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Notes: The EP4000 builds on the incredible legacy of our EP2500, which is one of the best-selling power amps in the industry. Our proprietary Accelerated Transient Response (ATR) Technology gives the EP4000 the massive power reserves needed for deep and impactful bass response, which translates into a more natural sound quality that will bring your audience to its feet - and keep them there! With an amazing 4,000-Watts of output power (2 x 2,000 Watts @ 2 Ohms; 2 x 1,400 Watts @ 4 Ohms; 4,000 Watts @ 4 Ohms in Bridge mode), the EP4000 is the perfect amplifier for medium-sized club gigs, mobile PA systems, church services or public spaces.

The uber-simple front panel controls of these amps give you all of your sound's vital signs at a glance. After flipping the Main switch, the Power LED will light when the amp is ready for action. Both channels have independent gain dials as well as Clip LEDs that indicate when the signal is distorted and you need to reduce the gain. There are also Signal LEDs that light up when a signal is present at the input.

It takes huge pulses of energy (current and voltage) to propel a woofer cone fast enough to match a bass beat. That's called Transient Response and it's the holy grail of amp designers. By carefully selecting transistors with extremely high slew rates and optimizing other proprietary parts of our circuitry, the EP4000 reacts instantly to even the most demanding bass impulses. If the woofers in your PA system can keep up, your audience will hear a tighter, crisper, more natural sound.

The rear panel of every EUROPOWER EP4000 sports an array of options to help you get the most out of your amp. The built-in Clip Limiter automatically senses when the amplifier is being driven into "clipping" and momentarily reduces the input level to avoid distortion. This all happens in mere micro-seconds, making it the ideal way to ensure perfect sound all the time.

Stage vibrations, mic thumps and wind noise can cause ultra-low frequency sounds, or infrasonics - and while technically inaudible, they can be a real drain on power resources. As a solution, the EP4000 features a defeatable Low Cut Filter that eliminates frequencies below either 50 or 30 Hz (depending on your PA system's capabilities) - for better sonic performance, as well as the ultimate in loudspeaker protection. The rear panel also contains the Stereo or Bridge (mono) mode switches.

There are lots of awesome features on the outside of the EP4000, but this amplifier's beauty goes much more than just skin-deep. Inside you'll find industry-leading components, such as world-class Toshiba/Fairchild power transistors, and a custom-designed, high-current toroidal transformer for ultra-high transient response and further reliability. Independent DC and thermal overload protection on each channel automatically protects both the amplifier and your speakers. The exhaust fan, visible on the back panel, is the final stage of an internal back-to-front cooling system that keeps the comfortably EP4000 within its normal operating range. Finally, an impact-resistant, all-steel 2U rack-mount chassis protects your investment from the rigors of the road.

Notes: The EP2000 has become one of the best-selling power amps in the industry. Our proprietary Accelerated Transient Response (ATR) Technology gives the EP2000 the massive power reserves needed for deep and impactful bass response, which translates into a more natural sound quality that will bring your audience to its feet - and keep them there! With an amazing 2,000-Watts of output power (2 x 1,000 Watts @ 2 Ohms; 2 x 750 Watts @ 4 Ohms; 2,000 Watts @ 4 Ohms in Bridge mode), the EP2000 is the perfect amplifier for medium- sized club gigs, mobile PA systems, church services or public spaces.

The uber-simple front panel controls of the EP2000 provides all of your amp's vital signs at a glance. After flipping the Main switch, the Power LED will light when the amp is ready for action. Each of the 2 channels feature dedicated Gain controls and Signal LEDs, that light up when a signal is present at the input, as well as Clip LEDs to indicate when input adjustments are required.

It takes huge pulses of energy (current and voltage) to propel a woofer cone fast enough to match a bass beat. That's called ATR or Accelerated Transient Response and it's the holy grail of amp designers. By carefully selecting transistors with extremely high slew rates and optimizing other proprietary parts of our circuitry, our amps react instantly to even the most demanding bass impulses. If the woofers in your PA system can keep up, your audience will hear a tighter, crisper, more natural sound.

The rear panel of every EUROPOWER EP2000 sports an array of options to help you get the most out of your amp. The built-in Clip Limiter automatically senses when the amplifier is being driven into "clipping" and momentarily reduces the input level to avoid distortion. This all happens in mere micro-seconds, making it the ideal way to ensure perfect sound all the time.

Stage vibrations, mic thumps and wind noise can cause ultra-low frequency sounds, or infrasonics - and while technically inaudible, they can be a real drain on power resources. As a solution, the EP4000 features a defeatable Low Cut Filter that eliminates frequencies below either 50 or 30 Hz (depending on your PA system's capabilities) - for better sonic performance, as well as the ultimate in loudspeaker protection. The rear panel also contains the Stereo or Bridge (mono) mode switches.

There are lots of awesome features on the outside of the EP2000, but this amplifier's beauty goes much more than just skin-deep. Inside you'll find industry-leading components, such as world-class Toshiba/Fairchild power transistors, and a custom-designed, high-current toroidal transformer for ultra-high transient response and further reliability. Independent DC and thermal overload protection on each channel automatically protects both the amplifier and your speakers. The exhaust fan, visible on the back panel, is the final stage of an internal back-to-front cooling system that keeps the comfortably EP2000 within its normal operating range. Finally, an impact-resistant, all-steel 2U rack-mount chassis protects your investment from the rigors of the road.

There are lots of awesome features on the outside of the EP2000, but this amplifier's beauty goes much more than just skin-deep. Inside you'll find industry-leading components, such as world-class Toshiba/Fairchild power transistors, and a custom-designed, high-current toroidal transformer for ultra-high transient response and further reliability. Independent DC and thermal overload protection on each channel automatically protects both the amplifier and your speakers. The exhaust fan, visible on the back panel, is the final stage of an internal back-to-front cooling system that keeps the comfortably EP2000 within its normal operating range. Finally, an impact-resistant, all-steel 2U rack-mount chassis protects your investment from the rigors of the road.

