnacle of E Series engineering and performance, the E4 is the ultimate upgrade for every turntable enthusiast.

World-famous analogue audio specialist Goldring introduces its new flagship E Series moving magnet cartridge: E4. Designed as the ultimate upgrade for any modern budget or midrange turntable, E4 represents the pinnacle of E Series engineering and performance.

E4 is designed to be compatible with all medium-to-high-mass tonearms of the type found on the majority of budget to midrange turntables. And because it's constructed using the same high-quality core as the other E Series cartridges in the range, E4 is ideal both for those who wish to upgrade an obsolete cartridge in its entirety or those who want to boost the performance of their existing E Series cartridge by replacing the stylus.

New super-elliptical nude diamond stylus

The E4 features a 'nude' super-elliptical stylus of just 7.6 x 18 microns (0.3 x 0.7 mil), cut and polished from a single homogeneous piece of diamond. This makes for a lower effective tip mass of improved rigidity, which in turn means its ability to retrieve high-frequency detail is dramatically improved when compared to the 'bonded' elliptical stylus alternative. It's far less likely to 'mis-track' or overshoot when tracing high-frequency groove modulations, and because of its finely polished 7.6-micron profile it can more effectively fit into closely packed inner grooves. Lower distortion, improved transient response and a flat frequency response all contribute to superior fidelity when compared to any price-comparable alternative.

Hollow aluminium cantilever

To complement its low tip-mass stylus, the E4 features a hollow aluminium cantilever tube. The light weight and superior stiffness of the material allows the stylus to trace medium-to-high frequencies with greater accuracy, while simultaneously reducing distortion and mis-tracking.

Magnetic Duplex Technology

Stereo information is contained in a single 'V'-shaped groove that has perpendicular sidewalls angled at 45 degrees. Conventional cartridges, which use a single large magnet interacting with two vertically mounted coils (one for left-channel information, one for right) to extract a stereo signal from the groove, can permit high levels of crosstalk - and consequently only a modest amount of left- and right-channel separation. E4 uses Goldring's Magnetic Duplex Technology that positions two low-mass magnets at the same angles as the coils - so each magnet interacts only with its partnering coil. This allows the E4 to transcribe the information in the groove more accurately, and results in greater stereo separation and a more accurate soundstage.

Expert adjustment facility

'Azimuth' describes the angle that the vertical centre line of the stylus makes with the record's surface - it must be exactly perpendicular to the groove. Owners of budget and midrange turntables usually have no facility to adjust the azimuth, so it's vital the cartridge has been precisely adjusted before it's fitted to the turntable's tonearm - badly adjusted azimuth can cause increased crosstalk and uneven channel balance. E4 is designed to allow micro-adjustments to be made during the production process, ensuring each cartridge leaves the Goldring factory needing no further azimuth adjustment.

Technical Specifications

Frequency Range: 20 Hz - 20 kHz
Channel Balance: < 1.5 dB @ 1 kHz
Channel Separation: > 20 dB @ 1 kHz
Sensitivity: 3.5 mV (1 kHz @ 5 cm/s)
Static Compliance: 20 mm/N
Vertical Tracking Angle: 20-
Stylus Radius: 7.6 micron (0.3 x 0.7 mil)
Stylus Type Nude: elliptical
Load Resistance: 47 kO
Load Capacitance: 100- 200 pF
Internal Inductance: 400 mH
Internal Resistance: 410 O
Cartridge Mass: 6.9 g
Fixing Centre: 12.7 mm (0.5 in)
Playing Weight: 1.5 - 2.5 g (1.75 g recommended)

Notes: The BXx2 is a dual channel preamp, EQ and mixer based on the classic Boss BX series mixers. With the inclusion of both input gain and level controls, each channel can be overdriven, producing the signature saturated and lively sound the BX mixers are known for. The EQ controls provide the channels with simple but great sounding high and low shelf EQs for emphasising and shaping sounds and an additional 'Aux' input allows another mixer or extra sound source to be chained in.

Input gain controls

Sets the input gain of the channel preamp. Higher settings will cause source to overdrive the channel.

Inputs

In 1 - Input to channel 1 of the mixer.

In 2 - Input to channel 2 of the mixer.

Aux - Auxillary mix input for chaining with another mixer or extra source.

