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Items 4,601 to 4,650 of 4,745 on page 93 of 95
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Doepfer A-196 PLL Phase Locked Loop Module
Doepfer A-196 PLL Phase Locked Loop Module (filter/oscillator/effect synth module)
Cat: 755416 Rel: 14 Nov 19 • View all
 
Eurorack phase locked loop module, featuring voltage-controlled oscillator, phase comparator & low pass filter
Notes: Module A-196 contains a so-called phase locked loop (PLL). The basic PLL system is shown in the sketch at the bottom of this page. A PLL consists of three parts: voltage-controlled oscillator (VCO), phase comparator (PC), and low-pass filter (LPF). All parts are normally connected to form a closed-loop frequency-feedback system.

This is how a PLL works: The output of the internal VCO (linear CV control, rectangle output) is compared with an external signal (e.g. the rectangle output of a A-110 VCO) in the so-called phase comparator (PC). The output of the phase comparator is a digital signal (low/high/tristate) that indicates if the frequency resp. phase difference of the two input signals is negative, zero or positive. The output of the phase comparator is processed by a low pass filter (LPF) to generate a smooth voltage that is used to control the frequency of the internal VCO. The 3 units VCO, PC and LPF form a feedback loop that works like this: The control voltage (output of the LPF) increases as long as the external frequency is higher than the frequency of the internal VCO und stops increasing when both frequencies become identical. The control voltage decreases as long as the external frequency is lower than the frequency of the internal VCO und stops decreasing when both frequencies become identical.

But there are some stumbling blocks: Different types of phase comparators with advantages and disadvantages can be made. Some phase comparators e.g. even lock at harmonics, i.e. if the two frequencies to be compared are integer multiples. But for some applications this can be used to create interesting effects. The A-196 contains 3 different types of phase comparators: PC1 is a simple exclusive OR, that even locks at harmonics. PC2 is a so-called RS flipflop and PC3 a more complex digital memory network. The user can select one of the three phase comparators with a 3-position switch. When PC2 is used a LED displays the "locked" state, i.e. when the frequency of the internal VCO is identical to the external frequency.

Special attention has to be directed to the frequency of the LPF. To obtain a smooth control voltage for the VCO the frequency of the LPF has to be much smaller than the lowest frequency of the internal or external audio signal. Otherwise the frequency of the internal VCO will jitter or wobble around the correct frequency. But for special effects this frequency jitter can be used intentionally. Example: frequencies in the range 50Hz...1kHz have to be processed with the PLL. Therefore the frequency of the LPF has to be about 10Hz or even less. Such a low frequency of the LPF causes a noticeable slew of the internal VCO. When the frequency of the external signal jumps e.g. between 500Hz and 1kHz it takes about 0.1 second until the internal VCO reaches the new frequency (like portamento). So one has to find a compromise between frequency jitter and portamento. But these remarks are valid only for the "ideal" working PLL. As the A-196 is used in a musical environment the "problems" and disadvantages with jitter and slew time lead to additional musical applications like portamento effects, wobbling frequencies or harmonic locking according to the type of frequency comparator and time constant of the PLL low pass filter. Instead of the internal manually controlled low pass filter the voltage controlled slew limiter A-171 can be used to obtain voltage control of this parameter. Normal audio filters (e.g. A-120, A-121) cannot be used for this job as the minimum frequency is to high (down to a few Hz or even less necessary) and the signal has to be DC coupled due to the low frequencies. Audio filters are normally AC coupled.

Another very important application of a PLL is frequency multiplication in combination with an external frequency divider. For this the output of the PLL-VCO is processed through an external frequency divider (e.g. A-163, A-160, A-161, A-115) before it is fed to In1 of the phase comparator. In this case the frequency of the PLL-VCO will be a multiple of the master frequency. E.g. if the A-163 is used and adjusted to dividing factor 5 the frequency of the PLL-VCO will be 5 times the frequency of the master VCO. Consequently, frequency division (A-163) leads to frequency multiplication with the PLL circuit. In combination with the PLL low pass frequency several effects can be realized (frequency multiplication with portamento or wobbling). The frequency multiplication can even be used to drive a graphic VCO. If your graphic VCO e.g. has 8 steps (e.g. A-155) and you use a frequency divider with factor 8 in the PLL feedback the output of the graphic VCO has the same frequency as the master VCO. Another application is the generation of pseudo-harmonics (not real harmonics as only rectangle waves are available) or clock generation for switched-capacitor filters.
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 1 in stock $75.72
Denon DJ SC Live 4 Club-Standard Standalone 4-Deck DJ Controller With Built-In Speakers Denon DJ SC Live 4 Club-Standard Standalone 4-Deck DJ Controller With Built-In Speakers Denon DJ SC Live 4 Club-Standard Standalone 4-Deck DJ Controller With Built-In Speakers Denon DJ SC Live 4 Club-Standard Standalone 4-Deck DJ Controller With Built-In Speakers Denon DJ SC Live 4 Club-Standard Standalone 4-Deck DJ Controller With Built-In Speakers Denon DJ SC Live 4 Club-Standard Standalone 4-Deck DJ Controller With Built-In Speakers
Cat: 904787 Rel: 04 Nov 22 • View all
 
A club-standard standalone 4-deck DJ controller with built-in speakers and integration with Amazon Music Unlimited streaming service.
Notes: Four-deck version of Denon's standalone controller, based on the Engine DJ OS, featuring WiFi streaming and Serato support. Built-in speakers allow quick and easy monitoring for live streaming or practice sessions.

*** Update March 2024- Engine DJ 3.4 Performance Software for Hardware (OS) ***

New Features
Bluetooth Audio Input and Keyboard Connection for Supported Devices

Bluetooth Audio Input - Wirelessly play audio from a Bluetooth-capable device on your supported Engine DJ hardware

Assign to any individual hardware channel or main audio output
Assign to layer A or B on the Denon DJ SC6000 and SC6000M
Bluetooth transport controls allow you to play, pause, and track skip using the touch screen or hardware controls when connected to a capable Bluetooth device
Hardware screen displays Track Title, Artist, and track progress when connected to a capable Bluetooth device

Bluetooth Keyboard Support - Search for songs on your Engine DJ hardware more quickly and efficiently
Bluetooth menu option in the Control Center allows you to connect and manage Bluetooth keyboards and audio devices

Additional Bluetooth Compatibility Information

It is recommended that you confirm the Bluetooth connectivity and functionality of your computer, smartphone, or other device before using it in a live situation

Not all Bluetooth devices and audio applications provide support for Bluetooth Transport controls and track information

Track Progress is not updated on Engine OS when it is adjusted using the originating software/app

Engine DJ Preparation Software (Desktop)
Improvements and Fixes

Fixed an issue where sync manager export would take longer if SoundSwitch content is being packed

Fixed an issue where tracks would not pack via drag and drop if there are 2 drives with the same or similar names connected

Various other stability enhancements and improvements

New Features

Smartlists - Automatically organize songs from all connected drives into playlists based on the criteria or rules that you specify. To create a Smartlist, click the Smartlist icon on the Collection folder or right-click on an existing Playlist and select 'Create Smartlist'. You can easily turn a Smartlist into a regular playlist by right-clicking the Smartlist and choosing 'Convert to Playlist'. This creates a Playlist with the same name & content as the Smartlist.

Improvements and Fixes

Fixed an issue that prevented the highlighted track from updating when bulk editing metadata.
Fixed an issue where the Date Added field was incorrectly setting newly added tracks as the day before.
Fixed an issue where Serato beat grids were not imported correctly.
Other various stability enhancements & improvements

Supplier's Notes:
Denon DJ, the leader in standalone DJ products and innovation, introduces the SC LIVE 4, a 4-Deck Standalone DJ Controller with 7" touchscreen, built-in speakers, and Wi-Fi connectivity. This club-style, all-in-one device gives DJs ultimate creative freedom and offers the world's first DJ hardware integration with Amazon Music Unlimited.

World's First Amazon Music and Denon DJ Partnership

The Denon DJ SC LIVE DJ controllers were designed using an exclusive secure chipset to meet Amazon Music's streaming requirements, making them the world's first DJ hardware to support Amazon Music Unlimited. This integration with Amazon Music and other popular streaming services gives DJs instant access to over 90 million CD quality (aka "lossless") songs across all musical genres. With the SC LIVE 4's built-in Wi-Fi and lightning-fast onboard song analysis, DJs can now perform a full set without owning or preparing any music ahead of time.

Laptop Free Performances with Engine DJ OS

The SC LIVE 4 is powered by Engine DJ, the same leading standalone DJ operating system that fuels laptop-free performances on the biggest stages and DJ booths across the globe. This seamless hardware and software integration intuitively places performance essentials in the perfect place for inspirational mixes and live shows. The dedicated Layer buttons provide quick access to the controls of each of the 4 playing decks with the waveforms stacked in channel order on the full-color touchscreen. Vital information including the deck number, track position, bpm, and time are brightly shown in the center of the 6", high-definition touch-sensitive jog wheels.

Ultimate DJ Controller for Serato DJ and Virtual DJ

With "Computer Mode" enabled, the SC LIVE 4 can be used as a dedicated DJ software controller for Serato DJ Pro and Virtual DJ. This 1:1 hardware to software integration displays moving waveforms and music library information on the HD touchscreen and provides full access to FX and other top features. This versatility gives DJs multiple options to perform however they prefer.

Designed for Creative Mixing

The SC LIVE 4 gives DJs the power to perform anywhere with 4-deck standalone freedom and wireless access to Amazon Music Unlimited. This combination of performance features and unprecedented musical access opens an exciting new realm of creative mixing possibilities for laptop-free DJ performances. Inheriting the professional club-standard layout, features, and intuitive workflows from Denon DJ's flagship SC6000 PRIME media players and club-style mixers, the SC LIVE 4 fuses the power of the club-ready modular setup into a compact & intuitive 4-deck standalone DJ controller. With its built-in Wi-Fi, 7" multi-gesture touchscreen, and 3 media slots, the SC LIVE 4 unleashes creative live performances using a combination of stored media and music streaming sources.

For on-the-fly creative mixing, the 8 Performance Pads on each deck can be used to control Hot Cue, Auto Loop, Manual Loop, Roll, Slicer, and Slicer Loop modes. The onboard effects include 4 Sweep FX which utilize a dedicated knob on each channel to expressively control FX and Filter combinations. The 13 BPM FX options can be customized for extra sonic satisfaction using the FX control section which includes a Channel Assignment knob, Time/Parameter control, FX level encoder, and illuminated engagement button.

Immersive All-In-One Audio Experience

The powerful, built-in speakers offer the perfect sound solution for livestreaming, practicing, content creation, and personal monitoring during live shows. The dedicated volume knob and on/off switch offers full control to meet the needs of any gig, making it easy for DJs to bring the booth with them wherever their career takes them.

Dynamic Lighting Integration

For enhanced performance visuals, the onboard Engine DJ operating system is fully integrated with Engine Lighting. A quick button press lets DJs instantly access automatic and pre-programmed, beat-synced light shows for songs stored on saved media as well as for streaming tracks. Full parameter controls over color, intensity, strobe, and more can be adjusted on the fly for jaw-dropping light shows using Phillips Hue, Nanoleaf, and DMX lighting.

The fully loaded, fully capable SC LIVE 4 represents the next generation of standalone DJ controllers and is sure to inspire a new era of musical freedom and creativity.

Technical Specs

Audio

Frequency Range: 20-20,000 Hz
Sampling Rate: 44.1 kHz
D/A Converter: 24 bit

Physical Unit

Dimensions (W x D x H): 28.3 x 15.9 x 3.9 Inches
Weight: 12.8 lb

Compatibility

Software

Engine DJ OS
SoundSwitch
Virtual DJ
Serato DJ

Hardware

Denon DJ LC6000 Performance Expansion Controller
SoundSwitch Micro USB to DMX Interface
SoundSwitch Control One Professional Lighting Controller

Onboard Internet Services
Amazon Music Unlimited
Beatport
Beatsource
Dropbox
SoundCloud GO+
TIDAL

Included Contents
Quick Start Guide
DC Power Supply
USB Cable
Display Cleaning Cloth
Safety & Warranty Manual

FAQ's


Do other Engine DJ products work with Amazon Music Unlimited?

No. A hardware change was needed in order to support this technology.

Does the SC LIVE 2/4 work with an Amazon Music Free or Amazon Music Prime account?

No. The SC LIVE 2/4 only supports Amazon Music Unlimited.

What audio quality does Amazon Music Unlimited support?

Amazon Music Unlimited offers 75 million tracks in lossless High Definition (HD) and millions more in Ultra High Definition (Ultra HD). HD tracks are 16-bit audio, with a minimum sample rate of 44.1 kHz (16/44.1 is also referred to as CD-quality), and an average bitrate of 850 kbps. Ultra HD tracks have a bit depth of 24 bits, with sample rates ranging from 44.1 kHz up to 192 kHz, and an average bitrate of 3730 kbps.

How many Amazon Unlimited tracks can I stream simultaneously?

Amazon Unlimited allows for up to two tracks to be streamed simultaneously. That includes tracks loaded to decks or previewed from the library.
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 1 in stock $1,050.78
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Nu-X Plexi Crunch Reissue Series Distortion Effects Pedal Nu-X Plexi Crunch Reissue Series Distortion Effects Pedal Nu-X Plexi Crunch Reissue Series Distortion Effects Pedal Nu-X Plexi Crunch Reissue Series Distortion Effects Pedal Nu-X Plexi Crunch Reissue Series Distortion Effects Pedal
Cat: 812827 Rel: 23 Jun 21 • View all
 
Distortion pedal
Notes: NuX Reissue Series Plexi Crunch Pedal

Reissue series amp simulator pedal for guitar or bass. The Plexi Crunch provides a high gain distortion based on a hot-rodded British valve amplifier for classic crunch and heavy power chords. All analog circuitry ensures a pure signal path and both Tone and Presence controls closely mimic the same tone sculpting controls found on these classic amplifiers. Classic stack sounds for rock and metal guitar styles.

