Juno Daily

Music and tech news, interviews, features, reviews and more.

Visit Juno Daily

100% Secure Shopping

Studio equipment

Our full range of studio equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.

Visit Juno Studio

100% Secure Shopping

DJ equipment

Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices. Visit Juno DJ

preorders
USD
My Language
My Currency
Your wishlist is empty
Items in wishlist:
Recently added:
Loading...
Cart
Your cart is empty
Items in cart:
Subtotal:
Recently added:
Loading...
View cart
Home  All genres  All genres  

Search dance music

Filter

Saved Searches
Release Date
Featured
Options
Items 1 to 50 of 102 on page 1 of 3
1  2  3  »
Boss OD-200 Hybrid Drive Effects Pedal Boss OD-200 Hybrid Drive Effects Pedal Boss OD-200 Hybrid Drive Effects Pedal Boss OD-200 Hybrid Drive Effects Pedal
Boss OD-200 Hybrid Drive Effects Pedal (distortion effects pedal)
Cat: 996875 Rel: 18 Mar 24 • View all Effects pedals
 
Hybrid drive effects pedal
Notes: Simply sophisticated

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

The OD-200 Hybrid Drive brings next-level sound, feel, and flexibility to overdrive and distortion, combining decades of BOSS tone expertise with innovative technologies. Powered by hybrid analogue/digital circuitry, this dream pedal delivers any drive tone you can imagine via 12 primary modes, 15 boost types, series/parallel gain paths, and more. There's even an advanced gate on board, ideal for both eliminating noise and adding tightness to high-gain drive tones.

Version 1.1 Update: User Memory Expansion

The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change.

For optimal performance, stay up to date with the current OD-200 system software

Premium Drive Tones with BOSS's Advanced Hybrid Design

The OD-200's next-generation hybrid design seamlessly brings analogue and digital clipping circuits together for the best of all worlds, putting a universe of expressive drive colours under your fingers. Twelve modes offer a variety of premium overdrive, fuzz, and distortion sounds, including a high-gain Brown mode derived from the acclaimed Katana amplifier series. And with the three high-performance "X" drive modes powered by BOSS's cutting-edge MDP tech, you'll experience enhanced definition, clarity, and dynamic response that's perfect for modern playing styles.

Powerful Gain Shaping with Series and Parallel Boosts

While each of the OD-200's 12 main drive modes sound fantastic on their own, you're able to craft tones even further with 15 switchable boost circuits. Placing the boost in series lets you create traditional stacked drive voices, complete with post-gain level to balance with the bypassed sound or kick up the volume for solos. The boost circuit can also be used in parallel with the main mode, enabling side-by-side blending for an unlimited range of unique drive textures.

Kill the Noise and Tighten Your Tone

With its integrated gate circuit, the OD-200 always keeps your signal clear and quiet when you're not playing. The default setting is a great starting point, providing gentle, transparent gating that works well for general playing styles. The decay and threshold controls can also be adjusted for super-fast gate performance when needed, perfect for bringing tightness to heavy modern styles that combine full-throttle gain with precision staccato riffing.

Dial in Sounds Fast

The OD-200 offers a ton of advanced capabilities, but remains as simple to use as any regular distortion stomp. With dedicated controls, you can quickly dial in the gain and overall level for any selected mode, then sculpt the tone with wide-ranging low, mid, and high EQ. There's also a multi-function parameter knob, which changes operation based on the group selected with the panel's parameter switch and LED status indicators.

Save and Recall Your Favourite Setups

The OD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It's also possible to limit the scrolling range or assign memories directly for even faster recall.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Drive Circuit: Analogue + Digital

Modes:
12 modes
OVERDRIVE, BLUES, SCREAM, CNTR OD, X-DRIVE, DIST, X-DIST, STACK DRIVE, FAT DIST, BROWN, X-METAL, FUZZ

Memory: 127 + Manual
Nominal Input Level: INPUT: -10 dBu
Maximum Input Level: INPUT: +7 dBu
Input Impedance: INPUT: 1 M ohm
Nominal Output Level: OUTPUT: -10 dBu
Maximum Output Level: OUTPUT: +7 dBu (Load Impedance: 220 k ohms or greater)
Output Impedance: OUTPUT: 1 k ohms
Recommended Load Impedance: OUTPUT: 10 k ohms or greater
Bypass: Buffered bypass

Controls: ON/OFF switch, MEMORY/BOOST switch
MODE knob, DRIVE knob, LEVEL knob, PARAM knob, LOW knob, MIDDLE knob, HIGH knob
PARAM button, MEMORY button
Display: 7 segments, 3 characters (LED)
Indicator: PARAM indicator, MEMORY (MAN, 1--4) indicators

Connectors:
INPUT jack, OUTPUT jack: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 220 mA

Expected Battery Life Under Continuous Use:
Alkaline: Approx. 6 Hours
* These figures will vary depending on the actual conditions of use.

Accessories:

Leaflet "USING THE UNIT SAFELY"
Leaflet "To obtain the Owner's Manual"
Alkaline battery (AA, LR6) x 3
Rubber foot x 4

Options (sold separately):
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight:

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height: (including rubber foot)65 mm / 2-9/16 inches
Weight: 600 g / 1 lb 6 oz
Weight (including battery): 670 g / 1 lb 8 oz
Read more
MRP:$271.37 SAVE 20%
 1 in stock $217.73
Click for better price!
or call +44 20 7424 1960
quote 996875
Boss DD-200 Digital Delay Effects Pedal Boss DD-200 Digital Delay Effects Pedal Boss DD-200 Digital Delay Effects Pedal Boss DD-200 Digital Delay Effects Pedal
Cat: 996860 Rel: 19 Mar 24 • View all Effects pedals
 
Digital delay effects pedal
Notes: Simply sophisticated

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

The DD-200 Digital Delay brings together sounds and features inherited from the flagship DD-500 into an even smaller footprint. Twelve different modes offer an inspiring variety of delay colours from modern digital to classic analogue, letting you dial up everything from basic echoes to rich ambient pads and everything in-between. There's also a looper that's always ready to use, plus a selectable carryover function for seamless transitions between memories.

Version 1.1 Update: User Memory Expansion

The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change.

For optimal performance, stay up to date with the current DD-200 system software

Twelve Modes, Unlimited Sounds

With 12 different modes to choose from, the DD-200 provides nearly any flavour of delay in an amazingly compact size. At your command are super-clean digital delays, gritty analogue echoes, and spot-on retro sounds from the Roland RE-201 Space Echo and Binson Echorec 2. There's also a variety of options for creating reverse effects, lo-fi tones, and pulsing rhythmic sounds with layered delays. And with the Tera Echo, Shimmer, and Pad Echo modes, immersive ambient colours are just a knob twist away.

Dial in Sounds Fast

The DD-200 features a no-nonsense interface, making it easy to craft inspiring sounds in the heat of the moment. Essential delay parameters are provided on dedicated controls for direct, hands-on access. And in each mode, the function of the PARAM knob changes to parameters tailored for the selected type, delivering extended control with no need to menu dive.

Save and Recall Your Favourite Setups

The DD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It's also possible to limit the scrolling range or assign memories directly for even faster recall. If you crave deeper control, setups can be directly recalled via program change messages from an external MIDI device. And by enabling the carryover function, delay repeats will keep sounding as you change memories for smooth, free-flowing transitions.

Deep Real-Time Control

By default, the DD-200's multi-function footswitches provide access to basic functions like bypass, memory scrolling, tap tempo, and looper control. But you can easily reassign them to hold, warp, and many other functions. External control is also possible via footswitches or an expression pedal, and MIDI I/O is even provided on space-saving mini TRS jacks. Via MIDI, you're able to chain multiple 200 series pedals and select memories on all of them at once, and also control a wide range of functions from MIDI devices like the ES-8 and ES-5 effects switchers.

Ready-to-Go Looper

Any time you're ready, pressing the DD-200's two footswitches together puts you into looper mode. Up to 60 seconds of mono recording time is available, and operation is simple and direct with the onboard switches. And since the looper engine functions independently, you're able to develop expressive loops with any of the DD-200's rich delay sounds.

DD-200 Delay Modes

Standard-Clear digital delay. PARAM adjusts the delay attack.
Analog-Emulates classic analogue "BBD" delays like the BOSS DM series. PARAM controls character and distortion amount.
Tape-Emulates the warm tape-based sound of the legendary Roland RE-201 Space Echo. PARAM selects different combinations of three playback heads, and also adjusts the amount of distortion in the delay sound.
Drum-Models the drum-based Binson Echorec 2. PARAM selects different combinations of four playback heads, and also adjusts the amount of distortion in the delay sound.
Shimmer-Pitch-shifted delay for lush, heavenly textures. PARAM adjusts the delay brightness.
Tera Echo-Spacious, animated ambience effect derived from the BOSS TE-2 pedal. PARAM adjusts the sound character.
Pad Echo-Newly developed delay sound for creating drifting ambient textures. PARAM adjusts the delay attack.
Pattern-Rhythmic sounds with 16 delay lines layered together. PARAM selects different pattern variations.
Lo-Fi-Delay sound with fat, distorted character. PARAM adjusts the distortion effect.
Dual-Two different delay lines connected in series. PARAM adjusts the time of the second delay.
Reverse-Backwards delay for cool psychedelic effects and other unique tones. PARAM adjusts the delay attack.
Ducking-Delay with a built-in ducking effect. PARAM adjusts the input sensitivity.

*The product names mentioned on this page are registered trademarks or trademarks of their respective owners. These names are used because it is the most practical way of describing the sounds that are simulated.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point

Modes: 12 modes
STANDARD, ANALOG, TAPE, DRUM, SHIMMER, TERA ECHO, PAD ECHO, PATTERN, LO-FI, DUAL, DUCKING, REVERSE

Memory127 + Manual
Nominal Input Level: INPUT A/MONO, B: -10 dBu
Maximum Input Level: INPUT A/MONO, B: +7 dBu
Input Impedance: INPUT A/MONO, B: 2 M ohm
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +7 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohms
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass

Controls:
ON/OFF switch, MEMORY/TAP switch
MODE knob, TIME knob, FEEDBACK knob, E. LEVEL Knob, PARAM knob, TONE knob, MOD DEPTH knob
TAP DIVISION button, MEMORY button

Display: 7 segments, 3 characters (LED)
Indicator: TAP DIVISION indicator, MEMORY (MAN, 1--4) indicators

Connectors:
INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 225 mA

Expected Battery Life Under Continuous Use
Alkaline: Approx. 4 Hours
* These figures will vary depending on the actual conditions of use.

Accessories: Leaflet "USING THE UNIT SAFELY", Leaflet "To obtain the Owner's Manual", Alkaline battery (AA, LR6) x 3, Rubber foot x 4

Options (sold separately):
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot): 65 mm / 2-9/16 inches
Weight: 610 g / 1 lb 6 oz
Weight (including battery): 680 g / 1 lb 8 oz

0 dBu = 0.775 Vrms
Read more
 1 in stock $239.81
Click for better price!
or call +44 20 7424 1960
quote 996860
Boss MD-200 Modulation Effects Pedal Boss MD-200 Modulation Effects Pedal Boss MD-200 Modulation Effects Pedal Boss MD-200 Modulation Effects Pedal
Boss MD-200 Modulation Effects Pedal (modulation effects pedal)
Cat: 996868 Rel: 18 Mar 24 • View all Effects pedals
 
Modulation effects pedal
Notes: Simply sophisticated

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

Outfitted with algorithms from the flagship MD-500, the MD-200 Modulation delivers an array of world-class effects in one small, convenient pedal. Twelve different modes provide every mod sound you need and more, and each includes customized controls that unlock deep tone shaping right from the panel. And with the powerful insert function, it's simple to patch in drive pedals and other effects for selectable pre or post processing.

Version 1.1 Update: User Memory Expansion

The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change.

For optimal performance, stay up to date with the current MD-200 system software.

Twelve Mod Essentials in One Pedal

Compact and mighty, the MD-200 gives you every key mod effect in a minimal footprint. Modern and vintage BOSS chorus effects are included, plus phaser, flanger, rotary, vibrato, and tremolo. Classic vibe and '70s phaser effects are also available, complete with selectable distortion for added versatility. BOSS's famous Slicer delivers lots of cool rhythmic grooves, while the rich Overtone effect dishes up fat octave tones and unique sonic colours. There's a highly adjustable auto wah as well, which can double as a foot wah when an expression pedal is connected.

Dial in Sounds Fast

With the MD-200's simple and direct interface, it's easy to craft inspiring sounds in the heat of the moment. Using dedicated controls, you can quickly dial in rate, depth, and level for any selected mode. You can also tap in the rate with a footswitch while playing, and visually set note subdivisions right from the panel. Going further, three additional parameter knobs dynamically change functions with each mode, providing extended tone shaping with no need to menu dive.

Save and Recall Your Favourite Setups

The MD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It's also possible to limit the scrolling range or assign memories directly for even faster recall. And if you crave deeper control, setups can be directly recalled via program change messages from an external MIDI device.

Instantly Change Effect Order for Optimum Tone

Using the MD-200's insert loop function, you're able to patch external pedals, set the ideal effect order, and save the setting to an onboard memory. For example, you can place a phaser or classic vibe before an external pedal in one memory, a chorus or flanger after in the next, and then switch between them. This is particularly useful with drive pedals, where the signal order can have a dramatic effect on the selected mod sound.

Deep Real-Time Control

By default, the MD-200's multi-function footswitches control bypass, memory scrolling, and tap tempo, but you can easily reassign them to alternate functions as needed. External control is also possible via footswitches or an expression pedal, and MIDI I/O is even provided on space-saving mini TRS jacks. Via MIDI, you're able to chain multiple 200 series pedals and select memories on all of them at once, and also control various functions from MIDI devices like the ES-8 and ES-5 effects.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Modes:12 modes; CHORUS, CE-1 CHORUS, FLANGER, PHASER, VINTAGE PHASER, CLASSIC VIBE, VIBRATO, TREMOLO, ROTARY, AUTO WAH, SLICER, OVERTONE
Memory: 127 + Manual
Nominal Input Level: INPUT A/MONO, B: -10 dBu
Maximum Input Level: INPUT A/MONO, B: +7 dBu
Input Impedance: INPUT A/MONO, B: 2 M ohm
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +7 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohms
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY/TAP switch, MODE knob, RATE knob, DEPTH knob, E. LEVEL knob, PARAM 1 knob, PARAM 2 knob, PARAM 3 knob, TAP DIVISION button, MEMORY button
Display: 7 segments, 3 characters (LED)
Indicator: TAP DIVISION indicator, MEMORY (MAN, 1--4) indicators

Connectors:
INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack

USB port: USB micro B-type (program update only)
Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 225 mA
Expected Battery Life Under Continuous Use: Alkaline: Approx. 4 Hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet "USING THE UNIT SAFELY", Leaflet "To obtain the Owner's Manual", Alkaline battery (AA, LR6) x 3, Rubber foot x 4

Options (sold separately)
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight
Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot)65 mm 2-9/16 inches
Weight: 610 g / 1 lb 6 oz
Weight (including battery)680 g / 1 lb 8 oz

0 dBu = 0.775 Vrms
Read more
MRP:$271.37 SAVE 21%
 1 in stock $214.56
Boss SY-200 Synthesiser Effects Pedal Boss SY-200 Synthesiser Effects Pedal Boss SY-200 Synthesiser Effects Pedal Boss SY-200 Synthesiser Effects Pedal
Boss SY-200 Synthesiser Effects Pedal (synthesis effects pedal)
Cat: 996878 Rel: 19 Mar 24 • View all Effects pedals
 
Synthesiser effects pedal
Notes: Part of Boss's 200 series, the SY-200 is the latest in a range of guitar synth pedals dating all the way back to the 1970s. Plug in any guitar or bass and layer synth sounds over the raw tone. A versatile and creative way to explore new sounds.

Supplier's Notes:
A World of Synth Tones at Your Feet

Offering a universe of rich, analogue-inspired polyphonic tones in a small footprint, the SY-200 makes it simple to weave BOSS's expressive guitar and bass synth technology into all of your musical journeys. Building on the fun, instant-gratification experience of the acclaimed SY-1, this blue inspiration machine features an expanded sound set, more tone-shaping possibilities, and 128 memories for storing your sonic creations. Two onboard footswitches provide deep real-time performance control, and you can take things even further with external footswitches, an expression pedal, and MIDI.

A Massive Library of Expressive Synth Tones

The SY-200 transforms your guitar or bass into a versatile analogue-flavoured synth, ready to infuse your music with dynamic, compelling, and evocative new voices. This streamlined stomp gives you 171 total sounds organized in 12 intuitive categories, along with adjustable parameters for customizing the tone and response. And with 128 memory locations, you're able to store your favourite sounds and instantly recall them while performing.

Build Custom Sounds Fast

With the SY-200's informative display and hands-on controls, it's quick and easy to call up sounds and balance the direct and synth levels. All the preset synth tones have been dialled in by the BOSS engineers to be inspiring and playable right away. But if you want to go deeper, you can tweak three different parameters for each sound via dedicated knobs.

Flexible Connectivity

The SY-200 smoothly integrates into your setup in a variety of ways. Patch it in your chain like a regular pedal, or use the send and output jacks to route synth and straight guitar sounds to different destinations. And with the send/return loop and level knobs, it's possible to craft unique hybrid sounds by blending one or more pedals in parallel with different synth voices.

Powerful Real-Time Control

The SY-200 provides a massive range of control options while taking up minimal space on your pedalboard. Two customizable footswitches offer multi-functional operation with press-and-hold functionality, allowing you to control synth on/off, memory scrolling, pitch bend, synth hold, and more. Expanded control is possible via external footswitches or an expression pedal, and MIDI I/O is also available to interface with other MIDI-equipped pedals and devices like the ES-8 and ES-5 loop switchers.

