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Arturia KeyStep Pro 37 Key Portable USB MIDI Keyboard Controller & Multi Channel Polyphonic Sequencer
Cat: 762332 Rel: 20 Apr 20 • View all MIDI keyboards
 
USB MIDI keyboard & sequencer
Notes: Amazing all-rounder from one of the most creative brands in the controller market. Compact 37-key format packs in polyphonic sequencers, MIDI and CV outputs and great performance options.

Supplier's notes:
If you prefer keys to pads, you're in for a treat. KeyStep Pro features a great-feeling 3 octave keyboard with velocity sensitivity and aftertouch. Letting you fully articulate your musical ideas, this expressive little sequencer truly puts the power at your fingertips.

KeyStep Pro works the way you want it to, and removes the barriers between you and the music you want to create.
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MRP:$480.66 SAVE 29%
 4 in stock $340.84
Mackie MP-360 Professional In Ear Monitor Headphones Mackie MP-360 Professional In Ear Monitor Headphones
Cat: 762130 Rel: 13 Oct 20 • View all Earphones
 
in-ear monitor headphones
Notes: Superb in-ear monitoring option from a trusted brand. Audiophile-quality sound and up to 40dB isolation to ensure clarity. Ideal monitoring for vocalists.

Supplier's Notes:
When you need to hear yourself and everything else as clearly as possible on stage, in-ear monitors are the ultimate solution. MP Series Professional In-Ear Monitors offer the clarity and bass response you need to perform your best while being comfortable enough to wear all night.

Mackie have been helping artists perform their best for decades with our renowned loudspeaker designs, and now that signature sound has been brought straight to your ears. The precision-tuned drivers, ergonomic design, and rugged construction ensure you'll never miss a beat. When you want to hear yourself clearly on stage without all the noise that comes with it, MP Series In-Ear Monitors have got you covered.

Like its sibling above, MP-360 features a 3-way crossover but instead of dynamic drivers, this model is all custom-designed balanced armature. With the precise nature of this driver type, you will experience breathtaking clarity and detail. This is great for vocalists that need to hear themselves and their mix as faithfully as possible and makes listening to your favorite music a brand new experience.

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Benidub Filtro 4 Pole Filter Effects Unit (requires a 12VDC 1A power supply) Benidub Filtro 4 Pole Filter Effects Unit (requires a 12VDC 1A power supply) Benidub Filtro 4 Pole Filter Effects Unit (requires a 12VDC 1A power supply) Benidub Filtro 4 Pole Filter Effects Unit (requires a 12VDC 1A power supply) Benidub Filtro 4 Pole Filter Effects Unit (requires a 12VDC 1A power supply) Benidub Filtro 4 Pole Filter Effects Unit (requires a 12VDC 1A power supply) Benidub Filtro 4 Pole Filter Effects Unit (requires a 12VDC 1A power supply)
Notes: Filtro is a 4 pole HP/LP VCF. Its performance-oriented design makes it a playable FX unit that allows for dynamic use of its features both in studio or live environments. Switchable HP/LP mode, tap tempo and a wide range of LFO waveforms provides a large variety of filter effects.

Audio output: impedance balanced 1/4" TRS Jack

Audio input: impedance balanced 1/4" TRS Jack

DC Input: 12VDC, 500mA, centre positive, 2.1mm*5,5mm barrel type connector

Dimensions: 145mm x 130mm x 60mm

*PLEASE NOTE*: This product requires a 12VDC 1A power supply, which is not included.
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MRP:$411.62 SAVE 15%
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quote 791735
Benidub Spring Amp II Spring Reverb Preamplifier (requires a 12VDC 1A power supply) Benidub Spring Amp II Spring Reverb Preamplifier (requires a 12VDC 1A power supply) Benidub Spring Amp II Spring Reverb Preamplifier (requires a 12VDC 1A power supply) Benidub Spring Amp II Spring Reverb Preamplifier (requires a 12VDC 1A power supply) Benidub Spring Amp II Spring Reverb Preamplifier (requires a 12VDC 1A power supply) Benidub Spring Amp II Spring Reverb Preamplifier (requires a 12VDC 1A power supply) Benidub Spring Amp II Spring Reverb Preamplifier (requires a 12VDC 1A power supply)
Notes: The Spring Amp II allows using spring-reverb tanks with standard audio mixers. It combines a HiFi amplifier for spring reverb tanks with a 2 pole VCF that can be used to shape and equalize the spring's output. Different kinds of spring tanks can be used with Spring Amp II offering a wide selection of possible reverb tones.

Audio output: impedance balanced 1/4" TRS Jack

Audio input: impedance balanced 1/4" TRS Jack

DC Input: 12VDC, 1A, centre positive, 2.1mm*5,5mm barrel type connector

Dimensions: 145mm x 130mm x 60mm

*PLEASE NOTE*: This product requires a 12VDC 1A power supply, which is not included.



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MRP:$397.29 SAVE 14%
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Serge Modular Variable Slope VCF Module Serge Modular Variable Slope VCF Module
Cat: 793037 Rel: 15 Oct 20 • View all Synth modules
 
VCF module
Notes: The Serge Extended Variable Slope filter (VCFS) is a unique filter of the Serge system, covering a wide range of sonic character. According to the 1983 Serge catalogue, the VARIABLE SLOPE VCF (VCFS) allows the amount of filtering to be dynamically controlled, from barely perceptible filtering to highly resonant, sharp cut-offs. With the variable slope control in the center position, the VCFS acts as a typical flat-response VCF, with high, low, and band~pass outputs available simultaneously. The slope of the cut-off is 12 db/octave. As the control is moved toward the maximum position, the resonance of the filter increases, so that the cut-off becomes sharper.



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Serge Modular Smooth & Stepped Generator Module Serge Modular Smooth & Stepped Generator Module
Cat: 757124 Rel: 15 Oct 20 • View all Synth modules
 
Multi-functional generator module
Notes: The Serge Smooth & Stepped Generator (SSG) is a complex multi-functional module which can be patch programmed to provide various slew and sample functions both for audio and CV signals. It is one of the essential Serge modules.

The Smooth section will place a positive and negative slew on input voltage transitions for lag effects, voltage controlled portamento and for low frequency filter applications. In Cycle-mode (cycle jack patched to the input), the Smooth side will oscillate yielding a voltage controlled triangle wave LFO. A high level into the HOLD input will enable the Smooth Function to be used as a track-and-hold circuit with voltage controlled slew rate.

The Stepped function can be used as a sample-and-hold with voltage controlled slew rate limiting. In Cycle mode, a pulse applied to the Sample input will generate complex staircase waveforms for control voltage applications and for use as audio signals.

The Coupler is an internal comparator which compares the output levels of the Smooth and the Stepped Generators. This output is useful for generating complex control voltages or random voltages.

The Random*Source version of the Smooth & Stepped Generator for Euro is a licensed and authorized adaption of the original Serge design that provides an increased audio range of the Smooth Generator and a bipolar ("hot") Coupler output in addition to the regular (unipolar) Coupler output.
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Serge Modular Stereo Mixer Muses Edition Module
Cat: 757122 Rel: 15 Oct 20 • View all Synth modules
 
Stereo mixer module
Notes: The Stereo-Mixer is a 2 input, 2 output equal-power panning mixer designed combine the sound of the famous Serge VCAs with the most audiophile parts available today in a special edition for Eurorack - NJR Muses op-amps and THAT2180 VCA chips. The module has 2 independent input channels (with attenuators) that can be Stereo panned between the 2 outputs. Each channel's gain is controlled by a gain knob and as Gain CV input (with attenuator) which allows to go into massive overdrive with a very organic sound. There are also two AUX inputs that allow signals to be routed in at unity gain. Both panning and Gain CV inputs have been designed to handle audio rates, making the Stereo Mixer a very powerful waveshaping and droning tool.

Beware that the module is able to deliver massive gain, resulting in output levels of up to appr. +/-11V when overdriven, so make sure your other equipment (AD converters, mixers) can handle this

Balanced Outputs, using "a new generation of monolithic audio differential line drivers offering improved performance over conventional crosscoupled designs" for low noise and distortion. These outputs can be connected to balanced or unbalanced equipment (amplifiers, A/D converters...)

NJR Muses op-amps in the audio path.

Optimized value set and easier calibration / setup.

Two Aux inputs can also be used to chain mixers. The output is available at a pair of banana jacks as well as (6.35mm / 1/4") TRS jacks (phone connectors) for connecting to external amplifiers, ADCs etc.
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Maxon RTD800 Real Tube Series Overdrive/Distortion Pedal
Cat: 783432 Rel: 15 Oct 20 • View all Effects pedals
 
Overdrive/distortion pedal
Notes: With independent Overdrive, Distortion, Boost and Noise Gate circuits all under one hood, the RTD800 may be the last "dirt" pedal that you'll ever need.

By combining various solid-state clipping stages with a real dual-triode tube, the RTD800 offers a massive array of saturated guitar tones. From traditional tube overdrive through full-on gated metal distortion, no other drive pedal offers this degree of versatility in a single package.

The RTD's 3-band EQ circuit is incredibly versatile and can literally dial in any tone imaginable. With zero frequency overlap, all the three controls are highly interactive and make even the slightest of tone tweaks possible under any playing situation.

The Overdrive channel of the RTD creates a warm, organic tone that's like driving a maxxed-out amp with an OD pedal. Where some pedals can get in the way of your dynamics, the RTD retains an expressive and dynamic interaction between your guitar and amp, cleaning up beautifully when you roll back on your guitar's volume and effortlessly tracking picking nuances.

The RTD's Distortion channel offers up all the gain and character of a hot-rodded Plexi, JCM800 or Soldano. Searing, sizzling solo tones and sustain for days, yet with a distinct clarity that lets individual notes "pop" and chime through. Even at maximum distortion settings the RTD retains an expressiveness and dynamic response that takes your playing to the next level.

For even more versatility, the RTD800 features a foot switchable Boost function that can be varied between 3-9 dB via an internal trim pot. The boost comes post OD/Distortion, allowing the user to dial in the perfect level boost for solos.

Higher gain settings on either channel can be kept tight and noise-free using the RTD's switchable Noise Gate with variable Threshold. The gate itself is incredibly responsive and tight, with none of the false-triggering and "sputter" common to other pedals.

Like all Maxon products, the RTD800 features True Mechanical Bypass switching using a 3PDT switch. The RTD800 comes complete with the Maxon AC2009 9-Volt power supply, an auto sensing digital power supply that can be used anywhere in the world.

When you require an unparalleled variety of REAL-tube tones, only the Maxon RTD800 will do.

With four independent functions averaging around $100 apiece, the RTD800 may be the most cost-effective, versatile and space-saving pedal available.

TECH TALK:
The RTD800's independent and selectable Overdrive and Distortion modes are configured as follows:

The Overdrive circuit features two stages of clipping - a bi-directional clipping diode in the feedback loop of the op-amp and then a single-diode in the second stage for asymmetrical clipping.

The Distortion circuit also features two clipping stages, but configured differently - a bi-directional clipping diode in feedback loop of the op-amp, and then a 2nd stage with a passive bi-directional clipping circuit.

Unlike other tube overdrive pedals, the RTD800 places the tube after the OD/Distortion circuits, making it the best tube overdrive pedal to recreate an authentic tube-amp tone.

The RTD features an In-Rush Current Control system - As soon as power is applied to the pedal, a small current is applied to the tube and begins heating it at a very low voltage (much like a tube amp standby switch). This system dramatically extends the tube life. Once the pedal is engaged, 12.6 VDC is applied to the tube heater.

The RTD800 features mechanical true bypass switching via a Fujisoku 4PDT switch.

NOTE ON POWERING THE RTD800 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms

Max Gain: 72dB (at 1.5 kHz)

Equivalent Input Noise: -110 dBu or less (Input shorted, IHF-A weighted)

Control: GAIN, NR, MASTER, BASS, MID, TREBLE

Switch: BYPASS/EFFECT (Mechanical 3PDT); BOOST ON/OFF, NR ON/OFF, OD/DIST

I/O: INPUT JACK, OUTPUT JACK, DC INPUT JACK

Indicator: BYPASS/EFFECT LED, BOOST LED, GATE LED

Internal Circuit Voltage: 12.6VDC (DC to DC Converter)

Power Consumption: 440mA / 9VDC

Dimensions: 121 (W) × 152 (D) × 60 (H) mm / 4.8" (W) x 6" (D) x 2.4" (H)

Weight: Approx. 620g / 1.4 Lbs. (without power supply)

Power Supply: AC adaptor AC2009

Accessory: AC adaptor AC2009* 0dBu = 0.775Vrms
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MRP:$454.61 SAVE 20%
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Serge Modular Wave Multipliers Module Serge Modular Wave Multipliers Module Serge Modular Wave Multipliers Module
Cat: 757126 Rel: 15 Oct 20 • View all Synth modules
 
Wave multipliers module
Notes: The legendary Serge Wave Multipliers (VCM) are designed to dynamically add new harmonically-related overtones to an input waveform. Accroding to the 1982 catalogue, they alter the timbre in exciting new ways, producing interesting alternative forms of signal processing which are unique in the Serge Modular Music System. Since there are three entirely separate and different types of Wave Multipliers in this module, an enormously varied palette of new effects can be synthesized.

The top section offers two different modes, selected by a switch. In the HI position, the module functions to square-up an incoming signal, with a rounded flattening of the signal peaks, somewhat similar to overdriving a tube amplifier (with voltage control!). In LO mode, the module is a linear gain controlled VCA. This is useful for various functions such as amplitude modulation and for gating signals into the other sections.

The middle section generates a sweep of the odd harmonics (1, 3, 5, 7, 9, 11 and 13th) when a sine wave is applied to its input and the FOLD knob is turned up or a control voltage is swept from low to high. This effect is similar to overblowing a wind pipe closed at one end. A second input is included to allow two signals to be mixed before processing. This module can be used to explore timbral areas beyond the range of ring modulation.

The bottom Wave Multiplier performs non-linear wavehaping known as full-wave rectification, but with sophisticated level-compensating conditioning as well. The circuit uses three full-wave rectifier sections linked in a very refined controllable format. Sweeping the VC input over its range will produce a smooth timbral transition using the even harmonics (second, fourth, and eighth). Many other partials are present in this basic sound, however, and the sonorities are very rich and varied. The white output is a squared up version of the black one, resembling an harmonically enhanced pulse width modulation.

