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Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Professional 6-channel audio mixer, with DSP effect unit, integrated MP3 player and Bluetooth receiver.

Input channels: 6
Number of mix/mono: 4
No. of stereo: 1
Mic input: 0.6 mV, bal. 4 x XLR
Line input: 80 mV (stereo), 2 x 6.3 mm jack L/R - 7 mV (mono), 4 x 6.3 mm jack
Aux input: 340 mV, 1 x 6.3 mm jack L/R
Master output: 760 mV, 1 x 6.3 mm jack L/R
Effect send: 9 V, 1 x 6.3 mm jack
Headphones: = 8 O, 1 x 6.3 mm jack
USB: yes
Bluetooth: yes
Frequency range: 20-20,000 Hz
THD: < 0.03%
S/N ratio: > 75 dBA
Equalizer bass: i15 dB/80 Hz
Equalizer midrange: i15 dB/2.5 kHz
Equalizer treble: i15 dB/12 kHz
Phantom power: +48 V
Power supply: ~ 230 V/50 Hz/20 VA
Mains voltage: ~ 2 V
Mains frequency: 50 Hz
Power consumption, operation: 20 VA
Admiss. ambient temp.: 0-40 -C

Review: ***B-STOCK: Dent on the side, product in perfect working order***


This is real catnip for hardcore fans of The Beatles (is there any other kind)? It is a long awaited, much talked about, often delayed 50th anniversary edition of the Liverpool band's Let It Be album. It is a super special package on 180-gram, half-speed vinyl across four different slabs. There is also a a 45rpm 12-inch vinyl EP as well as a large 105-page book in its own tasty die-cut slipcase. There are 57 tracks in all, all of which are in new stern mix format thanks to some great work by Giles Martin and Sam Okell. What else is there to say other than make suer you cop this true collector's masterpiece?

Notes: The Black3 uses a three piece OTL cantilever that has a Grado specific diamond mounted on a brass bushing.

What's the difference between Black2 and Green2?
Approximately 15% of the Black3 production run meet higher specifications. These are hand selected from the batch and designated as Green3.

Grado's OTL, or optimized transmission line, technology provides an ideal transfer of signal from the surface of the LP to the generator of the system. This technology rejects unwanted resonances and lowers distortion preserving the fundamental and harmonic frequencies of the music. This also helps keep noise generated by the motor system in the cartridge to a minimum.

Grado's OTL stylus/cantilever design makes records sound quieter, improves the height, width, and depth of the soundstage, and present more detail than previously obtainable.

The Black3 is hand assembled by Grado's team in Brooklyn, with some builders having over 25 years of experience. This updated series of cartridges offers excellent tonal balance, dynamics, and realism, for a most rewarding reproduction of vocals and instruments. The coil winding techniques using ultra high purity copper wire, which were honed during the development of the Lineage Series, have let the electrical circuits achieve unison between the four coils in each phono cartridge. This allows for a precise balance between channels and accurate stereo imaging.

As in all Grado phono cartridges the Black3 is powered by a twin magnet system that optimizes the balance between stereo channels. All internal magnetic circuit parts are held to extremely high tolerances creating the desired stereo imaging. Grado's patented Flux-Bridger design allows the Black2 to have one of the lowest effective moving mass generating systems while creating an excellent balance throughout the full frequency range.

Notes: Multi purpose, 80 Watt, active speaker for commercial indoor installations (restaurants, shops, exhibitions), multimedia, home recording studio and audio/video production
Exceptional sound quality, wide dynamic range and ultra-linear frequency range from 60 Hz to 23 kHz
Powerful 5 1/2" woofer with extremely light-weight cellulose cone and high-resolution 1/2" tweeter
Integrated limiter for ultimate system control and speaker protection
Ultra-low noise Mic/Line input with Volume control and peak LED
Additional Line output connector allows linking of additional speaker systems
Ultra-flexible wall-mount brackets included

Review: CircoLoco Records is a new record label forged in partnership with the iconic video game creators Rockstar Games. After four editions of colour coded releases, we now have the entire collection of 20 tracks compiled here on one 5xLP package. From the Black edition there's the tunneling techno of Adam Beyer's powerful 'Break It Up', from the Violet edition you have Margaret Dygas' majestic broken beat journey 'Wishing Well', as well as tINI with the neon-lit disco of 'What If, Then What?' featuring Amiture (Green) and Sama Abdulhadi with the steely and hypnotic techno of 'Reverie' taken from the Blue series - plus many more.

