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Review: Tyler Daley is a UK hip-hop mainstay and the vice of the brilliant Children of Zeus. Here he branches out with his own solo album, Son of Zeus - see what he did there? It comes on the band's home label of First World and bares plenty of their signature sonic hallmarks - dusty, undercooked production, lazy hip hop beats, and gorgeous vocals that sit somewhere between neo soul, golden era boom-bap from Tribe and something else a little unique. It's a warm world where yearning bars, lush harmonies and hooky melodies all float around the stripped back but bumping beats. Superb stuff.
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Cat: JGML 6016. Rel: 29 Feb 24
Roots/Lovers Rock
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Welcome To The Marble Zone (red & black marbled vinyl LP + sticker sheet)
Cat: CTTR 0005V. Rel: 04 Apr 24
Indie/Alternative
Review: Good Cop Bad Cop's sophomore release, crafted by frontman Joe Carnall and producer Gold Teeth, marks a departure from traditional indie rock. Recorded closer to home, the album embraces synth and hip-hop influences, pushing boundaries while retaining elements of nostalgia. The decision to leave guitars largely untouched results in a sound that feels both timeless and contemporary. Carnall's forward-thinking approach shines through, showcasing his willingness to evolve creatively. While rooted in the present, traces of the band's indie rock origins linger, creating a dynamic listening experience that bridges past and future. The album has innovative soundscapes that journey through Carnall's sonic evolution, offering a refreshing take on modern music.
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Convoque Seu Buda (B-STOCK) (limited gatefold 180 gram vinyl LP)
Cat: LPSTERNS 2024 (B-STOCK). Rel: 01 Jan 90
International
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
One of Brazil's most prominent rappers Criolo returns with his first album in almost four years. Showing a natural maturity and development, Convoque Seu Buda (Summon Your Buddha) is a spell-binding experience that digs much deeper than the harder rap he made a name for himself with years ago. Cuts like "Casa De Papelao" are smoky, cosmic soul joints while "Cartao De Visita" is a fun throwbacks to the chronic sounds of the early 90s. Sugar-sweet skanks can be found deep in the sandy groove of "Pe De Breque" while anthemic, lighter-raising vibes can be found on "Piano De Voo" where Criolo's sharp tongue gives Em a run for his money.
… Read moreOne of Brazil's most prominent rappers Criolo returns with his first album in almost four years. Showing a natural maturity and development, Convoque Seu Buda (Summon Your Buddha) is a spell-binding experience that digs much deeper than the harder rap he made a name for himself with years ago. Cuts like "Casa De Papelao" are smoky, cosmic soul joints while "Cartao De Visita" is a fun throwbacks to the chronic sounds of the early 90s. Sugar-sweet skanks can be found deep in the sandy groove of "Pe De Breque" while anthemic, lighter-raising vibes can be found on "Piano De Voo" where Criolo's sharp tongue gives Em a run for his money.
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Review: Husband and wife singer-guitarist duo Lux Interior and Poison Ivy were the backbone and founding parents of The Cramps, whose lengthy career managed to outlive many of the formative-era punks they broke through with, first catapulting onto the New York gothabilly scene (well, arguably they invented it) circa 1976 and then only finally opting to call time in 2009, following the sad passing of Interior. During that tine, they inspired myriad garage, alternative, and heavy rock & roll bands that wanted to keep things minimal, and their work can still be considered as setting benchmarks today. Across this incredible collection of tracks, or rather Songs of Love & Hate captured live and on stage, the outfit certainly show exactly why their popularity was so long-lasting and their legacy so inimitable. You can hear elements of The Cramps in work from latter day legends such as Ezra Furman and Jim Jones, but ultimately there's nothing that comes remotely close the band themselves.
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Volume 1 (Collector's Edition) (B-STOCK) (limited 180 gram vinyl LP)
Cat: 370047 7836504 (B-STOCK). Rel: 01 Jan 90
Jazz
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Pornography (B-STOCK) (180 gram vinyl LP + MP3 download code)
Cat: 602547 875471 (B-STOCK). Rel: 01 Jan 90
Indie/Alternative
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Moonbeams & Wild Dreams: Live In Concert 1993 (limited hand-numbered 180 gram white & pink splattered vinyl LP)
Cat: SRFM 0007SP. Rel: 27 Feb 24
Rock
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Cat: RNDMNG 95. Rel: 23 Feb 24
Indie/Alternative
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Dust My Blues (Dust My Broom)
Sunnyland
Mean & Evil
Dark & Dreary
Standing At The Crossroads
Shake Your Moneymaker
The Sun In Shining
I Can't Hold Out (Talk To Me Baby)
Happy Home
No Love In My Heart (For You)
Blues Before Sunrise
I Was A Fool
Goodbye Baby
It Hurts Me Too
Madison Blues
The Sky Is Crying
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Wyrd Psearch (limited 180 gram vinyl LP + MP3 download code)
Cat: UTR 160. Rel: 26 Feb 24
Indie/Alternative
Review: Almost two full decades into their curious career, slacker-psych experimentalists The Pheromoans have never been ones to shy away from the esoteric or mundane. Led by the droll, deadpan delivery and unique world view of primary songwriter Russell Walker, LP number 13 sees the collective lean ever further into topical malaise whilst honing their fuzzed out, post-college-rock jangles into their most digestible and direct form yet. With the title Wyrd Psearch, Walker takes direct aim "at the ubiquity of people claiming things are eerie or weird/wyrd in the present cultural milieu", while the word-search artwork is intended to highlight our cultures' obsessive search for meaning in an increasingly illogical world. Twinkling no wave riffs, glistening synth lines and muted requests to loved ones requesting their presence on a trip to town to reup on prescription meds.
