Review: After the label debuted recently with a 12" from Enrico Mantini, Purism returns with another fresh talent in the shape of Pepe Villalba, who makes a mighty fine impression with this first outing. "Acidbreak" may be something of a misleading name, although the 303 and a broken beat do feature heavily. It's actually woozy lead lines that shape out the vibe of this track, making for a dreamy electro diversion, and the mysterious yet warmly melodic tone continues on "U.F.O. (Sad Story About Conquering A Planet)". "Pianelice" is a different kind of jam with its stark keys way out front, but it's no less classy and ear-catching. "Charlie On The Moon" then finishes the record off with some slow, leftfield sparkle pitched at the lounging crew.
Review: The Unblock label hits its seventh release with a split EP featuring rising talents Tato and Tijn. The sound on the 12" fits right in with the previous transmissions from Tuccillo, Tomoki Tamura and more besides, taking a quirky approach to stripped down house and techno dynamics to create intriguing party fodder for inquisitive dancers. Tato's "Estic" does a wondrous job of twisting up tribal percussion with a snaking minimal groove, while "Lusyourmaind" brings a cheeky housey shuffle to the proceedings while keeping things a little mysterious in the same breath. Tijn's "Stranger Things" is a light and airy minimal house jam that contrasts neatly with the hook running through the centre of "Piano Tool".
Autarkic - "Screaming (To Be With You)" (feat The White Screen)
JD Twitch - "Dalbouka"
Sneaker - "I Looked For You"
Die Orangen - "Rattling Ghosts"
Review: After teaming up to release the scintillating works of C Cat Trance in their original 80s form on Screaming Ghosts, Emotional Rescue and Malka Tuti join forces once again to deliver a ludicrously talented roster of remixers who catapult John Rees Lewis' cult group into thrilling new spatial and temporal zones. Autarkic decides to go for the full-tilt cover version on "Screaming (To Be With You)", with ample help from The White Screen, while JD Twitch roughs up "Dalbouka" into a quintessential slab of ethno-motorik body music. Sneaker's take on "I Looked For You" emphasizes the atmospheric tension in the original, giving the track a cinematic scope, and Die Orangen's "Rattling Ghosts" finishes the record on an appropriately ominous, subtly industrial tone.
Review: It's been a while since we last heard from Flord King, who has popped up on Junk Yard Connections as well as regularly featuring on Lyssna. It's the latter label he returns to now, and he's got some focused, stripped down club fare to impart. "El Klassiko" is a shuffling, funky minimal house jam with some wriggling melodies and a subby bass throb, while "Avocado In Blue" does a quirkier turn with some crafty synth flex that really stands out from the crowd. "Bob" too is a distinctive cut with some detailed layers of dubby ripples and errant computer debris quivering and shaking over the mellow pads and steady beat. "Deep Diff" twists out some cheeky bass and an overall emotive mood that ends the record on a poignant tip.
Back Home (original Hip House instrumental mix) (7:17)
Back Home (alternative mix) (7:50)
Back Home (bonus beats) (4:28)
Review: A pioneer for the hip house scene in Chicago back in the 80s, Tyree is still at it thirty years later and sounding as vital as ever. This collaboration with Pure God is a thoroughly different concern to the jacking acid of the early days, bringing a live drum sound, funk bass and even a stirring string lilt into the mix on "Back Home". Whether you plump for the full vocal mix or the stripped back instrumental, it's an anthemic party starting beast of a jam for peak time maneuvers. The "Alternative Mix" of "Back Home" on the B-side is a more classic, throbbing slice of mechanical minimalism for the traditional Chicago jackers out there, and there's some "Bonus Beats" thrown in for good measure too!
Review: Turkish producer Mutlu San steps up to Lessizmore as yet another example of the Belgian label being incredibly on-point when it comes to signings. The emergent talent from Istanbul has a luxurious sound that taps into the minimal vein while offering a richer spread of textures and moods than your average micro roller. "Deep Sea Mosaics" is certainly a highlight, and it's left to Tolga Fidan to do the reducing on his remix of the track. "Phylum" sees San team up with his production partner in Bartaub for a more linear beat track, but with "Subglacial Funk" he nudges a little more of that unpredictable magic into the mix without losing the dancefloor essence of the track.
