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Vermona Retroverb Lancet Analogue Multi-Effects Processor Vermona Retroverb Lancet Analogue Multi-Effects Processor Vermona Retroverb Lancet Analogue Multi-Effects Processor
Cat: 433131 Rel: 19 Aug 11 • View all Effects units
 
Analogue multi-effect processor.
Notes: Gorgeous analogue goodness in this all-rounder, featuring overdrive, filter, envelope, LFO and a nice retro spring reverb among others processing options. Tons of character.

Supplier's notes:
Today's digital effects and plug-ins can create almost perfect room simulations. However, when it comes to characteristic and charismatic reverb, analogue effect-processors are yet to beat. The reverberating sound of a spring is so lively and unique that its sound is almost impossible to recreate in the digital domain. In addition to this, Retroverb Lancet is not just a spring reverberation system - it is an analogue multi-effects-processor. It offers overdrive, filtering, VCA, envelope and LFO to manipulate the spring sound and create different sounds like auto-wah, tremolo, distortion, delay, gater and of course reverb.

The typical spring reverb sound is generated by a Belton/Accutronics type 4 spring tank with 3 individual springs. It can be placed pre or post the VCF/VCA section and equalized by the Tone parameter.

The Crash function generates the popular thunder effect that occurs when kicking an amplifier with spring tank. You don't have to kick Retroverb Lancet you simply can achieve this effect by pressing the Crash button. It also can be triggered by a Gate voltage.

The multimode filter works as lowpass or highpass with a slope of 24 dB per octave or as bandpass with 12 dB per octave. It is followed by a voltage controlled amplifier. The filter and amplifier can be modulated individually by different sources.

The Retroverb Lancet offers 3 internal modulationGorgeous analogue goodness
in this all-rounder, featuring overdrive, filter, envelope, LFO and a nice retro spring reverb among others processing options. Tons of character. sources:

Envelope follower: the envelope follower converts the amplitude characteristic of the audio input signal into a control voltage.
Envelope generator: the envelope generator can be triggered by the input signal itself, a second audio signal or a gate voltage. Depending on the trigger source it works as Attack-Decay or as Attack-Sustain-Release envelope.
LFO: the LFO offers saw up and saw down, square, sine as well as sample&hold. Additionally it can use the envelope generators settings as waveform. It can oscillate freely or reset by different trigger sources.

The Retroverb Lancet also offers a CV/Pedal input which can be feed by external control voltages or can be used with expression pedals.
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 1 in stock $504.26
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quote 433131
Allen & Heath ZED-16FX USB Mixer For Live Sound & Recording Allen & Heath ZED-16FX USB Mixer For Live Sound & Recording Allen & Heath ZED-16FX USB Mixer For Live Sound & Recording Allen & Heath ZED-16FX USB Mixer For Live Sound & Recording Allen & Heath ZED-16FX USB Mixer For Live Sound & Recording
Cat: 482506 Rel: 03 Apr 13 • View all Studio mixers
 
Multipurpose USB mixer with 10 mono mic/line inputs
Notes: One of our favourite small live/studio mixers, shown here in 16-channel form with built-in digital effects. Clean sound, decent three-band semi-parametric EQ and built-in audio interface. Very impressive.

Supplier notes:
The ZED-16FX is ideal for groups who need to travel light. It gives musicians, venues and hire companies access to 10 full mono channels, 3 stereo channels and a high quality effects unit in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on the ZED is super-flexible and super-easy: No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your Zed, select the USB routing on the mixer and the device on your computer and that's it. CD quality audio to and from your PC or Mac.

The ZED-16FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ, with optimised slope (or Q factor) for equalising individual instruments.

Based on the proven pre-amps from the hugely successful PA series, the ZED-16FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge, 69dB of range to be exact, and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.

The ZED-16FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Allen & Heath's DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point, this quality and integration is only available from the ZED-FX. The ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing, in fact, it's just as easy as using effects pedals. To alter effects parameters, the Tap button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on Plate Reverb, or the depth on Chorus.

Based on the proven pre-amps from the hugely successful PA series, ZED-16FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.
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 1 in stock $750.88
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quote 482506
Korg MS20 Mini Monophonic Analogue Synthesiser (black) Korg MS20 Mini Monophonic Analogue Synthesiser (black) Korg MS20 Mini Monophonic Analogue Synthesiser (black)
Cat: 480940 Rel: 21 May 13 • View all Synthesisers
 
Classic Korg MS20 recreated in miniature size
Notes: Korg's MS-20 monophonic synthesizer, first introduced in 1978, is still a coveted instrument to this day, thanks to its thick, robust sound, its powerful, iconic analog filter, and its versatile patching options. Over 300,000 people have enjoyed the distinct MS-20 sounds from the original, from Korg's MS-20 plugin synth, or the iMS-20 iPad app.

Today, the sounds of the MS-20 have been reborn in hardware, as the MS-20 Mini. The same engineers who developed the original MS-20 have perfectly reproduced its circuitry and fit into a body that's been shrunk to 86% of the original size, yet retains the distinctive look of the original.

The MS-20 mini will amaze you with its absolutely authentic analog synth sound.

The Korg MS-20 Mini features 2 improved lower noise voltage controlled oscillators with selectable waveforms including ring modulation and noise, 2 voltage controlled high and low pass filters, 2 voltage controlled amplifiers, 2 envelope generators and an LFO. Part of the appeal of the original was its self oscillating, resonant filters that could be driven into distortion. They remain popular to this day and can also be found in the recent monotron and monotribe units as well as on the new MS-20 Mini.

Part of the versatility of the original Korg MS-20 was its flexible patching system, making it semi modular, and this has been recreated for the MS-20 Mini. It allows users to create uniquely complex, evolving, organic sounds by using patch cables to access and change the internal synth architecture, with the front panel flow chart guiding easy operation straight out of the box. Users can even patch external sources via the external signal processor to be processed in the same way as an oscillator, as well as benefitting from the rich harmonics added by the circuitry and filters.

This reissue of a modern classic will be an extremely welcome addition to Korg's current synth line and, with fantastic sound, versatility and ease of use, the MS-20 Mini is sure to win over many fans old and new.
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 3 in stock $521.11
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quote 480940
Allen & Heath ZED60-14FX Multipurpose Studio Mixer With FX Allen & Heath ZED60-14FX Multipurpose Studio Mixer With FX Allen & Heath ZED60-14FX Multipurpose Studio Mixer With FX Allen & Heath ZED60-14FX Multipurpose Studio Mixer With FX Allen & Heath ZED60-14FX Multipurpose Studio Mixer With FX Allen & Heath ZED60-14FX Multipurpose Studio Mixer With FX
Cat: 487272 Rel: 21 May 13 • View all Studio mixers
 
Multipurpose mixer with FX for live sound and recording.
Notes: Live or in the studio, the ZED60-14FX is a compact, portable mixer that is ideal for small bands.

This mixer is a guitarist's dream. Two of the 8 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two stereo inputs are provided for MP3/CD players or keyboards.

The ZED60-14FX comes with a configurable USB audio in/out, making it easy to capture a stereo recording at the gig or in the studio. The mixer is also equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs and 16 stunning FX.

Most important of all, the ZED60-14FX lives up to the audio and build quality standards that have made Allen & Heath one of the most trusted names in professional audio for more than 40 years.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

SEND OPTIONS:
1) Main Mix Left + Right (Post master Level)

2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send)

3) Record Bus Left + Right (Separate stereo bus to Main Mix)

RETURN OPTIONS:
1) To Playback input (through jack socket break contacts)

2) To Stereo 2 channel (through jack socket break contacts)

ZED60-14FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

ZED60-14FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.

ZED60-14FX's pre-amps are similar in design to our MixWizard range of mixers, but with a twist! Inputs 7 & 8 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain "Boost" switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character.
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 2 in stock $536.90
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quote 487272
Allen & Heath ZED-24 24-Channel Multipurpose USB Studio Mixer Allen & Heath ZED-24 24-Channel Multipurpose USB Studio Mixer Allen & Heath ZED-24 24-Channel Multipurpose USB Studio Mixer
Cat: 431970 Rel: 02 Dec 13 • View all Studio mixers
 
Home studio mixer with full USB compatibility
Notes: The Allen & Heath ZED-24 has an incredibly advanced feature. It has 23 independent sources to the mix, 10 independent outputs and 4 aux sends. Configurable USB audio input/output makes it easy to capture stereo recordings, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, the ZED-24 mixer is so packed full of great features that you'd think it would cost much, much more.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on the ZED-24 is super-flexible and super-easy. No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED-24, select the USB routing on the mixer and the device on your computer and that's it.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

Send options:
1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 3-4

Return options:
1) To Stereo 3 channel

ZED-24 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

Based on the proven pre-amps from the hugely successful PA series, ZED-24 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.
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 1 in stock $784.29
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quote 431970
Allen & Heath ZED-18 18-Channel Multipurpose USB Studio Mixer Allen & Heath ZED-18 18-Channel Multipurpose USB Studio Mixer Allen & Heath ZED-18 18-Channel Multipurpose USB Studio Mixer Allen & Heath ZED-18 18-Channel Multipurpose USB Studio Mixer Allen & Heath ZED-18 18-Channel Multipurpose USB Studio Mixer
Cat: 515436 Rel: 06 Dec 13 • View all Studio mixers
 
18 channel desk for multipurpose studio and live mixing, with USB
Notes: ZED-18 has an incredibly advanced feature-set for a mixer at this level - it gives musicians, venues and hire companies access to 10 full mono channels and 4 stereo channels in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

SEND OPTIONS
1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 3-4

RETURN OPTIONS
1) To Stereo 3 channel

ZED-18 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

Based on the proven pre-amps from the hugely successful PA series, ZED-18 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.

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 1 in stock $690.62
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quote 515436
Sherman Filterbank 2 Classic Analogue Filter Sherman Filterbank 2 Classic Analogue Filter
Cat: 531916 Rel: 02 Sep 14 • View all Filters
 
Powerful analog filtering and distortion unit
Notes: What is the Sherman Filterbank 2?

A powerful analog filtering and distortion unit with a huge frequency range and a killing TUBE overdrive behavior.
Easy and FUN to use, live and in the studio
A small modular system? YES!
Another 303 clone? NO!
Affordable? YES!
Application: processing every sound source, effect mixing, expanding modular systems, etc.

What you get:

Independent low pass, band pass and high pass filters with resonance, frequency and ADSR (positive - negative) controls
These are switchable between parallel or serial
The second filter has a 6 octave switch, and is synchronizable with the first filter
1 ADSR generator for these filters with an external output for use with more filterbanks or modular systems, triggered by the incoming signal, by a second sounds source, or by a gate
1 FM input for the filters, internal or external audio, LFO or CV
1 VCA overdrive with AR generator also
1 ring modulator input, internal or external audio, LFO or CV

The original Sherman Filterbank (Version 1) is no longer being made and is thus now completely being replaced by this new version !

The global look has remained the same, but there have been added several strong functions. To summarize :

There are 5 extra NEW SWITCHES, 1 extra INPUT (for footpedal), 2 extra new LEDs, a NEW COLOR (silver-grey) with an improved (long-lasting) varnish layer.
The inner electronics have also been adapted to achieve an EVEN BETTER SOUND-QUALITY
We also do have new packing-boxes (silver, with photo on upper side), new flashy stickers (silver) and new adaptors (with Sherman-logo).
All this with the famous solid SHERMAN-QUALITY and the well-known thorough & speedy AFTER-SALES service (repairs).

What's new?

There are 5 extra switches and 2 extra LEDs, and on the back panel there's one pedal input jack. A reworked front-panel lay-out and the grey metal color.

The pedal input allows foot control of freq1and bypass/effect switching. You can rewire an old wah (because they have a switch on board) as shown by te diagram in 'extra stuff'.
A 5mm big green LED indicates "Effect on" on the FB 2
A 3-way switch on the input stage allows Hi boost as well Hi cut (both boosting high frequencies at input)
Another 3-way switch allows "Sensitrig" (which makes the triggering twice as sensitive for, e.g. clean string pad filtering) and "Limit", which leaves the filters more "breathing room" for self-oscillation if the input stage is extremely overdriven.
A 3-way switch has 2 general transpose functions : +1 Octave and + Quint which works nice with monophonic signals, and has a specific dirty character.
A 3-way switch for the really powerful and quite revolutionary "Tracking" function - a monophonic pitch follower, that tunes filter 2 to the incoming pitch, and makes filter 1 slave of filter 2 via the harmonics switch. E.g. in position 2, filter 1 will be pitched one octave higher than filter 2, but still following the pitch. This extra switch activates the "tracking" in a normal or deep "track low" position, with stunning basses as result.

The "revolutionary" aspect of this function is that never before any similar system enhances "on the spot" harmonics and creates new harmonics with fat analog circuits.
An extra white LED indicates when the tracking system is "locked on".
At last there is an 3-way function switch in the LFO section, allowing sawtooth wave shape OR AR retrig : this forces an LFO restart from the AR trig with pumping grooves as unavoidable result. If you want to receive a new brochure, please ask your dealer first.

The Sherman Filterbank is now also midi controlable via kenton control freaks (a small portable hardware console, including sliders)

All the finger-tip MIDI control you need, instantly to hand. Forget your mixer maps and do it all in real-time. An ideal solution for the gigging musician, or the musician who likes to save time & settings. The Kenton Control Freaks are made in the U.K., by Kenton, and are preprogrammed with profiles for the Sherman Filterbank as well. Hundreds of additional profiles are available for download FREE from the Kenton website.

PLEASE NOTE: SUPPLIED WITH EU 2 PIN ADAPTER PLUG ONLY.
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 1 in stock $770.60
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quote 531916
Eventide H9 Max Multi-Effects Pedal Eventide H9 Max Multi-Effects Pedal Eventide H9 Max Multi-Effects Pedal Eventide H9 Max Multi-Effects Pedal Eventide H9 Max Multi-Effects Pedal Eventide H9 Max Multi-Effects Pedal Eventide H9 Max Multi-Effects Pedal Eventide H9 Max Multi-Effects Pedal
Cat: 556727 Rel: 23 Apr 15 • View all Effects pedals
 
Multi effects processor with complete set of Eventide's stompbox effects, with simple front panel one-knob user interface
Notes: The Eventide H9 Max features 45 algorithms and 99 factory presets from Space, TimeFactor, PitchFactor and Modfactor. More Presets are available via the H9 Control app and offer a huge range of effects; you may never need another stomp box again.