Pure analog amplifier simulation
True bypass hardware switching
Preamp, Master, Tone & Presence controls

The box for this item contains :

Reissue series plexi crunch pedal
9V PP3 battery

Specifications:

Battery: 9V PP3 (supplied)
Power supply: Optional 9Vdc 300mA regulated (not supplied)
Controls: Preamp, Master, Tone, Presence & foot switch
Input impedance: 1M Ohms
Output impedance: 10k Ohms
Dimensions: 121 x 77 x 48mm
Weight: 230g
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MRP:$47.33 SAVE 17%
 2 in stock $39.18
Dreadbox Psychosis 6-Channel Stereo Mixer Module Dreadbox Psychosis 6-Channel Stereo Mixer Module Dreadbox Psychosis 6-Channel Stereo Mixer Module
Cat: 949923 Rel: 30 Nov 23 • View all
 
Stereo 6-channel mixer module - 10HP.
Notes: Psychosis is a high quality true stereo - 6 channel mixer eurorack module, that has the unique ability to pan an input signal, from left to right with a single control.

It is equipped with a set of 4 stereo effects - reverb, delay, chorus and flanger, all trimmed for the modular levels.

This module is an easy gateway into mixing multiple signals as the last part in your signal chain.

10HP.
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MRP:$177.76 SAVE 14%
 3 in stock $153.56
Erica Synths Black VC Clock v2 Clock Generator Module
Cat: 821420 Rel: 08 Apr 21 • View all
 
Clock generator module - 10HP
Notes: Erica Synths Black VC Clock is the beating heart of your modular system.

The beating heart of your modular system in 10HP.

This module generates several clock signals simultaneously and has some more advanced features like tap tempo, shuffle and divide, both for controlled rhythmic music production and for experiments with high level of uncertainty. You may also find the adjustable and even random duty circle of shuffling and random clock outputs interesting. Bonus feature - the module can be used as a performance time stopwatch.

Erica Black series are high-end modules with unique functionality. Only the highest quality components are used and all inputs and outputs are protected against undesired overvoltage. When designing the Black Series, design and usability was prioritised over module width. Big knobs are assigned to functions that make difference in sound. Together the Erica Black series are a range of modules that make an entire synthesizer.

Technical specifications:

Max input level: -10V - +10V
Clock signal level: 0 - +5V
Clock rate: 30 - 400BPM
CV input level (full sweep): -5V - +5V
Power consumption: 40mA@+12V, 5mA@-12V
Module width: 10HP
Module depth: 25mm
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MRP:$219.83 SAVE 28%
 1 in stock $157.76
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Electro-Harmonix Pico Rerun Digital Tape Delay Effects Pedal Electro-Harmonix Pico Rerun Digital Tape Delay Effects Pedal Electro-Harmonix Pico Rerun Digital Tape Delay Effects Pedal Electro-Harmonix Pico Rerun Digital Tape Delay Effects Pedal
Cat: 972470 Rel: 12 Oct 23 • View all
 
Digital vintage tape-style delay effects pedal.
Notes: Vintage tape-style delay smaller than a cassette player!

Tape delay is loved for its warmth and charming imperfections compared to pristine digital delays. Their preamps could be pushed to saturation and, over time, the tape in vintage delay units would degrade causing a signature warble loved by many. These signature elements are captured and packed into Electro-Harmonix's Pico Rerun tape delay. Based off the tape delay algorithm found in the Canyon Delay & Looper, the Rerun gives vintage vibes with modern features.

The Rerun features a simple control set and tap tempo for ease of use in any situation. BLEND sets the wet/dry blend. DELAY adjusts the delay time from 8ms to 3s. SAT adds tape saturation and distortion for added crunch to only the wet signal, keeping your dry signal unaffected by the added distortion. FDBK sets the level of repeats from 1 to infinite for runaway oscillation. You can also press and hold the footswitch to engage infinite repeats in an instant. The FLUTTER mode switch toggles between low, medium, and heavy modulation effects ranging from slight chorusing to seasick thickness.

Tap Tempo is simple and easy to use. Just press and release the footswitch at least two times to set the tempo and the LED will blink to confirm your tap tempo. Additionally, the Rerun also features selectable Tails bypass allowing echoes to continue after putting the pedal into bypass.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023
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MRP:$147.26 SAVE 16%
 1 in stock $123.58
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Electro-Harmonix Pico Oceans 3-Verb Digital Reverb Effects Pedal Electro-Harmonix Pico Oceans 3-Verb Digital Reverb Effects Pedal Electro-Harmonix Pico Oceans 3-Verb Digital Reverb Effects Pedal Electro-Harmonix Pico Oceans 3-Verb Digital Reverb Effects Pedal
Cat: 972472 Rel: 11 Oct 23 • View all
 
Digital reverb effects pedal.
Notes: Ultra-compact ambience featuring the spacious sounds of Spring, Plate and Hall Reverb!

The EHX Pico Oceans 3-Verb is an ultra-compact reverb pedal packed with the essentials of ambience with plenty of flexibility and control. This Pico-sized reverberator adds the huge sounds of Spring, Plate, and Hall reverb to any pedalboard while using minimal space. Adjustable decay time, pre-delay / spring length, and tone make the Oceans 3-verb able to create a plethora of spacious sounds.

SPRING - pays homage to the classic Fenderr 6G15 tube spring reverb
PLATE - the lush, warm reverb that got its name as it was originally created by a large metal plate
HALL - the rich reverberant sound of a grand concert hall

A comprehensive control set allows for tailored sound to any setup. BLEND adjusts from 100% dry to 100% wet. TIME controls the decay time of the reverb. DELAY/SPRING sets the pre-delay time in PLATE and HALL mode or selects between 3 springs lengths in SPRING mode. The TONE control adjusts the overall brightness of the reverb from bright and airy to warm and smoky.

Additionally, TAILS bypass can be selected so the reverb continues to decay after the pedal is switched to bypass. This allows for a more natural sounding decay when turn the reverb off. Infinite Reverb can be achieved by maxing out the TIME control in both PLATE or HALL mode or by pressing and holding the footswitch. This creates a building ambient soundscape until you release the footswitch.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023
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MRP:$165.14 SAVE 17%
 1 in stock $137.25
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Doepfer A-118-2 Noise/Random/Sample & Hold Slim Line Module (silver)
Cat: 731938 Rel: 10 Jun 19 • View all
 
Noise, random, sample & hold module - 4HP
Notes: Module A-118-2 is the slim version of module A-118-1 and offers essentially the same features as the A-118-1. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-118-1. The module is primarily planned for applications where only limited space is available. The functional difference between A-118-1 and A-118-2 is the additional T&H/S&H unit which is not included in the A-118-1.

The module generates the signals white noise, colored noise, continuous random voltage and stepped random voltage (derived from the continuous random voltage by means of a S&H/T&H unit).

The noise signal is generated 100% analog by amplification of the noise of a transistor. White and colored noise are usually used as audio sources. The random voltages are normally used as control voltages (e.g. for filter frequency or any other voltage controlled parameter).
The A-118-2 gives you the ability to mix the relative amounts of Red (low frequency component) and Blue noise (high frequency component) in the colored noise output.

For the continuous random voltage the rate of change (Rate) and amplitude (Level) of the random voltage can be adjusted. The continuous random voltage is derived from the colored noise signal by low pass filtering. Consequently the settings of the controls for the colored noise (Blue, Red) affect the behavior of the random voltage! A dual color LED (red = positive / yellow = negative output voltage) indicates the continuous random voltage.

The continuous random voltage is used as source for the S&H/T&H unit. The type of operation can be set to S&H (sample and hold) or T&H (track and hold). When T&H is chosen the output signal follows the input signal (= continuous random voltage) as long as the Clock input is "high". As soon as the clock signal changes to "low" the last voltage is stored. When S&H is chosen the input signal (= continuous random voltage) is sampled at the rising edge of the Clock signal.

For the Clock signal a "digital" signal (e.g. Clock, Gate, rectangle output of an LFO) is required. It does not work with slowly changing continuous CV signals. Another dual color LED (red = positive / yellow = negative output voltage) indicates the stepped random voltage.

Controls:

Blue: share of the high frequencies in the the colored noise output
Red: share of the low frequencies in the the colored noise output
Rate: rate of change of the continuous random voltage
Level: amplitude of the continuous random voltage
TH/SH: switches between T&H and S&H

Inputs and outputs:

RND: continuous random voltage output (with LED display)
TH/SH: stepped random voltage output (with LED display)
Clk: Clock input of the S&H/T&H unit
C Noise: colored noise output
W Noise: white noise output

Important notes:

After power on it takes a few minutes until the two noise signals and the random signals are generated. The module is not faulty when after power on the signals do not appear immediately!

The S&H/T&H function is realized by pure analog circuitry (electronic switch followed by a holding capacitor and buffer). Consequently the output voltage drifts a bit in the holding state because the capacitor is discharged by parasitic resistors. The drift depends also upon environmental conditions like humidity or temperature.

Dimensions
4 HP
40 mm deep

Current Draw
20 mA +12V
20 mA -12V
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 2 in stock $88.34
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Eowave Quadrantid Swarm Digital Synth Voice Module Eowave Quadrantid Swarm Digital Synth Voice Module
Eowave Quadrantid Swarm Digital Synth Voice Module (reverb/synth voice/digital/oscillator/filter/MIDI/sequencer/LFO module)
Cat: 794135 Rel: 21 Oct 20 • View all
 
Digital synth voice module - 40HP
Notes: Unique synth voice based around a digital triangle wave oscillator with percussive element, dual filters, envelope, LFO, spring reverb and touch pads for performance.

Supplier's Notes:
The Quandrantid Swarm module is a versatile and unique synth voice for sound designers and musicians looking to explore exquisite and unfamiliar timbres that range from subtle to outrageous, nebulous to shimmering.

It features a digital synthesizer voice with a percussive element, an analog 2-pole filter, an LFO with eight waveforms, and a spring reverb. The 8 touch keys can be used as a mono keyboard, polyphonic keyboard or an eight step sequencer. The synth interfaces with other instruments via MIDI, and CV/Trig inputs. The semi-modular design allows you to get hands on immediately, but you can and should use patch cables to fully explore the potential of this instrument.

Power consumption: 170mA at +12 V and 70mA at -12 V

HP : 40
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 3 in stock $481.73
Headliner 2-Tier Desktop Synthesiser Stand Headliner 2-Tier Desktop Synthesiser Stand Headliner 2-Tier Desktop Synthesiser Stand Headliner 2-Tier Desktop Synthesiser Stand Headliner 2-Tier Desktop Synthesiser Stand Headliner 2-Tier Desktop Synthesiser Stand Headliner 2-Tier Desktop Synthesiser Stand Headliner 2-Tier Desktop Synthesiser Stand
Cat: 914347 Rel: 19 Dec 22 • View all
 
Fits two compact devices like synthesizers, controllers, drum machines, and effects modules
Notes: The Headliner 2-Tier Desktop Synth Stand was designed to improve your workflow and help you stay organized while fitting more gear on your production desk. It fits two compact devices like synthesizers, controllers, drum machines, and effects modules. The angled design makes it easier to reach knobs and view LCD screens.

The Headliner 2-Tier Desktop Synth Stand is adjustable in width from 7.3" to 11.5" and fits a variety of devices from Roland, Korg, Elektron, and more (partial list below). It is made from solid steel and includes non-slip rubber strips for added stability.

Features
Fits two devices like synthesizers, controllers, drum machines, and effects modules
Improve your workflow and stay organized while fitting more gear on your production desk
Angled stand makes it easier to reach knobs and view LCD screens
Solid steel construction with non-slip rubber pads keep stand in place
Width adjustable from 7.3" to 11.5"
Best fits devices from 8" to 14" in width
Each tier has a depth of 7"
Overall dimensions of stand (WxDxH): 7.3"-11.5" x 14" x 10.75"
Includes non-slip rubber strips
Fits: Akai Fire, Akai LPD8, Akai MPX8, Alesis SR-16, Arturia SparkLE, Behringer Crave, Behringer TD-3, Behringer RD-6, Dreadbox Typhon, Elektron Digitone, Korg nanoPAD2, Korg SQ-1, Korg Volca Bass, Korg Volca Beats, Korg Volca Drum, Korg Volca Kick, Korg Volca NuBass, Korg Volca Sample 2, Native Instruments Maschine Mikro MK3, PreSonus ATOM SQ, Roland Boutique Series, Roland MC-101, Roland TB-3 Touch Bassline, Roland TR-6S, and more.
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 2 in stock $68.36
BOSS AW-3 Dynamic Wah Effects Pedal BOSS AW-3 Dynamic Wah Effects Pedal
Cat: 996670 Rel: 28 Mar 24 • View all
 
Dynamic wah effects pedal
Notes: Unbelievable "talking" wah effects!

The BOSS AW-3 Dynamic Wah pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new "Humanizer" effect which can simulate human vowel sounds. A Bass input provides a variety of funky wah sounds for bass guitar.

A "Talking" Pedal

The AW-3 Dynamic Wah is the first compact wah pedal to incorporate human voice-type sounds through a new "Humanizer" Mode. Of course, you can also choose from standard up-and-down wah effects, plus a Tempo Mode and resonant synth-like Sharp Mode.

Endless Possibilities

Choose from both fixed and auto wah settings using the Manual control or pedal for tempo input. By connecting an optional expression pedal, the AW-3 can also be used for Pedal Wah effects. A dedicated Bass input permits direct processing of bass guitars.

Specifications:

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass

Controls:
MODE knob
SENS knob
MANUAL knob
DECAY knob
Pedal switch

Indicator: CHECK indicator (Used for indication of check battery)

Connectors:
GUITAR IN jack: 1/4-inch phone type
BASS IN jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
EXP/CTL jack: 1/4-inch phone type
DC IN jack

Power Supply:
Alkaline battery (9 V, 6LR61)
AC adaptor (PSA series: sold separately)

Current Draw: 50 mA

Expected battery life under continuous use:
Alkaline: Approx. 8 hours
*These figures will vary depending on the actual conditions of use.

Accessories:
Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Alkaline battery (9 V, 6LR61)
Options (sold separately):
AC adaptor: PSA series
Expression Pedal: EV-30/FV-500H/FV-500L, Roland EV-5
Footswitch(momentary-type): FS-5U/FS-6/FS-7

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 430 g / 1 lb
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MRP:$160.93 SAVE 17%
 1 in stock $134.00
Zomo Sennheiser HD 25 Earpad & Headband Set (velour, black)
Cat: 750052 Rel: 04 Oct 19 • View all
 
Replacement earpads
Notes: The replacement pad set made of velour is available in many fashionable colours and fits the headphones Sennheiser HD25, HD25-13, HD25 SP, HMD25, HME25, HMEC25 and AKG K518. 2 x ear pads and 2 x head pads (self-adhesive) can be mounted in a few moments.

