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Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.Visit Juno DJ

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Cat: 601628 Rel: 25 Feb 16 • View all DJ headphones
 
Professional DJ headphones with coiled and straight cables & replacement cushions
Notes: The HD 25 PLUS is identical in design to the HD 25 but spoils its users with extra accessories and two included cables. Users can choose between a coiled steel cable (length: 3m/1m) and a straight, 1.5m steel cable.

The PLUS version also comes with a handy storage pouch and a second set of ear pads in a soft velour version.
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MRP:$219.58 SAVE 26%
 More than 10 in stock $162.54
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FORTHCOMING
IK Multimedia Z Tone Buffer Boost Guitar & Bass Preamp & DI Pedal IK Multimedia Z Tone Buffer Boost Guitar & Bass Preamp & DI Pedal IK Multimedia Z Tone Buffer Boost Guitar & Bass Preamp & DI Pedal IK Multimedia Z Tone Buffer Boost Guitar & Bass Preamp & DI Pedal IK Multimedia Z Tone Buffer Boost Guitar & Bass Preamp & DI Pedal IK Multimedia Z Tone Buffer Boost Guitar & Bass Preamp & DI Pedal IK Multimedia Z Tone Buffer Boost Guitar & Bass Preamp & DI Pedal
coming soon $179.91
FORTHCOMING
IK Multimedia Z Tone Active DI Box IK Multimedia Z Tone Active DI Box IK Multimedia Z Tone Active DI Box IK Multimedia Z Tone Active DI Box IK Multimedia Z Tone Active DI Box
Cat: 763095 • View all DI boxes
 
direct input box
coming soon $163.56
Cat: 681306 Rel: 24 Jul 18 • View all Synth modules
 
Multi-algorithm macro oscillator - 12HP
Notes: Plaits is the spiritual successor of Mutable Instruments' best-selling voltage-controlled sound source, Braids. Not just an MKII version: its hardware and software have been redesigned from scratch.

Just like its predecessor, it offers direct access to a large palette of easily tweakable raw sonic material, covering the whole gamut of synthesis techniques.

Simplicity first:

Gone are the screen, menu system, hidden settings, and the long list of somewhat redundant synthesis models.

Thanks to additional CV inputs, and to the use of three timbre-shaping parameters per model, Plaits is straightforward to use, and much closer to the ideal of one synthesis technique = one model. What were fragmented islands of sound in Braids are now part of a continuum of sounds.

Ready for percussion:

Patch a trigger generator or sequencer into Plaits' trigger input and instantly use the module as a percussive source thanks to its built-in virtual low-pass gate (LPG).

An internal D (decay) envelope generator is normalled to all unpatched CV inputs. Just turn the corresponding attenuverter to add pitch, timbre or morphing modulation. And if plucks and snappy hits are not your thing, patch your own envelope or CV source into the LPG CV input.
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 More than 10 in stock $161.52
FORTHCOMING
Cafe Blue
Cafe Blue (limited numbered 180 gram vinyl 2xLP + booklet)
Cat: IMXLPO 603545.
 
Jazz
  1. What A Shame
  2. Mourning Grace
  3. A Taste Of Honey
  4. Ode To Billie Joe
  5. Too Rich For My Blood
  6. Mahna De Carnaval
  7. Inch Worm
  8. Wood Is A Pleasant Thing To Think About
  9. Nardis
  10. The Thrill Is Gone
  11. Romanesque
  12. Yellow Car III
coming soon $161.51
Cat: 567649 Rel: 27 Mar 15 • View all Hi-fi cartridges
 
Headshell, cartridge & stylus set, with elliptical stylus tip and aluminium alloy cantilever
Notes: The Nagaoka MP-110H the successor to the highly acclaimed and classic Nagaoka MP11 phonograph cartridge, the new Nagaoka MP-110 H phonograph cartridge extends and strengthens its predecessor's prowess and talents to a new level of radiance. You'll hear more music, more detail refinement to enjoy and savor. The Nagaoka MP-110 is the cartridge to start with and to keep for a long time.

Features:
-Superfine polished eliptical diamond bonded stylus
-Powerfull samarium cobalt magnet
-Lightweight aluminum alloy cantilever for high fidelity
-Carbon fibre reinforced plastic shoe
-Anti ferro magnetic permalloy shield casing

Stylus replacement: Nagaoka JN-P110

The stylus replacement interval varies depending on the using conditions. But for general use at home, the reference time is between 150-200 hours in which the stylus begin to wear and the tone quality deteriorates. Recommend replacing the stylus as aerly as possible to enjoy clear tone for a long time and not to damge the disc grooves.
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! low stock $150.27
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Cat: 661186 Rel: 01 Nov 17 • View all Hi-fi styluses
 
Direct stylus replacement to fit the Goldring 1042 or older models
Notes: Goldring D42 stylus is designed to fit the current Goldring 1042 phono cartridge or old model 1040, a direct replacement when your stylus is worn - saving the cost of buying a whole new cartridge. Goldring cartridges generally last many hours until the stylus needs replacing. An indication of wear is a "duller" sound.

Simply remove your current stylus by carefully pulling it away from the cartridge and replace it with the replacement.

The 1042 is a record cartridge for the audiophile who demands the ultimate sonic performance from their system, together with the convenience of a user replaceable stylus. The extended groove contact of its Gyger-S diamond gives the 1042 unsurpassed resolution of the fine groove modulations, producing an exceptionally detailed, smooth and musical sound.

Replacement stylus: 1042 - D42
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 8 in stock $173.26
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KRK
Cat: 718670 Rel: 01 Apr 19 • View all Studio monitors
 
Professional grade 7" (bi-amp) studio monitor designed & engineered in the USA
Notes: Hugely popular for a reason. You know what you're getting with Rokits: decent sound and great value. Plus they've got yellow cones, which is frankly a bonus.

Supplier notes:
The new 7" KRK ROKIT RP7 Generation 4 ("G4") bi-amp professional monitor takes music and sound creativity to a whole new industry-level. DSP-driven room tuning with 25 visual Graphic EQ settings on an LCD, combined with the included KRK App help minimize and correct problems in your acoustic environment. Matching drivers made with Kevlar ensures the same sonic integrity on every single frequency, minimizes listening-fatigue, and offers an incredibly balanced listening experience.

A scientifically designed high-quality speaker enclosure and newly-designed front-firing port offer exceptional low-end extension, punch and flexible room-positioning. High density Iso-foam pads decouple the speaker from the surface for improved clarity while fluid mechanics fully tuned to the entire system result in a deep and dynamic listening "sweet-spot" with incredible imaging and 3D soundstage.

A new custom designed efficient class D power amp reduces operating temperatures to retain better audio integrity while a built-in Brickwall limiter automatically engages at maximum amp-level to maintain a balanced sound, protect the system, and offer better and wider dynamics. Although truly affordable, price isn't even in the ROKIT conversation-professionals choose ROKITs for their time-tested and reliable results. The new ROKIT Generation 4 Line actually is ROKIT Science.
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 More than 10 in stock $158.89
Cat: 732328 Rel: 10 Jun 19 • View all Audio & MIDI interfaces
 
Premium 6-channel audio interface featuring high resolution audio recording
Notes: The updated Komplete Audio 6 is one of our favourite interfaces, packing six-in, six-out audio connectivity and MIDI into a neatly designed, stylish box with handy level control.

Supplier's notes:
Connect, create, and collaborate with our six-in, six-out audio interface. Featuring high-definition recording, ultra-low latency, and flexible connectivity, AUDIO 6 brings your whole setup together. You can plug in mics, guitars, and synths, create send and return loops with effects, and control synths and drum machines. Plus, you get all the software you need to capture performances, build songs, and polish recordings - bring any idea to life.

Whether recording your next album or gigging your latest release, your focus should be on creating at your best. With pro-grade sound, gig-ready portability, and plug-and-play simplicity, AUDIO 6 lets you do just that.

AUDIO 6 works with all your mics, instruments, and headphones. You've got a choice of connections and features: 48V phantom power, MIDI in/out, and four analogue outputs with additional CV/gate control for your analogue gear. Plus, easy-to-see top panel LED VU-meters for all four analogue inputs and the main stereo output.

