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Notes: Beyond what you expect from an audio interface.

The Revolution 6×6 is an all-purpose studio dynamo that can serve as a master clock, a standalone DAC and ADC, a master clock, and a 6-in, 6-out class-compliant USB interface with audio quality worthy of the Revolution name. Enjoy world-class clocking and low-noise conversion while tracking to the included Studio One Artist. Use the USB OTG connection to sample audio from your phone or tablet... or send audio from your laptop to your mobile device and stream your performance live online. Sync your other hardware devices via Black Lion's proprietary Macro-MMC clocking - all while treating your music with the highest audio quality imaginable.

Audio interfaces don't sound better than this.

Revolution 6×6 is a class-compliant, bus-powered USB audio interface with industry-leading signal quality based on Black Lion's years of experience in audio interface modification. Record anything thanks to balanced XLR, line-level, and instrument-level input options. Connect pro studio monitors or use its two plenty-loud, crystal-clear, mono-summable headphone outputs with direct monitoring mix control. Integrate external gear via the S/PDIF connection and USB OTG.

Rarified tech found in Revolution 6×6 includes the Macro-MMC clock for maximum converter quality, yielding reduced jitter and enhanced harmonics for a glossy, airy top-end you won't hear in lesser interfaces. Proprietary PG-i filtering technology and highly-filtered power rails work with full-circuit power decoupling to further reduce noise contamination. And for the best possible capture and playback, Revolution 6×6 sports the most cutting edge, high-end ICs and Vishay, Nichicon, and Wima capacitors throughout with all internal gain-staging optimized for the best possible signal-to-noise ratio. Last but not least, all analogue I/O is fully decoupled and balanced - right to the very core of the converter!

Standalone mode for DAC and ADC use.

Not every studio task requires a computer. The Revolution 6×6's DAC, word clock, and D/A conversion features can all be used without a computer; just press and hold the "Standalone" button. Hook up your media player via S/PDIF and enjoy good old-fashioned hi-fi listening with good new-fashioned hi-fi conversion, or add two additional output channels from another audio interface or digital mixer.

Many MPCs, synths, and guitar processors also have S/PDIF, which will often deliver better sound than using their onboard converters.

For recording, connect any guitar processor with a S/PDIF output and enjoy high-quality D/A conversion of your custom guitar tones. You can even connect Revolution 6×6 to your computer over USB for hi-fi listening by bypassing the questionable converters in your old laptop. Use S/PDIF to add two channels to an audio interface or digital mixer, all synchronized by the same master clock over BNC.

As a standalone A/D converter, you'll add two superior channels of Black Lion-converted audio over S/PDIF to your existing recording setup - and you won't have to buy an ADAT expander.

Get mobile with USB On-The-Go.

USB On-the-Go connectivity gives the Revolution 6×6 2-in, 2-out connectivity with Android and Apple mobile devices. It's perfect for livestreamers and mobile musicians who record to or stream from phones and tablets. Connect two USB devices to the Revolution 6×6 simultaneously and send audio to and from either. Sample from your phone to your laptop, or livestream an iPad performance from your phone... the possibilities are endless!

Shocking clocking.

The Macro-MMC (Master Music Clock) in Revolution 6×6 was developed from Black Lion's experience creating dedicated word clocks, as well as modifying many embedded clocks found in other recording interfaces. Macro-MMC ensures the best possible performance from its converters, but also allows you to connect external gear via the BNC connections for maximum sync and ultra-low jitter - meaning any devices synced via Macro-MMC are communicating as accurately as possible to minimize the phase distortions that can muddy your high-end and dull your transients.

If you've already invested in a clock you like, that's fine - the Revolution 6×6 graciously accepts clock in.

All the software tools you need, included.

The Revolution Software Suite covers all of your software needs so you can start creating from day one. You'll record straight into the award-winning Studio One Artist, of course... and we've also included select plugins from Izotope, Psychic Modulation, Brainworx, and Lindell:

PreSonus Studio One Artist: Recording and music production DAW

Izotope Elements Suite: Nectar, Neutron, Ozone and RX for tone-shaping, mastering, and repair

Platform: macOS (class compliant), Windows 10+ (driver)
Input Impedance: 2KO mic, 15KO line
Gain Range: 59dB
Frequency Response: 20Hz - 20KHz +/- 0.25dB
THD + N: 0.01% (Min Gain)
Dynamic Range: 112dB (A-Weighted)
Crosstalk: < 100dB
Output Impedance: 47O (balanced)
Dimensions: 330 x 305 x 152mm, 2.72kg

Notes: Acoustic Electronic "synthesiser" and external audio effect processor with CV control. Little sister of the Resonant Garden.

The Nano Garden is an acoustic-electronic hybrid designed to create anything from beats and oddities to dense soundscapes. From its inception in 2006, the original garden has gone through many changes and refinements: micro garden, luminist garden and illuminist garden and finally this latest and likely final version of what is essentially an expanded micro garden.

The Nano Garden essentially utilizes a single Alter circuit with 7 effects selected specifically for this instrument. Each is also equipped with a mic pre-amp, and 2 garden (stringed) panels for generating acoustics. By plucking, rubbing, tapping or even bowing, those micro-acoustic sounds become amplified and effected by the Alter in any number of ways. In essence, the garden is a large microphone designed to pick up vibrations. Aside from the internal mic, the nano can be used to process external signals with any of the internal effects as well.

Effects

There is a single Alter in the Nano which has seven different DSP effects, selected by touching the copper hexagon. The effect list is different than either Alter 1 or 2 - these are selected specifically for the Nano (this selection is subject to change):

1 - long delay (capable of near infinite feedback looping)
2 - notated granular delay
3 - plate reverb
4 - choral reverb
5 - palindrome reverse delay - backward/forward repeat
6 - pitch delay
7 - time stretch/glitch

Control

- Control for the gain of the mic pre-amp or any incoming audio.
- Controls for Mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates.
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Sift all have CV control inputs.
- Each control level or cv input is visualized on the control panel.


Acoustics

Each sprout panel is equipped with a contact mic. A contact mic is designed to pick up vibration. The mic pre-amp is specifically designed to deal with the frequencies of the contact mic by boosting certain frequencies and dulling others in order to optimize the sound quality. The mic pre-amp has a gain control so the level can be adjusted according to how you intend to play.

Design

The box is constructed with Sapele African hardwood and a white birch bottom panel. It features anodized black aluminium rails for mounting the faceplates. Each sprout of strings is bolted in from the back and held in place with a backing panel under the main board.

Each box has unique wood grain patterns. The wood grain shown in the images will appear different for each instrument Folktek ship.

Included

- Power Supply: 12V positive tip AC Adapter (included) - US - 100-240V ~ 50/60Hz 0.6A
- Four (4) black 24" (60cm) 3.5mm TS mono patch cables

Notes: Explore malleable sound. Mold, carve, bend.

The S-4 is a sculpting sampler designed to capture and transform sounds. Merging tape-era workflows with cutting-edge technology, the S-4 redefines sound mangling by providing a futuristic platform for crafting unique soundscapes and compositions, using samples and real-time audio processing.

S-4 is a tool made for sonic explorers. It has four parallel stereo tracks, each with an audio engine featuring a chain of audio devices including samplers, live granular processing, morphing resonators, and a range of audio effects. A novel modulation system allows anything and everything to be modulated with four modulators per track. Capture sounds on the fly with the onboard microphone and stereo line input, or load samples from the 4GB internal flash storage.

Use cases

The S-4 is a versatile powerhouse, capable of serving as an effects processor, transformative sound designer, tape machine, live looper, classic sample player, or textural synthesizer.

Tape machine

Capture your surroundings. Use S-4 as a transformative four-track tape machine.

Effect processor

Manipulate live audio, and add colour and textures to your beats, melodies, and sounds

Midi controlled sampler

Hook up a MIDI keyboard or sequencer and use S-4 as a powerful textural synthesizer and sample player.

Audio engine

Push the creative boundaries and transform audio into uncharted depths. S-4 has four parallel stereo tracks, each of which contains a chain of five audio devices tailored to cover specific sonic areas and applications. Create everything from glittering textures to broken soundscapes or evolving synth sounds.

Together, the devices form a playful toolbox for sculpting sample material and live audio.

Material

Stereo tape and sample players with live audio and looping capabilities.

Granular

Live granular processing with time-warping and pitch-shifting algorithms.

Filter

Morphing resonator: 48-band tuned filter bank with animation, tonal control, and classic filter functions.

Colour

Collection of destructive effects including bit crushing, drive, and compression.

Space

Combined reverb and delay with pitch-shifting and shimmer.

Modulation system

Animate and bring life to any parameter using the rich and unique modulation system. Each track has four configurable modulators that can be mapped to any parameter with unlimited mapping destinations. It is even possible to do cross-modulation between modulators. Choose between a range of different modulators from complex LFOs, and generative sequencers to envelopes.

Capture your surroundings

Utilize the built-in microphone to record sounds, sample and loop your external gear with the stereo line input, resample the internal tracks, or effortlessly load samples from the S-4's flash memory or an external drive.

Versatile powerhouse

The S-4 is designed with durable RGB buttons offering tactile feedback and a high-quality 3.5-inch LCD display ensuring all the visual feedback you need. It features USB connectivity for seamless connection to class-compliant devices and effortless file transfers to and from your laptop. Moreover, it can function as an audio interface when you require a simplified setup. You can also expand the number of inputs and outputs by connecting a class-compliant external USB interface.

Technical specifications

Audio engine features

4 parallel stereo audio tracks
Tape player with live looping capabilities
Polyphonic sample player
Live granular processing with time-warping and pitch-shifting algorithms
Morphing resonator (48-band filter bank)
Bit crushing, drive, and compression
Combined reverb and delay with pitch-shifting and shimmer

Modulation features

4 modulators per track
Modulate any parameter of the audio engine
Modulator types:
- Complex LFOs
- Generative sequencing tools
- Envelopes

Hardware

Quad-core 1.5 GHz processor
4 GB flash memory (sample pool)
24-bit / 48 kHz stereo audio in and out

I/O

2 line-inputs
2 line-outputs
Built-in microphone
Stereo headphone output
MIDI in/out
Analog sync in/out
USB-C

Miscellaneous

WiFi - Ableton Link
Class-compliant USB audio interface
Expandable number of inputs/outputs with class-compliant USB interfaces

User Interface

High-resolution LCD colour display, 3.5 inch
21 tactile RGB buttons
9 high-quality endless encoders

Physical

Matte black aluminium casing
Dimensions: 242 x 156 x 39 mm (9.5" x 6.1" x 1.5")
Weight: 820g (1.8 lbs)

Notes: Not your average sequencer

A 16 track algorithmic sequencer at the center of your studio. The T-1 offers a generative workflow with focus on immediacy and playful exploration. Whether on stage or in the studio, the T-1 will inspire you with fresh ideas and help you push the boundaries of your music. In short, this is a fundamental rethinking of the sequencer as a modern, fun and inspiring instrument

This machine speaks music

Enter a creative dialogue with T-1, and let its musical algorithms spark your creative process, or bring it on stage to perform your musical ideas live and spice them up with variations created on-the-fly

It's your instrument

The T-1 can be customized to suit your music. In fact, it is many instruments in one: Each of the T-1's 16 tracks can be set up in one of three modes.

Note: Compose rhythms and melodies from scratch with creative musical algorithms, and tweak them to your desire with detailed step editing.

CC: Take absolute control over sound design with 16 CC knobs and add automation via random modulation and step editing

FX: Create real-time midi fx to expand and transform your musical ideas. Connect a midi keyboard for hands on live performance

Connect to everything

The signal flow of any modern studio is a complex web of analog, digital and wireless signals and keeping your instruments connected and in sync can be a drain for your creativity. The T-1 solves this by communicating via MIDI, USB, analog CV and gates, Ableton Link and Wi-Fi connections with all of your gear.

Musical structure in a knob

Sculpt the timing, tonality and overall structure of your music in the same intuitive way you would a parameter on a synthesizer: By the twist of a knob. The T-1 lets you dial in any rhythm in a manner of seconds with euclidean rhythms.

Want to surprise your audience and even yourself? Add a bit of random modulation or change the probability of a step being played or not. Try the T-1 style looping random modulator

Tangible visuals

What you see is what you get: at every touch of a knob or push of a button, 16 RGB buttons show you the state of the instrument while offering up a quick way to jump to a new setting in real-time

Performing is composing

The T-1 is an instrument designed to be played in the here and now. Whether you are working in a studio or on stage, the path between musical inspiration and performance has never been shorter.