The Random*Source version of the Serge Wave Mulitpliers for Euro is a licensed and authorized adaption of the original Serge design, using best parts available today (e.g. Burr-Brown op-amps, C0G capacitors up to 220N) for optimum audio performance.
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MRP:$373.85 SAVE 17%
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Maxon VJR-9 Vintage Jet Riser Flanger Nine Series Pedal
Cat: 783398 Rel: 15 Oct 20 • View all Effects pedals
 
Flanger/noise pedal
Notes: Designed in homage to classic 70's distortion modulators such as the Flying Pan and Jetlyzer (both of which Maxon designed and built for Ibanez), the VJR-9 Vintage Jet Riser creates a Doppler jet effect so realistic you can almost feel the wind in your hair.

Rather than sticking with the old-school Jet design of phase shifter into distortion, the VJR-9 features an analog Bucket-Brigade Flanger as the modulation source to add a more realistic depth of field to the effect. Speed and Width controls allow adjustment of the flanging from slow takeoff to sonic boom.

In similar fashion, Maxon has forgone the use of a distortion circuit in favor of a voltage-controlled white noise generator to more accurately simulate the sound of a jet in flight. Featuring a combination of VCA and VCF circuits, the VJR-9's Jet effect reacts to playing dynamics within a range preset by the Sensitivity, Range and Jet controls.

These two circuits can be used separately or in combination to create a wide variety of effects from subtle to extreme - classic chorus and flanging; tremolo-like auto-wah; massive sky-is-falling Jet sweeps; bizarre and other-worldly metallic tones bordering on ring-modulation - all these and more are possible with the VJR-9.

The VJR-9 also features a jack to connect an external switch (bypass or momentary) for the Jet function, allowing the user to add the effect in against the Flange when desired to accentuate certain note, phrases, or song sections.

The VJR-9's internal voltage-doubling circuitry provides maximum headroom to eliminate input distortion. The higher operating voltage also allows it to be used in an FX loop in order to place the effect post-gain.

The Maxon VJR-9 Vintage Jet Riser - get ready for takeoff.

The VJR-9 is an updated version of vintage FL-70 Jetlyzer with added features and superior performance.

TECH TALK:
The VJR-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch.

NOTE ON POWERING THE VJR-9 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

If it is not possible to connect to a high current jack, you can power the VJR-9 by leaving a battery in the pedal. Upon initial start-up, unplug the external DC power input cable, engage the pedal, and then plug the DC power input cable back in - the pedal will now power up normally off the external power supply until you power down your pedalboard.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Maximum Output Range: +12 dBu (400 Hz)

Controls: RANGE, JET, SENSITIVITY, SPEED, WIDTH

Switch: BYPASS/EFFECT (mechanical TBS)

External Foot Switch Jack: Jet Sound on/off

Delay Time: 1.0 mSec - 30.0 mSe

Speed Frequency: 0.04 Hz - 12 Hz

Residual Noise: -90 dBu or less (IHF-A)

Indicator: Bypass / Effect LED

Internal Circuit Voltage: 13 VDC (DC to DC Converter)

Power Supply: 9 volt battery of Maxon AC adaptor

Power Consumption: appox. 60 mA / 9 VDC

Dimensions: 74 (W) x 124 (D) x 54 (H) mm

Standard Accessory: AC adaptor AC2009, user's guide

Weight: approx. 630 g (including battery, excluding adaptor)

Battery: 9V battery (6LR61 or 6F22) x 1 or Maxon AC adaptor

Battery life:
Manganese - 50 minutes @ 25 degress C
Alkaline - 3 hours @ 25 degrees C

Option: Maxon AC adaptor
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MRP:$493.69 SAVE 14%
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quote 783398
Make Noise 0-CTRL Controller & Step Sequencer Make Noise 0-CTRL Controller & Step Sequencer
Cat: 776070 Rel: 04 Jun 20 • View all Sequencers
 
tabletop synthesiser
Notes: Brilliantly innovative sequencer from the renowned synth brand. Huge creative potential in the studio and live settings. Ideal for use with analogue synths and Eurorack.

Supplier notes:
The Make Noise 0-CTRL is a patchable, clockable controller and step sequencer for voltage controlled synthesizer systems. Designed to be patch pals with the 0-Coast, it is a tabletop device whose inputs and outputs follow Eurorack standards, making it also a great partner for a modular system or another patchable tabletop synth.

Power Requirement: +15VDC on 2.1mm Tip Positive Connector
Includes Power Adapter, Patch Cables
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MRP:$493.69 SAVE 19%
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Omnitronic TRM202MK3 Rotary DJ Mixer Omnitronic TRM202MK3 Rotary DJ Mixer Omnitronic TRM202MK3 Rotary DJ Mixer
Cat: 652255 Rel: 01 Dec 17 • View all DJ mixers
 
2-channel rotary mixer with 3-band frequency isolator for DJs
Notes: The best value rotary mixer on the market. Entry-level rotary option from German brand Omnitronic offers similar features and sound to boutique mixers three or four times the price.

Supplier notes:
The TRM-202 MK3 by Omnitronic with its classic ALPS potentiometers (Blue Velvet RK27) and the integrated 3-band frequency isolator offers the classic features of a rotary mixer.

Due to its high quality components, the sound pattern is good and appealing. The large potentiometers of both input channels allow very smooth transitions, hardly realizable with a conventional mixer. Both input channels can be switched between line and phono. A microphone input is also at hand. The kill characteristic provides a total erasure of basses, mids and highs and so enables creative mixing. Due to its booth output and a separate volume control, the TRM-202 MK3 can also be used in clubs without a problem. Thanks to the record output, it is also possible to record own's DJ set.
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Native Instruments Maschine MK3 Music Production & Performance Instrument Native Instruments Maschine MK3 Music Production & Performance Instrument Native Instruments Maschine MK3 Music Production & Performance Instrument
Cat: 662253 Rel: 29 Sep 17 • View all MIDI controllers
 
Compact, next-generation production & performance controller featuring integrated hardware & software system
Notes: Version 3 of NI's hybrid groovebox is a super-slick instrument, with the pad controller and Maschine software working in perfect harmony. Built-in audio interface, slick workflow and tons of sounds included to get you started.

Supplier's notes:
The new MASCHINE takes the classic groovebox workflow and makes it faster and more intuitive. Optimized based on customer research, it's packed with new features to boost your speed and increase your focus - all without breaking the workflow you love.

Bigger pads:
Big, bold, and in your face, the larger pads create more room for complex moves like flams and rolls. New technological updates make the pads more sensitive to lighter touches, for more expressive playing. And since the centre-to-centre distance is exactly the same, your muscle memory and workflow don't have to change.

Full colour, hi res screens:
With two full-colour displays and the four-directional push encoder, you can browse sounds, FXs, plug-ins, and instruments with a tactile, one-handed, completely visual workflow - simply find the thumbnail and load directly from the hardware. Plus, the high-res screens let you get more precise with your mixing, see an overview of your arrangement, or zoom in on waveforms to slice samples like a surgeon.

Studio-grade audio interface:
MASCHINE now comes with a studio-grade, 96kHz / 24-bit audio interface for pristine sound. Simply patch in a synth or add a dynamic mic for quick recording and sampling. Stereo line and MIDI ports make it a perfect centrepiece for any studio. Plus, it's USB-powered, so you can record anywhere with your laptop - or plug in the included power supply unit for brighter pads.

Faster workflow:
The new hardware layout cuts through the clutter to help you stay focused and get your ideas out fast. Instead of being hidden behind a shift-function button, some of the most-used features and functions can now be accessed directly with one touch.

8 touch sensitive knobs:
Go beyond tweaking with eight touch sensitive knobs. Touch once to activate special contextual menus, such as tag clouds, sound settings, and FX parameters. You can also map your most frequently used FX, instruments, or plug-in parameters to macros with the touch of a button.

Smart strip for new ways to play:
The Smart Strip opens up MASCHINE to whole new ways of playing. Use it like a keyboard wheel to pitch-bend and modulate sounds. Add new sonic textures, builds, or transitions with advanced performance FX like stutter and scratch. Or strum samples, synths, and drums like a guitar.
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Native Instruments Traktor Kontrol Z2 DJ Mixer Native Instruments Traktor Kontrol Z2 DJ Mixer Native Instruments Traktor Kontrol Z2 DJ Mixer
Cat: 468767 Rel: 02 Nov 12 • View all DJ mixers
 
2+2 channel mixer and DJ controller
Notes: NI's Z2 helps you get the most out of Traktor with two standalone Traktor/CDJ/turntable channels and two Remix Deck channels. Intuitive Traktor controls give you the best of both worlds.

Supplier's Notes:
TRAKTOR KONTROL Z2 is the world's first 2+2 DJ control mixer. Built tough for pro club use, the Z2 excels both as a state-of-the-art club mixer alongside turntables and CDJs, and as the hub of an advanced setup of Remix Decks and controllers.

All-new Macro FX and Flux Mode in the latest TRAKTOR software expand your creative arsenal. And the heavy metal, standard installation-height chassis, sturdy RGB control buttons, and Innofaders assure rock-solid dependability. Whatever your style, however you play, welcome to the future of mixing.

Combining the best of all that's come before it, TRAKTOR KONTROL Z2 takes a powerful two-channel stand-alone mixer, adds an additional two channels for Remix Decks, puts TRAKTOR SCRATCH PRO 3 in the package and rolls it out in luxurious style.

The ultra-stable, aircraft-grade aluminum chassis provides an intuitive layout instantly familiar to DJs, offering unprecedented sonic control. Throw in an integrated premium audio interface and dedicated TRAKTOR controls for cue points and Remix Decks and your options become infinite. Whatever your style, you've never had control like this before.

TRAKTOR KONTROL Z2 delivers the reliability and pro sound quality essential for the world's biggest stages and hottest clubs.

Pro XLR outputs, a booth output and 24-bit sound quality mean your sets hit with maximum impact. Precision knobs, buttons, multi-colored cue point controls and Innofaders give you ultra-accurate control of your sets. Whether spinning vinyl, CDJs, playing digital files, or using TRAKTOR SCRATCH timecode control, switching formats is just a push of a button away - lightning-fast, uninterrupted creative flow. And the heavy metal chassis means your busy schedule won't take its toll on your new tool of choice.

Think you know your limits? You're about to erase them.

For the first time, TRAKTOR KONTROL Z2 adds Macro FX to the TRAKTOR software. Build a big drop or destroy your track beyond recognition with fresh new effect combos like Wormhole, LaserSlicer and Bass-o-matic - get expressive sound manipulation with intuitive, one-knob action.

Flux Mode tracks the time while you're juggling cue points or looping, and lets you drop back in at exactly the right moment - a powerful weapon for all creative DJs.

Integrate multiple TRAKTOR KONTROL F1 and X1 controllers with plug-and-play simplicity thanks to the Z2's USB hub, freeing up additional ports on your laptop.

Start using the included flagship TRAKTOR SCRATCH PRO 3 with Remix Deck technology and TRAKTOR SCRATCH timecode vinyl in record time - simply connect the Z2 to your computer with a single USB cable.

Connect your turntables or CD decks with the inputs on the mixer and start using timecode control via vinyl or CDs. And thanks to TRAKTOR's advanced HID integration, the Z2 integrates effortlessly with the latest Pioneer CDJ generation and mixers.
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quote 468767
Noise Engineering Desmodus Versio Stereo I/O Tail-generator Reverb & User-flashable DSP Platform Module
Notes: Proper creative stuff with this one. Lush, characterful stereo reverb with CV control, distortion, pitchshifting, a freeze button and more. Oh, and it's got user-customisable DSP firmware for good measure.

Supplier's Notes:
Desmodus Versio is Noise Engineering's take on a synthetic-tail generator reverb. In only 10hp, it features true stereo in and out, seven CV-controlled parameters, and three reverb modes. Desmodus Versio's feedback control sets the length of reverberation, from short echoes through infinite regenerations.

At its max, the reverb ducks when it receives input, useful for creating sidechain ducking and atmospheres for percussion. The different reverb modes offer even more sound options with clean, distorted, and pitch-shifting shimmer settings. The FSU button acts as a freeze and also creates some noise to stimulate the reverb when there is no external input.

Desmodus Versio isn't just a reverb, though: it's a DSP platform. Its firmware can be changed via USB, so users can load future firmwares onto it or develop their own with upcoming open-source support.

With Desmodus Versio, Noise Engineering continues their tradition of supporting conservation:a portion of proceeds from every Desmodus Versio sold goes to Bat Conservation International. Find out why bats are not only cool but also an important part of our ecosystem at Bat Conservation International's website, batcon.org.
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quote 781603
Noise Engineering Basimilus Iteritas Alter Parameterized Digital Percussion Module (black faceplate)
Cat: 641949 Rel: 18 Apr 17 • View all Synth modules
 
Analogue-inspired parameterized drum synthesiser
Notes: Basimilus Iteritas Alter is a parameterized digital drum synthesizer with its roots in the analog world. At its heart, it is a simple six-oscillator additive synthesizer with adjustable waveform, harmonic spread and decay. Adjustable attack including a noise oscillator is also included. dLese are summed and fed into an in..nifolder for crunch and variety.

Basimilus Iteritas Alter is an improved version of Basimilus Iteritas. It is 2HP smaller, includes CV of switches, adds an third mode, and pitch range and knobs know offset rather than attenuate.

Size: 10HP Eurorack
Depth: 1.5 Inches
Power: 2x8 Eurorack
Draw +12V: 150 / 80
Draw -12: 5 / 5
Draw +5v: 0 / 90
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MRP:$433.77 SAVE 21%
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quote 641949
Boss RC505 Loop Station Boss RC505 Loop Station Boss RC505 Loop Station
Boss RC505 Loop Station (loop station)
Cat: 489070 Rel: 28 Jun 13 • View all Drum machines
 
Tabletop loop station with 5 stereo phrase tracks, built in effects and 85 onboard rhythms
Notes: Beatboxers, singers, and club performers, your loop station has arrived. Introducing the RC-505, a unique and powerful live performance tool that's perfect for next generation loop artists. In a compact tabletop device, you have easy fingertip control of 5 stereo phrase tracks and various loop playback behaviors, plus input FX and track FX that deliver a wide range of real-time processing options for dynamic, expressive sound creation. Just plug in a mic, instrument, or other audio source, and then ride the intuitive panel controls to build and mix some amazing loops. The RC-505 also supports computer integration via USB and operation with external pedals and MIDI, opening a world of advanced looping possibilities for all types of musicians.