Whether you're a solo performer, duo, or a full band, the AUDIO 6's pristine audio quality lets you sound as good on stage as in the studio. Turn your laptop into a live rig or vocal processor, with flexible connections to fit any performance. USB bus-power means fewer cables and power supplies, plus a big volume knob on top lets you make easy level adjustments while on stage.

Two high-power headphone outputs, with individual level controls, make it easy to collaborate. Hear exactly what you're recording, in real-time, with latency-free direct monitoring that lets you blend playback and monitored audio to your liking. We've also doubled their output power - great for stage use or high-impedance headphones.

Whether at a small band session or a freewheeling modular synth jam, having a flexible set of connections lets you bring your ideas together and capture music in the moment. XLR, TRS, S/PDIF, and MIDI aren't just letters, they're ways to make music happen - and we've put these connections right where you need them.
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 2 in stock $170.72
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Cat: 679163 Rel: 09 Mar 18 • View all Synth modules
 
Eurorack recreation of classic sampler filter with added resonance & voltage control
Notes: 'MUM M8' is an 8hp Eurorack low pass filter building on the filter design used in the classic Akai S950 12 bit sampler with the addition of resonance, voltage control, clipped saturation and a dedicated VCA.

The low pass filter gives the recognisable super smooth vacuum like tone sucking sound which works magic on complex sources. The addition of clipped overdrive and intentionally aggressive self-oscillating resonance compliment the smooth filter core by juxtaposing it into more wasp like territory with acidic squeals and a more gritty sound.
Mum M8 features dual voltage control with attenuation (and inversion) of filter cut off and voltage control of resonance together with dual audio inputs - one of which includes a VCA to with the capability to aid overdriving signals into the filter core.

The filter core is a 6th Order Butterworth switched capacitor type design featuring an analog core but controlled by a high speed digital clock. This produces the characteristic smooth sounding filter but, as with the original S950, has a relatively high minimum cut off as to avoid 'clock bleed' into the filter output from the digital control. This minimum cut of point (and introduction of bleed if required) can be controlled via trimmers on the rear of the module (see calibration chapter). It is not unusual for there still to be some low-level artefacts from the clock present, particularly during filter sweeps - these add to the filters character.

The motivation for the module came from discussing filters in classic samplers with the artist Jack Adams - aka Mumdance. Jack suggested investigating the S950's filter well known as for it use in classic use in early jungle and hardcore. From that point onward Jack provided inspiration, help and feedback in the development of the filter. Big up Mumdance.
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 4 in stock $177.86
AKG K712 Pro Studio Headphones (studio headphones)
AKG
Cat: 492017 Rel: 05 Jun 13 • View all Studio headphones
 
Studio headphones with wide 10Hz-39.8KHz frequency response
Notes: Some of our favourite studio headphones, suitable for mixing, sound design and critical listening. Open-backed design gives a more natural sound than the more common closed-back designs.

Supplier's notes:
For precision listening, mixing and mastering.

The K712 Pro's are reference, open, over ear headphones for precise listening, mixing and mastering. The over ear design guarantees maximum wearing comfort for fatigue-free mixing and mastering, while providing spacious and airy sound without compromise. Their precise powerful sound results from improved low end performance by 3dB. Being hand crafted in Austria, the K712 Pro's represent the high quality and legendary design AKG is internationally known for.

These headphones have a genuine soft leather headband for a lightweight and comfortable fit, and the carefully selected transducers ensure consistency and accurate localization.

The K712 Pro's come with a professional mini XLR connector for quick replacement of the cable. Also included is an additional coiled cable and a premium carrying bag.
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 8 in stock $197.19
Cat: 632727 Rel: 14 Nov 16 • View all Audio & MIDI interfaces
 
2-in/4-out high performance USB audio interface
Notes: Really neatly designed audio interface with built-in studio monitor control. Two line/mic inputs, stereo line/headphone outs, plus ADAT digital connection for future expansion. A smart idea backed up with high-quality sound.

Supplier notes:
iD14 delivers the audio performance of a large format console in a compact and elegant desktop package. iD14 provides a pair of world-class Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I and the revolutionary ScrollControl. With its versatile feature set and intuitive layout, iD14 will become the hub of your studio in no time.

The professional sound you deserve:
We are the only company that use the same Class-A mic pre design throughout our entire product range, whether you're in the studio with an Audient console or on the road with iD14, you're always guaranteed the same world class Audient sound. Developed by design legend David Dearden and optimised over 18 years of refinement, our mic pre is used by thousands of professional studios around the world. With its versatile nature and smooth tone, the iD14 will quickly become your 'go to' mic pre.

Brilliance on the inside enables brilliance on the outside:
iD14 provides you with high performance AD-DA converters from Burr Brown, the leaders in converter technology. Quality in the analogue stages of design comes from years of experience as analogue console designers, and when coupled with outstanding converter technology it enables you to hear audio as it's supposed to sound. The importance of converters should never be underestimated. Experience audio the Audient way. Brilliance on the inside enables brilliance on the outside.

Simply scroll to control:
Get hands on control of your software with iD14's ScrollControl. With a touch of a button iD14's volume encoder becomes a virtual scroll wheel that allows you to adjust DAW hosts, plug-in parameters, iD14's mixer app and even scroll through your iTunes library - just like you're adjusting a piece of hardware. Wherever your mouse pointer hovers, the iD knob can scroll to control!

Plug in and be inspired:
As well as offering you 2 channels of mic pre, iD14 has a harmonically rich JFET D.I input. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine straight in and start recording instantly.

Customise your control surface:
It gets even better! When not using the virtual scroll wheel, the iD button can be assigned to control iD14's monitoring features. Following in the footsteps of its critically acclaimed big brother iD22, we've still included DIM, CUT, Polarity Reverse, Mono Sum, Talkback and Cue Mix monitoring, all of which can be assigned to the iD button.

Grows with your needs:
Need to track drums? No problem! As your system grows, iD14 can be expanded via the optical input connector, supporting both ADAT and S/PDIF. Enabling you to expand up to ten inputs via an eight-channel mic pre, such as the ASP800.

Discover just how simple it can be:
We understand the need to keep things simple and iD14's mixer app was designed with that in mind. Whether you're creating low latency cue mixes or utilising the flexible monitor control, iD14 tightly integrates the hardware and software making the recording process easy. Enabling you to concentrate on what's really important - the music.

Quality deserves protection:
iD14 has been designed to last, from its all-metal construction, hand finished aluminium knobs and high grade component selection, iD14 will stand up to countless late nights in the studio and days on the road.
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 2 in stock $174.80
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Cat: 572312 Rel: 27 Apr 15 • View all DJ headphones
 
Professional DJ preset modular headphones with 40mm titanium coated drivers & 3.2m coiled cable with 1/4" adapter
Notes: Stylish and sturdy headphones from Danish brand AIAIAI, with a clever modular design to allow customisation by the user. This preset version is the obvious starting point for DJs, with punchy sound and good isolation.

Supplier's notes:
This configuration is based on the original TMA-1 DJ, which is the preferred choice of a range of acclaimed DJs. Centered sound stage and high isolation.

This preset has been configured with the titanium-coated S02 speaker unit that delivers a punchy and intense sound representation, focusing on bass and low end dynamics. The combination of the durable H02 nylon headband and the E02 on-ear PU leather earpads, which provides high isolation, results in a powerful, sturdy headphone suitable for live performance and electronic/bass heavy music.

Engineered with a 40mm titanium-coated driver to reduce distortion, and designed with an internal vent allowing the middle bass to be more clear and punchy, which is great for picking up the beat. A gradual dip towards the high frequencies prevent listening fatigue.

The Speaker Unit housing is injected moulded from durable ABS material and coated with rubber to give a matte look with a soft feeling. Both plugs feature a cable lock that securely locks the cable in place.

New reinforced injection-moulded headband made from the best engineering nylon grade available. A durable compression moulded silicone headpad gives a better grip and the rugged headband is easy to clean after a long night in the club.

Gold plated plugs ensure optimal connection to your speaker units and the cable locks keeps the cable in place.

Soft on-ear foam cushion covered with PU leather. The thickness of the cushion and the materials used give a closed and intense sound representation. Produces strong bass and low end dynamics.

High isolation. Good for DJing and electronic music. Centred sound stage and high isolation. Height 20 mm. Outer diameter 70mm. Inner diameter 32mm.

