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Notes: Unreal value from Cre8audio's West Pest, the more experimental sibling to the East Beast. Loosely Buchla-inspired semi-modular synthesis with built-in sequencer, MIDI control and full Eurorack compatibility.

Supplier's Notes:
West Pest

Fully analogue West Coast style semi-modular synthesizer

The cousin of Cres8audio's East Beast desktop synthesizer, West Pest is a pesty cornucopia of simple complexity.

West Coast style is typically characterized by additive derived, rich and complex sounds. Often, more traditional user interface elements are replaced by the abstract and experimental.

All that said, West Pest is actually not a deep dive into the abstract. It provides a wide array of sonic capabilities while maintaining a quick and easy workflow. You'll make fresh & inspiring sounds in a flash. West Pest's huge sonic capabilities emanate from its modest bento box-sized exterior.

You can also feel free to pop West Pest out of its enclosure and transform it right into a 40HP eurorack module, or keep it in its case and use it anywhere for your West Coast style pleasure.

West Beast's oscillator, designed in partnership with Pittsburgh Modular Synthesizers, stems from 10 long years of stoic commitment to a continuous development of analogue oscillator research and development.

Its beautiful buzzy circuitry is not a clone or based on any outside designs. It is made with 100% modern components. This keeps it very stable, and giving it a super rich, and unique sound.

Folding waves, space, time & laundry?

West Pest utilizes a custom wave folder to shape the sound. It adds additional dimensions to West Pest's already unique sounding oscillator core.

A wave folder shapes sounds differently than a filter. Instead of removing harmonics, the wave folder increases the harmonic content of the oscillator by folding the wave in on itself to create sonically rich waveforms.

West Pest's wave folder takes what traditional wave folding circuits have done for years and ups the ante, allowing the user to fold previously unfoldable waveforms.

In addition to being able to send all of West Pest's waveforms through its wave folder/shaper, you can also input external sound sources. So go ahead, get weird with it.

Sculpt west-coast style

In continuity with the whole West Coast synth vibe, West Pest has a dynamics controller as well as an LFO to further sculpt its sound.

The Dynamics Controller combines the functionality of a VCA with a low pass filter to imitate the behaviour of soundwaves in the real world by dynamically modifying the harmonic content with the volume of the sound.

Go patch yourself

Semi-modular means that the West Pest will work without any patch cables. But who doesn't want to build a magnificent web of patch cables flowing in and out of their synthesiser? Brewing up sounds the old fashion way like unwavering generations before you, one patch cable at a time is where the real magic happens.
West Pest provides access to basically 8 different modules (Oscillator, wave contour, dynamics controller, LFO, multi-mod tool, MIDI to CV converter, sequencer, and button keyboard) worth of functionality with a whopping 18 Eurorack compatible patch points to plug into itself and your other gear. Rewire West Pest's signal flow, or share your favourite elements from West Pest with any other compatible synthesisers and vice versa.

And furthermore, the West Pest has got MIDI in, and MIDI through. Connect to a DAW, controller, daisy chain, or not. West Pest has you covered, at least, MIDI-wise. There's really no better way to get West Pest integrated into a DAW environment or connect to a controller.
Get your performance on.

But wait, there's more! West Pest includes quite a few additional performance features. You can dive in with its built-in tap tempo clock, arpeggiator, and sequencer. There's a lot of opportunities to inject in some randomness too.

Specifications for when used as a eurorack module
Width when used as a module = 40hp
Depth = 25mm
250mA power draw when running +12V rail
190mA power draw when running -12V

Input voltage range of oscillator = 0-10V

Included in the box - 1x West Pest, 1x West Pest wall-wart power supply, 5x Amazing Nazca Noodles Patch Cables, 1x 3.5mm to 5 pin MIDI Din pigtails and pizzazz (pizzazz's presence not guaranteed)

Notes: C4RBN is a 4/2-pole state variable filter with input saturation, output wavefolding and more. It offers a wide range of characters, from nice and clean filter sounds to screaming, squeaky, sounds.

An innovative input saturation circuit and the output wavefolder of WMD's classic SYNCHRODYNE filter bring great sonic flexibility.

Features:

3 independent 2 pole outputs for High Pass, Low Pass, and Bandpass
Inverting Attenuator (attenuverter) for FM allows for positive and negative CV control over the cutoff frequency
Independent 4 Pole output with switchable frequency response
Input Saturation with 3 switchable levels and CV input for additional fine control
PING circuit generates a fast decay envelope emulating the response of a vactrol
Output wavefolder for extra bite and screaming character
Resonance with self oscillation
Temperature compensated 1V/Oct tracking.
Performance focused control scheme allows for on-the-fly changes of filter types with intention

Power consumption: 92mA at +12V and 82mA at -12V

Depth: 38mm

HP : 4

Notes: Great value here. Pro-style four-channel setup with three-band EQ and LED metering on each channel. Versatile phono and line inputs, plus USB connection to hook up to a computer.

Supplier's Notes:
Versatile mixing with computer integration.

M6 enables you to step up to a four-channel mixer. This club-style design not only works with any standard audio sources including turntables and CD players, but it also has a USB computer connection. When connected to your Mac or PC, the plug-and-play connection empowers you to mix in audio in from music-player software and record your sets into virtually any audio recording application.

You will enjoy a complete range of performance essentials in M6, including three-band EQ and LED metering per channel. M6 has a replaceable crossfader with slope control, and you can assign any channel to either side of the crossfader.

You can talk over the mix with M6's dedicated XLR microphone channel and a secondary mic input on channel four. And for the best possible sound, M6 has balanced outputs.

Get all the flexibility of a four-channel mixer plus the power of computer connection with M6.

Weight: 9.6 lbs

Dimensions (WxDxH): 12.625" x 14.25" x 4"

INCLUDES:
M6 USB Mixer
Power Cable
Quickstart Guide

Class Compliant: this product is immediately compatible with every current and future version of Mac OS X and iOS and with Windows (98SE and up) operating systems.

Notes: Another update for WMD's clever dual VCA, this time a little bigger to give more control. Digital control of CV and attenuation gives lots of creative options. Third time's a charm.

Supplier's Notes:
WMD have done several designs of this circuit over the years, the first one had no knobs, the second was too small, the MKIII is finally how this circuit should be packaged. This module does some really cool stuff and is super useful in any system.

The Digital VCA lets signal through like a normal VCA, but the CV and attenuation level is controlled digitally. This lets us do things like wait until there is a zero crossing to change the amplitude, resulting in clickless amplitude changes.

The Trigger mode causes the VCA to only update when a trigger is received. The addition of a noise circuit for each side let us do a very quick and easy sample and hold that never droops. With no input, 5V is normaled to the attenuator, so you get a 0-5V sample and hold. In Bipolar mode, you can get -5 to +5V.

Both sides have bipolar VCA mode (polarizer), which lets them invert the signal when negative CV comes in. Also known as ring modulation. With the zero crossing detector, this can produce some super wild wave shapes.

Features

Dual VCA Design
Unipolar or Bipolar Operation
DC Coupled Analogue Signal Path
Low Distortion / Low Noise
VCA Closes Completely
Zero Crossing Detector Mode
Trigger Mode
Two Independent Noise Sources
8 bit CV resolution
Great for Fast Envelopes and Sine Bass Sounds

Specifications

Power: +65mA, -45mA
Width: 8HP
Depth: 35mm with cables
Height: Eurorack 3U (128.5mm)
Board Height Behind Panel: 112mm
CV/Signal Input Impedance: 100k
Output Impedance: 1k
UPD in 3.3V Threshold Schmitt Trigger
ZCD produces 15us 5V pulse
5V CV to fully open VCA
Linear VCA response
20Vpp signal handling

Notes: The ideal MIDI routing solution for those with large hardware setups, the MRCC 880 simplifies MIDI setup over a range of DIN, USB and 3.5mm TRS connections, including preset storage and advanced options like filtering and merging.

Supplier's Notes:
Essential MIDI patch bay features give you exactly the connectivity you require. Slim, beautiful, and easy to configure without a PC, the MRCC 880 gets you quickly setup and productive

MRCC 880 - MIDI Router Flexibility, Configuration Without a PC

The MRCC 880, with dedicated per port routing buttons, makes routing MIDI connections super quick! Simply select an input, then pick which outputs to route to. MIDI merging is automatic. Status and activity are displayed on per-port LED indicators. More advanced features such as Filtering, Channel Split, Panic and MIDI monitoring are configured with dedicated buttons. When your performance setup is complete, save it for recall later. All without needing a PC for configuration.

Essential Features for Your MIDI Studio

When you need the matrix MIDI patching of a MIDI Router, or you have outgrown a MIDI thru box or 1×1 USB MIDI interface, the MRCC 880 is what you are looking for. It has just the right number of inputs and outputs for a small desktop or live jamming rig:

4x 5-pin DIN inputs, plus a shared 3.5mm MIDI TRS
4x 5-pin DIN outputs, plus a shared 3.5mm MIDI TRS thru
4x USB MIDI virtual Inputs and Outputs
It's killer for DAW-less jamming, but of course you can use it in the studio as a USB MIDI interface for your PC, Mac, or tablet. It's great for playing stand-alone soft synths, or connect it to your DAW and plug-in instruments. With the dedicated routing buttons, you can choose which inputs get routed to which output(s) at any time.

Specifications

Requirements

Power:

USB 2.0, 5V DC, 80mA, USB type B connector

USB Power Supply not included. Power from your PC or other host port, or for use without a PC, power with a USB charger or USB battery

USB MIDI Interface:
Works with PCs, Mac, Tablets and most other USB hosts that support a USB MIDI Class Compliant device.

Firmware Updates:
Requires a Windows PC, macOS or other computing device that supports USB mass storage mode.

Limited Warranty

Conductive Labs LLC provides a limited warranty for 1 year (or the minimum required by law in your country) to the original purchaser with proof of date of purchase. In case of failure due to defects in material or workmanship, for the duration of the warranty period, Conductive Labs will repair or replace the device at their discretion. If a replacement is not available, it may be replaced with a device of similar functionality.

MIDI I/O
Ports:

4x 5-Pin DIN, and 1x 3.5mm TRS (Type A) optically isolated Inputs.1
4x 5-Pin DIN, and 1x 3.5mm TRS (Type A) thru Outputs. Traditional 5V MIDI spec for maximum compatibility with vintage gear.
1x USB 2.0 Type B device port for computer connection with 4x USB MIDI virtual inputs and outputs.
1 First input pair, choose one of the 2 jacks; 5-pin DIN or 3.5mm MIDI type A
*Unlike MRCC MIDI Router Control Center, MRCC 880 is not expandable, or compatible with MRCC expansion modules such as Remote 7 or XpandR.

Features:
Save/Load
4x Save slots
1x Init (clears settings)

Filters (per input):
MIDI Clock
Stop/Start/Continue messages

Panic button:
Sends MIDI "All Notes Off" to routed ports.