The RC-505 features 5 stereo phrase tracks that can play simultaneously, the most yet in the Boss Loop Station. Independent record/overdub/play and stop buttons for each track let you capture and control loop performances with your fingertips, and dedicated volume faders allow you to mix loop levels on the fly. Each track can have its own playback mode (multi, single, one shot, reverse, etc.) and tempo sync settings, providing an unlimited range of creative looping behaviors.

With the large selection of built in effects, it's easy to enhance your sounds as you perform. The Input FX such as robot and vocoder create unique, dramatic sound textures for recording loops, while the track FX like vinyl flick and beat repeat provide dynamic DJ and sampler effects for real time processing of phrase playback. 6 dedicated buttons - three each for input FX and track FX, can be loaded with your favorite effects, giving you one touch on/off access while looping. In addition, effects parameters (filter cutoff, effect depth, etc.) can be tweaked in real time with the input FX and track FX knobs. Global compressor and reverb effects are also available for processing the overall sound output.

99 x phrase memories provide onboard storage for phrase track data, various playback and effects settings, and more. A combination of frequently used settings can be saved as a User Set, which you can easily load to quickly reconfigure any phrase memory, even in the heat of performing. 85 different onboard rhythms offer backing for loop recording, with a large selection of odd measure beats for advanced looping. The rhythm part can be routed to the rear panel phones jack only, giving you a dedicated click track for monitoring purposes.

The RC-505 is outfitted with a number of simultaneous inputs, allowing you to capture and mix a variety of different audio sources as you build loops. There's an XLR microphone jack with phantom power, mono/stereo 14" inputs for guitars, synths, or other instruments, and an AUX mini jack for connecting a music player, smart phone, or other stereo device. Via USB, you can plug into your computer and import/export WAV audio phrases, great for loop archiving or loading up RC-505 phrases with backing tracks or sounds for sampler style triggering. The RC-505 also functions as a USB audio/MIDI interface, making it simple to integrate with your favorite DAW software for audio recording, MIDI sync, and more.

With the RC-505, you have the ability to set up customized real time controls for the way you like to loop. You can specify up to eight different functions and operate them in a variety of waysiwith front panel controls, an external expression pedal or foot switches, and/or various MIDI control change messages - extending your command of looping and many other operations. The 8 control assignments are stored with phrase memories, allowing you to create and recall custom setups for different songs and performing situations.
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MRP:$607.01 SAVE 25%
 5 in stock $454.83
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quote 489070
Presonus Quantum 2626 Thunderbolt 3 Audio & MIDI Interface Presonus Quantum 2626 Thunderbolt 3 Audio & MIDI Interface Presonus Quantum 2626 Thunderbolt 3 Audio & MIDI Interface Presonus Quantum 2626 Thunderbolt 3 Audio & MIDI Interface Presonus Quantum 2626 Thunderbolt 3 Audio & MIDI Interface Presonus Quantum 2626 Thunderbolt 3 Audio & MIDI Interface Presonus Quantum 2626 Thunderbolt 3 Audio & MIDI Interface
Cat: 756315 Rel: 20 Apr 20 • View all Audio & MIDI interfaces
 
audio & MIDI interface
Notes: PreSonus Quantum 2626 is the fastest and best-sounding interface on the planet, thanks to the jaw-dropping speed of Thunderbolt 3, 8 front-mounted premium PreSonus XMAX analog mic preamps, and pristine ADA converters.

The PreSonus Quantum Thunderbolt Audio Interface is a 26x32 thunderbolt 2 ultra-low-latency audio interface. The Quantum Thunderbolt Audio Interface includes two combo mic/line/instrument inputs and six combo mic/line inputs, with each mic input featuring a digital-controlled XMAX preamp. The versatile design allows you to daisy-chain multiple units to expand your I/O up to 96 in and out connections. The PreSonus Quantum features a wide range of analog and digital connectivity making it one of the most comprehensive high-end interfaces on the market. The interface also operates up to 192kHz for ultra-high-definition mixing and recording.

With a barely measurable round-trip latency of less than 1 ms*, it's no wonder Sound on Sound magazine dubbed Quantum-series Thunderbolt audio interfaces the "fastest audio interfaces on the planet". Superb high-definition digital conversion and the ultra-transparent analog XMAX mic preamp design mean that your audio will always sound its bestiwhether you're recording with or without your favorite plug-ins engaged in real-time.

Every design decision during Quantum 2626 audio interface's engineering was made with one goal in mind: blazing-fast speed without any sonic compromise. The Quantum-series proprietary Thunderbolt driver was written from the ground up to deliver ultra-low-latency performance while maximizing efficiency. Cutting-edge 24-bit, 192 kHz converters with 115 dB of dynamic range and superior low-jitter clocking- coupled with our ultra-transparent, pure analog XMAX preamps- result in superb audio quality with the lowest round-trip latency of any audio interface available (< 1 ms).

Audiophile-grade digital converters, low-jitter clocking, and transparent preamps add up to a superior recording and listening experience. The Quantum 2626 audio interface operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our lauded XMAX Class A analog microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you'll hear every breath, transient, and detail in your recordings.

Impressive speed combined with stunning sound quality means that the Quantum Thunderbolt audio interface is an ideal recording solution for any size of studio. Need more mic preamps? Connect the PreSonus DigiMax DP88 to your Quantum interface's ADAT/dual S/MUX ports. Once synced, the DigiMax DP88 preamps can be remotely controlled via Studio One or UC Surface. Want to insert your favorite gear? The Quantum 2626 features two direct preamp outputs with dedicated returns, so you can insert your favorite analog compressor and your favorite plug-ins with ease.

While compatible with any macOS or Windows recording application, the Quantum 2626 ships as a complete recording studio with Studio One Artist music production software included. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment- including powerful extensions for Studio One like the Presence XT Expansion packs and the PreSonus Channel Strip Collection.

Industry-leading speed and pristine audio quality combined with jaw-dropping expandability are the hallmarks of the Quantum interface design. Record and monitor from your favorite DAW with any plug-in engaged. Insert your favorite outboard analog gear with ease. Regardless of your studio's size, Quantum audio interfaces will streamline your recording process- you'll make better music, faster.
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 6 in stock $490.65
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Make Noise Maths Dual Function Generator Module
Cat: 557488 Rel: 19 Dec 14 • View all Synth modules
 
Analog computer synth module designed for musical purposes
Notes: MATHS is an analog computer designed for musical purposes. Amongst other things, it will allow you to:

- Generate a variety of linear, logarithmic, or exponential triggered or continuous functions
- Integrate an incoming signal
- With no signal applied, generate a variety of linear, logarithmic, or exponential functions
- Add, subtract and OR up to 4 signals
- Generate analog signals from digital information (Gate / Clock)
- Generate digital information (Gate / Clock) from analog signals
- Delay digital (Gate / Clock) information
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 More than 10 in stock $302.85
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quote 557488
Intellijel Palette 62 4U x 62HP Stealth Powered Eurorack Case With 40W Meanwell PSU Adapter & MIDI Adapter Cable (black) Intellijel Palette 62 4U x 62HP Stealth Powered Eurorack Case With 40W Meanwell PSU Adapter & MIDI Adapter Cable (black)
Notes: Your Palette case is the ideal solution for your space conscious and portable needs. At about the same size as a small laptop, your Palette fits comfortably on your desktop; in your backpack; at your favourite coffee shop; in your jam space; or pretty much anywhere else you might desire to play. Your imagination is the only limit. With 62hp of rack space, you can piece together powerful but focused mini systems and control surfaces. Intellijel's 1U row and built-in i/o ports add a ton of extra utility to bring the most out of your Eurorack modules. Truly a palette for the sonic artist.

Utilities panel:

- Dual 1:4 buffered multiple
- Two 1/4" balanced audio jacks that can be connected to the Stereo Line Out 1U, Pedal I/O 1U or Mixup
- 1/8" (6.35mm) MIDI Input that can be connected to uMIDI 1U
- USB port that connects to the uMIDI 1U and other future modules
- Rocker switch and barrel plug for power entry

Construction:

- Anodized aluminium
- Aluminium extruded rails with steel threaded inserts
- Rubber feet to protect your desktop
- Rear mounted power supply for maximum module depth

Includes:

- 40W Meanwell AC/DC adapter with right angled connector
- 3FT North American IEC power cable
- 1/8" (6.35mm) TRS to 5-Pin Din MIDI adapter
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MRP:$347.79 SAVE 13%
 3 in stock $301.77
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quote 739055
ALM Squid Salmple 8 Channel 4 Output Sampler Module
Cat: 733238 Rel: 18 Jul 19 • View all Synth modules
 
Eight channel audio & CV sampler for Eurorack - 21HP
Notes: Our favourite module of 2019. Eight channels of audio and CV sampling with real-time editing and processing. Does basic sampling well but quickly gets creative and weird. We love it.

Supplier's notes:
The 'Squid Salmpler' is a Eurorack 8 channel audio & CV sampler. It is designed for immediate real time sampling, editing and mangling within a modular context.

Taking influence from early hardware samplers, The Squid Salmple focuses on usability and instinctive operation, incorporating a proven Pamela's Workout style user interface for minimal screen dependence and a fun, hands on experience.

With support for sampling and playback for both audio and CV, as well as CV control of all parameters, on-the-fly bank loading and saving to USB, The Squid Salmple brings a unique take on old school sampling into the modular realm.

The Squid Salmple comes with a USB Stick containing approximately 90 banks of original carefully curated royalty free samples. This includes a wide range of sounds from classic drum machines and weird synths to field recordings and CV modulations. Banks are provided by both ALM and some of our favourite artists and friends including Mumdance, Solid Blake, Russell Haswell, Lauren Flax, Dave Burraston (NYZ), Sue Zuki, Dungeon Acid, Sasha Lewis and Andrew Duff.
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 5 in stock $432.03
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Audio Technica AT LP140XP Direct Drive Professional DJ Turntable (silver) Audio Technica AT LP140XP Direct Drive Professional DJ Turntable (silver) Audio Technica AT LP140XP Direct Drive Professional DJ Turntable (silver)
Cat: 718811 Rel: 14 Mar 19 • View all DJ turntables
 
Professional direct drive manual turntable - silver
Notes: One of our favourite DJ turntables. Clearly inspired by the classic Technics SL-1200 but clocking in at a more affordable price point. Direct drive motor, decent build quality and a few nice bonus features like adjustable pitch range.

Supplier's notes:
The AT-LP140XP fully manual professional DJ turntable features a high-torque direct-drive motor and anti-resonant, mass-damped, die-cast aluminium platter to ensure stable, on-axis rotation at 33-1/3, 45, and 78 RPM. It is equipped with an S-shaped tonearm with height adjustment, adjustable tracking force (counterweight) and adjustable dynamic anti-skate control.

Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the durable, high-output AT-XP3 DJ cartridge with 0.6 mil conical bonded stylus included with the turntable. It comes pre-mounted to an AT-HS6 universal 1/2"-mount headshell.

Designed to connect to components with a dedicated phono input, the turntable comes with a detachable dual RCA output cable and supplies a strong 5.5 mV output.

Additional professional features include a start/stop button; forward and reverse play; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-8%, +/-16%, and +/-24% adjustment ranges; a stroboscopic platter with speed indicator; a retractable plug-type stylus target light; and a removable hinged dust cover.
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MRP:$454.61 SAVE 21%
 2 in stock $357.13
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quote 718811
Project VC-S2 Alu Premium Vinyl Record Cleaning Machine Project VC-S2 Alu Premium Vinyl Record Cleaning Machine Project VC-S2 Alu Premium Vinyl Record Cleaning Machine Project VC-S2 Alu Premium Vinyl Record Cleaning Machine Project VC-S2 Alu Premium Vinyl Record Cleaning Machine
Cat: 775223 Rel: 30 Apr 20 • View all Vinyl cleaning
 
record cleaning machine
Notes: Superb vinyl cleaning machine from a trusted name in hi-fi. Cleans records in around 30 seconds per side, using eco-friendly cleaning solution and leaving the vinyl spotless and dry. Check out our full review.