Notes: The Behringer Pro-1 is a clone of the popular retro classic Sequential Circuits Pro-One which was once conceived to be a monophonic Prophet-5. Those who know and love recordings of Depeche Mode and Yazoo, will enjoy recognizing a lot of those sounds with the Pro-1.

The two assertive oscillators, each based on a CEM3340 chip, have sawtooth and square waveforms, an octave switch, fine tuning and pulse width control. Oscillator A can be synchronized to oscillator B, the second tone generator is additionally equipped with the triangle waveform and can be switched to low mode as well as decoupled from the pitch control. Both VCOs are brought together in the mixer, where the noise generator is also located, which can be replaced by an external signal. The beautiful basic sound is processed with a characterful 24dB lowpass filter, also known as Curtis VCF. It behaves similar to a Moog filter, but due to the IC CEM3320 it sounds different than the transistor cascade. The two crisp ADSR envelopes are assigned to the filter and VCA. An LFO with three waveforms is connected to the targets via the modulation bus. The special features of this instrument include the waveforms that can be activated simultaneously in both oscillators and in the LFO.

The modulations are assigned on the left side of the control panel. The filter envelope, oscillator B and the LFO, each with their own attenuator, are available in parallel as sources. These are assigned to the targets frequency oscillator A+B, pulse width oscillator A+B and cutoff directly or via the modulation wheel (or midi controller). Wild oscillator drifts, sync sounds, sirens, FM for filter and/or oscillator A as well as pulse width modulation are possible if used with care. If you turn everything up at once, it gets really wild! The modulation bus is the hottest feature of the Pro-1 next to the sound.

The ingeniously simple sequencer provides access to two patterns, each of which can be up to 40 steps long; pauses can also be programmed. The notes are played via a connected MIDI keyboard. After the input, the patterns can be transposed with the keyboard. The Arpeggiator primarily offers the playback modes Up and Up&Down, but can also be integrated into the pattern. Synchronization to other equipment is done via the analog clock input or MIDI/USB.

Notes: Use the extremely portable, yet powerful EUROPORT MPA200BT PA system to stream songs from your Bluetooth-enabled smart phone at the next company picnic, or to get your message across on the playing field. With its 200-Watt amplifier and premium 2-way speaker system, the MPA200BT provides superb sound for up to 500 people - and the rechargeable battery lasts up to 20 hours. We've even included one of our high-performance ULM300USB digital wireless microphones for a supremely easy-to-use wireless, go-anywhere PA system right out of the box!

Bluetooth Ready:

The days of tape decks and CD players are long gone. Now your music lives on your smartphone or computer tablet, so you can stop searching for those outdated cables and fancy adapters. Now with a simple wave of your hand, you can stream music from any Bluetooth-equipped device such as your smart phone, tablet, laptop, etc. Now, isn't that easy?

Own the Stage:

You are ready to go wireless right out of the box, thanks to the included ULTRALINK ULM300USB wireless microphone system. Wireless gives you maximum freedom and mobility without the need to run cables. The highest-quality sound is provided thanks to the ULM's digital, license-free 2.4 GHz frequency spectrum. The ULM wireless system combines professional-quality sound with simple setup and an intuitive interface for legendary audio performance. Just plug in the ULM receiver "dongle", and instantly you have an exceptional wireless mic system. Freeing you from cables is the simply easy way to own the stage.

Comprehensive Remote:

MPA200BT PA speakers can be controlled via dedicated apps for both Android and Apple iOS Bluetooth-enabled devices - and it's extremely easy. Just pair your MPA200BT with your smart device, and the control app automatically detects your setup and adapts for mono or stereo mode. Once successfully paired, you can adjust the speaker settings with a simple swipe of the screen or by pressing the settings icon. All MPA200BT speaker settings can be accessed from the control app.

Ultra-Portability:

The great-sounding MPA200BT is truly portable (26.6 lbs/12.1 kg) thanks to its highly efficient Class-D amplifier, and the onboard battery pack keeps the party going for up to 20 hours - without a power outlet in sight!

Notes: The NX amplifier range with DSP packs large wattages into exceptionally lightweight and rack-mountable packages. Plus, the built-in DSP and 24-bit/96 kHz converters ensure the ultimate signal integrity with an extremely broad dynamic range. And because the NX range is so much more efficient than conventional designs, it runs cooler and doesn't require the massive heat sinks and heavy toroid transformers typically associated with its conventional counterparts. Thanks to our 'Zero-Attack' limiters that offer maximum output level with exceptionally-reliable overload protection and SmartSense Loudspeaker impedance compensation, which provides fully linear frequency response at any speaker load impedance, you can run the NX range full-out for hours on-end. Our revolutionary high-density Class-D technology, combined with an ultra-efficient, switch-mode power supply ensure this feather-light powerhouse will drive your rig effortlessly for many years to come.

Thanks to our High-Density Class-D amplifier Technology, we are able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. Class-D amplification makes all the difference, offering the ultimate in energy efficiency and eliminating the need for heavy power supplies and massive heat sinks. This amazing technology makes it possible to design and build extremely powerful products that are significantly lighter in weight than their traditional counterparts, while using less energy and protecting the environment.

The front panel controls and indicators provide your systems vital signs at a glance. After pressing the Power button, the Power LED lights to show the amp is ready for action. All channels feature positive-detent Gain controls with Signal LEDs that light when a signal is present, as well as Limit LEDs to indicate when the amplifier is running at full capacity. Just as elegant as the front, the rear panel is home to the combo XLR and 1/4" TRS Input connectors, making the NX range with DSP compatible with virtually any source, balanced or unbalanced. Professional twist-lock speaker sockets are provided to ensure every drop of output power gets to your loudspeakers.

For sound engineers requiring high-level control capability, the NX range amplifier comes ready for action right out-of-the-box. The built-in DSP and 24-bit/96 kHz converters ensure the ultimate signal integrity with an extremely broad dynamic range. DSP section features sophisticated delay, crossover (3 filter types, up to 48 dB/octave), EQ (8 parametric, 2 dynamic), dynamics processing and lockable security settings. A convenient front panel LCD display allows you to setup and make adjustments directly at the amplifier, without the need for a PC.