Coiled, black, 1.5m thermo plastic cable with soft touch surface. Extends up to 3.2m. Perfect for DJing or small studio use. Comes with 1/4" to 1/8" screw-on adaptor.
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 1 in stock $151.29
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Cat: 588824 Rel: 02 Oct 15 • View all Synth modules
 
2 pole multi-mode filter synthesiser module - 4HP wide
Notes: MMF is a 2 pole Multi-Mode Filter in 4 HP. It has simultaneous LowPass, BandPass and HighPass filter outputs.

MMF will self oscillate into a nice sine wave and track 1V/octave. The Resonance is voltage controllable.

The PING input is for a gate or trigger, and generates a fast decay envelope with a nice sound, reminiscent of a vactrol filter, but without the vactrol. PING can normal to the FM jack, or go direct (switchable behind the panel).

The FM input is connected to an attenuverter pot to give you control over the signal.

Power Draw: +62mA, -24mA. 4HP Width. 25mm Depth.
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MRP:$196.27 SAVE 18%
 1 in stock $160.49
Cat: 742232 Rel: 16 Dec 19 • View all Synth modules
 
4HP voltage expander module for the METRON trigger & gate sequencer
Notes: Expander for WMD's Metron, a 16-channel trigger and gate sequencer module. Adds four tracks of voltage sequencing per module, turning the Metron into an even more powerful sequencer

Supplier notes:
Voltera is a voltage expander module for the METRON trigger and gate sequencer and adds 4 bipolar voltage tracks in 4hp. Up to 16 Volteras can be added to a single METRON giving you up to 64 CV Sequencing lanes for your Eurorack modular system!

With independent voltage ranges and quantize settings per track, Voltera allows for real time control over 4 different parameters at once, allowing you to dial that track to the parameter you are sequencing.

Sequence melodies, modulate parameters, and more with ease by adding Voltera to your METRON set up.
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MRP:$226.94 SAVE 26%
 9 in stock $167.65
Cat: 502922 Rel: 24 Sep 13 • View all Studio mixers
 
8 channel mixer with boutique quality Onyx preamps
Notes: Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the "race to the bottom," VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.

The performance of Mackie's Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.

The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.

Mackie VLZ mixers are truly built like a tank. From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. The VLZ4 series is certainly no exception. With a nearly indestructible steel wrap around chassis and features like grime resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.
VLZ4's new black powder coat finish, cockpit inspired controls and high contrast knobs not only optimise your mixer's usability in low light scenarios, it also means your mixer looks as good as it performs.

Mackie's VLZ4 line is extremely comprehensive, offering mixers of every channel count, every price point, for every application. From the ultra compact 402VLZ4 for desktop applications to the tour friendly 3204VLZ4, you can be sure there is a VLZ4 mixer with the right feature set for your needs
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 1 in stock $172.76
Grado DJ200i Cartridge & Stylus (cartridge + stylus)
Cat: 304485 Rel: 17 Mar 08 • View all DJ cartridges
 
DJ cartridge & stylus
Notes: The DJ200i is the premium DJ cartridge from hi-fi specialists grado. Hand engineered for a premium quality, rich, warm and unique sound, the DJ200i is built and designed to meet the demanding needs of the professional DJ. A step above anything else in this price bracket, and many cartridges priced significantly higher.

The grado specially engineered transmission line cantilever allows for the ideal transfer of music signal and for safe and effective stylus back-cueing. The prestige model DJ200i uses a modified 4 piece otl cantilever technology, oxygen free wire in the coils and a specially designed, high polished, diamond mounted in a brass bushing for possibly, the most advanced DJ cartridges ever offered to the professional DJ market.
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 4 in stock $160.21
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Cat: 575544 Rel: 19 Jun 15 • View all Microphone accessories
 
Acoustic treatment that isolates your microphone from the external environment, fits most large diaphragm condenser microphones
Notes: Professionally record your vocals anytime, anywhere, simply by placing the Eyeball on your microphone.

The Eyeball is acoustical treatment that isolates your microphone from the external environment. Rather than treating your surroundings, the Eyeball is designed to target the two most important variables in the recording process: your voice, and the microphone. By focusing your voice to an isolated microphone, the Eyeball is able to capture the complete spectrum of your voice and reduce much of the external environment, all the while giving you clear and concise vocals free of any coloration. Creating your ideal recording space is as easy as placing the Eyeball over your favorite microphone.

Control Your Sound:
Captures your pure vocal tone without any coloration

Cut back on mixing:
Lessens the need for excess equalization and post production processing

Integrated Pop-Filter:
Includes a built-in, detachable pop filter

Reduce Ambiance and Reflection:
Isolates and treats your space while reducing the external environment

*Please note - microphones shown in product images are NOT included*
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MRP:$244.11 SAVE 27%
 3 in stock $177.86
Cat: 584259 Rel: 15 Apr 16 • View all Synth modules
 
High quality quad linear voltage controlled amplifier (VCA) synthesiser module - 8HP wide
Notes: 'Tangle Quartet' is a high quality quad linear voltage controlled amplifier (VCA) providing individual level control of 4 signal inputs with both individual outputs and a combined 'mix' output (for non patched outputs) . Control signal inputs and associated attenuation controls allow for voltage control of signal levels. Control inputs are normalised to 5v thus providing manual mix control in the absence of control signals.

Technical Specifications:

Supply: +/-12V (Reverse voltage protection)
Current Draw: ~80ma
Size: 8 HP
Depth: 32mm (including power header)
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 5 in stock $171.73
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Cat: 695711 Rel: 09 Oct 18 • View all MIDI controllers
 
USB control surface featuring new design for easier & faster control of your DAW
Notes: Bring hands-on control to your software with Presonus' simple little USB controller. Physical transport controls and a nice long fader to help streamline your creative process in your DAW.

Supplier's notes:
The latest generation of PreSonus classic USB control surface, the FaderPort enables you to record and mix with a smooth, touch-sensitive, motorized, 100 mm fader; transport controls; and many of the new workflows introduced in the FaderPort 8 and 16. Manage markers, punch in and out with a footswitch (not included), arm tracks, and employ the innovative Session Navigator to control your favourite DAW application quickly and easily. The FaderPort connects via USB 2.0 and offers native control of PreSonus Studio One DAW (Studio One Artist is included), including Control Link support and parameter follow, allowing quick hardware access to any control.
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 3 in stock $162.54
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Cat: 763186 Rel: 23 Jan 20 • View all DJ headphones
 
DJ headphones
Notes: Latest version of the classic Technics DJ headphones, updating the classic RP-DJ1200 design, which sold more than half a million units in its lifetime. Solid stuff. Popular for a reason.

Supplier notes:
New-Standard EAH-DJ1200 DJ headphones with excellent functionality, furability, and DJ playing performance.

The EAH-DJ1200 is a successor model to the RP-DJ1200, which has sold more than 500,000 units since it was launched in 1996. While inheriting the basic concept of the previous model, the EAH-DJ1200 better meets the needs of today's DJ users, resulting in DJ headphones with more advanced functions, design and sound quality. In addition to ordinary listening, the EAH-DJ1200 provide precise monitoring of the beat even in large-volume sound environments such as those in clubs. The matte finish black colour design also makes it an excellent match for the SL-1200MK7 DJ Turntable.

The newly developed driver uses a 40mm-diameter CCAW voice coil. It achieves clear, detailed sound, and high-durability input (2,500 mW) with no distortion even at high volumes. Also, because the sound is well balanced from low to high ranges, DJ play in high-volume surroundings is not buried in noise and monitoring is comfortable.

The EAH-DJ1200 is a lightweight on-ear type design. The housing is equipped with lockable swiveling mechanisms so the headphones can be used for monitoring with one ear. It adapts to all styles of monitoring by DJs. The headphones can be folded compactly for easy portability and storage.

The detachable cord is easy to clean and maintain. A locking mechanism is provided to prevent accidental detachment of the cord during use. The stretchable coiled cord, coupled with the L-type plug which resists internal wire breakage, enables extra ease of use and high durability. It withstands harsh and intense usage by professional DJs.