Fixed gain (-6dB).

EQ High

Sets the gain of the fixed high shelf EQ. Boosts high frequencies when set above 12 o'clock and cuts when set below.

EQ Low

Sets the gain of the fixed low shelf EQ. Boosts low frequencies when set above 12 o'clock and cuts when set below.

Level

Sets the channel level in the mix. Use level controls to trim back volume when overdriving the preamp.

Output

Audio output producing the mix of the 3 inputs.

Technical specifications

Power: +12V 10mA / -12V 10mA
Size: 8HP
Depth: 32mm

The BXx2 was designed in collaboration with Feedback Modules and is based on their single channel 'PRE BX' module.

Notes: Modulated digital reverb with an analogue dry signal path, the clock control lets you adjust the core frequency of the DSP, creating a smooth pitch shift in time, allowing you to create from a sharp traditional plate-like reverb to an underworld cavernous ambience.

Dedicated sustain footswitch to create an infinite modulated ambience, trails option to combine momentary activation and be able to add lush movement at any time.

Soft footswitch bypass latch & momentary
2 Modulation depths (off @ center position) MOD toggle
DSP clock control for deep cavernous textures
Trails toggle
2nd delay line with analog feedback
Pre-delay
Damp control
Infinite sustain footswitch
Top mounted jacks

Notes: The Shifty is essentially a combination of four sample and hold stages, a sequential gate and sequencer controller. This collection of functions allows for some specific and useful utility application.

One of the primary uses for Shifty is to take a monophonic sequence source and route each new note of the sequence to up to four different synthesizer voices in a specific pattern. In this way you can create pseudo polyphonic sequences since each voice can be triggered to play and sustain while the next voice int the sequence gets triggered. Another term for this is hocketing.

The other main application of the Shifty is to function as an Analog Shift Register. In this mode each new gate input received causes the current set of pitches to be shifted to new output locations as a new one is added and the oldest one is replaced. This can be an interesting way to create chords that are up to four stacked notes when used with a pitch sequence source that has a harmonious series of notes (e.g. a pentatonic scale works really well). Even just using two of the outputs will yield very interesting melodic interplay and is an excellent way to make a simple sequence much more complex and interesting.

In a more basic way the Shifty could be used as a simple Sample/Track and Hold module or as a sequential gate.

Notes: An analogue oscillator with through-zero phase modulation. The core of the T-ZED is the SSI2130 integrated circuit. Voltage controlled wave shape and phase modulation index allow for automated sonic versatility, and 2 separate frequency ranges mean the T-ZED can be used as an audio or CV source.

Features

Simultaneous SINE, TRIANGLE, SAW, SQUARE, and variable SHAPE outputs
Phase MOD input with bipolar INDEX circuit
V/OCT input tracks 10 octaves
FREQ spans 10 octaves, TUNE spans 1 octave
Hard SYNC input
SHAPE output (Sine to Triangle to Saw) with CV input and attenuator
Frequency range HI: 10hz-25khz
Frequency range LO: 0,1hz-200hz


Dimensions
12 HP
25 mm deep

Current Draw
55 mA +12V
45 mA -12V

Notes: Back in 2008, the original Z5000 was not only the world's first Eurorack DSP effects module but also the first Tiptop Audio module released. It brought voltage controlled digital effects to Eurorack for the first time and the Z5000 was eventually replaced by the Z-DSP open source platform. Now, years later with over a decade of experience developing audio effects for Eurorack signals we are introducing a totally new version of the Z5000: a compact stereo 8HP multi effect with voltage controlled parameters, VC analogue clock generator driving the DSP chip and 24 of our creme de la creme reverbs, delays, modulation, harmonization and pitch modulated effects. A number of programs in the Z5000 combine more than one effect, in series or parallel, that represent studio techniques from-the early days till modern times often leaning toward the more experimental side.

Notes: UDG have further fine-tuned what was already a great design concept of a flight case into one specially for the most discerning DJ/producer. Constructed from solid 9mm thick plywood, the outside is laminated in a black finished honeycomb/hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damages, creating a unique stylish & practical finish.

Extra wide black finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. The UDG Ultimate Flight Case Pioneer DJM-V10 Black also features heavy duty spring loaded handles for a secured lift & load.