Plug-and-Play and Latency-Free

You can use the SY-200 with any guitar or bass-just plug in with a standard 1/4-inch cable and start creating. Thanks to custom DSP and the latest BOSS innovations, you'll enjoy latency-free performance that's a natural extension of your instrument, letting you play freely without altering your normal technique in any way.

Supercharge Your Music with a Diverse Range of Sounds

The SY-200 is loaded with a large library of synthesizer tones to inspire new ideas and bring fresh voices to your music.

LEAD-A wide range of sounds suitable for single-note soloing.
PAD-Full tones that work great with chords, from layered pads to synth brass and more.
STRING-Classic analog-style strings, including layered voices and sweeping textures.
BELL-Percussive synth sounds with metallic resonance.
ORGAN-A large selection of organ sounds, including many with rotary-style modulation.
BASS-Fat synth bass sounds, including filtered and sub-octave tones.
DUAL-Fat synth tones with stacked oscillators.
SWEEP-Dynamic sounds with expressive and engaging movement.
NOISE-Classic analog-style synth noise. Great for percussive sounds and dramatic effects.
SFX-A variety of synth sound effects, including explosive one-shot sounds, animated pitch/filter voices, and more.
SEQ-Pulsating sounds with rhythmic pitch or filter changes.
ARPEGGIO-Generate rhythmic arpeggios based on the notes you play.

Specifications

Sampling Frequency: 44.1 kHz
AD/DA Conversion24 bits
Processing: 32-bit floating point

Modes: 12 modes
LEAD, PAD, STRING, BELL, ORGAN, BASS, DUAL, SWEEP, NOISE, SFX, SEQ, ARPEGGIO

Memory: 128
Nominal Input Level: INPUT, RETURN: -10 dBu
Maximum Input Level: INPUT, RETURN: +7 dBu
Input Impedance: INPUT, RETURN: 2 M ohms
Nominal Output Level: OUTPUT, SEND: -10 dBu
Maximum Output Level: OUTPUT, SEND: +7 dBu
Output Impedance: OUTPUT, SEND: 1 k ohm
Recommended Load Impedance: OUTPUT, SEND: 10 k ohms or greater
Bypass: Buffered bypass

Controls:
ON/OFF switch, MEMORY/CTL 1 switch
TYPE knob, MEMORY knob, 1 knob, 2 knob, 3 knob, D. LEVEL knob, E. LEVEL knob, VARIATION knob
MENU button, EXIT button

Display: Graphic LCD (132 x 32 dots, backlit LCD)

Connectors:
INPUT jack, OUTPUT jack, SEND jack, RETURN jack: 1/4-inch phone type
CTL 2, 3/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 230 mA

Expected Battery Life Under Continuous Use: Alkaline: Approx. 5 Hours
* These figures will vary depending on the actual conditions of use.

Accessories: Leaflet "USING THE UNIT SAFELY"
Leaflet "To obtain the Owner's Manual"
Alkaline battery (AA, LR6) x 3
Rubber foot x 4

Options (sold separately)
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot): 65 mm / 2-9/16 inches
Weight: 630 g / 1 lb 7 oz
Weight (including battery): 700 g / 1 lb 9 oz

0 dBu = 0.775 Vrms
Read more
MRP:$331.33 SAVE 15%
 1 in stock $280.84
Click for better price!
or call +44 20 7424 1960
quote 996878
Frequency Central Akropoli Advanced Generative Sequencer Module
Frequency Central Akropoli Advanced Generative Sequencer Module (clock generator/comparator/logic/sequencer module)
Cat: 997141 Rel: 19 Mar 24 • View all Synth modules
 
Generative CV sequencer & 4-channel clock divider module - 16HP
Notes: Advanced generative sequencer featuring mutes per channel and transposition facilities.

Akropoli is an extension and enhancement of our successful Little Melody and High Towers modules, offering the features of both of these modules as well as some of it's own unique features such as mute buttons per channel, manual transpose knob and 1V/oct transpose CV input. Akropoli operates using Frequency Central's proprietary TOOL V2 code, and can count in integers as well as multiples for even more subtle and evolving variations.

Akropoli is a generative sequencer based around clock divisions and a chromatic quantiser, used to create in-the-moment licks and riffs. It is more that the sum of it's parts.

Akropoli's internal operations can be considered as 4 clock dividers patched into a CV mixer via attenuators. The attenuators select notes over a 5 octave range, the clock dividers determine how often those notes are added to the mix. The final output of Akropoli is quantized chromatically for fast set up and continuously pleasing results. Akropoli has an onboard transposition knob, as well as a 1V/oct transposition CV input.

The 4 clock dividers are labelled A, B, C, and D. They all receive clocks from the same source, the divisions may be selected using the presets and the individual division selectors. The clock dividers can be set to count up, down, or to one of a variety of modes that move between counting up and down. For further information on Presets and Modes see the Little Melody User Guide.

Additionally, each clock divider has it's own binary output (either high or low), these 4 outputs can be used to clock/gate/trigger other stuff on other modules to great effect.

Product Specifications

12V draw
50mA

-12V draw
36mA

5V draw
0mA

Depth
35mm
Read more
 1 in stock $261.89
Click for better price!
or call +44 20 7424 1960
quote 997141
Stokyo Record Mate Portable Vinyl Record Player (clear) Stokyo Record Mate Portable Vinyl Record Player (clear) Stokyo Record Mate Portable Vinyl Record Player (clear) Stokyo Record Mate Portable Vinyl Record Player (clear) Stokyo Record Mate Portable Vinyl Record Player (clear)
Notes: New all CLEAR EDITION for the new Stokyo Record Mate Portable Record Player.

Portable turntable on the Columbia Portable GP series, reengineered with the original crew for an all brand-new construction (mainly internal parts, molds and arm assembly)

Classic adapter and tonearm function of playing records on the wall (upright)

Play 12-inch or 7-inch records (3 -inch records with the STOKYO 3"adapter) on RM-1 portable turntable w/ pitch adjust

Output via built-in "new improved" speaker or RCA output

Each unit is battery or AC powered (batteries not included)

This model is exclusive to North America at 120V, with the transformer included.

Product under limited warranty for 1 year of purchase from STOKYO and authorized dealers

Warranty is limited to the RM series only and not the domestic GP series in Japan.

A cool back story from one of the founders at STOKYO :

"The story goes back around 22 years ago when the good folks at Xexxn would allow me to distribute these on the low for diggers and DJs overseas.

A few years later we (STOKYO and friends) did have the opportunity to take over manufacturing but ironically I was also at Vestax and at the time we had the Handy Trax.

Fast forward to 2019, this project took over 2 years but with the help of some original engineers, our manufacturing partner and the love we all shared for the original GP/GMX we bring you the all improved version.

The RM-1 and RMX -1 "RECORD MATE" series is the overseas edition. (GP-3R/GMX-3R are the JPN domestic model)

Updated molds, internal board, parts, new speakers, new case/tonearm construction, magnetic stereo cartridge (like you'll find on an AT-LP60), but everything else like the OG. The first model will be exclusive for the Americas (@ 120v).

As we continue to improve more parts to clear Global compliances, we also await for more parts with supply issues due to the Pandemic for our Global/EU model we aim to make available later in '22.

For those who pre-ordered, we originally aimed for an earlier ship date and our sincere apologies with all the port congestion but good news, it is on stateside awaiting customs. Arriving soon.

Thank you for the patience.

Big up to the crew for making this happen, grinding everyday and for your love we have for vinyl."
Read more
MRP:$231.40 SAVE 10%
 2 in stock $209.31
Buchla & TipTop Audio Mixer & Preamplifier Model 207t Module Buchla & TipTop Audio Mixer & Preamplifier Model 207t Module Buchla & TipTop Audio Mixer & Preamplifier Model 207t Module Buchla & TipTop Audio Mixer & Preamplifier Model 207t Module
Cat: 950885 Rel: 26 Jan 24 • View all Synth modules
 
Mixer & preamplifier module - 28HP.
Notes: A characteristically unique take on mixing from Buchla, with six mono inputs and a built-in mic/guitar pre-amp. Each channel can be cued to a monitor mix, while the first and last channels also include voltage-controlled panning.

Supplier's Notes:
The Tiptop 207t is a modern reimagining of the classic Don Buchla 207 Mixer/Preamplifier from the 1970s 200 Series. This stereo mixer comes with a built-in preamp that allows you to boost external instruments and microphones, making it a versatile tool for any modular setup. The 207t also features a six-channel mixer with a variety of signal routing options, including the ability to route channels to the monitor and L&R signal outputs, with per-channel control over loudness and panning.

Each channel has a Mon switch that sends the channel's signal to the monitor outputs, which are always full-volume and summed to mono, making it useful for basic monitoring applications or rudimentary mixing. The Prog switch sends the signal to the L&R signal outputs, with loudness controlled by the Level Adjustment slider and panning determined by the Channel Assignment knobs. The first and sixth channels offer voltage control of panning; these channels are hard-panned when no CV is applied.

The preamp section features a 1/4" input and multiple gain settings, making it suitable for use with external line level instruments, electric guitars, or dynamic microphones. The continuous amplification control provides added flexibility for your audio needs. Finally, the Expansion In is a stereo input that sums to the left and right main outputs, which is great for chaining multiple 207t modules or adding another stereo source at the final output.

While the 207t's functionality may be simple, it is an essential part of any 200t system, serving as the glue that holds everything together. The Tiptop 207t is a fantastic mixer/preamp option that delivers quality sound and reliable performance.

Buchla 207t Features

Mixer/preamp module based on Don Buchla's original 207 design
Six-channel mixer with per-channel level control and panning
Voltage-controllable panning on channels 1 and 6
Manual panning on channels 2-4
Program switches can act as channel mutes for main outputs
Mon switches route signal (in mono) to Monitor output
Expansion input useful for stereo chaining and more
Re-designed preamp for high audio fidelity
Preamp suitable for use with external instruments, electric guitars, dynamic microphones, and more

Eurorack module
28hp wide
Read more
 More than 10 in stock $244.02
Click for better price!
or call +44 20 7424 1960
quote 950885
Xaoc Devices Batumi II 1974 Quadruple Low Frequency Oscillator Module
Xaoc Devices Batumi II 1974 Quadruple Low Frequency Oscillator Module (digital/LFO/oscillator/quad/random/clock generator/CV modulation module)
Cat: 979276 Rel: 13 Feb 24 • View all Synth modules
 
Quadruple low frequency oscillator module - 10HP
Notes: An updated version of the excellent Batumi quad LFO, version II introduces performance updates plus compatibility with the new Poti II expander. Original Poti I breakout functions are now included in the Batumi II.

Supplier's Notes:
Xaoc Devices presents Batumi II - a greatly improved and enhanced new iteration of the modern day classic that is/was the original Batumi, preserving its layout and form factor. The premise remains the same: four LFO's with individual outputs for sine, assign and rectangle waves. The channels can operate independently or they can be linked - phase shifted, divided or multiplied (new mode alert) with regard to the first channel. Multiple major and minor improvements have been implemented, e.g. when synced to an external clock source, each channel's frequency slider selects a clock division for that channel's outputs.

Xaoc Devices have managed to incorporate the features of the original expander into Batumi II (sync mode switching and assign waveform selection) without changing the size of the module which opened up new possibilities for the new optional expander. The Poti II expander for Batumi II adds multi destination inputs for sine wavefolding, assign output waveform selection or rectangle pulse modulation with the destination set for each channel independently. Poti II also features frequency input attenuation as well as sine and assign output attenuation. All adjustments may be performed separately for each individual channel or for all channels simultaneously.

The Batumi II software has been rewritten from scratch to ensure best performance. The hardware has also been updated to allow for V/oct tracking and stable operation up to audio rates (more powerful CPU, precise, wideband converters, antialiased waveforms).

-4 LFO's
- redesigned from scratch - both the hardware and software
- new waveforms for the assign output (including random)
- new frequency multiplication mode
- all features of the Poti expander incorporated into the main module
- very wide frequency range well into audio rate
- 1V/oct tracking = so can be used as 4 VCO's
- in the Phase/Divide/Mult modes the random waves at the ASGN output follow the values available in the master/A channel
- 10HP
- +90/-50mA
Read more
 2 in stock $272.42
Xaoc Devices Drezno II 1989 Binary Conversion Komputor Module
Xaoc Devices Drezno II 1989 Binary Conversion Komputor Module (comparator/CV modulation/distortion/frequency divider/logic/quantizer/sample & hold/waveshaper synth module)
Cat: 945630 Rel: 10 Nov 23 • View all Synth modules
 
An improved version of the original Drezno module in 12HP.
Notes: Part of Xaoc's Leibniz Binary Subsystem, the updated Drezno ADC/DAC module builds on the original with higher resolution converters, allowing you to use it for pitch quantisation.

Supplier's Notes:
Drezno II is an improved version of the original Drezno module. It is an essential member of the 8-bit Xaoc Devices Leibniz Binary Subsystem. The Leibniz subsystem is a family of modules that operate on 8 binary (two-state, on/off) signals. These signals are arranged as 8 bits of digital data and may represent analogue signals and voltages, or they may be whatever you want them to be (clocks, gates, rhythms, etc.).

Drezno features an ADC (analogue-to-digital-converter) and DAC (digital-to-analogue-converter), allowing it to act as an analog front-end of the system. In other words, Drezno allows one to convert analogue signals and CVs into digital numbers, as well as to obtain analogue signals back from some other digital numbers (or 8 binary signals). Between these two conversions there is a whole universe of digital shenanigans waiting to happen resulting in all kinds of signal transformations and modulations.

Both (ADC and DAC) sections of Drezno can work independently, or they can be linked. Input and output range of analogue signals may be adjusted using Gain and Offset sliders. Individual bit outputs (for the ADC) and inputs (DAC) allow for extensive cross-patching and the creation of complex waveforms and rhythms. A very fast clock (up to 2MHz) at which the conversions are performed may be replaced with any external clock (for each section separately).

Compared to its predecessor, Drezno II uses new converters of much higher resolution which results in much lower noise floor and higher accuracy. The lower bits are much more stable than before. It is easy now to use Drezno for quantizing pitch voltages with accurate results with 128 or 256 semitone steps. Potentiometer ranges are factory calibrated for precise chromatic scale. A new switch on the front panel allows the user to select the calibrated range of 10Vpp or 20Vpp, so that the lowest bit or the second bit correspond to 1 semitone.

Technical details

Eurorack synth compatible
12hp, skiff friendly
Current draw: +80mA/-50mA
Reverse power protection
Read more
 3 in stock $250.33
Crazy Tube Circuits HiPower Amp & Speaker Simulation Effects Pedal Crazy Tube Circuits HiPower Amp & Speaker Simulation Effects Pedal Crazy Tube Circuits HiPower Amp & Speaker Simulation Effects Pedal
Cat: 986581 Rel: 02 Jan 24 • View all Effects pedals
 
Pedal + amp-in-a-box overdrives recreating legendary sounds, following the success of Crossfire and Unobtanium
Notes: HI POWER is Crazy Tube Circuits' next endeavour in pedal + amp-in-a-box overdrives recreating legendary sounds, following the success of Crossfire and Unobtanium.

It was inspired by the sonic combination of two British tone machines. The almighty Colorsound Power Boost meets the blistering high-headroom Hiwatt amp.

While the combination of these two units directly hints at the gear setup of David Gilmour and especially the gear used on Pink Floyd's album: Wish You Were Here (think the guitar solo sounds of "Shine on you Crazy Diamond", "Have A Cigar") the sonic options are endless.

The orange enclosure silicon transistor circuit (Colorsound Power Boost) can deliver from a transparent clean boost to an all-out fuzz driving a tube amp to sonic bliss. Crazy Tube Circuits set out to clone the original unit featuring the true-to-the-original spec BC184 transistors running on 18V DC (via an internal voltage booster circuit).

The ultra-flexible 2-band Baxandall EQ circuit can add bite and low-end rumble to any setup. Crazy Tube Circuits used a reverse log gain pot (labelled as volume), compared to the linear taper pot found in the original units and acted as an on/off switch, to be able to set the amount of boost/overdrive more precisely. While the earlier units didn't feature a master volume control (only as an aftermarket mod - Pete Cornish made an external unit master volume for David Gilmour's Power Boost) Crazy Tube Circuits chose to include one that is setup in a way so that when it is all the way clockwise it is bypassed. Later versions of the Power Boost had 9V power supply and were renamed as the "Overdriver" due to the lower headroom and their ability to drive the signal earlier. They were offered in a grey enclosure and can be seen in the gear setups of Jeff Beck, Marc Bolan, etc. Crazy Tube Circuits chose to incorporate this version as well with a flip of a toggle switch (PWR-ODR toggle switch).

On the left side of the HI POWER you will find an all-analogue circuit set out to emulate the sound and feel of a Hiwatt amp. Following the path of the famed British tube amplifier, this circuit offers authentic amp tone and feel resembling guitar tones from guitar greats like David Gilmour, Pete Townsend, Jimmy Page, Noel Gallagher to name a few. From the big bold high-headroom clean sounds to the face-melting crunchy tones.

True to the last detail, Crazy Tube Circuits have included the full EQ section along with a presence control located at the negative feedback of the power amp simulation circuit. A headroom toggle switch selects between the high headroom 100w power section provided by a quartet of EL34s (think Hiwat DR103), or the lower headroom and compression provided by a 50W power section with a pair of EL34s when hit hard (think DR504). Similar in operation to the original amps the master volume was designed to produce more gain at higher settings.