Make relative parameter changes on one or multiple tracks simultaneously, save the changes or return to the starting point. With the T-1, your music making process is a constantly evolving flow

Technical specifications

Sequencer
Euclidean rhythm generator (w. step editing)
Advanced note repeater / arpeggiator
Melody generator
7 musical scales + 1 user scale per track
Harmonic pitch control
Random modulation on every parameter

Tracks
16 tracks per pattern
16 MIDI channels
Polyphony on every track

Storage
Auto-save
16 patterns per bank
16 banks

User interface
18 endless rotary encoders with push
23 RGB backlit silicone keypads

Physical
Matte black aluminium casing
Dimensions: L:304, W:114, H:39mm ?(11.9", 4.5", 1.5")
Weight: 815g (1.8 lbs)

In the box
1 x T-1
1 x USB cable
1 x MIDI adapter (type A)

Connectivity
USB C (midi/power)
MIDI in / out / thru (TRS type A)
CV & gate i/o
Ableton Link (WiFi)

Notes: All the features of the Modwave MkII in a compact 4U 19" desktop/rackmount package. Modwave builds on the legacy of Korg's DW-8000 and transforms it into a modern monster synth, featuring incredibly deep wavetable oscillators, gorgeous filters, wildly flexible modulation, unmatched polyphony, comprehensive pattern sequencing, and immediately satisfying hands-on control to deliver unique, powerful, and easily customizable sounds and phrases.

Like Modwave MkII, the Modwave Module provides an astonishing 60 stereo voices of polyphony - almost double the original Modwave's 32, and an unprecedented number for a wavetable synth at any price. The new 4U rack-mount enclosure has the same controls as the keyboard models, yet is easily transportable and fits neatly into any studio or desktop production system.

Responding to user requests, Korg have updated all LFOs with options for free running, delayed start, and retriggering. Korg have also added a pre/post switch for reverb sends, new modulation sources, and more.

The Modwave Module is fully compatible with the sounds and samples of the original Modwave, Modwave Mk II, and Modwave Native software, as well as many third-party libraries. MIDI 2.0 Property Exchange and Polyphonic Aftertouch Support

With the latest software updates, all models of Modwave, hardware and software, now support MIDI 2.0 Property Exchange and easy access to Polyphonic Aftertouch - making them excellent companions to the Korg Keystage controller.

Rack-Mount and Desktop

The Modwave Module is cleverly designed for both desktop and rack-mount use. The panel is redesigned to fit into a standard 19" width, and the rear jack panel is recessed to allow easy access to cables even with gear mounted directly above. With desktop setups, brackets offer a choice of panel angles: flatter for performing standing up, or more upright for working while seated in your studio.

Specifications

Maximum Polyphony: 60 stereo voices
Dimensions (W x D x H): 483 x 172 x 107 mm / 19.02 x 6.77 x 4.21 inch
Weight: 1.7 kg / 3.75 lbs.
Accessories: AC adapter
Sound generating system: modwave synthesis engine

Modulation

Controllers: Mod Wheel, Pitch Wheel, Kaoss Physics, 4x Mod Knobs

Other Sources

4x Envelopes, 5x LFOs, 2x Mod Processors, 2x Key Track, Seq Lanes A-D, Step Pulse, Tempo, Program/Performance Note Count, Program/Performance Voice Count, Poly Legato, Velocity, Exponential Velocity, Release Velocity, Gate, Gate+Damper, Note-On Trigger, Note-On Trigger+Damper, Note Number, Aftertouch and Poly Aftertouch (external MIDI only), MIDI CCs +/-, MIDI CCs +

Destinations: Most parameters can be modulated, including parameters of individual Motion Sequence Steps: Depending on Motion Sequence length, there can be more than 1,000 potential modulation targets per Program.

Effects

Pre FX: Decimator, Graphic EQ, Guitar Amp, Modern Compressor, Parametric EQ, Red Compressor, Ring Modulator, Tremolo, Wave Shaper

Mod FX: Black Chorus/Flanger, Black Phase, CX-3 Vibrato Chorus, EP Chorus, Harmonic Chorus, Modern Chorus, Modern Phaser, Orange Phase, Polysix Ensemble, Small Phase, Talking Modulator, Vintage Chorus, Vintage Flanger, Vintage/Custom Wah, Vox Wah

Delay: L/C/R Delay, Multiband Mod Delay, Reverse Delay, Stereo/Cross Delay, Tape Echo

Master Reverb: Early Reflections, Overb

Master EQ: 4-band parametric EQ

General

Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port
Power supply: AC adapter (DC12V, 2500mA)
Power consumption: 5 W

Notes: A new modular model that revolutionizes the music production environment.

Opsix Module is a digital synth like no other. The Opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

Now, Korg has created a new form of Opsix, the module. This model supports MIDI 2.0 property exchange and poly aftertouch, and is an excellent companion to Keystage. It's also fully compatible with the sounds of the original Opsix, Opsix mk II, Opsix SE, and Opsix native software, as well as numerous excellent third-party libraries, keeping the updated sounds and software fresh. The new 19" rack-mountable enclosure has the same controls as the keyed models, yet is easily transportable and fits neatly into any studio or desktop production system.

MIDI 2.0 Property Exchange and Polyphonic Aftertouch support

With the latest software updates, all models of Opsix, hardware and software, now support MIDI 2.0 Property Exchange. Hundreds of the original factory sounds have been updated to include Polyphonic Aftertouch modulation (Channel Aftertouch is supported as well). All of this makes the Opsix module an excellent companion to KORG's Keystage controller.

Rack-Mount and Desktop

The Opsix module is cleverly designed for both desktop and rack-mount use. The panel is redesigned to fit into a standard 19" width, and the rear jack panel is recessed to allow easy access to cables even with gear mounted directly above. With desktop setups, brackets offer a choice of panel angles: flatter for performing standing up, or more upright for working while seated in your studio.

Many musicians have requested a module version of the Opsix. Now that components are once again available after a long period of supply-chain disruption, KORG is pleased to make that request a reality.

Main Specifications
Maximum Polyphony: 80 voices
Dimensions (W x D x H): 482 x 172 x 104 mm / 19.02 x 6.77 x 4.09 inch
Weight: 1.7 kg / 3.75 lbs.
Accessories: AC adapter

Sound generating system: Altered FM sound generator
Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator
Algorithm: 40 presets + user algorithm (unique to each program)
Operator: 6 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder, Effect)
Oscillator waveform: 23 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White, Noise Pink, Noise Blue)
Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)
EG: ADSR
LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)
V.Patch: 12 routings
Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)
Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step)
Motion Sequencer (up to 6 lanes)
Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER)
Number of programs: 500 (350 preset programs and 150 user programs as the factory-set default)
Favourite: 64 (16 Slots × 4 Banks)
Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs

Inputs/outputs:
Headphone (6.3 mm stereo phone jack)
OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks)
DAMPER (6.3 mm phone jack, half-damper not supported)
MIDI IN and OUT connectors
USB B port

Notes: A new modular model that makes a big difference in the music production environment.

Introducing the Wavestate module - all of the features of the Wavestate mkII in a compact 19" desktop/rackmount package.

In 2020, the acclaimed Wavestate brought KORG's Wave Sequencing to the next level. Featuring the radically re-imagined Wave Sequencing 2.0, the Wavestate delivers astonishing, ever-changing sounds with extensive hands-on control. Far from a nostalgic reissue, the Wavestate was designed from the ground up for a new generation of musicians, producers, and composers, taking cues from sources as diverse as modular synths, groove boxes, and algorithmic composition.

120 voices of polyphony, updated LFOs, and more

Taking full advantage of both a new enclosure design and new processing hardware, the Wavestate module provides an impressive 120 stereo voices of polyphony. The new 4U rack-mount enclosure has the same controls as the keyboard models, yet is easily transportable and fits neatly into any studio or desktop production system.

Responding to user requests, we've also updated all LFOs with options for free running, delayed start, and retriggering, added new modulation sources, and more. A software update will also be available for the original Wavestate.

The Wavestate module is fully compatible with the sounds and samples of the original Wavestate, Wavestate mk II, Wavestate SE, and Wavestate native software, as well as many excellent third-party libraries.

MIDI 2.0 Property Exchange and Polyphonic Aftertouch support

With the latest software updates, all models of Wavestate, hardware and software, now support MIDI 2.0 Property Exchange. Hundreds of the original factory sounds have been updated to include Polyphonic Aftertouch modulation (Channel Aftertouch is supported as well). All of this makes the Wavestate module an excellent companion to KORG's Keystage controller.

Rack-Mount and Desktop

The Wavestate module is cleverly designed for both desktop and rack-mount use. The panel is redesigned to fit into a standard 19" width, and the rear jack panel is recessed to allow easy access to cables even with gear mounted directly above. With desktop setups, brackets offer a choice of panel angles: flatter for performing standing up, or more upright for working while seated in your studio.

Many musicians have requested a module version of the wavestate. Now that components are once again available after a long period of supply-chain disruption, KORG is pleased to make that request a reality.

Main Specifications

Maximum Polyphony: 120 stereo voices
Dimensions (W x D x H): 483 x 172 x 113 mm / 19.02 x 6.77 x 4.45 inch
Weight: 1.7 kg / 3.75 lbs.
Accessories: AC adapter
Sound generating system: Wave Sequencing 2.0
Maximum Polyphony: 96 stereo voices
Sounds: Ships with 261 Performances, 799 Programs, and 1,042 Wave Sequences
Storage for tens of thousands of user Performances Structure

Performance

4 Layers, Reverb, EQ; all edits are stored in the Performance, DAW-style (saving as separate Programs, Wave Sequences etc. is supported but not required)
Layer: Program, Arpeggiator, Key and Velocity Zones
Program: Wave Sequence, Filter, Amp, Pre FX, Mod FX, Delay
Filters: 2-pole LPF, 2-pole HPF, 2-pole BPF, 2-pole Band Reject, 4-pole LPF, 4-pole HPF, 4-pole BPF, 4-pole Band Reject, Multi Filter, MS-20 LPF, MS-20 HPF, Polysix
Modulation: Controllers
Mod Wheel, Pitch Wheel, Vector Joystick X/Y, 8x Program/Performance Mod Knobs
Other Sources: 3x Envelopes, Vector Envelope, 3x LFOs, 2x Mod Processors, 2x Key Track, Step Sequencer Lane, Step Pulse, Tempo, Program/Performance Note Count, Program/Performance Voice Count, Poly Legato, Velocity, Exponential Velocity, Release Velocity, Gate/Gate+Damper, Note-On Trigger/Note-On Trigger+Damper, Note Number, Aftertouch/Poly Aftertouch (external MIDI only), MIDI CCs +/-, MIDI CCs +
Destinations: Most parameters can be modulated, including parameters of individual Wave Sequence Steps. Depending on Wave Sequence length, there can be more than 1,000 potential modulation targets per Program.

Effects

Pre FX: Decimator, Graphic EQ, Guitar Amp, Modern Compressor, Parametric EQ, Red Compressor, Ring Modulator, Tremolo, Wave Shaper
Mod FX: Black Chorus/Flanger, Black Phase, CX-3 Vibrato Chorus, EP Chorus, Harmonic Chorus, Modern Chorus, Modern Phaser, Orange Phase, Polysix Ensemble, Small Phase, Talking Modulator, Vintage Chorus, Vintage Flanger, Vintage/Custom Wah, Vox Wah
Delay: L/C/R Delay, Multiband Mod Delay, Reverse Delay, Stereo/Cross Delay, Tape Echo
Reverb: Early Reflections, Overb
Performance EQ: 4-band parametric EQ

Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack), MIDI IN and OUT connectors, USB B port
Power supply: AC adapter (DC12V, 2500mA)
Power consumption: 5 W
Dimensions (W x D x H): 565 x 338 x 92 mm/22.24" x 13.31" x 3.62"
Weight: 2.9 kg/6.93 lb.

Included items

AC adapter
Accessories (sold separately)
DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch

Notes: DLZ creator

Adaptive digital mixer for podcasting and streaming

Introducing the podcast mixer that adapts to you.