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Cat: RNDMNG 077. Rel: 23 Feb 24
Jazz
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Played by: Juno Recommends International
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Cat: SVVRCH 085. Rel: 28 Feb 24
Hip Hop/R&B
Review: .Often considered to be one of the biggest commercial flops in music recording history, Standing In The Spotlight was the 1989 debut solo album from Ramones bassist Dee Dee Ramone. Released under his rap moniker Dee Dee King, the bizarre project served up an amalgam of old school hip-hop, late 50s garage rock and even doo-wop, all blended together in chaotic fashion, and led by Dee Dee's new gangster bravura. It's been noted that the hip-hop-centric attire seen on the cover was adorned by Dee Dee at his last few Ramones shows shortly before departing, which drew major ire from his bandmates. Tapping Marky Ramone to oversee percussion samples, and even enlisting Debbie Harry (Blondie) to provide backing vocals on 'Mashed Potato Time', and, 'German Kid', with the latter featuring vocals sung in both English and German (nodding to Dee Dee's growing up as an army brat), the album was crafted with every earnest intention of launching Dee Dee's solo career. Conceptually inspired whilst in rehab and used as a project of focus when embracing his newfound sobriety; the sheer enthusiasm and fearlessness of Standing In The Spotlight grants it a pass and a place as a truly absurd offshoot oddity from a vital member of the one of the defining punk bands.
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In Riot We Trust (limited hand-numbered 1-sided clear vinyl LP + insert)
Cat: PUSSY 001. Rel: 10 Apr 24
Punk/Hardcore
Review: Originally released in 2017, In Riot We Trust is the second of two studio albums so far released by feminist protest group Pussy Riot, whose provocative punk regularly takes potshots at Russian leader Vladimir Putin and his regime. Since 2011, the Moscow band founded by then-22-year-old Nadya Tolokonnikova has had the membership of 11 women, who are arguably most well known for their guerrilla gigs and stunts, often in sites of national, cultural, or religious significance. Despite the real focus of the group being on speaking out against issues such as Russia's ingrained sexism, homophobia, and racism, totalitarian rule and oppression of rights, and the limelight falling on their IRL actions, this is more than enough evidence that their rage and talent can be distilled onto record to some degree. Potent to say the least.
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Riot In The Ghetto: Unreleased Radio & Studio Sessions (LP + poster)
Cat: RRS 244. Rel: 19 Apr 24
Punk/Hardcore
Review: Hailing from London's East End, there's few Oi-punk outfits who were as quintessential or authentic as The 4-Skins. While only releasing a small handful of albums with their definitive 80s line up, this live/demo/unreleased cuts compilation offers an aural fly-on-the-wall experience of being confronted with their signature brand of seething anti-authoritarian, anti-police brutality, anti-fascist, football loving, skinhead sporting, Doc Marten stomping punk in real time. Packed with cuts pulled from radio sessions, Bumper sessions, demos and even two tracks from a previously unreleased 7" 45, including the ska-punk-inflected 'Seems To Me'; offering a more subdued side to the OG Skins than most long-time fans would be accustomed to.
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Review: Back in 1991, PT House's debut album Big World introduced Soweto rapper Nelson Mohale (who was later known as Dr House) to South Africa's burgeoning house and kwaito scene. Collaborating with producer Danny Bridgens, known for his work with Yvonne Chaka Chaka and Margino, the newly formed pair fused US and UK hip-house influences with local flavours and always imbued their music with a positive outlook for the future. Now reissued for the first time on Afrosynth Records, the small but well-formed four-track record remains a bold testament to their vision and has more than stood the test of time with its vibrant energy and forward-looking spirit.
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Cat: 539908 5. Rel: 07 Mar 24
International
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Played by: RUSTAM OSPANOFF.
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Austin City Limits 1984 (limited 180 gram translucent yellow vinyl LP)
Cat: VC 93321. Rel: 23 Feb 24
Rock
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At My Father's Place: Roslyn 1978 (limited 180 gram green vinyl LP)
Cat: VC 93345. Rel: 23 Feb 24
Roots/Lovers Rock
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The Centrum Worcester 1994 (limited 180 gram translucent blue vinyl LP)
Cat: VC 93369. Rel: 23 Feb 24
Indie/Alternative
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Played by: Juno Recommends Rock/Indie
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Review: It's 1990 and Depeche Mode couldn't really be riding much higher in the global music stakes. Having just released Violator, the band had finally debuted an album inside the Billboard Top 10 for the first time in their almost-decade-long history, and pretty much anyone who came into contact with the record was very quickly captivated by its sound. While definitely not a curveball, it marked an expansion of the group's existing style. Some have described it as synth-pop, others alternative rock. In many ways, it's a dance floor album, one that embraces goth and coldwave at its very core. Captured during their tour at that time, Set In Stone features landmark singles from the LP - 'Personal Jesus', of course, and 'World In My Eyes' - it also proves beyond any doubt that a Depeche Mode show is about more than simply playing the hits.
… Read more in stock $16.35
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Live Lullabies & Other Bedtime Stories (yellow vinyl LP)
Cat: YVR 4030. Rel: 11 Apr 24
Indie/Alternative
Review: Legendary emo indie outfit The Cure have played all over the world in their decorated careers but back in 1996 when they headed to Brazil, it was the first time they had been to the country since 1988. They were there for the 1996 edition of the Hollywood Rock Festival which they headlined in superb fashion and wowed their Latin American fans. Live Lullabies & Other Bedtime Stories is a special recording of that night that comes on nice yellow vinyl and features the likes of signature anthems like 'Boys Don't Cry,' 'Friday I'm In Love,' 'Just Like Heaven' and many more.
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