UDG Ultimate Flight Case Pioneer DJM-V10 Black not only transport your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black coloured combination.

Specifications

Colour: Black
Weight: 7,90 kg / 17.38 lbs
Outer Dimensions (W x H x D): 57.1 x 49.0 x 22.0 cm | 22.5 x 19.3 x 8.6 inch
Inner Dimensions (W x H x D): 53.3 x 44.0 x 14.0 cm | 20.9 x 17.3 x 5.5 inch
Material: Heavy duty construction of 9 mm thick plywood
Protection: Improved powder coated and anodized hardware
High density diamond embossed EVA foam & carpeted protective padding
Dual anchor rivets with included washer
Extra-wide silver solid aluminium profiles
Secure stacking due to stackable ball corner

Extras

Convenient 80 mm space at rear for connections & PSU storage
Cable access hole with removable UDG emblem cover

Fits: 1 x Pioneer Controller DJM-V10

Notes: Erica Synths Black Dual VCF is a dual multimode filter with CV control over cutoff and resonance for serious modular patches.

At the core of this VCF is a highly stable, custom multimode VCF chip AS3320 (produced in Riga, btw). This module can be used as two independent VCFs with simultaneous HP, BP and LP outputs, controls can be linked to stereo application and both VCFs can be chained in series or parallel to the summing output for ultimate modulations. Bonus feature - the 16 band spectrum analyser gives you visual feedback on what happens on summing output.

Technical specifications:

Audio output amplitude: 10 Vptp
CV input (full sweep): 10 Vptp
Panel width: 18HP
Module depth: 35mm
Power consumption: 40mA@+12V, 36mA@-12V

Notes: The Listen Four is a four channel stereo mixer with line, modular, and headphone outputs. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.

Notes: Stereo Strip takes the idea of a channel strip and makes it modular. By bringing this long-established component of the audio engineering world into the Eurorack environment and by adding CV control over its key parameters, you will find new, creative ways to use it in your patches!

It features stereo inputs and outputs for audio or CV with EQ, voltage controlled panning, stereo VCA, performable mute and input/output level switching for Eurorack or line level uses. Abusing the input level switching allows for some musical, modulate-able and highly shapeable distortion sounds too.

Stereo Strip was designed to be a creative part of a modular patch. Creating stereo images from mono sources, shaping and modulating existing stereo images, synthesising stereo pseudo ring modulation, sweetening FX with EQ or drastically wave shaping your oscillators, creating send FX routings with benefits or it can simply be used as a channel strip at the end of chain in a patch.

The addition of line level gain boosting (for the input) or reduction (for the output) allow it to work as a stereo input or output interface for external gear with the advantage of the VCA, panning and the EQ to shape the sound. Experiment with bringing external gear into the Eurorack format and then shape and modulate those sounds them on the way in!

Try patching Stereo Strip anywhere you would place a VCA in a system and/or explore its EQ and voltage controlled panning, which are rarer additions to the sound sculpting options for the Eurorack format.

Specs

Current Draw: +12: 63mA -12: 63mA 5v:0
Width: 6HP
Depth: 33mm including power connector
Aluminium, heat-treated front panel.
Designed and assembled in Barcelona.

Notes: Module A-147-4 is a dual voltage controlled LFO (Low Frequency Oscillator). Each LFO has the five waveforms triangle, sine, rising and falling sawtooth, as well as rectangle available. The rectangle output features manually adjustable pulsewidth and pulsewidth modulation by means of an external control voltage. The core waveform is triangle. The other waveforms are derived from triangle by means of waveform converters. The frequency of each LFO can be adjusted manually and modulated by means of an external control voltage with associated attenuator and polarity switch. By means of a jumper the basic frequency range of each LFO can selected: about 0.02 Hz (~ 50 seconds) ... 2.5kHz or about 0.0017 Hz(~ 600 seconds) ... 220Hz. That way each LFO can be used also as a VCO with a max. frequency of about 2.5kHz. Each LFO features a reset input which can be used to reset the triangle signal.