Channel Split:
Select an input and the channels will be split sequentially to the 4 DIN outputs.
For example, when Chan Split enabled for Input 1:
Output port 1 will send MIDI channels 1, 5, 9 and 13.
Output 2 channels 2, 6, 10, 14.
Output 3 channels 3, 7, 11, 15.
Output 4 channels 4, 8, 12, 16.

The MRCC 880 MIDI Monitor button to optionally indicate MIDI activity on port LEDs.
The MIDI Merging is automatic. Just select the same output from a different input.
This product also has a Dedicated Power Switch.

Notes: The next generation of Ableton Live controller from Akai, the APC64 is designed for seamless integration with the software, or as a standalone step sequencer and controller. The 64 velocity sensitive pads handle playing, recording, clip launching, sequencing and much more, while eight assignable touch strips offer extensive hands-on control.

Supplier's notes:

APC64; Next generation Ableton live controller.

Touch the future

Leap into a new world of musical possibility in the studio, on stage, and anywhere creativity leads you with the powerful APC64.

Ableton live controller; with sequencer and touchstrips

The new Akai Professional APC64 is a powerful next-generation Ableton Live controller for studio and live performance.

It features 64 RGB velocity-sensitive pads with poly aftertouch, and 8 fully assignable Touch Strips for instant hands-on control of devices, pitch, modulation, and much more. APC64 also works as a standalone 32-step 8-track Step Sequencer and controller with 3 MIDI ports and 8 CV/Gate outputs to take full control of synths, drum machines, or modular rack devices.

In-depth control of Ableton Live

Enter the matrix

APC64 features a vibrant 8x8 pad matrix of 64 velocity-sensitive RGB pads with poly aftertouch for playing chords, synth leads, Ableton Live's Drum Racks and of course launching Clips in Session View.

Touch the future

Add a whole new level of expression and control to your music production and live performances with 8 fully assignable Touch Strips with RGB LED indicators. Get control of Ableton Live's devices - including Auto Filter, Delay, Reverb, Impulse, Simpler and more - right at your fingertips. Adjust macros, mixer volume, pan, and effects sends as well as writing automation.

Visual feedback and control

APC64 includes a smart colour LED screen with a fast push encoder for real-time visual feedback of your parameters. Move around Ableton Live's devices and mixing environments while keeping track of each parameter on the screen. APC64 also features dedicated transport control with Play, Stop, and Record for capturing your ideas along with 8 Track Mute and Solo buttons for mixing and live performance.

Standalone step sequencing

APC64 features an internal 32-step 8-track Step Sequencer enabling completely DAW-less control of your favourite synths. With 8 CV/Gate outputs and 3 1/8" MIDI ports, you can connect, sequence, and capture your favourite modular racks, keyboards, classic drum machines, and more. Add continuous control and expression using the 8 Touch Strips for a whole new level of performance. Apply additional creative dimensions to MIDI notes using the Probability, Velocity, and Mutate functions for further experimentation.

Powerful production and performance

APC64 facilitates a seamless workflow within Ableton Live; from triggering samples and loops in Ableton Live's Drum Rack, all the way to writing expressive melodies using the Notes, Scale, and Chord modes. Use the onboard Step Sequencer to generate inventive melodic patterns that can be instantly transferred to Ableton Live using the Send To Clip function. Apply swing and quantize to your beats or use APC64 to arm and record vocal tracks directly in Ableton Live sessions.

Ableton drum rack/simpler control

APC64 features a dedicated Drum Mode allowing you to play and record beats, loops, and slices using an Ableton Live Drum Rack or Simpler device. Capture additional inspiration using the 8 Touch Strips to control Ableton Live's FX racks during beat making and performance.

Included software bundle

Ableton Live Lite 11

APC64 Includes Ableton 11 Lite for all your software music production needs in one package to produce, perform, arrange, record, edit, mix and master your music. Live Lite includes sounds, instruments, and sequencing, recording, and arranging capabilities.

Air music instruments/plugins

APC64 Includes a collection of professional plug-in instruments and effects so you can start producing out of the box. Included are the following plugins: TubeSynth, Electric, Ether, Halfspeed, Vocal Tuner, Flavor, and the Sonivox Essential Keyboard Collection.

Custom editor software

Create your own custom layouts with the included desktop software editor for Mac/PC to personalize and store pre-sets for quick recall in standalone.

Key specs

Display
Graphical full colour LCD
Connections: USB-C, 8x 1/8" (3.5 mm) CV/Gate, 2x 1/8" (3.5 mm) MIDI Output, 1x 1/8" (3.5 mm) MIDI Input
Dimensions (width x depth x height): 10.7" x 14.6" x 1.4" 272 x 371 x 34.5 mm
Weight: 3.5 lb/1.6 kg

Notes: Erica Synths Black VCO2 is an analogue VCO with built in SAW waveshaper and two modulation LFOs.

Features
Simultaneous sine, triangle, saw and pulse wave outputs
-1 octave suboscillator
Highly accurate and stable tracking across 8 octaves
Saw waveshaper with manual and CV control
Manually adjustable and CV controlled pulse width
Exponential/Linear FM input with an attenuator
2 built-in modulation LFOs
Synchronization input
Octave switch - 7 octaves
Skiff-friendly design
Erica Synths Black VCO2 is all analogue, highly accurate and stable VCO with four simultaneous waveform outputs, one octave down suboscillator and some unique features. Unlike harsh, logic divider based sub-oscillators, Black VCO2 transistor-based suboscillator generates distinct, rounded squarewave. Furthermore, the Black VCO2 has built in SAW waveshaper and two modulation LFOs. Together with Black VCO Expander - waveform mixer you get massive analogue sound source with plenty of patch points for modular use.

Erica Black Series include high-end, unique functionality and superior quality modules. Only the best, highest quality components are used, all inputs and outputs are protected against undesired over-voltage. Erica Black Series consist of range of modules that are needed to put together entire synth.

Technical specifications:
Audio output amplitude: 10Vptp
Octave range: C0 - C8
Panel width: 12HP
Module depth: 35mm
Power consumption: 71mA@+12V, 62mA@-12V
Power consumption w. Expander: 102mA@+12V, 87mA@-12V

Notes: Advanced Multifunction Delay & Looper with 12 delay types, tap tempo, and extended control!

The EHX Grand Canyon is Electro-Harmonix's most advanced multifunction delay and looper pedal. It's equipped with 12 effect types plus a fully featured looper capable of recording and overdubbing the Grand Canyon's effects.

The pedal provides superior sound quality, up to three seconds of delay time, tap tempo and nine tap divide settings, stereo output, 13 presets, programmable EXP pedal settings, high quality analog bypass with soft switching and more. The Grand Canyon's 13 modes are:

1. ECHO - pristine 24-bit digital delay with available bit crush/sample rate reduction and low/high pass filtering
2. MOD - Modulated delay, yields rich flanger, chorus, vibrato, warble and more
3. MULTI - Multi-tap delay, set the exact number of echo repeats up to 31. Includes adjustable swell or decay volume envelopes on repeats.
4. REVERSE - Reverse delay, an easy-to-use reverse delay with an intelligent pick detection algorithm for great sounding reverse echoes
5. DMM - Deluxe Memory Man, re-creates the luscious tone of EHX 's legendary bucket-brigade delay pedal
6. TAPE - Tape Delay, simulates the organic sound of an analog tape, echo machine including tape distortion, wow and flutter
7. REVERB - Plate reverb plus echo. A reverberant echo where each repeat is followed by a wash of gorgeous plate reverb. Can also be used as a pure reverb without the delay
8. PITCH - EHX's critically acclaimed polyphonic pitch shifting plus digital delay provides pitch-shifted echoes and cascading echo repeats
9.SHIM - Shimmer generates a rich octave-shifted wash of shimmering soundscapes
10. SAMPLE/HOLD - Sample and hold, senses a note being played and produces echoes indefinitely until another note is detected
11. DRUM - Magnetic drum echo that faithfully emulates a classic Binson Echorecr style delay. Features an assortment of playback head configurations that let you create musical, rhythmic, echo patterns
12. DOUBLE - Thickens up a mono signal or creates a stereo spread. Includes detune and delay time offset of the left and right outputs
13. LOOPER - Looper with up to 16 minutes of recording time. Includes unlimited overdubs, undo/redo, dedicated stop button, loop fade-out, reverse and speed adjust.

Advanced multifunction delay and looper with up to three seconds of delay time
12 effect types that cover a ton of tonal real estate to fuel your creativity: ECHO, MOD, MULTI, REVERSE, DMM, TAPE, REVERB, PITCH, SHIM, SAMPLE/HOLD, DRUM, DOUBLER
Tails feature. Select whether the echoes fade out naturally or stops immediately when the pedal is switched to bypass mode
Tap tempo with nine tap divide subdivisons
Up to 16 minutes of recording time on the fully featured looper
Loop audio remains in the Grand Canyon until you erase it, even after removing power
13 presets can be saved or recalled
3-button footswitch connector for remote operation
Power adapter included

SPECIFICATIONS
Circuit
Digital
Bypass
Buffered Bypass
Audio
Stereo
Power Supply
9.6VDC-200mA power adapter included
Dimensions (in)
4.75 x 3.9 x 2.5
Current Draw
150mA
Year Released
2018

Notes: Muxlicer is a sequential signal processor designed for add a huge range of special functions to your modular setup in the minimum space.

Muxlicer is divided in three main blocks: Digital Step Controller, Gate Generator and Analog Switch (a.k.a. Mux/DeMux).

The module is designed with high "function to HP ratio" philosophy, to have maximum flexibility in minimum space.

Notes: For extreme, distorted drums Dual Drive module is a must! The module features two identical overdrive sections with adjustable Gain and Drive level, each with three flavors of overdrive. CV control over Gain and Drive adds more expression, while built in limiter prevents output signal to run into undesired clipping. Furthermore, the output of the first section is normalled to the input of the second, so you automatically get extreme, versatile dual overdrive circuit. The module can be used in the stereo appliations as well and it's not limited for drums only - it will turn any sound source into roaring monster.

Features
Two identical overdrive circuits
Manual GAIN and DRIVE controls
CV control with an attenuator over GAIN and DRIVE
Mode switch for selecting one of three overdrive flavours
Output signal limiter
Drive level LEDs

Specifications
Audio output level: -5V...+5V
CV level (full span): -5V...+5V
Power Consumption: 58mA@+12V - 58mA@-12V
Module width: 10HP
Module depth: 50mm

Notes: Scales is an 8hp dual-channel note quantizer and step sequencer. Fundamentally, it takes an input voltage, quantizes it to notes in a user-defined scale, and sends that quantized voltage to an output, where you can use it as a melodic pitch source for oscillators or any other module that expects to see discreet note values at its input.

Scales goes far beyond the fundamental, allowing you unprecedented control of the pitches and intervals hiding inside your control voltages; turn LFO's into arpeggiators; random voltages into harmonic counterpoint; and unquantized external CV sequencers into chromatically tuned note sequencers.

Quantization can be locked to an incoming trigger. There are a number of trigger output options as well, ranging from no triggering (good for pitch shifting drones); through triggers that sync with either of the two outputs (or both); to a trigger or gate transmitted in sync with one sent to the module's TRIG input.