Based on the RP-DJ1200, which remained as a long-selling model in the market for more than 20 years, the EAH-DJ1200 sports a contemporary black color scheme for an updated appearance. Armed with high durability and excellent functionality, the EAH-DJ1200 matches perfectly with the SL-1200MK7, which features a matte black finish.
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 7 in stock $166.86
Cat: 492001 Rel: 17 Jun 13 • View all Studio monitors
 
Active nearfield monitor with 6.5" cone woofer and 1" dome tweeter
Notes: Loosely inspired by the look of the classic NS10 studio monitors, Yamaha's HS range offers much more modern sound. Punchy low end and clear highs from this 6.5-inch model.

Supplier's notes:
This second generation of 'HS' nearfield reference monitors, like their predecessors, share the same design philosophy as the legendary NS-10M studio monitors - Providing accurate signal reproduction and superior sonic performance.

The Yamaha HS7 employ a new, highly efficient tweeter providing an extended high frequency range up to 30KHz. The matching HS8S 150W powered subwoofer provides an extend bass when a well defined bottom end is required.

A low resonance enclosure built using a three way mitre joint technique ensures that the corners of the speaker are firmly anchored leading to dramatically improved durability and the elimination of unwanted resonances that can colour the original sound. Yamaha's 'Vortex Sound Control' technology is deployed to decrease unwanted airflows around the speaker ports. This in turn reduces audible noise by up to 6dB.

Product video: http://www.youtube.com/watch?feature=player_embedded&v=Dvj3StP4fVE
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 2 in stock $176.61
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Cat: 734886 Rel: 15 Oct 19 • View all Synth modules
 
Stereo filter with voltage controlled resonance - 6HP
Notes: Versatile stereo digital filter based on Endorphin's Grand Terminal module. CV-controlled cutoff, resonance and separate high-pass filter. Simple but effective.

Supplier notes:
The Squawk Dirty To Me is a stereo filter with voltage controlled resonance. It features eight filter modes and zero-delay feedback.

- Simple and effective 6hp stereo VCF
- 8 filter modes available with meta CV scanning, famous zero-delay feedback Grand Terminal filters
- Additional hi-pass filter in series quickly cuts the boomy low end
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 4 in stock $157.42
JBL
Cat: 760079 Rel: 20 Feb 20 • View all Studio monitors
 
studio monitors with Bluetooth
Notes: Punchy little Bluetooth-equipped desktop monitors from JBL. Compact 4.5-inch co-ax design with plenty of power for their size. A nice entry-level option for production or DJing.

Supplier's notes:
JBL 104-BT compact reference monitors with Bluetooth, the newest models in the 1 Series line, draw from seven decades of JBL Professional engineering to deliver the truest, most accurate sound in their class. They're perfect for recording musicians, producers, podcasters and vloggers, as well as professional audio engineers seeking an accurate portable reference with Bluetooth streaming.

JBL 104-BT Reference Monitors combine a powerful coaxial 4.5-inch (118 mm) low-frequency driver and .75-inch (19 mm) soft-dome tweeter, potent integrated 60-watt amplification and an innovative acoustic design to reproduce honest sound with exceptional imaging and crisp detail. Bluetooth streaming lets you check mixes over Bluetooth to make sure they sound great in every listening scenario.

Both the black 104-BT and white 104-BTW versions are sleek, elegant designs and compact form factors, making stunning statements in any studio while conserving valuable work space.

Creative professionals, music lovers and anyone who wants the flexibility to stream both wired and wireless sound into high-quality studio monitors can count on JBL 104-BT to provide an accurate, reliable sonic reference and a truly enjoyable listening experience.

Great mixes start with honest mix references. With JBL 104-BT, you'll hear the content you've created in true clarity and detail, with none of the coloration that can compromise your mix decisions. 104-BTs are optimized for desktop placement, and their smooth off-axis response means you can reference your mixes confidently across a wide sweet spot.

The world's top recording studios and touring artists rely on JBL Professional monitors to deliver unparalleled fidelity and performance. With our 1 Series, we've optimized that technology in our smallest form factor ever. The 104-BT Reference Monitor's innovative coaxial driver design features a high-frequency driver aligned with a woofer cone precisely contoured to deliver accurate response, exceptional detail and impressive off-axis performance. The result: neutral, accurate sound, anywhere. The cabinet's precisely contoured low-frequency port works with the driver to deliver powerful, tight bass at any volume level.

The 104-BT offers the convenience of Bluetooth streaming, which gives audio engineers the ability to check their mixes over Bluetooth to ensure they translate well to common listening scenarios.

The JBL 104-BT Reference Monitors' integrated 60-watt Class D power amplifier distributes a potent 30 watts per speaker.

JBL 104-BT Reference Monitors integrate smoothly into any production workspace, thanks to smart features like a front-panel input control that selects Bluetooth, Aux, RCA, TRS or combines all inputs- quickly check references or switch easily between tasks like playing back your tracks and taking a phone call. Or, select all inputs for a simple mix. Front-panel volume control allows convenient level adjustments without straying from the sweet spot, and a front-panel headphone jack automatically mutes the speakers, giving you isolation in one simple step. And, JBL 104-BT Reference Monitors' dual 1/4-inch balanced, dual RCA and single 1/8-inch inputs accommodate a wide range of signal sources.
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Genki Instruments Wave Ring Controller (Bluetooth MIDI controller)
Cat: 744609 Rel: 06 Sep 19 • View all MIDI controllers
 
Wearable Bluetooth MIDI controller
Notes: Wave is the ring that allows musicians to easily control sound, shape effects and send commands with the motion of their hands. It offers six functions that can be used individually or combined in any way you like: Tilt, Pan, Roll, Vibrato, Tap, Click.

Four different motions allow you to control any parameter in a new way. By tapping any surface you can trigger notes or samples. Easily accessible buttons on the ring allow you to cycle between presets, send commands and simply pause Wave so you can move your hands freely without changing anything.

You can easily customize each function to suit your setup. You can for example customize:

- Movement range
- Sensitivity of taps (how hard you need to hit the surface)
- CC values of output
- Which note values are sent out by taps and button clicks

Users can use Wave with Softwave, a software layer that allows users to intuitively map movements to MIDI messages or host AU/VST3 plugins and create their own presets. Softwave comes for free with every Wave and has a built-in synthesizer engine so users can start playing right away.

With the purchase of Wave users also receive access to Native Instrument's Reaktor Blocks which includes Waveblock. Waveblock connects Wave instantly to Blocks and allows users to combine Wave out of the box with Reaktor's powerful synthesis engine.

Wave also works as a stand alone MIDI controller that connects to your DAW. Each function can be mapped to control different parameters directly within your DAW.

The Wavefront module is the Eurorack receiver for Wave that allows Wave to connect to modular synthesizers. With Wavefront you can completely bypass the computer and bring unprecedented sound control, effect shaping and manipulation to modular setups.
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MRP:$202.41 SAVE 16%
 3 in stock $170.71
The Complete Matrix Tapes (180 gram vinyl 8xLP box set + 18 page booklet)
UMC
Cat: 570957 3. Rel: 12 Jul 19
Rock
  1. I'm Waiting For The Man (version 1) (13:06)
  2. What Goes On (version 1) (9:02)
  3. Some Kinda Love (version 1) (4:58)
  4. Heroin (version 1) (8:07)
  5. The Black Angel's Death Song (version 1) (6:18)
  6. Venus In Furs (version 1) (4:37)
  7. There She Goes Again (version 1) (3:12)
  8. We're Gonna Have A Real Good Time Together (version 1) (3:21)
  9. Over You (version 1) (2:25)
  10. Sweet Jane (version 1) (5:12)
  11. Pale Blue Eyes (version 1) (6:07)
  12. After Hours (version 1) (3:01)
  13. I'm Waiting For The Man (version 2) (6:34)
  14. Venus In Furs (version 2) (5:10)
  15. Some Kinda Love (version 2) (4:03)
  16. Over You (version 2) (3:04)
  17. I Can't Stand It (version 1) (7:54)
  18. There She Goes Again (version 2) (2:51)
  19. After Hours (version 2) (2:31)
  20. We're Gonna Have A Real Good Time Together (version 2) (3:41)
  21. Sweet Bonnie Brown/It's Just Too Much (7:53)
  22. Heroin (version 2) (10:03)
  23. White Light/White Heat (version 1) (9:26)
  24. I'm Set Free (4:47)
  25. We're Gonna Have A Real Good Time Together (version 3) (3:15)
  26. Some Kinda Love (version 3) (4:39)
  27. There She Goes Again (version 3) (2:59)
  28. Heroin (version 3) (8:27)
  29. Ocean (11:02)
  30. Sister Ray (part 1) (19:42)
  31. Sister Ray (part 2) (17:36)
  32. I'm Waiting For The Man (version 3) (5:23)
  33. What Goes On (version 2) (4:38)
  34. Some Kinda Love (version 4) (4:06)
  35. We're Gonna Have A Real Good Time Together (version 4) (3:19)
  36. Beginning To See The Light (5:36)
  37. Lisa Says (5:49)
  38. New Age (6:41)
  39. Rock & Roll (6:51)
  40. I Can't Stand It (version 2) (7:00)
  41. Heroin (version 4) (8:17)
  42. White Light/White Heat (version 2) (8:43)
  43. Sweet Jane (version 2) (4:17)
 in stock $150.26
Cat: 700731 Rel: 29 Aug 18 • View all Studio headphones
 
High-resolution professional monitoring headphones
Notes: Beautiful closed-back headphones from Sennheiser, ideal for critical listening and mix applications. Not the cheapest, but sound on par with much more expensive options.