The module has these controls and in/outputs available:

Control F : manual control of the frequency, for each LFO the frequency range can be selected by means of a jumper from two values (see technical notes)

frequency coverage of control F in the high frequency range: about 0.075 Hz (~ 13 seconds) ... 1,4kHz

frequency coverage of control F in the low frequency range: about 0.007 Hz (~ 140 seconds) ... 125Hz

Control CV: attenuator for the signal applied to the CV socket, by means of a jumper a small positive voltage can be applied to the switching contact of the /CV/ socket, as long as no patch cable is connected to /CV/ socket the CV control then works as fine control for the frequency

Switch CV Pol.: polarity switch for the signal applied to the socket /CV/

Control PW/PM: combined control for manual and CV control of the rectangle pulsewidth:

when no patch cable is connected to socket /P/ the control is used to adjust the pulsewidth (PW) manually

when a patch cable is connected to socket /P/ the control works as attenuator for the external CV signal with a basic pulsewidth of 50:50.

Socket /CV/: frequency control voltage input, in the factory the module is adjusted so that the sensitivity of this input is exactly 1V/octave when the CV control is fully CW.

Socket /R/: reset input, according to the associated jumper the reset input is edge triggered or level controlled (see technical notes for details)

Socket /P/: pulsewidth control voltage input

Sockets with waveform symbol: output of the waveform in question (triangle, sine, rising and falling sawtooth, rectangle)

The output voltage ranges are about -5V ... +5V (10Vpp), except the rectangle output

For the rectangle output one can choose by means of a jumper if the range is about -5V ... +5V or 0...+10V.

LED: visual control of the LFO (triangle)

The inputs of the module are labelled with white characters on black background (in the text included into two slashes). The outputs are labelled with black characters.
Technical notes and special features:

The basic frequency range of each LFO can be selected by means of a jumper. The settings correspond to two different capacitor values for the VCO circuit. The relation between the two ranges is about 1:11. When the upper range is selected frequencies from about 0.02 Hz up to 2.5kHz can be generated. For the lower range the values are about 0.0017 Hz ... 220Hz. To obtain these full frequency ranges external control voltages are required. With the frequency control F only the frequencies mentioned above are possible.

Apart from that the range for the manual control F can be reduced to obtain a finer resolutuion. For this a jumper has to be removed. The range of control F is then reduced to about 1:4.5 only.

In the factory the starting voltage of the triangle output after a reset is adjusted to 0V, i.e. the triangle starts from 0V with the rising slope after a reset. By means of a trimming potentiometer the starting voltage can be adjusted to another value (e.g. to -5V).

Another jumper is used to set the reset behaviour to edge triggered or level controlled. When set to edge triggered the rising edge of reset signal is used for the reset (independent of the duration of the "high" state of the reset signal). When set to level controlled the triangle output remains at the starting voltage as long as the reset signal is "high". Only when the reset signal turns "low" the triangle starts.

Dimensions
8 HP
45 mm deep

Current Draw
80 mA +12V
70 mA -12V

Notes: Best value Buchla module ever? An official Buchla module produced by TipTop Audio, the 258t is a dual triangle-core oscillator, with sine/sawtooth wave shapes in the top half and sine/square at the bottom. Bags of character.

Supplier's Notes:
Two independent voltage-controlled oscillators. Each has one processing input, a frequency modulation input and a 1V/oct input.

Waveshapes, as well as frequency, can be voltage controlled. Model 258 oscillators feature low sine wave harmonic content, negligible settling error, and high short and long-term stability, even with rapidly changing ambient temperatures.

Trimmers:

There are three trimmers for each oscillator on the back of the module:

1V/oct is the octave tracking trimmer and is set at the factory using high precision instruments.
SHAPE is the trimmer that set the sine wave, for the lower harmonic content of the sine wave.
VC WAVE SHAPE sets the response of the waveshaper to the incoming control voltage. Both SHAPE and VC WAVE SHAPE trimmers are used to adjust the sine wave purity.

Size: 18HP
Depth: 45mm
Power: +12V 70mA / -12V 40mA

Notes: Many monitoring setups contain a subwoofer as an essential ingredient. Although many studio monitors such as the aktiv 05, uniK 04 or uniK 05+ for example, provide sufficient bass frequency response for many applications, adding a aktiv 10s subwoofer will help you to provide a much better picture of the low frequencies in your mix. Whether you are producing classical 2.1 sound or 5.1 / 7.1 surround sound productions, aktiv 10s will easily and quickly become an important part of your monitoring setup. It's compact size with a stylish design, yet powerful output will easily convince you.