The H9 Max Stomp Box is fully controllable via its simple front panel one-knob user interface, but can also be controlled via a free iOS app, H9 Control, which can be downloaded to your iPhone or iPad for live editing, creating and managing presets and changing system settings wirelessly via Bluetooth. H9 Control is also available for your Mac and PC via USB.

The Eventide H9 features stereo audio I/O, MIDI I/O, Expression Pedal, and Auxiliary Switch inputs.

The H9 comes loaded with a set of Eventide's most popular algorithms taken from their award winning stomp boxes:

From ModFactor:
- Liquid Chorus
- Organic Chorus
- Shimmer Chorus
- Classic Chorus
- Phase XO Chorus
- Bias Tremolo
- Opto Tremolo

From PitchFactor:
- H910
- H949
- Crystals
- Tuner

From TimeFactor:
- Tape Echo
- Vintage Delay

From Space:
- Shimmer
- Hall
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MRP:$757.98 SAVE 19%
 1 in stock $612.99
Allen & Heath Xone 43 Professional 4-Channel Analogue Club/DJ Mixer Allen & Heath Xone 43 Professional 4-Channel Analogue Club/DJ Mixer Allen & Heath Xone 43 Professional 4-Channel Analogue Club/DJ Mixer Allen & Heath Xone 43 Professional 4-Channel Analogue Club/DJ Mixer Allen & Heath Xone 43 Professional 4-Channel Analogue Club/DJ Mixer Allen & Heath Xone 43 Professional 4-Channel Analogue Club/DJ Mixer Allen & Heath Xone 43 Professional 4-Channel Analogue Club/DJ Mixer Allen & Heath Xone 43 Professional 4-Channel Analogue Club/DJ Mixer Allen & Heath Xone 43 Professional 4-Channel Analogue Club/DJ Mixer Allen & Heath Xone 43 Professional 4-Channel Analogue Club/DJ Mixer
Cat: 570479 Rel: 11 May 15 • View all DJ mixers
 
4 channel professional analogue DJ mixer with VCF filter system & 3-band EQ
Notes: Mid-range DJ mixer from the leading UK brand. Fully analogue four-channel design with A&H's much-loved Xone filter section. Very tempting alternative to the flagship Xone:96. Excellent value.

Supplier notes:
Created for DJs and electronic music purists, Xone:43 is a 4+1 channel DJ mixer that offers the very best of analogue audio quality, including the legendary Xone filter with resonance control, 3 band EQ, crossfader with three curve settings and X:FX for send/return to your favourite FX unit.

The crossfader has three switchable curve settings for blending or scratching styles and can be easily replaced or upgraded to a custom Innofader for ultimate crossfader performance.

With balanced XLR main outputs, independent booth and record outputs, Xone:43 excels in the club and in high end personal DJ setups.
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Played by: DJ Sven Løve
 4 in stock $689.55
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quote 570479
Endorphin.es Furthrrrr Generator Dual Complex VCO Module With Waveshaper (yellow)
Endorphin.es Furthrrrr Generator Dual Complex VCO Module With Waveshaper (yellow) (oscillator/dual/stereo/function generator/LFO/noise/random module)
Cat: 579172 Rel: 07 Aug 15 • View all Synth modules
 
Dual voltage controlled oscillator module with waveshaper module - 30HP
Notes: The Furthrrrr Generator has a main oscillator (carrier) with an extensive and fully voltage controllable wave multiplier and a modulation oscillator (modulator) that can cross-modulate the carrier. Each oscillator has hard and soft sync and also features an integrated tuner: if both LEDs are lit the VCO is at note A. Left LED is lit at note Ab and right LED at A#. Frequency potentiometers are ten-turn models and thus allow for easy tuning. Frequency range of the VCOs is 10Hz-10kHz (and much lower in modulator's LFO mode). Both VCOs feature 2 frequency CV inputs (1x with bipolar attenuator, 1x with 1V/octave), one FM input (jumper selectable between linear and exponential FM) as well as separate input for hard and soft sync. The voltage characteristic can be selected between 1V/octave and 1.2V/octave (Buchla norm).

The main oscillator (carrier) outputs the waveforms sine, saw, square and white noise. The two outputs marked with the magic eye are outputs of the "harmonic section" that generates very complex sounds by the wave multiplier and its parameters symmetry, order and Furthrrrr in the module's right-hand section. Symmetry lowers the level of even harmonics and amplifies the odd harmonics (this affects the pulse wave's width as well). Order adds saturation to the high order harmonics and resembles a low pass filter. Furthrrrr alters the level of harmonics set by the other parameters and produces very interesting, partly brute sounds with lots of harmonics by clipping and folding the wave. All three parameters can be voltage controlled. The carrier oscillator also has inputs for hard and soft sync, the sync-switch can synch directly to the modulator.

The modulation oscillator (modulator) has three wave forms with direct outputs: sine, saw and square. Using the internal modulation via the "mood section" the waveform is selected with a button; an additional staircase wave form is available here, but it can be overridden by inserting a signal into the external input socket. A switch activates the LFO mode.

The Mood section is responsible for the internal modulation of the carrier by the modulator. Switches determine the modulation destination(s) that can be activated simultaneously. These are the Furthrrrr parameter of the harmonic section, the amplitude and the frequency of the carrier oscillator. The "balanced" switch activates the ring modulation between both VCOs. intensity of modulation is controlled by the "mood index" potentiometer and the according CV input with bipolar attenuator.
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 2 in stock $606.37
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quote 579172
Moog Mother-32 Semi-Modular Analogue Synthesiser Moog Mother-32 Semi-Modular Analogue Synthesiser Moog Mother-32 Semi-Modular Analogue Synthesiser
Cat: 590202 Rel: 18 Dec 15 • View all Synthesisers
 
Semi-modular analogue synthesiser
Notes: The Mother-32 is a distinctive analog instrument that brings raw sound, step-sequencing and extensive interconnectivity to any electronic or modular ecosystem. This expansive live performance and production synthesizer is designed to provide experimental musicians and synthesists with a diverse array of creative tools to inspire new ideas, unique sound and endless sonic exploration.

Drive synchronized sound with Mother 32's powerful step sequencer while utilizing its modular patchbay and assignable output to spawn a living, breathing organism with dynamic and modifiable sound processing. Patch multiple control and sound sources into Mother-32's voltage controlled mixers and truly unlock the vast potential of this powerful instrument, or pull all of the patch cables, plug in a MIDI cable and simply drive your Mother-32 from any MIDI-equipped device.

The Mother-32 is secured in an extruded aluminum enclosure with wood sides, but can also easily be relocated to almost any Eurorack enclosure.

During the prototype phase, Moog worked with 3 unique synthesists: Erika (Interdimensional Transmissions), Max Ravitz (Ghostly International), and Bana Haffar to produce a video that explores Mother-32's vast capabilities. Through performance and sound design, each artist displays the extensive vocabulary found within Mother-32. All patches were performed live, with no overdubs.

Specs

Sound Engine: Analogue
Polyphony: Monophonic
Keypad: 13 Note
Step sequencer: 32-Step with 64 Sequence Locations, Keyboard and Step Edit Modes
Sequencer panel controls: Tempo, Swing, Run/Stop, Hold, and Reset
Sound sources: 1 Oscillator With Pulse and Saw Waveforms, 1 White Noise Generator, 1 External Audio Input
Oscillator range: 8Hz-8KHz (16KHz max with LFO/CV)
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 1 in stock $599.02
Pittsburgh Modular Structure EP270 270hp Professional Eurorack Enclosure Module Case (B-STOCK) Pittsburgh Modular Structure EP270 270hp Professional Eurorack Enclosure Module Case (B-STOCK)
Cat: 938225 Rel: 17 Mar 17 • View all Synth Module Accessories
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Eurorack modular synthesizer case designed to meet the demanding requirements of project and professional studio environments. The Structure EP-270 provides massive amounts of clean, quiet power housed in beautiful, angled hardwood enclosures, full of classic synthesizer styling.

Uncompromising power and craftsmanship combine to create this stunning studio case. The Structure EP-270 offers 270HP of module space with a combined 9 amps of robust power.
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 1 in stock $710.61
Beyerdynamic DT1990 Professional Open-Back Premium Studio Headphones (black, 250 Ohm) Beyerdynamic DT1990 Professional Open-Back Premium Studio Headphones (black, 250 Ohm) Beyerdynamic DT1990 Professional Open-Back Premium Studio Headphones (black, 250 Ohm) Beyerdynamic DT1990 Professional Open-Back Premium Studio Headphones (black, 250 Ohm)
Cat: 645125 Rel: 27 Mar 17 • View all Studio headphones
 
Open-back studio reference headphones for mixing & mastering
Notes: For decades now, professional users all around the world have placed their trust in Beyerdynamic studio headphones. They remain the number one choice for music producers, sound technicians and broadcast users and are a firmly established piece of equipment in studios worldwide.

The DT 1990 PRO reference headphones combine these decades of expertise in headphone technology with the latest Tesla driver technology in an open-back design.

Thanks to its high-resolution and well-balanced sound the DT 1990 PRO sets new standards, not least in terms of design and workmanship.

Made in Germany:

As with all Beyerdynamic professional studio headphones, the DT 1990 PRO is also handcrafted in Germany. Backed by high-quality materials and meticulous workmanship, this high-end product is a long-term investment.

High-resolution sound:

Power and precision are critical requirements when it comes to sound reproduction. The efficiency of our latest Tesla driver technology is characterised by accurate resolution and high output power. Brilliant highs, a richly detailed midrange and precise bass combine to ensure sublime sound quality that is second to none.
Together with an ingenious open-back design, the high-resolution Tesla drivers ensure a wide, dynamic and extremely natural stereo image. Titanium-coated acoustic fabric and carefully selected precision-woven textiles round off the balanced sound quality.

Maximum wearing comfort:

The perfected design of the DT 1990 PRO combines innovation with decades of expertise in headphone technology. High-tech textiles and memory foam filled ear pads ensure exceptional wearing comfort. Headphones so comfortable you almost forget you are wearing them.

Open back design:

Natural and exceptionally spatial sound is achieved thanks to the open-back circumaural design. The optimised spatial sound reproduction makes the DT 1990 PRO headphones a reliable reference for mixing and mastering applications as well as for critical listening.

Two sound settings:

Choose between a well-balanced sound or analytical sound thanks to replaceable velour ear pads. Both ear pad variants are included to finish off this impeccable studio headphone package.

Durable construction:

The DT 1990 PRO is handcrafted in Germany. From a classy headband through to anodised aluminium yokes, these new studio headphones will impress with their exceptional craftsmanship and careful attention to quality and durability.
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 1 in stock $500.22
Sherman Filterbank 2 Compact Classic Analogue Filter Sherman Filterbank 2 Compact Classic Analogue Filter Sherman Filterbank 2 Compact Classic Analogue Filter
Cat: 649002 Rel: 10 May 17 • View all Filters
 
Analog filtering & distortion unit with high frequency range & tube overdrive behaviour
Notes: Compact version of a modern classic, based around a pair of complex analogue filter circuits with amazing sound and huge hands-on tweaking potential. One of our absolute favourites for studio, live use and even DJ setups.

Supplier's notes:
A classic, but smaller - The Sherman Filterbank is a powerful analog filtering and distortion unit with a huge frequency range and a killing overdrive behaviour. It's easy and FUN to use, live and in the studio processing every sound source, effect mixing, expanding modular systems, etc.

- Independent low pass, band pass and high pass filters with resonance, frequency and ADSR (positive - negative) controls
- These are switchable between parallel or serial
- The second filter has a 6 octave switch, and is synchronizable with the first filter
- 1 ADSR generator for these filters with an external output for use with more filterbanks or modular systems, triggered by the incoming signal, by a second sounds source, or by a gate
- 1 FM input for the filters, internal or external audio, LFO or CV
- 1 VCA overdrive with AR generator also

Connectors:

- MIDI In/Out, 3x Thru
- Main out, out1 (Filter1)
- Trigger AR, AM In, ADSR Out and Trigger In, Link In/Out, FM In, Sig. In, Pedal In
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MRP:$821.15 SAVE 20%
 1 in stock $660.06
Noise Engineering Loquelic Iteritas Percido Wavetable Oscillator Module (silver)
Noise Engineering Loquelic Iteritas Percido Wavetable Oscillator Module (silver) (digital/drum/envelope generator/oscillator/synth voice synth module)
Cat: 657487 Rel: 08 Aug 17 • View all Synth modules
 
20HP drum synth voice module
Notes: Loquelic Iteritas Percido is an extension of the original Loquelic Iteritas. Like Loquelic Iteritas, it is a digital VCO with interpretations of three classic synthesis algorithms involving dual pitch control parameterized by four tone controls. LIP adds an envelope that can be shaped, modulated, and routed to pitches and tone controls, making it into a stand-alone voice.
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 1 in stock $625.32
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Rossum Electro-Music Evolution Variable Character Ladder Filter Module
Cat: 658749 Rel: 11 Sep 17 • View all Synth modules
 
Modulated ladder filter Eurorack module with Variable Slope, Q Intensity Control & Q Level Compensation
Notes: At the core of the EVOLUTION Variable Character Ladder Filter is Dave Rossum's enhancement of the iconic Moog ladder filter from the original E-mu Systems 2100 LPF module (which, incidentally, Dave counts as his favourite sounding of all of the analog filters he designed).

For EVOLUTION, Dave has designed new capabilities that not only allow you to dial in all of the outstanding qualities of the original 2100, but combine to let you create the sonic characteristics of a wide variety of other filter types.