Shift:

Scales features two independent outputs, enabling you to create shifted harmonic intervals within your chosen scale using only a single pitch input. Using the SHIFT input you can modulate changes on OUT A and/or OUT B.

You can also use the shift input to switch between scales or to change the root of any existing scale pattern or split Scales into two quantizers - each conforming to a common scale, but fed entirely different voltage sources.

Sequence:

Scales also features a 128-step SH-101 style step sequencer (complete with storage for up to 35 fully programmable patterns) - allowing you to feed OUT B with sequenced notes and rhythm patterns, while OUT A continues to function as a standard pitch quantizer for external voltages. You can even sync the sequencer to quantizer events on OUT A.

Notes: X-PAN is a compact and powerful 5 channel Voltage Controlled Stereo Mixer with Low Noise and High Headroom allowing for creation of complex panoramic audio imagery in just 10hp.

X-PAN is highly responsive to control signals allowing for exploration of the fluctuating stereo sidebands possible with Audio Rate Crossfading and Panning. X-PAN is Direct coupled for use as a CV Processing and Routing toolbox.

X-PAN consists of two full featured Channels and one simpler Channel. The top two Channels each have voltage controlled cross-fading and panning while the third Channel is a stereo aux input with stereo VCA. All three Channels are combined together at the stereo SUM outputs.

Notes: Dnipro serve up a solid option for generating modulation signals: knob recording, LFOs or loopable random modulation, all syncable to a clock signal. Nice touches include tap tempo and slew.

Supplier's Notes:
Krait is flexible 3-channel modulation source for eurorack system. Each channel can be either a Knob Recorder, LFO or loopable Random Generator.
The module is designed to be in solid sync with your beats, so in order to work, Krait should receive steady external clock pulse. However, LFO will work without clock. All settings and waveforms will be autosaved and reloaded after power off.

Knob Recorder:

Can record pot turns, up to 8 bars loops possible.

LFO:

Tap tempo LFO with morphable waveforms and phase offset. Sync it to your beats.

Random Generator:

Syncable random with portamento and possibility to freeze and loop 16 steps.

Technical details:

6 HP

70 mA +12V

12mA -12V

0 mA 5V

42 mm deep

Voltage ranges: +5-5v, 0v+5v

Notes: Psychdelic Vocal Trip

Designed for vocals, the Echo Master is a lo-fi, analogue tape-style delay unit that can transform your voice into a chaotic realm of noise and feedback. The effects loop allows additional effects to be placed in the signal chain, making it easy to use with any of your favourite effects pedals on your vocal sound without any adapters.

The Echo Master is not just a delay unit, however. It utilizes matched Bourns transformers on the input to create a vibrant-sounding and feedback-minimizing preamp to bring you phenomenal vocal quality before you even hit the PA. Your sound engineer will hate you because you'll sound better than ever without their help. Top it off with high-quality Neutrik XLR jacks and the Echo Master is the ultimate tool for taking total control of the sound of your voice.

Controls

Time: Controls the delay time, with numbers labelled in milliseconds. In the Red Zone, the delay chip is pushed to the extreme. The signal decreases in fidelity as the time increases.

F-Back: Controls the number of repeats in the delay circuit, anywhere from one to an infinite to a wall of oscillation.

Mix: Controls the level of the delayed channel in comparison to the dry signal, from fully dry to an equal mix.

Send/Receive: Plug out of the Send jack into any additional effects, then back into the Return jack to introduce new sounds into your vocals. This loop is before the delay line, allowing you to affect your dry vocals as well as the delay generated by the Echo Master.

*Alternate Backplate: Back in stock baby! The Echo Master can also be purchased with a backplate that mounts to your mic stand. Puts the pedal within hands reach to maximize live performance tweak-ability. This recently upgraded V3, comes with a handgrip screw for more torque (although it resembles the V1, this is a much sturdier model). **Please note- cords, microphone, and stand are not included.

Specifications

Dimensions: 6.09" x 3.45" x 2.75" (including hardware).
Weight: 16oz. (w/ Alternate Back Plate 30oz.)
Power: 9V (runs on standard 2.1mm negative center 9V adapter).
Current Draw: 25 mA.

Notes: The MATHS music synthesizer module is an analogue computer designed for musical purposes. Amongst other things, it will allow you to:

Features

Generate a variety of linear, logarithmic, or exponential triggered or continuous functions

Integrate an incoming signal

With no signal applied, generate a variety of linear, logarithmic, or exponential functions

Add, subtract and OR up to 4 signals

Generate analogue signals from digital information (Gate / Clock)

Generate digital information (Gate / Clock) from analogue signals

Delay digital (Gate / Clock) information

If the above list reads like science rather than music, here is the translation:

Voltage Controlled Envelope or LFO as slow as 25 minutes and as fast as 1khz

Apply Lag, Slew or Portamento to control voltages

Change the depth of modulation and modulate backwards!

Combine up to 4 control signals to create more complex modulations

Musical Events such as Ramping up or Down in Tempo, on command

Initiating Musical events upon sensing motion in the system

Musical note division and / or Flam

Perfect for modulating the DPO and just about anything else

Page for Classic version of MATHS

Specifications

Width: 20hp
Max Depth
(incl. power cable): 32mm
Power:
60mA@ +12V
50mA @ -12V

Notes: Transform your guitar into a classic organ from the '60s and beyond!

With 9 presets that were finely tuned to emulate the most legendary organs from the '60s and beyond, the EHX B9 Organ Machine will transform your guitar or keyboard. Control the instrument's signature percussive click and sweet modulation. Blend your dry signal to create lush layers. Enough tonewheel and combo organ inspiration to light your fire and cook up some green onions!

Transform the tone of a guitar or keyboard into that of a convincing full body, electric organ
9 presets that were finely tuned to emulate some of the most popular and classic electric organ tones
Control over percussive attack level, modulation speed, organ and dry volume
Rugged and easy to use
Power adapter included

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 100mA
Year Released: 2014

Notes: Sync all your sequencers with ease and control the BPM - that's what we designed the midiclock for!

It's an ultra-stable hardware MIDI-Masterclock generator & has a great knob to give you full control over the tempo of your performances.

The midiclock generates incredibly accurate MIDI Clock messages.

It has two DIN MIDI outputs to connect to your gear. The clock signal can be distributed to more than two slaves by using MIDI Thru and you can start and stop everything with a single button.

Simply attach all devices that have MIDI Clock slave capabilities: Sequencers, synthesizers, drummachines and software like 'Live' from Ableton.

How to actually set the current BPM depends on the operating mode:

While using 'Live' mode, the BPM change immediately by turning the knob. You can use this mode if you want to make smooth tempo changes in your performance and are aware, that every turn of the knob changes the BPM.

In the 'Normal' mode, the changed value must be confirmed with a single click of the knob. This mode is perfect if you want to set your tempo once and simply need a stable clock signal. Accidental turning of the knob doesn't affect your BPM.

Notes: Brilliant experimental box inspired by electroacoustic musicians including John Cage. Signal processing, mixing, sound generation and the ability to send voltages to physical devices like motors and buzzers. Super creative.

Supplier's notes:
The new KOMA Elektronik Field Kit is the perfect tool for everyone who would like to experiment with electro acoustic sound. Use everyday objects, amplify them and use them to make sound, like our heroes John Cage and David Tudor used to do!

The Field Kit is optimized to process signals from microphones, contact microphones, electromagnetic pickups and able to run DC motors and solenoids. On top of that it can receive radio signals and convert signals from switches and sensors into control voltage!

Let's get more detailed...

The Field Kit boasts 7 separate functional blocks all focussed on receiving or generating all types of signals. They are designed to operate together as a coherent electroacoustic workstation or alternatively together with other pieces of music electronics with the ability to use control voltage signals.

The Four Channel Mixer is the beating heart of the Field Kit, providing a fully functional mixer with individual Gain, Mix Level and Tone control over each channel and individual Master- and Aux sub-mixes.

The level of the Master and Aux Channels can be set with the Master Volume and Aux Volume controls and the channels being sent to the Aux sub-mix can be set with dedicated Aux Select-buttons. The Aux sub-mix is pre-fader.

The CV Radio is a CV-controllable radio receiver capable of receiving radio frequencies on AM/FM and SW bands. Additionally it provides the ability to catch electromagnetic waves for further processing inside the Field Kit. The frequency of the radio can be set with a dedicated multifunctional Search-control which acts both as a manual CV-source and as an input attenuator for a CV-signal.

The Envelope Follower in the Field Kit applies two functions to the waveform you send to the input: full-wave rectification (mirroring of negative portions of the waveform) and low-pass filtering (averaging). It can also be used for frequency doubling of a signal, which is a great tool to have in the electroacoustic domain.

The Low Frequency Oscillator generates periodically varying voltages to be used as control signals. The output waveform can be set with a three-position Waveform-control and gives out either a Square-, Triangle- or a mix of Square and Triangle waveforms.

A very cool function of the Field Kit is the DC Interface. You can use its output voltages to run little motors, fans, solenoids, buzzers and control them with control voltage signals. You can pick up the vibrations and electromagnetic waves with the contact microphones and electromagnetic pickup.

The Signal Interface is a nifty toolset to transform the raw signals of a wide variety of sensors and switches into signals that can be used with the Field Kit or other gear. This means you can trigger or control sound by light, heat, humidity, distance, speed, acceleration, proximity, pressure, force, level, all depending on what type of switch or sensor you are using! Ideal for sound installations!

Notes: Chimera is a granular synthesis module that specializes in drum sounds. It offers a wide range of detailed sample sources as well as its own synthesis engine. Firmware updates can be performed via USB.

The module features various samples called Surfaces. The samples are mainly metallic sounds:

Tambourine
Bells
Drill
Wrenches
Cartridge cases
Coins
Chains
Metal housings
Broken modular front panels

Chimera uses impulsive sounds with lots of detail and long decay times to create detailed shaker-like sounds. The granular synthesizer was developed around the samples here, this has the advantage that the percussion sounds sound so more natural.

Power consumption: 63mA at +12V and 17mA at -12V

Depth: 38mm

HP : 8

Notes: Linear frequency response. Zero coloration. Transparency. Headroom. To hear the truth, you need reference speakers that offer up. Your studio monitors deliver, but what about when you're on the go? What if there was a reference monitor that could free you from the confines of the studio walls and provide you the truth in your music no matter where you are - mixing in a small makeshift recording space, mastering in a hotel room, working in your own studio, or composing on the go? Wouldn't that be sweet?

Now, with iLoud Micro Monitor, you can hear the truth in your music anytime and everywhere. The smallest active studio reference monitoring system in the world, iLoud Micro Monitor provides you with ultra-accurate true linear frequency response with no coloration of sound, and can do so in every listening environment. Sound too good to be true? Read on...

iLoud Micro Monitors are two extremely portable, high-performance bi-amped speakers that deliver a combined 50W RMS of power for superior bass, plenty of headroom and an expansive stereo image. Whether you're recording, editing, mixing, or mastering audio, iLoud Micro Monitor ensures your mix will translate well to the huge variety of consumer devices - headphones, home stereo systems, gaming consoles, car audio systems, TVs, and other listening systems.

