Review: A year on from the untimely demise of arguably the most influential British musician of the last fifty years, and on the eve of what would have been his seventieth birthday, here we have the opportunity to view his whole jaw-dropping career across the course of two slabs of wax. From the cosmic dread of 'Space Oddity' all the way to the reflective melancholy of 'I Can't Give Everything Away', it's a magnificent testimony to a restless muse that never stopped moving into unchartered territory in search of new adventure. These songs will outlive us all.
Review: Surely not even the most ardent Bowie fan saw any of this coming. Yet to offset the justified grief and mourning at the most otherworldly and mercurial of all musical icons departing our realm, he's left us with one of his greatest albums to date and certainly his best in a full quarter century - one that returns him spiritually to the dizzying collision of bracing experimentation and melodious drama that typified the so-called Berlin trilogy of the '70s yet transplants that ambience to a new more complicated age. Jazzy inflections, electronic filigree and stark soundscapes collide elegantly amidst that stentorian voice, and whether or not Bowie put this together as a farewell, he couldn't have done it better if he'd tried. We'll truly never see his like again, alas.
Review: Legend has it that David Bowie was so lost in a vortex of cocaine and ego during the making of this record to such a degree that he now can't remember anything about its creation at all. Typically of the Dame though, in the midst of all this madness he created a masterpiece, and arguably his greatest album of all. With a hint of the funk of influence of 'Young Americans', yet filtered through a glacial European sensibility, it's a genre-transcending tour-de-force of boundless scope and imperious swagger. Forty-one years on, this record still sounds like the future.
Young Person's Guide To The Orchestra, Op 34 (17:12)
Review: This recording of the Philadelphia Orchestra performing Sergei Prokofiev's 1936 story and orchestral score Peter and the Wolf was recorded in 1977 and was originally released in 1978. The role of the narrator on the recording was initially offered to both Peter Ustinov and Alec Guinness who both turned it down, before David Bowie agreed to take on the role, supposedly as a Christmas present to his son. On the B-side is another equally as charming piece of recent classical history, Benjamin Britten's Young Person's Guide To The Orchestra as narrated by Hugh Downs.