They include:

- A Genus control that allows continuous voltage control of the number of filter poles (from 3 to 6 poles), essentially allowing real-time variation of Evolution's effective cutoff slope from 18dB/oct to 36dB/oct. LEDs give continuous indication of the current slope.
- A Species control that lets you vary the signal level into the ladder, letting you control the intensity of the filter's characteristic distortion. When in self-oscillation mode, this control modulates the amplitude of Evolution's output.
- Voltage controlled resonance with a variable Q Level Compensation control that controls the balance of the resonant peak and the frequencies below the cutoff frequency (which would otherwise be attenuated as the resonance is increased).
- An extremely accurate and temperature-stable frequency control exponential generator (accurate over 10 octaves), rivalling the specifications of the best analog VCOs.

Taken together, EVOLUTION gives you everything from the platonic ideal of the classic ladder filter to a vast selection of alternative filter characteristics.

And like all Rossum Electro-Music modules, it's solidly built, with machined aluminium knobs and high quality components throughout.
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 1 in stock $503.21
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Rossum Electro-Music Morpheus Stereo Morphing Z Plane Filter Module
Rossum Electro-Music Morpheus Stereo Morphing Z Plane Filter Module (filter/sequencer/dual/stereo/effect synth module)
Cat: 658753 Rel: 11 Sep 17 • View all Synth modules
 
Premium 14-pole stereo digital filter module
Notes: With our MORPHEUS digital filter module, we're finally able to unleash the full power of the 14-pole Z-Plane Filters that Dave invented for the E-mu Morpheus synthesizer.

The MORPHEUS Eurorack module includes over 280 filter configurations, what we call Cubes. Each Cube is composed of up to 8 complex filters that you can picture as being at the corners of a three dimensional cube (hence the name). Morpheus gives you the ability to smoothly interpolate between those 8 filters within the cube's three dimensional space.

Due to processor limitations back in the day, the original Morpheus was capable of real-time morphing in one dimension, but interpolation in the frequency and transform dimensions were set at note-on and remained static for the remainder of the note. But even with that limitation, Morpheus offered sonic capabilities that are unmatched to this day.

With the MORPHEUS filter module, you now have simultaneous real-time CV control of all three dimensions, for dynamic timbral effects unlike anything you've ever heard before. In stereo.
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 2 in stock $593.74
Frap Tools Fumana Dual 16-Bands Spectral Editor Module
Frap Tools Fumana Dual 16-Bands Spectral Editor Module (envelope follower/filter/equalizer synth module)
Cat: 673006 Rel: 12 Feb 18 • View all Synth modules
 
All analog dual filter bank - 42HP
Notes: The FUMANA is an all analog dual filter bank with various control to access dynamically these bands. Each filter bank is composed of an array of 16 independent 48dB/oct bandpass filters. Having two identical filter arrays, allows you to use one of those for spectral analysis (of a modulator signal) and the other for spectral re-synthesis (of the main signal). Each array is sub-grouped in odd and even bands (numbering these increasingly from 1 to 16 from left to right). It is possible to apply different signal to odd and even bands, both for main and/or modulator arrays. This, together with the 16 envelope followers connected to each band of the modulator filterbank, and the 16 VCA connected to each band of the main filterbank, allows the FUMANA to perform a single 16 bands or a dual 8 bands analog spectral transfer.

While the upper section provide access to each main filter's direct output, the lower section has 4 voltage controllable parameters to manage two independent functions for further spectral editing: tilt and parametric scan.

The tilt, as the name suggest, tilts the spectrum, adding and subtracting amplitude to the 16 bands, emphasizing lower or high bands, and attenuating high or lower bands: this is managed only with the green potentiometer.

The parametric scan, instead, works with three parameters: peak/notch, band selector and width. Like in a parametric equalizer, where is possible to set peak/notch gain, frequency and slope, the FUMANA uses three parameters to set which is the centre band to perform this manipulation, then if that band should be emphasized or attenuated, and how this action is extended to nearby bands.

In addition to the 16 bandpass outputs, there are other 4 outputs provided: the all bands output, the all envelope followers output, the odd bands and the even bands output. These two have the options to be inverted in phase with two switches, in order to obtain even more combination when summed together, maybe/also with the "all bands output", using, for example the 333 module.

Since a spectral transfer tool may be used as a "vocoder-like-effect", the FUMANA provides an input for an external noise which may be used for unvoiced (fricative/sibilants) sounds as words containing or starting with s, f, z, ch and other fricative sounds.
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 1 in stock $892.74
Rossum Electro-Music Assimil8or Multi-Timbral Phase Modulation Sampler Module
Rossum Electro-Music Assimil8or Multi-Timbral Phase Modulation Sampler Module (sampling/CV modulation/digital/drum/dual/stereo/multiple/LFO synth module)
Cat: 676299 Rel: 12 Apr 18 • View all Synth modules
 
CV/Gate-controllable sampler - 28HP
Notes: ***Now featuring Assimil8or Software Version 2.0! Available to download here: http://www.rossum-electro.com/products/assimil8or/

The ASSIMIL8OR is a CV/Gate-controllable sampler with eight independent channels. Each channel is not only its own voice, but also has a separate audio output and a gate/trigger and three CV inputs. Given ever get two sample inputs and main outputs. Thus, Stereo Sampling and playback is possible. Mixed operation of stereo or mono is possible and is limited only by the maximum number of eight channels or parts.

The ASSIMIL8OR works with high-quality 24-bit AD and DA converters. Internally, however, sample and bit rate for lo-fi sound can be lowered, the latter is even CV-controllable. The samples can also be otherwise manipulated in many ways. Thus, the phase of a sample via CV or a different sample can be modulated. Likewise, the loop points can be controlled and the sample can be traversed with CV control (scrubbing), whereby wavetable similar effects could be achieved. The following parameters can be addressed via the gate / trigger and CV inputs:

- Pitch
- Level
- Bit Depth
- Phase Modulation
- Pan
- Scrub
- Sample Start
- Sample Length
- Loop Start
- Loop Length
- Release Decay

Samples and presets are stored on an SD card, which is easily accessible plugged into the module front.
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MRP:$1,036.96 SAVE 11%
 3 in stock $920.10
Flame Curves Analogue Moving Resonance Filter Bank Module
Flame Curves Analogue Moving Resonance Filter Bank Module (effect/equalizer/filter/sequencer synth module)
Cat: 690788 Rel: 05 Jun 18 • View all Synth modules
 
Analogue filter bank with integrated modulation sequencer - 31HP
Notes: Flame Curves is an analogue moving resonance filter bank. It includes a twelve-channel analogue filterbank and a pattern player which can be programmed with a software editor. You can use a freeware "Curves editor software" (Win/Mac) for setup and user pattern editing. The module needs a clock to run in pattern-mode. It also features a reset input to set the sequence back to the first step. The memory in the module can save up to 99 patterns. The active pattern can be seen on the display and selected thanks to two buttons.

If Curves is in sequencer mode, the Envelope potentiometer controls the AR envelope, the Variation knob adds random velocity and release, and the Fill potentiometer controls the level of all the channels.

In manual mode, when the sequencer is off, you can select different filter-types with the Variation potentiometer: allpass, lowpass, bandpass 1-3 and highpass. Thanks to the Fill knob it is possible to sweep through the twelve filter bands. The Envelope knob smooths the sweep by activating a second band next to the selected filter band. Thus, the change from one band to another is not so abrupt.

It is also possible to play the twelve filters via MIDI like a drum module, thanks to the supplied MIDI to minijack cable. It even reacts to velocity.

The twelve bands are subdivided in odd and even bands, which you can feed or tap out separately thanks to the various inputs and outputs. Try patching the odd outputs on one side and even outputs on the other side and you will get an amazing stereo effect! ALL output features a Dry/Wet and a Level potentiometer.

Additionally, the module features also a direct audio output and direct VCA input of each filter channel. Thus, it is possible to feed gate, triggers or envelopes to the VCA of various filterbands and play them independently.

Furthermore, there are several CV inputs for controlling Envelope, Variation and Fill parameters as well as the pattern number.
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 1 in stock $716.91
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Moog Grandmother Semi-Modular Analogue Synthesiser Moog Grandmother Semi-Modular Analogue Synthesiser Moog Grandmother Semi-Modular Analogue Synthesiser
Cat: 689688 Rel: 10 Sep 18 • View all Synthesisers
 
32-key semi-modular analogue synthesiser
Notes: Grandmother is a semi-modular analogue synthesizer with a built-in arpeggiator, sequencer and spring reverb tank. Start playing immediately with "no patching required", and then explore an infinite sonic playground with Grandmother's reconfigurable front panel. Grandmother's circuits, spring reverb, and spirit are inspired by the classic Moog Modular Synthesizers, making this instrument a powerful addition to a Mother-32, DFAM or any Eurorack modular system.

Grandmother is a sonic playground that harkens back to Moog's modular roots, where synthesis is not only about the end result, but the journey of discovery and experimentation. While capable of highly complex sounds and modulation, Grandmother's semi-modular design requires absolutely no patching, ensuring that human beings of any skill-level can easily explore and experience the joys and magic of analogue synthesis.

Inspired by the classic Moog modular synthesizers that came before it, Grandmother's sound engine, modulation engine and onboard spring reverb tank are completely analogue, resulting in an unrestricted sonic vocabulary of immeasurable beauty and power. In addition, Grandmother also features an easy to use Arpeggiator and Sequencer for added enjoyment and programmable syncopation.

Though not required, creative patching and exploration are the keys to discovering exciting new relationships between modules and to truly unlocking Grandmother's infinite expanse of auditory inspiration. Patching can also be used to override internal connections, allowing each section to function just as an independent module would.

In addition to its standalone function, Grandmother is also an ideal analogue audio processor for external sound sources, and a powerful keyboard front end for expanding a Mother-32, DFAM or Eurorack modular system.

Specifications

Type: Semi-Modular Analog Synthesizer
Sound engine: Analogue
Number of keys: 32 Full-Size Keys
Type of keys: Velocity-sensing (Velocity signal is not hard-wired - available via MIDI and KBD VEL OUT jack)
Other controllers: Pitch Bend, Mod Wheel, Variable Glide
Polyphony: Monophonic
Sound sources: 2 Oscillators with selectable Waveforms (Oscillator 2 supports Sync to Oscillator 1 plus linear FM), 1 White Noise Generator, External Input jack
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 1 in stock $999.06
Native Instruments Traktor Kontrol S4 Mk3 4-Deck DJ Controller With Traktor Pro 3 Native Instruments Traktor Kontrol S4 Mk3 4-Deck DJ Controller With Traktor Pro 3 Native Instruments Traktor Kontrol S4 Mk3 4-Deck DJ Controller With Traktor Pro 3 Native Instruments Traktor Kontrol S4 Mk3 4-Deck DJ Controller With Traktor Pro 3
Cat: 702734 Rel: 30 Oct 18 • View all DJ controllers
 
4-channel DJ system featuring versatile motorized jog wheels
Notes: Third-generation version of the go-to Traktor controller for most serious DJs. Motorised jog wheels, colour displays and all the goodies you'd expect from a pro option.

Supplier's notes:
TRAKTOR KONTROL S4 lets you connect with your tracks in entirely new ways: Not only do its motorized jog wheels spin and react to nudging, scratching, pitch-fading, and backspins, they transmit cue points, loop markers, and more direct to your fingertips. And with RGB LED rings and high-res colour displays keeping all the info you need front and centre in the booth, everything you need is right where you need it - so you're free to focus on your mix.

Haptic drive - the jog wheel, reinvented:

Haptic Drive gives you a new kind of feedback on touch-sensitive, motorized jog wheels. Change the torque and start/stop times to suit any DJ style - whether you're a laid-back beatmatcher or backspin aficionado. Get closer to your music in three modes - Turntable Mode, Jog Mode, and Beatgrid Adjust Mode.

Three modes - mix with more:

Spinning jog wheels in Turntable Mode let you nudge and scratch like you would with vinyl. Or use classic Jog Mode for spin-to-nudge response. Because you feel loops and cue points as you scroll past them, you can line up tracks in a second and let your fingers do the mixing. Beatgrid Adjust Mode lets you adjust the track's Beatgrid on the fly, so you're always in sync.

RGB light rings - your sound, surrounded:

RGB light rings around each jog wheel deliver quick, responsive tempo and nudging visualization on each deck. DJs using four decks can stay on-track with jog wheel color-coding, and track-end warnings make sure you're never caught out.

New mixer FX - your one-touch secret weapon:

Easy to use and instant - Mixer FX give you control over club-grade filters, delays, gates, reverbs, and more. They're great for big transitions, or to accentuate and control the nuances and ambience of your set - depending on the dancefloor. Use them either on their own, or in combination with the usual TRAKTOR Deck FX for fun ways to shift your sound.

Colour displays - all hands on deck:

Create quick and evolving mixes with everything you need in one place. Each high-resolution display shows track, key, tempo, looping, Hotcue, and waveform information. Control Stems and samples directly with dedicated controls, and access powerful software tools at your fingertips.

Hard to break - carbon protect faders:

Upside-down carbon strips in our revised fader design mean better protection from liquids, dust, and other substances, because they no longer fall onto the conductive carbon surface. It's a simple trick that makes a big difference to their durability - especially in a world of DJ-booth drinks and packed-out dancefloors.

All you need - expanded connectivity:

The TRAKTOR KONTROL S4 is equipped with an integrated, club-grade 24-bit / 96-kHz audio interface, with external input options on every channel. Connect turntables for crate-diggers, drum machines and synths for hybrid wizards, or anything else you can think of to push the boundaries of your mix. When connected to TRAKTOR PRO 3, the software adds headroom to the signal, before TRAKTOR KONTROL S4 gives it an analogue boost - meaning better sound at club levels.