With iLoud Micro Monitor, you will hear the truth in your music no matter whether you're mixing, mastering or just listening to your favourite tunes at home. And best of all, it offers its portability, power and flexibility at a price that's affordable for everyone.

A legacy of power:
When the original iLoud Bluetooth speaker was released, it set a new standard for portable power and sonic accuracy. iLoud Micro Monitor is a natural evolution of that design, and just like its highly popular predecessor, it offers a completely new and unmatched portable sonic experience.

Its two speakers are powered by ultra-efficient class D power amplifiers that push a combined 50 W RMS of power. Each speaker sports a 3/4" silk dome tweeter, a 3" paper-cone performance woofer and a large-flaring front-firing bass reflex port. Thanks to these features, it's able to deliver pleasing high frequencies, an exceptionally "open" midrange and a solid and controlled low end. Simply put, iLoud Micro Monitor's sound is so good that it's nearly inconceivable for a speaker system of this size and at this price point.

Sonically Transparent Monitoring System:
iLoud Micro Monitor sounds amazing and real. But why? Well, a part of that is due to its internal 56-bit digital signal processor (DSP). This DSP is responsible for things like taking care of the frequency and phase response of the monitor as well as also controlling the dynamic range so that the drivers are always controlled. It also acts as a digital crossover that allows for invisibly smooth transitions between the drivers themselves.

Adjustable audio:
You're bound to come across all sorts of listening environments when you're on the go. Most speakers can't handle this kind of variety, but iLoud Micro Monitor can. Its internal DSP is controllable thanks to three dedicated EQ switches. You get switches for bass and treble as well as a "DESKTOP" compensation switch - this lets you switch between a "free field" and "desktop" setup effortlessly.

You can also position iLoud Micro Monitor at two angles of inclination, so you can optimize your listening experience to suit the characteristics of the room you're working in.

Get connected:
You can easily use iLoud Micro Monitor with all your favourite gear. Sending an audio signal to it couldn't be easier. It has inputs for both RCA and 1/8" connectors, and it can also be paired via Bluetooth to any Bluetooth-enabled device. With all of its inputs, you'll always be able to use its ultra-linear sound to monitor your music no matter where you are or what device you're using.

The perfect laptop monitoring companion:
Reference monitor sound anytime and everywhere - iLoud Micro Monitor makes it possible. Its two speakers make for one incredibly small and portable system that delivers exceptional sound in any environment. Their compact size make for the perfect monitoring system to use while traveling with your laptop. They easily pack up into a gig bag or backpack so you can use their phenomenal sound anywhere.

***NOW INCLUDES FREE T-RACKS METERING SUITE UPON REGISTRATION WITH IK MULTIMEDIA***

Notes: The Goldring 1012GX record cartridge uses the acclaimed Gyger-2 diamond stylus. This is a fine-line type which gives smooth extended high frequencies, low distortion and reproduces a highly detailed and dynamic sound. Advanced diamond tip polishing ensures excellent tracking ability and reduces record wear. The 1012GX represents outstanding value for money and has become one of Goldring's most popular cartridges.

Notes: Gritty drum voice module based on new old stock Yamaha FM synthesis chips, also capable of a decent range of synth tones. User-friendly knobby interface with a decent range of CV inputs for modulation.

Supplier's notes:
'Akemie's Taiko' is an authentic complete FM synthesis based drum voice created using original Yamaha IC's. It builds on the same technology used in the mighty Akemie's Castle but in a more complete triggered voice form featuring both signal generation and envelope shaping.

The module provides CV and direct control over a number of FM parameters including algorithm selection, operator release envelopes, ratios, waveforms & feedback. This gives a massive range of unique sounds.

The voice is able to track 1 volt per octave allowing it to be used for melodic lines as well as percussion. Also optional 'frequency ramps' can be enabled for additional audio effects.

The drum voice includes a trigger input as well as accent and choke trigger inputs to add further expressive and rhythmic control.

Notes: Mission Control

All the essentials to control and sync your Eurorack modular from your computer, iPhone/iPad, or hardware MIDI device. No menu diving or configuration scripts, just two buttons. Get crazy with external modulation and sequencers, or just sync your rack's clock from the rest of your MIDI bus.

Bridge Your System

The uMIDI provides all the essentials to control and sync your Eurorack modular from your computer, iPhone/iPad, or hardware MIDI device with a minimum of fuss. No menu diving or configuration scripts, just two buttons. The connectivity, features, and compact size allows the integration of your modular system with the rest of your studio while not taking up too much space in your case.

The upper clock section features a dedicated 16th note clock output ideal for synchronizing a Eurorack sequencer like the Metropolis. A second clock output with selectable divisions can be used when different sync events are needed. The run and reset outputs can be used to reset your Eurorack sequencers in tandem with any external sequencer or DAW.

The lower half of the uMIDI gives you everything you need to control a single-voice synth via MIDI. Just connect either a USB or DIN MIDI cable to the module, LEARN a channel, and start playing.

As of firmware revision 1.11 the uMIDI supports configuration of some internal parameters via a browser-based configuration utility. Currently the utility is only compatible with Google Chrome.

Features

High speed ARM processor for low latency & jitter.
DIN or USB MIDI input.
Two clock outputs, one with selectable divisions.
Sequencer sync via run and reset outputs.
Precision 0 - 10 V note pitch output with pitch bend & portamento CC support.
Gate and trigger outputs for envelope triggering.
Mod wheel and continuous controller outputs for additional modulation.
Firmware updates and configuration over USB.

Specifications

Width: 6HP
Depth: 40mm
Power: 3mA @ -12V, 47mA @ 12V

Notes: Two independent Contour Envelope Generators in a single 12hp wide Eurorack module. These are very accurate replicas of the Model D contour generators, with identical circuitry and component values running on the correct +9.3V and -10v supply voltages of the original; so they exactly replicate the original envelope response along with all of it eccentricities. Extra features include manual trigger buttons and envelope status LED's.

The contour generators played a larger part in the sound of the Model D than many people realise. There are two factors that make them unique, firstly the exponential slope when is used in conjunction with the (near) linear slope of the original VCA which is responsible for the famous Model D "punch". Secondly, the re-trigger behaviour is quite unique, multiple retriggering increases the output level so that either the volume increases incrementally, or the filter opens incrementally with each extra key press.

AJH Synth have added independent Decay switches for each individual Contour Generator rather than the shared switch on the original synthesiser, these switches change the Contour response from AD (switch up) to ADSD mode (switch down).

Notes: Full-featured triangle core VCO/LFO

The Dixie II+ is a larger variant of the classic Dixie II. Using the same great triangle core oscillator, it adds a number of features to make it even more versatile with only a modest increase in size. The Dixie II+ makes a great primary oscillator for a modular system, or a great companion the Rubicon.

Notes: Transform your axe and resurrect the sound of vintage tape-based keyboards!

Now any electric guitar player can have access to nine magically quirky, dark and unique Mellotronr sounds. No more extra devices such as special and cumbersome 13-pin MIDI pickups! In addition to electric guitar, you can trigger the MEL9 with any instrument that produces an electrical output, such as a keyboard or a bass, down to 55 Hz or A1.

The polyphonic EHX MEL9 has superior tracking; you can create single notes or chords with ease. The MEL9 will follow guitar bends, dive bombs, slurs, and any other guitar expression/performance techniques you can throw at it!

Pays homage to nine of the coolest Mellotronr sounds: Orchestra, Cello, Strings, Flute, Clarinet, Saxophone, Brass, Low Choir and High Choir
Works on guitar without modifications, special pickups or MIDI implementation and tracks bends, slides, even whammy dive bombs!
Also works with bass guitar down to the open A string as well as keyboards within the limits of its polyphony (5 notes) and range (A1 to A5)
Includes independent Effect and Dry volume controls so you can create the perfect mix at the Effects output
Dry Output jack outputs your input signal at unity gain
Attack control sets the volume swell speed. As it's turned clockwise the notes fade in more gradually
Sustain control adjusts the release time after a sound is stopped. As it's turned clockwise, the fade out time increase
Power adapter included

SPECIFICATIONS
Circuit
Digital
Bypass
Buffered Bypass
Audio
Mono
Power Supply
9.6VDC-200mA power adapter included
Dimensions (in)
4.75 x 4 x 2.25
Current Draw
100mA
Year Released
2016

Notes: With everything you need to express your musical ideas, take command of your studio, and perform like you've always dreamed, KeyLab Essential is an intuitive, powerful, carefully crafted controller keyboard that's easy to master.

Music is at the heart of this controller. Every aspect of KeyLab Essential has been carefully chosen to give you the best possible experience when creating and performing. From the responsive keyboard to the intelligently assigned knobs and faders, you'll feel like everything you touch turns to gold. KeyLab Essential makes navigating your track a breeze thanks to the dedicated DAW Command Center, and makes browsing your presets an exciting, inspiring experience.

It's easy to let your concentration drift and your inspiration slip when you spend hours on tedious tasks. KeyLab Essential is the result of careful research, with the aim of streamlining your creative process, giving you more time to express yourself through music. With the KeyLab Essential on your desk and its comprehensive set of music software loaded in your computer, the only required step to start experimenting, composing and recording is sitting in front of them.

Once you've experienced the creative workflow of KeyLab Essential, you'll wonder how you ever made music without it.

Geared for maximum compatibility, KeyLab Essential gives you unadulterated control of your digital world, seamlessly integrating with virtual instruments and DAW software.

KeyLab Essential is packed with clever controls that help you make swift work of everyday tasks within your recording software. Play your track, jog forwards and back, save, toggle your metronome and loop, record, and punch in on the fly. This functionality keeps your hands on the controller and your mind in the music. As well as offering ultimate integration with Analog Lab 2, KeyLab Essential is a universal MIDI controller, compatible with any third-party instruments or software. KeyLab Essential also comes with Ableton Live Lite so you can start recording, editing, and releasing your music with one of the most popular music platforms on the planet.

Whether you're a total newcomer to the world of recording, or a seasoned pro who's set in their ways, KeyLab Essential has the potential to revolutionize your creative process.

A complete keyboard production studio, KeyLab Essential comes with some incredible software titles. Whether you want a searing-hot synth lead or an ethereal string pad, a vintage upright piano or a complex, animated soundscape, KeyLab Essential gives you everything you need to perform and record. All the ingredients of the cocktail are there and ready to be mixed according to your own style.

Notes: Heaps of character from this stereo/dual-channel filter unit, based on the legendary Soviety Polivoks synth. Raw, aggressive and colourful sound with hands-on control and CV inputs.

Supplier's Notes:
Polyvox PF3 double-stereo filter utilizes the classic Soviet filter chip for a unique and iconic filter tone. Two independent 12dB multi-mode filters that can be controlled by a single cutoff knob. Turning the filter into a 24dB filter, when connected in series. When connected in stereo, you can achieve interesting effects by using different modes to each channel. A noise generator is on board pre-filter and can be used separately as a source of white and pink noise. Volume as well as clean and processed signal balance per channel. Can be used as two independent filters or stereo mode.