Notes: Uni is a triple attenuverter utility module designed to give cases gigantic macro control knobs.

Inputs:

CV inputs 1 and 3 - CV input for bidirectional attenuation. When input cables aren't plugged into these jacks, 5v reference signals will be used.
CV input 2 - CV input for either unidirectional or bidirectional attenuation. When an input cable isn't plugged into this jack, a 5v reference signal will be used.
Switch - toggles CV input 2 between unidirectional and bidirectional attenuation.

Outputs:

CV outputs 1, 2 and 3 - attenuated CV output. If no cables are plugged into an output jack, it is summed into the subsequent output jack.

25 mA +12V 20 mA -12V 0 mA 5V
10 HP 27mm deep

Notes: The new Rolltop Backpack III is an extremely rugged, entirely waterproof and multi-functional backpack that is suitable for a wide variety applications. From carrying your DJ- equipment, to convenient carry-on luggage, or just as a regular daypack, the Rolltop Backpack II does it all well. Its bicycle messenger inspired design features a variable "rolltop" opening that gives you an extra 24 cm when unfolded to fit oversized gear like the Pioneer DDJ-SX, the Numark NS-6, 2-octave keyboard controllers, or even multi-effect pedals.

It also features a separate, easy accessible and waterproof-zippered laptop compartment (up to 19'') as well as two additional accessory pockets to stow smaller items as audio interface, headphones, adapters and cables.

The ergonomic, S-curved backpack straps, the well-padded cushioning panel, and the hip & chest belts, provide a high level of comfort for your spine and make it comfortable for walking and city biking.

For perfect protection of the controller also use the MAGMA CTRL CASE or a Decksaver cover.

***Also compatible with the new Pioneer DDJ-800 DJ Controller***

Notes: Another proven Magma classic. The big storage space (allows 90-100 vinyls), carefully thought out functionality and timeless design turns this bag into a completely reliable companion for the club DJ.

Notes: Playa - a hip hop virtual instrument plug-in for MAC and PC packed with fat sounds, pro features and an interface that is ridiculously easy to use. Whether you're using a midi keyboard, MPC pad controller, or just your computer by itself, Playa gives you serious control over your music. Welcome to music and beat making paradise!

Playa serves up over 450 instruments and pad layouts, all in an interface that's guaranteed to have you laying down cutting edge beats and music in no time. Playa interfaces seamlessly with your DAW and midi controllers so you can just it hook up and start laying down grooves the way you're used to. Like a glove, Playa fits your style.

Notes: Variant is an expander module based on the original Voltages expander for the Turing Machine. Variant adds two additional bipolar CV outputs (with modulation inputs) that are derived from Permutation's gate sequence.

Notes: AT-VM95EN VM95 series Elliptical Nude stereo cartridge - Aluminium cantilever, 3.5mV output voltage and Compatible body with all VM95 Series stylus assemblies.

VM95 series Elliptical Nude stereo cartridge
The AT-VM95EN, features a Nude Elliptical Diamond. The construction of the stylus being a one piece diamond with a round shank inserted in the cantilever creates a lighter and more rigid transmission system than a diamond tip bonded on a round titanium shank such as in the AT-VM95E. Also the use of nude diamond implies a substantial difference in pricing, yet the quality of the reproduction will be immediately noticed, specifically in the fidelity of high frequencies and in the quality of the transient responses.

Aluminium cantilever
3.5mV output voltage
Compatible body with all VM95 Series stylus assemblies
20 to 23,000Hz frequency response
VM95 Series - Styli compatibility
Every cartridge diamond stylus becomes worn after a period of play.

Around 500 hours for a conical stylus, 300 hours for an Elliptical stylus, 1000 hours for a Microlinear stylus, and 800 hours for a Shibata stylus.

Our VM95 Series dual moving magnet cartridges can be used almost forever by replacing the interchangeable stylus. It is no longer necessary to purchase a complete cartridge when your diamond is worn out, you can simply buy the matching replacement stylus, but also enjoy the experience of upgrading your cartridge with a different stylus.

The six models of VM95 Series cartridges all use the same electromagnetic engine-body, therefore each of the six replacement styli are perfectly compatible.