Our new SmartSense Technology puts the punch back into Class-D amplification, providing vastly improved full-range frequency response with more powerfully-dynamic bass, and smoother high-frequency reproduction. The resulting output is no longer dependent on the actual load, but is rendered perfectly ruler flat via impedance compensation. The NX ranges design also incorporates a significantly-higher damping factor that yields better amplifier control over the loudspeaker for stronger audio reproduction especially in the LF area.

You can also set up, control and monitor your amplifier using your computer via USB and immediately gain access to a whole new level of amplifier control. NX EDIT is the ideal way to manage installed systems, and to create custom presets for live sound and production environments.

Notes: Inspired by the amazing Roland SH-101, Behringer's MS-1 is a peach of an analogue mono synth, excelling at deep, elastic basslines but also amazing for arps, leads and FX.

Supplier notes:
An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, such as a 32-step sequencer, arpeggiator and live performance kit, the MS-1-BK lets you conjure up virtually any sound with incredible finesse and ease. With its 32 semi-weighted full-size keys, pure analog signal path, authentic 3340 VCO with 4 simultaneously-mixable waveforms, plus extremely flexible VCF and VCA filters, the MS-1-BK is sure to become your favorite keyboard. Owning the MS-1-BK is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future!

Great care has been taken in engineering the MS-1-BK, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the MS-1-BK its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects - and all the way out to the otherworldly sounds of your imagination.

The inspired synthesizer tracks laid down in the 1980s and '90s are etched in the annals of progressive rock, wave, EDM and synth-pop music forever, making them truly classic in every sense of the word. The MS-1-BK lets you recreate all of that magic - or design incredibly fat and original sounds.


The very heart of MS-1-BK's sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for: cutoff Frequency (10 Hz to 20 kHz); Resonance (0 to self-oscillation); Envelope and Modulation depth, and Keyboard follow (0 to 100%) to dial in the perfect sound. MS-1-BK's VCF can be modulated via the ADSR, keyboard tracking and Bender controller. The Frequency Modulation (FM) Amount knob sets the depth, while the FM Source selector lets you further modify the signal by choosing from: pulse; sawtooth; sub oscillator 1 octave down; 2 octaves down; narrow 2 octaves down, and Noise.

MS-1-BK's Envelope generator features 4 ADSR (Attack, Decay, Sustain and Release) faders that help you craft incredible sounds, and utilizes a 3-position switch for Gate, Gate + Trigger and LFO. When applied to the Voltage Control Amplifier (VCA), the ADSR envelope is used to control the level of the note being played over time. When applied to the VCF, the ADSR envelope is used to control the cut-off frequency of the filter for each note played over time. In addition, the ADSR envelope can also be used to affect the VCO pulse width modulation.

MS-1-BK's sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode, which allows you to interact while composing a pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern. Both the sequencer and arpeggiator in the MS-1-BK are fun, mesmerizing and totally addictive.

When you're ready to strut your stuff and get a little centerstage time, the MS-1-BK has that covered too! Just attach the included guitar strap and handgrip (with pitch bend wheel and a pitch modulation trigger), and take your performance to the next level.

In addition to the great sound-sculpting features already mentioned, the MS-1-BK has still more to offer. The noise generator can also be used as modulation source to create distortion-like effects, which will send your solo soaring into the stratosphere. Glide (portamento) lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate. MS-1-BK's Bender is also assignable to the VCO, VCF and pitch mod wheel on attachable handgrip. You can even modulate the pulse wave via the LFO, envelope or manually - for sounds ranging from mild to wild!

For those who want the numbers, MS-1-BK has 57 knobs, faders and switches, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include: MIDI I/O and Thru over USB/MIDI DIN; Velocity Out; CV; Gate; External Clock In; VCF CV In; Hold; External Audio; Phones; and main Output.

Notes: You know what this one is. Behringer's long-awaited tribute to the mighty 808 offers classic analogue drum sounds and sequencing at the most affordable price point ever. Essential.

Supplier's Notes:
Classic Analog Drum Machine with 16 Drum Sounds, 64 Step Sequencer, Wave Designer and Dual-Mode Filter

The RHYTHM DESIGNER RD-8 provides all the tools you need to become a master beat-maker, including: 16 drum sounds; a 64-step sequencer; Wave Designer and dual-mode filter - for a full-fledged drum machine that'll shake the house! Whether you're new to drum programming or a seasoned pro looking to upgrade your setup, the RD-8 has everything you need to step up to the big time.

Great care has been taken in designing the RD-8 to achieve new possibilities in beat creation by reviving a timeless analog design from one of the most-classic drum machines of yesteryear. By taking a fresh and modern approach on a classic drum machine, the RD-8 gives you the power to harness the phenomenal sound of the 808 and tap into some new features as well. Colossal bass drums through to sizzling hi-hats can be manipulated to elevate your rhythm performance to the next level. This is an analog beat-making monster!

Built to enhance the way you perform, the RD-8 boasts all-new features for live use in each of the sequencer modes including step repeat, note repeat, real-time triggering and live step-overdubbing. This makes it easy to enable recording in pattern launch mode, so you can build song structures on-the-fly and switch back to manual mode at the touch of a button. Then you are free to add some excitement with the autofill feature and to introduce more variations. You can even cue up another song from memory without interrupting playback, allowing you to perform entire sets from start to finish - just using your RD-8!

Notes: The 1980s and '90s spawned a new "wave" of synth performers including Devo, The Chemical Brothers, The Prodigy, The Crystal Method and a host of others, all empowered by the sound of a simple strap-on instrument that let keyboardists steal the spotlight away from their guitar-wielding bandmates. An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, such as a 32-step sequencer, arpeggiator and live performance kit, the MS-101-BU lets you conjure up virtually any sound with incredible finesse and ease. With its 32 semi-weighted full-size keys, pure analogue signal path, authentic 3340 VCO with 4 simultaneously-mixable waveforms, plus extremely flexible VCF and VCA filters, the MS-101-BU is sure to become your favourite keyboard.