The DLZ creator adaptive digital mixer for podcasting and streaming enables you to get the results you want-faster than ever. Inspired in part by smartphone and DSLR cameras that make great results accessible to anyone, DLZ Creator transforms the on-screen controls to meet your creative style or skill level-without compromising processing power or sound quality.

Easy

A no-fuss user interface that offers the fastest path to recording your first podcast. For those who want to get great results without menu-diving.

Enhanced

Expanded control over your sound and mix. For those who want some customization without an overwhelming number of options.

Pro

Total control and fully customizable. For those who know what they want, and how to get it.

Built-in smarts

More than a digital mixer

DLZ creator is designed to help you become a better content producer.

Mix Agent is your personal audio assistant that guides you through setup and sound check, so in a few button presses you'll be recording. AutoMix manages levels for up to four mics so everyone can be heard-even when they speak at the same time-which is a big help when you're busy hosting a show with multiple guests or hosts.

Using Mix Minus with your Bluetoothr-connected smartphone lets you add a caller into the mix with no audible echo when they speak.

The ins and outs of producing

A professional studio mixer for your desktop

DLZ Creator harnesses decades of Mackie expertise, making every detail count for your productions. From Onyx80 preamps that make even low-output mics sound both loud and pristine, to customized headphone mixes for each of your guests, DLZ Creator gives you the benefits of a professional studio mixer without the steep learning curve.

Ready for what's next

A portable and versatile podcasting interface

As a content creator, you know that flexibility is key. No matter how you like to create, the DLZ podcast mixer supports you every step of the way. Record or stream to a computer via USB-C, or skip the computer and record full multitrack audio to an SD card for a truly self-contained setup.

Tech specs

DLZ Mix Agent

Guided setup walks you through channel configuration
Automatic Gain sets your input levels for you
Fast headphone output setup

DLZ Work Modes

Choose between Easy, Enhanced, and Pro

Transform the user interface to fit your experience level and needs

Auto Mix

Automatically reduces channel levels when not receiving signal
Ensures a consistent overall output level and reduces potential feedback in mix
10.1" High-resolution full-colour touch display with anti-glare coating
4 discrete XLR/TRS combo inputs
Stereo channel with dual 1/4" TRS inputs
Stereo channel with 1/8" TRS connection
Stereo Bi-Directional Bluetoothr channel
Onyx80 mic preamps with up to 80dB gain
14x4 USB-C audio interface to Mac/PC
Flexible multitrack recording and stereo playback to MicroSD and USB thumb drive
Professional audio processing
3-band parametric EQ + high pass filter
Noise gate / De-esser / Compressor
Atomizer Reverb and Chronotronic Delay
5 dynamically color-coded rotary controls
9 professional 100mm faders
Backlit mute, solo, sample triggers, and nav buttons
Sample playback
Instantly trigger pre-made samples via dedicated backlit buttons
Store your favourite sounds and record new ones on the fly to MicroSD
4 independent headphone outputs
Individual level control for each output
Create custom mixes for each output (pro mode only)
Hard power switch and locking power connector

Notes: WoFI is a portable Sampler keyboard that connects to the internet via WiFi, and features an innovative effect module called Texturer that combines elements of shimmer and granular synthesis to create unique and fascinating sounds. Its compact size and intuitive interface make it an ideal tool for musicians and producers who are always on the move. In addition, WoFI comes with a rechargeable battery, allowing you to create music anywhere you go without worrying about power. You can also share your patches and access sound banks from other sound designers through the mywo.fi community platform. Whether you're a beginner or a seasoned professional, WoFI offers endless possibilities for exploring new sonic territories and creating unique sounds.

Features

Player

The Player let you colour your sound with our emulations of classic samplers and their different sample player modes. Make it clean, dirty or anywhere in between.

Enveloppe

Sculpt your sound with the Enveloppe that can be assigned to WoFi's amp, filter or even both.

Manager

With the Manager and its display, get a visual feedback on all your tweakings, manage your sample library, access to mywo.fi content through WiFi and play with the touch strip. Oh, and there is no subscription needed for mywo.fi. Having WoFi gives you free access to community.

Filter

The Filter let you play the WoFi like classic subtractive synthesizers. It's a digital low-pass filter with two different slopes (12dB and 24dB) and a tasty resonance.

Texturer

The Texturer is here to bring you to unexplored sonic territories. Elevate your sound with this effect halfway between a shimmer FX and granular synthesis.

LFO

The LFO let you modulate your creation. With three different wave shapes, assign it to any parameter of the front panel and give motion to the sound.

Sequencer

The Sequencer let you build melodic patterns with the 16 polyphonic steps. It can be used as an arpeggiator. You can have your two hands free to play along the sequence and tweak your sound while it is looping. Oh, and you can also step sequence parameters, which makes it another modulation source in addition of the LFO and the Enveloppe.

Recorder

The Recorder let you either capture a sample from the line in or directly from the built-in microphone. It's easy as pie, pick your audio source with the switch, click on record and voila. Just like with the iconic first keyboard samplers.

Master

The Wofi is made to be played in many contexts, from your couch to the studio, so it has a full connectivity and two stereo audio outputs: one for your headphones and one for a master line-out and the WoFi internal speaker. Set your volumes easily.

Technical details

Player
- 48kHz 16 bits
- Direct streaming from flash, no preloading
- Polyphony 10 voices

Recorder
- 48kHz 16 bits mono
- Line / dynamic microphone / integrated microphone
- Gain adjust -6dB + 22dB
- Eurorack level compliant

Memory
- Flash embedded memory : 100 Mbytes, Flash cartridge memory : 100 Mbytes, Up to 200 User Patches + 50 Presets

100 MB allows storing 18 minutes of audio

Sequencer
- 16 steps track for notes
- 16 keys track for parameters sequencing


DSP
- Real time processing (No Preprocessing)
- Interpolation modes: sample & hold, linear, whittaker-shannon
- Pitch shift
- Time stretch
- Bit crusher
- Texturer
- Machine rendering emulation
- Resonant state variable filter (12dB/o-24dB/o)
- Parameter modulation from different sources : enveloppe, LFO, sequencer automations, external modulation (CV/MIDI), after touch, touch strip
- Texturer: self mixing renderer based on granular sampling - 8 grains - multi tap harmonizer

File servicing
- Direct file system management through USB
- Embedded sample editor

Network
- WIFI connectivity, up to 16 key pass
- Cloud access: Patch / Sample upload and download, sharing or backup.

Connectivity
- Sync clock + start/stop
- CV input, Gate input
- CV output, modulation output, gate output
- MIDI in, out, through DIN+USB
- Line In, Line out, Headphones


Miscellaneous
- USB powered
- Embedded battery - roughly 4h autonomy
- Integrated Microphone
- Integrated Speaker
- Full backup to Cartridge or mywo.fi
- User friendly workflow


- Aluminium / wood body
- Dimensions: 52cm x 23cm x 7cm

Notes: Discrete VCOs with three Subs, SYNC, Wavefolder, discrete VCA and VCF, Dual analog LFO (one also usable as VCO) into audio rate with Keytracking, huge Mixer section, Ring mod, Glide and Patchfield.

Power consumption: TBA

Rackspace: 36HP

Notes: The Precision Disrupter is a generative Eurorack sequencer that relies on controlled randomization to create melodic & rhythmic patterns with ease and relentless conviction.

The idea

Unlike other generative sequencers in euorack, the Precision Disrupter
offers complete command over the randomization parameters and then immediately empowers you with fine-editing controls for precise, real-time performance punch.

The bottom line

The Precision Disrupter is a melody generating powerhouse. Quickly find the the perfect sequence, breathe in the inspiration, and show them what you are made of.

Width: 40HP
Max Depth: 25mm
200mA @ +12V 5mA @ -12V

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Second-gen version of the excellent Opsix features major updates including 64-voice polyphony and an improved interface. Same powerful six-operator FM synth engine.

Supplier's Notes:
A Full-Spectrum Sound Experience

Opsix mk II is a digital synth like no other. Based on the sound engine of the original Opsix, the number of simultaneous voices and voicings has been expanded to an astounding 64 voices. The result is superior performance and precise control.

The Opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

And, it is fully compatible with the sounds and samples from both the original opsix and the opsix Native software, including numerous high-quality libraries.

Evolved to an astounding 64 voices

The Opsix mk II has 64 voices, twice as many as the original 32 voices, allowing users to enjoy tone editing without having to worry about the number of simultaneous voices. In addition, the operator-mixer section, the most distinctive feature of this product, has been accented with a new image colour, green.

Get Illuminated with the Operator Mixer

At the heart of every sound is Opsix mk II's Operator Mixer - a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators. Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes Opsix mk II so unique, just like the sounds it offers.

Direct Hands-On Control

Whether you're tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!

Select from a full range of analogue-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.

There's even a built-in spectrum analyser and oscilloscope that gives you visual feedback via the screen on the music you're making.

Six in One Synthesis

The core of Opsix mk II is nothing short of exponential. Since waveforms can be arranged and modulated in nearly infinite ways, Opsix mk II can easily do the sonic work that is similar to numerous types of synthesis:

Subtractive

Removing parts of the sound to get the sound you want; the most widely-used synthesis. Opsix mk II uses up to six envelopes and multi-modelled filters to achieve many cutting-edge and classical analogue synthesis tones.

Semi-Modular

Rerouting signal paths to change the sound. A spin through the Algorithm section will dramatically reshape the sound by changing how the signal routing between the operators work together, and no patch cables are needed. Analog-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.

Analogue (Modeling)

Analogue-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.

Waveshaping

Adding intentional distortion to the waveforms to achieve aggressive overtones that are either harmonic or inharmonic. This will help you achieve gritty, bitey tones dripping with character.

Additive

Stacking waveforms and blending their harmonics is key to an expansive range of harmonious, dissonant, and tension-driven sounds. With six operators available, the complete FM experience is possible, including the ability to go back in time for classic sounds you have heard throughout recording history.

Classic FM

Last but certainly not least, Opsix's highly flexible and powerful architecture starts with true six-Operator FM. As a result, it easily delivers signature sounds you have surely heard on thousands of hits from the '80s on through today, and with far more polyphony than other standalone FM synths available today.

With all of these ways to realize and explore sounds, Opsix mk II is uniquely suited as a "future-modern-classic" synth!

Altered Reality

What started as a legacy synthesis has evolved into something completely different. Opsix mk II is FM-based, but the similarities to the classic synthesis end there. The Altered FM architecture delivers sounds across a vast spectrum, far wider than any single synthesis has been able to cover before, thanks to new sound components; new waveforms, filters, shaping, effects, LFOs, envelopes, modulations, and more, all translating to its broad assortment of sounds.

Powerful Effects Processing

Opsix mk II provides three blocks of 30 types of high-definition effects that you can use together to enhance your sounds even further. There's everything from a great mix of usable standard effects like chorus, phaser, delay, and compressor to some world-class shimmering reverbs that will elevate your sound to the next level.

Specifications

Keyboard: 37 keys (velocity and release-velocity sensitive)
Sound generating system: Altered FM sound generator
Maximum Polyphony: 64 voices (varies depending on the setting)
Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator
Algorithm: 40 presets + user algorithm (unique to each program)
Operator: 6 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder, Effect)
Oscillator waveform: 23 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White, Noise Pink, Noise Blue)
Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)
EG: ADSR
LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)
V.Patch: 12 routings
Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)
Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step), Motion Sequencer (up to 6 lanes)
Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER)
Number of programs: 500 (350 preset programs and 150 user programs as the factory-set default)
Favourite: 64 (16 Slots × 4 Banks)
Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs
Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port
Power supply: AC adapter (DC12V)
Power consumption: 5 W
Dimensions (W × D × H): 565 × 338 × 90 mm / 22.24" × 13.31" × 3.54"
Weight: 2.9 kg / 6.93 lbs.
Included items: AC adapter
Accessories (sold separately): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch

Notes: With the MORPHEUS digital filter module, Rossum are finally able to unleash the full power of the 14-pole Z0-Plane Filters that Dave invented for the E-mu Morpheus synthesizer.

The MORPHEUS Eurorack module includes over 280 filter configurations, which are called Cubes. Each Cube is composed of up to 8 complex filters that you can picture as being at the corners of a three dimensional cube (hence the name). Morpheus gives you the ability to smoothly interpolate between those 8 filters within the cube's three dimensional space.

Due to processor limitations back in the day, the original Morpheus was capable of real-time morphing in one dimension, but interpolation in the frequency and transform dimensions were set at note-on and remained static for the remainder of the note. But even with that limitation, Morpheus offered sonic capabilities that are unmatched to this day.