FILTER modes - Lowpass, Bandpass, Hi-pass, Notch.
NOISE generator - pink, white and channel balancing.
FILTER 1 and FILTER 2 - CV controls.
LINK switches to control two filters and CV at the same time with one slice knob.
SOFT/HARD cutoff control

Notes: Dual Balanced ins and outs for the studio or the road. Interface your rack with the balanced line level world; send and return to pedals or desktop FX units; patch in and out of your DAW, external synths, drum machines and other line-level instruments.

Get Connected

Audio I/O (2023 edition) allows you to effectively interface your Eurorack modular system to the balanced line-level world (+4 dBu). You can send and return to rack mount/desktop fx units, patch to external line-level instruments like synths and drum machines, interface to a DAW and much more.

The 2023 edition moves the TRS jacks to the top of the panel

The rear-mounted 3-pin CHAIN IN connector allows you to sum (in parallel) other audio sources to go from Eurorack level to the BAL LINE OUTPUTS. This could be from modules like the Mixup 3U, Xfade 1U, Stereo Mix 1U, and XY I/O 1U. You could also use this to connect with the 3-pin headers on the Palette and 7U cases audio i/o boards.

The rear-mounted 3-pin CHAIN OUT connector allows you to directly connect the level-shifted BAL LINE IN to the inputs of other compatible devices such as the Mixup 3U, Outs 3U, Stereo Mix 1U, XY IO 1U, and Headphones v2 1U. You could also connect the to the TRS jacks of the Palette and 7U cases audio i/o boards.

Features:

2 x Balanced TRS 1/4" to Eurorack modular level input paths
2 x Eurorack modular level signals to Balanced TRS 1/4" output paths
4 x six stage analog led VU meter to monitor all inputs and outputs simultaneously
Input path has up to 20 dB of gain, which allows you to patch in low-level consumer level signals and boost them.
Output path steps a nominal Eurorack level (10 Vpp) down to +4 dBu with up to +6 dB gain
3pin CHAIN IN connector
3-pin CHAIN OUT connector

Dimensions
10 HP
39 mm deep

Current Draw
75 mA +12V
70 mA -12V

Notes: An expander module for Rossum's powerhouse Assimil8or sampler module, the Locutus provides MIDI in, out and thru connections over 5-pin DIN sockets, letting you take full control of the module alongside other MIDI gear.

Supplier's notes:
Locutus is designed to interface Assimil8or with MIDI instruments, controllers, and sequencers to provide multichannel modulation and new polyphonic possibilities.

Locutus includes a special cable to connect to the Assimil8or CPU behind the panel.

Locutus is 6 HP wide and 25mm deep.

More pricing and availability information is coming soon.

Locutus is on display in the MIDI Association booth #9901 at NAMM 2023 where Locutus and Assimil8or will be performing with a Rossum SP-1200 Reissue, an Oberheim OB-X8, and other new and vintage MIDI-equipped instruments.

MIDI Association booth #9901 is dedicated to the MIDI@40 Lifetime Achievement Award winners, including Rossum Electro-Music co-founder Dave Rossum.

From the MIDI Association: "At Saturday's anniversary celebration, lifetime achievement awards will be presented to (or posthumously honour) legendary music industry innovators who created the modern music production environment of synths, drum machines, and sequencers, including Bob Moog, Don Buchla, Ikutaro Kakehashi, Tsutomu Katoh, Roger Linn, Tom Oberheim, Alan Pearlman, Dave Rossum, and Dave Smith."

Notes: Software Edition of the unique Touche modulation controller. Convert four-axis gestures into modulation data, controlling your DAW and plugins over USB. Intuitive expression.

Supplier's notes:
Get ready to unlock expression in your music more easily than you might ever have imagined was possible.

Push your software synths further

Press Touche SE to activate a filter on your favourite third-party VST or gently bow Touche SE's plate to add arpeggiator action to the favourite built-in synth of your DAW. These are 2 examples of the many possibilities Touche SE can interact with software synthesizers translating your gestures into data. Touche SE (Software Edition) shares the same build quality, patented mechanism and sound library as the classic Touche. Through USB-only connectivity, it precisely allows you to modulate any sound, from the subtlest brush to the wildest strike.

Sturdy & precise

Touche SE boasts a solid monoblock design with few replaceable moving parts, equipped to translate anything from the softest touch to the roughest rhythms, with pinpoint precision.

Universally compatible

Touche SE is compatible with any software synthesizer thanks to its USB-only output and companion software Lie, capable of hosting any 3rd party VST.

Ready to use

Touche SE ships with 250 pre-made mappings for all best-selling VST instruments.

Sounds included
Touche SE is bundled with UVI Workstation, a plug-in providing over 250 custom-designed instrument sounds. These sounds come pre-mapped with Touche SE so you can focus on producing.

A new tactile playing experience

Touche SE bypasses the traditional limitations of MIDI controllers' keybeds, seamlessly connecting your gestures to sound. Less programming, less automation, more creativity!

Touche meets your favourite synth VSTs

Watch how Touche concretely interacts with software synths, adding a new layer of life to the sounds you already love.

Powerful companion software

Meet Lie, Touche SE's control centre and companion software. Lie allows you to:

Browse easily the included sound library (+250 presets)
Host any third party plug-in and map it to Touche and Touche SE
Create mappings for hardware gear in a blink (Touche only)
Adjust Touche's sensitivity to your taste

Rediscover your favourite plugins

A beautifully engineered hardware instrument, able to translate anything from the softest touch to the roughest rhythms, with pinpoint precision.

Extraordinary sounds included

Touche SE comes with a professionally-designed sound library, so you can start exploring right after installation. Explore ripping basses, soaring leads, evocative pads and pounding percussion, all pre-mapped to take full advantage of the hardware.

Expand your soundscape with Touche's expansions and instruments plugins

Need more sounds? Expansions and instrument plugins are an ideal playground for Touche. Discover a whole new universe of sounds and playing articulations, fully compatible with Touche and its software companion, Lie.

Touche SE

Touche SE (Software Edition) uses your gestures to add expression to your favourite software synthesizer plug-ins. It includes a sound library of 250 sound presets, designed to take full advantage of Touche SE's extensive control capabilities. Touche SE also ships with more than 250 pre-mappings for famous third-party VST instruments.

USB Powered
4 axes with customizable sensitivity
Lie: macOS 10.11 and higher / Windows 10, VST / AU format, hosts VST instruments only
9.7" x 3.9" x 2.4" / 246 x 100 x 62 mm

Box content:

Touche SE
1x Standard USB Cable

Notes: Some of our favourite compact studio monitors get updated with Bluetooth streaming for convenience. Enjoy punchy studio-reference sound via wired connection to your interface, then stream from mobile devices for casual listening.

Supplier's notes:
Presonus' best selling studio monitors just got better! Eris 5 BT media reference monitors deliver studio-quality sound in an elegant, compact form factor that makes them ideally suited for bedroom studios, video production, and high-fidelity gaming setups.

With 50 watts per side of onboard power, the Eris 5 BT reference monitors pack a serious punch, while still delivering clear, accurate audio. The weave and nature of the Eris 5 BT's 5.25-inch woofer result in tight bass that you can feel, as well as cleaner overall sound. The one-inch silk-dome tweeter produces refined high-frequencies and is designed to radiate sound with a wide pattern, creating a large optimal listening area. Improved speaker voicing over previous designs delivers richer lows and a smoother crossover transition for articulate, accurate transient reproduction through the frequency range and a less-fatiguing listening experience.

A convenient front-panel knob sets the level of both the power amp and the loud, clear headphone amplifier, with its front-panel jack. With four types of inputs, including fast, reliable, stereo Bluetoothr 5.0 connectivity, it's easy to connect just about any audio source to your Eris 5 BT reference monitors. High- and low-frequency controls let you easily adjust your Eris speaker's frequency response to compensate for the acoustics of your space and create the most accurate sonic reproduction possible.

Need a little more low end? Add an Eris Sub8 BT to build a perfectly matched 2.1 sound system that fits almost anywhere.

Features

5.25-inch, woven-composite, low-frequency driver
1-inch, ultra-low mass, silk-dome, high-frequency driver
Fast, reliable stereo Bluetoothr 5.0 wireless input
100W, Class D dual amplification
55 Hz to 20 kHz frequency response
104 dB SPL (Peak, @ 1 meter)
High- and low-frequency Acoustic Tuning controls
Balanced, 14-inch TRS inputs; unbalanced, 1/4-inch stereo and RCA inputs; and integrated stereo headphone amplifier with front-panel 1/4-inch output
Protection: RF interference, output-current limiting, over-temperature, turn-on/off transient, subsonic filter
Power Saver mode (engages after 40 minutes)
Comes with speaker wire, 1/4-inch TRS to stereo RCA cable, and stereo RCA to stereo TS cable

Versatile connectivity.

PreSonus Eris 5 BTs connect wirelessly using Bluetooth 5.0 or via a wired connection to virtually any line-level audio source, using rear-panel 14-inch TRS and RCA inputs and a front-panel, 1/4-inch stereo line input. You also get a convenient (and loud!) front-panel, 1/4-inch stereo headphone jack; connecting headphones mutes the speakers.
Built to match your room.

Unlike other home audio speakers that hype the bass at the expense of other frequencies, Erisr speakers provide an even response throughout the frequency range, from bass to treble. This means you'll hear your favourite music exactly as artists and engineers intend it to be heard. High and Low Acoustic Tuning controls let you dial in the Eris 5 BTs precisely to your environment to further ensure the best sound possible.

Honest. Expressive. Powerful.

Like all PreSonus media reference monitors, the Eris 5 BT offers consistent, accurate listening. Their stylish design makes them a welcome addition to living rooms, compact home theatre setups, and gaming rigs, and their smooth and even frequency response ensures that your music - and everyone else's - will sound incredible.

Specs

Electronics
Voltage: 220-240V UK
Wattage: 100 Watts
Input impedance: 10 kO

Performance

Peak SPL: 104 dB (@ 1 meter)

Speakers
Crossover frequency: 3.3 kHz

Hardware
Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard
Audio controls: Volume High Frequency (+/-6 dB, center 10 kHz, continuously variable) Low Frequency (+/-6 dB, center 100 Hz, continuously variable)
Monitor inputs: Bluetooth 5.0, One - Stereo 1/8", Two - Balanced 14" TRS, Two - Unbalanced RCA
Power amplifier type: Class D

Measurements
Dimensions: 7.00 x 10.20 x 7.90 in
Product depth: 7.9" (20 cm)
Product height: 10.3" (26.16 cm)
Product width: 7" (17.8 cm)

Notes: This is a digital effects pedal in a compact format, including reverse delay - pitch shifter - delay and modulated reverb.

Effects engine is 12 bit and includes analogue filtering before and after digital conversion, based on vintage eighties units' topologies, but it allows for all the effects to be simultaneously available.

Despite its complexity, operation is simple and intuitive, all functions are directly controlled by the corresponding knob.