Supplier's notes:
The VC-S2 ALU elevates the performance of affordable record cleaning solutions to new levels. Based on years of experience and research, this model boasts superior performance and the ultimate ease of use.
Boasting a striking aluminium surface that's not only visually appealing but is able to withstand excessive fluid spill without compromising the chassis. The VC-S2 ALU houses a class-leading vacuum motor to clean records, residue free, in as little as one or two rotations. The very best results are achieved with one rotation forward, followed by one backwards. The drive motor also makes one rotation within 2 seconds, which is about three times faster than comparable products. The end-result is a faster and more effective cleaning process for the cost. The motor is also a new purpose-chosen type, designed to last for an extended lifetime.
A new aluminium screw-on clamp, lined with a rubber pad, protects the record label from cleaning fluid and avoids damage to the label. The robust metal arm is easy to use, mechanically stable and focuses all suction power directly onto the record surface.
The VC-S2 ALU is supplied with Pro-Ject's own eco-friendly, non-alcoholic vinyl cleaning concentrate, Wash-IT. It offers very good cleaning results and reduces static charge, so record wear and stylus wear are significantly reduced. It also evaporates in the air, dramatically reducing the number of times you need to empty the large built-in 2.5l waste liquid tank. For when there is a fluid build-up, the VC-S2 ALU also features a handy level indicator telling you the ideal time to empty the tank.
The VC-S2 ALU is a clear and obvious investment toward great sound and extended record life. The aluminium finish exemplifies the high-end build-quality throughout. The increased size and upgrade in components allow for quicker and quieter operation, while retaining a high level of effective deep-groove cleaning. For those who are serious about their sound, and the longevity of their record collection, the VC-S2 ALU is a must-try addition to your home.
Key Features:
New cabinet made out of aluminium composite panels
Aluminium surface able to withstand cleaning fluid spill without compromising the chassis
Superfast & superstrong cleaning
Superior motor for long lifetime
2.5l waste tank for smooth airflow
New aluminium clamp prevents damage from cleaning fluid
High-end build-quality for improved ease of use
VC-S Kit is compatible for cleaning juke box records
Cloth Cover available

Technical Data
Construction:
Aluminium Composite Panels (0.4mm alu / 4mm PE / 0.4mm alu)
Speed:
30 RPM
Power Consumption:
800W Max
Dimensions (W x H x D):
415 x 325 x 272mm (fully assembled)
Weight:
8.0 kg
Supplied Accessories:
Vacuum Arm
Clamp
Felt Strips
Brush
Wash-IT 100 (+ mixer bottle)
Optional Accessories:
VC-S 7" Kit
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MRP:$558.82 SAVE 17%
 3 in stock $465.68
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Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip ***FREE TAPE PLUG-IN WITH NEW REGISTRATIONS UNTIL DECEMBER 31st 2020*** Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip ***FREE TAPE PLUG-IN WITH NEW REGISTRATIONS UNTIL DECEMBER 31st 2020*** Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip ***FREE TAPE PLUG-IN WITH NEW REGISTRATIONS UNTIL DECEMBER 31st 2020*** Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip ***FREE TAPE PLUG-IN WITH NEW REGISTRATIONS UNTIL DECEMBER 31st 2020*** Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip ***FREE TAPE PLUG-IN WITH NEW REGISTRATIONS UNTIL DECEMBER 31st 2020*** Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip ***FREE TAPE PLUG-IN WITH NEW REGISTRATIONS UNTIL DECEMBER 31st 2020*** Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip ***FREE TAPE PLUG-IN WITH NEW REGISTRATIONS UNTIL DECEMBER 31st 2020*** Softube Console 1 MkII Mixer Controller With Softube Model Of Solid State Logic SL 4000 E Channel Strip ***FREE TAPE PLUG-IN WITH NEW REGISTRATIONS UNTIL DECEMBER 31st 2020***
Notes: Softube's hardware controller gives hands-on control of your mixes. Works with any DAW and pairs seamlessly with Softube and Universal Audio plugins.

Supplier's notes:
Sound. Workflow. Control:
Quickly switch between your tracks and control EQ, compressor, gate and more. Mix with the sound of the included Solid State Logic SL 4000 E. Or customize your channels to fit your needs - there are over 60 Console 1 ready plug-ins available from Softube and Universal Audio.

Modern Workflow:
The Console 1 hardware gives you hands-on control of EQ, compressor, gate, volume and pan on all your tracks. No MIDI mapping is needed - the hardware is tightly integrated with the Console 1 software, straight out of the box.

Timeless Sound:
Pamper your tracks with the sound of the legendary Solid State Logic SL 4000 E console - probably the most used high end console in the history of music recording. Softube's emulation was developed in close collaboration with SSL, and it's included with the purchase of Console 1.

Expand Your Options:
Customize your channels with any of the over 60 available Console 1 ready plug-ins from Softube and Universal Audio. Mix and match units from Chandler Limited, Fairchild, Teletronix, Tube-Tech, Abbey Road Studios and many others. Pre-mapped and ready to go.

A Lifetime of Mixing:
Console 1 is a premium Swedish design, built to last for many years of mixing. Its steel chassis makes it solid as a rock, and the knobs and buttons have the responsiveness and feel you'd expect from a high end analog console.

Add More Consoles:
In addition to single Console 1 ready plug-ins, there are entire Console 1 channel strips available, with EQ, compressor, gate and modelled saturation from the original analog hardware. Currently, the options are Solid State Logic XL 9000 K-Series for Console 1, British Class A For Console 1 and Summit Audio Grand Channel for Console 1, with more to come.

Control Your DAW:
Console 1 works with any major DAW on the market. But certain DAWs - currently Presonus Studio One and Cakewalk SONAR - feature additional integration, meaning you can use the Console 1 hardware to control vital DAW functions such as track selection, volume, send levels, pan and solo/mute. We aim to have this functionality added for all DAWs.

And the Winner Is:
The first-generation Console 1 was an immediate success and did not only receive prestigious awards and praise from the pro audio press - but more importantly, the end users loved it. Even seasoned engineers such as Michael Brauer, Jason Goldstein, Dave Isaac and Gareth Jones took the system to their hearts.

Upgraded Hardware:
Three years after the original Console 1 release, it is time to introduce the Mk II version. It has the same build quality as the original units, with some minor layout changes such as more visible LED markers. More importantly, efficient manufacturing processes have made the system much more affordable.
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MRP:$623.95 SAVE 43%
 More than 10 in stock $357.12
Studio Collection (half-speed remastered) (reissue)
Studio Collection (half-speed remastered) (reissue) (limited gatefold 180 gram coloured vinyl 18xLP box set + book)
Cat: 472028 8. Rel: 28 Jun 19
 
Rock
  1. Queen
  2. Queen II (LP1)
  3. Queen II (LP2)
  4. Sheer Heart Attack
  5. A Night At The Opera
  6. A Day At The Races
  7. News Of The World
  8. Jazz
  9. The Game
  10. Flash Gordon
  11. Hot Space
  12. The Works
  13. A King Of Magic
  14. The Miracle
  15. Innuendo (LP1)
  16. Innuendo (LP2)
  17. Made In Heaven (LP1)
  18. Made In Heaven (LP2)
 in stock $341.92
Presonus Temblor T10 Active Studio Subwoofer Presonus Temblor T10 Active Studio Subwoofer
Cat: 538678 Rel: 17 Jun 14 • View all Subwoofers
 
10 inch glass composite powered subwoofer with built in crossover and resonance suppressing enclosure technology
Notes: Great value sub from one of the rising brands in the studio monitor market. 10-inch speaker design reproduces frequencies all the way down to 20 Hz for precise monitoring of bass.

Supplier's notes:
To hear what's really going on at the bottom of your mixes, you need a subwoofer that speaks the truth. The Temblor T10 lets you take charge of the low-frequency foundation of your mix with a combination of quality components and design, plenty of inputs and outputs, and extensive user controls not normally available in this price range.

An ideal companion to Eris and Sceptre active reference monitors, the T10 complements full-range monitors without overshadowing them, extending the reach of your full-range system's low end with a musical and natural approach.
Powerful and musical, Temblor features high-quality components and design that enable it to deliver fast and accurate transient response, extending low frequencies without a hint of "tubbiness" or overshoot.

The Temblor T10 is an active subwoofer with a 10-inch glass-composite driver, built-in crossover, high-temperature voice coil, and damped rubber surround. Its cabinet features a front-firing, bass-reflex acoustic port and optimized, resonance-suppressing internal bracing. The enclosure has integrated rubber feet for stable placement.

In addition to outstanding accuracy and a frequency response that ranges from 20 Hz to 130 Hz, this combination of features enables the subwoofer to produce higher volume - up to 113 dB SPL - with less power than a sealed-box design. But make no mistake; the T10 has plenty of juice: 250 watts of Class AB power.

The result is a subwoofer that delivers accurate, tight low end and outperforms subs costing far more. With Temblor T10, you hear what the foundation of your mix really sounds like so you can produce your best mix from top to bottom.

The T10 provides more user controls than any other subwoofer in its class, enabling seamless integration into your listening environment.

The Temblor T10's extensive user controls include input gain (-30 dB to +6 dB, continuously variable) and a continuously variable low-pass filter (50 Hz to 130 Hz) that let you create a seamless crossover transition between your full-range studio monitors and subwoofer for a more accurate listening environment.

A switchable high-pass filter removes frequency content below 80 Hz from the full-range signal sent from the T10 outputs to the main monitors, avoiding destructive cancellation and reinforcement in the T10's upper range.
The result is a subwoofer that can be adjusted to perfectly complement not only our Sceptre CoActual and Eris active studio monitors but virtually any studio monitor.

The T10 also features a momentary footswitch (included) that bypasses the subwoofer, high-pass filter, and Sub Out. This allows your audio source signal to pass directly through the Temblor T10 to the full-range studio monitors, making comparing your mix with or without sub frequencies quick and easy. This helps to ensure your mix will sound good on a wide variety of systems.

Of course, we didn't forget the "small things" that can make a big difference: polarity invert and a ground-lift switch.

No other subwoofer anywhere close to the Temblor T10's price range offers a comparable selection of inputs and outputs.

The Temblor T10 provides a choice of three input pairs: two sets of balanced inputs (XLR and 1/4" TRS) and one pair of RCA unbalanced inputs. Pairs of inputs are provided in order to accept a stereo signal from your audio source.
When both of the balanced connections are in use, the TRS inputs will take precedence over the XLR inputs. The RCA inputs will sum into either balanced connection.

You get two pairs of balanced outputs: XLR and 1/4" TRS. The full-range signal connected to the stereo inputs on the T10 is passed through to these outputs so you can connect them to your main left and right studio monitors. If the High Pass Filter switch is engaged, frequencies below 80 Hz are not sent from these outputs.

The T10 also has a balanced XLR output that sends the low-frequency signal from the low-pass filter to a second Temblor T10 for the ultimate in smooth low end.
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 4 in stock $318.06
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Waldorf Blofeld Desktop Synthesizer (Shadow edition, black) Waldorf Blofeld Desktop Synthesizer (Shadow edition, black)
Cat: 467331 Rel: 05 Sep 12 • View all Synthesisers
 
Synthesiser + Waldorf Edition software, including D Pole Filter Module, PPG Wave 2.V & Attack
Notes: *** Synthesizer comes with a free copy of The Waldorf Edition software, including D Pole Filter Module, PPG Wave 2.V & Attack ***

Waldorf are back in the game. With the Blofeld. this synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II/XT, or even the flagship Wave.

Yes, you've heard it right. The Blofeld is not only capable of producing these warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with Wave in their names.

This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s. So when you listen to the Blofeld for the first time, you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era on, and become increasingly popular once more.

In fact it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device. And for a price no-one would have imagined a couple of years ago.
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 3 in stock $386.47
Meris Hedra 3 Voice Rhythmic Pitch Shifter Pedal
Cat: 781875 Rel: 15 Jul 20 • View all Effects pedals
 
Pitch shifter pedal
Notes: Brilliantly wonky rhythmic pitch shift effect, capable of twisting and warping your sound into new territory. Tap tempo and MIDI control allow it to be played like an instrument, giving you control of the sound.

Supplier notes:
Every action has a reaction. A single stone thrown can create riveting ripple effects, while a humble key-turn can unlock a flurry of otherwise before unseen and unheard events. This is the magic Hedra bestows upon you and your instrument, seeing you unearth new harmonic sonic chain reactions with every single note played.

The Meris Hedra is a 3-voice rhythmic pitch shifter capable of adding 3 harmony voices to your instrument and with Tap tempo synchronised delay available for each voice, this beauty far transcends the realms of standard pitch-shifting. In addition, pitch glide, micro tuning, 4 individual delay configurations, adjustable pitch correction and midi keyboard control all combine in making Hedra an instrument and sonic experience like no other.

You can keep it simple and just use Hedra as a standard chromatic pitch-shifter. Or you can begin to pile on the intervals and slip into its dancing diatonic dreamscapes, via its 6 different scales and wealth of rhythmical subdivisions. Now turn up the Glide control and hold down TAP for auto-swelling synthy portamento shifts - or bump up the pitch regeneration - and you'll be floating away on clouds of shimmering sci-fi effects. Hook a MIDI Keyboard or a MIDI Sequencer up to Hedra and turn your source instrument into a mind-bending tapestry of harmonies and hard-tuned pitch glides.

Although it adds an entirely new dimension to the humble 6 (or more) string instrument, Hedra is not limited to just guitars. In fact, you can use the pedal on pretty much any instrument or line-level audio signal you want.

Whether you choose to totally transform your beats on a drum machine, harmonise vocals or completely alter additional synths, loops or any other type of audio, Hedra's advanced pitch-shifting palette is sure to transport you and your sound to entirely new sonic worlds.

Premium quality 24 bit A/D and D/A

32 Bit floating point DSP hardware

Premium low noise Analog signal path throughout

Digitally controlled Analog Dry path for wet/dry mix

Analog Devices JFET input circuitry

Selectable True Bypass (Relay) or Analog Buffered Bypass

Durable transparent coated brushed aluminum

Current draw: < 150 mA

Dimensions - 4.25" wide, 4.5" long, 2" tall
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MRP:$410.32 SAVE 21%
 2 in stock $324.56
HEDD Type 05 Active Studio Monitor (single) HEDD Type 05 Active Studio Monitor (single)
Cat: 738763 Rel: 09 Jul 19 • View all Studio monitors
 
Bi-amplified studio monitor featuring 7-inch woofer and 1-inch HEDD AMT (Air Motion Transformer) HF driver
Notes: The Type 05 model is a real multi-tasker. Its strong performance, digital connectivity, and compact size turn it into the ideal choice for mobile broadcast stations, recording studios, multichannel-setups, and VoIP conferences. The Type 05 is based on a 2-way-system that provides a solid fundament and a high degree of accuracy in the frequency range between 45Hz and 50kHZ by coordinating the interplay between a 6"-woofer and a high-resolution Air Motion Transformer (HEDD AMT).

Type 05 is, like all of our Series ONE studio monitors, additionally equipped with a modular connection system. Besides standard analogue XLR and RCA connections, the Type 05 features an empty card slot that we have designed to read Dante (Audio-over-IP) and other digital audio protocols.
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 2 in stock $388.60
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Intellijel Quadrax 4 Channel CV Controllable Function Generator Module
Cat: 747527 Rel: 18 Nov 19 • View all Synth modules
 
Quad Function/Burst Generator/LFO with CV Matrix
Notes: Super-versatile quad envelope generator and LFO source from the Vancouver Eurorack brand. All CV controllable and with tons of shaping options.

Supplier's notes:
The Intellijel Quadrax consists of four independent, CV-controllable channels, each of which can be configured to perform any one of the following functions:

- An AD (Attack, Decay) envelope
- An AHR (Attack, Hold, Release) envelope
- A cycling envelope (resulting in a unipolar LFO)
- A pulse burst generator (Finite repeated functions that ascend or descend in amplitude)
- A morphing, bipolar beat syncable LFO

The envelopes all feature a continuously variable response curve, ranging from logarithmic through linear to exponential, and each stage can be as snappy as 0.3 ms to as lengthy as 20 seconds.