With the MORPHEUS filter module, you now have simultaneous real-time CV control of all three dimensions, for dynamic timbral effects unlike anything you've ever heard before. In stereo.

Like all Rossum Electro-Music digital modules, all parameters are available for adjustment with a single button press. No menu diving.

Morpheus Specifications

Filter cubes: 289
Filters: 1000
Filter sequences: 200
Sequence steps: 20,000 Dynamically Allocated

Inputs: Audio L/R
2x 3.5mm mono socket
100kO Input Impedance

Full Level Frequency CV
1x 3.5mm mono socket
100kO Input Impedance

Attenuverted Frequency CV
1x 3.5mm mono socket
100kO Input Impedance

Attenuverted Morph CV

1x 3.5mm mono socket
100kO Input Impedance

Attenuverted Transform/Distortion CV

1x 3.5mm mono socket
100kO Input Impedance

Filter Sequencer Dec

1x 3.5mm mono socket
100kO Input Impedance
1.6V threshold

Filter Sequencer Inc

1x 3.5mm mono socket
100kO Input Impedance
1.6V threshold

Filter Sequencer Reset

1x 3.5mm mono socket
100kO Input Impedance
1.6V threshold

Outputs

Audio L/R
2x 3.5mm mono socket
1kO Impedance

Power requirements
+/-12V via 16-pin, Doepfer-style connector

Current draw
135mA +12V, 25mA -12V (maximum)

Dimensions
18HP (W); Panel to power connector (with connector plugged in) 25mm (D)

Supplied accessories
1x 16-pin, Doepfer-style cable
4x M3 screws
4x M2.5 screws
4x Nylon washers
1x Quickstart Guide

Notes: Sampler legend Dave Rossum's ultra-powerful Assimil8or module gets a black makeover. Eight-channel multi-timbral design with extensive CV control and clever sound manipulation options.

Supplier's Notes:
Designed to provide a powerful, flexible sampling engine for modular synthesis, the ASSIMIL8OR Multi-Timbral Phase Modulation Sampler module is the latest incarnation of Dave Rossum's decades-long pioneering of affordable professional sampling technology.

ASSIMIL8OR provides eight independent channels of sampling with sound quality that can range from extremely hi-fi to low fi, all with extensive real-time CV control.

Assimil8or Specifications

Sample memory
2,300 seconds at 48kHz mono, freely allocatable between the 8 channels

Sample rates
48kHZ, 96kHZ, 192kHZ

A/D & D/A
24 Bits

Internal processing
32 Bits

Latency
100 microseconds at the Mix Outputs
180 microseconds at the Individual Outputs

Inputs

Sample L/R
2x 3.5mm mono socket
100kO Input Impedance

Gate/Trigger 1-8
8x 3.5mm mono socket
100kO Input Impedance
1.6V threshold

Control Voltage A 1-8
8x 3.5mm mono socket
100kO Input Impedance
96 kHz sample rate
Anti-alias filtered to 20kHz bandwidth

Control Voltage B&C 1-8
16x 3.5mm mono socket
100kO Input Impedance
48 kHz sample rate
No anti-alias filtering

Outputs

Mix Outputs L/R
2x 3.5mm mono socket
1kO Impedance

Individual Outputs
8x 3.5mm mono socket
1kO Impedance

Power requirements: +/-12V via 16-pin, Doepfer-style connector
Current draw: 220mA +12V, 30mA -12V
Dimensions: 28HP (W); Panel to power connector (with connector plugged in) 25mm (D)

Supplied accessories:
1x Micro SD card
1x 16-pin, Doepfer-style cable
4x M3 screws
4x M2.5 screws
4x Nylon washers
1x Quickstart Guide

Notes: 104hp wide with two 3U rows and a 1U row.
Powder coated aluminum construction
VESA mount compatible (100mm x 100mm)
Plastic handle for easy mobility
Metal feet can be installed to support multiple angles of jamming.
Secure latching lid with enough depth to keep your patches patched

Expandable

Lid - when you're ready to add more space, the lid can be expanded to be another 104hp x 7U. You can add another set of rails, power supply and power jack and double your available space. (Kit available)
Metal feet - The metal feet can have a pair of rails and rack mounted power added to support another 3U row of 104hp. (Kit available in future)

Connectivity

Audio jacks - set of four jacks for stereo in and stereo out.
MIDI jacks - DIN jacks to support IN, OUT, and THRU MIDI.
USB power - can be used for a lamp to light your case or to charge your phone while recording your set.

Dimensions
557mm x 334mm x 169mm
74mm depth for 1U and bottom 3U row
52mm depth for middle 3U row

Power
+12V - 3A (with plenty of allowance for in-rush current)
-12V - 3A
+5V - 3A (shared with USB power)
36 shrouded power headers

In The Box
Main case
Lid
Metal feet
Power adapter 20V at 6A

Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


Updated version of Korg's excellent Wavestate, drawing on the iconic Wavestation synth to create a modern take on wavetable synthesis, now with added polyphony.

Supplier's Notes:
Wavestate mkII

Extended polyphony. Extended possibilities.

Korg's legendary Wavestation introduced the world to wave sequencing, and the 37-key Wavestate mkII builds on that legacy with a reimagined, compact synth designed to satisfy today's demanding musicians and producers. MkII expands polyphony to 96 stereo voices and adds a fresh look. It's completely compatible with sounds and samples for the original Wavestate.

Overview

Korg's legendary Wavestation introduced the world to Wave Sequencing, transforming raw samples into sounds that no-one had ever heard before. The flagship OASYS, Kronos and Nautilus keyboards developed Wave Sequencing even further, expanding on its unique palette of lush, evolving pads and driving rhythms.

Now, Korg is proud to present the new Wavestate mkII, with improved polyphony (96 stereo voices) and a fresh look. It's completely compatible with sounds and samples for both the original Wavestate, Wavestate SE and Wavestate Native software, including many excellent third-party libraries. Updated sounds and software keep it fresh and the compact form-factor, with 37 full-size keys, still transports easily and fits neatly into any stage, studio, or desktop setup.

Keyboard: 37-keys, velocity sensative
Sound generation: Wave Sequencing 2.0
Polyphony: 96 stereo voices
Configuration: Performance: 4 layers, reverb, EQ
Layers: Program, Arpeggiator, Key, and Velocity Zones
Programs: Wave Sequence, Filter, Amp, Pre FX, Mod FX, Delay
Presets: 261 Performances,799 Programs, and 1042 Wave Sequences
Controllers: MOD wheel, PITCH wheel, Vector Joystick, 8 x program/Performance Mod knobs.
Effects: Pre FX x4, Mod FX x4, Delay x4, Reverb, Performance EQ

Inputs/outputs:

Audio Outputs L/MONO, R (6.3mm TRS phone jack, impedance balanced)
Headphones (6.3mm stereo phone jack)
Damper (6.3mm phone jack)
MIDI in,out
USB Type B

Power: AC adapter (DC12V, 2500mA)
Power consumption 5w
Dimensions: 565 W x 338 (D x 92 (H mm
Weight: 2.9kg

Notes: Updated version of Akai's excellent MPC One features increased storage, WiFi, Bluetooth and a striking new colour scheme. Full standalone beat creation masterpiece.

*** Introducing MPC Stems- March 2024 ***

Akai Professional now introduces the next chapter of sampling innovation and production powered by the groundbreaking MPC Stems bringing sampling into a new chapter.

With MPC Stems, you can access the raw building blocks of any sample or vinyl record, isolating the DNA of any record. Producers can now manipulate the Drums, Bass, Music, and Vocals, opening new creative possibilities.

Akai Professional introduces the ultimate creative workflow with Stems Separation seamlessly integrated into the leading MPC series, powered by MPC 2 Desktop Software.

With MPC Stems, producers and beat-makers can now unlock unmatched sampling creativity by easily isolating drums, bass, music, and vocals from any audio, vinyl recording, or sample revolutionizing the art of sampling.
Experience lightning-fast workflow with superior sound quality, keeping you inspired throughout the creative process.

Slice and isolate samples while maintaining chop regions across each of the four stem layers.

Take complete control with direct manipulation of stem layers from the pads, adjusting volume, pitch, pan, start, and end points with instant responsiveness.

MPC Stems requires MPC 2 Desktop Software running 2.14 or higher, compatible with MPC Live, MPC Live 2, MPC One, MPC One +, MPC X, MPC XSE, MPC Key 37, MPC Key 61, MPC Studio Mk 2 in Controller Mode.

Supplier's Notes:
MPC One +

Standalone MPC with 7" touchscreen / WiFi & Bluetooth

Supercharge your beats

Standalone supercharged

The new MPC One+ brings a jolt of energy to the standalone workflow to enhance creative speed and efficiency. With MPC One+, beatmakers producers to live performers can enjoy the creative journey like never before.

Pure standalone power in your hands

At the heart of MPC One+ is the powerful multi-core processor, the same featured in the flagship MPC X. This isn't a scaled down little brother, but a production unit built with the same DNA for high-level music creation. Instruments, audio, MIDI, and effects processing to bring the music to life. With an upgraded 16GB of internal storage, create and store more of your inspired moments right in MPC One+ for immediate access and recall.

Wireless for the future

New Wi-Fi and Bluetooth connectivity opens a new world of possibilities for your creative workflow. With Wi-Fi, you now have access to Ableton Link 3 to wirelessly connect and sync all your capable devices. Lock patterns and grooves for a mega creation without any cables or connections. Grab your Bluetooth enabled MIDI controller to lay down synths and melodies while your infectious rhythms have you vibing to the beat. Pair with a wireless QWERTY keyboard to search through folders and libraries accurately. With Wi-Fi and Bluetooth, your MPC One+ may be untethered but you are locked right into the music.

The centre of your creativity

MPC One+ is meant to be the focal point of your creative workspace. Whether you need compact, efficient beat-making or expanded interconnected production and composition, MPC One+ is versatile enough to accommodate any need. Connect your studio speakers to Stereo Outputs for accurate monitoring. A pair of Line Level Inputs are ready for keyboards, synths, instruments, hardware processors, and more. Expand your I/O with support for ClassCompliant Devices via a USB A host port. Connect your favorite plug-and-play USB MIDI Controllers, Audio Interface Devices, or removable storage drives, and take your production up another level with ease.

The workflow that sparks inspiration

MPC is the premier platform for all pattern-based music from EDM to Electro, Hip-Hop to House, and beyond. With 128 MIDI and 8 Audio Tracks per project, MPC One can capture any idea just as fast as you can think it. Browse thousands of MPC Plugin Instrument Presets to find that perfect sound to build melodies or shape harmonic phrases with massive sonics. Lay down serious drums and percussion with the signature MPC groove and precision. 16 Levels, Note Repeat, and Time Correct have defined the rhythmic feel for generations and continue to be the foundation for hit song after hit song. Use the pads in combination with Notes and Chords modes to unlock a completely new world of pad performance using the 16 velocity-sensitive RGB backlit pads.

One place for your sounds, samples, and songs

MPC One+ grows with you as you evolve on your music production journey. Update features, sounds, and samples wirelessly thanks to built-in Wi-Fi. When new MPC plugin instruments are available, you'll enjoy instant notifications as well as downloads and software authorizations right from your MPC One+. Browse and sync your curated Splice loops and samples and give your productions a breath of fresh inspiration whenever you need it. Keep all your sounds and instruments right within reach to instantly capture the most inspired moments anytime.

The next step of your MPC journey

MPC One+ is here for the producers and beatmakers ready to take the next step in the journey. Upgrade to MPC One+ from MPC Beats and load your old projects seamlessly on MPC One+. Your MPK mini or other class-compliant controller connects for powerful keyboard control of popular MPC plugin instruments like Hype, Mellotron, or Odyssey. For a limited time, receive a voucher for a free MPC Plugin instrument download from the MPC Store with the purchase and registration of a new MPC One+. MPC One+ has arrived and the musical possibilities ahead of you are endless with the power of its supercharged standalone workflow.