Pots controls:

1-Blend controls mix of effects over final output signal
2-Octave blend mix a pitched signal to the input of the reverb
3-Octave -1 +1 controls tuning of pitch component
4-Repeat controls feedback of delay component 5-Balance controls mixture from reverb and
delay.
6-Sample rate controls the frequency operation for the whole pedal, modifying delay time
and reverb decay.
7-Reverse blends the reverse component with the direct signal.

Indicators:

Signal: indicates clipping, the input path has compression and limiting so it gives an idea of how hard you are driving the pedal.

Tap: blinks at the rate of the delay, depending on tap and sample rate.

Tap/freeze: turns red while tapping time, blue indicates reverb freeze.

Bypass: global effect on/off

Footswitches:

1-Tap/ freeze works as a tap tempo for the delay and reverse delay, and freeze/infinite for reverb, selected by the associated toggle switch. Max delay time is around 6 seconds, depending on sample rate setting.

2-Bypass: buffered bypass for the whole pedal.

Power consumption: 150 milliamps.

Notes: Your studio headphones

DT 900 Pro X

Trusted sound meets performance and flexibility

In launching the open-back DT 900 PRO X, Beyerdynamic are unveiling circumaural studio headphones, which are set to usher in a era for the long-established, Heilbronn-based company. While the classics of the PRO series are regarded as reference products in professional studios all over the world, the PRO line is suitable for flexible use both in the studio and while on the move. It is all made possible by the STELLAR.45 driver that loudly reproduces the best sound in studio quality without any distortion - with all playback devices.

Professional audio quality

Trusted studio sound meets high performance

The STELLAR.45 sound transducer, developed and produced in Heilbronn, Germany, delivers that proven Beyerdynamic sound at previously unattained levels of studio-headphones-class performance. This is down to the neodymium ring magnet as well as copper-clad high-tech wire. The trade-off between electrical conductivity and the weight of the wire is unique. In combination with the three-layer speaker diaphragm featuring integrated damping layer, this has created a highly efficient driver system that performs superbly on all playback devices.

The innovative membrane structure controls the axial motion of the voice coil and ensures that it remains securely positioned in the magnet gap even during high oscillations. Another benefit is vast and natural frequency response. The fast response of the transducer and the detailed transient response, produced by the low coil weight, create a sound that is always reliable and distortion free even at high sound pressure levels.

Flexibility

Wide range of applications on all playback devices



Anytime, anywhere - the wide range of applications offered by the PRO X line unleashes your creativity. Be it on an audio interface, laptop, tablet or mobile phone: Thanks to the high-performance STELLAR.45 driver, the PRO X headphones with an impedance of 48 ohms reproduce sound at volume and power to familiar levels of studio quality - on all playback devices. The cable concept is also demonstrably suitable for everyday use: the removable mini-XLR cable can be swapped out as required to be replaced with cables that have different lengths or feature other connectivity options.

Superb wearing comfort

Tailored fit for extra-long sessions

The PRO X line also embodies what these professional headphones have always been synonymous with: maximum wearing comfort. The robust spring steel headband design assures the over-ear headphones provide a secure fit and ensures durability. The supple velour ear pads are soft to the touch, as you would expect, and guarantee superior ventilation. The headband ergonomically adapts to the shape of the wearer's head with the aid of soft memory foam and, like the ear pads, can be replaced if required.

Design & materials

Built to last, featuring a sleek, robust design

Black, minimalist and reduced to the essentials. In a word: PRO.

As far as the design of and materials used in the PRO X line are concerned, attention was paid to the resilience of all components: metal headband, GRP components, a robust mini-XLR connector and hard-wearing cable. This means you are geared up on a daily basis for any professional application.

Sustainability

Sustainable headphones - made in Germany

The PRO X line headphones have been designed for daily use in challenging conditions. This is why they are handmade in Germany using premium quality materials. If required, nearly all the headphones' components can be replaced, turning these headphones into an investment that makes sense for every creator.

Technical data

Transmission type: Wired
Earpad material: Velours
Nominal impedance headphones: 48 ohms
Weight headphones without cable: 345 g
Headphone frequency response: 5 - 40,000 Hz
Nominal sound pressure level: 100 dB SPL (1mW/500Hz)
Sound coupling to the ear: Circumaural (around the ear)
Cable & plug: 3 m or 1.8 m straight cable, detachable, with 3-pin mini XLR & stereo jack (3.5 mm & 6.35 adapter)

Notes: XVI-M MIDI Controller, 16 Faders, 16 programmable buttons, 14bit resolution

XVI-M Desktop is a 16 channel desktop MIDI control surface.

Features:

Long throw LED 60mm faders
USB MIDI, MIDI TRS#1 and MIDI TRS#2 outputs
USB Powered (USB C, Cable included). Stand alone adapter available but NOT included
14bit (MIDI Pitchbend) resolution faders. Can be set to any 7 bit CC or NRPN/RPN
Online parameter editor: https://misw.us/editor
Fader output can be routed to USB MIDI, TRS MIDI A or TRS B
3 color programmable button can be momentary, 1 state toggle, 2 state toggle, or 3 state toggle with each state sending a MIDI msg
Durable metal case
Includes:

XVI-M Control Surface
USB C to USB A cable (2m)
1.5m TRS A to MIDI DIN cable

Notes: POLYVOX PF3 double-stereo filter utilizes the classic Soviet filter chip for a unique and iconic filter tone. Two independent 12dB multi-mode filters that can be controlled by a single cutoff knob. Turning the filter into a 24dB filter, when connected in series. When connected in stereo, you can achieve interesting effects by using different modes to each channel. A noise generator is on board pre-filter and can be used separately as a source of white and pink noise. Volume as well as clean and processed signal balance per channel. Can be used as two independent filters or stereo mode.

WARNING: Before using the device, turn it on for 5-7 minutes and let it stand. The control transistor should warm up. So that in SOFT mode there is no feedback when the FREQ knobs are in zero position. If you overdo it. The UD1208 chips used in the filter are very sensitive and are never the same. Therefore you will not mathematically get two identical filters. Which is an advantage when using the unit in stereo.

FILTER modes - Lowpass, Bandpass, Hi-pass, Notch.

NOISE generator - pink, white and channel balancing.

FILTER 1 and FILTER 2 - CV controls.

LINK switches to control two filters and CV at the same time with one slice knob.

SOFT/HARD cutoff control

Technical specifications:

Input audio signal level: Max 1.5 V
Modulation CV input: - 5 to +5 V or 0 to + 10V
Power supply: universal mains adapter 100-220V / 12V 1A out
Filter weight: 0,7kg
Packed weight: 1 kg
Dimensions: 175 x 135 x 50mm

Notes: Music's best octave pedal in a powerhouse pico package!

EHX's smallest and most powerful compact Polyphonic Octave Generator yet. The Pico POG takes the streamlined simplicity of the Micro and Nano POGs and fits it all into an ultra-compact chassis and adds a powerful tone control. The tightest octave effect now fits on the tightest of pedalboards.

The EHX Pico POG features a lighting fast feel that will track every note and chord you play with precision. Dial in Sub Octave to add stumble rumble or monstrous thunder. Add Octave Up for ethereal air or max it out to shred into another galaxy. Perfectly blend 3-voice tones for fat synthy madness. The 3 mode Tone control lets you tailor your sound to fit into any pocket no matter how massive or small.

Controls on the Pico POG include dedicated volumes knobs for the SUB OCTAVE, OCTAVE UP, and DRY voices. These three controls act as a mixer for infinite possible voice mixes. The TONE knob features three modes controlled by the FILTER button. In Tone Mode, the knob acts as a tilt-EQ with a flat frequency response in the center, more treble and less bass as you turn the knob clockwise, and less treble and more bass as you turn the knob counterclockwise. In this mode, the EQ is applied to all 3 voices. In Low Pass Filter mode, the knob cuts highs in the Sub and Octave Up voices, while High Pass Filter mode cuts lows in the Sub and Octave Up Voices.

Lightning-fast tracking with perfectly precise octave tones

3 volume knobs control level of SUB OCTAVE, OCTAVE UP, and DRY tones

TONE knob with 3 filter modes

Tone Mode applied tilt-EQ to all output

Low Pass Mode applies a resonant low pass filter, which allows low frequencies to pass while cutting higher frequencies of the Sub and Octave Up voices

High Pass Mode applies a high pass filter, which allows high frequencies to pass while cutting lower frequencies of the Sub and Octave Up voices

Power adapter included

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: ***B-STOCK: Box opened, product in perfect working order***


Stellar edition of the fantastic MicroFreak adds new features as well as a limited-edition paint job. Digital voices feed into the analogue filter to create a versatile hybrid sound engine.

Supplier's Notes:
MicroFreak Stellar is a hybrid synthesizer that combines digital oscillators, analogue filters, quirky modulation, a uniquely flat PCB keybed, and expressive sequencing with a subtly out-of-this-world aesthetic design.

Interplanetary synth explorer

Discover the same loveable hybrid beast that sent the synth world into a spin, but primed for launch and ready for an interplanetary sonic voyage. MicroFreak Stellar features the same inspiring, bonkers sound but embellished with a unique space-age design.

Digital, wavetable, sampling, granular...

Treat yourself to only the weirdest & most wonderful paraphonic synth sounds with MicroFreak's multimode sound engine. Choose from numerous algorithms, including Wavetable, Chord, 4 new Sample & Granular engines and many more, and immediately customize your patches with 4 intuitive con-trols and real-time visual feedback.

Multi-mode analogue filter

Unlock truly unique hybrid tones by combining MicroFreak's digital sound engines with a crunchy resonant analogue filter, inspired by the classic Oberheim SEM. With low-pass, band-pass, and high-pass modes, you can make this 'Freak whisper, scream, or launch into self-oscillating orbit.

Modulation matrix

Quickly rewire MicroFreak's architecture and delve deep into complex sound design with its modulation matrix, offering up to 7 simultaneous destinations and 5 sources, including an ADSR envelope, cycling envelope, and 6-shape LFO.

Sequencing & randomization

Blur the lines between sequencing & arpeggiation and create spontaneous melodies, motifs, and rhythmic patterns on the fly. MicroFreak encourages musical exploration, expression, and evolution with its unique Spice & Dice randomization feature, ribbon controller, and 4 lanes of automation.

A unique keybed

Change the way you play and unlock fresh musical expression with MicroFreak's distinct PCB keyboard. It's flat, it's fast, and it's fit for everything from lightning-fast solos to instant arp creation; not only is it pressure sensitive, but it offers poly-aftertouch too!

What's in the box

Box content

MicroFreak Unit
Universal PSU
Registration card
2x MIDI port adapters

Instrument dimensions

Size : 12.2 x 9.2 x 2.2 inches (311 x 233 x 55mm)
Weight : 2.3 lbs. (1.02 Kg)

Notes: NI's modular Traktor control setup gets a third-generation update. New look, upgraded features but still the same versatile hands-on control for all types of DJs.

Supplier's Notes:
A portable USB DJ controller for effects, loops, and mixing.