Traktor Pro 3 - crafted to perform:

Audio engine improvements and a redesigned user interface make TRAKTOR PRO 3 the best-sounding and most powerful version yet. Dig into extensive re-editing and mixing possibilities with loops, Hotcues, Flux Mode, samples, beat-syncing, and the industry's largest FX suite - for easy experimentation and soundscape creation.
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MRP:$883.26 SAVE 15%
 1 in stock $752.71
Eowave Quadrantid Swarm Desktop Polyphonic Digital Synthesiser Eowave Quadrantid Swarm Desktop Polyphonic Digital Synthesiser
Cat: 648957 Rel: 30 Jan 19 • View all Synthesisers
 
Polyphonic digital synthesiser
Notes: The Quandrantid Swarm is a digital synthesizer that features a percussive element to give it a unique sound. It contains a two-pole analogue filter, an LFO with eight waveforms, and a spring reverb. The eight touch keys can be used as a mono keyboard, polyphonic keyboard or an eight-step sequencer. The Quandrantid Swarm has MIDI and CV/Trig connectivity. Its normalized pre-patching allows you start creating immediately, but its semi-modular design allows you to use patch cables to explore the potential of this instrument.

Eowave Quandrantid Swarm Features:

Triangle wave OSC with spread fold
Percussion element with frequency
Two pole filter, filter one high/low pass 12db, filter two low pass 12db
AD envelope
One LFO with eight waveforms
Slew limiter
Spring reverb
Eight touch keys with Three modes - mono, poly and sequencer
MIDI in, CV/Trig in, Clock in/Reset in to communicate with other devices
VCA
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 3 in stock $607.43
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Reloop RP-8000MK2 Upper Torque Hybrid DJ Turntable Reloop RP-8000MK2 Upper Torque Hybrid DJ Turntable Reloop RP-8000MK2 Upper Torque Hybrid DJ Turntable Reloop RP-8000MK2 Upper Torque Hybrid DJ Turntable Reloop RP-8000MK2 Upper Torque Hybrid DJ Turntable
Cat: 716748 Rel: 05 Mar 19 • View all DJ turntables
 
Upper torque hybrid turntable instrument
Notes: Outstanding DJ turntable, designed to bridge the gap between vinyl and Serato. Solid analogue turntable underneath, embellished with digital features like pads, performance modes and an LCD screen for track info.

Supplier's notes:
This turntable is designed for a seamless integration with Serato DJ Pro, offering the possibility of controlling up to 7 different performance modes via the pad section. And thanks to the unique Platter Play mode, the pads can be used to control the platter's rotation speed to create melodies and authentic musical performances. The RP-8000 MK2 represents the perfect balance of a first-class professional turntable and an innovative musical instrument.

Real Time LC Display:
Besides all creative improvements, the RP-8000 MK2 has everything a DJ turntable should be equipped with. A digital LC display shows information regarding pitch, BPM, deck assignment, scales and notes, elapsed/remaining time of current track, as well as firmware settings. In Serato DJ Pro, it is possible, for example, to show the current BPM value of a track, in order to exactly match your tracks without the need to look at your computer monitor.

Pad section with 7 New Performance Modes:
Developed for application with Serato DJ Pro, and thanks to the seamless plug-and-play integration, the RP-8000 MK2 in a DVS setup offers unparalleled creative possibilities. The 8 large pads with RGB illumination can control over 7 different performance modes (Cue, Sampler, Saved Loops, Pitch Play, Loop, Loop Roll, Slicer), as well as 2 user modes, which can be custom assigned with individual preferred functions. Furthermore, by using the multi encoder it is possible to browse tracks directly from the turntable unit itself, and load them instantly to the respective deck. Thanks to its MIDI compatibility, the RP-8000 MK2 can communicate with every MIDI compatible DJ software - this way, an additional controller for performance modes is not necessary.

Balanced S-Shaped Tone Arm with Upgraded Tone Arm Base:
The RP-8000 MK2 features a statically balanced S-shaped tone arm with hydraulic lift and anti-skating mechanism. The newly developed tone arm base provides improved stability and adjustable height/vertical tracking angle (VTA). The low-resonance tone arm comes with a universal connection for pick-up cartridge systems (SME).

Platter Play - Creative Platter Pitch Control:
Platter Play mode allows users to control the platter's pitch via the performance pads, opening up new possibilities for musical live performances and turning the RP-8000 MK2 into a legitimate musical instrument. A total of 22 scales and 34 notes are at your disposal with an option to create up to 9 user-defined scales. The two speed select buttons can be used for pitch bending in Platter Play mode and also to respectively increase or decrease the audio material's pitch in steps of one half-tone. Furthermore, the platter's speed can also be controlled via an external MIDI keyboard.

High-Resolution Pitch Section with Digital Fader:
By using the high-resolution pitch fader, you can adjust the platter speed in the classic turntable pitch range +/-8%. The RP-8000 MK2 is also cable of a wider, DJ-friendly +/- 16% pitch range and a massive +/-50% ultra-pitch, allowing for increased creativity when manipulating and mixing records. If quartz lock is active, the platter speed will remain unaffected by the fader position and will spin at zero pitch (0%).

Powerful Motor with Extensive Adjustment Possibilities:
The fine-tuned, quartz-driven motor with digital pitch correction operates at a starting torque of 2.8kg/cm, which can be adjusted up to a maximum of 4.5kg/cm. This makes the RP-8000 MK2 an extremely smooth running turntable. Also, the turntable break speed (platter stop) can be adjusted from 0.2 - 6 seconds and the precision-machined, heavy die-cast aluminium platter is lined with vibration-reducing rubber to eliminate unwanted vibrations and resonance.

Sturdy Casing Construction:
By using a combination of metal, rubber and synthetic materials, the RP-8000 MK2's housing is more reinforced and heavier than ever before. This results in a turntable that is extremely resistant to vibrations caused by heavy bass sounds, and its shock-absorbing feet help to further improve this isolation. The surface is coated with a scratch-resistant high-quality deep black metallic finish.

High-Quality Connections and Integrated Phono Pre-Amp:
Thanks to the recessed rear connection panel, the RP-8000 MK2 can easily be mounted in a flight case and seamlessly positioned next to other DJ gear. Due to the additional output, the turntable can be connected to 2 mixers simultaneously, also allowing an easy switch from DVS to vinyl. An optional ground terminal offers additional protection in club environments. All cable connections (RCA/mains) are detachable and easy to exchange, which also helps with transport and storage.
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MRP:$630.60 SAVE 18%
 2 in stock $519.17
WMD Metron 16-Channel Trigger & Gate Sequencer Module
Cat: 709199 Rel: 08 Mar 19 • View all Synth modules
 
16-channel trigger and gate sequencer module - 36HP.
Notes: Metron is a 16-channel trigger and gate sequencer for Eurorack with extensive functions, expansion possibilities and the tools you need to create long sequences with many variations in a very short time.

The sequencer allows pattern lengths of up to 256 steps, and the number of steps per channel can be varied to create interesting and varied rhythmic structures. These patterns can be quickly stored and exchanged between units via the SD card slot. Metron also offers a random function per step and a ratcheting function.

With the optional WMD Voltera, Metron can be expanded with four additional bipolar voltage outputs.

Features:

16 Channels of trigger and gate signals
intuitive drum sequencer
View 4 channels at a time and easily switch views
Single track view lets you zoom in on a single track and see 64 steps at a time
Up to 256 step pattern length
Different pattern lengths per channel
Five instantly recallable, editable variations
View and edit variations that are not playing for easy cue and non stop performance play
Save patterns to SD memory for easy recall on power cycle
No-stop loading from memory
Easy view memory previews lets you see a pattern before loading from memory.
SD allows for easy update as well as easy back up / file transfer from unit to unit
FX / Fills for instant / momentary variation
2 assignable inputs for external CV control
Tap in patterns with quantized recording with the buttons or external source
Quick copy / paste / clear functions
Internal clock with Swing
dedicated reset output
MIDI Preset mode lets you send MIDI messages to other modules on the Doepfer CV bus. (for use with WMD SSM, Malekko Voltage Block, and more)
Random Pattern Generation
Probability per step and group probability functions
Burst per step for ratchet / roll sounds
Custom Fill Patterns for instant fills
Trigger Mutes
Step looping
Manual gates
Power consumption: 180mA at +12V and 0mA at -12V

Depth: 31mm

HP : 36
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 1 in stock $765.35
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Korg Minilogue XD 4-Voice Polyphonic Analogue Keyboard Synthesiser Korg Minilogue XD 4-Voice Polyphonic Analogue Keyboard Synthesiser Korg Minilogue XD 4-Voice Polyphonic Analogue Keyboard Synthesiser Korg Minilogue XD 4-Voice Polyphonic Analogue Keyboard Synthesiser Korg Minilogue XD 4-Voice Polyphonic Analogue Keyboard Synthesiser
Cat: 715952 Rel: 21 Mar 19 • View all Synthesisers
 
4-voice analogue synth with deep digital multi-engine
Notes: One of our favourite synths of 2019 and still amazing value. Analogue meets digital, offering hugely versatile sound in the same compact, user-friendly format as the original Minilogue.

Supplier's notes:
An evolved next-generation analogue synthesizer with huge potential for sound design and performance. We wanted to deliver a next-generation analogue synthesizer for a new generation of musicians new to analogue synthesis. That dream was realized in the development of the minilogue, which instantly made the analogue synthesizer approachable.

In addition to emphasizing the same real analogue sound and joy of controlling an electronic musical instrument offered by the original minilogue, the minilogue xd newly adds a digital multi-engine, effects, a powered-up sequencer, and micro tuning functionality, further expanding the possibilities for sound design and performance potential. Minilogue xd is a fitting addition to the original groundbreaking minilogue.

Four-voice polyphonic analogue synthesis. The analogue synthesizer circuit of the minilogue, whose genuine analogue sound had a huge impact on the synth world, has been further developed for the minilogue xd.

Voice structure of minilogue xd is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a sharp two-pole filter, and a drive switch that adds thickness and drives signal into minilogue xd's filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analogue to fat basses and crisp lead sounds, covering every situation.

Of course, programs that you create can also be saved in the unit. Out of the box, minilogue xd comes loaded with 200 presets, and a total of 500 programs can be saved.

Equipped with a digital multi-engine:

The additional sound design possibilities of digital sound are delivered by the multi-engine that's provided as a third oscillator in addition to the two analogue VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and user slot) lets you take advantage of a sonic character that's different than analogue, and use it at the same time as the analogue engine, infinitely expanding the potential of hybrid sound design.
Noise generator

The noise generator provides four types of noise that are indispensable for percussive sounds or for sound effects. You can use the digital filter to directly change the colour of the noise.

VPM oscillator:

minilogue xd's multi-engine features a VPM (Variable Phase Modulation)/FM oscillator with a two-operator structure. It can produce sharp, metallic sounds with complex overtones beyond the possibilities offered by analogue systems. With 16 types of oscillator and a SHAPE knob control, you'll be able to create complex sounds intuitively.

User oscillators:

User oscillators allow you to load your own oscillator programs that you created or obtained via the internet. There are 16 user slots, as well as one type of morphing wavetable oscillator provided as a preset.

High-quality digital effects:

minilogue xd's high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created.

User customization brings out infinite potential:

The minilogue xd features a customizable open environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you've created with the SDK (Software Development Kit) can be loaded into the minilogue xd via the dedicated librarian software.

Polyphonic step sequencer controlled by 16 buttons:

The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to design the sound differently at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed.
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 1 in stock $508.48
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Verbos Electronics Control Voltage Processor Module (silver) Verbos Electronics Control Voltage Processor Module (silver) Verbos Electronics Control Voltage Processor Module (silver)
Verbos Electronics Control Voltage Processor Module (silver) (attenuator/CV modulation/mixer/slew limiter/envelope generator/function generator/utility/VCA synth module)
Cat: 725952 Rel: 25 Mar 19 • View all Synth modules
 
Two flexible mixers & function generator in one module - 18HP
Notes: The Control Voltage Processor from Verbos Electronics GmbH is a suite of control voltage processing possibilities divided into 3 sections in a slim 18HP package. The lower 2 sections are DC coupled mixers that allow mixing, inverting, offsetting, scaling, multiplying, dividing, crossfading or a combination of these functions. The top section is a voltage controlled slewing processor with independent control of Positive and Negative slew rate, with some unique tricks. The Positive and Negative slew, or Rise and Fall rates if you like, have reversing attenuators. The slopes can be blended from linear to RC curves (starting all slides fast and ending slow, like a proper "East Coast" Portamento) without a change in speed. It can be triggered like an AD envelope and has a Gate out that goes high when the CV out is below 100mV. Of course it can loop by patching the Gate out to the Trigger in. The Bounce control adds a unique flare of overshoot to CV changes, a bit like the effect of stopping a tape reel from turning and then letting it go. The combination of multiple voltage processors offers the user the functions of analogue computer.
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 1 in stock $550.58
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4ms SWN Spherical Wavetable Navigator 6-Channel Synthesiser Module (black) 4ms SWN Spherical Wavetable Navigator 6-Channel Synthesiser Module (black) 4ms SWN Spherical Wavetable Navigator 6-Channel Synthesiser Module (black)
4ms SWN Spherical Wavetable Navigator 6-Channel Synthesiser Module (black) (oscillator/digital/LFO/synth voice synth module)
Cat: 648377 Rel: 29 Apr 19 • View all Synth modules
 
Six-channel synthesiser module - 26HP
Notes: The Spherical Wavetable Navigator (SWN) is a six-channel synthesiser that makes it easy to create slowly morphing drones, polyphonic melodies, evolving sequences, and rich textures.

The SWN features six wavetable oscillators with independent pitch, level, and waveform controls. Six LFOs (Low Frequency Oscillators) can be used as modulation sources and/or envelopes, making it easy to add dynamic motion to your patch. Each channel is a full voice and can be "played" using the top row of buttons, the internal LFOs, or note-change detection on the 1V/oct jacks. The SWN ships with 12 three-dimensional (spherical) wavetables and an easy interface which allows you to record and edit custom wavetables from live audio. Open-source software for Mac, Windows, and Linux called SphereEdit can be freely downloaded and allows you computer to create, edit, and convert .wav files into Spherical wavetables to transfer into the SWN with an audio cable.