True to the Original:

Great care has been taken in engineering the MS-101-BU, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the MS-101-BU its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects - and all the way out to the otherworldly sounds of your imagination.

Big, Fat Tones:

The inspired synthesizer tracks laid down in the 1980s and '90s are etched in the annals of progressive rock, wave, EDM and synth-pop music forever, making them truly classic in every sense of the word. The MS-101-BU lets you recreate all of that magic - or design incredibly fat and original sounds that will make you a legend in your own right!

Versatile Oscillator:

MS-101-BU's authentic 3340 Voltage Controlled Oscillator (VCO) provides an incredible range of 4 simultaneously-mixable waveforms for sculpting the perfect sound. Options include: saw, triangle, square/pwm and octave-divided square sub-oscillator. Additionally, the VCO can be adjusted across a wide, 4-octave range (16', 8', 4', and 2'). This amazing flexibility gives you the tools needed to be your creative best.

Versatile VCF:

The very heart of MS-101-BU's sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for: cutoff Frequency (10 Hz to 20 kHz); Resonance (0 to self-oscillation); Envelope and Modulation depth, and Keyboard follow (0 to 100%) to dial in the perfect sound. MS-101-BU's VCF can be modulated via the ADSR, keyboard tracking and Bender controller. The Frequency Modulation (FM) Amount knob sets the depth, while the FM Source selector lets you further modify the signal by choosing from: pulse; sawtooth; sub oscillator 1 octave down; 2 octaves down; narrow 2 octaves down, and Noise.

The Envelope, Please:

MS-101-BU's Envelope generator features 4 ADSR (Attack, Decay, Sustain and Release) faders that help you craft incredible sounds, and utilizes a 3-position switch for Gate, Gate + Trigger and LFO. When applied to the Voltage Control Amplifier (VCA), the ADSR envelope is used to control the level of the note being played over time. When applied to the VCF, the ADSR envelope is used to control the cut-off frequency of the filter for each note played over time. In addition, the ADSR envelope can also be used to affect the VCO pulse width modulation.

Onboard Sequencer & Arpeggiator:

MS-101-BU's sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode, which allows you to interact while composing a pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern. Both the sequencer and arpeggiator in the MS-101-BU are fun, mesmerizing and totally addictive...

Own the Stage:

When you're ready to strut your stuff and get a little centre stage time, the MS-101-BU has that covered too! Just attach the included guitar strap and handgrip (with pitch bend wheel and a pitch modulation trigger), and take your performance to the next level. Why should singers and guitar players get all the limelight - carve out a little of your own!

Modulate Me to the Max!

In addition to the great sound-sculpting features already mentioned, the MS-101-BU has still more to offer. The noise generator can also be used as modulation source to create distortion-like effects, which will send your solo soaring into the stratosphere. Glide (portamento) lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate. MS-101-BU's Bender is also assignable to the VCO, VCF and pitch mod wheel on attachable handgrip.

Notes: Blue version of Behringer's tribute to the legendary Roland SH-101. Classic Roland-inspired 80s analogue sound with a gorgeously squelchy resonant filter and powerful oscillator with beefy sub.

Supplier notes:
An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, such as a 32-step sequencer, arpeggiator and live performance kit, the MS-1-BU lets you conjure up virtually any sound with incredible finesse and ease. With its 32 semi-weighted full-size keys, pure analog signal path, authentic 3340 VCO with 4 simultaneously-mixable waveforms, plus extremely flexible VCF and VCA filters, the MS-1-BU is sure to become your favorite keyboard. Owning the MS-1-BU is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future!

Great care has been taken in engineering the MS-1-BU, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the MS-1-BU its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects - and all the way out to the otherworldly sounds of your imagination.

The inspired synthesizer tracks laid down in the 1980s and '90s are etched in the annals of progressive rock, wave, EDM and synth-pop music forever, making them truly classic in every sense of the word. The MS-1-BU lets you recreate all of that magic - or design incredibly fat and original sounds that will make you a legend in your own right!

MS-1-BU's authentic 3340 Voltage Controlled Oscillator (VCO) provides an incredible range of 4 simultaneously-mixable waveforms for sculpting the perfect sound. Options include: saw, triangle, square/pwm and octave-divided square sub-oscillator. Additionally, the VCO can be adjusted across a wide, 4-octave range (16', 8', 4', and 2'). This amazing flexibility gives you the tools needed to be your creative best.

The very heart of MS-1-BU's sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for: cutoff Frequency (10 Hz to 20 kHz); Resonance (0 to self-oscillation); Envelope and Modulation depth, and Keyboard follow (0 to 100%) to dial in the perfect sound. MS-1-BU's VCF can be modulated via the ADSR, keyboard tracking and Bender controller. The Frequency Modulation (FM) Amount knob sets the depth, while the FM Source selector lets you further modify the signal by choosing from: pulse; sawtooth; sub oscillator 1 octave down; 2 octaves down; narrow 2 octaves down, and Noise.

MS-1-BU's sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode, which allows you to interact while composing a pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern. Both the sequencer and arpeggiator in the MS-1-BU are fun, mesmerizing and totally addictive.

When you're ready to strut your stuff and get a little centerstage time, the MS-1-BU has that covered too! Just attach the included guitar strap and handgrip (with pitch bend wheel and a pitch modulation trigger), and take your performance to the next level.

In addition to the great sound-sculpting features already mentioned, the MS-1-BU has still more to offer. The noise generator can also be used as modulation source to create distortion-like effects, which will send your solo soaring into the stratosphere. Glide (portamento) lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate. MS-1-BU's Bender is also assignable to the VCO, VCF and pitch mod wheel on attachable handgrip. You can even modulate the pulse wave via the LFO, envelope or manually - for sounds ranging from mild to wild!

For those who want the numbers, MS-1-BU has 57 knobs, faders and switches, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include: MIDI I/O and Thru over USB/MIDI DIN; Velocity Out; CV; Gate; External Clock In; VCF CV In; Hold; External Audio; Phones; and main Output.