With this earpad set you can give your headphones an individual touch and make them look like new again very quickly after a little more use. In addition, you can be sure that your professional Sennheiser DJ headphones will retain their value and look perfect.

Velour cushions are very comfortable to wear, even if it gets a little hotter and the "normal" cushions drip with sweat.

- Material: Velour (100% Polyester)
- Weight: 18 g
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 1 in stock $15.51
DivKid Stereo Strip Channel Strip Module DivKid Stereo Strip Channel Strip Module
DivKid Stereo Strip Channel Strip Module (attenuator/distortion/dual/stereo/equaliser/external/panning/preamp/VCA module)
Cat: 876141 Rel: 12 May 22 • View all
 
Stereo voltage controlled amplifier module - 6HP
Notes: Stereo Strip takes the idea of a channel strip and makes it modular. By bringing this long-established component of the audio engineering world into the Eurorack environment and by adding CV control over its key parameters, you will find new, creative ways to use it in your patches!

It features stereo inputs and outputs for audio or CV with EQ, voltage controlled panning, stereo VCA, performable mute and input/output level switching for Eurorack or line level uses. Abusing the input level switching allows for some musical, modulate-able and highly shapeable distortion sounds too.

Stereo Strip was designed to be a creative part of a modular patch. Creating stereo images from mono sources, shaping and modulating existing stereo images, synthesising stereo pseudo ring modulation, sweetening FX with EQ or drastically wave shaping your oscillators, creating send FX routings with benefits or it can simply be used as a channel strip at the end of chain in a patch.

The addition of line level gain boosting (for the input) or reduction (for the output) allow it to work as a stereo input or output interface for external gear with the advantage of the VCA, panning and the EQ to shape the sound. Experiment with bringing external gear into the Eurorack format and then shape and modulate those sounds them on the way in!

Try patching Stereo Strip anywhere you would place a VCA in a system and/or explore its EQ and voltage controlled panning, which are rarer additions to the sound sculpting options for the Eurorack format.

Specs

Current Draw: +12: 63mA -12: 63mA 5v:0
Width: 6HP
Depth: 33mm including power connector
Aluminium, heat-treated front panel.
Designed and assembled in Barcelona.
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 1 in stock $184.60
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quote 876141
Mackie ProFX10v3 10-Channel Analogue Studio Mixer With USB Mackie ProFX10v3 10-Channel Analogue Studio Mixer With USB Mackie ProFX10v3 10-Channel Analogue Studio Mixer With USB Mackie ProFX10v3 10-Channel Analogue Studio Mixer With USB Mackie ProFX10v3 10-Channel Analogue Studio Mixer With USB Mackie ProFX10v3 10-Channel Analogue Studio Mixer With USB Mackie ProFX10v3 10-Channel Analogue Studio Mixer With USB
Cat: 748126 Rel: 25 Nov 19 • View all
 
10-channel analogue studio mixer with USB
Notes: Ten-channel version of Mackie's new compact ProFX mixer, ideal for home studio use or small live setups. Built-in USB interface and digital effects section. Great value.

Supplier's notes:
The Mackie ProFX10 v3 10-Channel Professional Effects Mixer with USB is the ultimate affordable solution for live sound, home recording, and content creators. Now with our renowned Onyx mic preamps that offer 60db of headroom, everything from gain hungry mics to guitars will sound better than ever, and you can keep it all in check with simple single-knob compression. The new GigFX effects engine offers 24 built-in FX for even more options for adding the finishing touch. Record your tracks in 24-Bit/192kHz quality with 2x4 USB I/O plus zero-latency hardware monitoring for easy overdubs. Both ProTools First and Waveform OEM recording software/plugin packages are included.
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 1 in stock $243.18
Electro-Harmonix Nano Clone Analogue Chorus Effects Pedal
Cat: 560344 Rel: 31 Jan 15 • View all
 
Analogue chorus effects pedal
Notes: Budget-conscious chorus pedal with amazin shimmering doubling effect!

The heritage of classic Electro-Harmonix Small Clone chorus comes full circle in an economy version. The EHX Nano Clone presents a lush, true analog chorus at a very affordable price.

True bypass
Rate knob
Tough and compact die-cast chassis
9Vbattery included

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 12mA
Year Released: 2006
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MRP:$56.80 SAVE 12%
 1 in stock $50.22
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quote 560344
Headliner Mod Base Desktop Production Stand (black) Headliner Mod Base Desktop Production Stand (black) Headliner Mod Base Desktop Production Stand (black) Headliner Mod Base Desktop Production Stand (black) Headliner Mod Base Desktop Production Stand (black) Headliner Mod Base Desktop Production Stand (black) Headliner Mod Base Desktop Production Stand (black) Headliner Mod Base Desktop Production Stand (black)
Cat: 914339 Rel: 19 Dec 22 • View all
 
Fits compact devices like synthesizers, controllers, drum machines, and effects modules.
Notes: The Headliner Mod Base desktop production stand was designed to improve your workflow and help you stay organized while fitting more gear on your production desk. It fits compact devices like synthesizers, controllers, drum machines, and effects modules. The angled design makes it easier to reach knobs and view LCD screens.

Adjustable book-end brackets keep gear from moving around, while a removable center divider can be used to fit 2 small devices side by side. The Headliner Mod Base is made from solid steel with non-slip rubber pads to keep stand securely in place.

The MOD RISER is the companion stand to the Mod Base. Use them together to form a solid dual desktop stand with the included joining plates.

Features
Fits compact devices like synthesizers, controllers, drum machines, and effects modules.
Improve your workflow and stay organized while fitting more gear on your production desk
Angled stand makes it easier to reach knobs and view LCD screens
Solid steel construction with non-slip rubber pads keep stand in place
Adjustable book-end brackets keeps gear from moving around
Removable center divider to fit 2 small devices side by side or one larger device
Use with Headliner Mod Riser to make 2-tier stand
Fits two devices up to 8" x 7.75" or one device 16.25" x 7.75"
Dimensions (WxDxH): 19" x 7" x 5"
Fits: 1010music Blackbox Studio, 1010Music Bluebox, Akai Fire, Akai LPD8, Akai MPX8, Alesis SR-18, Alesis SR-16, Analogue Solutions Generator, Arturia SparkLE, Arturia Beatstep, Behringer Crave, Behringer TD-3 / RD-6, Boss DR-3 DR. Rhythm, Dreadbox Typhon, Elektron Model, Elektron Octatrack MKII, Elektron Analog Heat, Elektron Digitakt, Elektron Digitone, Korg nanoPAD2, Korg Volca Bass, Korg Volca Beats, Korg Volca Drum, Korg Volca NuBass, Korg SQ-1, Korg Volca Kick, Korg Volca Sample 2, Korg KR mini, Korg Electribe, Native Instruments Maschine Mikro MK3, Novation Circuit, Novation Launchpad Mini MK3, PreSonus ATOM SQ, PreSonus ATOM, Roland TB-3 Touch Bassline, Roland Boutique TR-06, Roland MC-101, Roland TR-6S, Roland TR-08, Roland JU-06A, and more.
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MRP:$73.63 SAVE 14%
 1 in stock $63.10
IK Multimedia iRig Stream Streaming Audio Interface For iOS, Mac & PC IK Multimedia iRig Stream Streaming Audio Interface For iOS, Mac & PC IK Multimedia iRig Stream Streaming Audio Interface For iOS, Mac & PC IK Multimedia iRig Stream Streaming Audio Interface For iOS, Mac & PC IK Multimedia iRig Stream Streaming Audio Interface For iOS, Mac & PC IK Multimedia iRig Stream Streaming Audio Interface For iOS, Mac & PC IK Multimedia iRig Stream Streaming Audio Interface For iOS, Mac & PC IK Multimedia iRig Stream Streaming Audio Interface For iOS, Mac & PC IK Multimedia iRig Stream Streaming Audio Interface For iOS, Mac & PC
Cat: 751621 Rel: 21 Nov 19 • View all
 
Audio interface for live streaming
Notes: Today's mobile devices make it easier than ever to share your music with the world. From Instagram live-streams to YouTube videos, SoundCloud playlists and more, social media and smartphones have become a key aspect of how many musicians get heard and connect with fans.

iRig Stream makes it easier than ever to share, letting you connect instruments, mixers and more to your iPhone, iPad, Android device and Mac/PC, with convenient features designed just for use on today's most popular platforms. Whether it's mono or stereo, live playing or an existing mix, iRig Stream gets you connected to all your favourite apps, so you can start connecting with listeners instantly.

Get connected:

iRig Stream makes it easier than ever to connect. With USB, USB-C and Lightning cables right in the box, it plugs into all the latest iPhones, iPads, and Android devices, as well as Mac & PC - even the latest devices.

2 line-level RCA inputs are perfect to connect DJ and multi-channel mixers, but are also great for keyboards, synth & drum machine setups, and more. Whether you're looking to stream your DJ set, record band practice, jam along with your favourite song, or even host a podcast, iRig Stream lets you connect a massive range of gear.

Sound your best:

iRig Stream offers 24-bit, 48 kHz A/D and D/A converters to ensure a clean, professional signal regardless of the platform you'll wind up on. And adjustable input gain and easy-to-read level indicators let you dial in the right sound level instantly

Make your voice heard:

iRig Stream offers a unique headphone / microphone jack, wired just like your smartphone, so you can listen and talk over the stereo input simultaneously.

The mic input is mixed into the stereo inputs, to ensure it works with any app, and offers adjustable volume. Best of all, it works with most headphones with a built-in mic*, and also with IK products like iRig Mic Lav, iRig Mic, and iRig Pre, giving you a wide range of options for any situation.

Designed for apps:

If you're ever tried streaming or sharing audio on social media, you know many apps only support mono signals - so iRig Stream offers a mono/stereo switch to compensate. Stereo passes both inputs as left & right channels, and mono mixes them together to a single channel, ensuring you won't lose anything panned to one side.

iRig Stream also offers a loopback function that lets you mix the output of your device with the incoming signal. Load up a backing track in your favourite music app, jam along on your instrument, then send both signals together to a video or live-stream - all on one device!

Comprehensive compatibility:

iRig Stream works with any app that records or streams audio or video, so you'll never stop finding new ways to use it. To get you started, it includes iRig Recorder 3 LE (iPhone/iPad/Android) - an easy-to-use, high quality audio and video recording app. Record, trim, edit and share, right from your device.

Built to go and to last:

iRig Stream is compact enough to slip into the pocket of your backpack, so it's ideal for use on the go. It runs off your device's battery, so there's no batteries to run out mid-show, but can also charge your device with an optional power supply, to keep you going for extended sessions.

Includes:

- iRig Stream interface
- Lightning to mini-DIN connection cable (60cm/23.62")
- USB C-Type to mini-DIN connection cable (60cm/23.62")
- USB A-Type to mini-DIN connection cable (60cm/23.62")
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MRP:$126.22 SAVE 25%
 1 in stock $95.23
Mackie MC-250 Professional Closed-Back Studio Headphones Mackie MC-250 Professional Closed-Back Studio Headphones Mackie MC-250 Professional Closed-Back Studio Headphones Mackie MC-250 Professional Closed-Back Studio Headphones Mackie MC-250 Professional Closed-Back Studio Headphones
Cat: 706190 Rel: 20 Mar 19 • View all
 
Professional closed-back studio headphones.
Notes: The MC series offers a versatile headphone with high performance 50mm Drivers, specifically designed for long term comfort for either studio or home use, with collapsible structure for simple transportation.

The MC-250 brings this series to new heights with a deeper 10Hz-20kHz frequency range, and 100dB sensitivity. Whilst still only carrying at 265g / 9.35. oz and with collapsible folding design, this edition is absolutely perfect for storage, and portability with ease. The MP-250 ensures punchy deep bass and precision-tuned highs to new degrees, ensuring the ultra-wide soundstage that your studio and home requires.
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 1 in stock $81.00
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quote 706190
IK Multimedia iRig Stream MIC USB Cardioid USB-C Condenser Microphone IK Multimedia iRig Stream MIC USB Cardioid USB-C Condenser Microphone IK Multimedia iRig Stream MIC USB Cardioid USB-C Condenser Microphone IK Multimedia iRig Stream MIC USB Cardioid USB-C Condenser Microphone IK Multimedia iRig Stream MIC USB Cardioid USB-C Condenser Microphone IK Multimedia iRig Stream MIC USB Cardioid USB-C Condenser Microphone
Cat: 975796 Rel: 24 Oct 23 • View all
 
Compact cardioid USB condenser microphone for MAC/PC andl iPhone/iPad models with a USB-C port
Notes: Connect your music with the world

The first audio interface designed for sharing

Today's mobile devices make it easier than ever to share your music with the world. From Instagram live-streams to YouTube videos, SoundCloud playlists and more, social media and smartphones have become a key aspect of how many musicians get heard and connect with fans.

iRig Stream makes it easier than ever to share, letting you connect instruments, mixers and more to your iPhone, iPad, Android device and Mac/PC, with convenient features designed just for use on today's most popular platforms. Whether it's mono or stereo, live playing or an existing mix, iRig Stream gets you connected to all your favourite apps, so you can start connecting with listeners instantly.

Features

Stereo line input over RCA connectors
Audio level LED indicators to dial in the right gain fast
Up to 48kHz / 24bit resolution for crystal clear sound
Pre-mixes audio sources down to stereo or mono
Loop-back mixes incoming signals with your device's audio
Headphone out with integrated mic input to talk over your music
Powered by your device for use on the go
Works with all your favourite apps
Custom ASIO driver for superior performance on Windows machines

Mix and stream up to 3 audio sources

iRig Stream makes it easy to connect all your audio sources and route them to a streaming or recording app. Send the digital output of your smartphone, tablet or laptop into iRig Stream, mix it with external audio sources like mixers, DJ decks, keyboards and more. Add your voice from earbuds (or an iRig Mic) and send all 3 signals back to your device to popular apps like Instagram, or just your built-in camera app.

Get connected

iRig Stream makes it easier than ever to connect. With USB, USB-C and Lightning cables right in the box, it plugs into all the latest iPhones, iPads, and Android devices, as well as Mac & PC - even the latest devices.

2 line-level RCA inputs are perfect to connect DJ and multi-channel mixers, but are also great for keyboards, synth & drum machine setups, and more. Whether you're looking to stream your DJ set, record band practice, jam along with your favourite song, or even host a podcast, iRig Stream lets you connect a massive range of gear.