Technical Specifications

Pads
(16) velocity- and pressure-sensitive pads, RGB-backlit
(8) banks accessible via 4 Pad Bank buttons

Knobs
(4) 360- touch-sensitive Q-Link knobs for parameter adjustment
(1) data encoder for value adjustment and selection via push

Buttons
(31) dedicated-function buttons

Display
7.0" / 177 mm (diagonal)
5.9" x 3.7" / 151 x 94 mm (width x height)
Full-colour LED-backlit display with touch interface

Memory
Processor: Quad-core ARMr processor
RAM: 2 GB
Storage: 16 GB (over 7.8 GB available for user storage)

Power via power adapter (12 V, 3.0 A, center-positive, included)

Connections
(2) 1/4" (6.35 mm) TRS inputs (1 stereo pair)
(2) 1/4" (6.35 mm) TRS outputs (1 stereo pair)
(1) 1/8" (3.5 mm) stereo headphone output
(1) 5-pin MIDI inputs
(1) 5-pin MIDI output
(4) 4 TRS CV/Gate Jacks, 8 Outputs Total
(1) USB Type-A port
(1) USB Type-B port
(1) SD Card slot
(1) Power Adapter input

Dimensions (width x depth x height)
10.7" x 10.7" x 2.1"
272 x 272 x 53 mm

Weight
4.7 lbs / 2.1 kg

Notes: Make Noise is proud to introduce Strega!Strega is an audio alchemical experiment. Activate! Spill the tonic into time and let time decay through the filter to hear the results.

Strega is an instrument designed in collaboration with Alessandro Cortini. Inspired by Cortini's music and sonic experimentations, Strega embodies the seen and unseen, the sign and magic, the alchemy of sound.

Strega is able to conjure audio tones, generate control signals, and process external sounds. Patch the 0-COAST or any other line level source into the Strega to unlock new sounds!

This new instrument takes the same form factor as the 0-COAST and 0-CTRL. It was designed to be controlled by the 0-CTRL or the 0-COAST's MIDI CV B outputs and is equally happy interfacing with Eurorack modules as well.

Dimensions: 5.5 x 9 x .75 inches

Weight: 1.7lbs

Power Requirement: +15VDC @1A, 2.1mm Tip Positive Connector

Notes: Successor to the excellent Metropolis, the Metropolix is a performance-focussed step sequencer with some really neat features, including modulation and sub-sequences in Loopy mode.

Supplier's Notes:
The Intellijel Metropolix is a unique and powerful Eurorack format musical sequencer. With an abundance of hands-on, tactile controls and a wealth of modulation possibilities (both internal and external) you can quickly and easily create infectiously musical sequences that are never boring. Even the simplest riff can be brought to life with seemingly endless options to create variations or real-time manipulations. Equally at home in the studio or a live improvised performance, the Metropolix is sure to become a staple source of fresh ideas and killer riffs in your creative process.

Width: 34HP
Depth: 25mm
Power: 95mA @ +12V 10mA @ -12V

On first blush, it appears to be a simple 8-stage sequencer - but there is far more functionality than first meets the eye:

There are two tracks (TRK 1 and TRK 2) that are variants of the single master pitch/gate sequencer, which is programmed via the PITCH sliders, PULSE COUNT and GATE TYPE switches. Each track interprets the master sequence in a variety of ways - creating complementary sequence variations that enable you to generate counterpoint, polyrhythms, and all manner of sonic movement (both subtle and extreme). Each of these tracks has its own playback ORDER, sequence LENgth, clock DIVision, SWING amount, SLIDE time, and track GATE lengths. Other track-based sequence variables are accessible from the TRACK MENU, and include Pitch Slider inversion; sequence note range; track transposition; and more. In addition, Tracks 1 & 2 both have multiple lanes of per-stage playback parameters, including: GATE override; PITCH override; RATCHet count; PROBability of playback; ACCUMulating transposition, and a dedicated CV lane. Each stage also has a SKIP feature, and a pitch SLIDE option.

8 separate and individual MODulation lanes are accessed via the MOD button. Each MOD lane has 8-stages of modulation values and its own playback ORDER, LENgth, and clock DIVision; and each lane is routable to one of Metropolix' two assignable outputs or to dozens of internal destinations, allowing for some sophisticated and powerful self-modulation.

A trio of AUX inputs allows for external modulation of user-assignable sequencer parameters for even greater variation, while two assignable CTRL knobs give you direct access to the parameters you want to adjust most frequently during a performance. With dedicated Pitch/Gate outputs for both Track 1 and Track 2; two totally user-assignable outputs (A and B); and internal MOD routing, Metropolix features a wealth of patching opportunities.

Metropolix also features a Loopy mode, allowing you to instantly play back short sub-sequences, or even "play" the stage buttons directly (like a 'keyboard').

Metropolix stores up to 64 preset configurations (in 8 banks of 8 presets), and all live settings are stored in EPROM, ensuring that your Metropolix will always power up exactly as you left it - even if you haven't saved them to a preset. By default presets can change all the structural (menu-based) elements of your sequencer without overwriting the front panel controls, but full recall is also available.

The operation of the Metropolix is optimized for live performance and jamming, with quick access to all the most important performance parameters, and the ability to greatly affect your sequences with a single slider or switch.

Notes: Akai's mid-range MPC features full-size pads plus a built-in rechargeable battery and speakers. Integrated phono stage makes it easy to sample from vinyl. A hugely capable studio centrepiece.

*** Introducing MPC Stems- March 2024 ***

Akai Professional now introduces the next chapter of sampling innovation and production powered by the groundbreaking MPC Stems bringing sampling into a new chapter.

With MPC Stems, you can access the raw building blocks of any sample or vinyl record, isolating the DNA of any record. Producers can now manipulate the Drums, Bass, Music, and Vocals, opening new creative possibilities.

Akai Professional introduces the ultimate creative workflow with Stems Separation seamlessly integrated into the leading MPC series, powered by MPC 2 Desktop Software.

With MPC Stems, producers and beat-makers can now unlock unmatched sampling creativity by easily isolating drums, bass, music, and vocals from any audio, vinyl recording, or sample revolutionizing the art of sampling.
Experience lightning-fast workflow with superior sound quality, keeping you inspired throughout the creative process.

Slice and isolate samples while maintaining chop regions across each of the four stem layers.

Take complete control with direct manipulation of stem layers from the pads, adjusting volume, pitch, pan, start, and end points with instant responsiveness.

MPC Stems requires MPC 2 Desktop Software running 2.14 or higher, compatible with MPC Live, MPC Live 2, MPC One, MPC One +, MPC X, MPC XSE, MPC Key 37, MPC Key 61, MPC Studio Mk 2 in Controller Mode.

Supplier's Notes:
Meet MPC Live II, the full MPC experience in its most portable configuration yet. Everything you need to make music, anywhere, right at your fingertips.

There's no need to compromise for portability. MPC Live II is the complete MPC experience without missing a step. A rechargeable lithium-ion battery means you can work anywhere for hours. Full-size MPC pads give you the ultimate in drum performance and the expanded function buttons allow for quick editing on-the-fly so you never miss a beat.

For the first time ever, you now have studio-grade monitors built-in directly to your MPC. No need to waste precious time looking for your headphones, untangling cables or powering up external monitors. These full range stereo monitors deliver low end thump along with tight top end to make portable beat-making the sonic experience you need to feel your music.

MPC Live II integrates into your creative space with all the ports, jacks and connectivity you need. USB 3.0, 2x2 MIDI, CV/Gate, 3 stereo outs and more. WiFi and Bluetooth connectivity make for a completely wireless workflow. No matter the device, MPC Live II is ready to get connected!

MPC Live II will super charge your production. With MIDI performance to tap in to as many devices as you need, an intuitive and streamlined layout not to mention the MPC workflow features you need; 16 Levels, Note Repeat, Auto Sample, Chords & Notes More and so much more. Get ready to level up to the MPC Live II.

KEY SPECS:

Pads:
(16) velocity and pressure-sensitive pads, RGB-backlit
(8) banks accessible via Pad Bank buttons

Knobs:
(4) 360- touch-sensitive Q-Link Knobs
(4) Q-Link Knob columns accessible via Q-Link button
(1) 360- encoder for display navigation and selection via push

Buttons:
(27) dedicated function buttons; red, amber, or green backlit

Display:
6.9" / 176 mm (diagonal)
5.9" x 3.7" / 150 x 93 mm (width x height)
Full-color LED-backlit display with touch interface

CPU: Quad-core ARMr processor
RAM: 2 GB
Storage: 16 GB, expandable via SATA connections

Connections
(2) 1/4" (6.35 mm) TRS inputs (1 stereo pair)
(6) 1/4" (6.35 mm) TRS outputs (3 stereo pairs)
(1) 1/4" (6.35 mm) stereo headphone output
(2) RCA inputs (1 stereo pair)
(2) 5-pin MIDI inputs
(2) 5-pin MIDI outputs
(4) TRS CV/Gate jacks, 8 outputs total
(1) Ethernet link port
(2) USB Type-A ports
(1) USB Type-B port
(1) SD Card slot
(1) Power Adapter input

Power:
Via power adapter: 19 V, 3.42 A, center-positive, included
Via battery: Up to 5 hours of battery life

Dimensions (width x depth x height):
16.2" x 9.6" x 1.8"
411.5 x 243.8 x 45.7 mm

Weight:7.45 lbs/3.38 kg

Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: A mini-modular synthesizer for real-time composing, sound processing, and having fun.

Pluto is compact and portable, with abilities that belie its small size. Five channels of modulation (named for the five moons of Pluto), two voices, two sequencers, a mini-keyboard, and onboard delay make Pluto its own complete sound environment, but it can happily play with all your other gear.

The design of Pluto draws from a legacy of portable electronic instruments, from the Buchla Music Easel to 80's Casio synthesizers. With a focused, approachable interface, Pluto invites exploration.

Features

Portable 2-voice, 2-sequencer patchable synthesizer
Easily create complex, randomized sequences
Low-aliasing digital oscillators, wavetable oscillators
Rechargeable battery
Built-in delay and reverb effects
Mini touch keyboard
Audio input for audio processing
Audio output (stereo headphone, line)
Quantize to preset scales, MIDI, or even audio input
Eurorack-compatible patch signals (5v)
Sync In & Out
MIDI In & Out (TRS, USB)
2 channels CV Out (0-5v, 1v/oct)
USB-C cable included

Notes: Specially tuned for bass sounds, the Minilogue returns in this new format. Same great analogue synth architecture, updated to create a low-end monster.

Supplier's Notes:
Minilogue Bass is the evolution of the iconic Korg Minilogue into an all-analogue bass powerhouse.

An expandable poly-synth that retains the hands-on control and immersive playability of the original, Minilogue Bass drops deep, dark, thunderous low-end for cutting production-ready bass.

Production-ready bass

Minilogue Bass includes patches optimized by professional bass and synth programmers, ready to drop into your track or performance. But that's just the beginning - everything can be customised- the analogue possibilities are virtually endless.

All 100 preset patches are exclusive to Minilogue Bass, and can be further expanded with an additional 100 user programs for a total of 200 slots.
Powerfully analogue

The thickness, presence, and immense sonic palette provided by Minilogue Bass is due to an all-analogue signal path. It has two VCOs, a VCF, two EGs, a VCA and an LFO, while retaining the hands on control and unique wave shaping through oscillator harmonics from Minilogue.

Minilogue Bass includes cross modulation, oscillator sync, and a ring modulator, alongside a high pass filter delay to further expand your sound creation possibilities.

Eight voice modes

Minilogue Bass is a four-voice poly synth, with eight voice modes for broad versatility. Alongside POLY and CHORD modes, DUO stacks two voices in unison, UNISON works as a 4 part mono synth, MONO is monophonic but with a sub-oscillator playing an octave lower, DELAY plays 3 voices in sequence after the first, ARP is a 4 voice arpeggiator, and SIDE CHAIN lowers the volume of previously played notes.

16-step sequencing

Minilogue Bass offers powerful and intuitive sequencing possibilities. The 16-step polyphonic sequencer also captures the motion of up to four real-time controls, and can be overdubbed or step-sequenced, alongside the ability to change the root position of the playback by playing a key.

Overview

Sound visualisation

Minilogue Bass has an OLED oscilloscope that shows you the waveform as you sculpt your sound.

Sound librarian

The Minilogue Bass Sound Librarian allows for easy organisation of programs inside your synth, and can also save the entire library to a computer. It even gives the ability to load any existing Minilogue patches alongside factory and bonus libraries from Korg.

Solid looks

The sand-blasted 2mm aluminium front panel on Minilogue Bass features an edgy appearance, which is emphasised by the inverted black and red keys. A red-coloured wood rear panel further adds to a unique appearance.