Notes: Based on a quirky British cult favourite from the late 70s, this is well worth a closer look as an alternative to the more common Moog- and Roland-inspired synths. Monophonic weirdo goodness.

Supplier's Notes:
Legendary Hybrid Synthesizer with Dual OSCs, Multi-Mode VCF, 16-Voice Poly Chain and Eurorack Format

Notes: Channelling the Korg MS20, Behringer serve up a desktop module with attitude. Semi-modular design plays nicely with Eurorack gear to add a dose of the aggro MS sound to your rig.

Supplier notes:
An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, the K-2 lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, dual authentic VCOs with 4 selectable waveforms each, plus extremely flexible VCF and VCA filters, the K-2 is sure to become your favorite keyboard. Owning the K-2 is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future!

Your K-2 comes ready to rock, thanks to its default signal routing that doesn't require lifting a single patch cable to instantly create amazing sounds. The semi-modular architecture lets you easily tap into the inspired sounds of 1980s and '90s progressive rock, wave, EDM and synth-pop music synthesizer tracks that made rock and roll history - or to design incredibly fat and original sounds that will make you a legend in your own right!

The very heart of K-2's sound is its versatile 6 dB High/12 dB Low filter, which lets you freely experiment with the High and Low-Pass Cutoff Frequencies and their respective peak (resonance) settings to dial in the perfect sound. The high-pass filter sets the level of signals below the cutoff frequency, effectively reducing the fundamental and lower-order harmonics levels. The low-pass filter controls the level of signals above the cutoff, which reduces higher-order harmonic content. K-2's VCF Peak controls provide emphasis to the signals at the crossover frequency.

K-2's authentic Voltage Controlled Oscillators (VCOs) provides an incredible range of 4 variable oscillator shapes with variable pulse widths and ring modulation for the ultimate in sound creation. VCO 1 waveform choices include triangle, reverse-sawtooth, noise and pulse, where the pulse width can be adjusted from square wave to narrow across a 4-octave range (32', 16', 8', or 4'). VCO 2's waveform can be selected from reverse-sawtooth, square, narrow pulse and ring, where both oscillators are operating. VCO 2's pitch can also be varied independently across a 4-octave range (16', 8', 4' and 2'). The VCO Mixer allows you to adjust the levels of VCO 1 and VCO 2 to create an overall mix and a wide range of amazing effects.

K-2's Low Frequency Oscillator (LFO), the Modulation Generator, features a selectable Waveform (reverse sawtooth, triangle, sawtooth) with a sweepable frequency range from 0.1 to 22 Hz - and 2 separate Envelope generators to help you craft incredible sounds! Envelope Generator 1 affects the frequency modulation via controls for Delay, Attack and Release Time, while generator 2 adjusts the cutoff frequency modulation, as well as amplitude modulation of the Voltage Control Amplifier (VCA). Dials for this generator include Hold, Decay, Attack, Sustain, and Release for unparalleled envelope-shaping control.

While it is a monophonic instrument (one note at a time), K-2's 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony - plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.

Designed to handle the rigors of life on the road or in the studio, your K-2 can easily be transferred into a standard Eurorack case for the perfect integration into your existing system.

For those who want the numbers, K-2 has 36 controls, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand K-2's tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices at virtually any point in the signal path!

Notes: An ultra-affordable leap into the warm world of analogue synthesis, the BEHRINGER Neutron gives you the power to create virtually any monophonic sound imaginable with incredible power and ease.

The pure analogue signal path is based on the legendary V3340 VCO chip with 5 variable oscillator shapes. Blend or switch the 2 oscillators and 5 LFO shapes for unique sound creation. For protection and convenience, the Neutron can even be mounted in a standard Eurorack, making it ideal for the studio and/or the road. Owning a Neutron gives you all the power of a monster modular synthesis system in a flexible package with the ability to create bewildering, complex sounds.

Notes: Love your X-TOUCH Universal Control Surface, but want even more control over your music production? The amazing X-TOUCH EXTENDER is the ideal and cost-effective way to grow your current setup, and can even be used as a standalone controller for remote recording to your laptop. From the 8 touch-sensitive, motorized faders and the 8 dynamic LCD scribble strips, to the 8 rotary encoders, 32 illuminated buttons, and 8-segment LED meters per channel, the X-TOUCH EXTENDER transforms what's on your DAW's screen into one ultra-compatible, feature-packed surface for precision control and a bird's eye view of critical mix parameters. Connectivity is simple using traditional USB connections, plus it also has an Ethernet interface for use with DAWs that support RTP (Real-Time Protocol) MIDI remote control.

As your production needs grow, you can combine multiple X-TOUCH and EXTENDER units to emulate a large-scale control surface - all you need are a few standard USB cables.

When it comes to integration, the X-TOUCH EXTENDER has you covered with the most widely used protocols in the industry. With included support for HUI and Mackie Control, you can be sure it will work seamlessly with all compatible music production software, allowing you to focus on what counts - the music.

Your music is the embodiment of your imagination and creativity. Your controller should be equally inspired and dynamic in its response to your creation. That's why the X-TOUCH EXTENDER features 8 fully automated and touch-sensitive 100 mm motorized faders. Every move or automation you write can be seen in the movements of each fader in real time, perfectly synced with your DAW.

LCD scribble strips grace the top of each channel fader, providing an instant visual readout of which track and parameter you are adjusting - totally eliminating old school tape-and-marker labelling.

With 4 dedicated illuminated buttons, 8 rotary controls with LED collars and 8-segment LED meters per channel, the X-TOUCH EXTENDER is a feast for the eyes as well as the hands. At-a-glance you can see in brilliant color if a channel is muted or soloed and how hot the level is pumping as you make changes during recording or mixing. Arm multiple tracks or adjust panning at the same time and marvel at how you ever relied on a mouse to do a controller's job.