New firmware available which adds extra features, visit https://4mscompany.com/p.php?p=820&c=5 for details.
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 1 in stock $560.06
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Toraiz Squid 16-Track Dynamic Sequencer Toraiz Squid 16-Track Dynamic Sequencer Toraiz Squid 16-Track Dynamic Sequencer Toraiz Squid 16-Track Dynamic Sequencer Toraiz Squid 16-Track Dynamic Sequencer
Cat: 730197 Rel: 30 Apr 19 • View all Sequencers
 
Multitrack sequencer offering control over 16 channels of hardware instruments, synths, drum machines, samplers & your DAW - in one unit.
Notes: Unlock limitless creativity with the SQUID multitrack sequencer. Part of our TORAIZ series of musical instruments and production equipment, this inspiration tool will be the heartbeat of your studio and live setups. The SQUID will control your workflow and give you the chance to develop new styles of music as you create unique sequence patterns and phrases at the touch of a button. Connect, sync and simultaneously control up to 16 instruments via its multiple input/outputs. The terminals are compatible with various equipment, from your DAW and hardware instruments to modular synths, vintage synthesizers and drum machines.

Perfect for on-the-fly music production, the layout and controls are effortless to navigate so your ideas will come to life the moment inspiration strikes. This production tool enables you to randomize sounds, sequences, and drums - all in key. Access endless polyrhythmic-looping options and instantly change the playback direction and speeds. With the world-first Groove Bend feature, you'll really feel the groove as you generate original rhythms in real time. And by controlling everything in one place, you can focus on developing phrases.

Intuitive workflow:

Have fun creating phrases by tapping the 16 multicoloured LED rubber pads in the Step Edit section. Set step parameters and play live as if the pads were keys on a keyboard. Combine various sequence functions such as Interpolation and Harmonizer to help build your sounds.

Arrange phrases in real time:

Rearrange phrases you've created in the Step Edit section to craft your ideas the instant they spring to mind. Enhance your sounds with performance features, such as Running Direction, Speed Modulation, and Groove Bend.

Save your 'happy accidents':

The SQUID records performance information in the background so you'll never lose phrases you create accidentally. When you're experimenting and hear something you love, use the Time Warp feature to recall and save it as a sequence pattern for your next track.

Connect various instruments:

The SQUID has a USB B terminal, MIDI terminals, 2 sets of CV/Gate outputs, and Clock and DIN Sync input/output terminals. This means you can combine the power of your DAW with modern, modular and vintage synths, as well as drum machines. Signals are converted automatically.

Import and export fast:

Quickly transfer sequence patterns, projects and Midi clips between the SQUID and your PC or Mac with the SQUID Manager function. Easily import a sequence pattern created on your DAW to the SQUID, instinctively arrange it using the sequencer's features, and return it to your DAW.
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 1 in stock $546.38
Technics SL-1210MK7 Direct Drive DJ Turntable (black) Technics SL-1210MK7 Direct Drive DJ Turntable (black) Technics SL-1210MK7 Direct Drive DJ Turntable (black) Technics SL-1210MK7 Direct Drive DJ Turntable (black) Technics SL-1210MK7 Direct Drive DJ Turntable (black) Technics SL-1210MK7 Direct Drive DJ Turntable (black) Technics SL-1210MK7 Direct Drive DJ Turntable (black)
Cat: 717586 Rel: 12 Jun 19 • View all DJ turntables
 
Professional direct drive turntable
Notes: The legend is back. Updated and re-engineered for the 21st century, the classic Technics DJ turntable remains the industry standard. Top sound, top build quality.

Supplier notes:
The SL-1210MK7 is the newest model of the SL-1210 Series. For the development of this model, all that modern-day DJs need and want was reviewed from the ground up. At the drive section of the MK7 is a coreless direct drive motor. While achieving both stable rotation and powerful torque, this has successfully eliminated a rotation irregularity called cogging, which was the only drawback of the direct drive system. As a result, sound quality was further improved. The pitch control incorporates digital control to achieve improved tracking performance and accuracy. The buttons and tonearm are black to complete the all black design, and the LED light can be set to illuminate in red or blue. A reverse play function has been added to expand the breadth of DJ play style. With those features and functions, the MK7 aims to set a new standard for DJ turntables.
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 4 in stock $945.48
1010 Music Blackbox Compact Sampling Studio 1010 Music Blackbox Compact Sampling Studio 1010 Music Blackbox Compact Sampling Studio
Cat: 731197 Rel: 24 Jun 19 • View all Samplers
 
Compact sampling studio
Notes: Innovative little sampler groovebox. Works as a standalone unit or as a sequencer for other gear. A nice left-field alternative to the usual MPCs and Electribes.

Supplier's notes:
Blackbox is a portable sampler and groovebox that lets you record, save/load, apply effects and edit one-shot samples and beat-sliced loops. Create sequences with samples by tapping on pads, playing a virtual keyboard, using external MIDI controllers or by drawing-in notes using a standard Piano Roll editor on a fast touchscreen interface. Sequences can be played back to create song sections and entire compositions. Finish your song by mixing it, adding stereo effects and by saving it as a Preset for fast and easy recall.

Perform songs live and trigger samples on the fly. Blackbox makes it easy to create and perform music anywhere thanks to its compact and rock-solid hardware design. Just throw it in a backpack and hit the club.

Record hours of song ideas, jam sessions, and performances thanks to a microSD slot that enables you to expand internal memory.

Blackbox comes with gigabytes of premium samples and loops by SoundTrack Loops and Loopmasters to let you start making beats right out of the box.

Blackbox - your own personal sampler.

What Is Included:

- Blackbox compact sampling studio
- MicroSD card with blackbox firmware, about 60 presets and approximately 900 WAV files
- USB power cable and USB wall wart with 3 international adapters
- 2 MIDI Adapters - Male 3.5mm TRS to Female 5 pin DIN, MIDI Class B standard
- Quick Start guide to get you playing right away
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 2 in stock $650.59
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Korg Minilogue XD 4-Voice Polyphonic Analogue Desktop Synthesiser Korg Minilogue XD 4-Voice Polyphonic Analogue Desktop Synthesiser Korg Minilogue XD 4-Voice Polyphonic Analogue Desktop Synthesiser Korg Minilogue XD 4-Voice Polyphonic Analogue Desktop Synthesiser
Cat: 732457 Rel: 28 Aug 19 • View all Synthesisers
 
Desktop module version of the now classic synth
Notes: A whooooole lot of synth power for the money, building on the original Minilogue's analogue platform with a load of added digital features. Hard to think of many more versatile synth modules.

Supplier notes:
Minilogue XD module is the new desktop module version of Minilogue XD, the four-voice polyphonic analogue synthesiser with a customizable digital multi-engine and built-in stereo digital effects.

The desktop module is equipped with the same controllers as the keyboard version, making it a great choice not only as an additional sound module for your keyboard or DAW but also providing excellent performability, giving you an easy way to include an analogue polyphonic synth in your setup. It's also equipped with a poly-chain function that lets you connect it with another Minilogue XD or Minilogue XD module so that the two units can operate as a polysynth with a total of up to eight voices in your studio or on stage.

Add the sounds of the Minilogue XD to your setup or system!

Equipped with an analogue synthesiser circuit and a digital multi-engine:

Voice structure of Minilogue XD is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a two-pole filter that can be both sharp and fat, and a drive switch that adds thickness and drives signal into Minilogue XD's filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analogue to fat basses and crisp lead sounds, covering every situation.

The additional sound design possibilities of digital sound are delivered by the multi-engine: the third oscillator in addition to the two analogue VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and open-source user oscillators) lets you take advantage of a sonic character that's different than analogue, and use it at the same time as the analogue engine, infinitely expanding XD module's potential through hybrid sound design.

High-quality digital effects:

Minilogue XD's high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created.

User customization brings out infinite potential:

The Minilogue XD features a customizable open-source environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you've created with the SDK (Software Development Kit) can be loaded into the Minilogue XD via the dedicated librarian software, as well as oscillators other users share online.

What sounds can you create using the fusion of expanded digital oscillators with analogue synthesis? Create original programs, share code, and participate in the user community. KORG even provides sample code to get you started.

Polyphonic Step Sequencer:

One of the major features of the Minilogue XD series is its 16-step step sequencer. Each of the factory-preset programs has an embedded sequence pattern created with performance in mind.

The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to have different parameter values at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed.

Poly chain support:

The Minilogue XD module can be used in conjunction with another unit in the Minilogue XD series for poly assignment settings. Specify one unit as the master and the other as the slave, and they will play as an eight-voice polyphonic synthesiser. This supports a variety of uses, such as a voice-expansion module for the Minilogue XD or as a sound module for a DAW-based production system.

Free bundle of music software:

The Minilogue XD module comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.
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 2 in stock $508.48
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Frap Tools USTA 4-Channel Sequencer Module (black)
Frap Tools USTA 4-Channel Sequencer Module (black) (sequencer/clock generator/quad/quantizer synth module)
Cat: 731214 Rel: 15 Oct 19 • View all Synth modules
 
4-channel sequencer - 36HP
Notes: USTA is a 4×4 tracks sequencer for voltages and gates with variable stage duration, designed to quickly see and edit multiple voltage relationships in real time.

Variable stage duration means that every single stage duration can be individually set in relation to the clock, instead of being constrained to a one-to-one ratio (i.e. one stage per every clock impulse).

4×4 tracks means that every stage can store and generate up to four separate voltages (two CVs and two gates), and that up to four independent stage sequences can be arranged into as many different tracks.

Its architecture is based on an array of 16 'Stages' which form a 'Pattern'; 16 patterns form a 'Track', and four tracks form a 'Project'. Within each track, each stage can provide two gates and two CVs, and a wide set of options is available to define and modify the value of each output ('Layers') and the way it is played ('Colours').

Every Stage is related to a dedicated stepped encoder for quick and intuitive editing, and all the 16 encoders are arranged in an oval layout with a circular playhead. Every encoder is surrounded by a ring of 16 LEDs and a RGB led, to provide a visual feedback of the current setting of that step basing on the layer you are working on (like raw CV, quantized CV, length, gate...) and the way it should play depending on the RGB colour.
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 1 in stock $720.07
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Softube Console 1 Fader Mixer Controller Softube Console 1 Fader Mixer Controller Softube Console 1 Fader Mixer Controller Softube Console 1 Fader Mixer Controller Softube Console 1 Fader Mixer Controller Softube Console 1 Fader Mixer Controller Softube Console 1 Fader Mixer Controller Softube Console 1 Fader Mixer Controller Softube Console 1 Fader Mixer Controller Softube Console 1 Fader Mixer Controller Softube Console 1 Fader Mixer Controller Softube Console 1 Fader Mixer Controller Softube Console 1 Fader Mixer Controller Softube Console 1 Fader Mixer Controller
Cat: 752457 Rel: 24 Oct 19 • View all MIDI controllers
 
10-fader DAW control surface with world-class analogue sound
Notes: Improving feel and workflow, and making the best of hardware and software available in one place, Console 1 Fader allows you to raise the sound quality bar to new heights. Mixing a masterpiece isn't easy, but with Console 1 Fader there's no limit to what you can do. Now's the time.

Ten touch-sensitive 100 mm Alps motorized faders give premium professional feel and feedback, while the weighty powder-coated steel chassis means durability and substance in a sleek Scandinavian design.

Fader includes two console emulations (Tube and Discrete). Way more than a simple controller, Fader enriches the sound of your tracks in the same ways as a true analog console.

Riding faders is muscle memory for many mix engineers. For those of us who play the desk like an instrument, Console 1 Fader gives quick and intuitive control over volume, saturation, filtering, and much more.

The Console 1 mixing ecosystem is so much more than a simple DAW/plug-in controller. It's an efficient, elegant, and amazing-sounding modern mixing solution, combining hardware and software to give you the best of both worlds: the versatility, affordability, and usability of in-the-box mixing, alongside the workflow, feel, and focus dedicated hardware can bring.

Console 1 Fader can be used alone, or in combination with the original Console 1 channel strip controller for a tight 'complete desk' experience. You can even use multiple Console 1 Fader units to build the ideal workflow for your specific studio.

There are many ways to mix a masterpiece, but riding faders is a matter of muscle memory for a lot of us. And for good reason - reaching out and grabbing five or ten different sounds or groups at once, and quickly adjusting, listening, adjusting, listening, balancing... it's a full-body discipline, and software alone can't come close.

Tapping into the same purpose-designed software environment as the original Console 1 channel strip controller, Fader brings new levels of control over the wider world of your mix. You can ride up to ten channels at once, working volume, high-and-low-cut filter values, drive and drive character (modeled desk saturation), and more. Then page up for ten more channels. And ten more, until you have easy access to your whole mix, even when tracks number into the hundreds.

Expandable with world-class sounds
Because all the audio signal processing happens in our award-winning component-modeled software, you can switch out the 'circuitry' of your console instantaneously for a different desk sound across your whole project, or even channel by channel.

In addition to the two analog console sounds Fader ships with, you can purchase any of our Console 1 channel strips and use those classic desk sounds with Fader.

Selected features

Fader modes
Fader allows you to quickly and intuitively control track volume, drive level, drive character, input gain, low cut, high cut, and up to three send levels, all from the same high quality motorized faders.

Transport controls
The three assignable buttons work by default as basic transport controls for the major DAWs, but each can be assigned to a keycommand of your choice (e.g. CTRL+Z), for whatever use you can imagine.

Encoder
Mounted on a high-grade all-metal potentiometer, Console 1 Fader's single encoder offers control of pan per track, but also unlocks a powerful stereo spatialization tool, to widen or consolidate your individual tracks, situating each sound perfectly in your mix.

Layer mode
With our innovative new 'Layer Mode' you can create layers of tracks, putting many levels of mixing at your fingertips. Low cut all your guitars at once, or saturate your groups early on for a top-down effect in seconds.