Crazy Tube Circuits taken the design a step further by adding a switch to select between input channels of the amplifier. You can select between the full response of the normal channel of the amplifier, the increased presence and tight low end of the bright channel input or the "Gilmour-ish" enhanced frequency response and added gain of those inputs linked together. This follows the modifications that Pete Cornish did to all David Gilmour's Hiwatt amps.

Like their other dual overdrive/amp-in-a-box designs, Crazy Tube Circuits also included a passive effects loop to give you the option to connect your beloved pedals between your booster/overdrive and amp in a box or use the two sections as separate and independent effects when using an external bypass switcher/looper. Gilmour enthusiasts will love to insert their Big Muff, Tube Driver and Phase 90 in there. Note that all pedals inserted in the passive effects loop are still in the signal chain when any or both sections of HI POWER are in bypass.

HI POWER features a power-up bypass/engage pre-set function for the footswitches. That way you can select which state your pedal will go to when you plug the power supply. This function comes in especially handy to people that use remote pedal switchers / loopers as they only set the state of the pedal once and then operate from the controller.

All-analog dual booster/overdrive - amp in a box.
Recreates the tones of the legendary setup used by David Gilmour in the recordings of Pink Floyd's Wish You Were Here album.
Right side: Faithful reproduction of the Colorsound Power Boost/Overdriver circuits with true-to-the-original-spec BC184 transistors.
Controls: gain, bass, treble, master, voicing toggle.
Wide gain range control: from transparent boost to gnarly and fuzzy overdrive.
Two-band (treble & bass) Baxandall EQ.
Master knob sets overall output. Huge amount of dB boost available.
Toggle switch to select between the 18V Power Boost style circuit or the 9V Overdriver style circuit.
Left side: Hiwatt AMP in a box overdrive.
All analog simulation of the preamp and power amp sound and response.
Controls: gain, bass, middle, treble, master, input channel toggle switch, headroom toggle switch.
Gain control: from clean to big bold British crunch/overdrive.
3-band Hiwatt style EQ (bass, middle, treble).
Presence control follows the original design/is located at the negative feedback of the power amp simulation circuit to control the amount of upper mid and high frequencies.
Master knob sets overall output volume. Designed to respond like the original control producing more gain at higher settings.
Input channel toggle switch selects between normal, bright, or linked input channels of the AMP for different voicing and gain levels.
Headroom toggle switch selects between the high headroom and dynamic response of a 100W amp or the lower headroom and compression of a 50W power amp.
Independent operation of the BOOST/OVERDRIVE and AMP sections
Click-less true bypass design via high-quality relays for each section.
2 Footswitches / 2 Status LEDs - one for each effect section.
Power-up bypass/engage preset function for the footswitches.
Top-mounted jacks
Passive series effects loop to connect pedals between the two sections or use them separately as independent effects.
Power Supply: Use only 9V DC, 2.1 mm x 5.5 mm, center negative (not included).
Runs internally at 18V DC (via voltage doubler circuit) for higher headroom and tube-like performance.
Current consumption: 84mA.
British Racing Green die-cast enclosure with color-coded lettering for the control section (orange for BOOST/OVERDRIVE section, white for AMP section).
Dimensions: (W x L x H): 119 x 97 x 53 mm.
Weight: 444 g.
Made in Greece.
Read more
 3 in stock $247.18
Click for better price!
or call +44 20 7424 1960
quote 986581
The Live Albums: 1978-1992
The Live Albums: 1978-1992 (180 gram vinyl 12xLP box set + booklet + lithographs)
Cat: 554059 6. Rel: 02 Nov 23
 
Rock
Alchemy (LP1)
Alchemy (LP2)
Alchemy (LP3)
On The Night (LP4)
On The Night (LP5)
On The Night (LP6)
On The Night (LP7)
Encored (LP8)
Live At The BBC (LP9)
Live At The Rainbow (LP10)
Live At The Rainbow (LP11)
Live At The Rainbow (LP12)
 in stock $203.00
TipTop Audio ATX1 VCO ART Analogue VCO Module
Cat: 947141 Rel: 04 Mar 24 • View all Synth modules
 
Analogue voltage controlled oscillator module - 8HP
Notes: A classic all analogue saw VCO core with 3 switchable modes, ART, 1V/Oct, LFO and is recommended as the basic building block for ART systems. It is designed for patching analog polyphonic synths from discrete modules or multi-mono patches in ART mode. When using ART the ATX1 takes care of the tuning including accounting for temperature changes. In 1V/Oct mode the ATX1 runs as a standard old school modular VCO. LFO mode drops the frequency range and is great for patching vibrato to other ATX1s among other things. The ATX1 outputs variable waveshapes with manual or CV control. Classic FM, PWM and hard sync are provided. A dedicated Gate Out in ART mode manages the voice envelopes or any modulation synced to that voice. TipTop consider the ATX1 the best sounding analogue VCO they have ever created.

Size: 8HP - Depth: 40mm / 1.5"

Power: +12V 105mA / -12V 33mA
Read more
 1 in stock $224.03
Click for better price!
or call +44 20 7424 1960
quote 947141
Klavis Grainity Digitally-Controlled Full-Analogue Path Granular & Multi-Mode VCF Module (silver)
Cat: 934965 Rel: 19 Dec 23 • View all Synth modules
 
Digitally-controlled full-analogue path granular & multi-mode VCF module in 10HP.
Notes: A unique analogue take on granular synthesis, inspired by Yannis Xenakis, the Grainity pairs a granular filter with a multimode filter to create new textures and harmonics.

Supplier's Notes:
The Grainity brings a unique and never-heard-before concept to the world of analogue VCF.

While being based on analogue filtering only, the Grainity expands and enriches the sound in creating subharmonics, harmonies, unison, flanging effects and formant filtering all at once.

The module presents two sections, the granular filter itself and a typical multimode filter, each with its own output.

A third output offers a mix of both filter paths. Numerous controls and CV allow a very wide palette of results.

What is the Grainity

Granular?

The word granular was chosen for this filter module in relation to the concept invented by the composer Yannis Xenakis, and which is described as assembling small chops of sounds - he called grains - according to a pattern.

This is exactly what the Grainity does, no more no less ... but, digital control allows doing it in ways that are decades away from what tape and scissors allowed at the time.

Technology wise ...

In the granular section, the incoming sound cycle is determined in order to step through various filtering and phase variations of itself according to predefined patterns called structures.

The controls allow alterations to the cycling phase, cycling frequency offset (tuning), structure selection and frequency division of the filters cycling. This comes in addition to the usual filter frequency and resonance controls.

What the Grainity is not

Technology wise ...

Despite relying on a microprocessor, the Grainity is not a digital audio processor. At any time, the sound remains in the analog domain and goes through analog circuits from in to out.
The digital processor does not convert or generate audio signals; it is there to control the analog circuitry and manage the interface and display.

Sound wise ...

Several digital modules offering granular processing rely on the layering of sound grains, which leads to blurry and cloudy textures.
Layering of the grains is a late addition to the concept of granular synthesis and is not a mandatory feature of the concept.
The Grainity does not use delay lines or sampling memory but is nevertheless true to the foundations of the granular synthesis concept.

The granular VCF in the Grainity is unconventional in that, most of times, it is not filtering the sound in the common expectation of removing something. Typically, the granular process adds more than it removes by expanding both the lower range, creating subharmonics, and the upper harmonic contents in multiples ways.

Dimensions
10 HP
21 mm deep

Current Draw
101 mA +12V
59 mA -12V
Read more
 7 in stock $260.85
Klavis Twin Waves MK2 Voltage-Controlled Dual VCO/LFO/Random Module (black)
Klavis Twin Waves MK2 Voltage-Controlled Dual VCO/LFO/Random Module (black) (digital/LFO/oscillator/dual/stereo/noise/quantizer/ring modulator/random synth module)
Cat: 951618 Rel: 26 Feb 24 • View all Synth modules
 
Voltage-controlled dual VCO, LFO and random module - 8HP.
Notes: Two oscillators independently set as VCO, LFO, or random generator

This new version replaces the original Twin Waves. All features of the former are retained. You can check all videos, reviews and comments of V1, being sure to benefit of all in the MKII version :-)

Features in VCO mode:

V/Oct tracking over 10 octaves
Tuning lock with octave selection
Through zero and linear FM
Sub-octave output
Hard & soft synchronization
VCA control and CV algorithms selection
Quantizer with various scales
20 algorithm-based synthesis types among:
Wave shaping
Phase modulation
Phase positioning of multiple waves
Up to 5 stacked oscillators in tunable unison
Self-sync with phantom oscillator
Additive synthesis (7 waves)
Variable bit reduction (bit-crushing)
Ring modulator with its own 2nd oscillator
Noise with LPF, BPF, or resonant filter

Features in LFO mode:

Simultaneous signal and trigger outputs
External wave synchronization
Clock controlled rate with voltage controlled multiplier and divider
CV and knob control of output level
Algorithm based wave engine with a selection of:
Wave shaping
Phase modulation
Random levels and vectors (also Brownian)
Randomly spaced triggers and waves
Display with contextual icons and instant reminder help text
LEDs indicating potentiometer vs. value matching, switch settings and output signals
Automatically saved settings for instant recall at power on
Firmware update by playing an audio file via the front panel
Compact and skiff-friendly module

Dimensions
8 HP
21 mm deep

Current Draw
52 mA +12V
17 mA -12V
0 mA 5V
Read more
MRP:$303.98 SAVE 25%
 3 in stock $228.24
Live In Chicago 2023
Live In Chicago 2023 (limited hand-numbered coloured vinyl 8xLP box set + poster (sound files not available))
Cat: RVRB 085. Rel: 08 Feb 24
 
Psych/Garage Rock
Pleura
ONE
Nuclear Fusion
Minimum Brain Size/Gaia
Motor Spirit
The Great Chain Of Being/Gaia
Witchcraft
Satan Speed Up
Trapdoor
The River
Evil Death Roll
Magma
Boogieman Sam
Rattlesnake
Honey
Shanghai
Hate Dancin'
Astroturf
Down The Sink
Invisible Face
Wah Wah
Road Train
Ice V
Inner Cell
Loyalty
Horology
Supercell
Self-Immolate
Am I In Heaven?
Gila Monster/Converge
Planet B
Mars For The Rich
Plastic Boogie
Hot Water
Hypertension
This Thing
Magenta Mountain
Change
The Garden Goblin
The Drippin Tap
 in stock $210.36
Famous Blue Raincoat: The Songs Of Leonard Cohen (35th Anniversary Edition)
Famous Blue Raincoat: The Songs Of Leonard Cohen (35th Anniversary Edition) (limited numbered 3xLP box set + booklet in slipcase)
Cat: IMPX 60331. Rel: 22 Feb 24
 
Pop
First We Take Manhattan (3:40)
Bird On A Wire (4:38)
Famous Blue Raincoat (5:29)
Joan Of Arc (7:42)
Ain’t No Cure For Love (3:20)
Coming Back To You (3:41)
Song Of Bernadette (3:51)
A Singer Must Die (4:51)
Came So Far For Beauty (3:36)
Night Comes On (4:47)
Ballad Of The Runaway Horse (8:19)
If It Be Your Will (3:04)
A Singer Must Die (Pre-production demo) (2:54)
Joan Of Arc (live) (7:53)
 in stock $249.27
EarthQuaker Devices The Wave Transformer Transfiguration Oscillator Module EarthQuaker Devices The Wave Transformer Transfiguration Oscillator Module EarthQuaker Devices The Wave Transformer Transfiguration Oscillator Module EarthQuaker Devices The Wave Transformer Transfiguration Oscillator Module EarthQuaker Devices The Wave Transformer Transfiguration Oscillator Module EarthQuaker Devices The Wave Transformer Transfiguration Oscillator Module EarthQuaker Devices The Wave Transformer Transfiguration Oscillator Module
Cat: 991963 Rel: 19 Jan 24 • View all Synth modules
 
A complex single oscillator with 7 audio outputs
Notes: The Wave Transformer is a complex single oscillator with 7 audio outputs. Its method of wave shaping differs from other complex oscillators in that it is not based upon classic wave folding such as is common in West Coast synthesis, or filtration such as is common in East Coast synthesis.

This analogue, vintage-voiced, voltage-controlled oscillator features over 8 octaves of accurate pitch tracking. Its 7 simultaneous wave outputs include a unique Complex output. This strange and novel output varies between a simple waveform (triangle, unless you patch a signal into the Shape Insert jack) and a complex transformation of the harmonic structure of the original waveform. It contains a unique mixture of the fundamental frequency, odd order harmonics, even order harmonics and subharmonics. The Sub Octave panel control will determine whether the sub harmonics are derived from one octave down, two octaves down, or are muted altogether. It will vary from a simple waveform to a silhouette of your cat watching you as you react to a "present" that it left for you on the counter. No, seriously.

The module's Transform control morphs from a basic waveform through many strange iterations into a complex, gnarled mass of audio mutations at the Complex output using an asymmetrical multi differential audio transmutation circuit. You can yield countless variations on these permutations by combining this novel circuit with Hard Sync, Soft Sync, Linear FM and Exponential FM.

Additionally, you can mute the source waveform to use the circuit as a harmonic gate/VCA, rendering the Wave Transformer a voice unto itself.

If that is not enough, there is a Shape Insert that allows you to transform external oscillations and modular-level audio sources.
Read more
 2 in stock $215.62
The Southern Harmony & Musical Companion (Super Deluxe Edition)
The Southern Harmony & Musical Companion (Super Deluxe Edition) (limited 4xLP box set + hymn book + lithographs)
Cat: 583497 8. Rel: 20 Dec 23
 
Rock
Sting Me (LP1: The Southern Harmony & musical Companion)
Remedy
Thorn In My Prickle
Bad Luck Blue Eyes Goodbye
Sometimes Salvation
Hotel Illness
Black Moon Creeping
No Speak No Slave
My Morning Song
Time Will Tell
99 Pounds (LP2: More Harmony: unreleased outtakes & B-sides)
Miserable
Rainy Day Women #12&35
Boomer's Story
Darling Of The Underground Press
Sting Me (Slow)
Bad Luck Blue Eyes Goodbye
Sometimes Salvation
Black Moon Creeping
No Speak No Slave (LP3: Southern Harmony live Houston, TX, Febuary 6, 1993)
Sting Me
My Morning Song
Jam
Thorn In My Pride
Bad Luck Blue Eyes Goodbye
Black Me Creeping
Hotel Illness
Sometimes Salvation
Remedy
Review: American blues-slanted rock band the Black Crowes put out their second album The Southern Harmony and Musical Companion back in May 1992. It was the first time Marc Ford had featured on lead guitar in place of Jeff Cease who was sacked the year before. It also marked the first time Eddie Harsch joined on keys and set a record at the time for being the first album to feature four rock number ones, and the album itself also climbed to the top spot in the Billboard 200 album chart. Its mix of blues and Southern styles often sees the album being included in lists of the best rock albums of all time.
Read more
 in stock $231.40
TipTop Audio ART V/Oct Quantizer ART Quad Quantizer Module TipTop Audio ART V/Oct Quantizer ART Quad Quantizer Module TipTop Audio ART V/Oct Quantizer ART Quad Quantizer Module TipTop Audio ART V/Oct Quantizer ART Quad Quantizer Module TipTop Audio ART V/Oct Quantizer ART Quad Quantizer Module
Cat: 1004139 Rel: 04 Mar 24 • View all Synth modules
 
4-channel CV to ART quantizer module - 8HP
Notes: ART QUAD QUANTIZER is a four channel CV to ART Quantizer to play ART oscillators from CV sequencers, LFOs and anything that outputs CV. This is TipTop#s second ART controller option and is designed for those of us playing ART without a computer or MIDI source. The inputs take in positive, negative, bipolar CV voltages. Scales include Major Minor and the five other modes (Dorian, Lydian, etc). The module is simple to set up with a simple menu and one knob with switch for navigation. The 4th channel can be set to generate Chords and polyphonic note streams for ART Polyphonic oscillators.

Size: 8HP
Depth: 40mm / 1.5"
Power: +12V 38mA / -12V 4mA
Read more
 1 in stock $253.49
Click for better price!
or call +44 20 7424 1960
quote 1004139
IK Multimedia iRig Pro Quattro I/O 4in/2out Portable Audio & MIDI Interface (B-STOCK) IK Multimedia iRig Pro Quattro I/O 4in/2out Portable Audio & MIDI Interface (B-STOCK) IK Multimedia iRig Pro Quattro I/O 4in/2out Portable Audio & MIDI Interface (B-STOCK) IK Multimedia iRig Pro Quattro I/O 4in/2out Portable Audio & MIDI Interface (B-STOCK) IK Multimedia iRig Pro Quattro I/O 4in/2out Portable Audio & MIDI Interface (B-STOCK) IK Multimedia iRig Pro Quattro I/O 4in/2out Portable Audio & MIDI Interface (B-STOCK) IK Multimedia iRig Pro Quattro I/O 4in/2out Portable Audio & MIDI Interface (B-STOCK) IK Multimedia iRig Pro Quattro I/O 4in/2out Portable Audio & MIDI Interface (B-STOCK) IK Multimedia iRig Pro Quattro I/O 4in/2out Portable Audio & MIDI Interface (B-STOCK) IK Multimedia iRig Pro Quattro I/O 4in/2out Portable Audio & MIDI Interface (B-STOCK)
Cat: 902841 Rel: 01 Jan 90 • View all Audio interfaces
 
*** B-STOCK: Box opened, but product is in excellent condition and in perfect working order ***
Notes: *** B-STOCK: Box opened, but product is in excellent condition and in perfect working order ***


Field recorder meets interface in this clever offering from IK's iRig range. Essentially a 4-in/2-out audio and MIDI interface with built-in mics, the Quattro is portable, versatile and high quality.