Minilogue bass is also roadworthy - with metal shaft chassis-mounted potentiometers and rubber coated knobs complementing its powerful and dynamic sound creation possibilities.

In sync

Alongside MIDI and USB, Minilogue Bass has a sync connector for effortless connectivity with Volcas, Electribes and SQ-1 sequencer.

Specifications

Keyboard: 37-keys (Slim-key, velocity sensitive)
Sound Generation: Analog synthesis
Maximum Polyphony: 4 voices
Program

200 programs (100 Presets / 100 Users)
Each program includes voice mode and sequence data settings
Up to eight favorite programs can be registered
Voice Modes: 8 modes (Poly, Duo, Unison, Mono, Chord, Delay, Arp, Side Chain) -
VOICE MODE DEPTH can vary different parameters in each mode

Main Synthesis Parameter
VCO1: Octave, Wave (Saw, Triangle, Square), Pitch, Shape
VCO2: Octave, Wave (Saw, Triangle, Square), Pitch, Shape
VCO2 MODULATION: Cross Mod Depth, Pitch EG Int, Sync, Ring
MIXER: VCO1, VCO2, Noise
FILTER: Cutoff, Resonance, EG Int, Filter Type (2-Pole, 4-Pole), Keytrack, Velocity
AMP EG: Attack, Decay, Sustain, Release
EG: Attack, Decay, Sustain, Release
LFO: Wave (Saw, Triangle, Square), EG Mod (Int, Rate, Off), Rate, Int, Target (Pitch, Shape, Cutoff)
DELAY: Hi Pass Cutoff, Time, Feedback, Output Routing (Post Filter, Pre Filter, Bypass)

Sequencer
16-step polyphonic sequencer
Motion sequence can be used on up to four parameters

Controls
41 dedicated panel controls deliver immediate parameter access
A slider can control different parameters for each program

Display: Real-time OLED oscilloscope provides visual feedback of parameter changes
Connectors: Headphones (6.3mm stereo phone jack), Output (6.3mm monaural phone jack), Audio In (6.3mm monaural phone jack), Sync In (3.5mm monaural mini jack), Sync Out (3.5mm monaural mini jack), MIDI In, MIDI Out, USB Type B
Power Supply: AC adapter (DC9V)
Power Consumption: 8 W
Dimensions (W x D x H): 500 x 300 x 85 mm / 19.69" x 11.81" x 3.35"
Weight: 2.8 kg / 6.17 lbs.
Included Items: AC adapter

Notes: Based on a new digital hardware platform, the Spectraphon is a powerhouse spectral oscillator, capable of everything from analogue-style dual complex oscillators to FM and much more.

Supplier's Notes:
The Make Noise/Soundhack Spectraphon is a dual Spectral Oscillator coded by Tom Erbe of Soundhack. It uses real-time spectral analysis and resynthesis to create new sounds from those that already exist. It is inspired by classic electronic musical instruments of the past, including spectral processors, additive synthesis, vocoders, and resonators especially the Buchla 296 and Touche, but it takes a physical form more resembling the classic analogue dual complex oscillator in the lineage of the Buchla 259 and the Make Noise DPO.

The Spectraphon is the first module to be built by Make Noise on its new digital hardware platform. This hardware, engineered by Jeff Snyder and Tony Rolando, provides more i/o at higher resolutions, and a lower noise floor than we have ever had access to in a digital module, allowing us to unleash Tom Erbe's DSP code to a previously unattainable degree.

The Spectraphon has two nearly identical sides, A and B, which oscillate in one of two ways: Spectral Amplitude Modulation (SAM), or Spectral Array Oscillation (SAO). In SAM, instead of oscillating at all times like an analogue VCO, sound at the Spectraphon's input is used to modulate the amplitude of a set of harmonics. In SAM the Spectraphon can be sequenced and frequency modulated like any VCO. At any time the current spectrum can be used to create an Array for later use in SAO mode where the Spectraphon oscillates at all times, with the spectrum at the Odd and Even harmonic outputs being drawn from those stored Arrays.

The Slide and Focus controls are mode-dependent: in SAM, they determine how the Spectraphon responds to sound at the input for Spectral AM, while in SAO, they are used to modulate the Array.

In either mode (SAM or SAO), the Partials control works as a combined amplitude and timbre gate for the Odd and Even harmonic output and the FM Bus will create high definition internal frequency modulation from the opposing side of the Spectraphon. The two sides can also interact via the internal FM Bus, the Follow and Sync modes, and by patching them together.

Width: 34hp

Power:
230mA @ +12V
55mA @ -12V

Module Depth (incl power cable): 36mm

Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: Eurorack version of 1010's superb Bluebox. Vast power in 30 HP, with the ability to mix, record and play back in mono and stereo, hook up to a computer over USB for stereo I/O and run effects, all with CV control.

Supplier's Notes:
The bluebox Eurorack edition is the new Eurorack mixer with effects and multichannel recording/playback based on the award-winning bluebox desktop mixer. With the Eurorack edition's USB-C EXT port, you can send 2 channels of audio to and from your computer. Plus, you can control up to 6 mix settings with the 6 CV inputs. Whether recording your Eurorack jams, using it to play stems as backing tracks, or a combination of both - bluebox Eurorack edition will rock your rack!

Connect your eurorack, sampler, drum machine, and synthesizer outputs to 12 mono, 3.5 mm inputs and map them to 12 mono tracks or 6 stereo tracks - all with independent control for recording and playback. Connect your computer to the USB C port to send and receive two channels of audio.

The bluebox Eurorack edition is the ultimate in compact mixing, effects, recording, and playback for Eurorack. Smack it in your rack and hit the road with a self-contained, electronic music powerhouse!

When you purchase a bluebox Eurorack edition, you will receive:

a bluebox Eurorack edition 30 HP Eurorack module
A microSD card with bluebox firmware and pre-loaded project files
two Eurorack power cables
a bluebox Eurorack edition Quick Start guide
two MIDI Adapters

Technical Specs

Dimensions & Power
30 HP
Module dimensions including knobs: 6" x 5"x 1.6"
Depth behind front panel with ribbon cable: 1.0"
Requires the +5V rail which may not be present
on some older racks.
Uses 500-850mA at +5V (depending
on screen brightness), 320 mA at +12V, and 82mA at -12V
Requires two power connections
Capabilities
12 mono tracks, 6 stereo tracks or something in between
Connect to TRS or USB C MIDI for beat syncing effects
Lots of headroom with support for Eurorack levels up to +/-5V inputs and outputs
3 effects: reverb, delay and compressor
Records and plays back 48k, 24-bit audio WAV files
4 band EQ per track
Durable aluminum faceplate
Stream 2 channels of audio in and out over USB C

Inputs and Outputs
12 mono 3.5 mm TS inputs
2 independently controlled 3.5 mm TS output pairs that can be used as 4 mono outputs
1 stereo 3.5 mm headphone output
6 CV Inputs
1 USB C MIDI Device port
1 TRS MIDI Input
1 TRS MIDI Output
1 USB C Ext jack for streaming audio
3.5" touch screen, 4 knobs, 8 navigation buttons and 3 transport buttons

Notes: Dark grey version of the 8030C, part of Genelec's iconic range of compact monitors. Max SPL of 104 dB and frequency response of 47 Hz - 25 kHz mean that the 8030Cs pack a bigger punch than their 30 x 19 cm dimensions would suggest.

Supplier's Notes:
If you love the compact format of the 8010 and 8020 models but demand higher SPL and more bass extension, meet the 8030C.

Welcome to the sweet spot

Short term max SPL: >104 dB

Maximum short term sine wave acoustic output on axis in half space, averaged from 100 Hz to 3 kHz at 1 m.

Long term max SPL: >96 dB

Maximum long term RMS acoustic output in same conditions with IEC weighted noise (limited by driver unit protection circuit) at 1 m.

Self-generated noise: <5 dB SPL

Self generated noise level in free field at 1 m on axis (A-weighted).

Weight: 5 kg (11.0 lb)

Dimensions

Height: 285 mm (11 1/4 in)
Height with Iso-Pod: 299 mm (11 3/4 in)
Width: 189 mm (7 1/2 in)
Depth: 178 mm (7 in)

Enclosure

Enclosure material: Die cast aluminium
Enclosure type: Reflex port

Drivers

Bass

Driver type: Cone
Diameter: 130 mm (5 1/8 in)

Treble

Driver type: Metal dome
Diameter: 19 mm (3/4 in)
Harmonic distortion

50-100 Hz <2 %
> 100 Hz <0.5 %

Amplifiers

8030C bass amplifier: 50 W Class D
8030C treble amplifier: 50 W Class D

Mains voltage: 100-240 VAC 50/60Hz

Power consumption

ISS Active: <0.5 W
Idle@ <3 W
Full output: 60 W

Signal processing section

Connectors

Input: Analogue signal input connector XLR female, balanced 10 kOhm.

Crossover

Bass/Treble: 3000 Hz

Notes: Meris describe the MercuryX as the most flexible studio reverb pedal ever made. A bold claim, but hear them out. Immense power with eight custom algorithms in a modular architecture. Full stereo with a wealth of programs from lush plates and twangy springs to experimental weirdness.

Supplier's Notes:
The Meris MercuryX takes the heart and soul of Mercury7 and expands it far beyond sci-fi into the highest quality and most flexible studio reverb ever created in a pedal format. Its modular reverb system format breaks the paradigm of pre-set reverb types and inspires new discoveries. MercuryX features the same easy to use UI as LVX, making it immediately intuitive to navigate.

All of Meris' passion for pro audio has made it into both the algorithms and hardware performance of this pedal. MercuryX combines 8 custom Meris reverb algorithms and incorporates those into a modular system architecture that first introduced with the award winning LVX pedal. It features discrete processing elements and control signal modifiers that can be connected as desired for infinite flexibility in crafting custom reverbs.

Here is a deep dive into the 8 different reverb structures in MercuryX. Each Reverb Structure has Gate controls that can be used to dial in a range of gated reverb effects including the classic percussive gate sound, reverse tail reverb sounds, and slow breathing textures.

Similar to the Dry Blend control of the Predelay, each Reverb Structure features a Predelay Blend control that allows you to put some or all of the predelay reflections in parallel with the reverb tank.

Ultraplate - Adapted from Mercury7, Ultraplate is an inspiring and lush plate with a fast build. Use the Ultraplate's flexible decay range to create a wide range of studio textures.

Cathedra - Adapted from Mercury7, Cathedra is a massive and ethereal algorithm with a slow build. Cathedra is perfect for scifi textures and recreating C-beams glittering in the dark near the Tannhauser gate.

Spring - A flexible algorithm that can be voiced to replicate both the amp based reverb sounds and the classic studio spring tanks featured on early recordings.

78 Room - A lively and direct sound. This algorithm is great for transforming static sounding virtual amps into the difficult to capture sound of a great amp live in the room with you. The Room algorithm features a unique infinite mode (Maxed out Decay controls) that interacts with the Tank Mod to provide deep chorused and flanged reflections.

78 Plate - Fast and dense, the 78 Plate algorithm is a good match for beefing up percussion and vocals.

78 Hall - A large hall with a medium build up of reflections. Great for building up ambient walls of sound. The Hall algorithm's extended reflections are a great base for sculpting with the Bass/Mids/Cross controls. Deep rumbling bass caverns and ethereal upper mid emphasized halos of sound are easy to create. Explore the additional sparse mode for the Hall when Diffusion is set Low.

Prism - The Prism Strucure is an dual tank that allows you to build your own geometric rooms by specificying the size and distance and reflectivity. Prism features a highly configurable modulation section which allows different modulation phases per side to further increase the stereo image.

Gravity - The Gravity Structure works by accelerating indivual windows of your signal and stretching them across the horizon.

Notes: A whooooole lot of synth power for the money, building on the original Minilogue's analogue platform with a load of added digital features. Hard to think of many more versatile synth modules.

Supplier notes:
Minilogue XD module is the new desktop module version of Minilogue XD, the four-voice polyphonic analogue synthesiser with a customizable digital multi-engine and built-in stereo digital effects.

The desktop module is equipped with the same controllers as the keyboard version, making it a great choice not only as an additional sound module for your keyboard or DAW but also providing excellent performability, giving you an easy way to include an analogue polyphonic synth in your setup. It's also equipped with a poly-chain function that lets you connect it with another Minilogue XD or Minilogue XD module so that the two units can operate as a polysynth with a total of up to eight voices in your studio or on stage.