AT-VMN95C

AT-VMN95E

AT-VMN95EN

AT-VMN95ML

AT-VMN95SH

AT-VMN95SP

AT-VM9E Series compatibility with the AT-XP Series DJ Cartridges
The electromagnetic engine-body of XP-Series, is fully compatible with all replacement styli of VM95 Series and will deliver more output voltage than VM95 Series cartridge. So providing improved compatibility with phono inputs of Professional DJ Mixers.
VM95 Series electromagnetic engine-body is also compatible with the three replacement styli of the DJ cartridge AT-XP Series, nevertheless, the electromagnetic engine-body of XP-Series, will deliver more output voltage than VM95 Series cartridge in order to provide better compatibility with phono inputs of Professional DJ Mixers.
Note that typical tracking force when using XP Series styli is three grams as opposed to two grams for VM95 Series styli.
The suspension design and compliance of XP-Series styli have been optimized for intensive DJ’ing, including possible manual cueing and back-cueing.
The VM95 Series suspension design and compliances of VM95 Series have been designed for optimum audiophile reproduction.
ATN-XP7

ATN-XP5

ATN-XP3

Elliptical Nude Stylus
Elliptical diamond stylus follows the groove modulation with greater precision compared to a conical stylus, offering improved frequency and phase responses whilst reducing distortion.

No use of nuts
VM95 Series cartridges features two M2.6 threaded inserts allowing the installation of the cartridge onto tonearm or removable headshell without the use of nuts.Each cartridge is provided with one pair of 8mm M2.6 screws, one pair of 11mm M2.6 screws and two plastic washers.

Cartridge & Stylus
Frequency Response 20 - 23,000 Hz
Channel Separation 22 dB (1 kHz)
Vertical Tracking Angle 23°
Vertical Tracking Force 1.8 to 2.2g (2.0g standard)
Stylus Construction Nude Round Shank

Notes: The Eris Studio 4 sets a new standard for compact studio monitors. With its surprising amount of low-end and a wide, well-controlled sweet spot, you can enjoy premium, accurate monitoring in even the smallest of mixing spaces. Designed for superior performance in both home studios and small professional mix rooms, the Eris Studio 4 combines flexible connectivity with sonic accuracy that puts it a class all its own.

The custom-designed EBM (Elliptical Boundary Modeled) waveguide provides superior high-frequency response that allows you to hear the finest details in your mix, while a wide 100-degree horizontal dispersion creates a broad sweet spot with lifelike stereo imaging. Narrow vertical dispersion reduces reflections from your desk, and a silk-dome tweeter ensures snappy, accurate transient reproduction.

The 4.5-inch, woven-composite, low-frequency driver produces tight, clear bass with plenty of punch that defies the Eris Studio 4's space-saving size. The ported enclosure and 50W of biamped power combine to maximize bass response and allow the Eris Studio 4 to reach down to an astonishing 55 Hz - without a subwoofer!

Flexible input options let you connect almost any line-level source, from mixers to audio interfaces and more. You'll have no problem hooking Eris speakers up to virtually anything.

Features

4.5-inch, woven-composite, low-frequency transducer
1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
100-(H) x 60-(V) EBM waveguide for wide sweet spot
Front-firing acoustic port for superior bass-frequency reproduction and optimized, resonance-suppressing internal bracing
50W, Class AB biamplification
55 Hz to 20 kHz frequency response
100 dB SPL (Peak, @ 1 meter)
Acoustic Tuning controls: HF (+/-6 dB, continuously variable); Midrange (+/-6 dB, continuously variable), and Acoustic Space (flat, -2, -4 dB), plus highpass filter (Off, 80 Hz, 100 Hz)
RF interference, output-current limiting, over-temperature, transient, subsonic protection and amplifier "soft start" feature (eliminates popping on power-up)
Internal power supply with IEC connector and power switch with on/off LED
Balanced XLR and 14-inch inputs and unbalanced RCA inputs

Set up your studio monitors for your room.

Erisr Studio 4 active monitors are equipped with Acoustic Tuning controls to ensure the flattest response in your mix environment. You get Low Cut, Mid, and High controls, as well as three-way Acoustic Space tuning that makes it easy to compensate for the boundary bass boost that occurs when a speaker is placed too close to a wall.

Honest. Expressive. Powerful.

Like all PreSonusr studio monitors, the Erisr Studio 4 offers consistent, accurate listening. Their stylish design makes them a welcome addition to any mix space, and their smooth, incredibly even frequency response ensures that your mixes will sound great everywhere.