Supplier's notes:
The newly developed HD 300 PRO delivers a neutral, high-resolution working sound. Its huge depth of detail passes through even in the loudest of environments. Irrespective of whether you are editing, playing or composing music, and regardless of whether you're behind a drum kit, at the mixing desk, in a live setting or in the studio, the HD 300 PRO provides the details that you need for making good decisions.

The HD 300 PRO works at the same level of precision that you apply to your production. To make this possible, we have pushed its acoustic properties to the boundaries of physics and recalculated them. Firstly, it's linear frequency response. It doesn't interpret, but rather ensures neutral transparency - the basis for good decisions. Its sound pattern remains delicate and precise in every application - across the entire spectrum.

Secondly, we have reduced distortion, wobbling motions and partial vibrations of the diaphragm to a minimum. Together with highly sensitive transducers, this construction guarantees powerful and distortion-free reproduction even at high sound pressure levels. Not to mention the recalculated air volumes in front of the ear. The HD 300 PRO gives the sound a remarkably natural, three-dimensional quality.

The design of the HD 300 PRO represents a smart combination of wearing comfort and ambient noise attenuation. Its circumaural, viscoelastic earpads can barely be felt even after several hours. And they provide reliable protection even against very loud ambient noise. To achieve this, we have designed the acoustic unit to be more isolated than a monitoring set has ever been. Even after sessions lasting several hours, you will detect only its sound - not its weight.

What's in the box?

1 x HD 300 PRO headphones
1 x Cable (1.5m with 3.5mm jack)
1 x 1/4" Adapter jack
1 x Quick start guide
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8: Kindred Spirit Live From Lobero (Super Deluxe Edition) (3xLP box set + 2xCD + DVD + booklet + hand-numbered autographed inserts)
Cat: 800157. Rel: 20 Mar 20
Jazz
  1. Dream Weaver (20:57)
  2. Requiem (11:32)
  3. La Llorona (9:13)
  4. Part 5 Ruminations (18:12)
  5. Abide With Me (5:55)
  6. Song For Charles (3:02)
  7. Island Blues (10:35)
  8. Shenandoah (11:26)
  9. Sombrero Sam (10:36)
  10. Green Onions (8:16)
  11. Forest Flower (11:20)
  12. You Are So Beautiful (5:54)
  13. Dream Weaver
  14. Requiem
  15. La Llorona
  16. Part 5 Ruminations
  17. Abide With Me
  18. Song For Charles
  19. Island Blues
  20. Shenandoah
  21. Sombrero Sam
  22. Green Onions
  23. Forest Flower
  24. You Are So Beautiful
  25. Dream Weaver (part 1)
  26. Requiem
  27. La Llorona
  28. Part 5 Ruminations
  29. Abide With Me (Part2)
  30. Song For Charles
  31. Island Blues
  32. Shenandoah
  33. Sombrero Sam
  34. Green Onions
  35. Forest Flower
  36. You Are So Beautiful
 in stock $171.73
Cat: 602195 Rel: 10 Aug 16 • View all Synth modules
 
Full featured VCO/LFO synth module - 8HP wide
Notes: Full-featured triangle core VCO/LFO

The Dixie II+ is a larger variant of the classic Dixie II. Using the same great triangle core oscillator, it adds a number of features to make it even more versatile with only a modest increase in size. The Dixie II+ makes a great primary oscillator for a modular system, or a great companion the Rubicon.
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 5 in stock $198.32
Cat: 749811 Rel: 15 Nov 19 • View all Synth modules
 
Complete miniature monophonic synthesiser module - 10HP
Notes: VCO:

- Tune: manual tune control (with an internal jumper the range can be set to ~ +/-1 half an octave or ~ +/-2.5 octaves)
- Oct: range switch -1 / 0 / +1 octave
- Mod: modulation depth (attenuator wired to the Mod. socket)
- Dest: switch that is used to address the modulation to frequency modulation (position FM) or pulsewidth modulation (positon PM), in centre positon no modulation
- PW: manual pulsewidth control for rectangle waveform, PW can be also modulated by the Mod. input as mentioned above
- Wave: waveform switch (sawtooth / off / triangle), the sum of the waveform chosen by this switch and the rectangle is fed into the VCF (to turn the rectangle off the PW control has to be set fully CCW or fully CW)
- 1V/Oct. (socket): external CV input for VCO frequency (1V/octave)
- Access to internal bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)
- Triangle core VCO, frequency range about 32Hz ... 8kHz

Balance unit:

- The balance unit is made of two VCAs which are controlled by the sum of manual Balance control and the balance CV input in the opposite direction.
- The audio input of VCA1 is hard-wired to the VCO output, audio input 2 is connected to the socket Ext.In.
- The output of the balance unit is used as audio input for the VCF
- Bal.: manual balance control, fully CCW the internal VCO is used, fully CW the external signal (Ext.In) is used, at centre position both signals have about the same level
- CV Bal.: CV input for balance (range about 0...+5V)
- Ext. In: external audio input for VCA2, about 5 Vpp level required for similar loudness as the internal VCO
- This socket is normalled to the internal VCO suboctave f/2 signal (rectangle with half the frequency), if no external signal is applied the suboctave signal is used as the second signal for the balance unit

VCF:

- 24 dB low pass
- Frq: manual frequency control
- FM1: frequency modulation depth (attenuator wired to the VCF FM1 socket, the socket is normalled to the internal Envelope signal and then FM1 controls the modulation depth of the internal envelope applied to the filter)
- FM2 (socket) : second CV input for VCF without attenuator (about 1V/octave), can be used e.g. for VCF tracking by connecting the same CV which is used also for the VCO frequency
- Res: manual resonance control (up to self oscillation)
- If the VCO is turned off (waveform switch = centre position, pulsewidth control = fully CCW or CW) and the VCF resonance is set to maximum the module can be used as a sine oscillator, the tracking at socket VCF FM2 is about 1V/octave (not as precise as the VCO but much better than most other filters)
- ~ 11 octaves frequency range (~ 10 Hz ... 20kHz)

VCA:

- Gain: manual amplitude control (initial gain), can be used to open the VCA without envelope signal
- VCA (switch): used to switch between gate and envelope as control signal for the VCA, in centre position the VCA is not controlled by envelope or gate
- Note: when gate is used the VCA is controlled directly by the gate signal (i.e. hard on/off), this may lead to clicking noise under certain conditions (especially with low VCO/VCF frequencies)
- Special control scale: exponential scale in the range from about -20dB to -80/90dB, linear scale from about -20dB to 0dB
- Remark: this special control scale results in a loudness behaviour that is a bit different from pure linear or exponential VCAs
- Out: audio output of the module (= VCA output)

Envelope:

- Gate (socket): Gate input (min. +5V), can be normalled to the bus gate signal by means of a jumper
- Att: manual control for Attack
- D/R: manual control for Decay/Release
- Env. (switch): used to switch between A/D, ADSR and A/R mode of the envelope generator, in centre position (ADSR) the sustain level is fixed to about 50%
- Envelope (socket): envelope output (about +10V)
- CVT (socket): CV input for time control, by means of two internal jumpers one can select which time parameters are controlled by the CVT input (e.g. A only or D/R only or A/D/R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question)
- Envelope LED display
- Attack time range: ~ 1ms ... 5 sec (can be extended by using the CVT input)
- Decay/Release time range: ~ 1ms ... 15 sec (can be extended by using the CVT input)
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 2 in stock $171.73
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Cat: 584252 Rel: 15 Apr 16 • View all Synth modules
 
12bit digital drum voice synth module with full voltage control and an analog EQ output path - 12HP wide
Notes: Dinky's Taiko' is a 12 bit digital drum voice with full voltage control and an analog EQ output path.