Supplier's Notes:
Pro recording and performing, in the palm of your hand

iRig Pro Quattro I/O is a professional-quality 4 in / 2 out portable audio and MIDI interface packed with everything needed for field recording and content creation, for serious sound and flexibility - anywhere.

Small enough to fit in the palm of your hand, the iRig Pro Quattro I/O still packs in four high-quality, low-noise mic preamps; instrument, RCA and TRS inputs; plus XLR balanced, 3.5mm stereo and headphone outputs - and full MIDI I/O!

iRig Pro Quattro I/O works right out of the box with iPhone, iPad, Android, Mac and PC, but can also serve as a stand-alone mic preamp or line mixer, with a built-in limiter and direct monitoring so you're always guaranteed the perfect take.

Packed with a swiss-army-knife's worth of tools, iRig Pro Quattro I/O ensures you're ready for anything, anywhere.

As a mobile interface

Connected to a computer or mobile device, the iRig Pro Quattro I/O will work as a high-quality, multi-channel audio and MIDI interface with a full array of inputs and outputs so you'll always be prepared for any recording or need. Fully MFi-certified, no adaptors are required for iPhone or iPad for reliable field performance on any device.

As a broadcast / podcast interface

Enable STEREO mode and iRig Pro Quattro I/O mixes all sources down to stereo for streaming or recording. Monitoring is easy thanks to a dedicated headphone output with independent volume control and direct monitoring. Or use MONO mode for streaming to social media; Loopback lets you duet your favourite videos easily.

As a field recording interface

With an onboard microphone and optional stereo mic capsules, iRig Pro Quattro I/O turns your iPhone, iPad, Android device into a full-featured, professional field recorder.

As a stand-alone mixer

iRig Pro Quattro I/O also works as a preamp and mixer: just power it via battery, USB or DC IN and use the full set of inputs/outputs to capture and mix multiple sources to your DSLR camera with professional quality.

Always perfect recordings with the safety backup channels

In STEREO and MONO mode, inputs 3 and 4 can be used as safety channels: recording the same signal as input 1 and 2 but reduced by 12dB as a backup in case the sound source unexpectedly overloads the main channels.

Audio quality without compromise... wherever you are

Up to 24-bit, 96 kHz sample rate Ultra-low-noise mic preamps with full +48v phantom power Professional-quality, transparent A/D and D/A conversion Built-in limiter, for input 1-2, to protect against clipping Multitrack, stereo or mono internal mixdown.

Specifications

Microphone Input
Microphone Input: balanced female 3-pin, XLR. Pin 2: hot / Pin 3: cold / Pin 1: ground
Microphone Input Level: from 6 mVpp to 1.4 Vpp
Microphone Input Impedance: 3.2 kOhms
Gain Range: 40 dB
Phantom Power: +48V i 4V
Frequency Response: 20 Hz - 20 kHz +/-1.5dB
Input Noise: -103 dB(A), -97 dB RMS

Instrument Input
Instrument Input: unbalanced, Hi-Z, TS 1/4" Jack, Tip: signal / Shield: ground
Instrument Input Level: from 30 mVpp to 6.9 Vpp
Instrument Input Impedance: 1 MOhms
Gain Range: 27 dB
Frequency Response: 20 Hz - 20 kHz +/-1.5dB
Input Noise: -103 dB(A), -97 dB RMS
Stereo Headphone Output
Connector: 1/8" TRS Jack. Tip: right / Ring: left / Shield: ground
Headphone Level Control numbered thumbwheel
Headphone Level Power 100mW into 50 Ohms

Stereo Headphone Output
Connector: 1/8" TRS Jack. Tip: right / Ring: left / Shield: ground
Headphone Level Power 100mW into 50 Ohms

MIDI Input/Output
Connector: 2x2.5mm TS Jack
Other Input/Output
DC barrel: 1x DC barrel. For power and device charging.
Device Connector: mini-DIN

Common
Conversion: 24-bit A/D, 24-bit D/A
Sampling Rate: 44.1 kHz, 48 kHz, 88.2 kHz and 96 kHz

Power:
- USB bus powered when used with a computer
- Battery powered (2xAA included) when used with an iOS device
- DC power supply (not included, iRig PSU 3A sold separately)*

Package includes
iRig Pro I/O universal Audio-MIDI interface
Lightning to Mini-DIN connection cable with charging features (60cm/23.62")
USB-A to Mini-DIN connection cable (60cm/23.62")
USB-C to Mini-DIN connection cable (60cm/23.62")
2.5mm TRS male to MIDI female adapter (10cm / 3.9")
2 x 1.5V AA Battery
Velcro strip

Dimensions
Size: 43mm/1.69" x 127mm/5" x 37mm/1.46"
Weight: 120g/4.23oz (batteries excluded)
Read more
 2 in stock $209.31
Rossum Electro-Music Locutus MIDI Mediator Module For Assimil8or
Cat: 940123 Rel: 29 Sep 23 • View all Synth modules
 
MIDI mediator module - 6HP.
Notes: An expander module for Rossum's powerhouse Assimil8or sampler module, the Locutus provides MIDI in, out and thru connections over 5-pin DIN sockets, letting you take full control of the module alongside other MIDI gear.

Supplier's notes:
Locutus is designed to interface Assimil8or with MIDI instruments, controllers, and sequencers to provide multichannel modulation and new polyphonic possibilities.

Locutus includes a special cable to connect to the Assimil8or CPU behind the panel.

Locutus is 6 HP wide and 25mm deep.

More pricing and availability information is coming soon.

Locutus is on display in the MIDI Association booth #9901 at NAMM 2023 where Locutus and Assimil8or will be performing with a Rossum SP-1200 Reissue, an Oberheim OB-X8, and other new and vintage MIDI-equipped instruments.

MIDI Association booth #9901 is dedicated to the MIDI@40 Lifetime Achievement Award winners, including Rossum Electro-Music co-founder Dave Rossum.

From the MIDI Association: "At Saturday's anniversary celebration, lifetime achievement awards will be presented to (or posthumously honour) legendary music industry innovators who created the modern music production environment of synths, drum machines, and sequencers, including Bob Moog, Don Buchla, Ikutaro Kakehashi, Tsutomu Katoh, Roger Linn, Tom Oberheim, Alan Pearlman, Dave Rossum, and Dave Smith."
Read more
 6 in stock $225.09
Click for better price!
or call +44 20 7424 1960
quote 940123
AJH Synth/Tone Science Triple Cross XFader Panner Module (silver)
AJH Synth/Tone Science Triple Cross XFader Panner Module (silver) (attenuator/dual/stereo/mixer/panning/utility/VCA synth module)
Cat: 944987 Rel: 20 Oct 23 • View all Synth modules
 
A crossfader panner module in 14HP
Notes: The Tone Science Triple Cross module is a design collaboration between electronic musician/composer Ian Boddy and AJH Synth.

It features three independant cross fader and panner channels, and it can be used with both audio and CV signals. Each of the channels can be configured in one of four different ways:

1) One In, One out Linear VCA

2) Two in, One out crossfader

3) One in, Two out panner,

4) Two in, Two out cross fader & reversing panner combined.

Audio rate modulation can also be used on the CV inputs to create Ring modulation and Cross modulation type sounds. Each channel has a dedicated Fade control, CV input, and CV Level attenuverter. These can be used together to bias incoming CV signals.

The L1 and L2 outputs from channels 1 and 2 are normalised to channel 3's inputs, which also have their own level controls to balance incoming signals. This allows very interesting, complex fading and panning between four different input sources, to either Mono or Stereo outputs..

The Triple Cross is very versatile, yet relatively simple to understand and use. However, as they say "knowledge is power", so do spend a little time reading about how to configure the channels in the four different modes, and how to combine all three channels together to create a super-powerful Four to Two to One cross fader.
Each of the three channels can be configured in four different ways, and all three can be used simultaneously. They do not all have to be in the same mode, so we could for example use channel 1 as a cross fader, channel 2 as a Panner for completely different signals, and channel 3 as a Linear VCA, again for different signals.

Specifications

Effective CV Range for CV-1, CV-2 and CV-3 is 0 to +5V with attenuverter fully clockwise or 0 to -5V with attenuverter fully anticlockwise.
Maximum permissible CV Range for CV-1, CV-2 and CV-3 is -12 to +12V
IN 1A to IN 3B Input levels -5V to +5V, levels up to +/-10V are possible however some clipping may occur.
Module Width: 14hp
Module Depth: 26mm (Including power lead)
Current Usage: 80mA Positive, 72mA Negative
Read more
 1 in stock $272.42
Click for better price!
or call +44 20 7424 1960
quote 944987
Xaoc Devices Bohumin 1966 Mixing Console Commander Module
Cat: 945623 Rel: 10 Oct 23 • View all Synth modules
 
An expander module for the Ostrawa full stereo mixer in 10HP.
Notes: Part of Xaoc's range of modular mixing tools, the Bohumin 1966 is a commander module for Ostrawa stereo mixer modules, adding a second stereo aux bus, voltage control and manual attenuators with clickless mutes

Supplier's notes:
Bohumin [bo'xumin] is an expander for Xoac Deives' Ostrawa full stereo mixer module. By connecting to Bohumin, Ostrawa gains a second full stereo AUX bus with voltage control over the amount of the effect on each channel. Bohumin features manual attenuators for stereo returns of both AUX A and AUX B, as well as four gate inputs for automated clickless muting of each stereo input channel. Please note that Bohumin is not compatible with Ostrawa's sister module Praga. Similarly, Praga's expander Hrad cannot be connected to Ostrawa. However it is possible to chain any combination of Ostrawas and Pragas, and each of them may have its corresponding expander attached.

Technical details

10hp, skiff friendly
Power drawn from Ostrawa: +50mA/-40mA
Read more
$236.65 SAVE 10%
 4 in stock $212.98
Arturia MiniFuse Recording Pack (white) Arturia MiniFuse Recording Pack (white) Arturia MiniFuse Recording Pack (white) Arturia MiniFuse Recording Pack (white) Arturia MiniFuse Recording Pack (white) Arturia MiniFuse Recording Pack (white)
Arturia MiniFuse Recording Pack (white) (audio interface/microphone/shockmount/pop filter/studio headphones/XLR cable/music production softwares)
Cat: 955510 Rel: 19 Oct 23 • View all Audio interfaces
 
Recording pack: MiniFuse 2, CM1 cardioid microphone with shockmount and pop filter, EF1 closed-back monitoring headphones, XLR cable and 6 premium music-making software titles.
Notes: Record your voice, guitar, piano, synth, or any audio, and create great-sounding tracks with a plug-and-play bundle that does it all. For beginners, songwriters, content creators, and everyone in between, the MiniFuse Recording Pack gives you professional sound in a simple, fun, creative package - whatever your style.

Your recording all-in-one

Whether you're a beginner music maker, a content creator, a producer with limited space, or a musician on a budget, enjoy a pro-grade recording bundle for vocals, guitars, percussion, and more - without breaking the bank.

Plug-and-play interface

MiniFuse 2 gives you 2 audio inputs & outputs, MIDI for connecting synths & drum machines, and easy to use controls that work right out the box. Recording has never been so easy.

Make your voice heard

Capture your voice & instruments with supreme clarity without hassle. Follow the included step-by-step guide to connect your CM1 cardioid microphone and get recording - it even comes with a shockmount & pop filter to keep your recordings clean & noise-free.

Hear your sound come to life

Monitor your mix in studio-grade detail and comfortably smash out long sessions with the included EF1 closed-back monitoring headphones, great for production, live recording, and even just listening at home or on the move.

DAW music creation, your own way

Enjoy the most versatile & inspiring software bundle at this price point. From an introduction to an industry-standard DAW to a range of creative effects and audio enhancing tools, take your production to another level

Main Features

All-in-one audio interface recording bundle
Premium software bundle included
Analog Lab Intro with 500 vintage & modern keyboard presets
Rev PLATE-140 reverb
Pre 1973 vintage preamp
Delay TAPE-201 echo
Chorus JUN-6 analogue chorus
Ableton Live Lite

2 x combo Mic/Inst/Line XLR Input with 48V phantom power
2 x 1/4'' TRS balanced line outputs with volume control
1 x stereo headphones output with volume control
1 x 5-pin MIDI input & output
1 x USB2 type A hub (250mA max.)
1 x stereo virtual loopback channel
USB-C interface compatible with PC and Mac
Bus-powered

Microphone
Capsule: Condenser (Cardoid)
Sensitivity: -36 dB +3 dB (0 dB = 1 V/Pa at 1 kHz)
Frequency response: 20 Hz to 20kHz

Headphones
Type: Closed-back
Drive diameter: 40 mm

MiniFuse 2
2x Inputs
2x Outputs
1x Headphone
1x MIDI I/O

Subscriptions - Complimentary introductions to audio & mixing services:
Splice Creator Plan
Auto-Tune Unlimited

What's in the box

Box content:
MiniFuse 2 Unit
USB-A to USB-C cable
CM1 cardioid microphone with shockmount & pop filter
EF1 closed-back monitoring headphones with adapter
3m XLR cable

Platforms requirements

Windows
Win 10+ (64bit)
2.5 GHz CPU
4 GB RAM
2GB free hard disk space
OpenGL 2.0 compatible GPU

Apple
Mac OS 10.13+
2.5 GHz or Apple Silicon CPU
4 GB RAM
2GB free hard disk space
OpenGL 2.0 compatible GPU
Read more
MRP:$293.46 SAVE 12%
 1 in stock $258.74
Teia Synthesizers OpticTone Vactrol Filter & VCA Module
Cat: 937614 Rel: 16 Feb 24 • View all Synth modules
 
Vactrol filter & VCA module - 10HP.
Notes: The OpticTone is a combination of a 12dB multi-mode Vactrol Filter and a Vactrol Voltage Controlled Amplifier.

It is a completely original circuit inspired by the singular nature of Vactrols and their fluid and natural character.

The Filter section provides the three fundamental filter types: Lowpass, Bandpass and Highpass.

A Resonance knob with voltage control input is available for improved modulation flexibility. The feedback knob interacts with the Resonance path, tempering it from creamy resonance to wacky self-oscillation.

Filter and VCA run in parallel, both are controlled by the Freq/Amp knob and it's associated voltage-control input. The combination of both signals can be crossfaded with a dedicated knob.

The Freq/Amp is also controlled with direct touch control on the panel via the 3 lines below the knob.

The filter frequency control can be inverted by the Inv Freq switch, providing the possibility to change the filter direction. This feature allows the filter to "close" when the VCA is "opening" or the other way around.

The Ping input allows to generate the well known vactrol filter percussive sounds if a gate or trigger signal is provided. The Ping frequency if controlled by the Freq/Amp knob, ranging from low kicks drums to high pitch bongos.

There is also a Drive knob to take care of your saturation needs. The Overdrive range is wide, from soft textural clipping to heavy distortion.

All voltage controlled inputs have an attenuator-inverter knob.

Features:

Vatrol based 12dB multi-mode Voltage Controlled Filter: Lowpass, Bandpass and Highpass.
Vactrol Based Voltage Controlled Amplifier.
Crossfade between VCF and VCA section.
Voltage controlled Resonance.
Ping Input for percussive sounds generation.
Cutoff Frequency polarity inversion switch. Doesn't change VCA polarity
Overdrive and Feedback controls.
Attenuator/inverter knobs on all voltage controlled inputs
Touch control over Frequency and Amplitude.


Specs:

Width: 10HP
Depth: 33mm
Power consumption: 55mA +12 / 55mA -12
Eurorack Format
Doepfer power connection
Read more
 1 in stock $265.05
Click for better price!
or call +44 20 7424 1960
quote 937614
Tulsa Sound
Tulsa Sound (180 gram coloured vinyl 8xLP + coloured vinyl 12" box set + hard-back book in slipcase)
Cat: 539770 3. Rel: 05 Oct 23
 
Blues
Call Me The Breeze (LP1: Naturally)
Call The Doctor
Don't Go To Strangers
Woman I Love
Magnolia
Clyde
Crazy Mama
Nowhere To Run
After Midnight
River Runs Deep
Bringing It Back
Crying Eyes
Lies (LP2: Really)
Everything Will Be Alright
I'll Kiss The World Goodbye
Changes
Right Down Here
If You're Ever In Oklahoma
Ridin' Home
Going Down
Soulin'
Playing In The Street
Mo Jo
Louisiana Women
Crying (LP3: Okie)
I'll Be There (If You Ever Want Me)
Starbound
Rock & Roll Records
The Old Man & Me
Everlovin' Woman
Cajun Moon
I'd Like To Love You Baby
Anyway The Wind Blows
Precious Memories
Okie
I Got The Same Old Blues
Hey Baby (LP4: Troubadour)
Travelin' Light
You Got Something
Ride Me High
Hold On
Cocaine
I'm A Gypsy Man
The Woman That Got Away
Super Blue
Let Me Do It To You
Cherry
You Got Me On So Bad
Thirteen Days (LP5: 5)
Boilin' Pot
I'll Make Love To You
Don't Cry Sister
Too Much For Me
Sensitive Kind
Friday
Lou-Easy-Ann
Let's Go To Tahiti
Katy Kool Lady
Fate Of A Fool
Mona
Carry On (LP6: Shades)
Deep Dark Dungeon
Wish I Had Not Said That
Pack My Jack
If You Leave Her
Mama Don't
Runaround
What Do You Expect
Love Has Been Gone
Cloudy Day
City Girls (LP7: Grasshopper)
Devil In Disguise
One Step Ahead Of The Blues
You Keep Me Hangin' On
Downtown LA
Can't Live Here
Grasshopper
Drifter's Wife
Don't Wait
A Thing Going On
Nobody But You
Mississippi River
Does Your Mama Like To Reggae
Dr Jive
Money Talks (LP8: #8)
Losers
Hard Times
Reality
Takin' Care Of Business
People Lie
Unemployment
Trouble In The City
Teardrops In My Tequilla
Livin' Here Too
Dick Tracy (12": The Early Years)
It's A Go-Go Place
Outside Looking In
In Our Time
After Midnight
Slow Motion
 in stock $254.54
Dannysound MML Filter Multi-Mode Ladder Filter Module Dannysound MML Filter Multi-Mode Ladder Filter Module Dannysound MML Filter Multi-Mode Ladder Filter Module
Cat: 967619 Rel: 12 Dec 23 • View all Synth modules
 
Multimode transistor ladder filter module with red mode feedback distortion - 6HP.
Notes: The updated "Skiff friendly" design of the mml filter now features bipolar "Attenu-verters" for the cv controls as well as an all new red mode!