Add the sounds of the Minilogue XD to your setup or system!

Equipped with an analogue synthesiser circuit and a digital multi-engine:

Voice structure of Minilogue XD is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a two-pole filter that can be both sharp and fat, and a drive switch that adds thickness and drives signal into Minilogue XD's filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analogue to fat basses and crisp lead sounds, covering every situation.

The additional sound design possibilities of digital sound are delivered by the multi-engine: the third oscillator in addition to the two analogue VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and open-source user oscillators) lets you take advantage of a sonic character that's different than analogue, and use it at the same time as the analogue engine, infinitely expanding XD module's potential through hybrid sound design.

High-quality digital effects:

Minilogue XD's high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created.

User customization brings out infinite potential:

The Minilogue XD features a customizable open-source environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you've created with the SDK (Software Development Kit) can be loaded into the Minilogue XD via the dedicated librarian software, as well as oscillators other users share online.

What sounds can you create using the fusion of expanded digital oscillators with analogue synthesis? Create original programs, share code, and participate in the user community. KORG even provides sample code to get you started.

Polyphonic Step Sequencer:

One of the major features of the Minilogue XD series is its 16-step step sequencer. Each of the factory-preset programs has an embedded sequence pattern created with performance in mind.

The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to have different parameter values at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed.

Poly chain support:

The Minilogue XD module can be used in conjunction with another unit in the Minilogue XD series for poly assignment settings. Specify one unit as the master and the other as the slave, and they will play as an eight-voice polyphonic synthesiser. This supports a variety of uses, such as a voice-expansion module for the Minilogue XD or as a sound module for a DAW-based production system.

Free bundle of music software:

The Minilogue XD module comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.

Notes: Brilliantly unusual synth based on eight analogue tone generators, functioning more like an electric organ or FM synth than a conventional subtractive architecture. Unique sound.

Supplier notes:
Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of VCOs. Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Specifications:

Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS or TRS (balanced) jack
Output resistance: 100 Ohm
EXT IN: 1 v 0-to-peak
EXT IN connector: 6.3 mm TS jack
HOLD GATE: full HOLD volume +5 V
HOLD GATE connector: 6.3 mm TS jack
CV DELAY : unipolar, range of 0 to +5 volt
CV DELAY connector: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply: stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 2 watt
Dimensions: 266 x 266 x 62 mm
Weight (without power supply and packaging): 2.5 kg

Notes: A digital mixer at heart but so much more. 1010's unique take on mixing and recording includes built-in effects and EQ, compression, headphone/monitor mixes and output routing. Clever stuff.

Supplier's Notes:
Bluebox is the portable digital audio mixer that lets you get the most out of your electronic music gear. Connect your eurorack, sampler, drum machine and synthesizer outputs to 6 stereo, 3.5 mm TRS inputs and map them to 12 mono tracks or 6 stereo tracks, all with independent control for recording and playback. It's that keyboard mixer with live performance features that you always hoped someone would make.

Connect the output of your electronic music gear to Bluebox, and then route each track independently to the three outputs and effects sends. Each track offers control of volume, gain, 4 band parametric EQ, pan, mute and solo functions. Apply high-quality global reverb and delay effects along with 4 band EQ per track to add new depth to your sound with total control to quickly tweak incoming audio or track playback as needed.

With Bluebox you can record independent tracks or the Main mix using a standard microSD card. Capture your jam session for later review, or record the ultimate mix of the tracks for your song.

Bluebox's compact 5.5h x 5h x 2h case lets you tuck it into a crowded tabletop studio or throw it in your pack for the next gig.

Interact with the dynamic visual interface on the 3.5h touchscreen along with physical knobs, navigation buttons and transport buttons to quickly access the most important functions. MIDI input and output allow you to sync the clock with external gear for synchronized effects and metronome.

Add Some Colour to Your Mix:
Mix 12 mono/6 stereo tracks of live or prerecorded sound.
Independently route each track to any combination of three stereo TRS outputs:

Stereo Output 1 - Main mix
Stereo Output 2 - Assignable, with dedicated sub-mixer (pre or post fader)
Stereo Output 3 - Headphone output, with dedicated sub-mixer (pre or post fader)
Control one parameter for multiple tracks at once in Mixer mode.
Focus on one track at a time in Track mode.
Adjust the level or mute state of each output independently.
Use touch gestures or knobs to tweak your sound with four band EQ per track with support for Low Cut/Low Shelf, Parametric, and High Shelf/High Cut settings for each band.
Apply high-quality Reverb and Delay effects with independent effects sends for each track.
Override the headphone output with the Main mix on demand.
Maximize the loudness and unify your mix with the built-in global compressor
Sync to external clocks through the MIDI Input and Output.
Record hours of music as 48k, 24 bit WAVs directly to the microSD card as multi-track or as the main stereo mix.
Playback a previously recorded track while recording new ones.
Load firmware updates through the microSD card.
Mix electronic music gear such as the 1010music blackbox, eurorack modules, drum machines, samplers and synthesizers.
Save and recall Project settings including all parameters for tracks, outputs, EQ and effects.
Copyright 1010music LLC 2020 --- CONFIDENTIAL ---
Copyright 1010music LLC 2020 --- CONFIDENTIAL UNTIL 10/10/2020 ---
Fit it into a small spot on your desk and then tuck it in your pack for the next gig.

What is Included:
Bluebox digital recording mixer
A microSD card with bluebox firmware and pre-loaded project files
A USB power cable and AC adapter with 3 international adapters
2 MIDI Adapters . Male 3.5 mm TRS to Female 5 pin DIN, MIDI Class B standard
A Quick Start guide to show you the basics (full user manual available online)

Specs:
6 stereo 3.5 mm TRS inputs
12 mono tracks, 6 stereo tracks or something in between
3 independently controlled stereo 3.5 mm TRS outputs
3.5h touch screen, 4 knobs, 8 navigation buttons and 3 transport buttons
3 effects: reverb, delay and compressor
Records and plays back 48k, 24-bit audio WAV files
4 band EQ per track
MIDI In and Out for beat syncing effects
Dimensions: 5.5 x 5 x 2 (14 cm x 13 cm x 5 cm), 1 lb (450 grams)
Durable aluminum case

Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: Second-generation version of 1010's outstanding Bitbox sampler module, featuring improved processing power, higher-quality touchscreen and new effects.

Supplier's Notes:
Next Generation Sampling Module for Eurorack

The bitbox mk2 is a follow up to 1010's successful bitbox module. Do more with bitbox mk2's more powerful processor and improved touch screen. This module has all of the features of the original bitbox and adds effects and mixing capabilities that take advantage of the faster and more powerful processor.

Sample Playback

Play up to 24 polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger samples streaming directly from the microSD card
Configure 16 sample pads per preset as single or multi-samples, clips, slicers, granular or new recordings
Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio
Trigger samples with the touch screen, CV gate inputs, or MIDI input
Use MIDI for polyphonic playback of samples or slices
Control how samples start and stop by choosing from one-shot, toggle, and gate launch modes
Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, grain size, grain spread, grain count, and MIDI note and channel mapping

Sample Recording

Record Eurorack level audio straight into the module:

Record samples from a stereo audio input pair
Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer
Sample Modes

Find creative ways of using your samples with our 5 sample playback modes:

Trigger one shots or launch loops using sample mode
Load a folder of samples into a sample mode pad to improve the quality of the pitch shifting when playing a sample chromatically or to trigger different samples with each note
Play time-synchronized loops with constant pitch time shifting in clip mode
Skip between slices of a WAV using slicer mode
Create rich textures and other worldly sounds with granular mode
External Control and Synchronization
Playback can be immediate or synchronized to internal clock, TRS clock in, or MIDI clock in and out
Trigger each pad independently through a dedicated gate input
Use MIDI to trigger pads via a note per pad
Play a single or multi-sample pad pitch shifted using MIDI notes or CV
Trigger different sample slices using MIDI notes or CV
Modulate a wide variety of sample parameters through the MIDI input and up to 8 CV signals
Quickly set up MIDI modulation using Learn mode - no need to look up CC numbers
Module Features
Use the 3.5" diagonal touch screen to intuitively explore the features of the module
Get more creative with double the processing power of the original bitbox
Fill out your sound with reverb and delay
Import or export WAV files with your Mac or PC using a microSD card
Save and recall multiple presets
Increase your capacity with larger microSD cards
Select Flipped UI mode to mount the unit with the screen on the bottom and use the screen, knobs, buttons, and CV jacks as you normally would

When you purchase a bitbox mk2, you will receive:

a bitbox mk2 Eurorack module
a microSD card with with a bank of demo presets and samples loaded on it
a Eurorack power cable
a bitbox mk2 Quick Start guide
a MIDI Adapter

Technical Specs

Supports 1 and 2 channel WAV files with 16, 24 or 32-bit resolution at any sample rate (48kHz preferred)
26 HP
Module dimensions including knobs: 5.25" x 5"x 1.75"
Depth behind front panel with ribbon cable: 1.25"
+12V: 400mA
-12V: 0mA
5V: 0mA
24-bit ADC and DAC

Inputs and Outputs

Connect up to 8 CV modulators to control numerous sample parameters
Trigger each of the 16 pads with a dedicated gate input
Record through the dedicated stereo audio input pair
Use CV to keep time through the dedicated clock input
Confidently connect with both TRS MIDI Type A and Type B, no adapter needed
Route the audio from each pad out to one of 2 stereo audio output pairs or any of the corresponding single channels
Inputs and outputs are DC coupled so you can record and play out CV signals

Notes: The Buchla Music Easel Program Manager Card

Store your best sonic memories on the Program Manager Card! The PMC takes full advantage of the program interface, storing up to 48 Easel presets and interfacing with your computer with a class-compliant MIDI connection. The Buchla Program Manager App for Mac and Windows gives you the power to manage banks, create programs, and import and export your presets for sharing.

Evolution of an idea

The program interface's edge card connector was originally designed to let artists create presets by wiring resistors to a circuit board to fix the positions of the sliders and banana connections. Each preset was its own card. Simply swapping cards in the program interface completely changed the sound. This was valuable, if not outright necessary, to musicians who needed to easily recreate patches for performance and create repertoire. The 2013 "iProgram Card" created a vital link between computer and Easel. Now, in 2022, Buchla USA has refreshed and simplified the design, giving it more memory, embed-ability, and making it easier to use.

Virtual Solder Station

While you can still solder up some sounds for all generations of the Easel, the new Program Manager Card provides microcontroller precision and computer convenience. Serving as the digital bridge between your computer's USB port and the 28 pins of the Program Interface, the PMC gives you instant recall and easy access to 48 unique programs that control almost every parameter and patchpoint on the Easel's front panel. Repeatability and repertoire are made instantly available.

Computer Precision

Using the Buchla Program Manager Application in Mac or Windows to design presets gives you even more programming options than the Easel's front panel controls. The unique "Depth" controls for the patch cords put a virtual knob on every cable, allowing gradual and even inverted connection for every patch point. The fine resolution provided by high resolution controls means you can dial in extremely precise values for parameters, in a way not easily achieved by hand. The application serves as an endless extension to the Program Manager, with nearly unlimited space for presets and banks.

Sharing is Fun

Import and Export features make it easy to backup or share your presets and complete banks with other Easel musicians in a simple, small file.

Adventure Awaits

With the optional embed kit, you can install the Program Manager card directly into your easel, replacing the Program Interface connector with the screen and buttons. Embedding the card makes it easier to control and travel with.

What about the iProgram Card?

The Program Manager Card is an updated version of the iProgram Card. With a firmware update that we'll be providing very shortly, you can use the new software with your iProgram Card over a USB connection.

Compatibility

The Program Manager Card is compatible out-of-the-box with the Easel Command 208C and upcoming Music Easel. It can be used with the 2013-2017 Music Easels with a DIY modification to the card's connectors or to the Easel itself.

Getting Started

The Program Manager system is composed of the card itself that installs into your 208 Program Interface, and Mac/Windows software where you design and manage presets.

Notes: Brilliantly unusual synth based on eight analogue tone generators, functioning more like an electric organ or FM synth than a conventional subtractive architecture. Unique sound.