The drum voice consists of 3 parts; a digital noise source with controllable frequency and release time, a wavetable oscillator with start and end frequency settings together with a variable rate (and release time, and finally a mix and tone control for the audio output. All settings, bar the tone control, are both direct and voltage controllable.

The drum voice includes a trigger input as well as accent and choke trigger inputs to add further expressive and rhythmic control.
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 2 in stock $192.19
Cat: 717581 Rel: 06 Feb 19 • View all Synth modules
 
Four channel stereo mixer with balanced 1/4-inch & headphone out - 12HP
Notes: The Listen Four Quarters is a four channel stereo mixer with 1/4" (6.35mm) TRS balanced outputs and 1/8" (3.5mm) headphones output. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four Quarters can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.
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 1 in stock $177.87
Cat: 657758 Rel: 21 Jul 17 • View all Synth modules
 
Compact step sequencer & modulation source module - 6HP
Notes: Tirana is a super-compact step sequencer and modulation source, serving as the utility module for supporting other sequencing devices, but due to a suite of smart features, the module shines on its own terms. Tirana sports unipolar and bipolar voltages, mutable step triggering, transposition, and direction change controlled externally via CV. The step repeat function and virtually infinite expandability make it even more powerful.
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 2 in stock $154.36
Cat: 689665 Rel: 14 Jun 18 • View all Synth modules
 
VC addressable sequential switch & sequencer - 16HP
Notes: Muxlicer is a sequential signal processor designed for add a huge range of special functions to your modular setup in the minimum space.

Muxlicer is divided in three main blocks: Digital Step Controller, Gate Generator and Analog Switch (a.k.a. Mux/DeMux).

The module is designed with high "function to HP ratio" philosophy, to have maximum flexibility in minimum space.
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 1 in stock $188.09
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Cat: 689667 Rel: 14 Jun 18 • View all Synth modules
 
Probabilistic & pingable burst generator - 8HP
Notes: Burst is a Pingable Trigger Burst generator with distribution, probability and time division control. It will create multiplications of your triggers, leading to doubles, triplets, quintuplets and true polyrhythms for your modular system.

The module allows you to add voltage controlled redrums and dynamic ratcheting effects for your patches. In addition, Burst works like a regular clock source and trigger for other modules via its Tempo and End of Cycle outputs.
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 1 in stock $151.29
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Cat: 443845 Rel: 11 Jan 12 • View all MIDI converters & accessories
 
Bi-directional MIDI-DCB interface, including 14 pin DCB lead
Notes: The Kenton Pro-DCB brings instant MIDI to those much-loved instruments, the Juno-60 and Jupiter-8 (must have an existing DCB 14 pin). Just plug in and go.

As well as offering control of notes (and program change on Jupiter-8), the interface also has output sockets for filter control and arpeggio clocking. In addition, it boasts a built-in programmable LFO and works both ways (ie. it's bi-directional), so your Juno can be used as a master keyboard if required. We think that you'll find this the most comprehensive MIDI-DCB converter available today, and it's fast too.

2 x 3.5mm mono jack to 1/4" mono jack leads for Clock and VCF are included as well as the selected DCB lead.

*Supplied with UK 3-pin power adapter
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 1 in stock $170.71
Cat: 627789 Rel: 26 Jul 17 • View all Handheld recorders
 
Ultra-compact mono digital recorder with Lavalier microphone
Notes: Capture audio where it happens - No cables, no wireless, no worries...

The TASCAM DR-10L is an ultra-compact, incredibly convenient digital recorder/lavalier microphone combo. For added flexibility, the included wired lavalier microphone is affixed via a 1/8" screw-down lock connector compatible with most Sennheiser lavalier mics and mics with the same connector.

Designed for both the creative filmmaker and the busy videographer, the DR-10L is an immensely powerful problem-solving tool, delivering professional sonics and revolutionary convenience.

Ideal for location recording, a DR-10L can be mounted to each on camera actor, removing the need for booms, wires or expensive (an unpredictable) wireless systems. Perfect or live events, a DR-10L can be worn by each and every member of even the biggest wedding party to ensure that every last word is captured. And lastly, the combination of a portable, high quality digital recorder and a tiny, professionally spec'd microphone makes the DR-10L an inspiring tool for the experimental audio designer.

Stealth fighter:
Building on the success of the DR-10X and the DR-10SG, the DR-10L marries the industry standard TASCAM portable mini-recorder with a high performance lavalier mic. Easy-to-use - and easy-to-wear - the DR-10L can become your secret weapon in the war against poor production audio.

Dual recording records two files simultaneously at different levels:
Film-makers and videographers often experience sudden audio volume jumps during filming. An actor could decide to scream a line and a documentary subject could do almost anything. Designed to be used as a self-contained remote recording device, the DR-10L is well prepared to deal with these scenarios. The DR-10L has several features to prevent distorted audio, but the most secure is Dual Recording. This feature captures a copy of your signal at a lower level, as a safety track in case of distortion.

Automatic file closing saves file data before the battery runs out:
You can always monitor the battery level on the easy-to-read OLED display. If the battery runs out in the middle of a recording, the unit will automatically save the file before turning off so your take isn't lost. And the case is designed so that batteries can be changed quickly, without removing the recorder from the camera shoe mount.

Automatic level, limiter and other functions solve common recording level problems:
If the input sound level is too low or too high, an automatic level function can increase or decrease the recording volume to an appropriate level. The limiter prevents distortion caused by sudden input overloads. These functions save you from worrying about recording level settings in situations when there is no second chance.

Compact and lightweight body that is only 63 g, including battery:
The DR-10L has been designed to be small, light and easy to conceal. Perfect for on-camera talent, documentary subjects or entire wedding parties, the DR-10L can easily be hidden away and so that noting comes between you and the perfect shot (with perfect audio!)

Operates for up to 10 hours continuously on a single alkaline AAA battery:
One easily obtained Alkaline AAA battery powers the DR-10L for up to 10 hours continuously. The DR-10L can also use disposable lithium or rechargeable NiMH batteries.

In the Box:
- Tascam DR-10L Digital Audio Recorder with Lavalier Mic
- Lavalier Microphone
- Microphone Clip
- Windscreen
- USB Cable
- Carrying Case
- Belt Clip
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 9 in stock $178.89
Cat: 746361 Rel: 16 Sep 19 • View all Synth modules
 
Multiband distortion & VCA module
Notes: Distortion is fun, but it's even better when you split it up across the frequency spectrum. Seca Ruina takes an input, splits it up into three frequency bands, and lets you drive them into annihilation. SR includes a bypassable VCA on the output and CV over individual band and universal drive amount. With individual outputs for each band, you can process each band further externally. So much potential in only 6hp!
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 1 in stock $177.86
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Cat: 625059 Rel: 22 Sep 16 • View all Synth modules
 
Mini Mod VCF Transistor Ladder Filter Module
MRP:$239.21 SAVE 18%
 2 in stock $197.29
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Cat: 625062 Rel: 22 Sep 16 • View all Synth modules
 
Mini Mod Discrete Cascaded VCA Module
MRP:$190.14 SAVE 20%
 2 in stock $152.31
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Cat: 625067 Rel: 22 Sep 16 • View all Synth modules
 
Eurorack format dual envelope generator based on the original RA Moog design
Notes: Two independent Contour Envelope Generators in a single 12hp wide Eurorack module. These are very accurate replicas of the Model D contour generators, with identical circuitry and component values running on the correct +9.3V and -10v supply voltages of the original; so they exactly replicate the original envelope response along with all of it eccentricities. Extra features include manual trigger buttons and envelope status LED's.

The contour generators played a larger part in the sound of the Model D than many people realise. There are two factors that make them unique, firstly the exponential slope when is used in conjunction with the (near) linear slope of the original VCA which is responsible for the famous Model D "punch". Secondly, the re-trigger behaviour is quite unique, multiple retriggering increases the output level so that either the volume increases incrementally, or the filter opens incrementally with each extra key press.