In short
A 10-fader approach to Console 1, our hybrid hardware/software mixing ecosystem
High quality hardware, designed and built for both feel and function
Take fast and intuitive control of volume, saturation, filtering, and more
Two awesome-sounding component-modeled console emulations included
Expand your sonic options with Console 1 expansion channel strips (sold separately)
'Layer Mode' allows you to organise and affect your mix in powerful new ways
Spatializer tool offers fast per-channel control of stereo width
Works with all major DAWs straight out of the box - no MIDI-mapping required
Use alone, or in combination with the original Console 1 channel strip controller
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MRP:$577.96 SAVE 13%
 2 in stock $503.21
Rode NTG5 Supercardioid Shotgun Microphone Location Recording Kit Rode NTG5 Supercardioid Shotgun Microphone Location Recording Kit Rode NTG5 Supercardioid Shotgun Microphone Location Recording Kit
Cat: 753829 Rel: 10 Dec 19 • View all Shotgun Microphones
 
Moisture-resistant short shotgun microphone with professional-level features
Notes: The NTG5 is a short, ultra-lightweight shotgun microphone ideal for use in the most demanding recording applications. Featuring a revolutionary acoustic design with circular ports replacing the linear slots found in other shotgun mics, it offers unmatched transparency and a more natural, uncoloured sound. Combined with a tightly controlled frequency response, smooth off-axis response, and very low self-noise (just 10dBA), the NTG5 sounds spectacular in a wide variety of applications, particularly location recording and demanding filmmaking scenarios where superlative audio is the imperative. No excuses.

The NTG5 is a boom operator's dream, weighing a mere 76g and measuring just over 20cm, making it ideal for use on long, demanding shoots. It also features RF-bias circuitry to ensure reliable performance in adverse environments, with excellent resistance to high humidity, severe cold, damp, and dust. The perfect location recording mic.

Revolutionary Acoustic Design:

The NTG5's body design has been completely overhauled, with circular acoustic ports replacing the linear slots found in other shotgun mics. The revolutionary design - the result of many months of specialised testing - delivers unmatched acoustic transparency, and a natural, uncoloured sound that will sound superb in a wide variety of applications.

A Boom Operator's Dream:

The NTG5 features a short, super-lightweight aluminium body (just 76g!), making it one of the most compact professional shotgun mics out there - a dream for boom operators who find themselves on long shoots, or filmmakers and sound recordists looking for a more portable and lightweight rig that delivers broadcast-grade audio.

The Perfect Location Recording Mic:

With a tightly controlled frequency response, low self-noise, highly directional supercardioid polar pattern, and smooth off-axis response, the NTG5 sounds spectacular in a wide variety of applications, while RF-bias technology and conformal coating ensure superior performance in harsh environmental conditions. It's the perfect mic for location recording and demanding filmmaking scenarios where superlative audio is imperative. No excuses.

Includes:

1 x NTG5 Microphone
1 x PG2-R Grip
1 x WS10 Windshield
1 x ZP1 Small Pouch Bag
1 x RM5 Microphone Clip
1 x PG2-R Pro Cable
1 x Foam Windshield
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MRP:$628.49 SAVE 19%
 1 in stock $508.66
Erica Synths/Ninja Tune Zen Delay Effects Unit Erica Synths/Ninja Tune Zen Delay Effects Unit Erica Synths/Ninja Tune Zen Delay Effects Unit Erica Synths/Ninja Tune Zen Delay Effects Unit
Cat: 749527 Rel: 06 Jan 20 • View all Effects units
 
delay desktop effects unit
Notes: Classy stuff from the London label's debut collab with one of our favourite synth brands. Classy stereo delay with analogue filtering and creamy valve distortion. Perfect for studio or live use.

Supplier's Notes:
Ninja Tune - an English independent record label based in London and Erica Synths have teamed up to create a custom dub delay effects unit, the Zen Delay.

Features
Controls: delay time, feedback, delay mod (5 presets), tap button, dry/wet, bypass switch, filter cutoff, resonance, drive, input level, filter mode

Inputs
Stereo In: 2x standard jack

MIDI In: standard MIDI socket

CV In: standard jack

Outputs

Stereo Out: 2 x standard jack

Delay times: 1-5000ms with 1/8...x8 of clock/tap rate in beat mode

Inspired by a trip to Berlin's trailblazing music hardware trade show Superbooth, Coldcut's Matt Black and longtime friend Dr Walker (Liquid Sky artist collective / Air Liquide) envisaged the exciting possibilities of a custom hardware effects unit. The result is the creation of the Zen Delay i the first-ever hardware effects unit produced in collaboration with an electronic music label.

Bringing together the best of the digital and analogue worlds, the Zen Delay is a BPM-synced stereo delay line, combining extreme feedback ranges for dub and experimental lo-fi effects with a multi-mode 24 dB synth filter and valve overdrive.

Created and manufactured by Erica Synths, the unit is housed in a metal case with Erica Synths' signature bakelite knobs and a valve circuit for extra analogue warmth. While sonically versatile, it is incredibly easy to use each function has a physical knob that you can play around with without diving into manuals or scrolling through menus on a tiny screen.

Crafted in close collaboration with DJs and producers, the Zen Delay was uniquely developed with both live and studio use in mind and is suitable for many different performance situations, musical styles and instruments. While most delay devices are designed as 'stomp boxes' for guitarists, the device is equally powerful in the hands of electronic music producers, artists and DJs, adding a unique, warm and powerful sonic character to drum machines, loops, vocals, synths, samples or any other source. Even full tracks or a live stereo mix can be enhanced by the combination of analogue and digital circuitry, breathing new life into iPad performances and giving traditional digital synths and drum machines a huge kick.

The Zen Delay is a product of our expertise on vacuum tube designs, our powerful, custom DSP platform and the great sound of our filter ICs made and developed in Latvia. It by far exceeded expectations in terms of how it sounds and feels when played. - Girts Ozolin

The Zen Delay is the analogue delay unit I've been waiting for. Stereo warmth, tone and texture. Perfect for live abusage, and studio madness love it - The Bug

The Zen excels at the sort of extreme dub possibilities Coldcut love. Feed it back! - Matt Black

For years I have dreamed of a state-of-the-art stereo valve dub delay for my MPC that perfectly masters all sound aesthetics from "badass" to "psychedelic hypnotically trashed" and now, have a look! There it is... the Zen Delay! - Dr Walker

Power: 12v (power supply for worldwide use is included)
In/Out levels: 3.2v peak to peak
DAC
114 dB dynamic range

-100dB THD+N

ADC
108 dB dynamic range

-98 dB THD+N

Dimensions: 21 x 15 x 5 cm
Weight: 870g
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 1 in stock $524.26
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Waldorf STVC String Keyboard Synthesizer & Vocoder Waldorf STVC String Keyboard Synthesizer & Vocoder Waldorf STVC String Keyboard Synthesizer & Vocoder Waldorf STVC String Keyboard Synthesizer & Vocoder Waldorf STVC String Keyboard Synthesizer & Vocoder
Cat: 675800 Rel: 16 Jan 20 • View all Synthesisers
 
Desktop synthesiser featuring a 49-note keyboard & vocoding features
Notes: Gorgeous retro-inspired synth. Heavily based on 70s string synthesisers and vocoders, updated in a modern format. Proper lush vibes.

Supplier's notes:
The string section starts with an oscillator bank using octave dividers, followed by a complex mixer, an equalizer and the ensemble effect, just like string machines from the 70's. A single registration knob sweeps through mixer and EQ settings for Violin, Viola, Cello, Brass, Organ, Choir and more for creating rich and creamy sonic textures.

The Solo section is a 16-voice synthesizer that complements the string sounds. A single Tone knob sweeps through many useful settings. Solo is the sidekick to the strings, but it is powerful enough to be the lead character every now and then.

The Vocoder replaces the equalizer in the string section with the filter bank that models the vocal tract from the speech input. This can produce quite intelligible speech or singing using the fully polyphonic oscillator bank. Formants can be modified, which can result in a perceived change of gender. Adjustable jitter of the string oscillators renders the voice hoarse, creaky or a complete whisper. Solo can pass through the Vocoder or play in parallel.

The Freeze button lets you freeze a short speech fragment, which is then repeated by the Vocoder whenever a key is pressed. Change of playback speed, like faster, backwards or a complete stop are possible and fun, as well as formant change.

A novel Tweak function allows for modification or modulation of details, like e.g. the solo cut-off frequency or the Chorus LFO rate. It is similar to a modulation matrix, but it also allows to alter implicit settings with a fixed value or an offset.

Three Effects operate simultaneously - Animate is in fact a modulation of the string or vocoder registration, while a Phaser is a must for any decent string machine. A high-quality Reverb with adjustable size can be mixed to the output.

STVC comes with a high-quality gooseneck microphone that plugs right into the front panel where it belongs.
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MRP:$731.66 SAVE 17%
 1 in stock $605.32
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quote 675800
Allen & Heath ZED-22FX 16-Channel Multipurpose Studio Mixer With FX (dark grey) Allen & Heath ZED-22FX 16-Channel Multipurpose Studio Mixer With FX (dark grey) Allen & Heath ZED-22FX 16-Channel Multipurpose Studio Mixer With FX (dark grey) Allen & Heath ZED-22FX 16-Channel Multipurpose Studio Mixer With FX (dark grey) Allen & Heath ZED-22FX 16-Channel Multipurpose Studio Mixer With FX (dark grey) Allen & Heath ZED-22FX 16-Channel Multipurpose Studio Mixer With FX (dark grey)
Cat: 431971 Rel: 14 Jan 20 • View all Studio mixers
 
Multipurpose home studio mixer with FX
Notes: Big version of A&H's entry-level Zed series mixer. Originally intended for live applications but works very well as a studio mixer for hardware setups. A lot of mixer for your money.

Supplier's notes:
The Allen & Heath ZED-22FX mixer is ideal for groups who need to travel light. Featuring configurable USB audio input/output makes it easy to capture stereo recordings.

The ZED-22FX easily accommodates vocals, drums, guitar, bass and keys whilst also providing a dedicated FX bus and 16 internal time-delay effects, giving the whole mix extra ambience.

The ZED-22FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point, this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.

Based on the proven pre-amps from the hugely successful PA series, ZED-22FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.
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 1 in stock $842.20
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Presonus StudioLive AR16C 16-Channel USB-C Hybrid Digital/Analogue Performance Studio Mixer Presonus StudioLive AR16C 16-Channel USB-C Hybrid Digital/Analogue Performance Studio Mixer Presonus StudioLive AR16C 16-Channel USB-C Hybrid Digital/Analogue Performance Studio Mixer Presonus StudioLive AR16C 16-Channel USB-C Hybrid Digital/Analogue Performance Studio Mixer
Cat: 756314 Rel: 23 Jan 20 • View all Studio mixers
 
16 channel USB-C compatible audio interface/analogue mixer/stereo SD recorder
Notes: Analogue mixer, audio interface, effects and stereo digital recorder all in one box. Clever, versatile idea that makes a cost-effective entry point for various types of recording.

Supplier's notes:
Don't let the classic analogue mixer design fool you - the StudioLive ARc-series mixers were built to record. With a pristine analogue front-end, high-gain XMAX-L mic preamps, and a 24-bit, 96 kHz, USB-C compatible USB 2.0 audio interface, its hybrid design makes it simple to record studio productions and mix live shows from a single intuitive console. Add in a musical 3-band analogue EQ, mic/line boost for low-level vintage synths and broadcast microphones, all-new digital effects with rich reverbs and lush delays, Bluetooth connectivity, and a stereo SD recorder... and you have a mixing and recording powerhouse that fulfils the needs of both modern musicians and content creators.

A full-featured audio interface:

The StudioLive AR16c audio interface operates at up to 96 kHz for high-definition mixing and recording. Record each of the 16 inputs, plus the main mix for even more flexible recording options. Play back up to four streams for monitoring previously recorded tracks - plus a click. Twelve lauded XMAX mic preamps provide all the gain you need to capture even the most subtle details without adding any extra noise. The analogue mixer front-end makes connecting your gear to your computer intuitive, and creating monitor mixes is quick and easy. With a USB-C compatible connection, your StudioLive AR16c is ready to use as an audio interface for nearly any computer.

The channel that does it all - even Bluetooth connectivity:

The unique Super Channel can handle four stereo sources at once and makes it easy to integrate consumer devices into your studio workflow. Connect a turntable to the RCA inputs, use the 1/8-inch stereo input to plug-in your smartphone, or forget the cable and connect it via Bluetooth wireless technology. You can also toggle between a stereo playback stream from your computer and playback from the onboard SD recorder, making rehearsal a snap.

A complete recording solution for studio and stage:

The StudioLive AR16c audio interface and analogue mixer is tightly integrated with state-of-the-art recording software to help you realize your creative vision. Record multitrack live performances with one click thanks to PreSonus' Capture live-recording software. Create complete studio productions with our award-winning Studio One Artist DAW. With two professional recording applications included with your StudioLive AR16c, you're ready to record right out of the box.

Stereo recording without a computer:

Imagine you're rehearsing with your band and want to record your session to analyse later. Or perhaps you're in the middle of a songwriting session and want to capture your ideas as quickly as they come to you. Either way, the StudioLive AR16c's stereo SD recorder has you covered. Insert any SD/SDHC card and you're ready to record your main mix to listen to later, so you'll never forget a great song idea or an amazing guitar solo. Doing mobile interviews for your podcast? Leave the computer at home and record straight to SD.

Effects without latency:

Monitoring with reverb and delay helps to create better recordings. Any vocalist or guitarist will tell you that a little reverb makes them feel more comfortable while performing. The StudioLive AR16c mixer's onboard effects processor lets you add high-quality reverb, delay, or chorus to any channel for a professional monitor mix. Like what you hear in your headphones? Record the Main Mix and capture the effects mix, too - with or without the dry channels - to blend with your multitrack recording. Experiment in post-production to your heart's content.