When set to Burst mode, the channel generates a rising or falling burst of pulses, with full control over the length of the pulse burst, the number and shape of the bursts within it, and whether the bursts increase or decrease in amplitude over the burst.

AD, AHR, Cycling and Burst modes all feature a user-selectable maximum output level of either 5V or 10V.

LFO mode offers control over the frequency and waveshape, while providing a unique morphing feature that creates numerous variations of the selected waveshape. LFOs can be either free-running or beat-synchronized using the channel's TRIG input.

Channels can be chained together to create complex multi-stage envelopes, with each channel triggered by the previous channel's trigger input, end-of-rise, or end-of-fall. This enables multiple function generators to fire simultaneously, or it enables the creation of complex multi-stage envelopes by allowing the linked function to fire either at the end of the previous function's rise time, or at the end of its fall time.

Four freely-assignable, step-attenuverted CV inputs are capable of modulating any or all of the various parameters across all four channels using the built-in CV matrix, and built-in attenuversion for each assignment.

Quadrax remembers its current state (Mode and CV assignments, channel links, etc) and retains that state even if power is removed, meaning Quadrax will always turn on in exactly the same state as you last left it.
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 4 in stock $333.24
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Intellijel/Applied Acoustics Systems Plonk Percussion Module
Cat: 643387 Rel: 21 Aug 17 • View all Synth modules
 
Physical modelling percussion synthesiser module - 12HP
Notes: Killer physical modelling module collab from two of the biggest names in their respective fields of hardware and software. Generates a huge range of percussion instruments plus synths and bass tones.

Supplier's notes:
Plonk uses a technique known as physical modelling to synthesize, with great realism, the way in which sound is produced by acoustic instruments. The Plonk module is, itself, focused primarily on creating percussive sounds - both pitched and un-pitched; natural and unnatural; acoustic-sounding or totally electronic.

Plonk does this by breaking sound creation into two distinct elements - the exciter and the resonator. The exciter is a mathematical model of the device used to strike a particular surface. Plonk, because it's percussion oriented, has two types of exciters: one modelled on a mallet, and the other providing a noise source. The resonator is a virtualization of the object being struck, which vibrates, resonates and creates the body of a sound. Plonk offers several types of resonators: beam; marimba; drumhead; membrane; plate; and string.

Plonk provides numerous parameters that let you shape, mould and design both the exciter and the resonator, thus enabling you to synthesize the sound of striking or scraping almost any type of object - real or imagined. In this way, Plonk can accurately model the sounds of kicks, snares, toms, cymbals, claps, tablas, congas and all manner of traditional percussion instruments. It can also model pitched percussive instruments, like vibes, marimbas, and even bass or guitar-like tones. Of course, it additionally excels at modelling instruments that heretofore never existed.

Best of all, the sounds created by Plonk are not static - any sound you design can respond dynamically to velocity, as well as four different modulation inputs. This means the sound of Plonk can change completely from note-to-note (or strike-to-strike). Because of this, Plonk is actually a duophonic (2-voice) module, which lets the sound of one note decay naturally when a second note (possibly employing an entirely different set of modelling values) is struck. Thus, hitting a new note does not choke the sound of the previously struck note (unless you want it to, of course)!

Plonk stores up to 128 patches in its internal memory, and ships with many presets programmed by professional sound designers and composers. You may overwrite these patches if you wish, and banks of patches may be transferred via MIDI System Exclusive over Plonk's built-in mini-USB port to facilitate offline storage by programs or websites that support this capability.

Plonk was developed in cooperation with Montreal-based Applied Acoustics Systems - physical modelling pioneers, and the creators of Tassman, Lounge Lizard, String Studio, Ultra Analog, Chromaphone and numerous other plugins. It is with great pleasure that Intellijel brings the potential of this physical modelling technology to a hands-on, CV-laden device capable of the sort of dynamic control and sonic exploration that modular synthesists demand.
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 7 in stock $351.70
Make Noise QPAS Quad Peak Animation System Filter Module
Cat: 718736 Rel: 27 Feb 19 • View all Synth modules
 
Multi-mode filter with four filter types - 18HP
Notes: Funky quad filter, based around four identical state-variable VCFs configured in two pairs for either mono or stereo use. At its best when used in stereo, adding movement and width to sounds.

Supplier's notes:
The Quad Peak Animation System combines the auditory enveloping of stereo spaced peaks with the animation of two or more peaks in a single channel dancing around each other or engaging in primitive vocalizations. QPAS is Quad Core, containing four identical state variable filter cores with a control system powerful enough to guide them in stereo multi-peak operation, but simple enough to encourage system integration rather than domination.

- Quad Core Stereo Analogue
- Multi-Peak with clean resonance
- Fast response encourages deep FM
- Radiate spaces stereo image and animates associated channel
- High Q settings are under damped, excitable and ring by gate or trigger
- 2 modulation inputs aid patch exploration
- Stereo VCA, pre-filter with gain
- Mono to Stereo, Stereo to Mono, Mono to Mono and Stereo to Stereo operations
- Smile Pass filter response unique to QPAS
- Low Pass, Band Pass, High Pass and Smile Pass outputs simultaneously available
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 6 in stock $377.75
Allen & Heath Xone 23C DJ Mixer With Mixvibes Cross LE DJ Software Allen & Heath Xone 23C DJ Mixer With Mixvibes Cross LE DJ Software Allen & Heath Xone 23C DJ Mixer With Mixvibes Cross LE DJ Software Allen & Heath Xone 23C DJ Mixer With Mixvibes Cross LE DJ Software Allen & Heath Xone 23C DJ Mixer With Mixvibes Cross LE DJ Software Allen & Heath Xone 23C DJ Mixer With Mixvibes Cross LE DJ Software Allen & Heath Xone 23C DJ Mixer With Mixvibes Cross LE DJ Software
Cat: 525484 Rel: 02 Jul 14 • View all DJ mixers
 
Professional 4 channel DJ mixer with internal sound card, packaged with DJ software
Notes: A&H's excellent Xone:23 mixer gets tweaked for digital DJ software use and becomes the 23C. Clever solution with all the usual Xone sound quality plus a built-in audio interface. Slick.

Supplier notes:
The Xone:23C brings together the best of digital DJing and conventional mixing in a compact accessible format.

This high performance DJ mixer is equipped with a premium quality, 4 stereo channel 96kHz 24bit internal soundcard and offers plug n' play connection via X:LINK to Xone:K series controllers, making it perfect for performers looking to combine the convenience of digital DJing and recording with the hands-on control and visual appeal of a real mixer.

Xone:23C includes an enhanced version of the legendary Xone filter with resonance control, VCA faders, 3 band total kill EQ, illuminated switches, crossfader curve selector and styling inspired by the flagship Xone:DB4.

At the heart of the mixer is the renowned analogue Voltage Control Filter (VCF) system offering Low-Pass and High-Pass filters, frequency sweep and 'mild to wild' resonance control. There is also an FX loop to connect to third party FX units, which route back in through the filter system.

Xone:23C features 2+2 stereo channels with dual levels for phono and line inputs, allowing four music sources to be connected at the same time, including turntables and CD/media players. Additionally, the internal soundcard enables replay and recording from DJ software, offering users all the benefits of digital DJing whilst using hands-on mixer controls.

The main mix output and mic input are on professional standard balanced XLR's, and there is a dedicated record output. The Xone:23C is equipped with comprehensive monitoring facilities, including a dedicated booth output with its own volume control, a cue mix control, and signal levels clearly displayed on the 9 segment peak hold meters.

Styled on the flagship Xone:DB4, the Xone:23C includes soft touch, backlit controls, light-piped meters and a distinctive new shaped steel faceplate. The mixer can also be upgraded with the latest Innofader for enhanced scratch performance, available as an accessory.

Xone:23C comes with Mixvibes Cross LE Software, providing DVS control and plug n'play mapping for Xone:K series controllers.
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 5 in stock $325.86
Presonus Studio 1824c 18x18 USB-C Audio & MIDI Interface Presonus Studio 1824c 18x18 USB-C Audio & MIDI Interface Presonus Studio 1824c 18x18 USB-C Audio & MIDI Interface Presonus Studio 1824c 18x18 USB-C Audio & MIDI Interface
Cat: 717596 Rel: 05 Feb 19 • View all Audio & MIDI interfaces
 
Full-featured, ultra-high-definition, USB-C audio interface
Notes: The Studio 1824c 192 kHz USB-C audio interface is ideal for producers interested in recording full bands, including multi-channel drums. It records up to 18 simultaneous inputs and features 8 XMAX Class A mic preamps, as well as MIDI I/O. Its 20 outputs offer flexible routing with zero-latency DSP-based monitor mixing and control-room integration with included Studio One Artist music production software and UC Surface control software.

World-class recording software included:

Seamlessly integrated with the included PreSonus UC Surface control software for macOS, Windows, iPad, and Android tablet and Studio One Artist music production software, the Studio 1824c audio interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment - including powerful extensions for Studio One like the CTC-1 Console Shaper and Presence XT Editor.

Take the tour:

The Studio 1824c audio interface features USB-C computer connectivity and records up to 18 simultaneous inputs, including two combo mic and switchable line/instrument inputs and six mic/line inputs, all with XMAX mic preamps and +48V phantom power. Digital inputs include eight channels of ADAT Optical I/O (four channels at 96 kHz) and stereo S/PDIF I/O. In addition to the main L/R outputs, you get eight DC-coupled line-level outputs that can send control voltages. You also get two headphone outputs. A built-in MIDI interface enables connection to a keyboard, sound module, or control surface.

Superior sound:

The Studio 1824c audio interface operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output and PreSonus' professional-grade XMAX mic preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.

Designed for producers who need more:

With ample connectivity, onboard monitor mixing, pristine mic preamps, and up to a 192 kHz sample rate, the Studio 1824c audio interface will give you the ultra-high-definition sound and versatile connectivity you need to make state-of-the-art recordings. The perfect companion for any recording software, the Studio 1824c's integration with Studio One and remote control with UC Surface provide a complete and thoroughly professional recording studio.

Includes Studio Magic Plug-in Suite:

This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll rely on for countless mixes.
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 1 in stock $411.40
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Project VC-E Compact Vinyl Record Cleaning Machine Project VC-E Compact Vinyl Record Cleaning Machine Project VC-E Compact Vinyl Record Cleaning Machine Project VC-E Compact Vinyl Record Cleaning Machine
Cat: 775229 Rel: 30 Apr 20 • View all Vinyl cleaning
 
record cleaning machine
Notes: Compact record cleaner based on the more expensive VC-S2. Quick and easy way to clean and care for your vinyl, improve sound and prolong stylus life.

Supplier's notes:
Vinyl Care
The VC-E is a compact, affordable vinyl record cleaning machine (RCM). Inspired by the developments made in the Pro-Ject VC-S2 ALU design, VC-E offers a string of premium features in a smaller package that's suited to smaller record collections and tighter space.
Boasting a striking aluminium surface that's not only visually appealing but is able to withstand excessive fluid spill without compromising the chassis, the VC-E still houses a sufficiently powerful vacuum motor to clean records, residue free, in as little as one or two rotations. The very best results are achieved with one rotation forward, followed by one backwards. The drive motor also makes one rotation within 2 seconds, which is about three times faster than comparable products. The end-result is a faster and more effective cleaning process for the cost.
A screw-on clamp, lined with a rubber pad, protects the record label from cleaning fluid and avoids damage to the label. The robust metal arm is easy to use, mechanically stable and focuses all suction power directly onto the record surface.
The VC-E is supplied with Pro-Ject's own eco-friendly, non-alcoholic vinyl cleaning concentrate, Wash-IT. It offers very good cleaning results and reduces static charge, so record wear and stylus wear are significantly reduced. It also evaporates in the air, dramatically reducing the number of times you need to empty the built-in 0.5l waste liquid tank.
If you demand the best sound from your hi-fi, and want to protect your precious investment in your record collection, the VC-E is an essential tool for delivering on both fronts.
Key Features:
Compact, new cabinet made out of luxurious materials
Clean records quickly and efficiently
0.5l tank for vacuumed cleaning liquid
Eco-friendly cleaning fluid effeciently cleans and removes static load off records
Screw-on clamp with rubber pad protects record label from cleaning fluid
Cloth cover available

Technical Data
Construction:
Aluminium Composite Panels (0.4mm alu / 4mm PE / 0.4mm alu)
Speed:
30 RPM
Power Consumption:
800W Max
Dimensions (W x H x D):
310 x 266 x 210mm (fully assembled)
Weight:
6.5kg
Supplied Accessories:
Vacuum Arm
Clamp
Felt Strips
Brush
Wash-IT 100
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MRP:$428.56 SAVE 17%
 3 in stock $357.13
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Yamaha HS5 Matched Pair Powered Studio Monitors (black, pair) Yamaha HS5 Matched Pair Powered Studio Monitors (black, pair) Yamaha HS5 Matched Pair Powered Studio Monitors (black, pair)
Cat: 785332 Rel: 20 Aug 20 • View all Studio monitors
 
Studio monitors
Notes: In the 15 years since they were introduced, the HS Series powered studio monitors have become a favourite in professional, project and home studio environments.
The new special edition HS5 MP Set includes two HS5 monitors, both manufactured using a unique process and both utilising specially selected parts. The result is a pair of monitors, each as closely matched to one another as is possible.

2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer and 1" dome tweeter
54Hz - 30kHz (-10dB), 74Hz - 24kHz (-3dB) frequency response
45W LF plus 25W HF bi-amp system for high-performance 70W power amplification
ROOM CONTROL and HIGH TRIM response controls
XLR and TRS phone jack inputs accept balanced or unbalanced signals

The HS Series embodies the design philosophy on which Yamaha has long insisted for its studio monitors, and is now available as a special paired model that uses selected volume parts. The paired model series bears the designation of MP (Matched Pair), and MP stickers are affixed to the back of each unit. Manufactured at the same time and with paired serial numbers, the HS MP models can play a valued role in your recording, mixing, and mastering work.