This new mode activates a feedback distortion circuit capable of actually changing the pitch of the notes coming in to the filter in a musical way that adds instant variety to acid basslines, creates weird and strange alterations to drones or adds some nice overdriven distortion to whatever goes into it!

The multi-mode ladder (mml) filter is based on the classic transistor ladder low pass filter by dr. Robert a. Moog. This filter updates the classic 4-pole ladder design to provide band pass and high pass filter responses as well as the traditional low pass filter. There are 2 bipolar controls with attenu-verters for the cut-off frequency plus a cv input for the resonance.

The core of the circuit features a fully discrete transistor design with an op-amp buffered output, this allows soft saturation of the input signal to get the classic overdriven tones of the ladder filter. A bass compensation circuit has been included to retain the bass response in low pass mode when the resonance is increased. The bass compensation also helps to improve the response of the high pass filter.

The red mode is activated/de-activated by holding the mode button for 0.3s. In this mode the filter cut-off, input volume and resonance all interact and the effect is to produce alterations to the incoming frequencies. The pitches of the audio coming into the filter also affect the alterations as well selecting between low pass, band pass and high pass filter modes whilst in red mode.

Features

Low pass, band pass and high pass modes.
Red mode feedback distortion.
CV controlled resonance.
Added low frequency compensation.
Soft saturation of input.
2 x bipolar attenuverter CV inputs.

Width: 6 HP
Depth: 25mm
Power: +12v = 50ma / -12v = 39ma
Read more
 1 in stock $270.31
Click for better price!
or call +44 20 7424 1960
quote 967619
Live 1978-1992
Live 1978-1992 (12xLP + booklet + lithographs in spot-varnished slip-case)
Cat: RHI 7257581. Rel: 18 Jan 24
 
Rock
Once Upon A Time In The West (LP 1: Alchemy) (10:08)
Industrial Disease (8:16)
Expresso Love (5:26)
Romeo & Juliet (4:52)
Love Over Gold (6:01)
Private Investigations (LP 2: Alchemy) (7:22)
Sultans Of Swing (6:48)
Twisting By The Pool (7:32)
Two Young Lovers (5:30)
Portobello Belle (6:21)
Tunnel Of Love (LP 3: Alchemy) (9:54)
Solid Rock (9:31)
Telegraph Road (14:25)
Going Home (Theme From 'Local Hero') (3:37)
Calling Elvis (LP 4: On The Night) (10:02)
Walk Of Life (5:04)
Heavy Fuel (5:59)
Romeo & Juliet (9:18)
Private Investigations (LP 5: On The Night) (9:08)
Sultans Of Swing (12:13)
Fade To Black (4:37)
Your Latest Trick (5:04)
When It Comes To You (5:32)
I Think I Love You Too Much (6:53)
You & Your Friend (LP 6: On The Night) (7:21)
On Every Street (5:59)
Two Young Lovers (5:19)
Tunnel Of Love (15:46)
Telegraph Road (LP 7: On The Night) (12:13)
Money For Nothing (6:48)
Brothers In Arms (8:18)
Your Latest Trick (LP 8: encores)
The Bug
Solid Rock
Local Hero - Wild Theme
Down To The Waterline (LP 9: live At The BBC) (3:58)
Six Blade Knife (3:50)
Water Of Love (5:32)
Wild West End (4:59)
Sultans Of Swing (6:24)
Lions (6:16)
What's The Matter Baby? (3:12)
Tunnel Of Love (11:50)
Down To The Waterline (LP 10: live At The Rainbow) (3:08)
Six Blade Knife (7:41)
Once Upon A Time In The West (6:29)
Lady Writer (3:41)
Lions (5:56)
Sultans Of Swing (6:45)
Les Boys (6:06)
Portobello Belle (4:12)
News (LP 11: live At The Rainbow) (3:46)
What's The Matter Baby? (2:56)
Setting Me Up (3:25)
In The Gallery (6:50)
Solid Rock (4:10)
Southbound Again (4:33)
Where Do You Think You're Going? (4:27)
Wild West End (LP 12: live At The Rainbow) (5:15)
Twisting By The Pool (3:47)
Good Morning Little Schoolgirl (with Phil Lynott & Tony De Meur) (2:48)
That's Alright Mama (with Phil Lynott & Tony De Meur) (2:05)
Nadine (with Phil Lynott & Tony De Meur) (3:49)
Keep On Knocking (with Phil Lynott & Tony De Meur) (6:13)
 in stock $273.47
Walrus Audio ARP-87 Onyx Edition Delay Effects Pedal Walrus Audio ARP-87 Onyx Edition Delay Effects Pedal Walrus Audio ARP-87 Onyx Edition Delay Effects Pedal Walrus Audio ARP-87 Onyx Edition Delay Effects Pedal
Cat: 984210 Rel: 24 Nov 23 • View all Effects pedals
 
A delay effects pedal
Notes: *** Onyx Edition ***

The ARP-87 is a compact, feature-rich delay, packed with a large pallet of inspirational delay tones. Featuring four main algorithms, digital, analog, lo-fi, and slap back, the ARP-87 can cover some serious ground in the world of echoes. The Digital algorithm boasts pristine, crystal clear repeats great for rhythmic riffs. The Analog setting works well to add warmth and dimension to chords and lines without getting in the way. The Lo-Fi algorithm, with its adjustable frequency range on the repeats, goes from warm, warped, and murky, to strait AM radio. Finally, the Slap setting makes it easy to dial in a great slap back echo perfect for smoking chicken pickin' runs.

With other features like the smart bypass switching, and momentary knob ramp, the ARP-87 provides endless creative opportunities that are waiting to be explored.The X knob changes functions depending on which Algorithm you are using. It adjusts a specific parameter in each algorithm.

In Digital, Analog, and Slap modes, the knob will control modulation depth. In Lo-fi mode, the knob will control Filter width. Note that when changing delay types this loads a whole new algorithm and the tempo must be tapped in again.

Trails Mode

The ARP-87 can be run in trails or no trails mode. In trails mode, when you turn the pedal off, the delay trails die off naturally. In no trails mode, the delay trails are abruptly cut off when you turn the pedal off. To toggle between either mode, hold down the bypass switch for 1 second while applying power to the pedal. Unplug power and repeat to toggle to the other mode.

Momentary Functions

When the switch is in off position, press and hold the Bypass Switch to temporarily activate the effect to add a moment of delay texture. Releasing the switch turns the effect off. When the effect is on, press and hold the bypass switch to momentarily ramp the X parameter to maximum. Releasing the switch sets the X parameter back to the knob location. Press and hold the Tap Switch to temporarily ramp the feedback to maximum.
Release to set the feedback back to the knob location.

The ARP-87 comes in a Frosted Charcoal finish with cream and seafoam ink featuring original artwork by Chris Castro of a lone ship traveling through the ARP-87 Galaxies.
Dimensions and power consumption:

6,6 x 12,2 x 5,6 cm (W x D x H)
100 mA

In the box:

Walrus Audio ARP-87
Manual
Sticker
Guitar pick
Pouch
Read more
 1 in stock $215.62
Click for better price!
or call +44 20 7424 1960
quote 984210
Walrus Audio Polychrome Onyx Edition Analogue Flanger Effects Pedal Walrus Audio Polychrome Onyx Edition Analogue Flanger Effects Pedal Walrus Audio Polychrome Onyx Edition Analogue Flanger Effects Pedal Walrus Audio Polychrome Onyx Edition Analogue Flanger Effects Pedal
Cat: 984233 Rel: 24 Nov 23 • View all Effects pedals
 
An analogue flanger effects pedal.
Notes: *** Onyx Edition ***

Like the Iguana that's malleable to its environment, blending into its surroundings for harmonious balance or standing out with vibrant confidence, the Polychrome Flanger is a uniquely colourful tool for adding modulated textures to songs.

The Polychrome Flanger is a true bypass, all analogue Flanger pulling in familiar layout controls from the Julia and Lillian.
Dial in a wealth of colourful flange with the D-F-V blend knob and the shape and voice switches.
The Shape Switch lets you select from sine, triangle, or random LFO wave to modulate the delay line

The Voice Switch lets you select between two voices for the flanging effect.
In the down position, the flanger is more traditional and full frequency.
In the up position, you get a more complex and notched flange effect with less low end.

Like the other members of the Walrus Audio modulation family, the Polychrome has a blend knob. The D-F-V (Dry, Flange, Vibrato) knob lets you blend the dry and delayed signal from full dry at minimum (no effect), to traditional flange at noon to full pitch vibrato at maximum. Don't sleep on the vibrato sounds in the Polychrome.
Set the D-F-V knob to maximum, feedback to a minimum, and the voice switch up for some unique pitch vibrato.

Top mounted input, output, and power jacks as well as soft switch relay bypassing make the Polychrome fit well on your board and ensure smooth operation for years to come.

Specs

Power supply not included.

Dimensions and power consumption:
0.25kg
6,6 x 12,2 x 5,6 cm (W x D x H)
50 mA

In the box:

Walrus Audio Polychrome
Manual
Sticker
Guitar pick
Pouch
Read more
 1 in stock $215.62
Click for better price!
or call +44 20 7424 1960
quote 984233
Solid State Logic SSL 2 Recording Pack
Cat: 985405 Rel: 14 Dec 23 • View all Audio interfaces
 
Recording pack: SSL 2 interface, condenser mic, shock mount, studio headphones and XLR cable
Notes: SSL Recording Pack

Condenser mic, shock mount, studio headphones and XLR cable

Step Up Your Recording Game

Introducing the SSL Recording Pack from Solid State Logic, the all-in-one solution to capture your ideas and record great music. Available in a bundle with an SSL 2 interface, the SSL Recording Pack includes a condenser microphone with shock mount and thread adapter, closed-back studio headphones and an XLR microphone cable, bringing you everything you need to record with your SSL 2 interface.

Recording Made Easier

SSL Recording Pack includes everything you need to start recording now. Just plug your SSL microphone and headphones to your SSL 2 interface and start turning your ideas into records.

SMC 80 Studio Microphone

Capture every detail and nuance of your vocals, guitars and acoustic instruments with the SMC 80 studio condenser microphone.

SHP 20 Headphones

Listen with clarity and detail. Hear every step of your recording and production process with SHP 20.

Included with SSL 2 Interface

Bring Your Productions To The Next Level

The SSL 2 Interface include the acclaimed SSL Production Pack, featuring a selection of must-have virtual instruments, plug-ins, samples and DAW, to let your creativity shine and bring your productions to life.

What's in the Kit

SSL 2
SSL headphones (including 1/4" jack adapter)
SSL condenser microphone, shock mount and thread adapter (5/8" outer and 3/8" inner) for microphone stands
2.5 M XLR microphone cable

Specifications

SHP-20 Headphones
Operating Principle: Closed
Fashion: Supra-aural Transducer Type Dynamic
Loudhailer: 50mm
Impedance: 32 O
Sensitivity: 98 +/-3dB
Frequency Response: 15Hz-25kHz
Max. Power: 1200mW
Rating Power: 300mW
Cable: About 3m (straight)
Plug: 3.5mm + 6.3mm

SMC-80 Microphone
Element: 25mm condenser capsule
Polar Pattern: Cardioid
Frequency Response: 20Hz-20kHz
Sensitivity: -36dB+/-2dB (0dB=1V/Pa at 1kHz)
Output Impedance: 200+/-30% (at 1kHz)
Load Impedance: >1000 O
Self-Noise: 16dB A
Max. Input SPL: 136dB (at 1kHz<1% T.H.D)
S/N Ratio: 78dB
Phantom Power Requirement: 48V DC Phantom Power
Weight: ~340g
Dimensions:55x38x165mm
Read more
 1 in stock $289.25
Click for better price!
or call +44 20 7424 1960
quote 985405
L'Autre
L'Autre (limited numbered orange vinyl LP + 4x7" picture disc + 2xCD box set)
Cat: 559969 0. Rel: 08 Feb 24
 
Coldwave/Synth
Agnus Dei (LP) (5:39)
Desenchantee (5:18)
L'Autre (5:12)
Je T'Aime Melancolie (5:27)
Psychiatric (6:10)
Regrets (duet with Jean-Louis Murat) (5:06)
Pas De Doute (5:11)
Il N'Y A Pas D'Ailleurs (5:43)
Beyond My Control (5:20)
Nous Souviendrons Nous (5:10)
Desenchantee (7") (4:54)
Desenchantee (Chaos mix) (4:15)
Je T'Aime Melancolie (New radio remix - 7") (4:27)
Je T'Aime Melancolie (Smooth mix) (4:15)
Regrets (7") (4:45)
Regrets (Classic bonus Beat edit) (4:51)
Beyond My Control (single mix - 7") (4:51)
Beyond My Control (Ya Ya version) (4:45)
Agnus Dei (CD 1)
Desenchantee
L'Autre
Je T'Aime Melancolie
Psychiatric
Regrets (duet with Jean-Louis Murat)
Pas De Doute
Il N'Y A Pas D'Ailleurs
Beyond My Control
Nous Souviendrons Nous
Agnus Dei (instrumental - CD2)
Desenchantee (instrumental)
L'Autre (instrumental)
Je T'Aime Melancolie (instrumental)
Psychiatric (instrumental)
Regrets (instrumental)
Pas De Doute (instrumental)
Il N'Y A Pas D'Ailleurs (instrumental)
Beyond My Control (instrumental)
Nous Souviendrons Nous (instrumental)
 in stock $204.58
LEP Arpopone Analogue Melody & Bass Line Generator Desktop Synthesiser (wooden box version) (B-STOCK) LEP Arpopone Analogue Melody & Bass Line Generator Desktop Synthesiser (wooden box version) (B-STOCK)
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Arpopone from LepLoop is a little synth-voice for generating a melody or bass line and a chord section at the same time. It is based on analog ramp dividers of which each one generates a voltage ramp starting from a master clock that can be internal or external.

Trig1 and Trig2 potentiometers set the number of clock pulses.

With the Trig Mix switch it is possible to select between a single trigger (1 or 2) or both (1+2) to advance the scales.

The Scale Step potentiometer sets the number of steps for the two scale generators.
In the mixer section, the two scales are summed together to obtain a more complex pattern. The amount of each scale can be set by two controls and can be positive (ascending scale) or negative (descending scale).

With the VCO Pitch knob, the melody can be transposed while maintaining the same interval between notes.

The note generated by the VCO is fed to a chain of dividers to obtain four sub harmonics of the original note. One of these is the bass section with its own filter and envelope, the other three form the chord section with their envelope.

The two envelope sections are identical, both have a selector for different trigger sources:

Trig1 & Trig2: the envelope starts at the flash of the green LED (bass) or yellow LED (chord)
SB1 & SB2: the envelope starts at the first step of Scale1 (bass) or Scale2 (chord)
White & Blue: the envelope follows the intensity of the white LED (bass) or the blue LED (chord). Except for this setting the envelope length is set by the two controls Bass ENV and Chord ENV. Additionally, an EXT CV input allows to provide an external envelope.
The bass channel is passed through a resonant low-pass filter with Cutoff and Resonance control.

Finally the Bass and Chord channels are mixed together. The output level is set by the Bass LEV and Chord LEV controls.
Read more
 1 in stock $296.09
Stokyo Record Mate Portable Vinyl Record Player (black) Stokyo Record Mate Portable Vinyl Record Player (black) Stokyo Record Mate Portable Vinyl Record Player (black) Stokyo Record Mate Portable Vinyl Record Player (black) Stokyo Record Mate Portable Vinyl Record Player (black)
Notes: New all BLACK EDITION for the new Stokyo Record Mate Portable Record Player.

Portable turntable on the Columbia Portable GP series, reengineered with the original crew for an all brand-new construction (mainly internal parts, molds and arm assembly)

Classic adapter and tonearm function of playing records on the wall (upright)

Play 12-inch or 7-inch records (3 -inch records with the STOKYO 3"adapter) on RM-1 portable turntable w/ pitch adjust

Output via built-in "new improved" speaker or RCA output

Each unit is battery or AC powered (batteries not included)

This model is exclusive to North America at 120V, with the transformer included.

Product under limited warranty for 1 year of purchase from STOKYO and authorized dealers

Warranty is limited to the RM series only and not the domestic GP series in Japan.

A cool back story from one of the founders at STOKYO :

"The story goes back around 22 years ago when the good folks at Xexxn would allow me to distribute these on the low for diggers and DJs overseas.

A few years later we (STOKYO and friends) did have the opportunity to take over manufacturing but ironically I was also at Vestax and at the time we had the Handy Trax.

Fast forward to 2019, this project took over 2 years but with the help of some original engineers, our manufacturing partner and the love we all shared for the original GP/GMX we bring you the all improved version.

The RM-1 and RMX -1 "RECORD MATE" series is the overseas edition. (GP-3R/GMX-3R are the JPN domestic model)

Updated molds, internal board, parts, new speakers, new case/tonearm construction, magnetic stereo cartridge (like you'll find on an AT-LP60), but everything else like the OG. The first model will be exclusive for the Americas (@ 120v).