AJH Synth have added independent Decay switches for each individual Contour Generator rather than the shared switch on the original synthesiser, these switches change the Contour response from AD (switch up) to ADSD mode (switch down).
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 2 in stock $181.96
Cat: 531918 Rel: 02 Sep 14 • View all MIDI converters & accessories
 
Jitter-free MIDI masterclock for hardware gear or synchronisation with DAWs
Notes: Sync all your sequencers with ease and control the BPM - that's what we designed the midiclock for!

It's an ultra-stable hardware MIDI-Masterclock generator & has a great knob to give you full control over the tempo of your performances.

The midiclock generates incredibly accurate MIDI Clock messages.

It has two DIN MIDI outputs to connect to your gear. The clock signal can be distributed to more than two slaves by using MIDI Thru and you can start and stop everything with a single button.

Simply attach all devices that have MIDI Clock slave capabilities: Sequencers, synthesizers, drummachines and software like 'Live' from Ableton.

How to actually set the current BPM depends on the operating mode:

While using 'Live' mode, the BPM change immediately by turning the knob. You can use this mode if you want to make smooth tempo changes in your performance and are aware, that every turn of the knob changes the BPM.

In the 'Normal' mode, the changed value must be confirmed with a single click of the knob. This mode is perfect if you want to set your tempo once and simply need a stable clock signal. Accidental turning of the knob doesn't affect your BPM.
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 1 in stock $159.47
Cat: 758645 Rel: 16 Dec 19 • View all Synth modules
 
6HP Eurorack voltage-controlled delay module
Notes: The Analog Delay Unit is based on the design created for the Voltage Lab synthesizer module. A finely tuned circuit designed to enhance the source material by adding depth and warmth.

Module Overview:

The Analog Delay utilizes a pair of 4,096 stage BBD chips to produce a voltage controllable analog delay signal. Clean delay time can vary from 16ms to 340ms. The maximum delay time can be increased using the TIME CV INPUT delay time maxes out at 465ms but the increased time comes at the cost of fidelity and a bit of high frequency clock noise bleed. The name BBD stands for bucket brigade device in reference to a line of people passing buckets of water to quickly extinguish a fire. Each stage of a BBD chip contains a single capacitor. Pairing two chips together creates a chain of 8,192 capacitors. Like the water buckets, an audio signal is passed from capacitor to capacitor within the BBD chips once every clock step. A slower clock produces a longer delay and a faster clock produces a shorter delay.

Delay time:

Delay time is set by adjusting the DELAY TIME SLIDER. Moving the slider up increases the delay time. Delay time can be voltage controlled by patching into the DELAY TIME CV INPUT JACK and adjusting the DELAY TIME CV TRIMMER. The DELAY TIME CV TRIMMER is an attenuverter. That means the incoming signal is off when the trimmer is set to the 12 o'clock position. Turning the attenuverter to the right passes the original signal through. Turning the attenuverter to the left passes an inverted version of the original signal through. Turning the DELAY TIME CV TRIMMER to the right will increase the amount of CV passed through to the delay time. Turning the DELAY TIME CV TRIMMER to the left will increase the amount of inverted CV passed through to the delay time. Locating the exact off position of an attenuverter can be difficult. The easiest wave to remove the CV signal from the signal path is to simply remove the patch cable patched into the DELAY TIME CV INPUT JACK.

Feedback:

The DELAY REPEATS SLIDER sets the amount of repeats created by the delay. Moving the DELAY REPEATSSLIDER all the way down will produce 1 repeat. Adjusting the slider up increases the number of repeats until the delay begins to self-oscillate.

Output Mix:

The DELAY MIX KNOB acts as a balance control between the dry incoming signal and the wet delayed signal. Turning the DELAY MIX KNOB to the left weighs the output toward the dry signal. Turning the DELAY MIX KNOB to the right weighs the output toward the wet signal. In theory, setting the DELAY MIX KNOB at 12 o'clock creates an even mix of the wet and dry signals. In reality, the tolerance of the potentiometer, waves shape, and dry signal level all influence the location of an even 50/50 mix.
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 1 in stock $189.12
JBL
Cat: 760080 Rel: 20 Feb 20 • View all Studio monitors
 
studio reference monitors with Bluetooth
Notes: JBL 104-BT compact reference monitors with Bluetooth, the newest models in the 1 Series line, draw from seven decades of JBL Professional engineering to deliver the truest, most accurate sound in their class. They're perfect for recording musicians, producers, podcasters and vloggers, as well as professional audio engineers seeking an accurate portable reference with Bluetooth streaming.

JBL 104-BT Reference Monitors combine a powerful coaxial 4.5-inch (118 mm) low-frequency driver and .75-inch (19 mm) soft-dome tweeter, potent integrated 60-watt amplification and an innovative acoustic design to reproduce honest sound with exceptional imaging and crisp detail. Bluetooth streaming lets you check mixes over Bluetooth to make sure they sound great in every listening scenario.

Both the black 104-BT and white 104-BTW versions are sleek, elegant designs and compact form factors, making stunning statements in any studio while conserving valuable work space.

Creative professionals, music lovers and anyone who wants the flexibility to stream both wired and wireless sound into high-quality studio monitors can count on JBL 104-BT to provide an accurate, reliable sonic reference and a truly enjoyable listening experience.

Great mixes start with honest mix references. With JBL 104-BT, you'll hear the content you've created in true clarity and detail, with none of the coloration that can compromise your mix decisions. 104-BTs are optimized for desktop placement, and their smooth off-axis response means you can reference your mixes confidently across a wide sweet spot.

The world's top recording studios and touring artists rely on JBL Professional monitors to deliver unparalleled fidelity and performance. With our 1 Series, we've optimized that technology in our smallest form factor ever. The 104-BT Reference Monitor's innovative coaxial driver design features a high-frequency driver aligned with a woofer cone precisely contoured to deliver accurate response, exceptional detail and impressive off-axis performance. The result: neutral, accurate sound, anywhere. The cabinet's precisely contoured low-frequency port works with the driver to deliver powerful, tight bass at any volume level.

The 104-BT offers the convenience of Bluetooth streaming, which gives audio engineers the ability to check their mixes over Bluetooth to ensure they translate well to common listening scenarios.

The JBL 104-BT Reference Monitors' integrated 60-watt Class D power amplifier distributes a potent 30 watts per speaker.

JBL 104-BT Reference Monitors integrate smoothly into any production workspace, thanks to smart features like a front-panel input control that selects Bluetooth, Aux, RCA, TRS or combines all inputs- quickly check references or switch easily between tasks like playing back your tracks and taking a phone call. Or, select all inputs for a simple mix. Front-panel volume control allows convenient level adjustments without straying from the sweet spot, and a front-panel headphone jack automatically mutes the speakers, giving you isolation in one simple step. And, JBL 104-BT Reference Monitors' dual 1/4-inch balanced, dual RCA and single 1/8-inch inputs accommodate a wide range of signal sources.
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 2 in stock $169.69
Cat: 757118 Rel: 07 Jan 20 • View all Synth modules
 
Analogue voltage controlled bidirectional slew limiter
Notes: For decades, the voltage controlled slew limiter has been a staple of modular synthesisers. With its extreme versatility, it can be used to slew control voltages (CVs), create envelopes, as a low-frequency or audio oscillator and much more.

Today, Contour 1 brings a fresh approach to this classic circuit. It delivers much improved performance and control by incorporating modern design techniques.

At its most basic, a slew limiter slows down the rate of voltage change in a signal. On Contour 1, the rising and falling rates can be individually set using sliders and CV modulation.

The gate and trigger inputs allow the module to be used as a function generator: create snappy attack-release (AR) and attack-decay (AD) envelopes, with slope times ranging from 500 µs to 30 seconds. The dedicated gate input makes it easy to generate +10 V envelopes from any signal source. Using the large tactile push button, AD envelopes can be manually triggered. A trigger will also reset the output voltage.

When set to loop mode, Contour 1 will continually re-trigger itself. In this mode, it fulfils the role of a variable-shape low-frequency oscillator (LFO) or temperature-stable voltage controlled oscillator (VCO) in the audio range.