Review: In the field of minimal house reissues, this is a big deal. Perlon main man Dimbiman doesn't appear on wax often, but when he does he makes it count. This early release on Baby Ford's seminal Pal SL was originally out in 1998, when minimal house was a vague concept at best on the most outer reaches of dance music. "Iso Grifo" itself remains a masterclass of spine-chilling space and perfectly strange sonic matter, while "Lava" pushes the notion of reduction dance music to its absolute limit. "Round" is an even more immersive affair that hides many subtle layers within its seemingly simple construct. Quite simply groundbreaking stuff, and highly sought after so don't sleep on it.
Review: The Electronic Leatherette label shows its hand straight away with a pointed nod to The Normal and the foundations of Mute Records. Sure enough there's an industrial, new wave and electro fog hanging over the nocturnal transmissions that make up this first release, although it's far from one dimensional throwback music. Vessel In Distress has a chilly sci-fi leaning to its brand of gloomy electro, but that's contrasted by the sprightly robo-funk of Franck Kartell's "Sigma Octantis". MSRG brings the party with the feisty stomp and gnarly synth lines of "Elliptical Wave", and Heinrich Dressel rolls out an evocative night crawler of a track in "Down Upsight", as is his customary style.
Review: After years spent supporting the underground IDM scene digitally, Glasgow label Ambidextrous makes the leap to vinyl with this killer compilation of ear-catching deep techno and electronica. Christ brings a bubbling range of synth tones to "Rom" before Norken and Nyquist drop some brooding electro tones over rolling beats on"Od Detot". Solipsism has a more sassy house sound to impart, while Nyquist goes into full electro mode on his own. On the flip, Analogue Audio Association have some edgy acid to throw down, Cyan341 brings a touch of boogie flex to the record and Mich Chillage rounds the record off with emotive outboard electronics of a reflective nature.
Review: Berlin-based Miami man David Gtronic has been busy these past few years, working closely with Randall M, Chad Andrew, Dudley Strangeways and many more besides. He's going it alone with this inaugural release for Black Wood, relishing the opportunity to explore his craft across three original productions. "Ardl Dub" is a dense, shuffling minimal house production primed for working into a long and flowing set, while "Lexiwedin" showcases a more reflective side to the producer with sweeping synth tones and a whisper of electro worked into the rhythms. "Sequence" takes the minimal vibe to the next level, folding dubby subtleties into the mix to great effect. Dan Farserelli then steps up with a remix that injects a little boompty bass into the track for a wholly different, dancefloor friendly kind of jam.
Review: Sasaki Hiroaki has been immersed in electronic music in Japan for longer than most, but it's his more recent diversions into techno and minimal that have provided a solid foundation for his creative arc. He appears here on Open Recordings with some crisply produced, deep-as-you-like tech house joints with more than a little thread of dub about them. "Sprinkler" uses massive clanging chords to shape out the atmosphere of the track, while "Speak" ladles a measured amount of delay and reverb over the mix to make things move just the right amount. Frazer Campbell comes on board to remix "Sprinkler", and does so with an uplifting Detroit techno approach that is as infectious as it is refined. Pablo Tamo takes on "Speak" and injects some reduced 2-step craftiness into its bones.
Review: Bobby Pleasure's Needs label continues to gather steam behind a message of togetherness, raising money for worth causes and trying to help those less fortunate in society. On this third instalment Lord Of The Isles leads the way with a typically romantic swoon of analogue bass and gorgeous 80s synth strings, while Mehmet Aslan lays down an earthly prowler powered by organic instrumentation. "Trust The Mountain" introduces Petwo Evans with a daring strain of broken electronica heavy on the crackling signal processing. Bartellow's "1001 (Skrillex Theme)" is a craft machine disco workout, and then N-Gynn takes things tropical with the exotic tones and bold drum machine hits of "Jumanji".
Cuando Rocio Dispara Sus Flechas (Suzanne Kraft remix)
Posmeridiano (Hatchback remix)
Ukraina (Zavoloka remix)
Review: Cocktail D'Amore showed the breadth of their tastes when they reissued Ukranian composer Iury Lech's 1990 album Musica Para El Fin De Los Cantos last year. Now the label has commissioned a raft of remixes from some label regulars, with wonderful and diverse results. Powder drops her signature snaking rhythmic trysts over "Barreras", while "Cuando Rocio Dispara Sus Flechas" benefits from an abstract, ambient reworking from Suzanne Kraft. Hatchback takes to "Posmeridiano" with a delicate touch, all lingering 80s synth motifs in a beatless reverie, and Zavoloka lays the cinematic intensity on heavy with the icy strains of "Ukraina".