As we continue to improve more parts to clear Global compliances, we also await for more parts with supply issues due to the Pandemic for our Global/EU model we aim to make available later in '22.

For those who pre-ordered, we originally aimed for an earlier ship date and our sincere apologies with all the port congestion but good news, it is on stateside awaiting customs. Arriving soon.

Thank you for the patience.

Big up to the crew for making this happen, grinding everyday and for your love we have for vinyl."
Read more
 1 in stock $231.40
Click for better price!
or call +44 20 7424 1960
quote 990251
Source Audio ZIO Analogue Bass Preamp + DI Effects Pedal Source Audio ZIO Analogue Bass Preamp + DI Effects Pedal Source Audio ZIO Analogue Bass Preamp + DI Effects Pedal Source Audio ZIO Analogue Bass Preamp + DI Effects Pedal
Cat: 991964 Rel: 16 Jan 24 • View all Effects pedals
 
Analogue bass preamp & DI pedal with headphone
Notes: The ZIO Analog Bass Preamp + DI is an ultra-low noise, all-analogue preamp and DI for bass guitar. The pedal offers maximum headroom and a simple but flexible set of tone shaping controls. ZIO Bass can be used as a direct input using the balanced XLR output for connection to a mixer or audio interface as well as with headphones through its dedicated headphone jack.

The ZIO Bass features a simple control panel. The OUTPUT knob offers +12db of additional boost plus a significant amount of cut. The BASS and FOCUS controls work best in tandem - use the BASS knob to increase low-end output and the FOCUS knob (which adjusts the cut-off point of a high-pass filter) to eliminated excessive lows and create added punch. The TREBLE knob boosts or cuts the high frequencies, providing enhanced articulation without adding harshness.

The GRIT toggle enables a mild distortion to mimic the transformer-style breakup from high-end bass amps. GRIT mode's gain level can be adjusted for more or less distortion with the GAIN control located on the side of the pedal. The SCOOP toggle engages a special midrange cut to clean up "muddy" mid-range frequencies. The SCOOP profile is based on the "Pultec Trick" - a setting commonly used with vintage Pultec Equalizers to add clarity.

The pedal has three outputs that can be used individually or simultaneously. The OUTPUT jack connects to an amplifier or pedalboard.

The DIRECT OUT is a balanced XLR output that sounds great running into a mixer or audio interface for recording or live sound applications. The HEADPHONE jack features a high dynamic range, low noise amplifier that is capable of driving low impedance studio headphones.
Read more
 1 in stock $261.91
After Later Audio Scenes Segment Generator Module (B-STOCK)
After Later Audio Scenes Segment Generator Module (B-STOCK) (CV modulation/envelope generator/LFO/sample & hold/sequencer/slew limiter sytnh module)
Cat: 993716 Rel: 01 Jan 90 • View all Synth modules
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Six segment generator. Looping or one shot envelope generator. Chainable, so it can be expanded to link multiple units.

An exact hardware replica of the Mutable Instruments Stages.

Dimensions
14 HP
25 mm deep

Current Draw
80 mA +12V
20 mA -12V
0 mA 5V
Read more
MRP:$282.94 SAVE 10%
 1 in stock $254.52
Presonus Eris Pro 4 Active 4.5" High-Definition Coaxial Studio Monitor (single) Presonus Eris Pro 4 Active 4.5" High-Definition Coaxial Studio Monitor (single) Presonus Eris Pro 4 Active 4.5" High-Definition Coaxial Studio Monitor (single)
Cat: 992576 Rel: 14 Feb 24 • View all Studio monitors
 
Active 4.5" high-definition coaxial studio monitor
Notes: Excellent studio-quality sound in a compact package from this clever PreSonus design. 4.5-inch coaxial drivers deliver point source reproduction, for precise imagine and off-axis response.

Supplier's Notes:
The Eris Pro 4 reference monitors employ a single point-source coaxial design for clear and accurate sound reproduction. This design provides superior phase alignment between components and delivers a wide sweet spot, precise stereo imaging, and symmetrical dispersion patterns - unique advantages for Dolby Atmos immersive rooms as well as stereo mix environments.

The Eris Pro 4 also delivers finely detailed transient response, and stunning dynamics that create a natural and less fatiguing listening experience. A 1-inch ultra-low mass, silk-dome tweeter ensures snappy, accurate transient reproduction, while a 4.5-inch woven-composite woofer offers tight, clear bass, with plenty of punch and no flab. A ported enclosure and 80 Watts of power allows the Eris Pro 4 to reach down to 55 Hz.

Acoustic tuning controls let you configure the Eris Pro 4 for your room and three-way Acoustic Space tuning can compensate for the effects of speaker placement against a wall or in a corner.

Flexible input options let you connect almost any line-level source, from mixers to audio interfaces and more. You'll have no problem hooking your Eris speakers up to virtually anything. Lastly, provisions for wall and ceiling mounts make it easy to integrate Eris Pro 4 monitors into any stereo or multi-channel system.

Specifications

Series: Erisr
Colour: Black
Country of origin: CN

Electronics

Voltage: 220-240V UK
Wattage: 80 Watts
Input impedance: 10 kO

Performance
Peak SPL: 99 dB (@ 1 meter)

Speakers
Crossover frequency: 3.4 kHz

Hardware

Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard
Audio controls: Volume High Frequency (+/-6 dB, centre 10 kHz, continuously variable) Mid Frequency (+/-6 dB, centre 1 kHz, continuously variable)
Audio switches: Acoustic Space (Flat, -2 dB, -4 dB) Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)
Monitor inputs:1- Balanced XLR, 1- Balanced 14" TRS, 1- Unbalanced RCA
Power amplifier type: Class AB

Measurements

Dimensions: 8.50x7.00x5.00 IN
Shipping weight: 9.04 LB
Product depth: 8.6" (21.8 cm)
Product height: 9" (22.9 cm)
Product width: 7.5" (19 cm)

Shipping length: 5.00 IN
Shipping height: 8.50 IN
Shipping width: 7.00 IN

Accessories
Footswitch: N/A

Miscellaneous
Power cable: IEC

Protections:

RF interference
Output-current limiting
Over-temperature
Turn-on/off transient
Subsonic filter

Read more
MRP:$293.46 SAVE 10%
 2 in stock $264.00
Click for better price!
or call +44 20 7424 1960
quote 992576
Gemini MDJ-600 CD & USB DJ Media Player (B-STOCK)
Cat: 993921 Rel: 01 Jan 90 • View all DJ Decks | CD & USB DJ Decks
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Trying to find your gateway into modern DJing? Look no further than the MDJ-600 Professional Media Controller. It may be small, but this mighty unit has plenty of capabilities without the need for external software with its USB, MIDI and CD compatibilities.

MDJ-600 - Tiny, Yet Fierce:

A large 4.3-inch vivid full-colour screen is the brilliant focal point of this unit, providing real-time visual feedback of your tracks. Full track information including Title, Time, BPM, and Pitch are clearly displayed alongside the precise full-size waveform window. You'll appreciate the additional visual feedback for Slip Mode, Hot Cues and active Auto/Manual Loops meaning you can confidently use scratches or hot cues without ruining your mix. The 100mm pitch fader ranges pitch from 4% to 100%; you'll mix with surgical precision.

Fast Learning, Faster Results

The MDJ-600's intuitive interface will have you spending less time learning and free up precious time for you to experiment with the 4 Hot Cues, 8 Auto Loops, and the 5-inch touch-sensitive jog wheel with LCD display and resistance control to Slip and Scratch. Bonus MIDI capabilities mean you can even control the parameters of your favourite DJ software directly from the unit, routing your audio through its 24-bit/192kHz soundcard. Of course, the MDJ-600 is fully compatible with our V-Case Library Management Software, which offers users a faster, easier way to manage their music libraries.
Read more
 1 in stock $255.00
Mackie ProFX6v3+ 6-Channel Analogue Studio Mixer With 2x4 USB-C Audio Interface Mackie ProFX6v3+ 6-Channel Analogue Studio Mixer With 2x4 USB-C Audio Interface Mackie ProFX6v3+ 6-Channel Analogue Studio Mixer With 2x4 USB-C Audio Interface Mackie ProFX6v3+ 6-Channel Analogue Studio Mixer With 2x4 USB-C Audio Interface Mackie ProFX6v3+ 6-Channel Analogue Studio Mixer With 2x4 USB-C Audio Interface
Cat: 994216 Rel: 28 Feb 24 • View all Studio mixers
 
6-channel analogue studio mixer with enhanced FX, USB recording modes & Bluetooth
Notes: Part of Mackie's ProFXv3+ series, this six-channel model offers great value, with built-in audio interface, Bluetooth streaming and GigFX+ effects.

Supplier's Notes:
Mackie ProFX6v3+ is a professional 6-channel analogue mixer and USB-C audio interface featuring Onyx preamps and EQ, switchable USB recording modes, Bluetoothr for capturing phone calls and upgraded effects you can adjust on a colour LCD screen.

Enhance your sound using high-resolution GigFX+ effects, with 12 presets you can edit and save on the fly via the full-size LCD screen. Combining the warmth of an analogue recording console with precise digital effects, ProFXxv3+ is an ideal mixer for home studios and live events alike.

With up to 60 dB of gain and ultra-low noise, ProFXv3+ series mixers allow you to sound better than ever. Record podcasts, stream gameplay or produce the next hit-all with ultra-clean, transparent audio. Our award-winning Onyx Mic Preamps deliver analogue warmth so you sound great, no matter what you do.

Enhance your sound using high-resolution GigFX+ effects, with 12 presets you can edit and save on the fly via the full-size LCD screen. Combining the warmth of an analogue recording console with precise digital effects, ProFXxv3+ is an ideal mixer for home studios and live events alike.

Capture your stream or performance at pristine 24-bit / 192 kHz quality with a built-in 2x4 USB-C audio interface, complete with three recording modes: Standard for the full mix with effects, Loopback to include computer audio with mixer signal for streaming, and Interface to record channel 1-2 without effects processing.

Use the dedicated Bluetoothr channel to send and receive audio from devices like smartphones and tablets. For podcasters, it's an effortless way to bring in phone calls. For musicians and performers, it's the easiest option for streaming outside music and backing tracks.

Product features
Three recording modes: Standard, Loopback and Interface
Bi-directional Bluetoothr for music playback and caller integration
2-band EQ on channels 1 and 2
One-button compression on channels 1 and 2
Hi-Z switches allow direct connection of instruments
100 Hz low-cut filter and 48V phantom power on all mic channels
Stereo 1/8" input on channel 5/6
Headphone output with separate level and blend control
Easily blend between monitoring your computer output and a latency-free feed from the mixer
Waveform OEM recording software Included
Legendary Built-Like-A-Tank design
Solid steel chassis
Tough ABS side protection

Line inputs: 6
Mic inputs: 2
Effects: GigFX+
USB I/O: 2x4
USB Type: C
Recording modes: Yes
Bluetooth w/MixMinus: Yes
Read more
 1 in stock $268.22
Click for better price!
or call +44 20 7424 1960
quote 994216
Walrus Audio Julianna Deluxe Onyx Edition Stereo Analogue Chorus/Vibrato Effects Pedal (B-STOCK) Walrus Audio Julianna Deluxe Onyx Edition Stereo Analogue Chorus/Vibrato Effects Pedal (B-STOCK) Walrus Audio Julianna Deluxe Onyx Edition Stereo Analogue Chorus/Vibrato Effects Pedal (B-STOCK) Walrus Audio Julianna Deluxe Onyx Edition Stereo Analogue Chorus/Vibrato Effects Pedal (B-STOCK)
Cat: 995028 Rel: 01 Jan 90 • View all Effects pedals
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


*** Onyx Edition ***

Building off of the lush, tonal landscapes that the Julia Analog Chorus/Vibrato created, Julianna is an all analogue, digital LFO, stereo chorus/vibrato with new expanded features. Julianna is able to produce mild smooth chorus, to seasick vibrato, to everywhere in between.

Familiar controls like Lag, Dry-Chorus-Vibrato Blend, and selectable LFO wave shapes are all still here, but Julianna employs some new tricks: The Secondary LFO speed, modulation drift, tap/expression control and momentary features will have you commanding all new kinds of sounds not found in traditional chorus pedals.

Unlike most other chorus pedals, the Julianna and Julia have a special feature called Lag control. The Lag knob lets you set the centre delay time that the LFO modulates. From smooth and tight modulation at lower settings, to a warbling detune at maximum, the Lag knob adds a new dimension to the traditional chorus/vibrato landscape.

D-C-V KNOB

The DCV knob sets the ratio of dry to wet signal through the mono channel of the Julianna. Traditional mono chorus sounds can be heard with the knob set around noon. Pitch vibrato is found in the full clockwise position. The ground in between offers unique blends of chorus and vibrato not commonly found on other chorus pedals.

When both outputs are connected, set the DCV knob to full counterclockwise to send your dry signal to the mono output and vibrato signal to the stereo output for a traditional stereo chorus sound. Explore other variations by turning the DCV knob up slightly to add some vibrato signal to the dry output changing the stereo image.
Dimensions and power consumption:

6,6 x 12,2 x 5,6 cm (W x D x H)
100 mA

In the box:

Walrus Audio Julianna
Manual
Sticker
Guitar pick
Pouch
Read more
 1 in stock $249.55
Walrus Audio Julia V2 Onyx Edition Analogue Chorus/Vibrato Effects Pedal (B-STOCK) Walrus Audio Julia V2 Onyx Edition Analogue Chorus/Vibrato Effects Pedal (B-STOCK) Walrus Audio Julia V2 Onyx Edition Analogue Chorus/Vibrato Effects Pedal (B-STOCK) Walrus Audio Julia V2 Onyx Edition Analogue Chorus/Vibrato Effects Pedal (B-STOCK)
Cat: 995032 Rel: 01 Jan 90 • View all Effects pedals
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


*** Onyx Edition ***

The Julia is a fully analogue, feature-rich chorus/vibrato packed with a wide array of tonal landscapes begging to be explored. Julia is able to produce mild smooth chorus, to seasick vibrato and everywhere in between. With controls like Lag, Dry-Chorus-Vibrato Blend, and selectable analogue LFO wave shapes, you are able to dial in all types of classic and unique chorus/vibrato sounds not found on traditional chorus pedals.

In 1999, spectrographs picked up an unexplained sound emanating from dark ocean depths. The source of the sound was untraceable. While most scientists attributed it to an iceberg dragging the ocean floor, some sceptics began to understand the true source of the sound. Julia, the water demigoddess. Crying from the deep in a chorus of melancholy hymns, she remains to be uncaught but the pursuit for her is unceasing. Walrus has captured a fraction of her powers in the Julia Analog Chorus/Vibrato.

9V DC, 30mA
121 x 66 x 41 mm, 0.27 kg
Made in Oklahoma, USA

Dimensions and power consumption:

6,6 x 12,2 x 4,1 cm (W x D x H)
100 mA

In the box:

Walrus Audio Julia V2
Manual
Sticker
Guitar pick
Pouch
Read more
 1 in stock $200.40
Extended Impera (B-STOCK)
Extended Impera (B-STOCK) (limited numbered 2xLP (side 4 etched) + 12" + 1-sided etched 7" box set + book + booklet + poster + wax seal kit)
Cat: LMVT 2968. Rel: 01 Jan 90
 
Metal
Imperium (Impera) (1:12)
Kaisarion (3:42)
Spillways (2:25)
Call Me Little Sunshine (3:30)
Hunter’s Moon (2:26)
Watcher In The Sky (3:41)
Dominion (1:04)
Twenties (2:44)
Darkness Of The Heart Of My Love (3:40)
Griftwood (3:54)
Bite Of Passage (0:20)
Respite On The Spitalfields (4:55)
Kaisarion (live From The Ministry) (5:03)
Spillways (3:16)
Call Me Little Sunshine (4:44)
Hunter‘s Moon (3:17)
See No Evil (Phantomime EP) (4:03)
Jesus He Knows Me (4:04)
Hanging Around (4:10)
Phantom Of The Opera (7:21)
We Don’t Need Another Hero (4:09)
Stay (7") (4:13)
 in stock $239.82
Black Lion Audio PBR TRS3 3-Way 96-Point Audio Patchbay Black Lion Audio PBR TRS3 3-Way 96-Point Audio Patchbay Black Lion Audio PBR TRS3 3-Way 96-Point Audio Patchbay Black Lion Audio PBR TRS3 3-Way 96-Point Audio Patchbay Black Lion Audio PBR TRS3 3-Way 96-Point Audio Patchbay
Notes: Studio grade connectivity.

Your studio needs more than just accessible patching - exceptional audio quality through the entire signal path is crucial! Black Lion has been improving already-great gear through their modification service for years, and all that know-how has been channelled straight into the PBR TRS3.

The PBR TRS3 is a 48-point TRS patchbay, suitable for the most robust routing imaginable in a single rack space, loaded with 96 audiophile-grade gold-plated 1/4" TRS connectors for maximum conductivity and signal clarity. You'll easily interconnect your preamps and other outboard hardware via its audiophile-grade, secure connections.

Limitless flexibility and road-worthy construction

You'll reconfigure your entire studio's routing at a moment's notice (while cutting down on cable clutter! The rear-mounted 3-way mode switches allow for Normal, Half-normal, and Thru operation, delivering unlimited routing potential for mults, bypassing, monitoring, and parallel processing.

Black Lion's team of engineers have worked tirelessly to ensure that the PBR TRS3 delivers proper quality through-and-through. The PBR TRS3 is also built Black Lion-tough, with a reinforced steel chassis and black-anodized aluminium faceplates that make for a matched and sophisticated look.

Not your average patchbays.