Both the rising and falling slopes can be individually bent, from concave through linear to convex. While doing so, the deviation in slope time, and thus oscillation frequency, is kept to a minimum. Since the bend parameters are separately voltage controllable, boundless modulation possibilities present themselves.

Explore anything from shape-shifting envelopes to rich VCO timbres: Contour 1 will make you re-think what a slew limiter can do.
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 6 in stock $162.54
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Cat: 590419 Rel: 09 Nov 15 • View all Synth modules
 
Hi-hat percussion synth module made from the legendary TR-808's closed & open hi-hat circuits - 8HP wide
Notes: Introducing the HATS808, part of Tiptop Audio's new series of drum modules that bring analog percussion into the modular synth world, instantly turning your system into a self-contained music machine.

The HATS808 is the TR-808's real, analog closed and open hi-hat circuits adapted for use in Eurorack modular synthesizer format and tested to sound just like it did back in the 80's. Adapting to modular foramt has allowed Tiptop Audio to add some special features for each voice, like independent accent levels, a high-powered gain stage, and a dual-input pulse-shaper. Filter Q and VC-Q knobs were added to the main band-pass filter for additional tuning and to allow you to generate crushed tones and self-oscillation at the knob's max position - all without comprimising the signature sound of the TR-808 hi-hats.

The HATS808 sizzling sound is made using six analog square wave oscillators mixed and processed by band-pass filters. This multi-oscillator design is what give the 808 hi-hat sounds their unique metallic character and akes each HATS808 sound slightlty different from one-another. The original "choke" circuitry that makes it sound so dynamic and tight is fully implemented, just like the original, but can also be disabled if needed, by disconnecting the internal connection between the two hats.

Just like the other drums in this series, the HATS808 high-powered output gain stage allows you to further harmonize the sound using distortion and clipping. On each input, there is a dual pulse-shaper circuit so you can trigger your HATS808 with Trigger/Gate signals from step sequencers, clock dividers or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.
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 2 in stock $152.32
Cat: 518666 Rel: 20 Sep 17 • View all Synthesisers
 
Quality digital toy piano with excellent pitch & accurate tone
Notes: First impressions stay with us. If it's an instrument, the sound of that instrument continues to reverberate in our hearts and minds even when we become adults.

Just because something is called a toy piano, doesn't mean it has to sound like a toy. If the instrument has correct pitch and accurate tone, a child who plays with the instrument will look forward to better instruments as they grow older.

The KORG tinyPIANO is a digital piano made by a musical instrument manufacturer renowned for professional pianos for the children who carry the future.

Accurate pitch and true tone:

KORG believes that the way to foster a true sense of value is to be in contact with true quality from the very beginning. A truly valuable present for our children must be of a quality that will satisfy the adult who chooses the gift. The tinyPIANO lets you play the deep, rich tones of a sampled grand piano with the stable pitch that you expect from a digital piano. With an emphasis on safety and durability, moving parts have been reduced to the minimum and the volume has also been adjusted to a modest level that will be appropriate for a child's ears.

Fashionable, cute, and serious:

The cute design is essentially a miniaturized upright piano, with a fallboard just like on a real piano, and a miniature 25-note keyboard made by KORG for ease of playing. The body makes extensive use of wood for a solid feel when touched, giving it a sense of quality and sophistication that elevates the instrument above the category of toy piano, thus making it ideally suit the decor of any room.

Twenty-five built-in sounds that let you learn while playing:

Good sound is not limited to grand piano tones. There are a total of 25 built-in sounds including sounds that you've heard in classic songs, such as electric piano, clavinet, organ and bell, as well as sounds that befit a miniature piano, such as music box and toy piano tones. You can learn the sounds of instruments while actually playing them, as if the tinyPIANO itself were a picture book of instruments.

Fifty built-in demo songs to enjoy even when you're not playing:

The tinyPIANO contains 50 automatically playing demo songs that cover a wide range of styles. In addition to being a great way to hear skilful performances, these songs can provide enjoyable background music for your room, like a music box. Each demo song is assigned to play using a tone that's appropriate for it, but you are free to specify a different tone to suit your taste or the desired atmosphere. Even when playing back the demo songs at night, you can turn down the volume and enjoy the background music without disturbing those around you.

Small, easily transportable, and powered by AA batteries:

Speakers are built into the compact body. Since the instrument is powered by six AA batteries, you can enjoy piano performances anywhere and anytime. Without needing to be set up in a specific location, you can move the tinyPIANO from the living room to the bedroom or even outside according to how you feel that day, and enjoy music in the style you like. This instrument is too good to let the children monopolize; it's a miniature electronic piano that adults will enjoy as well.
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 1 in stock $161.51
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Cat: 569583 Rel: 30 Jun 15 • View all Synth modules
 
Dual analog VCA and 2-pole VCF, with digital control path - 12HP size
Notes: Streams provides two channels of extremely flexible signal dynamics manipulation.

Each channel consists of an analog voltage-controlled filter and amplifier (VCFA). The response curve of the amplifier section is continuously variable from exponential to linear. The amplifier gain is directly controllable from a CV input, through an attenuator. But what makes Streams truly unique is the multi-purpose EXCITE input. The signal routed to this input is analyzed by a micro-controller and translated into internal control voltages for the VCFA, turning Streams into a very versatile signal contouring tool:

Envelope generator
The EXCITE input can work as a trigger input, triggering an internal AD or AR envelope routed to the gain and the filter cutoff (in variable amount). With only 6-HP of space, you can shape an oscillator or noise source into a full-bodied sound.

Vactrol curve generator
The EXCITE input is processed by a digital model of a resistive opto-isolator (Vactrol), controlling the gain and the filter cutoff (in variable amount). The digital emulation allows the modification of properties of opto-isolators - such as response time - which are otherwise difficult to control. The virtual vactrol response can be either optimized for processing CVs, or triggers (for "plucked" sounds).

Amplitude and frequency content follower
The envelope and cutoff of the EXCITE signal is measured, and applied to the signal on the VCFA input.

Compressor/limiter
Streams' VCF is disabled, and the VCA is used to control the dynamics of the input signal. An intuitive control scheme allows the compressor to be used either for peak reduction/limiting operation; or for boosting signal levels with soft-limiting. The EXCITE input can be used as a sidechain.
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 1 in stock $181.96
Cat: 569585 Rel: 30 Jun 15 • View all Synth modules
 
Tidal modulator signal generator Eurorack synth module - 14HP wide
Notes: Tides is all about waves that go up and down, from minute-long cycles to audio rates... This module is Mutable Instruments' unique take on the looping AD envelope generator - pushing this well-known trope to unknown territories.

The core of the module is a digital asymmetric triangle function generator, which can be used in AD and AR modes (for envelope generation), or looping (as a VC-LFO or VC-DO). The triangle generator is followed by a wavetable waveshaper providing linear, exponential, logarithmic, sinusoidal, or arc-sinusoidal shapes for the A and D segments. Then, a second processor applies either a 2-pole low-pass filter to the waveform, smoothing its sharp edges; or a rubbery wavefolder, adding kinks and "bounces" to the waveform. Because Tides has been designed from the ground up to work at audio rates with minimal aliasing, and because all its parameters are under voltage control, it can be used as a unique self-contained synth voice.

Tides' advanced features include:

- Output level CV input (digital VCA).
- Dual outputs: standard unipolar waveform, and "double-shot" waveform with a positive spike during the ascent and a negative spike during the descent. At audio rate, both of them have a different sound.
- Accurate V/Oct tracking with straightforward calibration procedure.
- Freeze input to temporarily hold the waveform.
- Clock input to lock onto a multiple or fraction of a trigger sequence... or audio signal, PLL-style.

*For audio demos, please visit - http://mutable-instruments.net/modules/tides/demos
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 5 in stock $198.31
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Cat: 566655 Rel: 13 Mar 15 • View all Record trolleys
 
Protective trolley bacg for the safe transportation of up to 50 12" records, extra front pocket holds 45s/headphones and DJ-needles
Notes: The new RIOT LP-TROLLEY 50 is dedicated to the passionate vinyl pros who want to conveniently travel with their records from gig to gig. Crafted from high-grade material components such as the extra-rugged Tarpaulin fabric, PVC-coated zippers and smooth rolling precision inline wheels, it can accommodate up to 50 pieces of 12-inch records and also meets the permitted carry-on luggage size of almost every airline.
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 1 in stock $161.51
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