Review: Fred Everything's Lazy Days label is always one for summery sounds, and they've got that in abundance from Parages label regular OJPB. The vibe on "Lucy's Stomp" is insanely upbeat, all cheery funk licks with a little French psychedelia draped over the top. "Mis A Part Et Fini" has a more dreamy outlook with its sky-reaching lead synths and hazy strings. Fred Everything dives in on "Bridgetown's Pyramid" and makes it into a sizzling bongo-powered groover, bringing out the warm ingredients in OJPB's original and matching it with his instinct for a sustained dancefloor atmosphere.
Blue Vulva & The Electronic Crooner - "Vulbitch Bazaar"
Review: Minuendo keep things interesting on this latest various artists 12", primarily focusing on Owen Jay and Brian James on the A side for two tracks of adventurous experimentation on the wild frontier of minimal house music. The wobbly synth running through "Niko's Groove" is a real head turner, while "Imagery" nudges the grand tradition of dub house into a new pocket of ambience that draws you in immediately. There's a lovely, classic deep house joint from Untitled called "Seafood", and then Blue Vulva & The Electronic Crooner completely flip the script on the B2 with rowdy acid burner "Vulbitch Bazaar".
Review: Hailing from Crimea, Stas Karpenkov's Krym Mryk label is a direct line into the most intriguing techno-oriented diversions transmitting from Russia and Ukraine. In a similar vein to the likes of Udacha and Ghost Zvuk, Krym Mryk is brimming with the kind of originality and expression that makes records such as these essential purchases. "Entity" presents a calm, icy ambient lead in before the quivering, dubby techno pulse of "Yevpatoriya Satellite". "I've Had Enough To Look Down" is a writhing, biomechanical synth work out of the highest order, and "Windswept" finishes the EP off in a gentle blizzard of drones. A serious draw for this record as well is the Stanislav Tolkachev remix, which nudges "Yevpatoriya Satellite" into dynamic broken techno territory with a powerful synth wave channel coursing through it.
Review: Having just recently dropped some fresh wares on the Waxing Gibbous 12", London-based production duo OdD return their attention to their Tapes Of Old label and the pursuit or archival material from the vaults. Quite how far back these dusted down gems reach is unclear, but it hardly matters - what's important is whether they bang, and these tracks certainly do that. "Oops" is a pumped up and muscular roller that places all the emphasis on percussion with a tech house tendency. "Abhorrent" is a more introverted affair that explores intricate threads of synth expression in between a dubbed out set of drums, and then "I'm Complete" finishes the record off with a cool, calm and collected trip through the minimal undergrowth.
Miro SundayMusiq - "From Behind The Corner" (8:39)
Review: Following an excellent EP from Memphis, Animals On Psychedelics returns with more weird and wonderful party fare from the outer reaches. This time it's a various artists release that brings together all the producers involved in the label so far, while also introducing BPMF to the fold with the woozy, rubbery synth shapes of "Liza On Clouds." Jane Fitz and Dom Ahtuam's Invisible Menders project presents the rolling, psyched out melodics of "Three On Three," while Memphis pushes further into experimental territory with the wonderfully fractured "Altered States." That leaves it to Miro SundayMusiq to complete the EP with the wave-meets-Italo tones of "From Behind The Corner," a perfectly noirish flourish to finish a sterling record.
Review: There's only been one other release to date on the aptly titled Night Sea Journey, whose M.O. is, "focused on simplicity." The Chicago label started life with label heads Garrett David and Colin Johnson, and now Adam Rowe has come to join in with his own take on simple approaches in ambient and deep house. "9_27 (edit 1)" may have a lovely sub bass propelling it, but the languorous quality of the keys makes it feel almost static in the best possible way. "8_27 (edit 1)" welcomes some needlepoint drum machine rhythms into the mix, preferring a broken beat over anything too straight. "Nite Houss" has a similar mysterious charm you might hear on a Real Soon record, while "Hanging Lake" swerve into more ambient territory again, with spectacular results.