Configure your studio with the best: Black Lion Audio PBR Series Patchbays. Your recordings deserve the best, and maintaining a great signal path is crucial!

Features

96 audiophile-grade gold-plated 1/4" TRS connectors
Rear-mounted 3-way mode switches for Normal, Half-normal, and Thru operation
Black-anodized aluminium faceplate and reinforced steel chassis
Includes front panel labels
Exceptional value for the price

Specifications

Number of Points: 96
Front Connectors: 48x XLR
Rear Connectors: 48x TRS
Dimensions: 534 x 102 x 51mm, 1.4kg (boxed)
Read more
 1 in stock $261.91
Click for better price!
or call +44 20 7424 1960
quote 995329
Rode NT1 5th Generation Studio Condenser Microphone (black) (B-STOCK) Rode NT1 5th Generation Studio Condenser Microphone (black) (B-STOCK) Rode NT1 5th Generation Studio Condenser Microphone (black) (B-STOCK) Rode NT1 5th Generation Studio Condenser Microphone (black) (B-STOCK) Rode NT1 5th Generation Studio Condenser Microphone (black) (B-STOCK) Rode NT1 5th Generation Studio Condenser Microphone (black) (B-STOCK) Rode NT1 5th Generation Studio Condenser Microphone (black) (B-STOCK) Rode NT1 5th Generation Studio Condenser Microphone (black) (B-STOCK) Rode NT1 5th Generation Studio Condenser Microphone (black) (B-STOCK) Rode NT1 5th Generation Studio Condenser Microphone (black) (B-STOCK)
Cat: 996621 Rel: 01 Jan 90 • View all Vocal Recording Microphones
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The latest and greatest version of one of the most popular microphones around. XLR and USB connections both offer warm sound suitable for vocals, instruments and podcasting.

Supplier's Notes:
The NT1 5th Generation is a revolutionary studio condenser microphone that fuses the classic sound signature of the iconic NT1 with cutting-edge, next-generation technology. It features RODE's groundbreaking (patent-pending) Dual Connect output, offering both XLR and USB connectivity for incredible versatility, a world-first "unclippable" 32-bit float digital output, advanced digital signal processing, and more, all while delivering the same warm, silky character, extremely low noise, and high SPL handling that the NT1 is renowned for. The NT1 5th Generation is a true studio workhorse that excels on everything from vocals and speech, to guitar, piano, drums and percussion - the ultimate studio microphone.

The Iconic Original Studio Microphone, Reborn

The NT1 5th Generation is the latest evolution of the iconic NT1. First introduced in 1991, the NT1 is the world's most popular studio microphone, renowned for its warm, classic sound and incredible versatility. The NT1 5th Generation takes the much-loved and respected core of the NT1 and introduces state-of-the-art features while preserving the legendary sound quality that made the original the go-to microphone for countless creators. A perfect marriage of tradition and innovation.

Game-changing Connectivity

Featuring RODE's groundbreaking, patent-pending Dual Connect output, the NT1 5th Generation can either be connected to an audio interface or mixer via XLR or directly to a computer via USB for studio-grade, plug-and-play recording. Unprecedented flexibility for any studio setup.

Classic Sound on the Cutting-edge

The NT1 5th Generation delivers the same warm, silky character, extremely low noise, and high SPL handling capability that the original is revered for, with improved circuitry for even lower self-noise - an astonishingly low 4dBA, making it the world's quietest studio condenser microphone. When using the XLR output, it delivers the rich, classic studio condenser sound you know and love from the NT1. When using the digital output, you get this same sound plus a slew of cutting-edge features to further enhance your audio for recording pro studio sound directly into your computer.

The Digital Studio of the Future

The NT1 5th Generation features a professional-grade audio interface built into the microphone, which is perfectly optimised to preserve its pristine audio fidelity and also offers a range of highly innovative features for enhanced sound, including the ultra-low-noise, high-gain Revolution Preamp™, high-resolution (192kHz) A/D conversion and advanced digital signal processing. This is so much more than just a studio condenser microphone, it's an all-in-one digital recording solution.

The "Unclippable" Microphone

The NT1 5th Generation features a world-first 32-bit float digital output - a revolutionary recording format that allows you to record everything from a whisper to a scream, the softest guitar to the loudest drummer without having to worry about setting your gain - simply adjust your audio after recording and all the dynamics of your performance will be maintained, with zero risk of clipping or distortion. Gamechanger.

Versatility Like No Other

With its smooth frequency response, extremely low noise, high SPL handling, flexible connectivity options and powerful digital capabilities, the NT1 5th Generation offers versatility like no other studio mic. It excels in any recording application, from vocals and speech to guitars, drums to piano, and can fit into any workflow, from a solo bedroom recording setup to a professional studio.

Craft Your Sound

Craft your sound with advanced APHEXr audio processing, driven by the NT1 5th Generation's powerful on-board DSP. Add compression, a high-pass filter, noise gate, and the legendary APHEXr Aural Exciter™ and Big Bottom™ to your audio with ease using the free RODE Connect and RODE Central companion apps. Dial in the perfect sound with the touch of a button using the intuitive VoxLab™ editor or fine-tune each processor using the advanced editor.

Premium Components, Built to Last

Made from premium components, the NT1 5th Generation is built to the highest standard in RODE's state-of-the-art manufacturing facilities in Sydney, Australia. The HF6 capsule is precision manufactured to sub-micron tolerances to ensure the utmost consistency in tonality and frequency response and is internally shock-mounted for minimising external vibrations. The body is machined from rugged aluminium and is available in black or silver, with high-grade finishes that are extremely resistant to scuffs and scratches, ensuring the NT1 5th Generation is ready to take on the rigours of recording day in, day out.

Everything You Need to Start Recording

The NT1 5th Generation comes with everything you need to start recording in the box, including XLR and USB cables, and a studio-grade shock mount and pop filter for minimising unwanted artifacts in your recording caused by plosives, knocks and bumps.

Unlock More Creative Potential with the RODE App Suite

The NT1 5th Generation is compatible with a range of free RODE apps, including the RODE Central companion app, RODE Connect podcasting app and UNIFY streaming app, all of which allow you to configure settings, access the advanced DSP, update firmware and more.

Specifications

Acoustic & Electrical Specifications

Acoustic Principle: Pressure gradient
Active Electronics: JFET impedance converter with bipolar output buffer
Capsule: 1.00"
Polar Pattern: Cardioid
Address Type: Side
Frequency Range: 20Hz - 20kHz
Output Impedance: 100O
Maximum SPL: 142 dB SPL
Equivalent Noise (A-weighted): 4dBA
Sensitivity: -32 dB re 1 Volt/Pascal (25 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz
Analogue Power Requirements: Via XLR: P48
Analogue Output Connection: 3-pin XLR

Digital Specifications

Digital Power Requirements: Via USB: 5V
Digital Output Connection: USB-C
Bit Depth: 24-bit / 32-bit floating point
Sampling Rate (kHz): 48 / 96 / 192
Processing: APHEX digital signal processing (only available at 48kHz / 24-bit)
Minimum OS Requirements: Windows 10 Mac OS 10.15

Mechanical Specifications

Weight (grams): 308

Dimensions (millimetres):
Length: 52
Width: 52
Height: 189

Box Contains

1 x NT1 5th Generation
1 x SC29
1 x XLR-6
1 x SM6
Read more
MRP:$261.91 SAVE 18%
 1 in stock $213.88
Teia Synthesizers SkipLog Rhythmic Probability Processor Module Teia Synthesizers SkipLog Rhythmic Probability Processor Module
Teia Synthesizers SkipLog Rhythmic Probability Processor Module (clock modulator/drum/logic/looper/sequencer module)
Cat: 996629 Rel: 16 Feb 24 • View all Synth modules
 
Rhythmic probability processor module - 8HP
Notes: SkipLog, a probability processor with sequence capturing and looping features, along a range of other versatile functions waiting to be explored.

SkipLog is a 3-channel rhythmic probability processor designed for inventive rhythmic exploration in modular setups. Introduce unpredictable rhythmic possibilitis to your creative flow.
SkipLog's basic operation is simple: when a trigger or gate is received at one of its three channels' inputs, the same channel’s Probability knob allows you to control the likelihood of these triggers or gates reaching the output. This inputs are internally connected .

SkipLog continuously captures the binary outcomes of its use, storing them for potential sequences. Activate the Loop function to break from pattern creation and loop the recorded sequences. Individual Loop Length knobs for each channel allow adjustment of the loop sizefrom 1 to 16 or 32 steps (as selected on the back), providing evolving rhythmic patterns.

To fine-tune your arrangement, SkipLog introduces functions like Mute for real-time channel silencing, Inv for signal inversion, and Choke for establishing channel priorities. Lastly, the G/T (Gate/Trigger) Mode enables users to specify whether the channel output is a gate or a trigger.

Dimensions
8 HP
33 mm deep

Current Draw
100 mA +12V
22 mA -12V
Read more
 1 in stock $203.53
Click for better price!
or call +44 20 7424 1960
quote 996629
Magma DJ Controller Workstation XDJ-XZ For Pioneer DJ XDJ-XZ (black) (B-STOCK) Magma DJ Controller Workstation XDJ-XZ For Pioneer DJ XDJ-XZ (black) (B-STOCK) Magma DJ Controller Workstation XDJ-XZ For Pioneer DJ XDJ-XZ (black) (B-STOCK) Magma DJ Controller Workstation XDJ-XZ For Pioneer DJ XDJ-XZ (black) (B-STOCK) Magma DJ Controller Workstation XDJ-XZ For Pioneer DJ XDJ-XZ (black) (B-STOCK)
Cat: 996669 Rel: 01 Jan 90 • View all DJ Equipment Hard Cases
 
B-STOCK: Box damaged, but product is in excellent condition and in perfect working order
Notes: ***B-STOCK: Box damaged, but product is in excellent condition and in perfect working order***


DJ Controller Workstation XDJ-XZDJ

Customized to hold the Pioneer XDJ-XZ Controller. Crafted from 9 mm vinyl laminated plywood, sturdy aluminium profiles, heavy duty butterfly latches and smooth rolling wheels, this case provides ultimate protection for mobile use on the road.

Fits

Pioneer XDJ-XZ

Specs

Outer measures: 97 x 58 x 23 cm
Inner measures: 87,8 x 44,2 x 8,4 cm (Controller-compartment)
Weight: 20 kg
Read more
MRP:$294.51 SAVE 17%
 1 in stock $243.24
Zoom H6essential 32-Bit Float 6-Track Handy Recorder Zoom H6essential 32-Bit Float 6-Track Handy Recorder Zoom H6essential 32-Bit Float 6-Track Handy Recorder Zoom H6essential 32-Bit Float 6-Track Handy Recorder
 
32-bit float 6-track handy recorder
Notes: Zoom's top-of-the-range handheld recording option, the H6essential records up to six tracks via built-in stereo mics and four mic/line inputs. Top quality 32-bit/96 kHz recording quality.

Supplier's Notes:
Zoom H6essential Handy Recorder

The Flagship - Zoom's most robust handheld recorder, the H6essential is a recording powerhouse. With 6 tracks of 32-bit float recording, the H6essential provides unprecedented quality and unmatched versatility.

Features

6-track 32-bit float recorder with Dual A/D Converters
Clip-free recording with no need to set gain
Records up to 96kHZ sample rate
Interchangeable Mic Capsule System 3.0 with 32-bit float support
Included X/Y Mic Capsule captures up to 135 dB SPL
4 XLR/TRS combo inputs with locking connector
Colour LCD Screen
Built-in mixer to adjust each track's audio level
Built-in speaker for quick reference playback
3.5mm headphone output plus 3.5mm line output
Voice Guidance accessibility for the visually impaired
32-Bit Float audio interface for PC, Mac, iOS, and Android devices via USB-C port
Use as an interface and record to SD card simultaneously
Using the BTA-1* Bluetooth Adapter, sync with wireless timecode devices via bluetooth
Use the BTA-1* Bluetooth Adapter to pair with the H6essential Control App for iOS
Record to SD cads up to 1TB
10 hours of battery life on AA battery (2x) or USB-C Bus Power
*Please note: BTA-1 Adapter not included

Outputs you need

Use the line output to connect to a camera and the headphone output to monitor your audio.

Quieter controls

Recording and rotary controls have been meticulously designed to allow for silent operation.

Onboard speaker

Use the improved onboard speaker to listen to your recordings for quick reference.

Six perfect tracks

The 4 XLR/TRS combo inputs feature ultra-clean Zoom preamps, and the included X/Y microphones can capture up to a booming 135 dB SPL, equivalent to a jet taking off.

Record and stream

Use the USB-C port to connect to PC, Mac, iOS, and Android device to use the H6essential as a 32-bit float interface while simultaneously recording all 6 tracks to an SD card.

Pair with your iOS device

Use the BTA-1* Bluetooth Adapter to pair with your iOS device to remotely hit record, adjust your mix, view your waveforms, and change settings.

Bluetooth timecode

With the BTA-1* Bluetooth Adapter you can also pair with Bluetooth timecode devices for audio and video sync. *BTA-1 Adapter not included.

Specs

Input & output channels

Inputs
Mic capsule: 1
MIC/LINE (mono): 4

Outputs
LINE OUT: 1
Headphones: 1
Built-in speaker (mono): 1

INPUTS
XY mic: XYH-6e: 90O XY stereo format
Directionality: Unidirectional
Sensitivity: -42dB/1Pa at 1kHz
Maximum sound pressure input: 135 dB SPL

MIC/LINE (mono)
Connectors: 4 XLR/TRS combo jacks (XLR:2 HOT TRS:TIP HOT)
Input gain: Adjustment unnecessary (dual A/D converter circuits used)
Input impedance: MIC: 3.8 kO or more, LINE: 39 kO or more
Maximum input level: MIC: +4 dBu, LINE: +24 dBu
Phantom power: +48 V
Channel total: 32 mA or less
Equivalent input noise MIC: -120 dBu or less(IHF-A) @150 O input, LINE: -95 dBu or less(IHF-A) @600 O input

OUTPUTS

LINE OUT
Connector: Stereo mini jack
Maximum output level: +1 dBu
Output impedance: 110 O or less

Headphones
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(when 32 O load)
Output impedance: 10 O or less

Built-in speaker
Type: 20 mm x 30mm elliptical dynamic speaker
Effective maximum output: 250mW

RECORDER
Maximum simultaneous recording tracks: 8
Maximum simultaneous playback tracks: 6

Recording formats:
WAV
44.1/48/96 kHz,
32-bit float mono/stereo
BWF and iXML formats supported

Recording media: 4-32GB cards compatible with the microSDHC specification, 64GB-1TB cards compatible with the microSDXC specification

Display: 2.0-inch full-colour LCD 360 x 240

USB
Connector: USB Type-C - Use a USB cable that supports data transfer.
Audio Interface : USB 2.0 High Speed
Input and output channels: 6 in / 2 out (Multi), 2 in / 2 out (Stereo)
Sampling frequency: 44.1/48/96 kHz (AIF only), 44.1/48 kHz (AIF + onboard recording)
Bit depth: 24-bit, 32-bit float
File transfer: USB 2.0 High Speed

Remote

Dedicated wireless adapter: ZOOM BTA-1

Power

4 AA batteries: Alkaline, lithium or rechargeable NiMH batteries
AC Adapter: ZOOM AD-17 (DC 5 V/1 A) - USB bus power is supported.

Estimated continuous operation times using batteries: 2-track recording (XYH-6e)
Alkaline batteries: About 18 hours
NiMH batteries (1900 mAh): About 14.5 hours
Lithium batteries: About 30 hours

48 kHz/32-bit float with phantom power off, no headphones, no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Estimated continuous operation times using batteries: 6-track recording (XYH-6e and inputs 1-4)
Alkaline batteries: About 3.5 hours
NiMH batteries (1900 mAh): About 4 hours
Lithium batteries: About 9 hours
48 kHz/32-bit float with phantom power off, headphones used (33O load), no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Power consumption: 5 W maximum

Dimensions
Recorder: 78.1 mm (W) × 160.1 mm (D) × 42.8 mm (H)
XYH-6e: 69.1 mm (W) × 50.8 mm (D) × 43.0 mm (H)
Weight Recorder: 381 g (including batteries)
XYH-6e: 42 g
Note: 0 dBu = 0.775 Vrms

Read more
 1 in stock $283.98
Boss GT-1 Multi-Effects Processor Pedal Boss GT-1 Multi-Effects Processor Pedal Boss GT-1 Multi-Effects Processor Pedal
Cat: 997467 Rel: 15 Feb 24 • View all Effects pedals
 
Multi-effects processor pedal
Notes: Premium tone for players on the go

Ultra-portable and easy to use, the GT-1 delivers pro-level tones everywhere you play. Driven by the powerful BOSS GT-series engine, it gives you access to a huge selection of world-class amps and effects for all types of music. A streamlined interface enables quick and intuitive sound creation, while an assignable control switch and expression pedal provide dynamic real-time effects adjustment. And by connecting to BOSS TONE CENTRAL, you can download free pro patches, editing software, and more. Equally suited for beginners, weekend warriors, and traveling players, the GT-1 packs premium sound in a compact and rugged package.

Exceptional Sound

Thanks to its Premium BOSS sound engine, the GT-1 provides tone quality and sound-shaping ability that far exceeds typical compact multi-effects. A history of BOSS processing is at your fingers, from classics such as the OD-1 Overdrive to modern effects powered by innovative MDP technology. There's a huge selection of COSM amp tones on tap too, including vintage legends and BOSS original amps optimized for ideal tone and response. Specialized effects like Acoustic Simulator, Guitar Simulator, and others provide numerous tonal options, and there's even a looper to enhance your practice sessions and stage performances.