Features/specifications

10" bass reflex powered subwoofer
Amplifier power: 150W@100Hz, 4 Ohm, 0.1% THD
Subwoofer crossover frequency: 50Hz - 180Hz (adjustable)
Separate satellite output crossover frequency: @100Hz and flat (adjustable)
Phase control
Input level control
Power mode: standby and on
Inputs: balanced XLR, unbalanced 1/4" TRS
Outputs: balanced XLR
Input impedance: 20kOhm balanced, 10kOhm unbalanced
Foot switch input as mute control
Dimensions: 340mm(H) x 340mm(W) x 340mm(D)
Weight: 14 kg

Notes: Expanded Freeze in a lowball-sized package!

Meeting between the original Freeze and Superego pedals is the Pico Deep Freeze Sound Retainer. With the ability to freeze a moment in sound, the Deep Freeze can act as a sustain pedal for holding chords and notes as backing for your playing or as a platform to manipulate your tone into new sounds impossible with a normal guitar. In addition to the original Freeze's abilities, the Deep Freeze features layering, adjustable attack/decay speeds, glissando, dedicated volume controls, and 3 modes: Latch, Moment, and Auto, making it powerful pedal punching well above its weight.

The Deep Freeze allows for instant sound freezing in three modes of operation. Latch freezes sound each time the footswitch is pressed until the effect is bypassed, while Moment mode freezes sound only while the footswitch is held down. Auto mode captured sound automatically each time it senses signal above its threshold for virtually foot-free freezes. These three modes make it easy to operate the Deep Freeze in a way that fits any playing style.

Controls on the Deep Freeze let you further tailor the operation of the effect. Separate DRY and EFFECT volume controls let you blend signals from subtle backing to 100% effect experimentation. GLISS adjusts the morph time between freeze sounds creating otherworldly soundscapes. The SPEED/LAYER knob adjusts either the attack/decay time of the effect in Moment and Auto modes, or the amount of layering possible in Latch mode which makes playing impossible chords possible!

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: AXON-2 is an 8HP expander module for the SQUID SALMPLE, MFX and Pamela's PRO Workout that like the AXON-1 provides 4 additional freely assignable CV inputs but additionally adds manual offset controls and 2 additional 'performance' buttons.

The addition of AXON-2 increases the Squid, MFX or Pam PRO's total number of CV inputs by 4, greatly increasing the possibilities for vast modular manipulation. Each of the CV inputs includes an offset for hands on control over parameters assigned to CV. Per assignment digital attenuation and offset via the host module is also available for fine tuning the modulation or control over parameters.

The AXON-2's large buttons are great for controlling select functions in a live performance environment or adding convenient quick navigation shortcuts when making edits. The buttons functionality and assignability are dependent on the host module. See respective manuals for details.

NOTE: AXON-2 support requires the latest firmware be installed for Pam Pro (120 or newer), Squid (187 or newer) and MFX (105 or newer).

Features
4 Additional freely assignable CV inputs for the SQUID SALMPLE, MFX or Pamela's PRO Workout
Manual offset knob controls
Two Assignable performance buttons for mutes, tap tempo, navigation, etc (dependant on module)
Powered directly from the module, no additional power header required
Made in England
Skiff friendly
Technical Specifications
Power: Additional approx 10mA on +12V

Size: 8HP

Depth: 38mm

Notes: Function Junction

ADSR, Function Generator, LFO, & Mixer

According to the user manual, "Function Junction is a modulation hub combining four independent sections into a single intertwined module that offers much more than the sum of its parts. Although a sum of its parts is one of its best features!"- but Function Junction can do more than a ton of things. In fact, it's downright impressive what's possible with this lovely module.

Function Junction combines three classic analogue modulation sources, ADSR envelope, function generator, and LFO. All are fed into an attenuverting mixer to create a complex modulation junction that can be used as 4 independent sections or in conjunction with each other.
The magic of the module is the ease you can flow from using its functions for basic everyday tasks to creating hyper-complex modulation. The sheer breadth of what you can do and the ease of doing it are simply amazing. Cre8audio highly recommending reading the manual to get a feel for the possibilities.