Review: Not An Animal are known for their heated takes on the art of disco-sampling house music, and Ess O Ess is one of the key factors in defining that sound. This comes through in spades on Take You To A Secret Place, where the title track comes marching out atop a deadly bassline that will cut through any mix to get the people freaking out. The dub mix is equally deadly, flying a generous dose of cosmic sparkle into the mix without losing the punch in the original production. Kuniyuki Hard takes a daring approach that slows the track down to a creep and emphasises space and tension. The Angophora version is even more drastic, seemingly stripping all the recognisable elements of the track out and leaving behind a plaintive thread of ambient instrumentation.
Review: Bruno E has plenty of history in the field of future jazz and downtempo, and now he's been snapped up by D3 to deliver some of that cold-chilling lounge business with some interesting remixers on board. Pat Van Dyke is up first, creating a blissful version of "Ventos De Outono" that feels as cosy as a warm fire and a glass of whisky on an autumn evening. The original version of the track is actually a peppier affair with a broken beat lilt that wouldn't sound out of place alongside the Dego and Kaidi Tatham crew. Kirk Degiorgio is a natural fit for another remix given his jazzy roots, and his swirling techno treatment is the perfection lotion to pour over Bruno E's excellent original ingredients.
Review: Pleasure Unit is doing a damn fine job building up a catalogue of discoid deviance from the likes of Skatebard, Lunar Concept and Loose Change, and now it's the turn of debutant project Field Of Dreams to lay down some 80s-tinged grooves for the smoother kind of dancefloor. "Pourquoi" features Queenie, and it shows off the individual heritage the two producers in Field Of Dreams have (one was in 90s chart toppers D:ream no less), all plush chords and slinky grooves with an alluring French vocal thread coursing through the middle. "Draw The Line" is a more synth-rich affair that leans towards the moodier end of acid-tinged disco, and then "Line Drawn" drifts out into Balearic boogie of a dubby nature, providing plenty of variation for the warm up or melt down dancefloor.
Review: Newcomer JVXTA has been spotted previously on his own label Hardmatter, but you wouldn't think it's early days for the UK producer listening to the assured NY house flex of his guaranteed dancefloor bomb "Brawn." It also stand to reason that promising new Big Apple house label Homage have reached out across the Atlantic to make a fruitful connection, resulting in a crucial grip of contemporary house jams with classic touches in all the right places. As well as the garage swing of "Brawn" there's uptempo strutting aplenty to be had with "Rudy's Disc 31," while "When We Kiss" takes things in a sweeter, deeper direction. "State Of Nature" throws down tribal percussion and woozy synths for a heady track that contrasts neatly with the other more upfront offerings.
Review: Plastik People call on West Country deep house veteran Andy Compton, who took a leaf through his box of DATs to dig out some previously unreleased jams from the vaults that should get all lovers of classic feel good jams popping with glee. "Sawfunk" is an infectious uptempo jam with a funky edge in the cheeky bassline coursing throughout. "Dark Disc" has a moodier flavour to it, with a bit of that US soul heat rubbed into its loins. "Will You Wait For Me" gets into a twitchy garage swing and holds it down for the duration, organ stabs, DX7 bass and all.
Review: The unstoppable Vogel machine is back on Lumberjacks with another serving of soul-soaked house goodness to warm the cockles as we step into Spring. This time around he's called on one of the great house vocalists of our times, Khalil Anthony, to lay down a vocal on "Brown Curls" that melts over Vogel's peppy, organic production. Nebraska bring a deeper, chunkier flavour to the track with their remix, and the results are just as captivating. Anthony's also on hand to croon over "You Are A Star", an equally simmering jam with more of that dusty house pressure from the deep end of the pool, while "Those Moments" finishes the record off on a funky, instrumental tip.
Review: The latest joint on Verdant comes from an exciting new collaboration between ESB (previously spotted on Echovolt, Leftroom and Heart To Heart) and Mihail Petrovski of Distant Worlds and Seventh Sign. This is classically informed machine soul as you would expect on Verdant, kicking off with the expressive deep techno stomp of "Subliminal Wave". "Phayse Distance" edges things towards the stratosphere with a staggered groove, plenty of cosmic acid tweaking and airy pads, and "Memory Upgrade" floats in a bath of mellow chords and submerged drums. "Permission To Dream" cools things down even more, ending the record on a particularly mellow note that B12 would be proud of.