All the connections you need with a familiar look:

Packed with all the connections and controls needed to mix and record in the studio and on the stage, the StudioLive AR16c is the ultimate recording solution. The eight mono channels and four stereo channels include a musical three-band EQ, plus one of PreSonus' famed XMAX high-gain mic preamps. Two dedicated monitor mixes with balanced outputs provide your musicians the custom mix they need. The USB-C compatible connector ensures your StudioLive AR16c audio interface will be the centre of your studio for years to come. And with high-resolution 96 kHz recording, a full complement of connections, and an instantly familiar workflow, the StudioLive AR16c is the perfect recording and mixing solution for the modern musician and content creator.
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RME ADI-2 DAC FS 2-Channel 768 kHz PCM/DSD DA Converter & USB 2.0 Audio Interface RME ADI-2 DAC FS 2-Channel 768 kHz PCM/DSD DA Converter & USB 2.0 Audio Interface RME ADI-2 DAC FS 2-Channel 768 kHz PCM/DSD DA Converter & USB 2.0 Audio Interface RME ADI-2 DAC FS 2-Channel 768 kHz PCM/DSD DA Converter & USB 2.0 Audio Interface
Cat: 762018 Rel: 03 Feb 20 • View all Audio interfaces
 
2-channel 768 kHz PCM/DSD DA converter & USB 2.0 audio interface
Notes: Serious mastering-grade kit. Stereo interface with high-end converters and headphone amp circuit for pristine sound quality. Proper clarity for critical listening.

*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

Supplier's notes:
The RME ADI-2 Pro FS is a two channel 24-bit / 768kHz AD/DA converter and USB 2 Digital Audio Converter, audio interface and high-end headphone amp with new jitter rejection SteadyClock FS technology.

The RME ADI-2 Pro FS is the most flexible converter available with balanced and unbalanced I/O, two headphone outputs, DSP-based signal processing and RME's latest Steady Clock FS jitter rejection technology. It offers Class Compliant USB compatibility, sample rates up to 768kHz as well as DSD record and Direct DSD playback.

It boasts a raft of analogue and digital I/O, including two servo-balanced analogue XLR/TRS Jack inputs, two separate balanced and unbalanced outputs on XLR and TS as well as two headphone outputs. Digital I/O include optical ADAT, Optical and coaxial SPDIF and AES accessible via a breakout cable.

Furthermore, its Class Compliant UAC 2 USB 2.0 port offers iOS compatibility and is necessary for firmware updates. It can also work as a 6-in / 8-out audio on Mac OSX and Windows via WDM and ASIO.

Using the latest in A-to-D technology the ADI-2 Pro FS offers best possible sound with highest signal-to-noise ratio, super low THD and noise. It supports sample rates up to 786kHz PCM and DSD recording in dual mono design, with 3dB improved signal to noise ratio. Two digital-to-analogue converters are used for the separate stereo outputs. The latest Integrated Sample Rate converter takes care of clocking issues between S/PDIF and AES thanks to RME's latest SteadyClock FS technology.

A high-resolution display shows controls for the ADI-2 Pro FS unique features including DSP effects like 5-band parametric EQ, binaural crossfeed, adjustable loudness filter, selectable AD/DA filters and four analogue reference levels. Furthermore, M/S processing is provided with stereo width control as well as phase loop. The display also shows RME's famous Spectral Analyser and 30-band bi-quad filtered analysis tool.
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MRP:$1,200.14 SAVE 17%
 1 in stock $996.42
ERM Polygogo Polygonal Stereo Oscillator Module
ERM Polygogo Polygonal Stereo Oscillator Module (oscillator/digital/dual/stereo synth module)
Cat: 734881 Rel: 11 Feb 20 • View all Synth modules
 
oscillator synth module
Notes: A unique graphical take on an oscillator design, E-RM's brand-new polygonal synthesis approach is unlike anything else we've seen. Stereo oscillator capable of a huge range of timbres. Innovative stuff.

Supplier's notes:
The polygonal synthesis is a kind of graphical complex amplitude shaping method. With the help of the built-in modulation sources, polygonal synthesis in polygogo opens up a wide range of sonic possibilities from clicky pinged sequences to unique dark thunderstorms, bass lines, leads and colored noise.

This mighty stereo oscillator impressed the audience with its wide range of possible timbres. The idea of sculpting a shape on the screen of the module that then translates into sound works really well and invites the user to interact with the module.
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quote 734881
ASM Hydrasynth 8-Voice Wavetable Desktop Synthesiser With 24 Polytouch Polyphonic Aftertouch Pads ASM Hydrasynth 8-Voice Wavetable Desktop Synthesiser With 24 Polytouch Polyphonic Aftertouch Pads ASM Hydrasynth 8-Voice Wavetable Desktop Synthesiser With 24 Polytouch Polyphonic Aftertouch Pads
Cat: 768004 Rel: 06 Mar 20 • View all Synthesisers
 
wavetable desktop synthesiser
Notes: Desktop version of the mega Hydrasynth. The same amazing synth engine, paired with polyphonic, pressure-sensitive touchpads, making it an interesting creative alternative to the keyboard version.

*** New 2.0 Firmware update for all Hydrasynth models - March 2023 ***

This is a free of charge update for all current and new users of Hydrasynth. The biggest news in this update includes:
Expanded memory to 8 banks (Keyboard, Desktop, and Explorer only)
NEW modulation source: VOICE MODULATOR
OSC Bit reducer
LFO quantizer
ENV quantizer
LFO Step Advance
Global FX bypass
Increased Vibrato resolution
New Sustain pedal options including Sostenuto
More LED options
Glissando in glide options
Arp Range goes to 6 octaves
Arp Step Offset parameter
More Rand/Init shortcuts (all STEP LFO steps, Wavescan waves, Voice mod offsets)
Local On/Off saved
......And more!
This is the first major update to the Hydrasynth family in a little, which adds a tonne of new features.


Supplier's notes:
The HYDRASYNTH Desktop / Rack has the same great sound engine as the HYDRASYNTH Keyboard. The sound engine is a sound designers dream synth as well as a performing musicians ideal. The sound engine is designed for maximum flexibility. At the same time, we designed the user interface in a way to allow you to edit the patch quickly with a minimal amount of paging and many workflow shortcuts.

Utilizing an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutators and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.

As for the performance capabilities, The Hydrasynth Desktop / Rack has 24 polyphonic pressure touch pads so that you can play the unit without needing to connect a keyboard or other controller. Using multiple pad layout modes as well as quick to access scale modes, the Hydrasynth Desktop / Rack is easy to make music on.

The Hydrasynth Desktop / Rack comes with rack ears so that you can mount it in a standard 19" rack.
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MRP:$946.42 SAVE 25%
 3 in stock $713.75
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quote 768004
Tascam Model 12 Digital Multitrack Recorder With 10-Channel Analogue Mixer & USB Audio Interface Tascam Model 12 Digital Multitrack Recorder With 10-Channel Analogue Mixer & USB Audio Interface Tascam Model 12 Digital Multitrack Recorder With 10-Channel Analogue Mixer & USB Audio Interface Tascam Model 12 Digital Multitrack Recorder With 10-Channel Analogue Mixer & USB Audio Interface Tascam Model 12 Digital Multitrack Recorder With 10-Channel Analogue Mixer & USB Audio Interface Tascam Model 12 Digital Multitrack Recorder With 10-Channel Analogue Mixer & USB Audio Interface Tascam Model 12 Digital Multitrack Recorder With 10-Channel Analogue Mixer & USB Audio Interface Tascam Model 12 Digital Multitrack Recorder With 10-Channel Analogue Mixer & USB Audio Interface
Cat: 762343 Rel: 28 May 20 • View all Studio mixers
 
analogue mixer & USB interface
Notes: 12-channel version of Tascam's modern take on the classic Portastudio concept. Digital recorder fused with analogue mixer and audio interface. Great one-box recording solution.

Supplier's notes:
Integrated production suite for music and multimedia creators, songwriters and performers.

Tascam Model 12 is a compact all-in-one integrated mixing and recording suite designed for music and multimedia creators, songwriters and performers. It consists of a 10-input mixer, a 12-track version of the highly acclaimed Tascam multi-track audio recorder, USB audio interface, MIDI connectivity, DAW control functions, and unique podcasting capability including mix-minus and smartphone input.

Combining the feel of an analogue user interface with the efficient workflow and pristine quality associated with digital recording and production, the compact and affordable Model 12 supports your creative process from start to finish.
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MRP:$668.50 SAVE 18%
 2 in stock $546.38
1010 Music Bitbox Mk2 Sampler/Looper/Slicer/Recorder Module (silver) 1010 Music Bitbox Mk2 Sampler/Looper/Slicer/Recorder Module (silver) 1010 Music Bitbox Mk2 Sampler/Looper/Slicer/Recorder Module (silver) 1010 Music Bitbox Mk2 Sampler/Looper/Slicer/Recorder Module (silver)
Cat: 775085 Rel: 22 Jun 20 • View all Synth modules
 
sampling module
Notes: Updated version of the excellent Bitbox sampler module offers more powerful sound processing and an improved touch screen. Improved effects and mixing with all the same creative power of the original.

Supplier notes:
Bitbox mk2 delivers powerful sampling and mangling for Eurorack. With this module you can add recording, sample playback, clip launching, slicing, granular sounds and musically intelligent looping capabilities to your Eurorack rig. With a 3.5 inch touchscreen, bitbox mk2 makes easy work of selecting, editing, and tweaking your samples. You can stream large samples of up to 4 GB file size straight from the microSD card. Interact with other musical components via CV and MIDI. Tweak your configurations to get them just right, then save them to multiple presets for future reuse. With the new bitbox mk2 hardware, you can now do more with the new more powerful processor.

Sample Playback
Play up to 24 polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger samples streaming directly from the microSD card
Configure 16 sample pads per preset as single or multi-samples, clips, slicers, granular or new recordings
Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio
Trigger samples with the touch screen, CV gate inputs, or MIDI input
Use MIDI for polyphonic playback of samples or slices
Control how samples start and stop by choosing from one-shot, toggle, and gate launch modes
Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, grain size, grain spread, grain count, and MIDI note and channel mapping

Record Eurorack level audio straight into the module:

Record samples from a stereo audio input pair
Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer
Sample Modes
Find creative ways of using your samples with our 5 sample playback modes:

Trigger one shots or launch loops using sample mode
Load a folder of samples into a sample mode pad to improve the quality of the pitch shifting when playing a sample chromatically or to trigger different samples with each note
Play time-synchronized loops with constant pitch time shifting in clip mode
Skip between slices of a WAV using slicer mode
Create rich textures and other worldly sounds with granular mode
Inputs and Outputs
Connect up to 8 CV modulators to control numerous sample parameters
Trigger each of the 16 pads with a dedicated gate input
Record through the dedicated stereo audio input pair
Use CV to keep time through the dedicated clock input
Confidently connect with both TRS MIDI Type A and Type B, no adapter needed
Route the audio from each pad out to one of 2 stereo audio output pairs or any of the corresponding single channels
Inputs and outputs are DC coupled so you can record and play out CV signals

External Control and Synchronization
Playback can be immediate or synchronized to internal clock, TRS clock in, or MIDI clock in and out
Trigger each pad independently through a dedicated gate input
Use MIDI to trigger pads via a note per pad
Play a single or multi-sample pad pitch shifted using MIDI notes or CV
Trigger different sample slices using MIDI notes or CV
Modulate a wide variety of sample parameters through the MIDI input and up to 8 CV signals
Quickly set up MIDI modulation using Learn mode- no need to look up CC numbers
Module Features
Use the 3.5? diagonal touch screen to intuitively explore the features of the module
Get more creative with double the processing power of the original bitbox
Fill out your sound with reverb and delay
Import or export WAV files with your Mac or PC using a microSD card
Save and recall multiple presets
Increase your capacity with larger microSD cards
Select Flipped UI mode to mount the unit with the screen on the bottom and use the screen, knobs, buttons, and CV jacks as you normally would
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 1 in stock $611.64
Soma Laboratory The Pipe Voice Controlled Dynamic FX Processor & Synthesiser (black) Soma Laboratory The Pipe Voice Controlled Dynamic FX Processor & Synthesiser (black)
Cat: 781124 Rel: 08 Jul 20 • View all Synthesisers
 
Effects processor/synthesiser
Notes: THE PIPE is a voice / breath / mouth-controlled dynamic FX processor and synthesiser.

It turns your voice into a powerful FX / beat / lead / soundscape synthesizer and it offers unprecedented levels of vocal processing, truly expanding the traditional boundaries of singing. Conventional singing with lyrics is also possible, and you can use the FX to add live modulations to your vocal performance.

Also, you can use the PIPE as a powerful FX processor for an external signal as a synth, drum machine etc.

THE PIPE has 12 different algorithms: ORPHEUS, FILTERRA, SYNTH, REVERB, MADELAY, PULSE, BASSDRUM (three versions), OCTAVA, GENERATOR, HARCHO!

The PIPE consists of the handheld part and a small break-out box with L R output jacks (1/4-inch) and DC IN for power. The handheld part and break-out box are connected by a single cable that contains both output channels and DC power.

The handheld part consists of the contact vocal mic (connected by a standard 1/4-inch jack), electronic components and the controls. You can easily attach a cable extension to the mic which opens up many more options. Attach it to a stand, or put it inside of or on the surface of acoustic instruments such as drums, guitars, trumpets etc. Also, you can use the mic in jack as external in and use the PIPE to process any signals you want.
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 2 in stock $524.26
Arturia AudioFuse Rev 2 Advanced USB & MIDI Audio Interface Arturia AudioFuse Rev 2 Advanced USB & MIDI Audio Interface Arturia AudioFuse Rev 2 Advanced USB & MIDI Audio Interface Arturia AudioFuse Rev 2 Advanced USB & MIDI Audio Interface
Cat: 784939 Rel: 24 Jul 20 • View all Audio interfaces
 
Audio interface
Notes: You're making tomorrow's music... so why settle for yesterday's interface? AudioFuse is the revolutionary pro audio interface that sets a new standard in sonic quality, creative production and value. It fuses the superior sound of high-end analog studio consoles with the flexibility of a solid mobile interface- with all the connectivity you need for any recording or performance.

Whatever sound you need to capture, from the most delicate ambience to the heaviest cacophony, AudioFuse will reveal the beauty in everything.

Pro studio quality was the mantra right from the start with AudioFuse. Now you can transform your desktop, hotel room, concert- whatever, wherever- into a studio with world-class sound.