Yamaha Pro Audio's history of aspiration and innovation goes back to 1969. Since the creation of Yamaha's first pro audio products (the VA120 and VA180 vocal amp systems), they've repeatedly aspired and innovated to create a wide-ranging lineup for applications including broadcast studios and commercial spaces, such as mixing consoles, power amplifiers, speakers, processors, and immersive sound solutions, each with the aim of becoming the new standard in their respective market.

Monitor speakers are one of the product areas that must be mentioned when speaking of Yamaha Pro Audio's fifty-year history. The NS10M STUDIO which went on sale in 1977 was a studio monitor speaker loved by numerous engineers, and earned a role in studios around the world. In 1998 came the MSP5 powered monitor speaker which focused on providing the painstakingly faithful playback of the original sound that is demanded from nearfield monitors. Subsequently, the MSP/MSP STUDIO series that appeared during the period 2000 through 2008 benefited from a full measure of the know-how and technology that has been accumulated in the field of pro studio monitor design, going on sale as a flagship model that boasted a stunning degree of perfection.

Yamaha have insisted on complete fidelity to the original sound and the ability to reproduce the subtle changes of tone and position in the mix, and these principles are exemplified in the HS series that appeared in 2005 with its bright white cones. As high-bit and high-sampling-rate continue as trends in the field of music production, leading to an increasing need for high-quality nearfield monitors, these speakers deliver the high-quality sound and accuracy that are ideal for the studio environment. In 2013, fusing the know-how and cutting-edge analysis technology that has been developed through many years of studio monitor design, and carefully rethinking every element, the next-generation HS series have been announced, adds yet more polish to the accuracy of these speakers.
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MRP:$539.28 SAVE 38%
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Endorphin.es Blck_Noir 7 Channel Hybrid Drum Generator Module (black faceplate) Endorphin.es Blck_Noir 7 Channel Hybrid Drum Generator Module (black faceplate)
Cat: 688859 Rel: 10 Sep 18 • View all Synth modules
 
Modular drum synthesiser with seven voices 30 HP
Notes: It's black, it's loud, it's dark.

BLCK_Noir is an amazing 30 HP modular drum synth with a very flexible sound-engine inspired by the Roland CR-78 CompuRhythm. Unlike other modules from Endorphin.es, this one is black, thus the name: Blck_Noir.

It includes seven drum voices: bass drum, snare, tambourine, closed and open hi-hat, cymbal and metal beat. It uses hybrid sound generation: digital noise with spectrum animation, injected into analogue circuits. The analogue generation part is fully discrete, using inductor coils instead of op-amps, giving a raw and powerful sound. Thanks to this special design Black_Noir will sound good in every setting.

Several CV inputs will let you control various parameters for lively drum sounds.

On top of that, the module has an on-board effect processor with eight effects: hall, shimmer, room, plate, spring reverb types, tap and tape delay types as well as a new freezer effect with additional auxiliary input and firmware update over audio.

With this module you will be able to create drums that have character! It will fit all styles of music, from Darkwave to Techno.
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 1 in stock $453.73
Spectrasonics Keyscape Collector Keyboards Virtual Instrument (USB) Spectrasonics Keyscape Collector Keyboards Virtual Instrument (USB) Spectrasonics Keyscape Collector Keyboards Virtual Instrument (USB) Spectrasonics Keyscape Collector Keyboards Virtual Instrument (USB) Spectrasonics Keyscape Collector Keyboards Virtual Instrument (USB)
Cat: 625489 Rel: 28 Nov 17 • View all VST instruments & samplers
 
Virtual keyboard instrument plug-in with over 500 keyboard sounds
Notes: KEYSCAPE is an extraordinary new virtual instrument featuring the largest selection of collector keyboards in the world. From "holy grail" pianos to stunning keyboards you didn't even know existed, this is a keyboardist's dream come true.

Ten years in the making, each of these sought-after keyboards was carefully restored and then deeply multi-sampled by the renowned Spectrasonics Sound Development Team. These compelling and highly expressive sounds will inspire you to PLAY!

The process began with going to the ends of the earth to find and restore each one of these rare and incredibly special instruments with the top technicians and expert craftsmen from each discipline. We even went as far as spending years redoing these instruments from scratch again and again until they were totally "right." This incredible attention to detail and meticulous care given to each instrument allowed us to develop these sounds to a whole new level of authentic tone.

While it's every performing keyboardist's dream to have the very best instruments instantly available anywhere, Keyscape is equally useful in the studio for producers and composers. Since these instruments can be easily transformed into amazing "unreal" sounds with the powerful STEAM Enginer under the hood, Keyscape easily turns these coveted instruments from History into innovative new sounds of the Future.

Custom Controls:
The Custom Controls presented for each Patch allow you to go far beyond the original sound. The intuitive interface includes useful performance controls and high-quality creative effects processing specially crafted for each Patch. Hundreds of included Patches showcase the remarkable versatility and ability to dramatically customize these iconic sounds to your music.

Authentic Expression:
With many of these collector instruments, it's really the imperfections that make them so interesting. Instead of cleaning up all the quirks and noises they make, we made sure to closely capture them since they are a big part of their vibe. In addition to that, our software team closely modelled the authentic behaviour and mojo of vintage amplifiers, classic effects units, and unique subtleties like mechanical noises, pedal noises, and release overtones to bring these sounds to a whole new level of authenticity and dynamic expression.

Hybrid "Duo" Sounds:
Along with the hundreds of patches based on the 36 instrument models, Keyscape includes special hybrid "Duo" sounds which combine two of the instruments to create something entirely new. The unique timbre of these Duo patches make them some of the most creative and inspiring sounds in Keyscape!

Omnisphere Integration:
As a bonus for Omnisphere 2 users, Keyscape also integrates fully as a satellite instrument within the Omnisphere interface. Keyscape will simply appear as a library inside Omnisphere's browser for users of both plugins. This capability allows Omnisphere 2 users to harness additional functionality like Live Mode, Stack Mode, Multi-timbrality, endless FX routings and the full synthesis power of the STEAM Engine to explore endless new sonic possibilities and combinations.
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 More than 10 in stock $301.76
Squarp Instruments Hermod Modular Brain 8 Track Sequencer & Interface Module (black)
Cat: 717598 Rel: 25 Jan 19 • View all Synth modules
 
8-track sequencer & interface for your Eurorack system - 26HP
Notes: Really impressive sequencing module with a few clever tricks up its sleeve. Eight tracks of CV/gate with built-in effects (quantise, swing, arpeggiator, etc) for processing MIDI or CV inputs. Real-time recording, step sequencing, looping and much more.

Supplier notes:
Hermod brings together a powerful step sequencer, a CV looper, a real-time effect processor, LFO generators and a complete bi-directional MIDI-USB-CV input/output interface.

Record a performance at any time thanks to the CV inputs, the USB HOST, the USB DEVICE and the MIDI input. Create and edit your tracks with the STEP mode and its piano roll and automation view. Generate crazy patterns with the randomization tool.

Hermod is polymetric, it means that each track can have a different length, from 1 step to 64 steps. Moreover, you can zoom in to increase the resolution of the step sequencer (up to 512 steps).

Polymorphic tracks:

Thanks to Hermod architecture, a track can be a simple mono CV/GATE voice, but can be easily configured as a polyphonic track (up to 8 voices), a CV/GATE + velocity + aftertouch track, a modulation + clock track... in order to perfectly fit your Eurorack system!

Sequences and Projects:

The 8 tracks are grouped into one of Hermod's 8 sequences. Every sequence is totally independent and contains a new set of tracks to be played with, for a total of 64 tracks in a single project.

Dynamic effects:

All the fun in Hermod resides in its effect system, allowing you to transform input signals, whether it's MIDI or CV. You can stack on each track up to 8 real-time effects: Quantize, Swing, Arpeggiator, Ratchet, Random, Euclid, Glide, Harmonizer, Delay, Chance, Scale, LFO... Experiment with the effects position and parameters to generate eccentric melodies!

MIDI-USB-CV interface:

Full connectivity: control Hermod with plug-and-play midi USB devices, midi keyboards, computers or other Eurorack CV systems.

Hermod is also a great midi hub, allowing you to sequence midi synthesizers/drum machines and computer's virtual instruments. Of course, Hermod can be perfectly paired with Pyramid or other hardware and software sequencer, in order to benefit from its CV/GATE outputs.

With Hermod's rock-solid clock, this module becomes a great synchronization tool for all your setup! Thanks to its powerful CPU, even when synced/slaved, Hermod allows an ultra-low latency to make the perfect link between the digital world and the analog world.

The package includes:

- Hermod "Modular Brain" Black Edition
- 1GB micro SD card + SD adapter
- Power ribbon cable
- User guide (English)
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 2 in stock $460.25
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Zoom H6 Handy Handheld Digital Audio Recorder (black) Zoom H6 Handy Handheld Digital Audio Recorder (black) Zoom H6 Handy Handheld Digital Audio Recorder (black) Zoom H6 Handy Handheld Digital Audio Recorder (black) Zoom H6 Handy Handheld Digital Audio Recorder (black) Zoom H6 Handy Handheld Digital Audio Recorder (black) Zoom H6 Handy Handheld Digital Audio Recorder (black) Zoom H6 Handy Handheld Digital Audio Recorder (black) Zoom H6 Handy Handheld Digital Audio Recorder (black)
Cat: 767830 Rel: 25 Mar 20 • View all Handheld recorders
 
Versatile 6-in/2-out mobile recording system
Notes: Six interchangeable input capsules make the ZOOM H6 the ultimate recorder for film, video, podcast and music. Its advanced preamps make it the best-sounding one, too. Unmatched abilities. Award-winning quality. Meet the H6 Handy Recorder.

The H6 is a podcaster's dream with inputs for every guest and phantom power for every mic. Easily monitor your levels on the H6's crisp, color LCD screen, and use its individual gain knobs to control the levels of each input. The H6 is intuitive and easy to use.

Featuring interchangeable mic capsules, 4 combo inputs and 6 tracks of quality recording, the H6 is ready to record on any set and in any scene the director throws at you.

Say hello to your personal multitrack recording studio. With up to six* discrete line- or mic-level inputs and the ability to overdub, the road from great idea to perfect track just got a lot shorter.

*Optional EXH-6 mic capsule required.

The H6 is always listening, saving the two seconds^ of audio captured right before you hit RECORD.
^One second when recording at 96k.

The Auto-Record function allow the H6 to automatically start and stop recording at predefined sound levels.

The H6 offers four XLR/TRS combo jacks with dedicated pad switches and gain control for distortion-free capturing. The H6 features two 1/8" outputs, a stereo line out as well as a headphone out with dedicated volume control.

The H6's USB port enables it to serve as a multi-channel audio interface for your laptop or iOS tablet.

When the H6 is set to "Stereo Mix" in the USB menu, it acts as a 2-input/2-output interface; when set to "Multi Track," it acts as a 6-input/2-output interface.

Record continuously for over 20 hours with just 4 AA batteries or extend your recording time indefinitely with the optional AD-17 AC adapter.

The H6 can record up to six monophonic WAV files (or up to three stereo files) in any of the following formats:
44.1kHz/16-bit
44.1kHz/24-bit
48kHz/16-bit
48lHz/24-bit
96kHz/16-bit
96kHz/24-bit

The Zoom H6 comes with free download licenses for Steinberg's Cubase LE music production software and WaveLab LE audio editing software, enabling you to not only capture, but create.

Here's what comes included with the H6:

Quick guide
XYH-6 X/Y mic capsule
AA size (LR6) battery x 4
Cubase LE & Wavelab LE Software
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MRP:$467.63 SAVE 32%
 3 in stock $318.06
Zoom H8 Digital Handy Recorder Zoom H8 Digital Handy Recorder Zoom H8 Digital Handy Recorder Zoom H8 Digital Handy Recorder Zoom H8 Digital Handy Recorder Zoom H8 Digital Handy Recorder Zoom H8 Digital Handy Recorder Zoom H8 Digital Handy Recorder Zoom H8 Digital Handy Recorder
Zoom H8 Digital Handy Recorder (digital recorder)
Cat: 783484 Rel: 21 Oct 20 • View all Handheld recorders
 
Handy recorder
Notes: Part of consistently reliable product family, the H8 is a compact but capable digital recorder, allowing you to record up to 12 tracks simultaneously. Ideal for podcasting

Supplier's Notes:
Zoom has unveiled the new H8, the most adaptable handy recorder ever made. For over two decades Zoom handy recorders have been the go-to portable audio recorders for professionals, amateurs and everyone in between. The new H8 takes portable audio capture to a whole new level for Musicians, Podcasters and Sound Designers.The H8's ingenious color touchscreen interface presents a radical, yet intuitive "3-way" app workflow navigation like on your smartphone. So, whether you're recording music, sound effects in the field, or professional podcasts, the H8 adapts instantly to the feature set required for the job.

Under its hood the H8 features all of Zoom's industry-leading audio fidelity, legendary transparent preamps, and overall dependable performance. With four XLR and two XLR/TRS combo jacks and 4 capsule inputs, the H8 can record up to 12 tracks simultaneously, and you can quickly and easily adjust input type, lo-cut, EQ, compression, limiter, noise gate, and more. In addition, the H8 can be remote controlled via an IOS device and you can load your own effects via the Guitar Labs software. For podcasters, the H8 features four Sound Pads to activate sound effects such as laughter and applause. You can choose from 13 prerecorded sounds or download your own sound effects from your SD-card. The H8's updated Capsule System 2.0* provides even more flexibility with brand new, high-end, mic and input attachments, as well as offering flawless backwards compatibility with the H6's capsules.

12 simultaneous recording tracks, interchangeable capsules, and an App-driven touchscreen interface, the H8 is designed to meet all your audio recording needs.

There's An App For Your Workflow
Whether you're capturing audio on location, recording music, or producing a podcast, the H8 color touchscreen adapts to your project's needs with three App-driven interface options. All with the touch of your finger.

The Podcast App
The PODCAST App makes high-production quality simple. With dedicated Sound Pads, use the touch screen to trigger sound effects, music beds and more. Choose from 13 high quality sounds or load your own via an SD card. (The Podcast App accommodates up to 4 mics and two Sound Pad channels.)