Specifications

Width = 16hp
Depth = 30mm
Power draw: 130mA when running +12V rail, 70mA when running -12V
ADSR / Envelope facts
Fully analogue Pittsburgh Modular Synthesizers developed 4 stage ADSR circuit with independent Attack, Decay, Sustain and Release controls.
Voltage output range 0V - 10V
"Long" button doubles the length of the envelope attack, decay, and release times
"Loop" button enables/disables envelope cycling. The SUSTAIN KNOB and RELEASE KNOB are used to adjust the time it takes to loop.
"A LOOP JACK" - Enables/disable loop mode. An external gate signal will flip the state of the loop mode. If loop mode is on, the gate will turn loop mode off. If loop mode is off, the external gate will turn loop mode on.
Function Generator facts
Function Generator can be used as an envelope generator, a voltage controlled LFO, a slew generator, a gate signal delay, envelope follower, a clock source, voltage controlled clock divider, complex modulation source, and more
Voltage output range +/-5V
ATTACK KNOB - Attack duration control knob.
DECAY KNOB - Decay duration control knob.
CURVE KNOB - Attack and decay response curve. Exponential (full left), Linear (12 o'clock), Logarithmic (full right)
MOD KNOB - Modulation input (F MOD JACK) attenuverter knob.
MOD BUTTON - Assign Modulation input (F MOD JACK) to attack, decay, or both.
LOOP BUTTON - Enable/Disable loop mode.
LOOP BUTTON (2nd FUNCTION) - Press and hold MOD BUTTON then press LOOP BUTTON to assign A LOOP JACK destination to ADSR or function generator.
SUSTAIN BUTTON - Enable/Disable sustain mode.
F IN JACK - Function Generator trigger/gate input gate jack.
F MOD JACK - Function Generator modulation input jack.
F OUT JACK - Function Generator output jack.
F TRIG JACK - Function Generator end of decay trigger output jack. A trigger is output at the end of the decay stage.
LFO facts
Triangle and Square LFO outs
Dedicated rate knob
LFO output voltage +/-8V
Mixer facts
3 channel attenuverting mixer with OR circuit
Mixer can be split into 3 independent attenuverters, one two-channel mixer, and one attenuverter, or a three-channel mixer
OUTPUT 1 KNOB - Channel 1 input (1A JACK) attenuverter knob.
OUTPUT 2 KNOB - Channel 2 input (2F JACK) attenuverter knob.
OUTPUT 3 KNOB - Channel 3 input (3L JACK) attenuverter knob.
1A JACK - Channel 1 input jack. Normaled to ADSR output.
2F JACK - Channel 2 input jack. Normaled to function generator output.
3L JACK - Channel 3 input jack. Normaled to LFO output.
+OR JACK - Analog logic output jack.
OR circuit outputs the current highest voltage value of any of the voltages output by the mixer
1 OUT JACK - Channel 1 breakout output.
2 OUT JACK - Channel 2 breakout output.
MIX JACK - Mixer output.

Notes: The ATH-M50xBT2 is the second generation of the critically acclaimed M-Series wireless over-ear headphones. These headphones feature 45 mm large aperture drivers in a wireless design, so listeners will enjoy the same sonic signature of the legendary ATH-M50x studio headphones. With this update, Audio Technica also introduced several noticeable enhancements, such as improved vocal pickup for better call quality, an updated USB-C connection, and multipoint pairing mode.

So, whether you're looking for high-fidelity audio for your commute to work, conference call setup, or just relaxing and enjoying the music, the ATH-M50xBT2 lets you go wireless whenever you need it.

Building on the acclaimed sonic signature of the ATH-M50x headphones, the ATH-M50xBT2 headphones utilise Bluetooth wireless technology and offer the same studio-quality sound in a wireless package. The large-aperture drivers deliver deep and accurate bass response for an immersive listening experience, while the AK4331 advanced audio DAC and dedicated internal headphone amp provide superior clear, high-fidelity sound.

The ATH-M50xBT2 features dual microphones and beamforming technology, which provide improved vocal pickup ensuring crystal-clear audio call quality. Additionally, users can conveniently mute with the press of a button or access the built-in Amazon Alexa voice assistant, as well as Google Assistant and Siri.

These headphones have a battery life of up to 50 hours on a continuous full charge, with up to 3 hours of use on a 10-minute rapid charge via the USB-C connection, making them some of the longest-lasting wireless headphones available.