This Is What You Are (feat The High Five Quintet - radio edit) (4:21)
This Is What You Are (The Brazilian Rime) (4:53)
Review: "This Is What You Are" is undoubtedly Mario Biondi's most celebrated work. He first sung it for original composers Was A Bee in 2004, before re-recording it for his debut album (alongside the High Five Quintet) in 2006. Since then it has been reissued or remixed on numerous occasions. Here it gets reissued on a tidy 7" single, with a punchy radio edit - a swinging, Sunday afternoon style chunk of Latin soul-jazz rich in jaunty grooves, soaring orchestration and smooth vocals - being joined by the "Brazilian Rime" rework. This tasty re-recording re-casts the song as a breezy, samba-fired slab of early 1970s style Brazilian MPB. It's an inspired interpretation and could well become the definitive version of the track.
Review: With their "Foundations" series, DJ Spinna and Kai Alce continue to explore the formative years of house music culture, offering up seven-inch singles showcasing classic and overlooked gems. This fourth volume in the series contains two more must-have tracks subtly re-edited to fit the format by the effervescent Alce. First up on side A is Dreamer G's vocal anthem "I Got The Feeling", a 1992 NYC house classic - and Timmy Regisford favourite - produced by none other than Kerri Chandler. On the flip Spinna and Alce take us back to 1988, offering up an early New Jersey house production from the "Backroom Boys" team of Cassio Ware, Derek A. Jenkins and Dwayne Richardson, who would later find fame as DJ Spen. A superb song that's as soulful as you'd expect, it's largely been overlooked for over three decades.
Review: The latest release on DJ Bone's Subject Detroit label is a split 12" featuring Esteban Adame and Santiago Salazar. This is how they do techno, Californian style, and you can tell it from the off. The beats are tough as hell, but there's a sun-kissed vibrancy to the synth work that positively leaps out of the speakers and shakes your cerebellum. Adame leads on the A side with "Guaguanco", an effervescent stomper that takes a turn for the deep when Frequencia jumps on board for a remix. Salazar is in a housey frame of mind on "October 17", letting smooth pads lead the way without losing that all-important impact. The "Dub mix" of the track actually beefs things up with a grinding lead synth pitched at big room scenarios while maintaining a steady tempo.
Get Up To Get Down (feat Erik Rico - Art Of Tones remix)
The Love Is Gone
The Dub Is Gone
Review: That Hudd Traxx powerhouse keeps on pumping out the jams, with regular Hudd hood Goshawk back in the saddle with some of his most assured beats to date. "Get Up To Get Down" channels a limber, Prince indebted funk, straps it to a simmering house beat and then drafts Erik Rico in for a killer vocal that takes you right back to the best of '90s vocal house. Then Art Of Tones jumps on for a remix that beefs the original up with some more big room elements, as one might well expect from the French titan. "The Love Is Gone" gets into a spaced out disco house frame of mind, which "The Dub Is Gone" then shuffles up into a slinky little groover.
Review: DJ Deep and Roman Poncet launched their Sergei Rezza project some three years ago with a widely lauded album, and now they're back with their own label and a chance to fully explore the boundaries of their combined sound. The record starts off gently with the introspective, ambient lilt of "Cale" before wriggling into a knotted groove on "Treehouse" that places intricate rhythm programming at the forefront of the mix. "Monte" has a more forthright pulse at its core, but there's still space for some pattering percussion, and "Decale" shrugs off the drums to explore guitar licks with an almost Balearic finish to them.
Review: Fragrant Harbour once again dig out a cult gem from the seemingly endless vaults of 90s dance music, picking up on a rare and precious gem from a seminal Laurent Garnier mix and giving it the remaster and reissue it deserves. The artists responsible, Broccoli Brothers vs Righteous Men, hailed from Germany and were trying to emulate Mike Dunn. "Catch It (Calm Manoeuvre)" is a spaced out deep house track with all the gritty impact of a classic jam, while "Catch It (Jam)" gets decidedly rowdy with its hefty kick, jacked up swing and wonky bassline. On the B side "Ruhrschnellweg (Last Exit Stahlhausen Mix)" brings a little Detroit flavour into the mix with spectacular, uplifting results.