Sound your best

iRig Stream offers 24-bit, 48 kHz A/D and D/A converters to ensure a clean, professional signal regardless of the platform you'll wind up on. And adjustable input gain and easy-to-read level indicators let you dial in the right sound level instantly.

Make your voice heard

iRig Stream offers a unique headphone / microphone jack, wired just like your smartphone, so you can listen and talk over the stereo input simultaneously.

The mic input is mixed into the stereo inputs, to ensure it works with any app, and offers adjustable volume. Best of all, it works with most headphones with a built-in mic*, and also with IK products like iRig Mic Lav, iRig Mic, and iRig Pre, giving you a wide range of options for any situation.

Designed for apps

If you're ever tried streaming or sharing audio on social media, you know many apps only support mono signals - so iRig Stream offers a mono/stereo switch to compensate. Stereo passes both inputs as left & right channels, and mono mixes them together to a single channel, ensuring you won't lose anything panned to one side.

Comprehensive compatibility

iRig Stream works with any app that records or streams audio or video, so you'll never stop finding new ways to use it. To get you started, it includes iRig Recorder 3 LE (iPhone/iPad/Android) - an easy-to-use, high quality audio and video recording app. Record, trim, edit and share,
right from your device.

Built to go and to last
iRig Stream is compact enough to slip into the pocket of your backpack, so it's ideal for use on the go. It runs off your device's battery, so there's no batteries to run out mid-show, but can also charge your device with an optional power supply, to keep you going for extended sessions.

Specs

Common
Conversion: 24-bit A/D, 24-bit D/A
Sampling Rate: 44.1 kHz, 48 kHz
Power: USB bus powered or DC IN. When connected to an external PSU (iRig PSU 3A, not included), iRig Stream charge the connected iOS lightning device.
Metering: 3x LEDs
Device Connection: mini-DIN

Line input
Connector: 2x RCA (unbal.) Left/Right
Nominal Input Level: -10dBV
Input Impedance: 16.5kOhms
Frequency Response: 20 Hz - 20kHz

Headset/Phones
Connector: 1/8" TRRS jack (CTIA wiring standard)
Supply voltage: > 2,5V
Microphone gain: Adjustable with numbered thumbwheel
Frequency Response: 20 Hz - 20kHz
Headphone Level control: numbered thumbwheel
Headphone Output Power: 100mW into 50Ohms

Package includes
iRig Stream interface
Lightning to mini-DIN connection cable with charging features (60cm/23.62")
USB C-Type to mini-DIN connection cable (60cm/23.62")
USB A-Type to mini-DIN connection cable (60cm/23.62")

Dimensions
Size: 105.5mm/4.15" x 44.5mm/1.75" x 24mm/0.94"
Weight: 65g/2.29oz

Compatibility

iOS Devices

Made for: iPhone XS Max, iPhone XS, iPhone XR, iPhone X, iPhone 8 Plus, iPhone 8, iPhone 7 Plus, iPhone 7, iPhone SE, iPhone 6s Plus, iPhone 6s, iPhone 6 Plus, iPhone 6, iPhone 5s, iPad Pro 10.5-inch, iPad Pro 12.9-inch (2nd generation), iPad Pro 9.7-inch, iPad Pro 12.9-inch (1st generation), iPad mini 4, iPad Air 2, iPad mini 3, iPad Air, iPad mini 2, iPad (6th generation), iPad (5th generation).
Also compatible with all newer iPhone, iPad and iPod touch models.

Computers
Macr: macOSr 10.6 or later. One free USB port.
Windowsr: Windows 10 or later. One free USB port. For low latency, the IK Multimedia's iRig audio driver must be installed. Download the iRig ASIO driver here.

Android Devices
Compatible with Android devices running Android 5 or later and with USB digital audio capabilities. Micro-USB-OTG mini-DIN cable (sold separately) is required.
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MRP:$108.34 SAVE 22%
 1 in stock $84.67
Mooer Audio Steep I USB Audio Interface Mooer Audio Steep I USB Audio Interface Mooer Audio Steep I USB Audio Interface Mooer Audio Steep I USB Audio Interface Mooer Audio Steep I USB Audio Interface Mooer Audio Steep I USB Audio Interface Mooer Audio Steep I USB Audio Interface
Cat: 896584 Rel: 23 Aug 22 • View all
 
A multi-platform audio interface with support for high-resolution audio up to 24bit/192 KHz and combination microphone, line-in, and high-impedance value instrument support.
Notes: A multi-platform audio interface with support for high-resolution audio up to 24bit/192 KHz and combination microphone, line-in, and high-impedance value instrument support. Dual-channel outputs are also included as well as one USB-C port for power and one USB-C port for data transfer, that can also be used for power when connected to a PC. Both the Steep I and II include dual LED input level indicators, support for 48v phantom power, a stereo direct monitor button, and knobs to control main output volume, mix, and input gain levels.

Specifications

Frequency Response: 20 Hz to 20kHz: 0.07dB
THD+N: 0.0094%
Minimum gain: -1 dBFS input with 22 Hz/22 kHz bandpass filter
Maximum Input Level (minimum gain level):L +11 dBu
Gain Range: 50dB
Input impedance: 1.5M ohm

Line Outputs

Output Jack: 1/4" TRS jack*2 (support balanced signal)
Dynamic Range: 108dB (A-weighted)
Maximum Input Level (minimum gain level) : +5.746 dBu
THD+N: 0.019% (minimum gain, -1 dBFS input with 22 Hz/22 kHz bandpass filter)
Input impedance 430 ohm

Headphone Outputs

Output Jack: 1/4" TRS jack*1
Dynamic Range: 104.9dB
Maximum Input Level (minimum gain level): +9.738 dBu
THD+N: <0.002% (minimum gain, -1 dBFS input with 22 Hz/22 kHz bandpass filter)
Output impedance: <1 ohm
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MRP:$135.69 SAVE 11%
 1 in stock $120.70
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quote 896584
Molten Modular Motion MTR 1U CV & Audio Utility/Real Time Visualiser Module Molten Modular Motion MTR 1U CV & Audio Utility/Real Time Visualiser Module
Molten Modular Motion MTR 1U CV & Audio Utility/Real Time Visualiser Module (mixer/attenuator/polarizer/utility synth module)
Cat: 946024 Rel: 02 Jun 23 • View all
 
1U version of Molten Modular's MTR
Notes: This 1u version will be functioning as its 3u counterpart but with four channels.

More info to follow.
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 1 in stock $150.93
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quote 946024
IK Multimedia iRig Pro Quattro I/O 4in/2out Portable Audio & MIDI Interface IK Multimedia iRig Pro Quattro I/O 4in/2out Portable Audio & MIDI Interface IK Multimedia iRig Pro Quattro I/O 4in/2out Portable Audio & MIDI Interface IK Multimedia iRig Pro Quattro I/O 4in/2out Portable Audio & MIDI Interface IK Multimedia iRig Pro Quattro I/O 4in/2out Portable Audio & MIDI Interface IK Multimedia iRig Pro Quattro I/O 4in/2out Portable Audio & MIDI Interface IK Multimedia iRig Pro Quattro I/O 4in/2out Portable Audio & MIDI Interface IK Multimedia iRig Pro Quattro I/O 4in/2out Portable Audio & MIDI Interface IK Multimedia iRig Pro Quattro I/O 4in/2out Portable Audio & MIDI Interface IK Multimedia iRig Pro Quattro I/O 4in/2out Portable Audio & MIDI Interface
Cat: 872907 Rel: 10 May 22 • View all
 
4 IN/2 OUT Audio/MIDI mobile, broadcast/podcast , and field recording interface + stand-alone mixer
Notes: Field recorder meets interface in this clever offering from IK's iRig range. Essentially a 4-in/2-out audio and MIDI interface with built-in mics, the Quattro is portable, versatile and high quality.

Supplier's Notes:
Pro recording and performing, in the palm of your hand

iRig Pro Quattro I/O is a professional-quality 4 in / 2 out portable audio and MIDI interface packed with everything needed for field recording and content creation, for serious sound and flexibility - anywhere.

Small enough to fit in the palm of your hand, the iRig Pro Quattro I/O still packs in four high-quality, low-noise mic preamps; instrument, RCA and TRS inputs; plus XLR balanced, 3.5mm stereo and headphone outputs - and full MIDI I/O!

iRig Pro Quattro I/O works right out of the box with iPhone, iPad, Android, Mac and PC, but can also serve as a stand-alone mic preamp or line mixer, with a built-in limiter and direct monitoring so you're always guaranteed the perfect take.

Packed with a swiss-army-knife's worth of tools, iRig Pro Quattro I/O ensures you're ready for anything, anywhere.

As a mobile interface

Connected to a computer or mobile device, the iRig Pro Quattro I/O will work as a high-quality, multi-channel audio and MIDI interface with a full array of inputs and outputs so you'll always be prepared for any recording or need. Fully MFi-certified, no adaptors are required for iPhone or iPad for reliable field performance on any device.

As a broadcast / podcast interface

Enable STEREO mode and iRig Pro Quattro I/O mixes all sources down to stereo for streaming or recording. Monitoring is easy thanks to a dedicated headphone output with independent volume control and direct monitoring. Or use MONO mode for streaming to social media; Loopback lets you duet your favourite videos easily.

As a field recording interface

With an onboard microphone and optional stereo mic capsules, iRig Pro Quattro I/O turns your iPhone, iPad, Android device into a full-featured, professional field recorder.

As a stand-alone mixer

iRig Pro Quattro I/O also works as a preamp and mixer: just power it via battery, USB or DC IN and use the full set of inputs/outputs to capture and mix multiple sources to your DSLR camera with professional quality.

Always perfect recordings with the safety backup channels

In STEREO and MONO mode, inputs 3 and 4 can be used as safety channels: recording the same signal as input 1 and 2 but reduced by 12dB as a backup in case the sound source unexpectedly overloads the main channels.

Audio quality without compromise... wherever you are

Up to 24-bit, 96 kHz sample rate Ultra-low-noise mic preamps with full +48v phantom power Professional-quality, transparent A/D and D/A conversion Built-in limiter, for input 1-2, to protect against clipping Multitrack, stereo or mono internal mixdown.

Specifications

Microphone Input
Microphone Input: balanced female 3-pin, XLR. Pin 2: hot / Pin 3: cold / Pin 1: ground
Microphone Input Level: from 6 mVpp to 1.4 Vpp
Microphone Input Impedance: 3.2 kOhms
Gain Range: 40 dB
Phantom Power: +48V i 4V
Frequency Response: 20 Hz - 20 kHz +/-1.5dB
Input Noise: -103 dB(A), -97 dB RMS

Instrument Input
Instrument Input: unbalanced, Hi-Z, TS 1/4" Jack, Tip: signal / Shield: ground
Instrument Input Level: from 30 mVpp to 6.9 Vpp
Instrument Input Impedance: 1 MOhms
Gain Range: 27 dB
Frequency Response: 20 Hz - 20 kHz +/-1.5dB
Input Noise: -103 dB(A), -97 dB RMS
Stereo Headphone Output
Connector: 1/8" TRS Jack. Tip: right / Ring: left / Shield: ground
Headphone Level Control numbered thumbwheel
Headphone Level Power 100mW into 50 Ohms

Stereo Headphone Output
Connector: 1/8" TRS Jack. Tip: right / Ring: left / Shield: ground
Headphone Level Power 100mW into 50 Ohms

MIDI Input/Output
Connector: 2x2.5mm TS Jack
Other Input/Output
DC barrel: 1x DC barrel. For power and device charging.
Device Connector: mini-DIN

Common
Conversion: 24-bit A/D, 24-bit D/A
Sampling Rate: 44.1 kHz, 48 kHz, 88.2 kHz and 96 kHz

Power:
- USB bus powered when used with a computer
- Battery powered (2xAA included) when used with an iOS device
- DC power supply (not included, iRig PSU 3A sold separately)*

Package includes
iRig Pro I/O universal Audio-MIDI interface
Lightning to Mini-DIN connection cable with charging features (60cm/23.62")
USB-A to Mini-DIN connection cable (60cm/23.62")
USB-C to Mini-DIN connection cable (60cm/23.62")
2.5mm TRS male to MIDI female adapter (10cm / 3.9")
2 x 1.5V AA Battery
Velcro strip

Dimensions
Size: 43mm/1.69" x 127mm/5" x 37mm/1.46"
Weight: 120g/4.23oz (batteries excluded)
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MRP:$378.66 SAVE 38%
 1 in stock $234.78
IK Multimedia iRig Pro Quattro I/O Deluxe 4in/2out Portable Audio & MIDI Interface (2x iRig MIC XY stereo microphones + windscreen + 9V PSU + travel case)
Cat: 872911 Rel: 05 Sep 22 • View all
 
iRig Pro Quattro I/O inteface + 2 x iRig MIC XY stereo microphones + Windscreen + 9V PSU + Travel case
Notes: Deluxe version of the impressive iRig Pro Quattro features the same high-quality portable interface with the added bonus of a full complement of accessories, including mics and travel case.

Supplier's Notes:
***Note: This version of the iRig Pro Quattro I/O comes with 2 x Mic XY stereo microphones, foam windscreen, and a carry case. ***

Go pro all the way

For a little more, you get a lot with the iRig Pro Quattro I/O Deluxe edition. The value of the iRig XY stereo mic capsules alone is worth the upgrade. In addition to the pair of mics you'll get the optional power supply, which you can also use to keep your iOS device charged during extended sessions. Plus you'll get a custom carrying case to protect and transport your Quattro I/O and XY mics wherever your field work takes you.

Pro recording and performing, in the palm of your hand

iRig Pro Quattro I/O is a professional-quality 4 in / 2 out portable audio and MIDI interface packed with everything needed for field recording and content creation, for serious sound and flexibility - anywhere.

Small enough to fit in the palm of your hand, the iRig Pro Quattro I/O still packs in four high-quality, low-noise mic preamps; instrument, RCA and TRS inputs; plus XLR balanced, 3.5mm stereo and headphone outputs - and full MIDI I/O!

iRig Pro Quattro I/O works right out of the box with iPhone, iPad, Android, Mac and PC, but can also serve as a stand-alone mic preamp or line mixer, with a built-in limiter and direct monitoring so you're always guaranteed the perfect take.

Packed with a swiss-army-knife's worth of tools, iRig Pro Quattro I/O ensures you're ready for anything, anywhere.