Portable Tone Partner

The GT-1 was designed for musicians on the move. It's surprisingly lightweight and compact, yet still delivers the rugged durability that BOSS is famous for. The modern design is easy to slip in and out of a guitar bag's accessory compartment, with no worries of hard edges causing damage to your axe. AC or battery power provides flexibility for any performing situation, and up to seven hours of battery life is available for street performing and other mobile gigs.

Easy Patch Selection and Sound Creation

With the GT-1, it's simple to find fantastic tones for your style, and just as simple to customize them to taste. Beginners can get great sounds right away, while more experienced players will appreciate how quick and intuitive it is to adjust sounds. The Easy Select function allows you to choose patches by genre, distortion, or effect type, while Easy Edit lets you tweak drive, modulation, and echo tones to perfection with little effort. Dedicated panel buttons provide quick on/off switches for effect groups, and also unlock deep-dive parameters for microscopic fine-tuning.

BOSS Tone Central and BOSS Tone Studio

At BOSS Tone Central, you'll find tons of free patch collections for playing all types of music with the GT-1. Created by pro guitarists, these patches are dialled-in and ready to use, and make great starting points for advanced players who like to create their own custom sounds. The free BOSS Tone Studio software provides a full-featured editor/librarian for the GT-1, as well as integrated access to all the patch collections at BOSS Tone Central.

Maximum Control in a Small Space

The GT-1's three footswitches are smartly designed to provide patch selection, tuner access, looper control, and more in a minimal footprint. The dedicated CTL1 switch is freely assignable to functions like tap tempo, effects on/off, and numerous others, while the expression pedal and toe switch are assignable to volume, wah, and various effects parameters. If you crave more control, there's even a jack for connecting up to two external footswitches or an expression pedal. And in addition to providing access to BOSS Tone Central and BOSS Tone Studio, the GT-1's USB jack lets you record tones with your favourite DAW.

Specifications

Sampling Frequency: 44.1 kHz
AD Conversion: 24 bits + AF method
* AF method (Adaptive Focus method) is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.
DA Conversion: 24 bits
Effects: 108 types
Patches: 99 (User) + 99 (Preset)
Phrase Loop: 32 sec
Nominal Input Level: INPUT: -10 dBu, AUX IN: -20 dBu
Maximum Input LevelINPUT: +7 dBu, AUX IN: 0 dBu
Input Impedance: INPUT: 1 M ohm, AUX IN: 27 k ohms
Nominal Output LevelOUTPUT (L/MONO, R): -10 dBu, PHONES: -10 dBu
Output Impedance: OUTPUT (L/MONO, R): 1 k ohm, PHONES: 44 ohms
Recommended Load Impedance: OUTPUT (L/MONO, R): 10 k ohms or greater, PHONES: 44 ohms or greater
Controls: DOWN switch, UP switch CTL1 switch, EASY SELECT button, EASY EDIT button, FX1/COMP button, OD/DS button, PREAMP button, FX2/MOD button, DELAY button, REVERB button, MEMORY EDIT button, EXIT button

Display: Graphic LCD (132 x 32 dots, backlit LCD)
Connectors: INPUT jack, OUTPUT (L/MONO, R) jacks: 1/4-inch phone type, CTL2, 3/EXP2 jack: 1/4-inch TRS phone type, AUX IN jack: Stereo miniature phone type, PHONES jack: Stereo miniature phone type, USB COMPUTER port: USB type B, DC IN jack
Power Supply: Alkaline battery (AA, LR6) x 4, AC adaptor (sold separately)
Current Draw: 200 mA

Expected battery life under continuous use:
Alkaline: Approx. 7 hours
* These figures will vary depending on the actual conditions of use.
Accessories: Owner's manual, Leaflet "USING THE UNIT SAFELY", Alkaline battery (AA, LR6) x 4

Options (sold separately):
AC adaptor: PSA series
Footswitch: FS-5U, FS-5L, FS-6, FS-7
Expression Pedal: FV-500L, FV-500H, Roland EV-5

Size & weight

Width: 305 mm / 12-1/16 inches
Depth: 152 mm / 6 inches
Height: 56 mm / 2-1/4 inches
Maximum height: 74 mm
2-15/16 inches
Weight (including battery): 1.3 kg / 2 lbs 14 oz
Read more
MRP:$247.18 SAVE 18%
 1 in stock $201.95
Boss ME-90 Multi-Effects Processor Pedal Boss ME-90 Multi-Effects Processor Pedal Boss ME-90 Multi-Effects Processor Pedal
Cat: 997470 Rel: 15 Feb 24 • View all Effects pedals
 
Multi-effects processor pedal
Notes: Dial in Professional Sounds in Seconds

The BOSS ME series has been a favourite of performing guitarists for over three decades, combining multi-effects power with intuitive hands-on control for crafting tones in seconds. The ME-90 is the most advanced ME model to date, offering exceptional audio quality, flagship-grade AIRD amp models, IR loading, an effects loop, and more. Compact, battery-powered, and filled with premium BOSS tones, this versatile all-in-one processor makes it easy to build customized sound setups for every playing situation.

Fast Sound Creation

With its knob-driven interface and diverse effects selection, the ME-90 lets you build configurations and tweak tones with the ease of a stompbox-filled pedalboard-without the hassle of fastening tape, power distribution, and multiple connection cables. Just dial up an amp model or effect type within a category and turn the knobs to get the sound you want. There are 36 preset patches with ready-to-play pro tones, plus 36 user patches for storing your custom creations.

Flexible Real-Time Control

The ME-90 features eight footswitches with smooth, quiet operation and an expression pedal with an integrated toe switch. Use Memory mode to call up complete patch setups with the footswitches, and then switch to Manual mode for direct on/off control of each effect category within the patch. The footswitch LEDs light in different colours for quick identification in the heat of a performance. It's also possible to set all LEDs to light in a fixed colour for each mode if desired.

High-Quality BOSS Effects

The ME-90 puts a massive library of BOSS effects at your command, offering seven different categories filled with selections derived from the flagship GT-1000. Everything you need is here, from overdrives and distortions to pitch/mod effects, delays, and high-quality reverbs. You also get 11 dedicated Pedal FX, a looper, and specialized effects such as acoustic simulation and down tuning. There are 60 effect types in total, with access to over 20 more via BOSS Tone Studio. A send/return loop is available for external pedals, complete with the ability to save the on/off status in patches and place the loop before or after amp models in the signal chain.

Premium Amp Sounds with AIRD Technology

Along with its effects, the ME-90 includes amp models ported from the GT-1000, driven by our advanced AIRD technology for authentic tube tone and touch response. Eleven onboard amp types offer everything from clean combo sounds to punishing high-gain stacks, and you can access more selections in BOSS Tone Studio. Each amp includes a dedicated cab sound for connecting to a PA or recording device, and you can load three of your favourite speaker IRs to personalize sounds to your taste.

Edit, Customize, and Expand

BOSS Tone Studio for macOS and Windows extends your creative range, allowing you to edit tones and change out some amp and effect types with alternate selections. In addition, you can save and organize patches for different gigs, download pro setups at BOSS Tone Central, and swap patches with the ME-90 community on BOSS Tone Exchange. The ME-90 also supports the optional Bluetoothr Audio MIDI Dual Adaptor, enabling you to stream music from a mobile device and wirelessly shape tones using the dedicated BTS editor app for iOS and Android.

Light, Durable, and Ready to Travel

The ME-90 is lighter than its previous generation model while maintaining the rock-solid durability that BOSS is famous for.

Specifications
Sampling Frequency: 48 kHz
AD Conversion: 24 bits + AF method
AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.
DA Conversion: 32 bits
Processing: 32-bit floating point
Effects: 97 Types
Memories: 36 (User) + 36 (Preset)
Phrase Loop: 38 sec. (MONO)
Tuner Internal Detection: +/-0.1 cent
Nominal Input Level: INPUT: -10 dBu, RETURN: -10 dBu
Maximum Input Level: INPUT: +7 dBu, RETURN: +7 dBu
Input Impedance: INPUT: 1 M ohm, RETURN: 1 M ohm
Nominal Output Level: OUTPUT (L/MONO, R): -10 dBu, PHONES: -10 dBu, SEND: -10 dBu
Output Impedance: OUTPUT (L/MONO, R): 1 k ohm, PHONES: 44 ohms, SEND: 1 k ohm
Recommended Load Impedance: OUTPUT (L/MONO, R): 10 k ohms or greater, PHONES: 44 ohms or greater, SEND: 10 k ohms or greater

Controls:BANK DOWN/AMP switch, BANK UP/EQ switch, CTL/REV switch, MEMORY/MANUAL switch, 1/COMP switch, 2/OD/DS switch, 3/MOD switch, 4/DELAY switch, PEDAL FX switch, Gt. AMP/LINE switch, POWER switch, EXIT button, WRITE button, CTL button, EDIT button, PREAMP TYPE knob, GAIN knob, BASS knob, MIDDLE knob, TREBLE knob, LEVEL knob, REVERB knob, COMP/FX1 TYPE knob, SUSTAIN/SENS/-1OCT knob, ATTACK/TONE/-2OCT/DEPTH knob, LEVEL/PEAK/DIRECT knob, OD/DS TYPE knob, DRIVE knob, TONE knob, LEVEL knob, MOD TYPE knob, RATE/KEY knob, DEPTH/HARMONY knob, E.LEVEL/RESONANCE knob, DELAY TYPE knob, TIME knob, FEEDBACK knob, E.LEVEL knob, OUTPUT LEVEL knob, PEDAL FX TYPE knob, PEDAL FX pedal
Display: 7 segments, 2 characters (LED)

Connectors: INPUT jack, OUTPUT (L/MONO, R) jacks, SEND jack, RETURN jack: 1/4-inch phone type
PHONES jack: Stereo miniature phone type
USB COMPUTER port: USB Type-C(R)
Bluetooth ADAPTOR connector: Dedicated connector
DC IN jack

Power Supply: Alkaline battery (AA, LR6) x 4 or AC adapter
Current Draw: 190 mA

Expected battery life under continuous use:
Alkaline battery: Approximately 6.5 hours
* This can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use.
Accessories: STARTUP GUIDE, Alkaline battery (AA, LR6) x 4, Leaflet "USING THE UNIT SAFELY"

Options (sold separately)
AC adaptor: PSA-S series
Bluetooth(R) Audio MIDI Dual Adaptor: BT-DUAL
Carry Bag: CB-ME80,CB-BU10

Size & weight

Width: 443 mm / 17-1/2 inches
Depth: 220 mm / 8-11/16 inches
Height: 67 mm / 2-11/16 inches
Maximum Height: 93 mm / 3-11/16 inches
Weight(including battery): 2.9 kg / 6 lb / 7 oz
Read more
MRP:$327.12 SAVE 11%
 1 in stock $290.31
Boss DCB-LX 10W Bass Amplifier Boss DCB-LX 10W Bass Amplifier Boss DCB-LX 10W Bass Amplifier Boss DCB-LX 10W Bass Amplifier
Cat: 997475 Rel: 15 Feb 24 • View all Bass Amps | Bass Guitar Amplifiers
 
10W bass amplifier
Notes: The Ultimate CUBE Bass Experience for Home and Beyond

For over four decades, CUBE amplifiers have brought exceptional value to musicians everywhere, offering great sound and versatile features in portable, go-everywhere designs. The DUAL CUBE BASS LX is the most advanced compact CUBE bass amp yet, filled with evolved BOSS technologies for the ultimate home practice experience. This thunder box punches well above its size, delivering rich, full sound and a host of fun rhythm patterns to groove with. A generous array of connectivity options are also included, extending its range to performing, recording, and many other applications.

Stage Sound at Home

With its custom stereo speaker system and advanced cabinet design, the DUAL CUBE BASS LX delivers big, refined tones that you won't believe are coming from such a small amp. Five different preamp types are available, offering uncoloured sounds for studio and slap playing, vintage sounds for classic styles, and aggressive modern tones for heavy genres. With natural feel and organic response honed with decades of BOSS amp development, you have an endlessly inspiring platform to hone skills and explore new techniques.

Find Your Voice

The DUAL CUBE BASS LX features a variety of bass-tuned effects, including many with expansive stereo sound. Shape your core tone with compression or drive, add colour with touch wah, flanger, or chorus, and bring in spatial depth with delay or reverb. Each amp type includes three user memories, allowing you to store gain, EQ, and effect setups for quick recall. The DUAL CUBE BASS LX Editor lets you dive even deeper, providing access to effect variations and detailed parameter tweaks from your Mac or Windows computer.

Get in the Groove

Make your practice sessions more fun and productive with the powerful onboard Rhythm Guide. There are nine rhythm types with three pattern variations each, spanning from a basic metronome to realistic drum grooves in rock, jazz, metal, Latin, and other styles. Using the DUAL CUBE BASS LX Editor, you can explore a total of 91 rhythm variations and save your favorites in the amp. With the high-performance stereo speakers, rhythms and backing music are presented in full-range detail for a rich, immersive experience.

Beyond the Bedroom

Thanks to its ultra-flexible connectivity, the DUAL CUBE BASS LX goes far beyond the capabilities of other compact amps. Use the stereo XLR line output to directly connect to a PA system and perform on stage. Or capture mix-ready sounds in music software on a computer or mobile device via USB or i-CUBE-Link. If you like to livestream, you can capture your voice with a headphones mic and send it to the USB and i-CUBE Link outputs along with your bass sound. And with the ability to use AC or battery power, you can play absolutely anywhere.

Expand Your Possibilities

With optional FS-series footswitches, you can operate the Rhythm Guide hands free and unlock access to the onboard looper to create layered performances. And by connecting the optional Bluetoothr Audio MIDI Dual Adaptor, you can go even further with a smartphone or tablet. Wirelessly stream music from your device and jam along, or use the iOS/Android version of the DUAL CUBE BASS LX Editor to tweak functions remotely. Or pair the EV-1-WL Wireless MIDI Expression Pedal for cable-free operation of wah and volume.

Standard Features
Ultra-portable stereo bass amplifier with professional sound and features
Two custom-designed 5-inch speakers
10-watt stereo power amp (5 watts x 2)
Five preamp types: Super Flat, Flat, Vintage, Modern, and Rock
Compressor/drive control tuned for bass
Chorus, flanger, touch wah, delay, and reverb effects
Three-band equalizer
Store amp and effects settings in 15 memories (3 memories for each amp type)
Powered via AC adaptor (included) or eight AA batteries
Onboard rhythms with 27 different patterns (nine types and three variations each)
Edit sounds, access additional rhythm variations, and more with the dedicated DUAL CUBE BASS LX Editor
Stereo XLR balanced line output
Phones/Rec jack with support for an inline headphones microphone
USB audio for direct recording and livestreaming
Control jack for up to two external footswitches
i-CUBE Link/Aux In jack for audio playback
Selectable Loopback function for USB and i-CUBE Link/Aux In
Onboard looper (requires optional footswitch)
Connector for optional Bluetoothr Audio MIDI Dual Adaptor (BT-DUAL)


Specifications

Rated Power Output: 10 W (5 W+5 W)
Nominal Input Level: INPUT: -10 dBu (1 M ohm), i-CUBE LINK/AUX IN: -20 dBu (15 k ohm)
Nominal Output Level: LINE OUT L, R: -10 dBu
Speakers: 12 cm (5 inches) x 2
Controls: POWER switch, COMP/DRIVE knob, DRIVE button, AMP TYPE knob (SUPER FLAT, FLAT, VINTAGE, MODERN, ROCK), MEMORY button, GAIN knob, VOLUME knob, BASS knob, MIDDLE knob TREBLE knob, EFFECTS knob (CHORUS, FLANGER, T-WAH), DELAY/REVERB knob, START/STOP button, PATTERN knob (METRONOME, JAZZ, ROCK, BLUES, R&B, FUNK, METAL, LATIN, COUNTRY), VARIATION button, TAP TEMPO button, VOLUME knob (RHYTHM GUIDE), MIC VOL knob, MASTER knob, LOOPBACK switch (i-CUBE LINK/AUX IN), LOOPBACK switch (USB)
Indicators: POWER, DRIVE, MEMORY, START/STOP, VARIATION, REC, PLAY, DUB

Connectors:
INPUT jack: 1/4-inch phone type
PHONES/REC OUT jack: Stereo Miniature phone type (Stereo, CTIA)
i-CUBE LINK/AUX IN jack: Stereo Miniature phone type (Stereo, CTIA)
LINE OUT L, R connectors: XLR type
FOOT SW jack: 1/4-inch TRS phone type
Bluetooth ADAPTOR connector: Dedicated connector
USB port: USB B
DC IN jack
Power Supply: AC adapter (DC 9 V), Alkaline battery (AA, LR6) x 8, Rechargeable Ni-MH battery (AA, HR6) x 8Current Draw370 mA
Expected battery life under continuous use: Alkaline battery: Approximately 8 hours
Rechargeable Ni-MH battery: Approximately 10 hours (*1)

*1 When using batteries having a capacity of 2,500 mAh.
* These can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use.

Accessories: Owner's Manual, Leaflet USING THE UNIT SAFELY, AC adapter, Power cord, Mini cable (4-pole miniature phone type)

Options (sold separately):
Footswitch: FS-5U, FS-6, FS-7
Bluetoothr Audio MIDI Dual Adaptor (MODEL BT-DUAL)
Wireless MIDI Expression Pedal: EV-1-WL

Size & weight
Width: 341 mm / 13-7/16 inches
Depth: 205 mm / 8-1/8 inches
Height: 261 mm / 10-5/16 inches
Weight (excluding AC adaptor): 4.4 kg / 9 lbs 12 oz
Read more
MRP:$327.12 SAVE 14%
 1 in stock $279.79
Items 1 to 50 of 102 on page 1 of 3
1  2  3  »
Cart subtotal: