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Notes: The uniK 05+ is the result of extensive development work performed in Germany, defining a new quality level in its class. With its new 5" kevlar low frequency driver and a new custom engineered and powerful high frequency magnetostatic tweeter, the uniK 05+ offers many improvements over our successful uniK 05 and will easily become an important part of your studio setup with its clear and strong sound image.

What makes uniK 05+ unique?

The uniK 05+ studio monitor offers true full range quality with extended low end in a small case and an entirely new signal processing and amplifier unit with a perfect order low-z and low noise design. Mos-Fet Bi-amplification ensures a high slew-rate and fast setting, featuring true analog vintage sound processing with LC-like gyrator technology for a stressless and silky sound.

A completely new feature is the unique one knob sound character adjustment from smooth to bright, allowing you to change parameters for every room and preference. The additional high resolution High and Low switches add additional control. And of course the uniK 05+ studio monitor features a real precision gain attenuator, instead of a simple volume control.

The new design of the crossover ensures an excellent phase response and safe power limitation, driving the woofer and tweeter in phase for optimal step response. The tweeter features a newly upgraded magnetostatic design with extremely low moving mass for extended frequency and fast transient response and high sound resolution. The matching woofer consists of a kevlar composite cone with high stiffness ensuring better piston motion and excellent low-end sound reproduction.

Another new feature is the flexible rubber feet with discrete height adjustment. They are not only helpful to reduce unwanted vibrations, but also allow you to tilt the speaker towards the precise listening point - a great feature for typical near field applications.

Other new special features that are not standard in this class are standby to save power consumption (can be disabled) and a ground lift switch.

And with it's copper color woofer cone and the high quality matte cabinet finish, it looks quite uniK, too!

ROOM ADJUSTMENTS

SIDE - TILT UP

SIDE - TILT DOWN


Features
Biamp 2-Way Powered Speaker System
Active Studio Monitor Speaker
HF Driver: extremely low mass magnetostactic tweeter F49 x 26 mm
LF Driver: 5" kevlar curved cone (magnetic shielding type)
Output Power: 80W (HF: 40W, LF: 40W), 110W AC consumption power
Frequency Response: 49Hz - 25kHz
Input Impedance: 27.2kOhm (balanced) / 13.6kOhm (unbalanced)
Crossover Point: 3.2kHz
SPL: 101dB, Peak 104dB
Input Connectors: XLR / TRS 1/4" combo connector, balanced / unbalanced
Gain Control: -14 .. 0dB .. +14
Room Adjustments Control: Character: -6 .. 0dB .. +6; Low: -5 .. 0dB .. +5; High: -5 .. 0dB .. +5
Rear Bass-Reflex ventilation, optimized for near field application
Ground lift switch
Standby function, can be turned on and off
Indicator: multi color LED on front panel, power on orange, standby red
Feet: 4 pieces rubberized, adjustable height separately
Working Voltage: AC100-240V 50/60Hz
Dimensions (W x H x D): 190 x 265 x 210mm
Weight: 4.4 kg

Notes: The J44 models are JICO CUSTOM SHOP brand alternate replacements for the iconic SHURE M44 cartridges. JICO has two products available on the market: the J44A 7 and the J44D. The J44D is designed to be a replacement for the SHURE M44G, while the J44A 7 is designed to be a replacement for the SHURE M447. The JICO J44 models are made to be as close to the actual SHURE M44 cartridges in terms of output performance.

The J44D and the J44A 7 are the same exact cartridge, just as the original SHURE M44G and M447 cartridges. The difference in the sound reproduction is created by the stylus that is used with the cartridge, which produces the distinct sound that is reproduced in conjunction with the J44 cartridges from JICO.

The N-44G stylus that is included with the J44D offers a thicker bass sound than the N-44-7 stylus that is included with the J44A 7, which gives a brighter sound-the same difference as with the SHURE 44 cartridges.

JICO has followed the structure of the SHURE products to release the alternative replacement. Not only the sound output is as close to the SHURE M44 cartridge models but the tracking ability of the J44 performs the same with sticking to a record groove with high jump/skip resistance and low wear.

The JICO J44D offers a vibrant high-definition sound, with a detailed deep warm thickness to the bass. This produces a well-balanced and solid sound. The J44D generates a broad, smooth sound with a musical audio response and 3D audio image, similar to the specification of the genuine Shure M44G cartridge.

Cartridge: J44D
Cartridge Type: Moving Magnet
Stylus: N44G Improved Nude
Stylus Type: Nude Conical (Spherical)
Tip Size: 0.7 mil
Cantilever: JICO S-Type Aluminium
Weight: 5.6 g
Height: 16 mm
Output Voltage: 6 mV
Frequency Range: 20Hz-20kHz
Recommended Load: 47 kO
Direct Current Resistance: 800 O
Compliance: L8.5 / V7.8
Stereo Channel Balance: 1.5 or below
Channel Separation (at 1kHz): 20 db
Tone Arm Mount: 1/2 inch standard mount
Tracking Force: 0.75 - 1.5 g
Glow in the Dark: False
Use: Listening / Playback

Notes: The J44 models are JICO CUSTOM SHOP brand alternate replacements for the iconic SHURE M44 cartridges. JICO has two products available on the market: the J44A 7 and the J44D. The J44D is designed to be a replacement for the SHURE M44G, while the J44A 7 is designed to be a replacement for the SHURE M447. The JICO J44 models are made to be as close to the actual SHURE M44 cartridges in terms of output performance.

The J44D and the J44A 7 are the same exact cartridge, just as the original SHURE M44G and M447 cartridges. The difference in the sound reproduction is created by the stylus that is used with the cartridge, which produces the distinct sound that is reproduced in conjunction with the J44 cartridges from JICO.

The N-44G stylus that is included with the J44D offers a thicker bass sound than the N-44-7 stylus that is included with the J44A 7, which gives a brighter sound-the same difference as with the SHURE 44 cartridges.

JICO has followed the structure of the SHURE products to release the alternative replacement. Not only the sound output is as close to the SHURE M44 cartridge models but the tracking ability of the J44 performs the same with sticking to a record groove with high jump/skip resistance and low wear.

The JICO J44D offers a vibrant high-definition sound, with a detailed deep warm thickness to the bass. This produces a well-balanced and solid sound. The J44D generates a broad, smooth sound with a musical audio response and 3D audio image, similar to the specification of the genuine Shure M44G cartridge.

Cartridge: J44D
Cartridge Type: Moving Magnet
Stylus: N44G DJ Improved Nude
Stylus Type: Nude Conical (Spherical)
Tip Size: 0.7 mil
Cantilever: JICO S-Type Aluminium
Weight: 5.6 g
Height: 16 mm
Output Voltage: 6 mV
Frequency Range: 20Hz-20kHz
Recommended Load: 47 kO
Direct Current Resistance: 800 O
Compliance: L8.5 / V7.8
Stereo Channel Balance: 1.5 or below
Channel Separation (at 1kHz): 20 db
Tone Arm Mount: 1/2 inch standard mount
Tracking Force: 3.5-4.5 g
Glow in the Dark: False
Use: DJ (scratching)

Notes: The J44 models are JICO CUSTOM SHOP brand alternate replacements for the iconic SHURE M44 cartridges. JICO has two products available on the market: the J44A 7 and the J44D. The J44D is designed to be a replacement for the SHURE M44G, while the J44A 7 is designed to be a replacement for the SHURE M447. The JICO J44 models are made to be as close to the actual SHURE M44 cartridges in terms of output performance.

The J44D and the J44A 7 are the same exact cartridge, just as the original SHURE M44G and M447 cartridges. The difference in the sound reproduction is created by the stylus that is used with the cartridge, which produces the distinct sound that is reproduced in conjunction with the J44 cartridges from JICO.

The N-44G stylus that is included with the J44D offers a thicker bass sound than the N-44-7 stylus that is included with the J44A 7, which gives a brighter sound-the same difference as with the SHURE 44 cartridges.

JICO has followed the structure of the SHURE products to release the alternative replacement. Not only the sound output is as close to the SHURE M44 cartridge models but the tracking ability of the J44 performs the same with sticking to a record groove with high jump/skip resistance and low wear.

The JICO J44D offers a vibrant high-definition sound, with a detailed deep warm thickness to the bass. This produces a well-balanced and solid sound. The J44D generates a broad, smooth sound with a musical audio response and 3D audio image, similar to the specification of the genuine Shure M44G cartridge.

Cartridge: J44D
Cartridge Type: Moving Magnet
Stylus: N44G Improved Nude
Stylus Type: Nude Conical (Spherical)
Tip Size: 0.7 mil
Cantilever: JICO S-Type Aluminium
Weight: 5.6 g
Height: 16 mm
Output Voltage: 6 mV
Frequency Range: 20Hz-20kHz
Recommended Load: 47 kO
Direct Current Resistance: 800 O
Compliance: L8.5 / V7.8
Stereo Channel Balance: 1.5 or below
Channel Separation (at 1kHz): 20 db
Tone Arm Mount: 1/2 inch standard mount
Tracking Force: 0.75 - 1.5 g
Glow in the Dark: False
Use: Listening / Playback

Notes: The J44 models are JICO CUSTOM SHOP brand alternate replacements for the iconic SHURE M44 cartridges. JICO has two products available on the market: the J44A 7 and the J44D. The J44D is designed to be a replacement for the SHURE M44G, while the J44A 7 is designed to be a replacement for the SHURE M447. The JICO J44 models are made to be as close to the actual SHURE M44 cartridges in terms of output performance.

The J44D and the J44A 7 are the same exact cartridge, just as the original SHURE M44G and M447 cartridges. The difference in the sound reproduction is created by the stylus that is used with the cartridge, which produces the distinct sound that is reproduced in conjunction with the J44 cartridges from JICO.

The N-44G stylus that is included with the J44D offers a thicker bass sound than the N-44-7 stylus that is included with the J44A 7, which gives a brighter sound-the same difference as with the SHURE 44 cartridges.

JICO has followed the structure of the SHURE products to release the alternative replacement. Not only the sound output is as close to the SHURE M44 cartridge models but the tracking ability of the J44 performs the same with sticking to a record groove with high jump/skip resistance and low wear.

The JICO J44D offers a vibrant high-definition sound, with a detailed deep warm thickness to the bass. This produces a
well-balanced and solid sound. The J44D generates a broad, smooth sound with a musical audio response and 3D audio
image, similar to the specification of the genuine Shure M44G cartridge.

Cartridge: J44D
Cartridge Type: Moving Magnet
Stylus: N44G DJ IMP Nude
Stylus Type: Nude Conical (Spherical)
Tip Size: 0.7 mil
Cantilever: JICO S-Type Aluminium
Weight: 5.6 g
Height: 16 mm
Output Voltage: 6 mV
Frequency Range: 20Hz-20kHz
Recommended Load: 47 kO
Direct Current Resistance: 800 O
Compliance: L8.5 / V7.8
Stereo Channel Balance: 1.5 or below
Channel Separation (at 1kHz): 20 db
Tone Arm Mount: 1/2 inch standard mount
Tracking Force: 3.5-4.5 g
Glow in the Dark: True
Use: DJ (scratching)

Notes: Already modern classics, the M50xs get a stylish makeover with this black and blue 'deep sea' edition. Same clear, punchy sound, comfortable design and solid build quality.

Supplier's Notes:
Pure. Professional. Performance.

As the most critically acclaimed model in the M-Series line, the Audio-Technica ATH-M50x Professional Studio Monitor Headphones feature 45 mm large-aperture drivers with copper-clad aluminum wire voice coils, plush sound isolation pads, and an over-ear design. The ATH-M50x provides an unmatched experience for those looking for studio quality headphones at an affordable price. The ATH-M50x delivers accurate audio and deep bass response, making the portable closed-back headphones perfect for long sessions in the recording studio and on the go.

The Choice of Top Engineers and Audio Pros

Engineers and pro audio reviewers agree: the M50x is the choice for pure professional performance.

Coveted Sonic Signature

The way to listen - in the studio or at home. The M50x delivers exceptional clarity throughout an extended frequency range, with deep, accurate bass response.

Engaged Listening

In the studio or onstage, at home or out and about, the closed-back, over-ear design of the M50x gives you excellent passive isolation to keep out exterior noise.

Specifications

Type: Closed-back dynamic
Driver Diameter: 45mm
Frequency Response: 15 - 28,000 Hz
Maximum Input Power: 1,600 mW @ 1KHz
Sensitivity: 99 dB
Impedance: 38 ohms
Weight: 285 g (10 oz), without cable and connector
Cable Interchangeable cables: detachable 1.2 m - 3.0 m (3.9' - 9.8') coiled cable, detachable 3.0 m (9.8') straight cable and detachable 1.2 m (3.9') straight cable
Cable - Detachable Yes
Connector: Gold-plated stereo 1/8" (3.5 mm) connector with strain relief
Magnet: Neodymium
Voice Coil: CCAW (Copper-clad aluminum wire)
Folding/collapsible: Yes
Accessories Included: Protective carrying pouch, 6.3 mm (1/4") screw-on adapter

Notes: The Heart and SOL of Your Pedalboard

SOL is the ultimate solution for bringing life to a small to medium-sized pedalboard setup, especially if you are using power-hungry pedals. SOL is the smallest mains-powered switch-mode power supply we make at CIOKS (no wall-warts here) and the no-frills design plus massive power will leave you free to focus on your creative spark. Featuring the same 660mA at 9V DC per outlet and four switchable voltages on each outlet as its bigger brother CIOKS DC7, SOL is the most powerful small form-factor power supply available today with a total of 30 watts of DC power available.

Specifcations

Mains input: 100-240V AC universal
Outlet 1-5:
9V DC / 660mA or
12V DC / 500mA or
15V DC / 400mA
or 18V DC / 330mA each
Total output power: max. 30W

What's in the box

9 Flex cables included:
3 x 1030 - Type 1 - 5,5/2,1mm DC plug, centre negative, L-shape, 30cm (black)
2 x 1050 - Type 1 - 5,5/2,1mm DC plug, centre negative, L-shape, 50cm (black)
1 x 2050 - Type 2 - 5,5/2,1mm DC plug, centre positive, L-shape, 50cm (red)
1 x 4050 - Type 4 - 5,5/2,5mm DC plug, centre positive, L-shape, 50cm (green)
1 x 1035 - Split Flex type 1 - 30 & 50cm (black)
1 x 1533 - 3-way daisy chain Flex type 1, 30+30+50cm (black) Included in the box
SOL power supply
AC mains power cord (region specific)
Mounting hardware for Pedaltrain and Templeaudio boards (two screws and one hex-key)
Product manual
Flex Guide
CIOKS sticker sheet

Notes: The NU-X MG-400 builds on the success of the ground-breaking MG-300 compact multi-FX pedal, adding dual processors and delivering high-definition models and increased flexibility. Integrated effects sections include Drive, Amp Simulation, I.R cabinet simulation, Modulation, Delays & Reverbs with a host of options within each category. Audio modelling is based on the NU-X TSAC-HD algorithm, which delivers high-definition analogue circuit simulation for pro quality guitar tones. An expression pedal covers wah and swell effects amongst other possibilities. All settings can be edited onboard or via USB using the downloadable PC/Mac Quicktone software and then stored into one of 36 internal memory locations. For live or rehearsal backing, the built-in Jam function has a fully featured drum machine and phrase looper. To integrate with a DAW studio suite, the USB also functions as a high-quality audio interface, completing the studio-ready guitar rig. The main output can be stereo or mono for guitar amplifiers or D.I to studio equipment. There is an additional 3.5mm output for stereo headphones. Expanding the control surface has provided space for additional control footswitches for a smoother and more accessible live playing experience.

Specifications

Power supply: 9Vdc, 280mA pin-negative (adaptor included)
Inputs: 6.3mm jack (guitar), 3.5mm jack (aux input)
USB port: USB type-C for audio interface and PC/Mac editing
Sampling format: 48kHz, 32-bit
Frequency response: 20Hz - 20kHz (+/-1dB)
Outputs: L/Mono + R 6.3mm jack, stereo 3.5mm headphones
Latency: 1.1ms
Dynamic range: 108dB
THD: +N<0.03%
Input impedance: 470k ohms (Aux 10k ohms)
Output impedance: 1k ohm (Headphones 47 ohms)
Dimensions: 289 x 160 x 71mm
Weight: 920g

In the box

The box for this item contains:
MG-400 multi-FX pedal
9Vdc UK power adapter

Notes: This is an exact hardware replica of the Mutable Instruments Clouds.

Notes: Pro quality PA/DJ amp at a reasonable price. 3000w of power and under 10kg weight make the XGA-3000 reliable and effective.

Supplier's Notes:
Light and extremely powerful, always a low price.

Clean, reliable power in a durable 18lb enclosure. If you demand professional amplification performance, the XGA-3000 is perfect for delivering pure, consistent wattage night after night, year in and year out! This system brings 3,000 watts of Instant Peak Power making it ideal for PA systems and DJ rigs. Gemini have designed this with patented front to rear airflow technology powered by a variable speed thermal stabilizer to guarantee seamless, reliable performance every single night! The XGA-3000 offers clean, dependable power in a lightweight body at an unmatched value.

Notes: While the Western world was preoccupied with smooth and soulful Fuzz Faces and Muffs, the Orient was bubbling up with gnarly mystical fuzzes, heavily imparted with earthshaking Godzilla DNA. This very distinct era in fuzz history gave us many treasures that have been rightfully crowned fuzz legends: the Univox Super Fuzz, Ibanez Standard Fuzz, Ace Tone Fuzz Master, Shin-Ei Companion and several others.

Just like its predecessor, the SolidGoldFX 76 MKII offers up a comprehensive guided tour to the best that the Standard Fuzz and its ilk has to offer without any of the drawbacks. On face value, the improved 76 MKII gives you a multi-voiced fuzz unit that offers loads of octave-up snarl and clang, at the same time as ruthlessly pummelling your amp with hair and fangs, while the top mounted jacks and new JFET Preamp stage all helps to make the pedal easily fit into any modern setup.

Armed with a JFET input and built around a specific set of Toshiba transistors, the 76 MKII's dual Texture and Colour tone controls allow you to precisely sculpt your fuzz while the octave switch allows you to dial back the octaves and overtones for a smoother finish.

All of this translates to a surprisingly varied and delicious fuzz feast, with everything from stabby robotic clangs, synthetic soaring leads, absolutely crushing doom chords as well as more warm and enveloping drives just a single stomp away.

Topped off with silent, soft touch true bypass switching and top jacks, the 76 MKII is everything you need if you're looking for a musical yet powerful fuzz capable of levelling Tokyo! Here's to the new Standard Fuzz.

Review: The Fallout videogames depict an alternate reality in which nuclear fallout has ravaged much of the US - its real-world settings like Nevada lends the series an urgent mystery. While the latest instalment, Fallout 76, was near-universally panned by critics, that hardly detracts from its soundtrack by Inon Zur, the franchise's in-house composer from the beginning. Zur crafts a sensitive, heartfelt and scenic LP through which it becomes possible to imagine the chance of a renewed world after the apocalypse, using our ears alone.

Notes: Xer Dualis is a compact analogue four-channel stereo mixer. Each channel has left and right inputs, a level control, and a mute.

Want to use mono signals? No problem! The left inputs normal to the right ones. On the stereo pair output, XD features a simple meter and a clip indicator to keep your mix clean. Xer Dualis is a compact and performable choice whether you need a submixer for a large system or an easy way to mix all the elements of a portable case together.

Notes: An 8hp version of the retired Mutable Instruments Grids. It is an identical functional clone, so it will behave in the same was as the full size version, and will run any firmware that runs on the full size version.

Notes: Room #40

Marshall Mojo in a Box

Heavily inspired by the tone and feel of the following legendary Marshall amps: the non master volume series PLEXI Super Lead (1959/1987) & Super Bass (1992) and the master volume series JMP & JCM800 (2203/2204).

Over the years, Tsakalis have had many different types of Marshall amps on their workbench, some for repairs and others for customisation. Being huge fans of the sound of these classic amplifiers, Tsakalis decided to try and capture its mojo - the true essence of the soul of this sound - and carefully place it in a little box. Thus the Room #40 was born!

Using JFET technology, Tsakalis tried to stay loyal to the tone and feel of the following legendary Marshall amps: the non master volume series PLEXI Super Lead (1959/1987) & Super Bass (1992) and the master volume series JMP & JCM800 (2203/2204).

Tsakalis emphasized on emulating the compression and sag coming from the power amp section, when these amps are pushed to the edge, while at the same time giving access to two famous mods, mod #39 (PLEXI) and mod #34 (JMP & JCM800).

Finally, the Presence control was incorporated to make the sound adjustable to any circumstance, regardless of whether you are plugged into the front of an amp that may or may not have a bright cap or even straight to a power amp.

Product Height (cm): 5.600
Product Width (cm): 7.300
Product Depth (cm): 12.300
Product Weight (kg) 0.314

Box Height (cm): 6.500
Box Width (cm): 0.300
Box Depth (cm): 14.800
Boxed Weight (kg): 0.385

Notes: Experience - Fuzz Octave

Experience is a unique Fuzz & Octave up pedal that was designed to revive the sounds of the 60's and 70's with a modern touch.

It features 2 stand-alone channels in series (fuzz and octave) which can be used individually or together, offering a wide range of dirty goodness!

The Octave channel produces a classic and easy to manipulate octave up effect, sitar & harmonica like sounds, enhancing your tone with ringing octaves and micro-phonic feedback at the end of every note. It features separate volume and tone controls for a wide range of colours.

The fuzz channel is based on the Jordan Boss Tone fuzz circuit and is capable of producing a wide range of tones. From mild and creamy overdrive and classic fuzzy tones, all the way to heavily distorted goodness with sub octaves, similar to trombone and analogue synth! It is equipped with 2 vintage silicon transistors with FET clipping for richness and detail and four controls (gain, volume, tone and damage) with which you can adjust the type of distortion.

Combining the 2 channels is where the real Experience begins! Create your signature sound exploring the Experience's endless tonal capabilities!

Unleash your creativity and let the Experience do the rest...

Product Height (cm): 5.400
Product Width (cm): 10.200
Product Depth (cm): 12.400
Product Weight (kg): 0.360

Box Height (cm): 6.000
Box Width (cm): 1.000
Box Depth (cm): 14.800
Boxed Weight (kg): 0.445

Notes: Galactic - Multi Modulation

With the Galactic, Tsakalis wanted to create a unique modulation pedal which, lets you combine effects and blend them in a way that brings new textures to your sonic arsenal and creates potential for exploration!

The Galactic has five basic modulation effects - Phaser, Univibe, Vibrato, Rotary Speaker and Flanger - and made it possible for you to use them separately or in pairs, blending them together via a Blend control creating interesting effects from 3D chorus to many other spacey and yet to be named soundscapes. Find your sweet spot for each pair and discover an unexplored Galaxy of sounds and inspiration!

Three expression input jacks let you control the Speed and Depth of the effects, as well as how you choose to Blend them, making your live performance easier and letting you experiment even on stage!

Use the Galactic modulation to enrich your music with the sounds of the unknown!

Product Height (cm): 5.200
Product Width (cm): 12.700
Product Depth (cm): 9.900
Product Weight (kg): 0.369

Box Height (cm): 6.000
Box Width (cm): 1.000
Box Depth (cm): 14.800
Boxed Weight (kg): 0.448

Review: This triple pack box set from Craft Recordings takes a look at legendary jazz saxophonist Sonny Rollins and his run for Lester Koenig's revered Los Angeles label Go West. As well as presenting seminal albums Way Out West and Sonny Rollins and the Contemporary Leaders in full, this collection also presents six additional alternative takes from both album sessions, allowing listeners to hear the development of such iconic recordings as 'Come, Gone'. With additional liner notes from noted music historian Ashley Kahn and an interview with Rollins from 2021, this is an authoritative look at a true legend in the legacy of jazz.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The Germanium Filter is Death By Audio's love letter to sticking a pencil in your speaker.

Start with a console-style drive circuit, add in a dash of obsolete germanium transistors and finish it off with a super intense DBA-style filter - BLAMO! You've got a sound heavy enough to crush on and sharp enough to slice a tomato.

The Filter control is extremely unconventional - it'll take you from bottomless, sub-woofered out lows to super searing and brittle highs, with a universe of tone in between. The Germanium Filter will help you find the sweet spot for your instrument in any situation - at a show, in the studio, or even stranded on the side of the highway after your tour van catches fire - hey, it happens!

The Gain knob starts with a dirty boost that then spans through saturated drive, spitting distortion, and a blistering fuzz tone. Get ready for your sound to be cranked up to infinity-and-a-half and captured on tape by the most incredible recording engineer you've ever heard - only there's no engineer and no studio. Just you, your guitar, your amp and the Germanium Filter.

Controls

Filter: Controls the frequency response of the pedal, featuring huge low end, scooped mids, and sharp, piercing highs.

Gain: Sweeps from mild overdrive to blasted-out fuzz. Very interactive with your guitar's volume control.

Volume (internal): Controls the overall output level of the pedal.

Specifications

Dimensions: 5" x 2.5" x 2.25" (including hardware).

Weight: 10.6 oz

Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).

Current Draw: 5 mA.

Notes: Profile Streaming Set

USB-C microphone with cardioid condenser capsule, integrated features, and boom arm for enhanced Podcasting and Streaming applications.

The Profile USB Microphone is where performance meets accessibility. Featuring a cardioid condenser capsule, this USB-C powered microphone puts audio quality and design above all else.

Created for Podcasting and Streaming, the Profile has three fundamental controls; Gain Control to adjust the level of the microphone, Mix Control to balance the microphone with your device audio, and Volume Control to set your head phone monitoring level.

The Profile features an adjustable tilt function with a self-locking joint so you can aim the mic directly towards the sound source. Depending on your needs, the Profile includes either a table stand for compact convenience or a boom arm for optimal positioning.

Plug-and-play simplicity

Setting up a podcast session or live stream can be overwhelming but capturing pristine audio doesn't have to be. With the Profile, one simple connection is all you need to achieve the sound you're looking for. Powered by USB-C, the Profile puts audio quality and ease-of-use first without the need for an interface or complex software. Your device will automatically recognize the Profile, truly making it a plug-and-play experience.

The sound you're looking for

If you're just getting started or you're a seasoned pro looking to simplify your setup, the Profile delivers a natural, warm sound that accentuates the body and presence of the human voice. Built around a German engineered capsule, this cardioid condenser microphone provides a sound that will impress both you and your audience, right out of the box. And to ensure you're getting the best sound the multi-function LED ring turns from green to orange to indicate when your signal is too hot.

Control at your fingertips

Software has its place... but the ability to control your sound with the twist of a dial makes all the difference when you're in the moment. Gain Control allows you to adjust the sensitivity of the microphone, effectively setting the level for your session. Mix Control allows you to balance the levels between your microphone and your device audio so you can monitor what matters to you. The dedicated Volume Control gives you quick access to easily adjust your headphone level while a soft-touch mute button allows you to silence your microphone discreetly.

Form and function

Quality audio is all about microphone placement. The Profile Streaming Set features a boom arm with a sleek and modern design, ideal for on-camera applications. Integrated cable management and an included 3 m USB-C cable provide flexibility with positioning and help to remove clutter from your workspace. For best results, place the Profile within 15 cm (6 in) of the sound source to ensure clarity and warmth in your sound.

Features

Powered by USB-C (macOS/iPadOS/Windows/Android)
Adjustable tilt function (self-locking joint for optimal positioning)
Mute button (with LED ring to indicate when engaged)
Gain control (with LED ring to indicate power and audio clipping)
Mix control (for balancing microphone and device level)
3.5 mm headphone output (for audio monitoring)
Headphone volume control (for adjusting the volume of the headphone)
Cardioid capsule (for off-axis rejection of sound)
Robust metal housing and premium finish
3-point self-locking boom arm (with cable management and adjustable desk clamp)


Delivery includes

Profile USB Microphone
Boom Arm
USB-C Cable (3 m)
Mic pouch
Quick guide
Safety Guide with manufacturer's declarations

System requirements

Windows: 10.0 or later
macOS: 10.15 or later
Android: 9.0 or later
iPadOS*: 14 or later
(* Compatible with USB-C enabled Apple devices)

Specifications

Overall device

Operating temperature: 0 -C to +40 -C (32 -F to 104 -F)
Storage: -20 -C to +70 -C (-4 -F to 158 -F)
10 to 95 %, non-condensing
Dimensions Microphone: O 50 x 152 mm
Boom arm: 780 mm (horizontal reach)
Connectors: USB Type-C (USB 2.0 Full-Speed), 3.5 mm TRS
Cable length 3 m (Profile Streaming Set)
Power supply: 5 V $, max. 200 mA

Weight

Microphone: 350 g
Boom arm: 820 g

Microphone
Transducer principle: Pre-polarized condenser microphone
Pick-up pattern: Cardioid
Sensitivity at max. gain
Sensitivity at min. gain
-10 dBFS at 80 dB SPL
-50 dBFS at 80 dB SPL
Max SPL
Min. gain
Max. gain
125 dB SPL
85 dB SPL
Frequency range: 20 to 20,000 Hz
Equivalent noise level
Min. gain
Max. gain
34 dB(A) SPL
28 dB(A) SPL
Sampling rates 44.1, 48 kHz
Sampling resolution 16, 24 Bit

Headphone output

Connector 3.5 mm TRS
Min. output impedance 16 O
Frequency range: 20 to 18,500 Hz
OS Interoperability
Windows 10.0 or higher
macOS 10.15 or higher
Android 9.0 or higher
iPadOS * 14 or higher (* Compatible with USB-C enabled Apple devices)

Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


This has two LFOs, each with variable waveshape from Saw to Triangle to Ramp waveforms, or variable Pulse width on the Square wave output. LFO 1 has the addition of a low range and a Sync input. The nominal maximum frequency of the LFOs when in Triangle shape is 20Hz, but under certain combinations of settings they will go much higher, well into audio range.

Also included is a DC coupled VCA, the input of the VCA is normalised to the output of LFO 2, so a 0 to +5V input to the VCA CV input gives control of the LFO waveform amplitude. It can also be used as a stand alone VCA.

This module is very useful for controllers such as the Waldorf KB37 where the modulation wheel gives out 0 to +5V, this can be routed to the VCA CV module so the level of the modulation waveform can be easily controlled. This makes it very easy to add VCO vibrato or filter 'wah' with control of modulation amount from the modulation wheel or other controller.

Notes: Great value from this compact eight-channel mixer featuring built-in Alesis effects. Bluetooth and USB in/out give added versatility, allowing you to mix just about any sound source.

Supplier's Notes:
Easy-to-Use Analogue Audio Mixing with Built-in Effects from Alesis

The Alto Professional TrueMix 800 FX is a portable audio mixer with built-in DSP effects that delivers all the essential features you need for home recording, livestreaming, podcasting, or performing. The TrueMix 800 FX features 16 effects including chorus, flange and an assortment of high-quality delays and reverbs. There's also a convenient Bluetooth channel for easily streaming from your personal devices. A unique feature to the TrueMix Series, the Bluetooth channel also supports feedback-free phone pairing by utilizing mix-minus technology. There are eight analogue inputs with high-headroom circuitry for minimal noise and clipping in your signal. The four Mic Input Channels offer XLR inputs that are great for connecting dynamic mics or condenser mics with 48v phantom power. These channels also have balanced 14" line inputs for connecting instruments and other line-level signals. There are also two Stereo Input Channels, each with dual balanced 14" TRS inputs. These inputs are perfect for your line level audio sources. All channels feature a two-band EQ with colour coded knobs that make it easy to dial in your perfect sound while operating in low-light situations. There are even extra knob caps included so you can fully customize the look of your TrueMix 800 FX. Connecting the TrueMix 800 FX to your computer is also lightning fast, with plug and play connectivity on Windows and macOS. The TrueMix 800 FX is a feature-packed compact audio mixer that's perfect for using on-the-go.

Flexible Output Routing

Whether you're recording a podcast, livestreaming online, or making music at home, being able to hear yourself and easily route audio is essential. The TrueMix 800 FX features a variety of output and routing options to handle any scenario. There are four headphone outputs, each with their own volume control knob. If you need to send your audio signals to another destination like an external monitor or effects unit, each channel is equipped with a send knob so you can always dial in the perfect mix. For recording, the USB output sends a copy of the main outputs to your computer, or you can connect the 2-Track in/out to an external recorder which can also be sent directly to the headphones. The TrueMix 800 FX delivers everything you need to take full control of your audio routing in any situation.

Product Features:

TrueMix 800 FX Features
USB I/O for audio playback and stereo recording
Dedicated bluetooth channel with mix-minus return for feedback-free phone pairing
Four headphone outputs with independent volume control
16 built-in Alesis multi-fx with dedicated return channel
1/4" Main, Tape, and AUX outputs
Four mic input channels with phantom power and balanced line inputs
Two stereo input channels with balanced 1/4" TRS jacks
Two-band EQ on all channels
2-track inputs w/ assignable routing: main mix or headphone out
Eight-segment LED VU meter for precise level monitoring
Extra knob caps included in the box for added customization

Technical Specifications

Frequency Response All inputs: 20 Hz - 22 kHz (i1 dB)

THD+N (Total Harmonic Distortion)
All inputs: < 0.005% (@ 4 dBu, 1 kHz)

Gain Range Mic inputs (Channels 1-2): 0 - 50 dB Line inputs (Channels 1-2): 15 dBu - 35 dBu Line inputs (Channels 3-6): -20 dBu - +20 dBu

Max Voltage Gain
70 dB (MIC INPUT to MAIN MIX OUTPUT)
80 dB (MIC INPUT to CTRL ROOM / PHONES OUPTUT)
60 dB (MIC INPUT to MON SEND)

SNR (Signal-to-Noise ratio)
All inputs: > 110 dBu

Crossover Frequency
Adjacent inputs: < -80 dB @ 1 kHz
Inputs to outputs: < -75 dB @ 1 kHz (stereo L/R, Channels 1-2, panned hard left or right)

Phantom Power: +45 ~ +49V with switch control

Impedance
Mic inputs: 3.9 kO
All other inputs: > 10 kO
Aux outputs: 1 kO
All outputs: 120 O

Equalization High:
+/-15 dB @ 12 kHz
Low: +/-15 dB @ 80 Hz

Bluetooth
Profile: A2DP
Module: Bluetooth 5.0
Operating Frequency: 2402 MHz - 2480 MHz
Range: 100 ft. / 30.5 m

Connectors
(6) 1/4" (6.35 mm) TRS outputs
(6) 1/4" (6.35 mm) TRS stereo L/R inputs
(4) 1/4" (6.35 mm) TRS headphone outputs
(4) 1/4" (6.35 mm) TRS mono inputs
(1) Standard RCA L/R input
(1) Standard RCA L/R output
(4) XLR inputs
(1) USB type-B input
(1) DC power input

Controls
(1) Power switch
(15) volume control knobs (1 per input, 1 return, 1 EFX return, 1 2-track/USB in, 4 headphone outs, 1 Bluetooth, 1 main)
(6) Stereo pan control knobs (1 per input)

(6) Mon volume control knobs (1 per input)
(6) EQ Low control knobs (1 per input)
(6) EQ Hi control knobs (1 per input)
(6) Gain control knobs (1 per input)
(4) Buttons (1-EFX mute, 1 Bluetooth, 2 Source Select)
(1) Horizontal sliding switch

Indicators
(1) Power LE
(6) Peak LEDs
(1) Phantom LED
(16) Main Out Meter LEDs
(1) Bluetooth LED

Power Connection: DC Voltage: 18V, 1.2A Consumption: 18W

Notes: The BETA-V from SolidGoldFX is a Bass Preamp pedal that kicks! This latest incarnation of SGFX's top selling Beta Series is designed to capture the warmth and grit of favorite vintage tube amps. You know, that distinctive drive and tone that seems to be lacking from much of today's modern bass amplification.

Yes, we all know the convenience of a lightweight "sub 10 lbs" bass head that pumps out 500 watts and a neo cab that doesn't require a roadie crew or chiropractor is great, but there is something extremely satisfying in the way that big, old Ampeg-style tube setups compress, clip and round out your signal. However, with the BETA-V you can finally have the best of both worlds - bone-shaking mojo-packed dirt, all wrapped up in modern and easy to use convenience.

Solid Gold FX's classic Beta bass architecture has been reworked and expanded, delivering a wider range of tones. The low-pass filter now has 2 settings for bumped or scooped-mids as well as a centre bypass setting for a more transparent experience. Plus, the Drive control has been reworked for lower gain applications or hotter basses.

Most importantly, the BETA-V sports an active 2-band post gain EQ allowing you to boost or cut your highs and lows with a flat response in the centre. Dialling in anything from punchy overdriven Lemmy tones to the fattest, deepest soul shaking dub is only a few knob twists away. Complete with top-mounted jacks, soft touch true bypass switching and 9-18 V DC operations, the BETA-V is a true thump machine, ready to rock your world.

Notes: Dual channel analogue overdrive with real tube-like compression featuring 3 clipping options with carefully hand picked germanium diodes, smooth and sensitive to picking strength.

3 different gain levels from clear boost with a touch of dirt to high gain overdrive, full EQ with air control to manipulate the presence of your pickups, a MOSFET boost circuit lets you push your amp into natural breakup.

Order toggle switch to add volume or an extra gain stage.
Side A: BB style circuit with bass, air, treble, drive and volume control
Ge, Si and LED asymm clipping toggle
3 level gain toggle.
Side B: MOSFET boost +20dB with level control
A > B or B > A stack order toggle
Top mounted jacks

Notes: True bypass studio-grade compressor in small form factor offering full control of your overall tone. OTA based parallel compression with variable output current, input voltage controlling a carefully designed envelope circuit. Optimized for low noise operation.

Analogue compressor with OTA topology
Controls: Ratio, Threshold, Release, Attack, Brite (high cut), Level (compressed signal), Blend
Soft switch with relay bypass, momentary & latching operation
Top mounted jacks

Notes: Seeking to unapologetically tear apart the definition of a chorus pedal, Old Blood Noise Endeavors have created the BL-82 Chorus. An ode to delay time, this is a device with a variable clock control to shift between recognizable shimmering chorus and chaotic modulated delays.

Two delay lines, modulated by opposite synchronized LFOs, are combined in parallel and the timing of the delay lines, as well as the speed and depth of the LFOs, are all determined by one tactile slider. This allows you to instantly open up the modulated floodgates on the fly and go from well-known waves, to deeply unknown oceans of sound.

BL-82 is a chorus pedal, technically. It creates a swirling shimmery sound somewhere between chorus and flanger from a mono instrument signal. Its two delay lines are stretchable, and that's where the pedal's genre blurs from chorus into modulated delay into trailing pitch bending uncertainty.

The control set for BL-82 is dead simple. A Clock slider sets the timing of the entire system. The sample rate that determines signal fidelity, the centre delay time and the speed of the delay modulation are all affected as the slider slides. The interface is rounded out with feedback, volume, and mix add to an immediate experience that breaks open the boundaries of what it means to be a chorus and allows you to further craft the undulations of this mesmerizing device.

Notes: Everything sounds better with compression - whether you need a bit of extra pressure for your drum sounds or just that extra touch to make your modular mix more nimble and tight, the Erica Synths Stereo Compressor will make your live performances a joy. The module is optimized for percussion sounds and will be a great addition to any Erica Synths Drum module rig. The Stereo sidechain can be used to animate melodic layers on the beat and to truly bring your Basslines to life.

Features

THAT chip-based stereo compressor
DC coupled sidechain
Gain, Threshold and Compression Amount (Ratio) settings
Stereo Link for level detectors
Bypass switch
8 segment output level VU meter

Specs

Audio input level -5...+5V
Threshold -40dB to +10dB
Makeup gain -12dB to +12dB
Ratio 1:1 to 8
Power consumption +60mA, -22mA
Module width 10HP
Module depth 35mm

INPUT LVL; Adjust the input signal level to your taste
GAIN; This knob adjusts the makeup gain of the compressor
THRESHOLD; Set the compressor threshold
COMP. AMT;This knob adjusts the compression ratio
STEREO LINK; Sending hard-panned or significantly different audio levels on the left and right channels into the audio inputs may result in undesired left-right panning on the output of the compressor, because the level detectors on each channel will ensure a different amount of compression. With the STEREO LINK switch on, the level detectors on both channels are merged and the min/max function is engaged. This ensures equal compression on both channels.
PROCESS; The bypass switch allows for turning off the compressor instantly
8 SEGMENT VU METER; 8 segment VU meter gives a visual reference of the output signal
IN L / IN R; These are the L and R audio inputs
OUT L / OUT R; These are the L and R outputs of the module
SIDE IN L / SIDE IN R; These are L and R sidechain inputs. You can process each channel individually
SIDE OUT L / SIDEOUT R; These are the sidechain signal outputs - they are buffered copies of the sidechain inputs

Notes: This is an exact hardware replica of the Mutable Instruments Ripples module.

Width: 8hp
12V: 35mA
-12V: 35mA

Notes: ADDAC712 is a dual channel discrete gain staging amplifier, based on a famous discrete preamp board from the 70's used in some legendary equipment.

What was eye-catching was the character of its clipping and resulting saturation/distortion.

The module can be used with modular signals to add a distortion/fuzz character or as a preamp for an external source such as a line source, keyboard, guitar...

It's also a great side companion for our ADDAC711 Balanced Inputs.

At the top an On/Off [BYPASS] switch routes the signal into the Effect (Up: Active) or to the bottom output gain stage (Down: Bypassed).

The amount of amplification is set by the [GAIN] control, the maximum amount of amplification can be set by the user using the [MAX GAIN] trimmer.

Up to +/-5.5v the incoming signal will keep it's integrity, beyond this point saturation will start to increase.

At approx. +/-6v a hard clipping will start to occur, this clipping also has a particular quality that at extreme levels it drifts the audio 0v bias reference, moving it upwards which results are similar to a Gate effect.

In the middle, an x2 opamp based output gain stage with a clipping led, which monitors the clipping at the output, and an [OUTPUT] control to set the output volume.

Having the top and middle gain stages provides flexibility allowing the user to completely distort the signal on the top stage and tame it's output level with the second stage.

At the bottom, Input and Output for both channels (Left input is normalled into Right input).

Tech Specs:
6HP
4 cm deep
40mA +12V
40mA -12V

Notes: ADDAC714 is a dual channel soft clipping module.

Diode based passive clipping acts as a "brick wall" limiter with a fixed knee given by the inherent diode physics. A passive RC low pass circuit adds a 3.3KHz -3db low pass filter which sculpts the overall tone while also adding further character to the effect.

At the top an On/Off [BYPASS] switch routes the signal into the Effect (Up: Active) or to the bottom output gain stage (Down: Bypassed).

The amount of clipping is set by the [GAIN] control, it mostly works as a threshold control for how much clipping will be applied.
As more clipping is applied the signal's amplitude will also decrease, to compensate for this we set up a gain compensation stage to keep the output amplitude balanced across the Gain range.

Symmetry chooses between bipolar clipping or positive clipping, this relates to the harmonics generated, bipolar for odd and even harmonics (up position) and unipolar for odd harmonics only (down position).

At the second stage, an opamp based x2 output gain with a clipping led, which monitors the clipping at the output, and an [Output] control to set the output volume.

Having the top and middle gain stages provides flexibility allowing the user to completely distort the signal on the top stage and tame it's output level with the second stage.

At the bottom, Input jacks for both channels (Left input is normalled into Right input) and output jacks

Tech Specs:
6HP
4 cm deep
40mA +12V
40mA -12V40mA +12V
40mA -12V

Notes: Designed to help beginner DJs learn how to mix and scratch, the second-generation Inpulse 300 controller offers great value, with improved jog wheels and performance pads. Includes the excellent Serato DJ Lite software.

Supplier's Notes:
Start mixing easily and reveal your DJing skills with Hercules DJ Control Inpulse 300 MK2 and its unique BEATMATCH GUIDE feature. Building on the success of DJ Control Inpulse 300, you can now enjoy the new DJ Control Inpulse 300 MK2 version compatible with Serato. Sporting a new look that's more modern, more comfortable and more readable, you can learn to mix and make progress quickly thanks to the controller's 16 pads and 8 modes. Scratch more easily with slimmer, smoother touch-detecting jog wheels. DJControl Inpulse 300 MK2 is the most full-featured controller to help you learn how to mix with Serato.

Key points:- Serato DJ Lite and DJUCED software included, and compatible with Serato DJ Pro- The Beatmatch Guide lets you manually adjust tracks thanks to the built-in light guides- Improved jog wheels help you scratch more easily: better rotation and an enlarged detection zone- Mix using tracks stored on your computer, or from music streaming services (Beatport ADVANCED, Beatsource, SoundCloud GO+ or TIDAL)- With DJUCED, the IMA (Intelligent Music Assistant) lets you quickly and easily prepare your mixes by suggesting the best-suited tracks- Master the fundamentals of DJing with the Hercules DJ Academy- Perfect your mixes using different effects, modes and 16 pads.

HERCULES is a division of the Guillemot Corporation S.A. Group. A designer and manufacturer of interactive entertainment hardware since 1984, Hercules has always put its passion for music right at the heart of its strategy and innovations. Hercules completed a total brand refresh in 2018, offering even more innovative, higher-performance solutions for learning how to DJ - making it fun and easy for everyone to understand and master all of the techniques required for mixing. In 2021, Hercules launched an easy-to-use, full-featured solution for mixing with a smartphone. For more information, please contact the customer service team (support.hercules.com)

Power supply USB

Mix Easy, Become a DJ

Learn the fundamentals of mixing and become a DJ with DJControl Inpulse 300 MK2. This controller features both the Serato DJ Lite and DJUCED software, and will accompany you throughout your learning journey thanks to its many helpful features.- The Beatmatch Guide helps you learn how to manually cue up tracks by looking at the LED arrows, and sync tracks together.- Scratch more easily thanks to improved jog wheels: better rotation and an enlarged detection zone.- Learn all the basics of DJing, thanks to great tips from pros in the DJ Academy video tutorials.

Enable the Beatmatch Guide feature

Enable the Beatmatch Guide supported by both DJUCED and Serato DJ Lite, to learn how to manually cue up tracks. You can disable this feature once you've mastered the moves you need to make.

Mix easily

Follow the TEMPO arrows to adjust tracks' BPM, and the BEAT ALIG Narrows to sync tracks together.

Learn to scratch

Scratch more easily thanks to improved jog wheels: better rotation and an enlarged detection zone.

Premium look

Enjoy a more readable and more comfortable controller that lets you mix under the best conditions.

Serato software

DJControl Inpulse 300 MK2 includes the Serato DJ Lite software and offers the Beatmatch Guide feature. It's compatible with Serato DJ Pro, so that you can enjoy the maximum number of features.

DJUCED software

DJControl Inpulse 300 MK2 includes the DJUCED software, plus its built-in DJ Academy. It also includes the ENERGY feature, allowing you to control your party's energy level: this handy coloured light-based feature helps you choose the best-suited upcoming track in relation to the one that you're currently playing.

DJ Academy

Discover the DJ Academy in the DJUCED software. You'll also find extremely helpful video tutorials on the Hercules DJ YouTube channel.

IMA (Intelligent Music Assistant)

Enable the Assistant to launch Prepare mode in Serato DJ Lite. In DJUCED, the Intelligent Music Assistant (IMA) gives you great suggestions for the best upcoming tracks from your music library, and also in Beatport ADVANCED.

Technical description:

Product weight : 4.0 lb / 1.8 kg
Product dimensions: (W x D x H) 18.9 x 11.3 x 2.0 inches / 480 x 286 x 52 mm
Product name: DJControl Inpulse 300 MK2Color Black Master output for speakers 2 x RCA
Headphones output: 1/8" / 3.5 mm stereo mini-jack
Diameter of touch-detecting jog wheels 5.5 inches / 140 mm

Technical specifications

Dimensions/weight
Body dimensions: 18.9 x 11.3 x 2.0" / 480 x 286 x 52 mm
Weight: 4.0 lb / 1.8 kg
Diameter of jog wheels: 5.5" / 140 mm

Built-in audio
Master output (speakers): 2 x RCA
Headphones output: 1/8" / 3.5 mm stereo mini-jack
Audio resolution: 44.1 kHz / 24-bit

Controls
Mixing controls (centre section)
Per deck: 1 filter knob, 3 EQ knobs, 1 gain knob, 1 volume fader, 1 VU meter
General: 1 crossfader, master volume knob, headphones volume knob, master VU meter
Other controls per deck
- Play/Pause, Cue, Shift, Sync, jog wheel with touch detection
- 8 pads × 8 modes (Hot Cue, Roll, Slicer...)
- FX rack with button + 2 knobs (depth and beat)
- Slip, Quantize, AutoLoop, Loop In / Out buttons

Browsing controls
Rotary encoder + 2 Load buttons + Assistant button

Beatmatch Guide
Tempo guide: light guide alongside each tempo fader
Beat Align guide: light guide underneath each jog wheel
IMA (Intelligent Music Assistant) With DJUCED
Assistant: suggests upcoming tracks to be played from your music library based on musical key, BPM...
Energy: lets you set the mood for your party and choose the energy level - from blue (lower energy) to red (higher energy: good for dancing)
Assistant in Beatport and Beatsource: suggests tracks from these music streaming services

Software
Serato DJ Lite
DJUCED version 5
System requirements
Operating system: Windowsr 10 / macOSr 10.15 or higher
Intel Core i3 / AMD Ryzen / Apple M1 or better + 4 GB RAM or more

Box contents:
DJ Control Inpulse 300 MK2
Braided USB cable
DJUCED and Serato DJ Lite
Warranty information

Notes: Amnis is a shift register with a few tricks up its sleeves. It can be used as a generative sequencer for gates and CV, as a tunable digital noise source, as a random gate and CV generator, as the center of a chaotic system and more.

It needs two input signals to start doing its thing. A Clock and some Data. Data can be pretty much any signals. From these two signals Amnis will generate 8 gate outputs, always on the clock. From these gate outputs, it will generate 3 staircase CVs and a slewed CV. With 8 gates and 4 CV outputs it can be the heart of any patch.

Amnis has an XOR input for linear feedback. A shift register with linear feedback is the core of the Rungler, the chaotic core in Rob Hordijk's Benjolin and Blippoo Box. With Amnis you can recreate these type of behaviors with any oscillators you have on hands.

Amnis is compatible with the Turing Machine expanders thanks to its expansion port at the back.

Due to popular demand for a 3U shift register, Amnis replaces (and expands on) Ruissellement, which was the 1U version of this module.