The multipoint pairing function allows users to stay connected to two Bluetooth devices at once, making it easier than ever to switch between tasks. You can also personalise and adjust the ATH-M50xBT2 to your preferences with the A-T Connect app. Adjust additional controls like activating low latency mode, adjust and save EQ to your headphones, change the L/R volume balance, select desired voice assistant, and more.

Included Accessories: The ATH-M50xBT2 comes with a 1.2 m (3.9") cable for an optional wired connection.


Specifications

Headphones
Type: Closed-back dynamic
Driver Diameter: 45 mm
Frequency Response: 15 - 28,000 Hz
Sensitivity: 99 dB/mW
Impedance: 38 ohms
Battery: DC 3.7V lithium polymer battery
Battery Life: Approx. 50 hours continuous use
Weight: Approx. 307g
Charging Time: Approx. 3.5 hours
Microphone Type: MEMS type
Microphone Sensitivity: -38 dB (1V/Pa at 1 kHz)
Microphone Frequency Response: 85 -15,000 Hz
Microphone Polar Pattern: Omnidirectional
Accessories Included: USB charging cable(30cm?USB Type-A / USB Type-C), Audio cable (1.2m/ f3.5mm stereo mini-plug), Pouch

Bluetooth

Bluetooth Version: Bluetooth Ver.5.0
Operating Range: Line of sight - approx. 10 m (33')
Compatible Bluetooth Profiles: A2DP, AVRCP, HFP, HSP

Notes: The original MiniMod Glide +Noise module was based exactly on the original Minimoog Model D circuitry, which was designed to be used with the built in Model D keyboard, and because of its vintage design its range was severely limited to 5 or 6 octaves, and it also responded to positive voltages only. Another limitation was that it would not return fully to zero when selecting long glide times, which restricted the range even more.

So we made the decision to re-design the MiniMod Glide + Noise using modern precision parts, and we have come up with an all new circuit which has exactly the same function, but with a hugely extended range. It has the same Glide slope characteristic (a slightly curved Linear Glide) as the Model D on which the MiniMod is based, however in response to many requests from customers we have adjusted the glide up and down speeds so that they are now very similar , which is much more useful in real world applications that the earlier MK1 version which (like the Model D) would glide up considerably faster than it would glide down.

The new Mk2 MiniMod Glide Noise module now has an impressive 14 octave range, and can respond to negative voltages down to -5V. This is a very useful feature, as our MiniMod VCO's will respond to negative control voltages and produce correspondingly low frequencies; so it is now possible to glide down quickly or slowly to crazy sub bass levels! The hold feature has been improved too, it covers the full audio range as well as DC control voltages, and works as a track and hold module with Eurorack signal levels.

A further enhancement is that the Mk2 module can now (using selectable jumpers) transmit or receive pitch CV to the Eurorack power bus; for example, the Glide CV Output can now be directed to the Bus in order to send CV's to (for example) three VCO's via the bus without the need for a passive multi and four patch cords!

The Noise section of the module is unchanged, except that we have slightly boosted the level of the Red Noise output to bring it more in line with Eurorack control voltage levels.

Lastly, it is much shallower - Mk1 Glide Noise had a depth of 54mm, and it was the only MiniMod module that was too deep to fit a skiff style case - and this prevented a full MiniMod system being installed into a shallow Eurorack case. The new MK2 version is only 28mm deep, so this allows both it and a full MiniMod system to be mounted into shallow skiff style Eurorack cases.

Dimensions: 6HP wide, 26mm Deep
Current draw: 36mA Positive, 38mA Negative

Notes: Erica Synths Drum Mixer Lite is compact version of Drum Mixer. It features extended headroom and a dedicated drum compressor of unique design keeps each drum sound clearly distinguishable and add power to the final mix. Bonus feature - effects send output allows to apply external effects to the signals on the first three inputs. LEDs next to each input give visual feedback on the signal level.

Features:
6 inputs
Built in vactrol based drum compressor with Amount and Decay control
Three inputs assignable to main or aux send outputs
Main and Aux Send outputs
Signal level indicator LEDs

Mixer gain: -+6dB
Power consumption: 59mA@+12V, 36mA@-12V
Module width: 10HP
Module depth: 35 mm