Altar [Native States] (feat Scientific Dreamz Of U)
Review: Junior Loves has previously been spotted alongside Scientific Dreamz Of U on the excellent The Dreamcode cassette for 1080p back in 2015, and now the spiritually charged producer is stepping out on SDOU-friendly label Tabernacle to impart some well-travelled rhythm science to all astral journeypeople. There's definitely a psyched-out drum circle vibe to "Light/New Faith," but it's shot through with foreboding that makes it all the more alluring. "Hallowed (0.E.P)" is a strafing exercise in space age arpeggios and eerie chords, and the Scientific one lends a hand on the thrumming cosmic engine of "Altar [Native States]."
Review: Helena Hauff's Return To Disorder label plunges once more into the grimy underworld of electro and wave music, this time guided by dungeon dweller Morah who debuted on the label in 2015 and has since gone on to great things via Lux Rec, Berceuse Heroique, brokntoys and more. "I Saw, Strained Her Eyes Peering Into The Gloom" is a bittersweet dance with distortion as disheveled as it is catchy, while "Dance When Lights Off" pushes even further into the red with scintillating results. "Against Your Beloved" sounds positively shimmering by comparison, even if on its own it's still a truly dirty slice of jacked up electro. "One Shade The Less, One Ray The More" is a strong closing bout that draws from a similar sound bank and applies it to a more techno-minded structure.
Review: REPRESS ALERT: Etwas stirs in die Ostlich. Edits and verks of twist sounds. Synth pop, cold wave, neu wave, minimal wave, industrial, neu beat, soundtracks and a selbst Balearen. Freiheit! Als erstes is hero of old Cybernetic Broadcast (CBS) and (Intergalatic FM) radio. Jonny 5 and his verstorbenen Blindsign blog and mixes were a steigen'n'steigen to rescue us from boring neu disco. Schieben his search and discovery for harder, but musical soundscapes. 4 edits is a geschmack. Start brave on the floor feel with the Neu Beut Euro Pop thumper Kaka Kaka. Geschleift, verdreht thoughts. Black Hole is hours spent in Eastern Bloc basements graben in the search for drahts. Stoned indeed, immaculate synth electronic battle cruiser, hart percussion, cut gesang and break. Ready for the percussive finale in Horizon's Change. Was Auch Immer. Bahnsteig!
Review: Exos' label X/OZ continues to grow as a distinct voice in the world of minimal techno, this time around inviting Russian producer Nikita Zabelin to explore his sound with a sizable EP of finely crafted techno and thought-provoking ambience. "Confusion" is a consummate slice of hypnotic techno crackling with heavily processed energy, while "Pluton" drifts into rich beatless territory. There's more experimental fare afoot with the fractured tumbles of "Curtains", but "Trans Siberian Express" is on hand to lock things back into a sturdy rhythmic framework. Exos also takes the time to remix "Brooklyn Train" into a noirish dub techno workout.
Review: Lee Norris' Norken project has been on prolific form of late, not least with plenty of reissues of classic material on Delsin and Neo Ouija, but here's something new from the seminal leftfield electro venture on new label Subconscious Algorithms. Norken fans will find much to love here, leading in with the wobbly synth strokes of "Coast 2 Coast" that positively cascades its gorgeous melodic content down upon your ear drums. "Heart Hertz" is no slouch in the emotional stakes either, especially when the lingering sustain of the string notes unfurl into the bubbling broth of machine-wrought harmonies. This is advanced electronics for sensitive system souls.
Review: Romanian producer Iuly.B has been turning out his wares on all the right labels, from Visionquest and Claque Musique to Memoria and Fuse London, and now he's been tapped up by Burnski's Constant Sound label to unfurl a vision of minimal house in 2018. At this stage the influence of early deep techno is as powerful as any kind of modern stripped down house sound, and that comes through in abundance on the shimmering, ambient-tinged "Spaceport". "Dynamics" maintains the celestial trajectory of the record, but with a more looped up, bleep-led approach, while "Meditate" draws upon some of the more familiar tropes of minimal house. "Spherical" finishes the EP off with another set of ethereal pad tones and a crisp, snaking beat for adventurous dancefloor trippers.