Notes: Bleeding Hearts Eurorack Modular Device

(Random Sequencer, Rhythm Generator, Destroyer, and Filter)

The Bleeding Hearts is a device that starves, bit crushes, splatters, and filters audio sources like no other. Feeding a gate signal to the Bleeding Hearts enables a whole new world of strange and random analog-generated movement. Each position of the 8-step sequencer can bleed into each other and interact with the destruction effect, creating gated and filtered splatters, glitches, and crunches that move to the beat of your patch.

Designed and assembled in Seattle, Washington. Includes a limited 1-year warranty, if registered within 30 days of purchase.

20hp, 42mm deep.

Notes: TR-S

Power Tube Reactor

The feel and response of a tube amp, in a pedal. Meet a build-it-yourself pedal that delivers the warmth and response of a tube amp. The Nu:Tekt TR-S uses a Nutube to deliver previously unachievable compression thanks to exclusive patent-pending technology - meaning you get the feel of a tube amp even when recording or playing through a transistor amp.


What is a Nutube?
Developed by Korg; a Nutube - similar to a conventional vacuum tube/valve - has an anode grid filament structure, and operates exactly as a triode vacuum tube. It provides the same rich overtones and response that are distinctive of conventional vacuum tubes.

Overview

Meet a build-it-yourself pedal that delivers the warmth and response of a tube amp. The Nu:Tekt TR-S uses a Nutube to deliver previously unachievable compression thanks to exclusive patent-pending technology - meaning you get the feel of a tube amp even when recording or playing through a transistor amp.
Alongside amazing tone, one of the hallmarks of the Nu:Tekt series is that they're assembled by you! The TR-S kit doesn't require soldering, and the necessary tools are included - in fact, it's the easiest and fastest unit to assemble in the entire Nu:Tekt series!
Recreate the tube experience

The TR-S features an exclusive patent-pending circuit design, for compression that mimics the sag of a vacuum tube power amp - only possible with Nutube. Achieve this sought-after sound in any setting, even when playing through a transistor amp or recording into a DAW. The TR-S features four knobs on the panel, as well as three trimmer knobs hidden inside the top cover, allowing for even greater control over your sound. Go beyond the guitar and experience what the TR-S can do when you connect other instruments as well!

Easy assembly

Assemble the Nutube-driven TR-S with ease, just like a model kit - no soldering required. All necessary tools are included, along with a circuit diagram in the owner's manual. Perfect for those who love building their own effect units with top-notch performance and sound.

Specifications

Vacuum tube Nutube.6P1.
Inputs Mono 14" Jack
Outputs Mono 14" Jack
Power 9v battery, or DC9V AC adapter (both sold separately)
Approx. 5 hours battery life
Consumption 85mA
Dimensions 122 x 96 x 55mm
Weight 340g (without battery)

Notes: The Backpack is made from high-quality materials, including a soft, durable Alcantarar handle, ballistic nylon straps and water-resistant exterior, it is rugged and hard-wearing.

It can accommodate a RODECaster Pro II, plus microphones, studio arms and other accessories, as well as laptops up to 16 inches. Ergonomic adjustable shoulder straps with back and chest support ensure absolute comfort, with exterior pockets and compartments providing additional storage.

RODE BACKPACK Features:

Designed to exact specifications of the RODECaster Pro II
Lightweight and highly durable
Accommodates microphones and accessories
Laptop compartment (16")
Water resistant
Interior dimensions: 495 x 304mm
18L internal capacity

Notes: The Erica Synths Envelope Generator 2 is a re-triggerable, looping envelope generator with some unconventional features that are very useful for experimental setups. What sets the Black EG2 apart from other envelope generators is its optional GATE LENGTH setting, which allows for generating full ADSR envelopes even if a short trigger is used at the input. Likewise, in LOOP mode, the module outputs a full ADSR envelope instead of a classical AD envelope. The gate length is both manual and CV controlled, which allows for using this envelope generator in compact modular setups controlled by trigger sequencers only.

SPECS:

Gate input level 3...10V
Envelope amplitude 0...10V
Attack time 0...7,4"
Decay time 0...19"
Sustain level 0...10V
Release time 0...17"
Gate length 0...3,7"
Panel width 8HP
Module depth 25mm
Power consumption 29mA@+12V, 33mA@-12V

LOOP/SINGLE

Select between SINGLE SHOT or LOOP modes. When the internal gate is o , the rise and fall times are set via the A and R knobs. When the internal gate is on, all knobs have an e ect on the envelope shape.

The LED gives visual feedback on the envelope state.
GATE ON
Engage the internal gate and you have a full ADSR envelope in loop mode and with a trigger applied to the trigger input in single mode.

G. LENGTH

Set the internal gate length manually

LENGTH CV

This is the internal gate length CV input.

The CV is added to the gate length potentiometer setting

GATE

This is the GATE input

A / D / S / R

These knobs adjust envelope stage times and sustain level

TRIGGER

This is the TRIGGER input. You can retrigger the envelope and start the attack stage again, even if the gate is still high (see Figure 1).

If you wish to use the envelope generator with an internal gate, patch the incoming trigger signal here. The internal gate is linked to the trigger input, not the gate input.

EG OUT

This is the envelope generator output.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Inspired by the legendary Moog CP3 mixer, the 713 tweaks the old-school discrete circuits into three stereo inputs and one mono channel, summing to stereo with adjustable feedback and clipping to add character.

Supplier's Notes:
ADDAC713 is the stereo version of ADDAC System's 703 Discrete Mixer.

Inspired by Moog's CP3 mixer, this is a fully discrete analogue mixer and it's not, by any means, your standard breakfast mixer, although it can behave like one.

This is a wolf in sheep's clothing. Despite its harmless looks there's a dark snarly soul behind that panel that wants to take your sounds into a realm of gritty gnarly growls.

This new version was initially thought of as a percussion mixer, with mono inputs and panning, to allow placing percussive voices in the stereo field, while keeping channel 4 in mono for low end sources like a kick drum or Bass. In the development process ADDAC System slightly changed this initial idea, adding stereo inputs for the first 3 channels, but still kept the 4th channel in mono.

All four [GAIN] controls go to extreme levels, the first 3channels also feature [PAN] controls. Feedback is used to overdrive the whole mix. As the control is turned clockwise the sound will be clipped harder until it goes completely off, this happens as feedback is increased the audio bias reference also moves up, at extreme levels it offsets the whole signal upwards until it completely goes above the top rail clipping the whole signal hence the resulting gate effect.

The [MASTER OUTPUT] sets the overall output gain of the mixer, the two leds monitor the audio output signal. The Soft clipping switch engages an anti-click circuit which adds a low pass before the output, the switch allows 3 states: Soft low pass / Off / Hard low pass.

Features:

Three channels with stereo inputs, gain and pan knob
One channel with mono input and gainknob
Feedback/gate knob
Master output volume knob
Soft clipping switch
Two Led Monitors for Left and Right channels

Tech Specs:

8HP
4cm deep
80mA +12V
80mA -12V

Notes: The PodMic USB is an ultra-versatile dynamic microphone ideal for podcasting, streaming, gaming, voice overs, and other speech applications for content creation. It delivers rich, full-bodied sound and features both an XLR and USB output for connecting to an audio interface or mixer like a classic broadcast microphone, or directly to a computer for plug-and-play recording. The digital USB output features RODE's ultra-low-noise, high-gain Revolution Preamp™ and powerful APHEXr digital signal processing for capturing studio-quality sound with ease, and a zero-latency headphone output complete with level control, making recording seamless. For even more versatility, the PodMic USB is also fully compatible with iOS and Android mobile devices, offering a high-quality portable podcasting or streaming solution.

Swiss Army Mic

The PodMic USB is a super versatile dynamic microphone for capturing rich, broadcast-quality audio in any scenario you can throw at it. Thanks to its dual XLR and USB connectivity, it is just at home in a recording studio connected to an analog mixer as it is plugged straight into your computer, or you can even hook it up to your smartphone for a grab-and-go recording rig. PodMic USB is perfect if you want one flexible microphone that will make your content sound amazing in any context.

Pro Sound When Creativity Calls

Featuring a high-power neodymium capsule, the PodMic USB delivers warm, highly detailed audio with incredible clarity, making it exceptional in speech applications. It features an internal pop filter for minimizing plosives, an internal shockmount to reduce vibrations, and comes with a studio-quality external pop filter to make sure you can capture crisp, clean audio every time.

All-in-one Recording Solution

The PodMic USB features powerful on-board DSP (Digital Signal Processing) powered by APHEXr that makes it easy to capture professional sounding audio. Use VoxLab™ to quickly dial in the perfect sound, or dive deep into the granular controls for the high-pass filter, noise gate, compressor, and the legendary Aural Exciter™ and Big Bottom™. Monitor your audio with zero latency thanks to the headphone output, complete with on-board level control for controlling the volume of your audio. The perfect all-in-one recording solution.