Supplier notes:
Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of VCOs. Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Notes: Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Notes: The Multi-Delay Processor is a creatively usable echo effect with eight taps. The module's sound may remind you of classic bucket-brigade devices. - It even generates distinctive pitch effects when altering the delay time. An input mixer gives audio material a crisp, analogue character. Thanks to feedback channels with pitch shifter and reverb processor, shimmering echoes and other atmospheric effects can be achieved. A total of nine envelope followers and 14 audio outputs invite you to do extensive feedback patches and other edgy experiments.

The Multi-Delay Processor isn't just a high-quality echo effect but was designed to be a fundamental ingredient of patches. Its core is a bank of eight digital delays, which are wired in series. Together, the circuits form a multi-tap echo. The volume of each signal repetition as well as the raw material can be adjusted via faders. Furthermore, there are individual audio and envelope follower CV outputs for the dry signal and all taps. An analogue clock is used to control the echo circuits. The delay time can be set manually via a potentiometer plus there are two CV inputs with bipolar attenuators. Altering the delay time parameter during operation leads to pitch effects. At this point at latest, you'll realize the superiority of the serial memory design used by Mark Verbos over average effect chips. Despite its digital core, the Multi-Delay Processor offers charming sound reminiscent of a classic bucket-brigade device. - Only cleaner and more transparent.

A three-channel mixer with dedicated level potentiometers adds analogue character to signals before they are fed to the delay circuits. Without patch cables plucked into the second and / or third input, you can use these channels as feedback paths with additional effects. In detail, a pitch shifter calibrated to +1 octave (channel 2) and a reverb (channel 3) are available. - A perfect setup for creating shimmering echoes and other atmospheric effects. High feedback values make the module self-oscillate. In contrast to the multi-tap delay, which consists of individual components, an FV-1 chip is used for pitch shifting and reverberation. This processor is well-known, as it is the main component of multi-effects modules like the Erica Black Hole DSP and numerous guitar pedals. Here, the FV-1 is "just" a creative addition to the main effect.

In addition to the manual mix output, which emits the mixture of raw and effect material dialled in via the faders, there are four other audio outs. Two of these connectors provide signals derived from summing up all even respectively odd taps. The other sockets emit preset mixes with increasing or decreasing level. - Very cool for quickly creating special effects.

Notes: Gorgeous retro-inspired synth. Heavily based on 70s string synthesisers and vocoders, updated in a modern format. Proper lush vibes.

Supplier's notes:
The string section starts with an oscillator bank using octave dividers, followed by a complex mixer, an equalizer and the ensemble effect, just like string machines from the 70's. A single registration knob sweeps through mixer and EQ settings for Violin, Viola, Cello, Brass, Organ, Choir and more for creating rich and creamy sonic textures.

The Solo section is a 16-voice synthesizer that complements the string sounds. A single Tone knob sweeps through many useful settings. Solo is the sidekick to the strings, but it is powerful enough to be the lead character every now and then.

The Vocoder replaces the equalizer in the string section with the filter bank that models the vocal tract from the speech input. This can produce quite intelligible speech or singing using the fully polyphonic oscillator bank. Formants can be modified, which can result in a perceived change of gender. Adjustable jitter of the string oscillators renders the voice hoarse, creaky or a complete whisper. Solo can pass through the Vocoder or play in parallel.

The Freeze button lets you freeze a short speech fragment, which is then repeated by the Vocoder whenever a key is pressed. Change of playback speed, like faster, backwards or a complete stop are possible and fun, as well as formant change.

A novel Tweak function allows for modification or modulation of details, like e.g. the solo cut-off frequency or the Chorus LFO rate. It is similar to a modulation matrix, but it also allows to alter implicit settings with a fixed value or an offset.

Three Effects operate simultaneously - Animate is in fact a modulation of the string or vocoder registration, while a Phaser is a must for any decent string machine. A high-quality Reverb with adjustable size can be mixed to the output.

STVC comes with a high-quality gooseneck microphone that plugs right into the front panel where it belongs.

Notes: Deckard's Voice is an entry level semi-modular synth from Black Corporation for eurorack systems. Sharing the same paradigm and circuit as it's bigger brother Deckard's Dream, trimmed down for eurorack and supplemented with the flexibility available only in a modular format.

Features:

VCO with pulse, glitch saw and sine outputs
Dedicated LFO for PWM
Noise source
External audio input to a filter
Discrete hipass and lowpass filters with resonance and IL-AL-ADR envelope
LFO with sine, saw, ramp, square, smooth and stepped random output
Output VCA with ADSR envelope and velocity control over volume
ADSR (0-10V) and LFO (-5V/+5V) outputs
Master and line level outputs
32HP size
+12/-12V standard eurorack power
38mm deep

Notes: ZED-18 has an incredibly advanced feature-set for a mixer at this level - it gives musicians, venues and hire companies access to 10 full mono channels and 4 stereo channels in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

SEND OPTIONS
1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 3-4

RETURN OPTIONS
1) To Stereo 3 channel

ZED-18 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

Based on the proven pre-amps from the hugely successful PA series, ZED-18 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.

Notes: 12-channel version of Tascam's modern take on the classic Portastudio concept. Digital recorder fused with analogue mixer and audio interface. Great one-box recording solution.

Supplier's notes:
Integrated production suite for music and multimedia creators, songwriters and performers.

Tascam Model 12 is a compact all-in-one integrated mixing and recording suite designed for music and multimedia creators, songwriters and performers. It consists of a 10-input mixer, a 12-track version of the highly acclaimed Tascam multi-track audio recorder, USB audio interface, MIDI connectivity, DAW control functions, and unique podcasting capability including mix-minus and smartphone input.

Combining the feel of an analogue user interface with the efficient workflow and pristine quality associated with digital recording and production, the compact and affordable Model 12 supports your creative process from start to finish.

Notes: One of our favourite synths of 2019 and still amazing value. Analogue meets digital, offering hugely versatile sound in the same compact, user-friendly format as the original Minilogue.

Supplier's notes:
An evolved next-generation analogue synthesizer with huge potential for sound design and performance. We wanted to deliver a next-generation analogue synthesizer for a new generation of musicians new to analogue synthesis. That dream was realized in the development of the minilogue, which instantly made the analogue synthesizer approachable.

In addition to emphasizing the same real analogue sound and joy of controlling an electronic musical instrument offered by the original minilogue, the minilogue xd newly adds a digital multi-engine, effects, a powered-up sequencer, and micro tuning functionality, further expanding the possibilities for sound design and performance potential. Minilogue xd is a fitting addition to the original groundbreaking minilogue.

Four-voice polyphonic analogue synthesis. The analogue synthesizer circuit of the minilogue, whose genuine analogue sound had a huge impact on the synth world, has been further developed for the minilogue xd.

Voice structure of minilogue xd is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a sharp two-pole filter, and a drive switch that adds thickness and drives signal into minilogue xd's filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analogue to fat basses and crisp lead sounds, covering every situation.

Of course, programs that you create can also be saved in the unit. Out of the box, minilogue xd comes loaded with 200 presets, and a total of 500 programs can be saved.

Equipped with a digital multi-engine:

The additional sound design possibilities of digital sound are delivered by the multi-engine that's provided as a third oscillator in addition to the two analogue VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and user slot) lets you take advantage of a sonic character that's different than analogue, and use it at the same time as the analogue engine, infinitely expanding the potential of hybrid sound design.
Noise generator

The noise generator provides four types of noise that are indispensable for percussive sounds or for sound effects. You can use the digital filter to directly change the colour of the noise.

VPM oscillator:

minilogue xd's multi-engine features a VPM (Variable Phase Modulation)/FM oscillator with a two-operator structure. It can produce sharp, metallic sounds with complex overtones beyond the possibilities offered by analogue systems. With 16 types of oscillator and a SHAPE knob control, you'll be able to create complex sounds intuitively.

User oscillators:

User oscillators allow you to load your own oscillator programs that you created or obtained via the internet. There are 16 user slots, as well as one type of morphing wavetable oscillator provided as a preset.

High-quality digital effects:

minilogue xd's high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created.

User customization brings out infinite potential:

The minilogue xd features a customizable open environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you've created with the SDK (Software Development Kit) can be loaded into the minilogue xd via the dedicated librarian software.

Polyphonic step sequencer controlled by 16 buttons:

The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to design the sound differently at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed.

Notes: The Control Voltage Processor from Verbos Electronics GmbH is a suite of control voltage processing possibilities divided into 3 sections in a slim 18HP package. The lower 2 sections are DC coupled mixers that allow mixing, inverting, offsetting, scaling, multiplying, dividing, crossfading or a combination of these functions. The top section is a voltage controlled slewing processor with independent control of Positive and Negative slew rate, with some unique tricks. The Positive and Negative slew, or Rise and Fall rates if you like, have reversing attenuators. The slopes can be blended from linear to RC curves (starting all slides fast and ending slow, like a proper "East Coast" Portamento) without a change in speed. It can be triggered like an AD envelope and has a Gate out that goes high when the CV out is below 100mV. Of course it can loop by patching the Gate out to the Trigger in. The Bounce control adds a unique flare of overshoot to CV changes, a bit like the effect of stopping a tape reel from turning and then letting it go. The combination of multiple voltage processors offers the user the functions of analogue computer.

Notes: Korg's MS-20 monophonic synthesizer, first introduced in 1978, is still a coveted instrument to this day, thanks to its thick, robust sound, its powerful, iconic analog filter, and its versatile patching options. Over 300,000 people have enjoyed the distinct MS-20 sounds from the original, from Korg's MS-20 plugin synth, or the iMS-20 iPad app.

Today, the sounds of the MS-20 have been reborn in hardware, as the MS-20 Mini. The same engineers who developed the original MS-20 have perfectly reproduced its circuitry and fit into a body that's been shrunk to 86% of the original size, yet retains the distinctive look of the original.

The MS-20 mini will amaze you with its absolutely authentic analog synth sound.

The Korg MS-20 Mini features 2 improved lower noise voltage controlled oscillators with selectable waveforms including ring modulation and noise, 2 voltage controlled high and low pass filters, 2 voltage controlled amplifiers, 2 envelope generators and an LFO. Part of the appeal of the original was its self oscillating, resonant filters that could be driven into distortion. They remain popular to this day and can also be found in the recent monotron and monotribe units as well as on the new MS-20 Mini.

Part of the versatility of the original Korg MS-20 was its flexible patching system, making it semi modular, and this has been recreated for the MS-20 Mini. It allows users to create uniquely complex, evolving, organic sounds by using patch cables to access and change the internal synth architecture, with the front panel flow chart guiding easy operation straight out of the box. Users can even patch external sources via the external signal processor to be processed in the same way as an oscillator, as well as benefitting from the rich harmonics added by the circuitry and filters.

This reissue of a modern classic will be an extremely welcome addition to Korg's current synth line and, with fantastic sound, versatility and ease of use, the MS-20 Mini is sure to win over many fans old and new.

Notes: More knobs than you can shake a stick at. Add hands-on control to pretty much any MIDI-equipped hardware or software. Upgraded version of the classic PC44, featuring a whopping 72 rotary pots and 12 buttons.

Supplier's notes:
PC12 as successor of the PC44 is a universal controller for all kinds of MIDI controllable hardware and software.

You can combine two or more NEW MODULE devices to create a large system. The connections are on the right side to allow a back to back placing of two or more devices. Connect two NEW MODULES by a special extension port.

Furthermore, there are 4 MIDI-ports and one USB-port with various routing possibilities.

It is packed in a metal case with the same dimensions like the famous ELEKTRON devices so it's a great extension for these devices. But you can use the pot controller also with your DAW like a classical 12-track-mixer.

The device has 72 standard pots and 12 buttons in a 12-track-layout, various kinds of MIDI commands like control change, note on/off, pitchbend, aftertouch and program change are possible. You can program every MIDI command for every separate control on the device very fast and easily.

Of course you can assign the pots and keys to any of these commands by learning incoming MIDI commands, which is the same procedure you know from your software/DAW. The pots work with standard resolution of 7 bit to have full compatibility to any software and hardware instrument, effect and DAW. Use the internal 30 setups to save your individual settings. Backup and restore of all settings by sysex dumps is possible too.

The factory settings are perfect to control music and video software products out of the box if they are freely assignable. So any additional device programming isn't necessary for many applications.

Some special setups are preconfigured for use with ELEKTRON RYTM and ABLETON LIVE.

Check out this amazing power box and you will get a reliable mate...