As a mobile interface

Connected to a computer or mobile device, the iRig Pro Quattro I/O will work as a high-quality, multi-channel audio and MIDI interface with a full array of inputs and outputs so you'll always be prepared for any recording or need. Fully MFi-certified, no adaptors are required for iPhone or iPad for reliable field performance on any device.

As a broadcast / podcast interface

Enable STEREO mode and iRig Pro Quattro I/O mixes all sources down to stereo for streaming or recording. Monitoring is easy thanks to a dedicated headphone output with independent volume control and direct monitoring. Or use MONO mode for streaming to social media; Loopback lets you duet your favourite videos easily.

As a field recording interface

With an onboard microphone and optional stereo mic capsules, iRig Pro Quattro I/O turns your iPhone, iPad, Android device into a full-featured, professional field recorder.

As a stand-alone mixer

iRig Pro Quattro I/O also works as a preamp and mixer: just power it via battery, USB or DC IN and use the full set of inputs/outputs to capture and mix multiple sources to your DSLR camera with professional quality.

Always perfect recordings with the safety backup channels

In STEREO and MONO mode, inputs 3 and 4 can be used as safety channels: recording the same signal as input 1 and 2 but reduced by 12dB as a backup in case the sound source unexpectedly overloads the main channels.

Audio quality without compromise... wherever you are

Up to 24-bit, 96 kHz sample rate Ultra-low-noise mic preamps with full +48v phantom power Professional-quality, transparent A/D and D/A conversion Built-in limiter, for input 1-2, to protect against clipping Multitrack, stereo or mono internal mixdown.

Dimensions

Size: 160mm/6.29" x 90mm/3.54" x 40mm/1.57"
Weight: 340g/11.99oz (without batteries)
Cable length: 60cm/23.62"

Box contents

iRig Pro Quattro I/O
1/4" thread adapter
4x AA Batteries (alkaline)
iOS Lightning to mini-DIN cable
USB-A to mini-DIN cable
2.5mm jack to MIDI female adapter
2 iRig MIC XY stereo microphones
Windscreen
9V PSU
Travel case
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MRP:$452.29 SAVE 33%
 2 in stock $301.87
Korg KAOSS Replay Dynamic Effect & Sampler Korg KAOSS Replay Dynamic Effect & Sampler Korg KAOSS Replay Dynamic Effect & Sampler Korg KAOSS Replay Dynamic Effect & Sampler
Korg KAOSS Replay Dynamic Effect & Sampler (effects unit/audio sampler)
Cat: 981189 Rel: 05 Feb 24 • View all
 
Dynamic effect unit & audio sampler
Notes: A new generation of creative KAOSS

KAOSS Replay rewrites the rules of live performance and music creation. Immerse yourself in the fusion of Korg's iconic KAOSS XY pad with unparalleled effects, advanced sampling, playback and powerful controls.

Whether setting the stage alight, weaving sonic magic in the studio, or captivating global audiences via live-stream, KAOSS Replay is your passport to a realm where creativity knows no bounds.

Standalone KAOSS

KAOSS Replay is a self-contained performance tool - an all-in-one solution for musicians, performers, and producers. It features unparalleled KAOSS Pad effects, immersive sample playback and sampling capabilities, and intuitive DJ controls. Powered by USB-C and equipped with broad connectivity, KAOSS Replay offers an effortless and swift setup for stress-free performances without the hassle of intricate rigs.

Building on the iconic legacy of its predecessors, KAOSS Replay introduces an advanced sample playback and sampling system, boasting 128 sample slots (16 pads x 8 banks) for each of up to 100 projects, ensuring uninterrupted hours of KAOSS-fuelled live sets. Housed in a robust aluminium body, its sleek and minimalist design strikes the perfect balance between performance-ready size and backpack-friendly portability.

Unique KAOSS FX

KAOSS Replay has a rich palette of 128 new KAOSS FX; from filters, delays, and reverbs to imaginative and exhilarating modulation effects, loopers, vocoders, and synth effects. Replay offers top-tier vocal effects that effortlessly complement any genre and performance, ranging from subtle vocal correction to precise pitch tuning, marking a ground-breaking first in the KAOSS series.

Automating your effects is effortless with the PAD MOTION function, or by holding the desired position using TOUCH HOLD mode. The FX Release function ensures smooth transitions, seamlessly integrating your effects into your musical composition.

With a dedicated MIC Input, KAOSS Replay simplifies the process of playing and performing tracks and allows for engaging improvisation with exhilarating effects like never before.

Beyond effects

KAOSS Replay simplifies and streamlines the process of playing, sampling, or re-sampling. 16 high quality velocity-sensitive pads accommodate 128 slots divided across 8 banks per project. Replay supports up to 100 projects, which can be stored on a microSD card for effortless data management.

Enhanced by a dual group assign system and dedicated faders, along with BPM detection, sync, and quantization capabilities, KAOSS Replay provides a comprehensive toolkit for a seamless performance experience. What's more, the onboard sample trimming functionality, coupled with the 12-point Hot Cue triggering system, enables samples to be truly "played" during live performances, opening up a world of dynamic possibilities.

Creativity at your fingertips

At the heart of KAOSS Replay sits a stunning 5-inch full-colour OLED touchscreen. Whether manipulating effects, editing samples, or navigating menus, its tactile display offers a seamless and satisfying experience.

Combined with its function-dedicated buttons, knobs, faders, and sample pads, KAOSS Replay is an immersive and engaging performance tool for all musicians.

Live performance creativity

Sampling and resampling have always been core features of the KAOSS Pad series, and KAOSS Replay takes this capability to new heights. Choose a target pad, set the desired number of measures, and start capturing your samples effortlessly. Whether you're connecting external instruments via the AUDIO IN or recording your voice through the dedicated MIC Input, Replay provides a versatile canvas for your creativity.

Edit your samples, apply effects, assign hot cues, resample... the options are limited only by your imagination. Moreover, KAOSS Replay supports real-time recording of your performances, ensuring that those moments of real-time magic are captured.

The ultimate portable performance rig

KAOSS Replay simplifies the art of performance. Ultra-portable and ready to go within seconds, Replay eliminates the need for external gear. Precise beat-matching, playback quantization, hot cues, monitoring, and dual faders, are all complemented by the formidable KAOSS FX, making KAOSS Replay a performance powerhouse.

Controller and interface

KAOSS Replay excels both inside and outside the studio. Its remarkably flexible MIDI Surface mode offers complete customisation, transforming it into a highly adaptable MIDI controller. It can even serve as a USB plug-and-play audio interface, seamlessly integrating into your production studio setup.

Specifications

KAOSS Pad effects: 128 types. Tone, delay, reverb exclusive for microphone.
Trigger pads: 16 velocity sensitive x 8 banks
Projects: 100
Hot cue: Max 12 (per trigger pad)
Simultaneous plays: 16 Audio Linear PCM (48 kHz/16 bits)
Recording Sampling, resampling (30 mins); Live rec (100 min)

Audio input
LINE/PHONO IN jack: RCA pin jack (Select LINE or PHONO.)
PHONO GAIN switch (LO/HI)
MIC IN jack: Standard phone jack (6.3 mm, monaural TS)
AUX IN jack: Stereo mini jack (? 3.5 mm)

Audio output
LINE OUT jack: RCA pin jack
HEADPHONES jack: Standard stereo phone jack (6.3 mm)
Controller input: Standard phone jack 6.3 mm, TS)
USB / MIDI USB microB (MIDI, Audio (IN x 2ch, OUT x 34ch (48 kHz/16 bits)); MIDI IN/OUT (DIN 5pin)

External storage: microSD card, microSDHC card (32GB Max)
* Class10 or higher, UHS-I (U1) recommended
Dimensions: 185 (W) x 284 (D) x 56 (H) mm
Weight: 2kg
Power supply: DC 5V/3A
Included accessories: AC adapter, USB cable (Type A to microB, 1m) microSDHC card
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MRP:$998.19 SAVE 19%
 1 in stock $805.33
Nu-X Brownie Distortion Effects Pedal Nu-X Brownie Distortion Effects Pedal Nu-X Brownie Distortion Effects Pedal
Nu-X Brownie Distortion Effects Pedal (distortion effects pedal)
Cat: 712767 Rel: 22 Jan 19 • View all
 
Distortion effects pedal with rotary gain, level & tone controls
Notes: Shopping for a British distortion pedal? Try the NUX Brownie! The Classical British rock tones of the 1970's, packed into one little box. How it works? By using a hybrid of circuits, we created truly unique pre-amp and power tube distortion characteristics. You'll be amazed to hear the warm, organic tone that's reproduced. Brownie has a specially designed BJT input stage causing it to "break-up" when the preamp tube starts to distort. It also has an asymmetrical clipping circuit letting you simulate some of the characteristics of an actual tube amplifier. It also keeps the bottom-end tight by processing bass frequencies which can get muddy when distorted.

Nux Brownie uses a low-pass tone control filter to simulate the Variac effect (by lowering the voltage going into the amplifier) for rounding-off your tone. The range of tone is controlled yet perfect for dialling-in the high-end response. The power clipping circuit is crafted from a modern low-noise op-amp and 2 red LEDs. It can create symmetrical clipping that distorts both halves of the signal keeping the sound smooth. True bypass circuits with a high quality TPDP mechanical foot-switch gives the bypass its phenomenal signal clarity.
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MRP:$47.33 SAVE 23%
 1 in stock $36.55
Doepfer A-182-1 Switched Multiples Module
Doepfer A-182-1 Switched Multiples Module (switch/multiple synth module)
Cat: 751724 Rel: 23 Oct 19 • View all
 
Eurorack passive multi-connector - 6HP
Notes: Module A-182-1 is a simple passive multi-connector similar to the multiples modules A-180-1/A-180-2. In contrast to modules A-180-1/2 each socket is equipped with a 3-position switch that allows to connect the corresponding socket to the internal bus #1 (left position), bus #2 (right position) or to turn the socket off (centre position).

Examples:

- All switches in left position or all switches in right position: 8-fold multiple

- Four switches in left position and four switches in right position: two 4-fold multiple

- X switches in left position, Y switches in right position and Z switches in centre position: two separate multiples with some sockets turned off
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MRP:$68.37 SAVE 14%
 2 in stock $58.89
Korg Nu:Tekt TR-S Power Tube Reactor Effects Pedal DIY Kit (no soldering required) Korg Nu:Tekt TR-S Power Tube Reactor Effects Pedal DIY Kit (no soldering required)
Cat: 923629 Rel: 27 Jan 23 • View all
 
A build-it-yourself pedal that delivers the warmth and response of a tube amp.
Notes: TR-S

Power Tube Reactor

The feel and response of a tube amp, in a pedal. Meet a build-it-yourself pedal that delivers the warmth and response of a tube amp. The Nu:Tekt TR-S uses a Nutube to deliver previously unachievable compression thanks to exclusive patent-pending technology - meaning you get the feel of a tube amp even when recording or playing through a transistor amp.


What is a Nutube?
Developed by Korg; a Nutube - similar to a conventional vacuum tube/valve - has an anode grid filament structure, and operates exactly as a triode vacuum tube. It provides the same rich overtones and response that are distinctive of conventional vacuum tubes.

Overview

Meet a build-it-yourself pedal that delivers the warmth and response of a tube amp. The Nu:Tekt TR-S uses a Nutube to deliver previously unachievable compression thanks to exclusive patent-pending technology - meaning you get the feel of a tube amp even when recording or playing through a transistor amp.
Alongside amazing tone, one of the hallmarks of the Nu:Tekt series is that they're assembled by you! The TR-S kit doesn't require soldering, and the necessary tools are included - in fact, it's the easiest and fastest unit to assemble in the entire Nu:Tekt series!
Recreate the tube experience

The TR-S features an exclusive patent-pending circuit design, for compression that mimics the sag of a vacuum tube power amp - only possible with Nutube. Achieve this sought-after sound in any setting, even when playing through a transistor amp or recording into a DAW. The TR-S features four knobs on the panel, as well as three trimmer knobs hidden inside the top cover, allowing for even greater control over your sound. Go beyond the guitar and experience what the TR-S can do when you connect other instruments as well!

Easy assembly

Assemble the Nutube-driven TR-S with ease, just like a model kit - no soldering required. All necessary tools are included, along with a circuit diagram in the owner's manual. Perfect for those who love building their own effect units with top-notch performance and sound.

Specifications

Vacuum tube Nutube.6P1.
Inputs Mono 14" Jack
Outputs Mono 14" Jack
Power 9v battery, or DC9V AC adapter (both sold separately)
Approx. 5 hours battery life
Consumption 85mA
Dimensions 122 x 96 x 55mm
Weight 340g (without battery)
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MRP:$209.31 SAVE 10%
 1 in stock $188.28
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quote 923629
Omnitronic PM-422P 4-Channel DJ Mixer With Bluetooth & USB Player Omnitronic PM-422P 4-Channel DJ Mixer With Bluetooth & USB Player Omnitronic PM-422P 4-Channel DJ Mixer With Bluetooth & USB Player Omnitronic PM-422P 4-Channel DJ Mixer With Bluetooth & USB Player Omnitronic PM-422P 4-Channel DJ Mixer With Bluetooth & USB Player Omnitronic PM-422P 4-Channel DJ Mixer With Bluetooth & USB Player
Cat: 746345 Rel: 20 Sep 19 • View all
 
DJ mixer with Bluetooth & USB connectivity
Notes: More bang for your buck? Omnitronic's four-channel offering is a competitively priced alternative to entry-level mixers from Pioneer or A&H. Built-in mp3 playback from USBs and audio streaming over Bluetooth.

Supplier notes:
- 4 input channels with gain control, LED level meter, 3-band equalizer, cue button and channel fader
- DJ microphone channel with level control, 2-band equalizer, on/off and talkover switch
- Integrated Bluetooth audio streaming for your smartphones and tablets
- MP3 player with USB port and blue LCD screen
- Pre-fader listening to all input channels and the master output via adjustable stereo headphones output
- Crossfader with assignment switches and adjustable curve
- Master channel with level and balance control
- 10-digit stereo LED level meter
- Adjustable monitor output (DJ booth)
- 10 line and 2 phono inputs via RCA jacks
- Balanced XLR and RCA outputs
- Record output, independent of the master
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MRP:$249.28 SAVE 27%
 2 in stock $180.91
Doepfer A-171-2 Voltage Controlled Slew Processor & Generator Module (silver)
Doepfer A-171-2 Voltage Controlled Slew Processor & Generator Module (silver) (envelope generator/function generator/LFO/oscillator/slew limiter synth module)
Cat: 577809 Rel: 23 Oct 19 • View all
 
Slew processor/generator - 8HP
Notes: Module A-171-2 is a voltage controlled slew limiter with a lot of additional features beyond a simple slew limiter. It's mostly a licensed copy of Ken Stones VCS which is in turn based on the Serge VCS.