No compromises, each element of the AudioFuse has been selected to perfectly serve your sound, such as the two proprietary DiscretePROr microphone preamplifiers and the set of top-notch AD/DA converters.

Saving the purity of your sound and the passion it conveys is what AudioFuse is all about.

When creating and recording, you need an interface that lets you focus on the task at hand and keep distractions to a minimum.

With AudioFuse, we didn't want to settle for merely bringing you the sound quality of a pro studio, we wanted to bring you its workflow too. That's why you have detailed metering, talkback for instant communication with talent in the next room, inserts to add professional effects processing to your recording chain, A/B monitor switching, and direct access to the essential features so you can spend more time creating and less time setting up.

Wherever it comes from, whatever it has to travel through, and wherever it needs to go, AudioFuse will guide your sound.

AudioFuse connects with virtually everything: mics, instruments, turntables, studio equipment, Mac, PC, tablets, even iOS and Android phones. It all happens with a round-trip latency as low as 3 milliseconds so you'll feel right in the groove every time.

When you know your equipment is the best of the best, creativity can take care of itself.

When it is all about giving the best of yourself being able to rely on the best technologies becomes crucial. The lowest harmonic distortion, the most linear frequency response, the highest signal-to-noise ratio and the shortest latency, these technical terms may seem far removed from your creative process, but they are essential to delivering your music in the highest quality possible.

Capture the moment- at home, in the studio, on the road, or wherever creativity strikes.

AudioFuse has a super-solid aluminum chassis you can trust, complete with a hard cover to protect it from damage in your bag- or even just dust on your desktop. The build quality goes far beyond a great-looking exterior, as well. Your unit has to pass rigorous testing before it can be packed and shipped. It even comes with a test specification printout of your exact unit. Meet your new best friend for the studio and stage.
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MRP:$672.71 SAVE 12%
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quote 784939
Korg SoundLink MW2408 24-Channel Hybrid Studio Mixer (black) Korg SoundLink MW2408 24-Channel Hybrid Studio Mixer (black) Korg SoundLink MW2408 24-Channel Hybrid Studio Mixer (black)
Cat: 762144 Rel: 29 Jul 20 • View all Studio mixers
 
Hybrid analogue & digital mixer
Notes: 24-channel flagship version of Korg's hybrid mixer, combining analogue and digital features designed by mixer royalty Greg Mackie and Peter Watts. Supremely flexible with great sound.

Supplier notes:
A mixer should not only sound good. It should be very easy to use.

Korg has collaborated with the legendary mixer design team of Greg Mackie and Peter Watts to create hybrid/analog mixing consoles that make creative mixing easy. Both the 24- and 16-channel models give you instant analog control for live mixing with stunning sound quality and more musician-friendly features than the competition - paired with the power of high-quality digital where it counts.

Use a SoundLink and you discover all the typical Greg Mackie features that are unique to SoundLInk; hear your first live mix and discover why Peter Watts helped design legendary Trident consoles and then hundreds of high-end studio processors and preamps. Besides designing mixers, Greg Mackie has been mixing on them for over 40 years.

When you listen to the "White Album", Rhianna's "Rated R" and "Loud", "Goodbye Yellow Brick Road" and literally hundreds of other familiar albums, you're listening to the legendary Trident mixing console sound. Peter Watts had an important role in Trident technology; he brings the same rich, warm preamp, EQ and dynamics quality to the products he designs today. HiVolt mic preamps give you the most headroom of any comparably-priced analog or digital mixer (16.5V internal voltage, even on stereo channels where other mixers skimp). They sound warm and musical.

It is the only small mixer that has Mute Groups. They let you instantly call up different combinations of channels for various groups on stage, different songs, sound checks, a solo acoustic number, a drum solo or different parts of a church service (choir, praise band, pastor. You get four Group options, each easily programmable and recallable.

Some musicians want to hear more of their own instrument or voice in their in-ear or floor monitor, a process that is complicated to change on other mixers. SoundLink's Musician's Phone feature provides one-knob boost of the complete left/right mix into the musician's individual track. Instead of having to change main mix settings or take up a bus, you have dedicated knobs for two musician's "more me" monitor mixes.

Instead of a generic digital effects processor chip, SoundLink mixers use a high-quality proprietary Korg custom chip that builds on all of Korg's multi-decade expertise: twenty four ultra-realistic digital effects. For example, all six reverb effects include an alternate "WARM" version - a touch veteran Korg users will tell you is very useful. Parameters of all effects can be tweaked, saved and recalled, and activated by an optional footswitch. Plus, you get test tone generators for use with the built-in 24-band Spectrum Analyzer that's another SoundLink exclusive in a mixer in this price range.

Digital processing and effects are frustrating if they're buried in some long, scrolling menu inside a menu. For EQ and other control features, and a row of individual L/R, AUX 1 and Aux 2 assign buttons for both Equalization and Dynamics makes mixing easier. SoundLink's Limiter, Compressor, Noise Gate are both effective without being harsh or exaggerated. Each has tweakable, recallable parameters. Coupled with a 31-band Spectrum Analyzer, our super-practical 31-band/9-band ParaGraphic EQ solves acoustical problems other small mixers can't handle.
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quote 762144
Serge New Timbral Oscillator Module
Serge New Timbral Oscillator Module (oscillator/waveshaper module)
Cat: 757121 Rel: 15 Oct 20 • View all Synth modules
 
Analogue oscillator module - 18HP
Notes: The NTO is Serge's legendary and most ambitious analog oscillator. It combines raw vintage sound with astonishing precison.

The new NTO by Random*Source has been developed in close cooperation with Serge. It took about 2 years to replace obsolete parts and bring the NTO to SMT with some optimizations (precision references and parts) for stability. It also features a new Pulse Out (square wave) in addition to the classic outputs.
The Serge New Timbral Oscillator (NTO) is the state-of-the-art VCO, featuring exceptional range, superb temperature stability, and accurate tracking. Dynamic depth frequency modulation and voltage control of waveform allow unprecedented control over a wide range of sound qualities.

Features:
Exponential 1V/Octave response
Accurate tracking, temperature stability, wide frequency range
Dynamic depth linear frequency modulation
Now with PULSE OUT
NTO on multilayer pcb with all SMT parts soldered in
PCBs in SMT, manufactured in Germany

Dimensions
18 HP
40 mm deep

Current Draw
115 mA +12V
80 mA -12V
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 1 in stock $503.21
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1010 Music Bluebox Compact Digital Mixer & Recorder 1010 Music Bluebox Compact Digital Mixer & Recorder 1010 Music Bluebox Compact Digital Mixer & Recorder 1010 Music Bluebox Compact Digital Mixer & Recorder 1010 Music Bluebox Compact Digital Mixer & Recorder
Cat: 793767 Rel: 14 Jan 21 • View all Studio mixers
 
Compact digital mixer & recorder
Notes: A digital mixer at heart but so much more. 1010's unique take on mixing and recording includes built-in effects and EQ, compression, headphone/monitor mixes and output routing. Clever stuff.

Supplier's Notes:
Bluebox is the portable digital audio mixer that lets you get the most out of your electronic music gear. Connect your eurorack, sampler, drum machine and synthesizer outputs to 6 stereo, 3.5 mm TRS inputs and map them to 12 mono tracks or 6 stereo tracks, all with independent control for recording and playback. It's that keyboard mixer with live performance features that you always hoped someone would make.

Connect the output of your electronic music gear to Bluebox, and then route each track independently to the three outputs and effects sends. Each track offers control of volume, gain, 4 band parametric EQ, pan, mute and solo functions. Apply high-quality global reverb and delay effects along with 4 band EQ per track to add new depth to your sound with total control to quickly tweak incoming audio or track playback as needed.

With Bluebox you can record independent tracks or the Main mix using a standard microSD card. Capture your jam session for later review, or record the ultimate mix of the tracks for your song.

Bluebox's compact 5.5h x 5h x 2h case lets you tuck it into a crowded tabletop studio or throw it in your pack for the next gig.

Interact with the dynamic visual interface on the 3.5h touchscreen along with physical knobs, navigation buttons and transport buttons to quickly access the most important functions. MIDI input and output allow you to sync the clock with external gear for synchronized effects and metronome.

Add Some Colour to Your Mix:
Mix 12 mono/6 stereo tracks of live or prerecorded sound.
Independently route each track to any combination of three stereo TRS outputs:

Stereo Output 1 - Main mix
Stereo Output 2 - Assignable, with dedicated sub-mixer (pre or post fader)
Stereo Output 3 - Headphone output, with dedicated sub-mixer (pre or post fader)
Control one parameter for multiple tracks at once in Mixer mode.
Focus on one track at a time in Track mode.
Adjust the level or mute state of each output independently.
Use touch gestures or knobs to tweak your sound with four band EQ per track with support for Low Cut/Low Shelf, Parametric, and High Shelf/High Cut settings for each band.
Apply high-quality Reverb and Delay effects with independent effects sends for each track.
Override the headphone output with the Main mix on demand.
Maximize the loudness and unify your mix with the built-in global compressor
Sync to external clocks through the MIDI Input and Output.
Record hours of music as 48k, 24 bit WAVs directly to the microSD card as multi-track or as the main stereo mix.
Playback a previously recorded track while recording new ones.
Load firmware updates through the microSD card.
Mix electronic music gear such as the 1010music blackbox, eurorack modules, drum machines, samplers and synthesizers.
Save and recall Project settings including all parameters for tracks, outputs, EQ and effects.
Copyright 1010music LLC 2020 --- CONFIDENTIAL ---
Copyright 1010music LLC 2020 --- CONFIDENTIAL UNTIL 10/10/2020 ---
Fit it into a small spot on your desk and then tuck it in your pack for the next gig.

What is Included:
Bluebox digital recording mixer
A microSD card with bluebox firmware and pre-loaded project files
A USB power cable and AC adapter with 3 international adapters
2 MIDI Adapters . Male 3.5 mm TRS to Female 5 pin DIN, MIDI Class B standard
A Quick Start guide to show you the basics (full user manual available online)

Specs:
6 stereo 3.5 mm TRS inputs
12 mono tracks, 6 stereo tracks or something in between
3 independently controlled stereo 3.5 mm TRS outputs
3.5h touch screen, 4 knobs, 8 navigation buttons and 3 transport buttons
3 effects: reverb, delay and compressor
Records and plays back 48k, 24-bit audio WAV files
4 band EQ per track
MIDI In and Out for beat syncing effects
Dimensions: 5.5 x 5 x 2 (14 cm x 13 cm x 5 cm), 1 lb (450 grams)
Durable aluminum case
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 2 in stock $509.53
Intellijel Metropolix Multitrack Performance-Oriented Pitch Gate & Mod Sequencer Module
Intellijel Metropolix Multitrack Performance-Oriented Pitch Gate & Mod Sequencer Module (clock generator/controller/CV modulation/digital/envelope generator/function generator/sequencer synth module)
Cat: 814424 Rel: 24 Feb 21 • View all Synth modules
 
Clock generator/controller/CV modulation/digital/envelope generator/function generator/sequencer eurorack module
Notes: Successor to the excellent Metropolis, the Metropolix is a performance-focussed step sequencer with some really neat features, including modulation and sub-sequences in Loopy mode.

Supplier's Notes:
The Intellijel Metropolix is a unique and powerful Eurorack format musical sequencer. With an abundance of hands-on, tactile controls and a wealth of modulation possibilities (both internal and external) you can quickly and easily create infectiously musical sequences that are never boring. Even the simplest riff can be brought to life with seemingly endless options to create variations or real-time manipulations. Equally at home in the studio or a live improvised performance, the Metropolix is sure to become a staple source of fresh ideas and killer riffs in your creative process.

Width: 34HP
Depth: 25mm
Power: 95mA @ +12V 10mA @ -12V

On first blush, it appears to be a simple 8-stage sequencer - but there is far more functionality than first meets the eye:

There are two tracks (TRK 1 and TRK 2) that are variants of the single master pitch/gate sequencer, which is programmed via the PITCH sliders, PULSE COUNT and GATE TYPE switches. Each track interprets the master sequence in a variety of ways - creating complementary sequence variations that enable you to generate counterpoint, polyrhythms, and all manner of sonic movement (both subtle and extreme). Each of these tracks has its own playback ORDER, sequence LENgth, clock DIVision, SWING amount, SLIDE time, and track GATE lengths. Other track-based sequence variables are accessible from the TRACK MENU, and include Pitch Slider inversion; sequence note range; track transposition; and more. In addition, Tracks 1 & 2 both have multiple lanes of per-stage playback parameters, including: GATE override; PITCH override; RATCHet count; PROBability of playback; ACCUMulating transposition, and a dedicated CV lane. Each stage also has a SKIP feature, and a pitch SLIDE option.

8 separate and individual MODulation lanes are accessed via the MOD button. Each MOD lane has 8-stages of modulation values and its own playback ORDER, LENgth, and clock DIVision; and each lane is routable to one of Metropolix' two assignable outputs or to dozens of internal destinations, allowing for some sophisticated and powerful self-modulation.

A trio of AUX inputs allows for external modulation of user-assignable sequencer parameters for even greater variation, while two assignable CTRL knobs give you direct access to the parameters you want to adjust most frequently during a performance. With dedicated Pitch/Gate outputs for both Track 1 and Track 2; two totally user-assignable outputs (A and B); and internal MOD routing, Metropolix features a wealth of patching opportunities.

Metropolix also features a Loopy mode, allowing you to instantly play back short sub-sequences, or even "play" the stage buttons directly (like a 'keyboard').

Metropolix stores up to 64 preset configurations (in 8 banks of 8 presets), and all live settings are stored in EPROM, ensuring that your Metropolix will always power up exactly as you left it - even if you haven't saved them to a preset. By default presets can change all the structural (menu-based) elements of your sequencer without overwriting the front panel controls, but full recall is also available.

The operation of the Metropolix is optimized for live performance and jamming, with quick access to all the most important performance parameters, and the ability to greatly affect your sequences with a single slider or switch.
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 3 in stock $614.80
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