Specs

Electronics
Voltage: 220-240V UK
Wattage: 80 Watts
Input impedance: 10 kO

Performance
Peak SPL: 99 dB (@ 1 meter)

Speakers
Crossover frequency: 2.7 kHz

Hardware
Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard

Audio controls: Volume High Frequency (+/-6 dB, center 10 kHz, continuously variable) Mid Frequency (+/-6 dB, center 1 kHz, continuously variable)

Audio switches: Acoustic Space (Flat, -2 dB, -4 dB) Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)

Monitor inputs: 1- Balanced XLR, 1- Balanced 14" TRS, 1- Unbalanced RCA
Power amplifier type: Class AB

Measurements

Dimensions: 10.00 x 7.00 x 7.20 in

Depth: 7.28" (18.5 cm)
Height: 10" (25.4 cm)
Width: 7" (17.8 cm)

Notes: A spacious backpack that accommodates a compact synthesizer, new from SEQUENZ.

Three storage compartments are included for various purposes. The main compartment can accommodate a larger portable equipment, such as a compact synthesizer, effect board, or DJ controller.

The second compartment has enough space to hold up to a 17-inch laptop computer. Inside are organizer pockets that can store a smartphone, cables, or a wallet, so you can carry all of your daily necessities.

The front pocket is a sleeve equipped with fasteners, ideal for holding books, magazines, or sheet music.

Thick padding securely protects your equipment and computer. A U-shaped shoulder belt distributes the weight of the pack, and the back and shoulder areas use mesh material for cushioning and cooling, letting you carry heavy equipment with ease.

MP-TB1 is a stylish backpack that holds everything you need effortlessly.

Notes: The Swing module is simple, but an effective addition to analogue sequencers. Swing is a voltage-controlled clock delay with three modes, which can be used to provide step sequencers with a swing factor.

Swing features a clock and reset input to synchronize to an external clock, and four outputs that can be time delayed.

Notes: The all-new PodMic is a broadcast-grade dynamic microphone designed for podcast applications. With a built-in pop filter and a rich, even sound it will give your voice a silky, professional quality. The PodMic can be used with any XLR interface, but is optimised for use with the new RODECaster Pro.

Built for Podcasting:

When we designed the PodMic, we set out to create the ultimate Podcasting microphone. Durable, great-sounding, easy to use and flexible. Whether your podcast features screaming sports commentary or intimate poetry readings, the PodMic will deliver a balanced, easy-to-listen-to vocal tone that your listeners will love.

Solid construction:

With an all-metal construction, the PodMic is built to last. The robust swing-arm mounting matches perfectly to the RODE PSA1 boom arm for ultimate flexibility and convenience.

End the Pops:

The end-fire dynamic capsule is protected by a stainless steel mesh grille and a integrated pop shield, allowing you to get up close to the microphone for that intimate 'radio' sound.

Integrated Podcast Production Console:

The PodMic will give great results with any XLR interface, but has been optimised for use with the new RODECaster Pro integrated podcast production console. Simply select 'PodMic' as your microphone type using the touch screen on the RODECaster Pro and the console will automatically apply the right settings to deliver the best possible results from your PodMic whatever your voice type.

Perfect for streamers and gamers, not just podcasters and voiceovers.

This product is compatible with the Rode PSA1 and the PSA1+.

Notes: The Tuk Tuk 12" Leather Record Box has a fabric lining, and holds approx 60 x 12" records.

Notes: The Tuk Tuk 12" Leather Record Box has with fabric lining, and holds approx 60 12" records.

Notes: The Tuk Tuk 12" Leather Record Box has a high quality fabric lining, and holds approx 60 x 12" records.

Notes: The Tuk Tuk 12" leather record box with a high quality fabric lining is perfect for 12" records and holds approx 60 x 12" records.

Notes: The Tuk Tuk 12" leather record box with high quality fabric lining holds approx 60 x 12" records.

Notes: The Kenton Merge 4 can merge the data from up to 4 separate MIDI sources (e.g. Master keyboards or controllers) into a single MIDI data stream which appears at both of the MIDI out sockets. It features 4 opto-isolated MIDI inputs and 2 MIDI outputs.

The Kenton Merge 4 is powered from a mains adaptor (wall wart) so you can fit and forget.

Comes with multi-region power supply

Notes: A compact digital stereo amplifier capable of delivering up to a powerful 85W max. per channel output with very little distortion.

Built-in Bluetooth connectivity makes this amplifier incredibly easy to use and ideal for home multimedia.

Also great for commercial installations where there is confined space.

Notes: The next generation of EQ Acoustics Spectrum Bass Traps is here. These new bass traps offer the ultimate combination of performance and value for money. Designed specifically for audio and music rooms, Spectrum Bass Traps treat room mode problems and even out bass response.