Typical applications:

- VC Slew Limiter / VC Portamento / VC Low Pass Gate:

Cycle switch = off, no trigger signal applied to Trig socket: Voltage controlled Slew limiter or portamento generator: the signal applied to the signal input is "slewed". The slew up and down times are controlled manually by means of the Up and Down controls, the effect of the CV Up and CV Down control voltages are controlled by the CV Up and CV Down controls, in exponential mode these controls also affect the slew shape (see symbols at the CCW and CW positions of the controls).

If an audio signal is applied an short slew rates are chosen the module works as a simple VCF/VCA combo.

- A/D Envelope Generator / Pulse Delay / Subharmonic Generator:

Cycle switch = off, trigger signal applied to Trig socket, no input signal: Simple Attack/Decay envelope Generator, the rise and fall times are controlled like the slew up/down times above, including the shape of the falling/rising slope of the envelope, the exp. CV input can be used to change both attack and decay simultaneously.

At the End output a pulse appears as the end of the envelope is reached (less than about 20mV), this can be used as a pulse delay.

If a series of triggers are applied to the VCS faster than the total rise and fall times, the module will divide the incoming signal by a whole number. In the audio range the output will be the sub-harmonic series.

- VCLFO / VCO:

Cycle switch = on, no trigger signal applied to Trig socket, no input signal: Voltage controlled LFO/VCO, the rise and fall times of the waveform are controlled like the slew up/down times above, including the shape of the falling/rising slope
the exp. CV input can be used like the CV input of a VCO or VCLFO, the response is exponential but not exactly 1V/oct.
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 1 in stock $122.00
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quote 577809
SoundLAB G050VA Hi-Fi Stylus For Dual ULM 55E Cartirdge (single)
Cat: 966283 Rel: 06 Sep 23 • View all
 
Replacement stylus for Dual ULM 55E cartirdge
Notes: Replacement Styli for 22-155 (IDN-155 E) Black (Dual) I, Ellip Tip

A popular replacement stylus. Individually packed in a plastic case. Made in Japan.

Colour: Black
Product Dimensions (mm): 11x20x10
Net weight (kg): 0.01

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 1 in stock $18.40
Doepfer A-143-9 QLFO Voltage Controlled Quadrature LFO & VCO Module
Cat: 738640 Rel: 09 Jul 19 • View all
 
Voltage controlled sine-LFO with four separate, phase shifted outputs - 8HP
Notes: Module A-143-9 is a derivative of our planned thru-zero quadrature VCO. It is a voltage controlled sine LFO with 4 outputs. The phase shift between the outputs is 90 degrees. The sine shifted by 90 degrees is also called cosine, the sine shifted by 180 degrees is nothing but the inverted sine, and the sine by 90 degrees is nothing but the inverted cosine.

The frequency range is from some minutes to frequencies beyond audio with three ranges selected by a toggle switch:

- Switch position H: about 30 Hz ... 3.5 kHz with the manual frequency control ("Frq."), beyond 20 kHz with additional external CV
- Switch position M: about 1 Hz ... 150 Hz with the manual frequency control ("Frq.")
- Switch position L: about 0,1 Hz ... 10 Hz with the manual frequency control ("Frq."), down to several minutes with additional external CV

Two exponential frequency control inputs are available: CV1 without attenuator and CV2 with polarizer. Consequently the module can be used even as an experimental sine VCO but does not feature an exact 1V/oct CV input! The precision CV input will be left to the thru-zero quadrature VCO.

Two LEDs display the positive and negative share of the sine output.

The core of the module is a so-called quadrature circuit that generates a sine a cosine signal with very low distortion. The quality of the sine/cosine signals are much better than those generated by a waveform converter with a sawtooth or triangle signal as starting point.

The output levels are about 5 Vss (+/-2.5V) but can be adjusted internally by a trimming potentiometer (P5 "Shape").

Typical applications:

- External sine/cosine oscillator for the frequency shifter A-126
- Modulations with pure sine/cosine waveforms
- Quadrature/barberpole effects (e.g. with the voltage controlled mixer A-135)
- Experimental sine/cosine VCO (e.g. for FM sounds)

Many users suggested to add a common output level control, i.e. four VCAs with one common control (manual + CV without attenuator + CV with polarizer) for the output levels. This is why we also designed the Quad VCA module A-132-2 with the possibility of an internal default connection to the four outputs of the A-143-9 (no soldering required, short 10 pin flat cable with removable connectors on both ends).

The A-143-9 is also a meaningful addition for the Frequency Shifter module A-126. It enables frequency shifting even below 50 Hz generating e.g. these mellow beat sounds with a few Hz frequency shifting only. The following document describes how to connect the A-126 and the A-143-9: A126_A143_connection.pdf.

The thru zero version of the A-143-9 with temperature compensation is the module A-110-4.
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 1 in stock $86.25
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quote 738640
Moog Subsequent 25 Ballistic Cordura Dust Cover (black) Moog Subsequent 25 Ballistic Cordura Dust Cover (black) Moog Subsequent 25 Ballistic Cordura Dust Cover (black) Moog Subsequent 25 Ballistic Cordura Dust Cover (black)
Cat: 926168 Rel: 07 Mar 23 • View all
 
Protect your Moog Subsequent 25 when not in use.
Notes: Protect your Moog Subsequent 25 when not in use. This water-repellent dust cover is made from rugged Ballistic Cordura to safeguard your gear from dust, spills, and other studio (and stage) mishaps, while the ultra-soft interior remains gentle against your synth.

Custom fit with a side recess to accommodate I/O panel access.
Designed in conjunction with Subsequent 25 for a custom fit
Water-repellant and tear-resistant Ballistic Cordura outer
Ultra-soft interior
Cutout for IO panel access
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 1 in stock $53.11
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quote 926168
ESI MAYA44 USB+ 4x4 USB Audio Interface
ESI MAYA44 USB+ 4x4 USB Audio Interface (4x4 USB audio interface)
Cat: 462884 Rel: 28 Dec 12 • View all
 
4-input/4-output USB audio interface
Notes: MAYA44 USB+ is a powerful, affordable and very stylish USB audio solution for home recording - a perfect solution for mobile live and recording applications!

Beside standard recording and playback functionality, MAYA44 USB+ provides everything that is needed for professional music production. In its compact aluminium case MAYA44 USB+ provides 4 analog input and 4 analog output channels with RCA connectors and a combined optical S/PDIF digital output / stereo headphone output. The headphone output provides a separate stereo output signal, making it perfect for DJs.

With support for ASIO 2.0, CoreAudio and MME / WDM, MAYA44 USB+ is compatible to all major music and DJ applications like Cubase, Logic, Sonar, Reason, Reaktor, MixVibes, Traktor DJ Studio, BPM Studio and much more.

Features
4 input channels and 4 output channels with RCA connectors
-10dBV input / output level (unbalanced) with improved performance
optical S/PDIF digital output with Miniplug connector
headphone output (1/8" connector) with 60mW amplifier, sends out signal from channel 1 / 2 only
MME, WDM, ASIO 2.0 and CoreAudio support
EWDM driver with DirectWIRE support under Windows
standard USB connection to PC or Mac
compatible with Windows XP, Vista, 7, 8.1, 10, 11 (32-bit / 64-bit) and Mac OS X
compatible with all important DJ software applications
compatible with all important professional audio applications
compact and portable design with around 12 cm x 7 cm x 2 cm
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 1 in stock $79.42
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quote 462884
Austrian Audio MiCreator System Studio Microphone Set (MiCreator Studio + MiCreator Satellite + MiCreator Y-Lav + Steinberg Cubase LE & WaveLab Cast)
Cat: 975479 Rel: 08 Dec 23 • View all
 
Studio microphone set including MiCreator Studio, MiCreator Satellite, MiCreator Y-Lav, Steinberg Cubase LE & WaveLab Cast
Notes: The Austrian Audio MiCreator is a new type of creative tool. Equal parts high-quality condenser microphone and simple audio interface with USB-C r connectivity, MiCreator gives you the flexibility to create what you want-how you want. Just plug in and start recording in top-notch audio quality instantly. Or expand your setup using MiCreator's additional input to achieve stereo recordings, record an additional sound source, and more. And whether you're recording at home or on the go, you can create with confidence thanks to MiCreator's ultra-durable metal housing. So, whether you're looking for a capable plug-and-play microphone or a multifaceted production tool, MiCreator simplifies your creative process and delivers no-compromise results.

MiCreator System

Unleash your creativity

MiCreator Satellite

TRRS microphone with headphone jack
Custom Condenser Capsule - Record in top notch audio quality
Max SPL: 130 dB SPL - Record even very loud sources
FlexTilt mechanic - Easily position the mic head for optimal recording
Full metal housing - Longlasting and durable
Headphone jack
Exchangeable & customizable face plates for an individual and personalized look


MiCreator Y-Lav
Lavalier microphone with headphone jack
Pairs seamlessly with MiCreator Studio to unlock powerful creative flexibility
Connected via the Link Connection (In/Out jack on the MiCreator Studio)
Record high-quality audio for video projects and more
Connect a second pair of headphones via the built-in headphone jack

Cubase LE

free Steinberg software included

Cubase LE is the perfect introduction for aspiring music producers and composers. It's a powerful yet easy-to-use DAW that gives you everything you need to create professional music. With its intuitive interface and comprehensive features, Cubase LE is the perfect way to learn the basics of music production. Cubasis LE for iOS devices is unlocked when MiCreator Studio is connected to an iOS device.

WaveLab Cast

free Steinberg software included

WaveLab Cast is the ultimate audio production and podcast software for Mac and Windows. With its powerful features and intuitive user interface, WaveLab Cast makes it easy to create professional audio content. Whether you are an experienced podcaster or just starting out, WaveLab Cast has everything you need to create great sounding podcasts.

Technical Specifications
Digital Resolution: max 48kHz/24-Bit
Digital Connector: USB-C - USB Audio Class 1.0/2.0 compliant
Directional characteristic: Cardioid
Frequency range: 20 Hz - 20 kHz
Sensitivity:- 35dBFS/Pa (low gain)/-15dBFS(high gain)
Hardware Gain Switch: 0dB (low)/20dB (high)
Equivalent noise level: 22 dB SPL (A) (high gain)
Max SPL: 130 dB SPL (low gain)
Output Power: 45mW (32Ohm Load)
Dynamic Range: 89 dB(A)
In/Output TRRS: for instrument cable, 2nd headphone or MiCreator Satellite or Y-Lav
Dimensions: 155 x 60 x 37 mm
Weight: 370g
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 1 in stock $271.36
Analog Cases Beyerdynamic/Sennheiser/Shure/Sony/Audio-Technica Studio Headphones Pulse Case Analog Cases Beyerdynamic/Sennheiser/Shure/Sony/Audio-Technica Studio Headphones Pulse Case Analog Cases Beyerdynamic/Sennheiser/Shure/Sony/Audio-Technica Studio Headphones Pulse Case Analog Cases Beyerdynamic/Sennheiser/Shure/Sony/Audio-Technica Studio Headphones Pulse Case Analog Cases Beyerdynamic/Sennheiser/Shure/Sony/Audio-Technica Studio Headphones Pulse Case Analog Cases Beyerdynamic/Sennheiser/Shure/Sony/Audio-Technica Studio Headphones Pulse Case Analog Cases Beyerdynamic/Sennheiser/Shure/Sony/Audio-Technica Studio Headphones Pulse Case Analog Cases Beyerdynamic/Sennheiser/Shure/Sony/Audio-Technica Studio Headphones Pulse Case
Cat: 883007 Rel: 09 Aug 22 • View all
 
Pulse case designed for studio headphones!
Notes: Keep your headphones safe for many sessions and gigs to come with the PULSE Case For Studio Headphones! This durable molded case can fit any model of professional studio monitor headphones from Beyerdynamic, Sennheiser, Shure, Sony, Audio-Technica, and other leading brands. Like all PULSE cases, this case is compact and ultra-lightweight, so it's easy to travel with.

Description

The PULSE Case for Studio headphones is made from durable and lightweight EVA, designed to protect and preserve your headphones during transport. EVA is often used in sports equipment for its shock-absorbing capabilities, so you be confident your studio headphones will be well protected. The case's interior is lined with soft velvet, which will help prevent scratches and any snags on your headphones.

The PULSE Case For Studio Headphones is a universal case that can fit any professional studio monitor headphones. This includes the most popular models from Beyerdynamic, Sony, Sennheiser, Shure and more!

Specifications

The perfect size to fit most professional studio headphones
Durable molded EVA exterior
Super-soft velvet lining
Interior dimensions: 8.62 x 6.69 x 4.09 inches
Exterior dimensions: 9.65 x 7.48 x 4.33
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 1 in stock $45.75
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quote 883007
Doepfer A-101-6 6-Stage VC Opto-FET Filter & Phaser Module (silver)
Cat: 682323 Rel: 26 Mar 18 • View all
 
6-stage VC Opto-FET filter/phaser - 8HP
Notes: A-101-6 is a new filter module that uses so-called opto FET's to control the filter frequency. Opto FET's are very similar to Vactrols, but use light dependent field effect transistors (FET's) instead of light dependent resistors (LDR's). An opto FET is a combination of a light-dependent FET and an LED, both put into a small light-proof case. The advantage, compared to vactrols, is a much faster response of opto FET's compared to LDR's - this allows much faster attack/decay times and even FM effects.

The variable resistors corresponds to the opto FET. The brightness of the Opto FET LED's, and consequently the filter frequency, can be adjusted manually (Frequ. control) and controlled by means of an external control voltage (CV) with attenuator. The LED at the front panel reflects the LED brightness inside the opto FET's.

The type of filter is chosen by jumpers on the PC board (factory setting: low pass). The type of filter determined by the jumpers positions can be marked by means of a water-resistant felt pen at the front panel.

The resonance is controlled by the Feedback control up to self-oscillation. By means of a trimming potentiometer the maximal feedback can be adjusted. High feedback values can be used mainly in the all-pass mode to obtain very extreme self-oscillation sounds. Even an external feedback signal can be used instead of the internal feedback connection (FB In socket). Whenever the filter type is changed by means of the jumpers the trimming potentiometer for the maximal feedback has to be re-adjusted.