Review: Vinyl Only reach their seventh release with a fresh grip of lesser known producers bringing high grade grooves to the table. Bubbadog opens the 12" up in a woozy fashion with the warbling piano chords of "Goin' Round", capturing a time-slip mood that carries through to the dusty jazz soaked beat down of Minus The Majors' "Strole On Through". On the B-side, Alex Zuiev gets into an exotic, chiming, 80s-inflected mood on "Down By The River", creating a slow-burning dancefloor heater out of classic ingredients. Ugly Frankie finishes the EP off with the stripped down funk of "Your Ears Look Great".
Review: Torino label We Play The Music We Love has already made a strong start with some immersive turns by Trevor Deep Jr and Rills, and now they provide a platform for Italian duo Luminer. "Indaco" is a charged up dub techno excursion with crisp percussion to propel the classic chord shimmer that course through the centre of the track. "Canadian" takes a deeper direction with a crafty tapestry of synth flares and a more understated rhythm section. Hiver's reconstruction of "Indaco" opts for a crooked electro foundation, nimble acid line and a shapeless swell of pad tones as the key ingredients, and then Icelandic techno champ Thor whips up a sharp-strutting dub techno variation of "Canadian" that sits comfortably with the Luminer tracks.
Review: Nino delivers his first well-deserved solo EP on Batti Batti. Originally from Bosnia, but based in Brussels (Belgium), Nino's tracks have always been a perfect representation of a purely deep underground sound. Starting off with a soothing piece of ambience to set the mood , Odysseia EP is aimed for club use and hence depicts Nino's evolving style yet maintaining his secretive and atmospheric element as a common factor.
Review: On the latest Lumberjacks missive Marcel Vogel invites one of the strongest house vocalists of modern times, Khalil Anthony, to lend his distinctive croon to a loose-limbed slice of low-riding funk. "Dance The Blues Away" is a gutsy, full-bodied production that shows off Vogel's instrumental skills at their strongest, and Anthony's vocal rolls on in the many-layered mix perfectly. BB Boogie injects a little disco stomp to the track for the first remix on the 12", while Julien Dyne gets to turn out a remix and a dub. Both Dyne's efforts tap into a Detroit house feeling, all dusty sample loops and a laid back, smoky mood. It's a record made up of killer soul-soaked house music from start to finish.
Review: After the first two 12"s from label founder Deep88 himself, ASCII Records turns to a whole host of different characters to remix those tracks with some stunning and varied results. Luis CL is up first, taking a decidedly mellow approach to "Harmony" that tips into a heavy lidded early 90s deep house mood perfectly, while RNR take the Robert Owens-featuring "Believe In You" and make it into a stirring, tense but ultimately emotional acid-laced floor track. Rhythm 2 Soul do a gentle job on "La Beija", MHCrew take a Larry Heard-esque approach on "Rotation" and Jimini lets the space in the mix tell its own story.
Brian ‘Keys’ Tharme - "Best Of Your Love" (feat Memzee) (6:57)
Review: Albuquerque's finest deep house bastion is at it once again, presenting a pure and proud brand of NJ-flavoured deep house for those who still want it soulful. Sean McCabe doesn't need telling twice, kicking off the People's Choice 12" with the uplifting funk of "Get Together". Soul2Black offers up an exquisite broken beat confection laden with deft piano work and stirring vocals from Kimberley Kennedy. Johnny Rampin' is aiming straight for the peak of the night with the peppy vibes of "Love Who Rocks You", and brian 'Keys' Thame turns the garage swing up to 11 with the utterly sassy "Best Of Your Love".
Review: It's quite remarkable just how much quality Ben Sims has managed to pack into the Tribology mix and its accompanying series of vinyl samplers. The fifth round shows no signs of going soft as it leads in with the sledgehammer thump of Marcel Fengler's "Cortex", showing the Berghain resident to be on formidable form. Alienata shakes things up with the slick yet sinister electro strains of "The 8th Passenger", and James Ruskin lands some heavy blows with the delirious synth cycles of "TZR". Psyk finishes things off in his signature style, looping up some nervy blips and bleeps around a restrained set of drums for the ultimate in techno hypnotism.