This Corner Bass Trap L measures 1150mm x 575mm x 100mm. Click 'Installation Instructions' above for a drawing.

You will need just under 410mm of free wall space from the corner of the room to the edge of the bass trap.

Featuring our standard fully encapsulated 65KG/M3 absorber, large surface areas, a front membrane, sealed edges and large rear cavities, the three models provide genuine bass frequency control for just about any type of application.

The membrane layer provides extended low frequency absorption whilst preserving higher frequencies, leaving your space with a natural and balanced sound.

Performance levels by far surpass all foam bass traps and standard glass fibre based products.

5 colours as standard: Red, Blue, Natural, Grey, Black (more colours available on request)

1 item per pack as standard

UK Class 0 / Euro Class B fire rating (suitable for public spaces including schools).

Ideal for Recording Studios, Broadcast, Home Cinema, HiFi Rooms, Voice Over, Music Practice Rooms, Music Classrooms and more.

Notes: TM is a probabilistic random sequence generator based on the research of Alan Turing. His Turing machine was a mathematical model of computation that could, in theory, create any output based on a set of instructions and input variables. In a similar way, the TM chooses random values for steps in a sequence based on the user's probability settings. By manipulating probability and sequence length, the module can generate an infinite number of sequences. Whether you're looking for a controlled random source, or an evolving melody generator, TM has you covered.

Notes: Mixer / Output module

A small but handy 4 channel mono audio mixer module, with features not usually found in similar products.

Features:
4 input channels with level pot.
Master gain control.
Led Vu meter
Headphone 1/4 output with level , replicated in Control Room output.

Size: 6 HP

Notes: Stompbox: 100 Pedals of the World's Greatest Guitarists, is a deluxe celebration of the unsung hero of guitar music-the effects pedal.

Stompbox showcases the actual effects pedals owned and used by Jimi Hendrix, Stevie Ray Vaughan, Frank Zappa, Alex Lifeson, Andy Summers, Eric Johnson, Adrian Belew, Joe Satriani, Steve Vai, Ed O'Brien, J Mascis, Lita Ford, Joe Perry, Thurston Moore, Lee Ranaldo, Vernon Reid, Kaki King, Nels Cline and 82 other iconic and celebrated guitarists.

These exquisitely textured fine-art photographs are matched with fresh, insightful commentary and colorful road stories from the artists themselves, who describe how these fascinating and often devilish devices shaped their sounds and songs.

A visual treat for obsessive collectors, guitar players, and music fans, Stompbox reveals the essential but lesser-known marvels behind some of rock 'n' roll's signature sounds.

Book features and structure:

100 Pedals. Featuring interview with the artist and a photos of the chosen pedal. The interview explores the artist's personal connection to their chosen pedal. The pedal photo receives a full page with the interview on the adjacent page.

5 Editorial Features:
* Fuzzed, Phased & Freaked Out: A Heavy History of the Guitar Pedal.
* Thinking Inside the Box: A Pedal Innovators Roundtable.
* Fuzzy Drums, Hairy Horns & Silky Keys: Why It's Okay to Love Guitar Pedals for Everything But Guitar
* Seeing Sound: The Art & Design of the Stompbox
* J's Big Muff Museum: Lee Ranaldo Talks Pedals With J Mascis.

Photographer and Art Director: Eilon Paz
Editorial Director: Dan Epstein
Editor At Large: James Rotondi
Foreword: Ed O'Brien (Radiohead)

Contributing Writers Tom Beaujour, Rich Bienstock, Matt Blackett, Anna Blumenthal, Elton Bradman, Rod Brakes, Chris Buono, Barry Cleveland, Matt Diehl, Dan Epstein, Tzvi Gluckin, Dave Hunter, Michael Molenda, Bill Murphy, Whitney Petty, Lee Ranaldo, Michael Ross, James Rotondi, Cynthia Schemmer, Josh Scott, Katherine Turman

Review: American singer-songwriter Bruce Springsteen is about as big a music star as there could possible be. It all began in January 1973 when the legendary rocker dropped his debut album, Greetings from Asbury Park, NJ which is now back in print in several different formats as a "hybrid" remastered version that brings together both regular and "super audio" versions. It's a still superb album that laid out The Boss's sonic vision and was noted by Rolling Stone critic Lester Bangs for being dexterous and on point socially. Bluesy rockers, semi-acoustic treats, funky workouts and plenty more all feature on this limited edition 180 gram audiophile vinyl.