The Mix control is used to pan between the original signal (CCW position) and the effect signal (CW position). In filter mode (LP/HP) this control is usually set fully CW. In the all-pass modes one obtains phasing sounds at centre position or "pure" all-pass sound in fully CW position.
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 1 in stock $87.12
Doepfer A-121sV Stereo Multimode Filter Vintage Edition Module (black)
Cat: 880251 Rel: 18 Aug 22 • View all
 
Module A-121s is a dual multimode filter which can be used for stereo applications as well as for parallel or serial organized dual mono filters.
Notes: Module A-121s is a dual multimode filter which can be used for stereo applications as well as for parallel or serial organized dual mono filters. The core is a 12dB multimode filter identical to the modules A-121-2 and A-121-3. The selection of the filter type is continuously from lowpass via notch and highpass to bandpass. We attached great importance to the usability of the manual controls and CV inputs for both stereo and dual mono applications. For the filter parameters frequency (F), resonance (Q) and type (T) common controls and CV inputs as well as single controls and CV inputs are available. For the filter frequency in addition a manual control and CV input for the filter spread (frequency difference or delta F) is available.

Controls:
F: master frequency control for both filters (large knob)
Type 1 / Type 2: filter type panning/morphing L-N-H-B
Link to 1: Toggle switch so that Type 1 also controls type of filter 2 (i.e. simultaneous filter type control for both filters)
SFM1 / SFM2: Single Frequency Modulation controls (polarizers), connected to the corresponding sockets SFM1/SFM2 (socket SFM1 is normalled to a fixed positive voltage, SFM2 is normalled to SFM1, that way the controls SFM1/SFM2 work as frequency controls for each filter provided that no modulation signals are patched to the SFM1/SFM2 sockets)
CFM: common frequency control, controls two VC-polarizers which process the signals connected to the two sockets CFM1/CFM2, CFM2 is normalled to CFM1, that way also the same modulation signal (e.g. an envelope generator) can be used for both filters and the level controlled simultaneously by the CFM control
Delta F: controls the difference between the frequencies of the two filters manually (frequency "spread"), at centre position the frequencies are the same
Delta FM: controls the level of the Delta FM signal (socket), which allows to control the spread between the frequencies also by an external control voltage (e.g. by an LFO or ADSR)
Q: controls the resonance of both filters simultaneously
Level 1 / Level 2: attenuators for the two audio inputs
QM/TM1, QM/TM2: attenuators for the modulation inputs QM/TM1 and QM/TM2

Sockets:
In1 / In2: audio inputs (In2 is normalled to In1)
Out1 / Out2: audio outputs
F: common frequency control input for both filters (~ 1V/oct)
Delta FM: Control voltage for frequency spread, processed by the polarizer Delta FM
SFM1 / SFM2: single frequency modulation inputs, processed by the polarizers SFM1 and SFM2, SFM1 is normalled to a fixed positive voltage, SFM2 is normalled to SFM1#
CFM1 / CFM2: common frequency modulation inputs, processed by the two voltage controlled polarizers controlled by CFM knob, CFM2 is normalled to CFM1
QM/TM1, QM/TM2: the addressing of these sockets/attenuators is defined by internal jumpers. QM means Q modulation (i.e. resonance modulation), TM means filter type modulation (QM1 = resonance modulation filter 1, QM2 = resonance modulation filter 2, TM1 = filter type modulation filter 1, TM2 = filter type modulation filter 2), socket QM/TM1 is normalled to a fixed positive voltage, QM/TM2 is normalled to QM/TM1
A 45 degrees triangle next to a socket means that the switching contact of the socket is normalled to a fixed positive voltage (SFM1, QM/TM1).
A vertical triangle indicates the normalling of two sockets (In1>In2, SFM1>SFM2, CFM1>CFM2, QM/TM1>QM/TM2).

If the filters do not behave as expected please pay attention to these peculiarities:

For the controls SFM1, SFM2, CFM, Delta F and Delta FM the centre position is the neutral position as these are polarizers. If the filter behaves unexpected these controls should be set to centre positions for the time being.

For the controls F, Q, Level 1, Level 2, QM/TM1 und QM/TM2 the fully CCW position is the neutral position as these are standard attenuators. If the filter behaves unexpected at least the controls QM/TM1 and QM/TM2 should be set to fully CCW. Via the normalling of the sockets QM/TM1 and QM/TM2 and the associated controls the filter parameters adjusted by the major controls (e.g. Type 1, Type 2 or Q) may be overwritten.

By means of small circles at the bottom right side of the front panel the user can mark the function of the QM/TM inputs. These assignments are possible:
QM/TM1 controls QM1, QM/TM2 controls QM2, the filter types are not controlled by external CVs
QM/TM1 controls TM1, QM/TM2 controls TM2, the resonances are not controlled by external CVs
QM/TM1 controls QM1 and QM2 simultaneously, QM/TM2 controls TM1 and TM2 simultaneously
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 1 in stock $245.07
Sounds Wholesale 7" Vinyl Record 250 Gauge Polythene Sleeves (pack of 50)
Cat: 293917 Rel: 04 Dec 07 • View all
 
7" polythene record sleeves
Notes: Pack of 50 record polythene sleeves (200 gauge strength).
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 1 in stock $5.00
DJ Tech Tools Right Angled USB (A-B) Chroma Cable (white, 1.5m)
Cat: 838531 Rel: 23 Feb 22 • View all
 
Audio Optimized USB-A to USB-B Cable
Notes: Audio Optimized USB-A to USB-B Cables

Dual slimline ferrites prevent signal dropouts
Gold connectors ensure long cable life
Available in 8 colours and 2 types

Ideal for home and professional use where impeccable audio is a must, Chroma Cables complement the modern DJ and music production technology with a streamlined styling that keeps your setup looking fresh and sleek. All cables are not created equal, and these are engineered from scratch for digital performers, by digital performers.

Noise-Filtering Features

Each cable has two ferrite core chokes, one at each end of the cable. Paired with fully-braided shielding, Chroma Cables do a great job of eliminating interference along the signal path - making these the best USB cables for DJs.

Two Styles, Eight Colours

Cables come in straight and right-angle options. The angled cable helps to prevent accidental removal and takes up less space, giving you a less crowded DJ booth. Label gear by colour so you always know your soundcard from your controller.

Always Strapped

Even after placing your cables neatly in your bag, it's easy to wind up with a tangled clump of cables. The built-in velcro cable strap helps prevent this, keeping your gig bag nice and tidy. You'll wonder how you managed without this.

Compatibility Notes:

Works with all* USB devices with a USB type B connector but it's worth checking for obstructions if you plan on ordering an angled cable.

*Please note that the right angle cable won't work with a Kontrol D2, S2, S4, S5, S8, or Z1 or Traktor Audio 10 while using the power supply.

Size + Weight:
Length: 59.05" / 150cm
Weight: 0.18lb / 0.08kg"
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 1 in stock $24.18
Doepfer A-121s Stereo Multimode Filter Module (silver)
Cat: 880248 Rel: 19 Aug 22 • View all
 
Module A-121s is a dual multimode filter which can be used for stereo applications as well as for parallel or serial organized dual mono filters.
Notes: Module A-121s is a dual multimode filter which can be used for stereo applications as well as for parallel or serial organized dual mono filters. The core is a 12dB multimode filter identical to the modules A-121-2 and A-121-3. The selection of the filter type is continuously from lowpass via notch and highpass to bandpass. We attached great importance to the usability of the manual controls and CV inputs for both stereo and dual mono applications. For the filter parameters frequency (F), resonance (Q) and type (T) common controls and CV inputs as well as single controls and CV inputs are available. For the filter frequency in addition a manual control and CV input for the filter spread (frequency difference or delta F) is available.

Controls:
F: master frequency control for both filters (large knob)
Type 1 / Type 2: filter type panning/morphing L-N-H-B
Link to 1: Toggle switch so that Type 1 also controls type of filter 2 (i.e. simultaneous filter type control for both filters)
SFM1 / SFM2: Single Frequency Modulation controls (polarizers), connected to the corresponding sockets SFM1/SFM2 (socket SFM1 is normalled to a fixed positive voltage, SFM2 is normalled to SFM1, that way the controls SFM1/SFM2 work as frequency controls for each filter provided that no modulation signals are patched to the SFM1/SFM2 sockets)
CFM: common frequency control, controls two VC-polarizers which process the signals connected to the two sockets CFM1/CFM2, CFM2 is normalled to CFM1, that way also the same modulation signal (e.g. an envelope generator) can be used for both filters and the level controlled simultaneously by the CFM control
Delta F: controls the difference between the frequencies of the two filters manually (frequency "spread"), at centre position the frequencies are the same
Delta FM: controls the level of the Delta FM signal (socket), which allows to control the spread between the frequencies also by an external control voltage (e.g. by an LFO or ADSR)
Q: controls the resonance of both filters simultaneously
Level 1 / Level 2: attenuators for the two audio inputs
QM/TM1, QM/TM2: attenuators for the modulation inputs QM/TM1 and QM/TM2

Sockets:
In1 / In2: audio inputs (In2 is normalled to In1)
Out1 / Out2: audio outputs
F: common frequency control input for both filters (~ 1V/oct)
Delta FM: Control voltage for frequency spread, processed by the polarizer Delta FM
SFM1 / SFM2: single frequency modulation inputs, processed by the polarizers SFM1 and SFM2, SFM1 is normalled to a fixed positive voltage, SFM2 is normalled to SFM1#
CFM1 / CFM2: common frequency modulation inputs, processed by the two voltage controlled polarizers controlled by CFM knob, CFM2 is normalled to CFM1
QM/TM1, QM/TM2: the addressing of these sockets/attenuators is defined by internal jumpers. QM means Q modulation (i.e. resonance modulation), TM means filter type modulation (QM1 = resonance modulation filter 1, QM2 = resonance modulation filter 2, TM1 = filter type modulation filter 1, TM2 = filter type modulation filter 2), socket QM/TM1 is normalled to a fixed positive voltage, QM/TM2 is normalled to QM/TM1
A 45 degrees triangle next to a socket means that the switching contact of the socket is normalled to a fixed positive voltage (SFM1, QM/TM1).
A vertical triangle indicates the normalling of two sockets (In1>In2, SFM1>SFM2, CFM1>CFM2, QM/TM1>QM/TM2).

If the filters do not behave as expected please pay attention to these peculiarities:

For the controls SFM1, SFM2, CFM, Delta F and Delta FM the centre position is the neutral position as these are polarizers. If the filter behaves unexpected these controls should be set to centre positions for the time being.

For the controls F, Q, Level 1, Level 2, QM/TM1 und QM/TM2 the fully CCW position is the neutral position as these are standard attenuators. If the filter behaves unexpected at least the controls QM/TM1 and QM/TM2 should be set to fully CCW. Via the normalling of the sockets QM/TM1 and QM/TM2 and the associated controls the filter parameters adjusted by the major controls (e.g. Type 1, Type 2 or Q) may be overwritten.

By means of small circles at the bottom right side of the front panel the user can mark the function of the QM/TM inputs. These assignments are possible:

QM/TM1 controls QM1, QM/TM2 controls QM2, the filter types are not controlled by external CVs
QM/TM1 controls TM1, QM/TM2 controls TM2, the resonances are not controlled by external CVs
QM/TM1 controls QM1 and QM2 simultaneously, QM/TM2 controls TM1 and TM2 simultaneously

Depth: 45mm
HP : 12
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 2 in stock $238.76
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Erica Synths 8-MIDI Thru Box Erica Synths 8-MIDI Thru Box
Cat: 686702 Rel: 27 Apr 18 • View all
 
Compact MIDI box featuring 8 MIDI through splitters
Notes: Erica Synths MIDI thru box is professional quality, no latency, one MIDI In to 8 MIDI Through splitter in rigid aluminium case. It allows to connect up to 8 instruments to your sequencer or master keyboard and control them simultaneously without undesired delays and interference.
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 1 in stock $117.80
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Analog Cases Korg MicroKorg/MicroKorg XL+ Pulse Case Analog Cases Korg MicroKorg/MicroKorg XL+ Pulse Case Analog Cases Korg MicroKorg/MicroKorg XL+ Pulse Case Analog Cases Korg MicroKorg/MicroKorg XL+ Pulse Case Analog Cases Korg MicroKorg/MicroKorg XL+ Pulse Case Analog Cases Korg MicroKorg/MicroKorg XL+ Pulse Case Analog Cases Korg MicroKorg/MicroKorg XL+ Pulse Case
Cat: 838050 Rel: 15 Sep 21 • View all
 
PULSE case for the MicroKorg or MicroKorg XL
Notes: This PULSE case was designed with one thing in mind: keeping your MicroKorg / MicroKorg XL+ in good condition and working properly. There's no need to settle for a generic gig bag. This is the one you've been waiting for!

Description:

This lightweight and user-friendly case is custom molded to the exact dimensions of the MicroKorg / MicroKorg XL+. Its rigid exterior will provide excellent protection for your synth.

Made with high-quality, durable materials, this case features a velvet-lined interior that will give you peace of mind when traveling with your MicroKorg. And this case also has a spacious interior pocket for storing your cables.

Specifications:

Perfect fit for your Korg MicroKorg / MicroKorg XL+

Separate compartment for holding cables

High-quality, premium handle designed for comfort

Extra-large premium zipper

Interior dimensions: 22 x 9 x 3.75 inches

Exterior dimensions: 23.75 x 11 x 3.75 inches
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 1 in stock $61.53
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Doepfer A-147-4v Dual VCLFO Dual Voltage Controlled Low Frequency Oscillator Vintage Edition Module (black)
Cat: 950730 Rel: 19 Jun 23 • View all
 
Dual voltage controlled LFO (Low Frequency Oscillator) module - 8HP.
Notes: Module A-147-4V is a dual voltage controlled LFO (Low Frequency Oscillator). Each LFO has the five waveforms triangle, sine, rising and falling sawtooth, as well as rectangle available. The rectangle output features manually adjustable pulsewidth and pulsewidth modulation by means of an external control voltage. The core waveform is triangle. The other waveforms are derived from triangle by means of waveform converters. The frequency of each LFO can be adjusted manually and modulated by means of an external control voltage with associated attenuator and polarity switch. By means of a jumper the basic frequency range of each LFO can selected: about 0.02 Hz (~ 50 seconds) ... 2.5kHz or about 0.0017 Hz(~ 600 seconds) ... 220Hz. That way each LFO can be used also as a VCO with a max. frequency of about 2.5kHz. Each LFO features a reset input which can be used to reset the triangle signal.