The Music App
The MUSIC App puts all the important controls at your fingertips: audio levels, faders, metering and more. With 10 inputs and 12 tracks, capturing a large group is easy. Mix, overdub, and enhance your recordings with EQ and compression. Connect to Zoom's Guitar Lab via USB to access an endless assortment of amps and effects.

The Field App
The FIELD App is ideal for location sound, sound design, conferences, and more. It gives you instant access to large meters for every track, so you can make sure your recordings never clip. Adjust input type, lo-cut, compress, limiter, noise gate, and other key settings.

The Mic Capsule
The H8 comes with the Zoom XYH-6 microphone. This capsule provides two matched high-quality unidirectional mics, for capturing signal directly in front of the recorder. With the Zoom mic capsule system you can easily swap capsules to ensure you're always using the right mic for the job.

Next Generation Capsule System
Zoom's Capsule System 2.0 allows up to 4 channels of audio to be added to the H8's capsule connection, creating new ways to expand your recording capabilities.

Combination XY / AB Mic
XAH-8
The XAH-8 capsule delivers pristine stereo recordings. Easily rotate the capsules from a tight XY pattern to a wide AB pattern to enhance the stereo image of your recordings.

Ambisonic Mic
VRH-8
The VRH-8 is an Ambisonic mic capsule that utilizes four condenser microphones to deliver immersive 360 audio recordings. A built-in accelerometer helps ensure the capsule is always perfectly aligned, while the on-board Ambisonic decoder automatically handles the necessary conversions, saving you time in post-production.

Expander Capsule
EXH-8
The EXH-8 capsule provides 4 additional XLR inputs, giving you a total of 10. Each additional input has a dedicated gain knob and pad switch. You can even use your favorite condenser microphones-just connect a power source to the EXH-8 capsule to supply phantom power.

Remote Control
You can monitor level meters and hit REC,PLAY, and STOP in each H8 application mode. Just insert the BTA-1 to your H8 and connect to your iOS device. (*BTA-1 sold separately.)

Inputs & Outputs
H8 offers 4 XLR inputs with dedicated pad switches and gain control. 2 additional XLR/TRS combo jacks with Hi-Z switches allow you to capture line level signals, microphones, or directly record electric guitars and basses.
Monitor tracks using the built-in 1/8" headphone output or connect directly to your camera using the dedicated stereo line output.
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Neumann NDH20 Closed Back Studio Headphones Neumann NDH20 Closed Back Studio Headphones Neumann NDH20 Closed Back Studio Headphones Neumann NDH20 Closed Back Studio Headphones Neumann NDH20 Closed Back Studio Headphones Neumann NDH20 Closed Back Studio Headphones Neumann NDH20 Closed Back Studio Headphones
Cat: 718817 Rel: 06 Feb 19 • View all Studio headphones
 
Premium quality closed-back studio headphones for monitoring, editing & mixing
Notes: The Neumann NDH 20 is a closed-back headphone combining excellent isolation with the carefully balanced sound image and outstanding resolution you'd expect from a Neumann product. The NDH 20 is thus ideally suited to monitoring and mixing tasks, even in loud and noisy environments. Circumaural memory foam ear pads offer high long-term comfort.

Critical Listening and Mixing - In the Studio, At Home, On the Road:

While many other closed-back headphones are marred by nasty resonances in the mid-band, making it difficult to come to reliable mix decisions, the NDH 20 offers an astonishingly detailed, well-balanced sound image, similar to Neumann's acclaimed studio loudspeakers. Superior sonics along with large memory foam ear pads make the NDH 20 a pleasure to wear for long periods without fatigue.

The NDH 20 uses newly designed drivers (38 mm/1.5") with high-gauss neodymium magnets to ensure high sensitivity and minimized distortion, thus allowing the user to listen to the pure audio signal without unwanted coloration. The mechanical construction, too, meets the highest standards. The adjustable headband is made of flexible steel while the ear cup covers are machined from lightweight aluminium. For easy transportation the headphone is foldable and can be placed into the supplied soft cloth bag. Two detachable cables (one straight, one coiled) and a 6.3 mm (1/4") adapter are also included.

Applications:

The NDH 20 is suited to all applications that require high sound isolation such as monitoring for musicians and engineers in the tracking room as well as FOH work. It is also an excellent choice for critical listening, free from disturbance from the outside world and, vice versa, without causing disturbance to people nearby due to leakage. Thanks to its extended frequency response ranging from 5 Hz to 30 kHz the NDH 20 is particularly helpful to check the upper and lower extremes of the audio band.

Unlike most other closed-back headphones, the Neumann NDH 20 is suited to mixing purposes too. An unusually even frequency response and natural stereo image allow for mixing with confidence and ensure compatibility to all playback systems. The NDH 20 is thus an indispensable tool for working on the road. Of course, it is also an excellent headphone for audiophile entertainment.
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MRP:$571.84 SAVE 35%
 3 in stock $370.16
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Kali Audio Independence IN-8 3 Way Powered Studio Monitor (black, single) Kali Audio Independence IN-8 3 Way Powered Studio Monitor (black, single) Kali Audio Independence IN-8 3 Way Powered Studio Monitor (black, single)
Cat: 754479 Rel: 05 Dec 19 • View all Studio monitors
 
Innovative 3-way studio monitor, featuring the same woofer & tweeter as Kali's celebrated LP-8
Notes: Big and powerful nearfield monitors from the California brand. Tri-amped three-way design with an 8-inch bass driver for serious bass power. Hugely impressive and reasonably priced.

Supplier's notes:
Kali's IN-8 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed.

Power. Detail. Soundstage:

The IN-8 Studio Monitor is a speaker like no other. Using the same woofer and tweeter from Kali's celebrated LP-8, the IN-8 adds a midrange driver that surrounds the tweeter, and acts as its waveguide.

In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion.

The coaxial nature of the midrange and tweeter make the IN-8 an acoustic point source. Off-axis lobing is thereby eliminated, resulting in a stereo soundstage that presents the listener with a hyper-realistic level of detail.

All of this means that the IN-8 is extremely accurate and easy to mix on, and that mixes made on the IN-8 will transfer wonderfully to other systems.

Imaging:

We know. We keep harping on about the "hyper-realistic" imaging of the IN-8. What does that mean?

When you listen to a stereo set of speakers, you're hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording.

Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you "see" each element of the mix in front of you, so you can hear exactly what happens when you make changes.

2-way systems with good waveguides, like Kali's LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you're not hearing the full stereo picture.

The IN-8 solves this problem. The tweeter and midrange share an acoustic centre, and the woofer is crossed over at 330 Hz, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that the IN-8 is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You're hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that's present in the mix.

Clarity:

The IN-8's total harmonic distortion is less than 1.4%, which is exceptional. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work. The woofer is crossed over at 330 Hz, a full 2.5 octaves lower than on the LP-8.

The tweeter is crossed over at 3000 Hz, nearly an octave higher than on the LP-8. Taking up the space in between in the hero of the IN-8 system: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter.

It also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-8 is limited to less than 1 millimetre peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter.
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MRP:$475.45 SAVE 29%
 8 in stock $337.58
Industrial Music Electronics Bionic Lester Mark III Dual Digital Filter, VCA, Overdrive & Distortion Module
Notes: Incredibly powerful two-channel filter module capable of much more than just filtering. State-variable digital filters with built-in VCAs designed to overdrive beautifully. Sounds great.

Supplier's notes:
BIONIC LESTER MARK III is a 2-channel 2-pole state-variable digital filter with an unusual amount of good sonic character. The filter mode is continuously variable under manual or CV control, smoothly fading from lowpass to bandpass to highpass to notch to allpass with a single motion. The resonance stops just short of self-oscillation. A digital VCA controls the amplitude and the distortion of the input signal pre-filter. The filters have independent inputs and outputs, and an additional Mix output with balance control. The filter design was initially inspired by the best of late-1990s "virtual analog" filters and has gone far beyond.

The audio input controls have dual behavior. When the control (or CV input) is turned from zero position to the center, it operates as a simple gain control for that input. When turned past the center position towards the maximum, the signal will begin to soft-clip, adding hard clipping as the maximum is approached. This smooth and subtle distortion adds violence to otherwise unremarkable input material, generating additional harmonic content for the filter to process. The digital VCA that controls the gain and distortion functions is aware of the input signal's zero crossing, eliminating "clicking" noises when the gain is modulated.

Each filter section has three CV inputs. The first is a high-speed input hardwired to the filter's cutoff frequency, appropriate for snappy envelopes and slow moving voltages alike. The other two inputs (one with attenuverter control) are freely assignable to any of the filter parameters (cutoff, resonance, mode, gain), storable in a preset. The Mark III preset system stores eight fully programmed panel setups, instantly recalling everything under the harshest demands of performance. The Morph mode allows smooth fading between all of these presets.

Activate Filter B's LINK control for patch-free routing of the filter's control or audio signal. You can achieve dual-peak resonance, cable-free series routing, cascaded 4-pole filtering (with two stages of distortion), and full stereo using only one set of filter controls. The input normalization, LINK settings, and parallel mix output further reduce cable clutter while rapidly patching an elaborate signal flow.

The controls are arranged for maximum tweakability and minimum cable interference, with metal-shaft potentiometers attached to the panel on the large knobs. The Mark III OLED display displays the cutoff frequency in Hertz, resonance amount, and filter type morph. The CV inputs process all input voltages between -10 to +10 volts. Panel size is 15HP.
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 1 in stock $433.11
OTO Machines BAM Space Generator Stereo Reverb Unit OTO Machines BAM Space Generator Stereo Reverb Unit OTO Machines BAM Space Generator Stereo Reverb Unit
Cat: 763273 Rel: 08 Jun 20 • View all Effects units
 
stereo reverb processor
Notes: BAM is a stereo reverb processor inspired by the late 70s / early 80s digital reverberator units.These units are sought after by sound engineers, producers and musicians for their grainy, warm and musical reverberations.

The audio signal was severely high-cut filtered (10 kHz was standard at that time) because of the limited sample clock. Some units used 12 bit gain stepping converters to achieve a 15 bit resolution and others used the first 16 bit converters. Then the samples were digitally processed through a 16 to 20 bit fixed-point CPU with limited memory. The algorithms had to be simple but efficient to create the most musical and versatile reverberation from these limitations. And the hardware itself added grain and warmness to the sound.

The technology used in BAM is very close to the one used in these early digital reverberator units : 16 bit converters, 20 bit fixed-point processing, analog filtering and even an input transformer transient simulator. Some of the 7 reverb algorithms are influenced by the early structures, and some are brand new.

BAM is a very musical and unique reverb processor. It combines the sound quality of a vintage reverb processor with the playability of a desktop effect in a compact format with MIDI control and 36 user presets.
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 8 in stock $497.16
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Empress Effects Reverb Pedal Empress Effects Reverb Pedal Empress Effects Reverb Pedal Empress Effects Reverb Pedal
Cat: 783099 Rel: 10 Sep 20 • View all Effects pedals
 
Reverb pedal
Notes: Realistic simulations of spaces, as well as never-before-heard surreal ambiances are represented with stunning sound quality. Sporting stereo ins and outs, a small footprint and all the controls at your finger-tips, it strikes the perfect balance of control and ease of use, avoiding laborious menus. Presets, the versatile control port, and MIDI open up a world of possibilities for live performances. Whether you're looking for a classic spring, realistic room or new sonic flavors to expand your creativity, this pedal delivers. And....it's got a beer mode!

The pedal has 12 algorithm types, some include multiple variations. For example, vintage and studio plate, dark and bright springs. Also, as more algorithms get added you can update your pedal via the SD Card. It's the pedal that keeps on giving.

Pristine sounding classic hall, plate, spring and room sounds that rival or surpass studio units costing many times more.

A complete palette of tweak-able ambient sounds that offer the creative player so much territory to explore and make their own.

All the algorithm controls are sitting on a knob in front of you, no fiddling through laborious menus.

Many algorithms have infinite hold settings or the ability to tap in delay time.

Features a signal to noise ratio of >104dB and maintains an analog dry path.

Settings can be saved to 35 presets. With three stomp switches, accessing the presets is easy.

Bank style or scrolling style preset modes.

It can be configured to run with true bypass or buffered bypass if you want to hear trails.

3 variations to choose from, perfect for recording, practicing or for gigs without an amp.

Get hum-free operation when operating in stereo with two amps. Output 2 is isolated with a transformer to eliminate nasty ground loops.

48kHz sampling, with 24 bit conversion and 32 bit internal processing.

Dry signal is left untouched, and blended with the wet signal using VCA. (no zipper noise, hooray!)

The Universal Control Port allows you to connect an expression pedal, external tap switch, control voltage, external audio input and MIDI - all using a standard 1/4" jack!

The Advanced configuration menu lets you configure how your reverb works. Select from true or buffered bypass, 0-35 presets, MIDI configuration, Control port control(expression pedal, external tap, control voltage and MIDI) as well as which style of preset system to use, input signal pad, output transformer enable and more!