Build a setup that suits you with a compact, modular DJ controller designed for maximum flexibility and seamless integration with the included Traktor Pro 3 software. From clubs to festivals to house parties, wherever your set is, X1 is built for the heat of the moment.

Made for the booth

X1 combines the best of our previous-generation DJ controllers with brand-new features. Get extensive functionality for effects control, playback manipulation, looping, and mixer mapping.

Be guided by the lights

The light system notifies you with key information, like when a track is about to run out or if it's running in a loop. Make X1 yours with a spectrum of colors to choose from for customizable ambient lighting.

Tactile and visual design

Orientation is easier with tactile dots across the controller and increased button size. Colour coding options and the light notification system provide visual feedback, whatever the light levels.

All eyes on the gear

Spend less time looking at your laptop with five OLED displays that show essential information, including track progress, track name, loop size, selected effects, and effects parameters.

Get connected

Digital DJ setups can get messy quickly, but X1's three-port powered USB hub simplifies everything. Neatly connect to CDJs, your custom setups, or daisy-chain more X1s.

Brand-new mixer mode

Press just one button to switch from effects mode to mixer mode and instantly take control of EQs and channel levels. Plus, transition tracks while monitoring all four channel levels on the displays.

DJ your way

Highly customizable, X1 can be quickly set up to meet your specific needs. Make adjustments to mapping with a customization page in Traktor Pro and colour-code each button group to easily identify different functions.

Everything you need to dive straight in

Plug in and play straight away. The X1 includes Traktor Pro 3 software and free streaming to get you started.

Free Traktor Pro 3

Traktor X1 ships alongside the latest version of our flagship DJ software - our best sound yet, plus a huge array of effects, tweaks, and features for tailoring your setup exactly how you like it. DJ differently with up to four decks, plus extensive looping, remixing, and hybrid setup options.

Specifications

System Requirements
macOS 11, 12, 13 (latest update), iTunes 12 (latest update), Intel Core i5 or Apple M1 / M2, 4 GB RAM
Windows 10, 11 (latest service pack), Intel Core i5 or equivalent CPU, 4 GB RAM
An internet connection and a graphics card that supports OpenGL 2.1 or higher are required to download and activate the Traktor software. Once installed and activated, all products can be used offline.

Included software
Traktor Pro 3
Supported Audio Formats
MP3, WAV, AIFF, Audio-CD, FLAC, Ogg Vorbis, non-DRM AAC

Dimensions
Dimensions: 129 x 323 x 56 mm
Weight: 754 g

Review: Who doesn't love the White Stripes? One can quite predictably measure a band's impact on commercial music history by way of just how many full-blown reissues they've released, many of which aim to repackage and represent albums to their fullest, most honest effect. By that metric, this ubiquitous duo are more than certainly going down in history; Elephant, the Stripes' fourth album, is lent the sonic perfection and signature packaging it deserves, with Analogue Productions and Third Man Records teaming up for the ultimate reissue edition here. They present in UHQR format on Clarity Vinyl this modern rock cornerstone, limited to 10,000 copies. It comes with gold foil numbered jackets, housed in a premium slipcase with a wooden dowel spine.

Notes: ***B-STOCK: Box damaged, but product is in excellent condition and in perfect working order***


DJ Controller Workstation XDJ-XZDJ

Customized to hold the Pioneer XDJ-XZ Controller. Crafted from 9 mm vinyl laminated plywood, sturdy aluminium profiles, heavy duty butterfly latches and smooth rolling wheels, this case provides ultimate protection for mobile use on the road.

Fits

Pioneer XDJ-XZ

Specs

Outer measures: 97 x 58 x 23 cm
Inner measures: 87,8 x 44,2 x 8,4 cm (Controller-compartment)
Weight: 20 kg

Notes: Part of the new Boss 200 series, the RV-200 is a seriously classy reverb. With a choice of 12 algorithms, things quickly move from classic ambience to the pitch-shifted arpeggiated madness of the new Arpverb program.

Supplier's Notes:
Ambient Bliss

The RV-200 delivers inspiring reverbs and premium sound in the streamlined BOSS 200 series design. Twelve versatile reverb types-including the newly developed Arpverb-provide everything from subtle spatial colour to complex, dreamy textures for ambient explorations. Quickly dial in sounds with the fast-access interface. Save favourites in 127 memories. And take performances to the next level with flexible onboard footswitches, deep external control support, and head-turning creative tools like Warp, Twist, and more.

Studio-Grade Processing

The RV-200 features a powerful reverberation engine with class-leading sound quality, backed by custom BOSS DSP, 32-bit AD/DA, 32-bit floating point processing, and a 96 kHz sampling rate. Every algorithm offers true studio-grade performance, with exceptional detail and definition from the shortest early reflections to long, floating tails spanning multiple seconds.

Twelve Distinctive Reverbs

From essentials like Room and Hall to deeply immersive reverbs like Shimmer, Slowverb, and the cool new Arpverb, the RV-200 gives you the ambient colours you need for every song and style.

Room

Simulates the reverberation characteristics of a small room. Select from four room sizes with the Param knob.

Hall

Simulates the reverberation characteristics of a concert hall. Select from three hall sizes with the Param knob.

Plate

Simulates the reverberation characteristics of a studio plate reverb. Balance the high and low damping of the reverb with the Param knob.

Spring

Simulates the distinctive sound of the hardware spring reverb effect found in guitar amplifiers. Select the number of springs with the Param knob.

Shimmer

Creates long, dreamlike reverberations rich in harmonic content. Adjust the harmonic character and diffusion with the Param knob.

Arpverb

A newly developed BOSS reverb that creates an arpeggio type of sound with evocative pitch-shifted tails. Use the Param knob to adjust the attack of the arpeggio sound.

Slowverb

A sweet ambient reverb with gentle attack and soft harmonics. Param adjusts the amount of direct sound blended with the reverb, allowing you to create deep, immersive tones.

Modulate

Adds a modulation effect to a rich hall reverb sound. Adjust the modulation depth with the Param knob.

+Delay

Combines a delay with reverb, with the length of both effects controlled with the Time knob. Use the Param knob to adjust the delay level.

Lo-Fi

A specialty reverb with limited bandwidth and added distortion. Adjust the distortion amount with the Param knob.

Gate

A distinctive reverb effect that abruptly cuts off the reverb tail. Use the Param knob to control the timing of the gate effect.

Reverse

Plays the reverb sound in reverse. Adjust the high-frequency character with the Param knob.

Instant Sound Creation

Like all 200 series pedals, the RV-200 offers a powerful yet intuitive panel that lets you realize great sounds with minimal effort. Along with core parameters such as reverb time, effect level, and pre-delay, there are variable high and low filters to perfectly balance the verb for your application. You also have a density control to adjust the weight of the sound, plus a parameter knob with access to multiple sound-shaping tools that are unique to each type.

Expressive Performance Control

The RV-200 includes memories for storing 127 reverb sounds, so your favourite setups are always ready to go. Two onboard footswitches pack a lot of performance versatility, with numerous options to reassign their targets to suit your needs. For example, you can bypass the effect, scroll through memories, and activate a Hold function to carry on the reverb effect for as long as the switch is pressed. It's also possible to assign powerful performance effects such as Warp, Twist, and Fade.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Modes: 12 modes- ROOM, HALL, PLATE, SPRING, SHIMMER, ARPVERB, SLOWVERB, MODULATE, +DELAY, LO-FI ,GATE, REVERSE
Memory127 + Manual
Nominal Input Level: INPUT A/MONO, B: -10 dBu
Maximum Input Level: INPUT A/MONO, B: +7 dBu
Input Impedance: INPUT A/MONO, B: 2 M ohms
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +7 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohm
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY/HOLD switch, MODE knob, TIME knob, PRE-DELAY knob, E. LEVEL knob, PARAM knob, LOW knob, HIGH knob, DENSITY button, MEMORY button
Display: 7 segments, 3 characters (LED)
Indicator: DENSITY indicator, MEMORY (MAN, 1--4) indicators

Connectors
INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type, CTL 1, 2/EXP jack: 1/4-inch TRS phone type, MIDI (IN, OUT) jacks: Stereo miniature phone type, DC IN jack, USB port: USB2.0 micro B (program update only)
Power Supply: Alkaline battery (AA, LR6) x 3, AC adapter (sold separately)
Current Draw: 260 mA

Expected Battery Life Under Continuous Use: Alkaline: Approx. 4 Hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet "USING THE UNIT SAFELY", Leaflet "To obtain the Owner's Manual", Alkaline battery (AA, LR6) x 3, Rubber foot x 4

Options (sold separately):
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
TRS/MIDI connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height(including rubber feet): 65 mm / 2-9/16 inches
Weight: 610 g / 1 lb 6 oz
Weight (including battery): 680 g / 1 lb 8 oz

Notes: Dial in Professional Sounds in Seconds

The BOSS ME series has been a favourite of performing guitarists for over three decades, combining multi-effects power with intuitive hands-on control for crafting tones in seconds. The ME-90 is the most advanced ME model to date, offering exceptional audio quality, flagship-grade AIRD amp models, IR loading, an effects loop, and more. Compact, battery-powered, and filled with premium BOSS tones, this versatile all-in-one processor makes it easy to build customized sound setups for every playing situation.

Fast Sound Creation

With its knob-driven interface and diverse effects selection, the ME-90 lets you build configurations and tweak tones with the ease of a stompbox-filled pedalboard-without the hassle of fastening tape, power distribution, and multiple connection cables. Just dial up an amp model or effect type within a category and turn the knobs to get the sound you want. There are 36 preset patches with ready-to-play pro tones, plus 36 user patches for storing your custom creations.

Flexible Real-Time Control

The ME-90 features eight footswitches with smooth, quiet operation and an expression pedal with an integrated toe switch. Use Memory mode to call up complete patch setups with the footswitches, and then switch to Manual mode for direct on/off control of each effect category within the patch. The footswitch LEDs light in different colours for quick identification in the heat of a performance. It's also possible to set all LEDs to light in a fixed colour for each mode if desired.

High-Quality BOSS Effects

The ME-90 puts a massive library of BOSS effects at your command, offering seven different categories filled with selections derived from the flagship GT-1000. Everything you need is here, from overdrives and distortions to pitch/mod effects, delays, and high-quality reverbs. You also get 11 dedicated Pedal FX, a looper, and specialized effects such as acoustic simulation and down tuning. There are 60 effect types in total, with access to over 20 more via BOSS Tone Studio. A send/return loop is available for external pedals, complete with the ability to save the on/off status in patches and place the loop before or after amp models in the signal chain.

Premium Amp Sounds with AIRD Technology

Along with its effects, the ME-90 includes amp models ported from the GT-1000, driven by our advanced AIRD technology for authentic tube tone and touch response. Eleven onboard amp types offer everything from clean combo sounds to punishing high-gain stacks, and you can access more selections in BOSS Tone Studio. Each amp includes a dedicated cab sound for connecting to a PA or recording device, and you can load three of your favourite speaker IRs to personalize sounds to your taste.