Navigation is a breeze with the abundant features on the X-TOUCH EXTENDER's intuitive surface. Race between faders, push real illuminated buttons, turn actual knobs - X-TOUCH EXTENDER brings your on-screen DAW controls to life.

With class-compliant USB functionality, the X-TOUCH EXTENDER is instantly recognizable by Mac and Windows PCs. Its USB MIDI port allows you to connect and communicate with an external device. The powered multi-TT USB hub provides connectivity for 2 more controllers so it can grow with your career. And the power and control can expand further via the integrated Ethernet interface for DAWs that support RTP MIDI. Isn't that awesome?

The X-TOUCH EXTENDER provides all the tools you need to expand your current music production control, so you always make the most of your recording and mixing sessions. Take full control of your DAW by adding more motorized faders, rotary encoders with LED collars and illuminated key function buttons.

Notes: The X32's expansion slot provides flexible and expandable connectivity for many different applications.

The X-ADAT Expansion Card can easily be installed in place of the X-USB card that is included with the X32. It allows you to digitally integrate your X32 with any equipment featuring ADAT I/O. This includes stand-alone recorders, digital audio workstations, and other digital mixers and signal processing gear.

The X-ADAT card provides 32-channels of ADAT inputs and outputs on its 8 fiber-optic Toslink connectors. The card features 24-bit signal transmission and operates at both 44.1 and 48 kHz sample rates, maintaining your signals integrity. The light-pipe fiber-optic connections also assure that your signal is protected from ground loop interference.

The X-ADAT expansion card allows you to integrate your X32 in any situation where ADAT connectivity is required, expanding the X32 series consoles use in live, studio, AV, and integration applications. The X-ADAT card features a BNC word-clock in/out that can be used to interface X32 with an external clock or provide clock signal for other devices. External clock synchronization is possible through the BNC connection as well as any of the 4 Toslink inputs.

Notes: The EURORACK GO was engineered specifically to protect your favorite synthesizer modules and similar 3U electronics. With 2 rows of 140 HP useable mounting space (for a total of 280 HP), the rugged aluminum chassis features 96 sliding nuts for ultra-easy positioning of your precious gear. In the studio or on the road, the EURORACK GO is the ideal way to protect your rig - wherever the gig takes you.

One of the features that separates EURORACK GO from competing products is the massive, ultra-low noise power supply. The auto-ranging universal switch-mode supply works anywhere in the world and uses 32 keyed power connectors to protect your valuable modules from accidental reverse power hookup.

Designed for rugged reliability, the all-aluminum chassis houses an adjustable support plus oversized rubber feet to provide 0-50- setup capability and ensures rock-solid stability for use on a wide range of surfaces.

Notes: The Octave Cat isn't the best known synth that Behringer have turned their attention to, but it's well worth a look. Similar in approach to the Odyssey but with an even broader sonic range, going from warm and fat to tough and edgy.

Supllier notes:
Great care has been taken in engineering the CAT, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs that come together to recreate classic tones that are evocative of classic electronic music. This highly-focused attention to detail is what gives the CAT its ultra-flexible sound shaping capability. It gives you the ability to cover a lot of amazing tones from super-fat bass, tasty leads - and all the way to full on dreamy ambience from the far reaches of your imagination.

The synthesizer tracks laid down in the 1970s and 80s in progressive rock, wave and synth-pop have become classics and have inspired many other artists.

The CAT has the ability to accept any keyboard controller via MIDI. The signals generated can be tweaked via the Pitch Bend slider which can bend a note up or down one octave. Bump this up to two octaves by flipping the Octave Shift switch up or down. Use the Glide slider to change how fast a note transitions to another; up is faster, down is slower. Combine that with the LFO Freq slider to control the LFO and ADSR repeat tempo and you can create some amazing pulsating portamentos.

The very heart of the CAT's sound is its two VCOs. The Duophonic/Paraphonic nature of the CAT allows both oscillators to be controlled independently. Use the Fine and Coarse Frequency controls to tune VCO1 to VCO2. Keyboard control on the CAT can be set to either Mono or Poly. Poly mode lets VCO1 generate the highest note played on the keyboard while VCO2 handles the lowest allowing two notes to be played simultaneously. Setting the switch to Mono mode makes VCO1 generate the lowest note depressed on the keyboard.

Waveform switches on both VCOs allow different waveforms to be patched in from the LFO. Choose between Sine, Square, Sample and Hold and even pitch modulation through each VCO. Turning the Modulation Depth knobs in either direction controls the intensity of the effect. VCO2 also comes with a Sync switch that locks VCO1 with it and has them act as one huge oscillator to produce more complex waveforms and dramatic results. Mix VCO1 into VCO2 or vice versa and the CAT can produce some really tasty tones that make themselves at home in your next synth jam.

Each VCO on the CAT comes equipped with their own waveform sliders where you can adjust the volume of each type of VCO wave form. Pump up the Sub Octave, Sawtooth, Square, Triangle or Pulse waves or mix them all together and create some truly unique tones.

The CAT comes with another set of claws in the form of a VCF filter section. Here you can get more complex and robust tones by incorporating VCO1 into the mix. Introduce more waveforms and manipulate the Q slider to emphasize harmonics and Filter Cutoff slider which acts as a low-pass filter. Turn the CAT into a really funky bass machine or an out-of-this-world synth that creates some searing lead tones. You can even create some amazing drum sounds by manipulating the VCOs, VCF and ADSR.

The CAT features a whole slew of Inputs and Outputs that expand its capabilities beyond what you can see out of the box. You can route external control voltages to VCO1 or 2, the VCF and even pump in some external line-level audio into the CAT. You can even connect the CAT to other external synthesizers through the Gate, ADSR, AR or Keyboard Outputs. The CAT's 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony - and it provides vastly improved reliability and stability over its 1970s and '80s predecessors.