The enclosure measures approximately 5.7" by 3.75" by 1.75", which is delightfully small when considering all the features packed into this unit.
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MRP:$599.20 SAVE 20%
 1 in stock $481.95
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1999 (remastered) (Super Deluxe Edition)
1999 (remastered) (Super Deluxe Edition) (180 gram vinyl 10xLP box set + DVD + book + MP3 download code in slip case)
Cat: 060349 7850051. Rel: 29 Nov 19
Funk
  1. 1999 (LP 1: original album remastered) (6:19)
  2. Little Red Corvette (4:59)
  3. Delirious (4:06)
  4. Let's Pretend We're Married (7:21)
  5. DMSR (8:21)
  6. Automatic (LP 2: original album remastered) (9:24)
  7. Something In The Water (Does Not Compute) (4:03)
  8. Free (4:55)
  9. Lady Cab Driver (7:55)
  10. All The Critics Love U In New York (6:11)
  11. International Lover (6:39)
  12. 1999 (LP 3: Promo mixes & B-sides remastered - 7" Stereo edit) (3:36)
  13. 1999 (7" mono Promo-only edit) (3:37)
  14. Free (Promo-only edit) (4:30)
  15. How Come U Don't Call Me Anymore ("1999" B-side) (3:43)
  16. Little Red Corvette (7" edit) (3:08)
  17. All The Critics Love U In New York (7" edit) (3:13)
  18. Lady Cab Driver (7" edit) (5:05)
  19. Little Red Corvette (dance remix Promo-only edit) (4:33)
  20. Little Red Corvette (Special dance mix) (8:28)
  21. Delirious (LP 4: Promo mixes & B-sides remastered - 7" edit) (2:41)
  22. Horny Toad ("Delirious" B-side) (2:11)
  23. Automatic (7" edit) (3:40)
  24. Automatic (video version) (8:22)
  25. Let's Pretend We're Married (7" edit) (3:44)
  26. Let's Pretend We're Married (7" mono Promo-only edit) (3:44)
  27. Irresistible Bitch (Let's Pretend We're Married B-side) (4:07)
  28. Let's Pretend We're Married (video version) (4:03)
  29. DMSR (edit) (5:06)
  30. Feel U Up (LP 5: Vault tracks) (6:41)
  31. Irresistible Bitch (4:40)
  32. Money Don't Grow On Trees (4:21)
  33. Vagina (3:27)
  34. Rearrange (6:15)
  35. Bold Generation (5:52)
  36. Colleen (5:20)
  37. International Lover (LP 6: Vault tracks - take 1 - live In Studio) (7:19)
  38. Turn It Up (5:26)
  39. You're All I Want (2:54)
  40. Something In The Water (Does Not Compute) (3:59)
  41. If It'll Make U Happy (4:16)
  42. How Come U Don't Call Me Anymore? (take 2) (6:13)
  43. Possessed (LP 7: Vault tracks - 1982 version) (8:49)
  44. Delirious (Full-length) (5:58)
  45. Purple Music (10:55)
  46. Yah, You Know (3:10)
  47. Moonbeam Levels (2019 Remaster) (4:03)
  48. No Call U (LP 8: Vault tracks) (4:30)
  49. Can't Stop This Feeling I Got (2:40)
  50. Do Yourself A Favour (8:56)
  51. Don't Let Him Fool Ya (4:37)
  52. Teacher, Teacher (3:37)
  53. Lady Cab Driver/I Wanna Be Your Lover/Head/Little Red Corvette (Tour demo) (7:02)
  54. Controversy (LP 9: live In Detroit 11/30/82) (5:34)
  55. Let's Work (5:32)
  56. Little Red Corvette (4:11)
  57. Do Me, Baby (7:24)
  58. Head (6:44)
  59. Uptown (2:37)
  60. Interlude (0:26)
  61. How Come U Don't Call Me Anymore? (6:40)
  62. Automatic (LP 10: live In Detroit 11/30/82) (6:49)
  63. International Lover (8:41)
  64. 1999 (9:58)
  65. DMSR (7:52)
  66. Live In Houston 12/29/82 (DVD)
 in stock $309.35
Korg Minilogue Polyphonic Analog Synthesiser Korg Minilogue Polyphonic Analog Synthesiser Korg Minilogue Polyphonic Analog Synthesiser Korg Minilogue Polyphonic Analog Synthesiser Korg Minilogue Polyphonic Analog Synthesiser
Cat: 598443 Rel: 29 Jan 16 • View all Synthesisers
 
Polyphonic analog synthesiser
Notes: Killer value for money here. Korg's budget synth brings proper analogue polyphony to a crazy price point. Amazingly versatile with sound to match synths two or three times the price.

Supplier's notes:
Meet minilogue; the stylish, innovative, 37 slim-key fully programmable analog polyphonic synthesizer:
minilogue's newly developed analog synthesizer circuit delivers polyphony and full programmability at a great price --- exactly what today's musician needs. With the minilogue, you can get your hands on the powerful sound that's only possible with real analog, and find inspiration with features including a polyphonic step and motion sequencer, on board tape-style delay, multiple sound shaping and filter options, and an oscilloscope display. All of these seamlessly integrated features make minilogue as fun and easy to use as it is powerful. It's the next-generation analog synthesizer for musicians of all types.

True analog sound:
The synth circuits for minilogue are all new ground up designs, delivering a synthesizer experience like no other. Unprecedented in this class, it's a four-voice polyphonic true-analog synth with an interface that's designed for accessibility. Whether you're performing live or producing in the studio, the minilogue is the fastest way for the user to explore and implement real analog synthesis in any situation.
The structure consists of 2VCO, 1VCF, 2EG, 1VCA, and 1LFO. The minilogue's unique wave shape capability lets you fine tune the oscillators' harmonics, creating the most divine sounds and compositions. The minilogue is also equipped with a variety of powerful types of modulation including cross modulation, oscillator sync, and ring modulator, as well as a delay with a high-pass filter. Powerful sound creation and rich variety are the true hallmarks of an analog synthesizer.

Polyphony and Presets - Perfect:
minilogue goes beyond analog synths in its price range by adding 200 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep pads to brilliant polyphonic leads and atmospheric sounds. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. For those who want to dive deeper into the heart and soul of minilogue's engine, the minilogue hold 200 programs; with 100 editable factory programs included, and 100 locations serving as blank canvases on which to create your next analog masterpiece. Each preset can also hold a step sequence and delay settings along with the sounds you create.

Voice modes:
Selectable voice modes let you freely configure the four voices for performance. The voices can be set to four note polyphony for chords or layered for thick basses and leads. Other modes cover a range of sounds from octave shifted bass explosions to delicately staggered layered triggering.

Eight voice modes:
- POLY - operates as a four-voice polyphonic synthesizer
- DUO - operates as a unison two-voice polyphonic synthesizer
- UNISON - operates as an all-unison mono synthesizer
- MONO - operates as a mono synth with sub-oscillator
- CHORD - produces chords
- DELAY - voices 2--4 sound consecutively at a delay following voice 1
- ARP - an arpeggiator operates with up to four voices
- SIDE CHAIN - when a note sounds, the volume of the preceding voice is lowered

16-step sequencer:
Get creative with the intuitive 16-step sequencer with motion sequence recording capabilities, and make your sound truly come to life. The minilogue provides real-time recording with overdubbing, and step recording that lets you record simply by consecutively specifying notes, giving you a great way to create phrases and performances.

Oscilloscope visualizes the sound:
The OLED display will show the waveform as you sculpt your sound. Visual feedback is both educational and entertaining, and represents a first on a hardware synthesizer.

Build quality:
The uniquely curved, sand-blasted 2mm aluminum front panel, metal shaft potentiometers, solid, chassis-mounted metal shaft potentiometers and rubber-coated knobs give the roadworthy minilogue a standout look and feel to complement its powerful and dynamic sound creation capabilities.

Sync with groove machine:
In addition to the standard MIDI connectors, the minilogue provides a sync connector that can be easily connected to Korg's groove machines. Connect this to a volca series unit, an electribe, or the SQ-1, and experience a session with synchronized sequencer playback.
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 4 in stock $416.43
Native Instruments Komplete Kontrol S49 MK2 Smart Keyboard Controller Native Instruments Komplete Kontrol S49 MK2 Smart Keyboard Controller Native Instruments Komplete Kontrol S49 MK2 Smart Keyboard Controller Native Instruments Komplete Kontrol S49 MK2 Smart Keyboard Controller
Cat: 662255 Rel: 29 Sep 17 • View all MIDI keyboards
 
Intuitive 49-note MIDI keyboard controller featuring pro-grade Fatar keybed with aftertouch
Notes: Updated mid-sized version of NI's controller keyboard, ideal for the brand's own plugins but also compatible with third-party software thanks to the NKS protocol.

Supplier's notes:
With the latest generation of KOMPLETE KONTROL, music-making becomes a more intuitive, hands-on experience. Perform expressively, browse and preview sounds, tweak parameters, sketch your ideas, then navigate and mix your project - all from one fully integrated centrepiece for studio and stage.

Immersive visual feedback:
See everything you need, when you need it, where you need it: Two high-res colour screens provide essential information on sounds and projects, backlit function buttons vary in colour and intensity to indicate their state, and the precision Light Guide pinpoints the location of sounds, key zones, switches, scales, and more.

Find your sounds faster:
Finding the right sound amongst a sprawling sound library can be difficult, not to mention time consuming. Now you can find exactly what you're looking for across all KOMPLETE and Native Kontrol Standard (NKS) instruments using a simple, intuitive tagging system - directly from the hardware. What's more, you can hear an instant preview of each sound as you browse.

Need a hip hop kit? Select Drums > Urban Drum Kit > Sample-based, scroll through the presets and pick the right one for your track. If you really like what you hear, just tag it as a Favourite for instant access next time.

Pre-mapped and ready to play:
All of your KOMPLETE and NKS instruments are pre-mapped to the KOMPLETE KONTROL hardware by the people who know them best - the instrument designers themselves. All essential parameters load instantly and are displayed across the two colour displays, intuitively divided into pages. That means you can see exactly what you're adjusting in real time - whether it's in kHz, dB, or BPM.

Pro performance:
Stay-on key, with notes of the currently selected scale or mode lit on the Light Guide. Activate chord mode to create a progression by playing single keys, then switch on the arpeggiator and turn it into an expressive musical performance. And for keyboard novices, Easy Mode maps the white keys to whichever scale you like, so you'll never hit a wrong note.

Precision pitch, mod, and expression:
Get precise control of pitch and mod functions via two ergonomic, rubberized wheels. And the ultra-sensitive touch strip provides a fun, responsive alternative to plugging in a dedicated expression pedal.

Get hands-on with your workflow:
Capture all your ideas, directly from the keyboard itself: KOMPLETE KONTROL gives you immediate access to transport, mixing, and editing controls in Logic Pro X, Ableton Live, and GarageBand, complete with visual feedback and volume metering on the keyboard's built-in displays. And with MIDI in / out, incorporating outboard gear into your setup is just as simple.

Note: Advanced integration with Cubase and Nuendo will be available via a free update in late 2017.

Integration for all your instruments:
NKS means intuitive control over hundreds of instruments from leading manufacturers - including Heavyocity, Spitfire and Soniccouture. This extended plug-in format allows all developers to define the way their products integrate with NI hardware, so support for powerful features like tag-based browsing, Light Guide feedback, and pre-mapped controls now extends far beyond the KOMPLETE universe. And for VST instruments that haven't yet been updated to NKS, it's simple to create your own mappings from KOMPLETE KONTROL software.

PLEASE NOTE: Does not include PSU - only comes with USB powered connection
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MRP:$650.00 SAVE 28%
 4 in stock $465.68
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Pioneer PLX-500 Direct Drive Turntable (black) Pioneer PLX-500 Direct Drive Turntable (black) Pioneer PLX-500 Direct Drive Turntable (black)
Cat: 622118 Rel: 20 Oct 16 • View all DJ turntables
 
High quality direct drive turntable with USB interface
Notes: Killer value turntable from the DJ gear specialists at Pioneer. Based on the range-topping PLX1000 but with a slightly more basic spec. Excellent choice for home DJ setups or light club use.

Supplier's notes:
Drawing on our heritage in making high-quality decks, the PLX-500 inherits the layout of the PLX-1000 professional turntable and produces warm, clear analogue sound. The high-torque deck is ideal for scratching and comes with everything you need including a cartridge, stylus and slipmat, and its USB out means you can easily make high-quality digital recordings of your vinyl collection in our free rekordbox software. You can use the PLX-500 and the rekordbox dvs Plus Pack to play and scratch digital files when you combine them with a compatible DJM mixer and the RB-VS1-K Control Vinyl. And you can choose between the black (PLX-500-K) and white (PLX-500-W) versions to match your set-up or the design of your home.

High-quality analogue vinyl sound:
The PLX-500 series inherits design features from the PLX-1000 professional turntable to produce the high-quality sound you expect from vinyl. The shortest possible audio routing from the stylus to the outputs reduces distortion, and the phono and line outputs mean you can connect directly to your sound system or powered speakers to enjoy warm sound.

Easy digital recording:
An in-built USB output means you can record your vinyl collection to high-quality digital WAV files by simply connecting the PLX-500 to your PC or Mac. Digitising your tracks is easy using our free rekordbox application and, once they're in your rekordbox collection, you can play them using the PLX-500 and a rekordbox dvs set-up, or on a DDJ controller, or on CDJs via USB. You can also enjoy them on your mobile devices whenever you want.

Using its audio analysis technology, rekordbox detects the silence between tracks and creates a separate file in your collection for each one, so you can just press play and record a whole album from an analogue source to individual tracks without resetting the recording in between songs. After you've finished recording you can name and tag all your new tracks.

How to record your vinyl to high-quality digital files:
- Connect the PLX-500 to your computer with a USB cable.
- Open our free rekordbox application (version 4.2.1).
- Click the record button in the software and it enters Record Standby mode.
- Press play on the PLX-500. rekordbox begins recording when the music starts and ends when the track finishes. If you're recording several tracks, they will be automatically recorded separately.
- When you've finished your recording session, press stop. A window opens in rekordbox where you can enter information for each track including name and artist. The tracks then appear in your rekordbox collection and you can search for them by name, artist etc.

High-torque direct drive turntable for DJ performances and rekordbox dvs:
The high-torque, direct drive PLX-500 is ideal for mixing and scratching on. You can also combine it with the rekordbox dvs Plus Pack to play and perform with your digital files when using a compatible DJM mixer and the RB-VS1-K Control Vinyl (available separately).

Dust cover with record sleeve stand:
You can enjoy the vinyl sound of your records and their artwork at the same time thanks to the dust cover that incorporates a stand for displaying record sleeves when open.

Layout inherited from the PLX-1000 professional turntable:
The PLX-500 inherits its slick design from the professional PLX-1000 turntable and you can choose between the black (PLX-500-K) and white (PLX-500-W) versions to match the colour of your gear or the interior of your home.

How to use rekordbox dvs:
Buy the RB-VS1-K Control Vinyl from a Pioneer DJ authorised dealer .Visit rekordbox.com to download the latest version of rekordbox for free, then buy rekordbox dj (€139) and rekordbox dvs (€129) licence keys. Alternatively you can subscribe to rekordbox dj for €9.90 per month and get rekordbox dvs as part of your subscription plan. Find out more about rekordbox dvs.
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