The module has these controls and in/outputs available:

Control F : manual control of the frequency, for each LFO the frequency range can be selected by means of a jumper from two values (see technical notes)
frequency coverage of control F in the high frequency range: about 0.075 Hz (~ 13 seconds) ... 1,4kHz
frequency coverage of control F in the low frequency range: about 0.007 Hz (~ 140 seconds) ... 125Hz
Control CV: attenuator for the signal applied to the CV socket, by means of a jumper a small positive voltage can be applied to the switching contact of the /CV/ socket, as long as no patch cable is connected to /CV/ socket the CV control then works as fine control for the frequency
Switch CV Pol.: polarity switch for the signal applied to the socket /CV/
Control PW/PM: combined control for manual and CV control of the rectangle pulsewidth:
when no patch cable is connected to socket /P/ the control is used to adjust the pulsewidth (PW) manually
when a patch cable is connected to socket /P/ the control works as attenuator for the external CV signal with a basic pulsewidth of 50:50.
Socket /CV/: frequency control voltage input, in the factory the module is adjusted so that the sensitivity of this input is exactly 1V/octave when the CV control is fully CW.
Socket /R/: reset input, according to the associated jumper the reset input is edge triggered or level controlled (see technical notes for details)
Socket /P/: pulsewidth control voltage input
Sockets with waveform symbol: output of the waveform in question (triangle, sine, rising and falling sawtooth, rectangle)
The output voltage ranges are about -5V ... +5V (10Vpp), except the rectangle output
For the rectangle output one can choose by means of a jumper if the range is about -5V ... +5V or 0...+10V.
LED: visual control of the LFO (triangle)
The inputs of the module are labelled with white characters on black background (in the text included into two slashes). The outputs are labelled with black characters.

Technical notes and special features:

The basic frequency range of each LFO can be selected by means of a jumper. The settings correspond to two different capacitor values for the VCO circuit. The relation between the two ranges is about 1:11. When the upper range is selected frequencies from about 0.02 Hz up to 2.5kHz can be generated. For the lower range the values are about 0.0017 Hz ... 220Hz. To obtain these full frequency ranges external control voltages are required. With the frequency control F only the frequencies mentioned above are possible.

Apart from that the range for the manual control F can be reduced to obtain a finer resolution. For this a jumper has to be removed. The range of control F is then reduced to about 1:4.5 only.

In the factory the starting voltage of the triangle output after a reset is adjusted to 0V, i.e. the triangle starts from 0V with the rising slope after a reset. By means of a trimming potentiometer the starting voltage can be adjusted to another value (e.g. to -5V).

Another jumper is used to set the reset behaviour to edge triggered or level controlled. When set to edge triggered the rising edge of reset signal is used for the reset (independent of the duration of the "high" state of the reset signal). When set to level controlled the triangle output remains at the starting voltage as long as the reset signal is "high". Only when the reset signal turns "low" the triangle starts.

Power consumption: 80mA at +12 V and 70mA at -12 V
Depth: 45mm
HP : 8
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Tags: LFO module
 1 in stock $172.49
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TipTop Audio Z-DSP VC Digital Signal Processor 24 Bit/Variable Clock Module (black) TipTop Audio Z-DSP VC Digital Signal Processor 24 Bit/Variable Clock Module (black) TipTop Audio Z-DSP VC Digital Signal Processor 24 Bit/Variable Clock Module (black) TipTop Audio Z-DSP VC Digital Signal Processor 24 Bit/Variable Clock Module (black) TipTop Audio Z-DSP VC Digital Signal Processor 24 Bit/Variable Clock Module (black) TipTop Audio Z-DSP VC Digital Signal Processor 24 Bit/Variable Clock Module (black) TipTop Audio Z-DSP VC Digital Signal Processor 24 Bit/Variable Clock Module (black)
TipTop Audio Z-DSP VC Digital Signal Processor 24 Bit/Variable Clock Module (black) (delay/digital/distortion/dual/stereo/effect/filter/pitch shifter/reverb synth module)
Cat: 914087 Rel: 12 Dec 22 • View all
 
A cartridge-based open source digital sound processing and effects generating platform for your modular synthesizer.
Notes: Tiptop Audio's Z-DSP is a cartridge-based open source digital sound processing and effects generating platform for your modular synthesizer. Lush audio processing, greater stereo depth and a unique set of digital synthesis is what the Z-DSP is all about.

The Z-DSP has a stereo digital sound processor with 24-bit sampling, 15kHz of bandwidth, voltage-controlled parameters of stereo feedback, program switching, DSP parameters, equal power crossfading dry/wet mixing, as well as sequential program control switching and a clear display - all in Eurorack format. A dedicated clocking input for the DSP chip does wonders to passing sound by bending the algorithms in an unexpected way, a hardware technique computer plugins can't do and is unique to the Z-DSP.

In a recent update, the Z-DSP (NS) got an all new design of its analogue circuitry, contributing to a lower noise signal path, clearer sound of the entire frequency range, lower distortion and better immunity to noise emitted by other modules sharing the same power supply. A new analogue dry/wet circuit has been implemented to remove the 3db gain drop when the mix knob passes through the centre of the dial making the use of this function more practical in a live application. A reverse polarity protection has been added as well. The new front-panel matches Tiptop's colourful design, and a single printed circuit board and surface mount technology improve reliability during production and use. The powerful Z-DSP engine remains the same as the original Z-DSP module and all cards are compatible across both versions.
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MRP:$468.07 SAVE 17%
 1 in stock $387.07
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DJ Tech Tools Right Angled USB (A-B) Chroma Cable (black, 1.5m)
Cat: 838507 Rel: 23 Feb 22 • View all
 
Audio Optimised USB-A to USB-B Cable
Notes: Audio Optimized USB-A to USB-B Cables

Dual slimline ferrites prevent signal dropouts
Gold connectors ensure long cable life
Available in 8 colors and 2 types

Ideal for home and professional use where impeccable audio is a must, Chroma Cables complement the modern DJ and music production technology with a streamlined styling that keeps your setup looking fresh and sleek. All cables are not created equal, and ours are engineered from scratch for digital performers, by digital performers.

Noise-Filtering Features

Each cable has two ferrite core chokes, one at each end of the cable. Paired with fully-braided shielding, Chroma Cables do a great job of eliminating interference along the signal path - making these the best USB cables for DJs.

Two Styles, Eight Colours

Cables come in straight and right-angle options. The angled cable helps to prevent accidental removal and takes up less space, giving you a less crowded DJ booth. Label gear by colour so you always know your soundcard from your controller.

Always Strapped

Even after placing your cables neatly in your bag, it's easy to wind up with a tangled clump of cables. The built-in velcro cable strap helps prevent this, keeping your gig bag nice and tidy. You'll wonder how you managed without this.

Compatibility Notes:

Works with all* USB devices with a USB type B connector but it's worth checking for obstructions if you plan on ordering an angled cable.

*Please note that the right angle cable won't work with a Kontrol D2, S2, S4, S5, S8, or Z1 or Traktor Audio 10 while using the power supply.

Size + Weight:
Length: 59.05" / 150cm
Weight: 0.18lb / 0.08kg"
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 1 in stock $18.55
Audio Technica ATH-M40X DJ/Studio Monitoring Headphones (black) Audio Technica ATH-M40X DJ/Studio Monitoring Headphones (black) Audio Technica ATH-M40X DJ/Studio Monitoring Headphones (black)
Cat: 519788 Rel: 04 Mar 14 • View all
 
Professional monitoring headphones with 40mm neodymium magnet drivers and fully detachable cables
Notes: Superb value for money with this hugely popular model from the ever-reliable Audio-Technica. A little smaller and a lot cheaper than the excellent M50X model, but with similarly clear, balanced performance.

Supplier's Notes:

The high-performance ATH-M40x professional headphones are tuned flat for incredibly accurate audio monitoring across an extended frequency range.

Your studio experience is enhanced with superior sound isolation and swiveling earcups for convenient one-ear monitoring. Engineered with pro-grade materials and robust construction, the M40x excels in professional studio tracking and mixing, as well as DJ monitoring.

This product includes interchangeable coiled and straight cables, a carry pouch and a 1/4" jack adapter for universal compatibility.
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MRP:$110.44 SAVE 12%
 1 in stock $96.87
Omnitronic Universal DJ Cartridge Headshell With Weights (black) Omnitronic Universal DJ Cartridge Headshell With Weights (black)
Cat: 653008 Rel: 09 Jun 17 • View all
 
Headshell with weights - black
Notes: Solid construction helps to prevent an uneven run, and concerning scratching it helps to prevent the jumping of the record. Can either be weighed down with 2 or 4 gram pieces, so the pick-up is pressed on to the record.
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 2 in stock $28.39
TipTop Audio Forbidden Planet Analogue Filter Module (white)
TipTop Audio Forbidden Planet Analogue Filter Module (white) (CV modulation/effect/filter synth module)
Cat: 704130 Rel: 01 Oct 18 • View all
 
Multimode filter based on the Steiner-Parker design - 8HP
Notes: Welcome to the Forbidden Planet, an all analogue multi-mode filter design influenced by the 1975 Steiner-Parker Synthacon model. Control the Forbidden Planet manually or through CV and take the sound of your Eurorack into new orbits.

Forbidden Planet has three filter input jacks: High Pass, Low Pass and Band Pass. The High Pass section is this module's signature sound - a crisp sharp-cut with no residue, designed to add High Pass filtering capability to Tiptop Audio's wide range of Eurorack modules. Send a throbbing kick drum through the High Pass section and filter out the rumbling lows while maintaining the pulse of the beat. The Bandpass is clear and useful in isolating a pie-slice-range-of-frequencies while cutting off the low and highs, great for accurate sound design or sculpting audio into that sweet spot. The Low Pass is an airy classic 12db two-pole analogue slope ideal for monophonic synth patches and filtering down to the essential low-end bass we all love.

The Forbidden Planet Resonance utilizes an internal feedback path which can sound smooth or aggressive depending on the knob setting. At a low setting, it emphasizes the cut-off harmonics, at middle settings it begins to self-oscillate, and towards maximum setting it forms interesting tones and all sorts of chopped grainy bits of self-oscillation perfect for entering into a sci-fi world.

The Forbidden Planet is an impressive multi-mode analogue filter which adds a broader filter spectrum to the Tiptop Audio modular family and unlocks forbidden creative possibilities in a small package.
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 1 in stock $125.16
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quote 704130
Electro-Harmonix MOP-D10 Isolated Power Supply Electro-Harmonix MOP-D10 Isolated Power Supply Electro-Harmonix MOP-D10 Isolated Power Supply Electro-Harmonix MOP-D10 Isolated Power Supply
Cat: 971190 Rel: 02 Oct 23 • View all
 
Power up to ten 9V pedals with noise-free operation!
Notes: The MOP-D10 is a multi-output power source that was developed by EHX engineers to provide a player with noise-free pedal operation. It features ten isolated 9VDC outputs that handle the most popular power requirements: 4x100mA, 2x250mA, 2x300mA and 2x400mA.

From its premium analogue power path featuring low-noise linear regulators to its custom-wound toroidal transformer, the MOP-D10 is designed to let a pedal user achieve a sonically pure signal path. Unlike many other multi-output power supplies which rely on switching power conversion, the MOP-D10's transformer-based power conversion is significantly less susceptible to spurious noises leaking into the audio path. An AC Voltage Selector Switch also ensures the MOP-D10 can be used with a range of voltages commonly found around the world.

Each of the MOP-D10's outputs is center-negative and all output power jacks are isolated from each other. The dimensions of each output connector are 5.5mm x 2.1mm. The unit is supplied with a 6' detachable power cord and ten 24" long DC power cables equipped with one straight and one right-angle end. It also includes hardware for pedalboard mounting.

Professional pedalboard power solution with ten isolated 9VDC outputs: 4x100mA, 2x250mA, 2x300mA and 2x400mA
Provides a premium analogue power path with low-noise linear regulators
Custom-wound toroidal transformer delivers exceptional isolation and clean power
Relies on transformer-based power conversion which is superior to switching power conversion
AC Voltage Selector Switch allows the MOP-D10 to be used with a range of voltages commonly found around the world
All output power jacks are isolated from each other for noise-free operation
Comes with ten 24" long DC power cables equipped with one straight and one right-angle end
Includes hardware for pedalboard mounting

Specifications

Dimensions (in): 7.87
Year Released: 2021
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 1 in stock $239.91
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Reloop Flux Protectice Carrying Case For DVS Interfaces Reloop Flux Protectice Carrying Case For DVS Interfaces Reloop Flux Protectice Carrying Case For DVS Interfaces
Cat: 988950 Rel: 29 Jan 24 • View all
 
Protectice carrying case for DVS interfaces
Notes: Flux Bag

Designed for life on the road, the Reloop Flux Bag is a practical travel pouch for DVS interfaces, providing reliable protection and convenient transportation.

High-quality neoprene

Specially made for the Reloop Flux DVS interface for Serato DJ Pro, this bag is made of high-quality neoprene material. It offers protection against liquids, dirt and dust, while the padded interior prevents damages and scratches.

Compact design

The integrated mesh pocket keeps your cables, USB sticks and accessories organized. The compact design fits easily into your backpack and the durable zipper and carrying handle make it a perfect accessory for your Reloop Flux DVS interface.

Flux bag

- Protective carrying bag for DVS interfaces on the road
- Skillfully designed to fit the Reloop Flux DVS interface for Serato DJ Pro, providing a perfect fit
- High-quality Neoprene material ensures protection against liquids, dirt, and dust

Features

Protective carrying bag for DVS interfaces on the road
Skillfully designed to fit the Reloop Flux DVS interface for Serato DJ Pro, providing a perfect fit
High-quality Neoprene material ensures protection against liquids, dirt, and dust
Integrated mesh pocket for cables, USB sticks, and accessories
Padded interior lining for protection against shocks and scratches
Handy format for an easy fit in your bag
Sturdy zipper and convenient carrying handle

Technical data

Colour: Black
Internal dimensions: 185(W) x 150(D) x 45(H) mm
External dimensions: 200(W) x 160(D) x 50(H) mm
Weight: 96 g
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 1 in stock $27.87
Items 4,601 to 4,650 of 4,745 on page 93 of 95
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