To give the signal even more character, you can use the CAT's Transient Generator to create a detailed voltage transient every time a key is depressed. Adjust the Attack, Decay, Sustain and Release via the matching sliders and to shape your signal. The AR transient generator works similarly to the ADSR but with less detailed control over the envelope. You can also set the ADSR to automatically repeat or only when a key is held down. The Sample and Hold switch can be set so the VCO1 setting is sampled or, when set to Noise mode, produce a random output pattern. Slide the LFO Delay control up or down to determine when the LFO will reach its maximum output after a key is depressed.

The CAT has 47 controls, all laid out in a highly-intuitive format that puts the joy back into your music creation.

Notes: With millions of loyal and happy customers, Behringer Xenyx mixers stand alone at the top of their class. Armed with premium microphone preamps and robust feature sets typically reserved for more expensive consoles, next-generation Xenyx Q Series USB mixers can handle your live gigs and provide the state-of-the-art tools to make stunning, professional-quality recordings. Select models feature dedicated, wireless-ready integration for Behringer's new ULM Series USB microphones, making them the first of their kind in the industry. Along with their built-in USB/audio interfaces, one-knob mono channel compressors and Klark Teknik effects engines (available on select models), Xenyx Q Series USB mixers come with all the recording and editing software you'll need to turn your computer into a complete, high-performance recording studio.

Nothing adds the finishing touch to a live or recorded performance like really good effects, so Behringer equipped a select group of these mixers with one of the best FX engines in the industry. Designed by the world-renowned Klark Teknik engineering team, these high-end effects processors feature 32 studio-grade presets with dual addressable parameters, Tap function and storable user parameter settings. Complete with its own dedicated level meter, this effects unit provides a wide range of enhancement options, from sweet and mild to absolutely wild.

Now you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity. Behringer's one-knob compressor comes as standard on each and every Xenyx Q Series USB mixer.

All Xenyx mixers have one thing in common; great-sounding, high headroom Xenyx mic preamps. These state-of-the-art mic preamps are a tremendous step in the evolution of audio technology and they can easily hold their own, even when compared to expensive, boutique-style mic preamps. Xenyx preamps offer a staggering 130 dB of dynamic range with a bandwidth that extends from below 10Hz to well above 200 kHz. As a result, Xenyx mixers provide such transparent, crystal-clear performance that you just might think someone upgraded your microphones while you weren't looking.

Thanks to the built-in, bi-directional stereo USB audio interface, you can connect directly to your PC or Mac computer via a single USB cable. Now any signal source connected to the mixer can be recorded straight to your hard drive.

Because you'll want to take full advantage of your Xenyx QX Series mixer's recording and podcasting potential, Behringer have put together a massive software download at www.behringer.com, that includes Audacity, Podifier, Juice, Podnova and Golden Ear.

Notes: With millions of loyal and happy customers, Behringer Xenyx mixers stand alone at the top of their class. Armed with premium microphone preamps and robust feature sets typically reserved for more expensive consoles, next-generation Xenyx Q Series USB mixers can handle your live gigs and provide the state-of-the-art tools to make stunning, professional-quality recordings. Select models feature dedicated, wireless-ready integration for Behringer's new ULM Series USB microphones, making them the first of their kind in the industry. Along with their built-in USB/audio interfaces, one-knob mono channel compressors and Klark Teknik effects engines (available on select models), Xenyx Q Series USB mixers come with all the recording and editing software you'll need to turn your computer into a complete, high-performance recording studio.

Designed by the world-renowned Klark Teknik engineering team, the high-end effects processors feature 32 studio-grade presets with dual addressable parameters, Tap function and storable user parameter settings. Complete with its own dedicated level meter, these effects provide a wide range of enhancement options, from sweet and mild to absolutely wild.

Behringer's one-knob compression is available on all mono channels and is easy to operate, even for entry-level users. Now you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity. Behringer's one-knob compressors come standard on each and every Xenyx Q Series USB mixer.

All Xenyx mixers have one thing in common; great-sounding, high headroom Xenyx mic preamps. These state-of-the-art mic preamps are a tremendous step in the evolution of audio technology and they can easily hold their own, even when compared to expensive, boutique-style mic preamps. Xenyx preamps offer a staggering 130 dB of dynamic range with a bandwidth that extends from below 10 Hz to well above 200 kHz. As a result, Xenyx mixers provide such transparent, crystal-clear performance that you just might think someone upgraded your microphones while you weren't looking.

There was a time when the recording process called for lots of specialized gear, which meant the average musician had to buy time at a recording studio, and that time was expensive. But modern technology has put personal recording well within the reach of virtually anyone with access to a computer. But how do you get all that music flying around your brain into a computer? That's where Xenyx Q Series mixers come in. Thanks to the built-in, bi-directional stereo USB audio interface, you can connect directly to your PC or Mac computer via a single USB cable. Now any signal source connected to the mixer can be recorded straight to your hard drive.

Because you'll want to take full advantage of your Xenyx QX Series mixer's recording and podcasting potential, Behringer have put together a massive software download at www.behringer. com that includes Audacity, Podifier, Juice, Podnova and Golden Ear.

Notes: The Eurolive B1200D packs everything there is to love about these powerful systems into a more compact, easy to transport enclosure, making them ideal for smaller venues. Armed with a 500W Class D amplifier and a host of truly professional features, these little brutes crank out tons of tight, low end punch with the definition and clarity typically reserved for much larger systems.

Put simply, these cool running systems provide an impressive power to weight ratio and our no compromise design means you get amazingly deep, chest pounding bass that will keep the party going all night long.

Instead of operating relatively continuously like Class AB circuits, Class D amps switch on and off thousands of times per second, delivering power only when needed. The amplifier is either fully on or fully off, which significantly reduces power losses from the output devices given off as heat. Less heat means our Class D amps don't need massive heat sinks, and that means we can make them lighter. Plus B1200D's amplifier provides all the dynamic punch and fidelity you'd expect from a much larger, more expensive subwoofer.

The transducers (woofers and tweeters) are the only part of a sound system you actually hear, Behringer never cut corners, and never just grab whatever happens to be on the shelf. They custom design their own so they are the perfect match for both the amplifier and the application. They wind their own voice coils, process the paper pulp into cones and even machine their own backplates. This enables Behringer to control the quality, and frankly, make better components. The 12" long excursion, low frequency transducer was designed specifically for use in the Eurolive B1200D.