Take Your Studio On The Road

Not only can you connect the PodMic USB to your favourite audio interface, mixer, laptop or computer, but it also connects seamlessly with iOS and Android smartphones and tablets. This means PodMic USB is the perfect tool for capturing broadcast-grade audio while you're away from the studio, or just want a more compact setup - it's a professional and portable recording rig for the road.

Sleek Looks, Built to Last

With its classic broadcast microphone aesthetic and sleek matte black finish, the PodMic USB exudes class, but it is also incredibly rugged and built to last. The PodMic USB is constructed from high-grade components housed in a super durable body, more than capable of surviving the rigours of everyday recording in the home, in the studio and on the road, and comes with an industry-leading five-year warranty.

PodMic USB User Guide

Discover everything you need to know about using your PodMic USB in this comprehensive user guide, including how to record with both the analog and digital connections, using the advanced DSP and more.

Compatible Rode Accessories: PSA1+, XLR-CABLE, Backpack, SC19
Specifications
Acoustic & Electrical:
Acoustic Principle: Dynamic
Polar Pattern: Cardioid
Address Type: End
Frequency Range: 20Hz - 20kHz
Output Impedance: 460O (XLR)
Maximum SPL: 148dB SPL
Equivalent Noise (A-Weighted): Analogue: 26dBA, Digital: 19dBA
Sensitivity: -57 dB re 1 Volt/Pascal (1.4 mV @ 94 dB SPL) +/- 3dB
Analogue Output Connectors: 3-pin XLR, 3.5mm headphone jack

Digital:

Digital Power Requirements: Via USB: 5V @ 100mA
Output Connection: USB-C
Bit Depth: 24-bit
Sampling Rate (kHz): 48kHz
Processing: APHEX digital signal processing
Minimum OS Requirements: Windows 10 / Mac OS 10.15

Mechanical:
Weight (grams): 900
Dimensions (millimetres): Length: 123, Width: 109: Height: 110

What's in the box:

PodMic USB
Pop Filter
SC29 (3m USB-C to USB-C Cable)

Notes: Designed to be a highly customizable connection matrix, 3DVCA packs a boat load of utility into a small 6HP package. Four VCAs share the three macro controls: X, Y, and Z. As a group, they shape incoming and outgoing signals and emulate the coordinates of a point in 3 dimensional space. This allow the VCAs to work together in a mono, stereo, or quad configuration and accomplish a variety of mixing, crossfading, and panning functions.

3DVCA is designed to be used in the following functions:

Quad monophonic crossfader
Dual stereo crossfader
Stereo balancer
Stereo VCA
Mono to stereo panner
Unity mixer with up to eight inputs
Quadraphonic panner

Each output has a dedicated SUM input which allows an external signal to be automatically mixed into the output signal. This allows 3DVCA to daisy chain both with other mixers and other 3DVCAs. For example, you can create a full mono, stereo, or quadraphonic mix by plugging the output of each 3DVCA into the sum inputs of the next 3DVCA in the chain. Using this method, a set of 3DVCAs can create a fully voltage controlled and decentralized mixer which ties together anything from a small skiff to a monster synth.

When 3DVCA works as a crossfader or panner, the X and Y parameters follow an equal-power curve that keep output signals at the same volume no matter how many inputs are mixed together. This is in contrast to the Z parameter which follows a linear curve to always behave predictably with external modulation sources. All inputs are fully DC coupled in order to work with modulation speed signals as well as static DC voltage sequences; this means that 3DVCA can handle any sort of signal that you throw at it. All op amps in the device employ rail-to-rail inputs and outputs to enable the largest headroom when mixing many different signals together.

Whether you need to maximize your mixing functionality in the smallest possible footprint or have the most control over every aspect of your system, 3DVCA provides a ton of functionality in any system. Enter a higher dimension of sound with the Mystic Circuits 3DVCA.

Dimensions
6 HP
30 mm deep

Current Draw
45 mA +12V
45 mA -12V

Notes: Arkan

Dual Voltage Polarizer

You may have heard this before: "You can never have enough VCAs". A voltage polarizer (also known as a bipolar VCA or a 4-quadrant multiplier) is often viewed as the VCA better suited for CV. As it can be used as a unipolar VCA and it allows you to invert a signal when it is modulated with a negative voltage. Resulting in interesting movements in your modulations.

What sets Arkan apart from other voltage polarizers is the curvature control, a feature usually only seen in unipolar VCAs. By taking a different approach to the classic voltage polarizer circuitry, Malstrom have devised a unique solution that provides a new way to shape your audio and CV. The non-linearity of the polarizer also makes Arkan really good at reaching silence when presented with a 0V CV signal.

At audio rate, Arkan acts as a ring-modulator with four controls to change timbres.

Boosting adds odd harmonics (symmetrical distortion), while offsetting adds even harmonics (asymmetrical distortion). The modulation curve changes ring modulation sharpness, and modulation strength determines the carrier dominance.

Two identical channels with carefully selected features will make Arkan your go-to modulation control hub. Arkan is especially useful for common utility duties such as mixing, scaling, inverting and offsetting. As well as CV modulation, feedback patching, and waveshaping. All this makes Arkan a very versatile tool that will certainly have a place in your patch!

Features (per channel)

- Input attenuation with inverter switch gives you more precision and range, with voltage inversion and quick silencing.
- Bias input with attenuverter control to offset your input signal or mix/invert another signal.
- CV input with curvature control allows you to shape the polarizer and improve its 0V attenuation.
- CV modulation control to fade in the modulator, allowing you to determine the amount of modulation.
- Voltage gain and polarity led indicators showing you exactly what is happening under the radar.
- Output normalled internally and externally (to other Arkans) to easily mix signals.

Additional features

Optional signal boost (x4 / +12dB) via switch on the PCB to increase voltages when needed.
5V or 10V voltage reference selection for bias voltage and CV input range to adjust Arkan to your system.

Dimensions
- 8HP.
- 28mm, Skiff-friendly.

Power consumption
- 90mA @ +12V.
- 85mA @ -12V.

I/O specs

- All inputs DC coupled.
- All inputs handle audio signals.
- All inputs have 100k input impedance. - All inputs have +-10V Input range.
- CV range +-5V or +-10V.
- Bias Voltage range +-5V or +-10V.
- Boost gain x1 or x4.
- All inputs are overvoltage protected.
- Keyed power header.
- Reverse power protection.

Notes: The Morphor Mixer - 5 Channel Amplifier is a flexible analogue mixer module that can find a home in every type of Eurorack setup.

Each of the five channels feature an attenuator knob and mute switch to allow for instant playability, for example in live settings.

Input signals can be AC or DC-coupled depending on your preferred setting.

The output stage also features an extra attenuation/gain stage that allows you to double the mixed signal. An additional master mute switch, clipping LED are nice-to-haves that complete this intuitive mixer module.

Weight: 102 g
Dimensions: 128.5 × 40.3 × 30 mm
Width: 8 HP

Notes: Simple to look at but deceptively powerful, Dreadbox's Telepathy is a full analogue synth in a small module, featuring VCO, low-pass and high-pass filters, LFO, envelopes and VCA.

Supplier's Notes:
Telepathy is a full voice analogue synthesizer module with deep modulation options due to its multi-destination LFO and Envelope. From Bass to Lead sounds, to drums and drones, Telepathy has broad and versatile sound design capabilities. It has a Full Analogue path (Typhon VCO, 4-pole low pass / 2-pole high pass filters, analogue VCA) that is digitally controlled for more precision over its parameters, resulting in a warm, present and distinct Dreadbox sound.

With lots of useful and musical features integrated into a compact size (10hp), and its skiff friendly design, Telepathy is a great addition to small or large Eurorack systems.

Features:

1x Analogue Oscillator with saw, square, -1 oct square sub and noise, plus PW control for square, level for noise and waveshape
Automatic tuning for the oscillator and fine tune
Analogue 24db Resonant Low pass filter with Oscillator FM and Noise FM and 6db High pass filter
Analogue VCA
1x LFO with Free/Key/Track/BPM/BPM Key modes, Fade in, Triangle/Saw/Ramp/Square/Random waveforms, that is mapped to various parameters
2x Envelopes, one dedicated to the VCA with Velocity control and one loopable for Low pass Filter, Pitch and PW
CV in patch that can be mapped to all the basic parameters in parallel with dedicated amount for each parameter
MIDI in/out+through
CC in/out, Program Change in/out
Multitimbral Chaining functionality via MIDI up to 8 modules 16 presets
10HP