Edit, Customize, and Expand

BOSS Tone Studio for macOS and Windows extends your creative range, allowing you to edit tones and change out some amp and effect types with alternate selections. In addition, you can save and organize patches for different gigs, download pro setups at BOSS Tone Central, and swap patches with the ME-90 community on BOSS Tone Exchange. The ME-90 also supports the optional Bluetoothr Audio MIDI Dual Adaptor, enabling you to stream music from a mobile device and wirelessly shape tones using the dedicated BTS editor app for iOS and Android.

Light, Durable, and Ready to Travel

The ME-90 is lighter than its previous generation model while maintaining the rock-solid durability that BOSS is famous for.

Specifications
Sampling Frequency: 48 kHz
AD Conversion: 24 bits + AF method
AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.
DA Conversion: 32 bits
Processing: 32-bit floating point
Effects: 97 Types
Memories: 36 (User) + 36 (Preset)
Phrase Loop: 38 sec. (MONO)
Tuner Internal Detection: +/-0.1 cent
Nominal Input Level: INPUT: -10 dBu, RETURN: -10 dBu
Maximum Input Level: INPUT: +7 dBu, RETURN: +7 dBu
Input Impedance: INPUT: 1 M ohm, RETURN: 1 M ohm
Nominal Output Level: OUTPUT (L/MONO, R): -10 dBu, PHONES: -10 dBu, SEND: -10 dBu
Output Impedance: OUTPUT (L/MONO, R): 1 k ohm, PHONES: 44 ohms, SEND: 1 k ohm
Recommended Load Impedance: OUTPUT (L/MONO, R): 10 k ohms or greater, PHONES: 44 ohms or greater, SEND: 10 k ohms or greater

Controls:BANK DOWN/AMP switch, BANK UP/EQ switch, CTL/REV switch, MEMORY/MANUAL switch, 1/COMP switch, 2/OD/DS switch, 3/MOD switch, 4/DELAY switch, PEDAL FX switch, Gt. AMP/LINE switch, POWER switch, EXIT button, WRITE button, CTL button, EDIT button, PREAMP TYPE knob, GAIN knob, BASS knob, MIDDLE knob, TREBLE knob, LEVEL knob, REVERB knob, COMP/FX1 TYPE knob, SUSTAIN/SENS/-1OCT knob, ATTACK/TONE/-2OCT/DEPTH knob, LEVEL/PEAK/DIRECT knob, OD/DS TYPE knob, DRIVE knob, TONE knob, LEVEL knob, MOD TYPE knob, RATE/KEY knob, DEPTH/HARMONY knob, E.LEVEL/RESONANCE knob, DELAY TYPE knob, TIME knob, FEEDBACK knob, E.LEVEL knob, OUTPUT LEVEL knob, PEDAL FX TYPE knob, PEDAL FX pedal
Display: 7 segments, 2 characters (LED)

Connectors: INPUT jack, OUTPUT (L/MONO, R) jacks, SEND jack, RETURN jack: 1/4-inch phone type
PHONES jack: Stereo miniature phone type
USB COMPUTER port: USB Type-C(R)
Bluetooth ADAPTOR connector: Dedicated connector
DC IN jack

Power Supply: Alkaline battery (AA, LR6) x 4 or AC adapter
Current Draw: 190 mA

Expected battery life under continuous use:
Alkaline battery: Approximately 6.5 hours
* This can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use.
Accessories: STARTUP GUIDE, Alkaline battery (AA, LR6) x 4, Leaflet "USING THE UNIT SAFELY"

Options (sold separately)
AC adaptor: PSA-S series
Bluetooth(R) Audio MIDI Dual Adaptor: BT-DUAL
Carry Bag: CB-ME80,CB-BU10

Size & weight

Width: 443 mm / 17-1/2 inches
Depth: 220 mm / 8-11/16 inches
Height: 67 mm / 2-11/16 inches
Maximum Height: 93 mm / 3-11/16 inches
Weight(including battery): 2.9 kg / 6 lb / 7 oz

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


Get ready for Round 2

Meet the next evolution of the world's most sold sampler. Based on the legendary PO-33 K.O!, the new EP-133 K.O. II adds more power, more sampling capabilities, a fully reworked sequencer and brand new punch-in 2.0™ effects. Introducing a workflow that lets you go from idea to track faster than ever. It's pocket operators gone pro.

The champ is here

A versatile machine with an impressive set of features, K.O. II is the new champion in and outside the studio. Unrivaled by anything in its class, this is the sampler you've always wanted.

Record sounds around you, sample your voice, favorite synths, vinyl records or whatever audio that you've got on your phone.

Sequence your samples and loops. Make use of the curated selection of drums, bass and keys that come pre-loaded on your K.O. II.

Tweak and automate things like filter, pitch and more... add stereo effects, compressor and next generation punch-in effects.

Knock out features

9 projects each with 80,000 notes
Projects contain 4 groups, each with 99 patterns
Patterns have 12 tracks for samples and midi
Variable pattern length per group (1 to 99 bars)
12 mono / 6 stereo voice polyphony
Use groups to mix and match patterns on the fly
Record and automate all 12 fader assignments
Sequence in free time or quantized with swing
Assign any pad to one of 16 midi channels
Loop mode from OB-4 with length and slide
12 pressure and velocity sensitive pads
Instantaneous time correction and erase
Slice samples live or automatically
Stereo / mono sampling at 46.875 kHz / 16-bit
Punch-in 2.0: effects (pressure sensitive)
Arrange quickly using the instant commit feature
32-bit float signal chain, 24-bit ADC/DAC
Sync io for ext. Gear. 8th, 16th note or sync24
6 built-in send FX and a master compressor
Drag and drop samples using the sample tool

The sequencer engine of the K.O. IIO provides an intuitive, fast way of building up beats and variations using 4 groups x 12 patterns. Like most DAWs, you can instantly swap patterns per group, experiment with different combos to find what beat and bass lines work together. The commit button helps you freeze a point in time and move on, adding a verse or a break. It all happens in real time while playing.

Built-in mic and speaker
USB-C
Midi output
Midi input
Sync output
Sync input
Audio input
Audio output
4x AAA batteries

One-two punch

Vintage style keys with a modern touch, combining tactility with pressure sensitivity.

10" EP format

Comes in a limited edition 10" collector's box

Tech specs:

K.O.II highlights

Sampling frequency: 46 kHz / 16-bit
Internal signal chain: 32-bit
999 sample slots
64 mb memory
Preset samples
High resolution sequencer
Built-in FX
Fader and pressure sensitive pads
Six stereo voices, twelve mono
Runs on 4x AAA batteries with the option to be powered via USB-C

Dimensions and weight

240 mm x 176 mm x 16 mm
9.45" x 6.93" x 0.63" inches
620 g / 22 oz

Stereo input

24 bit
SNR: 96 dba
Analogue gain: 0 - 12 dB
Max level: 8 DBU, 2.0 VRMS

Stereo headphone/line output

24 bit
SNR: 98 dba
Max level: 5 DBU, 1.4 VRMS

MIDI input and output
TRS type A, MMA compliant

Sync input and output
Sync 8 ppm, 16 ppm, 24 PPQN
Start / stop

Notes: The D1 is a powerful multi-function delay with five studio-grade, high-fidelity, custom-tuned programs. Create inspiring echoes from Digital, Modulated, Vintage, Dual Delay, and Reverse. Each can be tuned and tweaked with modulation, tone, age, and tap/clock subdivisions. The attack knob adds another dynamic to each program, opening up a new world for creating soundscapes. The D1 boasts stereo in and out, midi control, adjustable stereo width, and onboard presets.

A workhorse of a delay that is just as ready for the road as it is the studio.

The D1 V2 updates are as follows:
Retooled the Reverse program for a stronger effect.
Retooled the Vintage program to emulate a tape delay.
Added stereo width control allows two widening types - Panning and Haas Stereo Effect.
Added USB functionality for firmware updates via walrusaudio.io.

Programs

Each program can be fully customized to your taste and playing style with the Tweak knob. Flip the toggle switch to Mod to bring in a tasteful modulation to your delay trails. Tone will brighten or darken your delay trails. Age will add some grit and wear reminiscent of vintage delay units. Subdivisions can be easily changed between quarter, eighth and dotted eighth.

Digital - The Digital delay program offers a clean and crystal-clear delay that is perfect for rhythmic guitar parts where ultra-defined echoes are desired.

Mod - The Mod delay program has unique modulation LFOs applied to random repeats and run at multiple rates to create unpredictable pitch modulation. This results in unique sounding repeats perfect for warping minds and scattering trains of thought.

Vintage - The Vintage program allows for analog tape delay-inspired tones to be achieved with complex filtering applied to the repeats. Use the tone knob at low settings for darker filtering and at higher settings to roll off the low end.

Dual - The Dual program employs two delays in parallel, each with different time divisions. When connected in mono, the two delays are added together. When connected in stereo, one set of repeats is sent to the left output, and one set is sent to the right. The division switch has unique functionality in Dual mode. We'll break it down for you below:

In the quarter note position, the D1 offers 1/4 note and 1/4 triplet repeats.
In the eighth note position, the D1 offers 1/8 note and 1/4 triplet repeats.
In the dotted eighth note position, the D1 offers 1/4 note and .1/8 repeats.
Reverse - The Reverse program reads the delay memory backwards creating a unique delay repeat character known as a reverse delay.

Presets

The D1 can save up to nine onboard presets, and up to 128 are accessible via midi. Onboard presets are accessible with the bank switch. Cycle between presets in each bank by pressing Bypass and tap simultaneously. You will see the tap LED change from Red to Green to Blue. Any adjustments made in a preset will change the tap LED to purple to show that you have edited the preset. Refer to the manual for accessing and saving presets via midi.
Factory presets can be viewed here.

Attack

The Attack knob will soften the attack of the echoes. Dreamy and ethereal soundscapes can be created with higher repeat and attack settings.

Bypass and Tempo Modes

The D1 has three different bypass modes. True Bypass, DSP+True Bypass (trails), and DSP Bypass. The D1 offers global and preset tempo modes. Global mode keeps the tempo the same when changing presets. Preset tempo will use the delay time that was stored when the preset was saved. Refer to the manual for more info on switching modes.

Momentary Functions:

Press and hold the Bypass switch to ramp up the repeats of the delay. Release to set the feedback back to the knob location.

Specs:

The D1 comes in an anodized silver finish with black, dark green, red, orange and purple ink.
The enclosure's exact size with knobs is 12.4 x 6.4 x 6.7 cm. Power requirements are 9VDC (300mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended.
Power supply not included.

Notes: Interesting MIDI option for Eurorack. Eight faders and buttons, mappable to MIDI note, CC and lots more parameters, then controllable using CV and gate signals. Versatile.

Supplier's notes:
A fully editable MIDI controller with eight faders and push buttons. Each of them with a CV or Gate input associated to automate their functioning via external signals or to be configured independently for further control.

Each control on VCMC can be edited on its OLED screen and will be output either via DIN-5 or USB as a class compliant MIDI device.

- Current needs: +12V: 64mA, -12V: 12mA
- Width: 20 HP
- Depth: 30 mm
- Aluminium, heat-treated front panel