The B1200D features balanced XLR inputs and outputs, as well as balanced XLR Thru jacks for connecting additional enclosures. A boost frequency knob lets you boost any frequency between 45Hz and 90Hz. Then just flick the boost switch to give your selected frequency a +10 dB boost. Behringer have also provided a high cut dial that controls the upper corner frequency for the internal amplifier without affecting thru A/B signals. A level knob controls the input gain, and the phase switch reverses the output phase to compensate for frequency cancellation between the subwoofer and satellite speakers. LEDs show operational status at a glance including power, signal present and input overloads.

Notes: The revolutionary XR12 is a powerhouse 12 input portable/rack-mountable mixer for iPad and Android tablets, and is ideally suited for both live and studio applications, thanks to its 4 award-winning MIDAS-designed mic pre-amps, convenient integrated Wifi module for wireless control, plus USB connectivity for file storage, system updates and uncompressed stereo recordings via the USB Stereo Recorder. Also included are the rack ears and protective bumpers for added flexibility in your studio and stage applications.

The freedom to move around and manipulate all parameters of your mix with the free iOS and PC apps lets you dial in the perfect sound from anywhere in the venue - or the tracking room! Advanced engineering and meticulous design deliver stellar sonic performance at an extremely affordable price - changing the game once again.

Notes: The revolutionary XR16 is a powerhouse 16 input portable/rack-mountable mixer for iPad and Android tablets, and is ideally suited for both live and studio applications, thanks to its 8 award-winning MIDAS-designed mic preamps, convenient integrated Wifi module for wireless control, plus USB connectivity for file storage, system updates and uncompressed stereo recordings via the USB Stereo Recorder.

Also included are rack ears and protective bumpers for added flexibility in your studio and stage applications. Priced and sold individuall

Notes: The 300-Watt NEKKST K10S Studio Subwoofer's unparalleled, world-class performance is the result of a major collaboration between BEHRINGER audio engineers and loudspeaker master-designer/founder of KRK - Keith R Klawitter.

This incredible audiophile-grade subwoofer is ideal for all critical listening environments thanks to the custom-engineered bridge-mode amplifier that drives the 10" glass-fibre woofer for rich, deep and tight bass. K10'S front-f ring port was designed for the ultimate in low-frequency extension - without the typical boundary coupling and port turbulence found in competing systems.

The goal of a great studio monitor is to present an accurate representation of your mix, so you can tell how well it will translate to the diverse listening environments and systems of today, such as car stereos, club sound systems, radio, portable digital music players and others. The remarkably-flat bass response of the NEKKST K10S allows you to work with the complete confidence that your mixes will "play" accurately on these systems and to your audience at large.

Renowned acoustic icon and founder of KRK, Keith Klawitter, designed the ultra-linear, reference-class NEKKST Series studio monitors and subwoofer. Featuring Keith's Advanced Waveguide Technology for the ultimate acoustic dispersion, the NEKKST Series generates an extremely large "sweet zone", for the ultimate in professional-grade studio monitoring. Adding the amazing K10S subwoofer to your monitor system allows you to experience exactly how your mix's bass content plays in vivid detail - thanks to its powerful 300-Watt bridge-mode amplifier, 10" glass-fiber woofer and synergistic design. The NEKKST K10S not only satisfies seasoned engineers and producers, but makes audiophile-level sound accessible to both home and professional recording studio applications. Keith Klawitter wrote the book when it comes to modern studio monitors, and to quote the monitor-master, "This is my best work yet!"

The NEKKST K10S 10" Studio Subwoofer owes its remarkable bass response to Keith Klawitter's front-firing port and scientifically-curved front baffle design, which provides superb low-frequency extension and amazingly-clean sonic performance. A considerable investment of Keith's time and research went into perfecting the interplay between the K10S' woofer and port to maximize efficiency - and minimize the effects of port compression. You'll hear your mix's low end in a more accurate way, ensuring your music always sounds its best in every listening environment.

The K10S' long-throw 10" woofer is made with deformation-resistant, glass-fiber cone and built into a high-density composite enclosure that virtually eliminates low-frequency distortion and provides ultra-low diffraction. If anyone on the planet knows studio monitors, it's Keith Klawitter. He has made it his life's mission to create systems that add tremendous value to world-class artists and engineers, who depend on the ultimate in mix accuracy. Keith himself refers to the NEKKST Studio Monitor Series as, "my best work!"

Notes: The amazingly-powerful ULTRATONE KXD12 excels as an extraordinarily-versatile keyboard and drum amplifier, as well as a high-quality 4-channel Public Address (PA) system, with a world-class, 12" TURBOSOUND Speaker in one compact and easy-to-transport package.

Specializing in rich, accurate tone and professional features, such as a studio-grade KLARK TEKNIK Multi-FX Processor, true bi-amplifier design, and our own FBQ Feedback Detection System, this 600-Watt workhorse will bring out the best in your instruments and vocals gig after gig.

Notes: The X-TOUCH COMPACT Universal USB/ MIDI Controller gives you precise control over your favorite DAW, instruments, effects and lighting systems with the fluidity of 9 touch-sensitive and fully-automated motorized faders, 16 rotary encoders with LED collars - and 39 illuminated buttons. Free yourself from the mouse-click paradigm with X-TOUCH's preconfigured presets - or customize your own configurations to master the art of on-the-fly adjustments as ever before!

Today's DAWs, instruments, effects and lighting applications are designed to interface with controllers that enable users to make high-precision changes with minimal effort. Built-in Mackie Control* emulation allows your X-TOUCH COMPACT to work with virtually any professional audio production software imaginable - as soon as you take it from the box - no setup required!

Your music is the embodiment of your imagination and creativity. Your controller should be equally inspired and dynamic in its response to your creation. That's why the X-TOUCH COMPACT features 9 fully automated and touch-sensitive 100 mm motorized faders. Every move or automation you write can be seen in the movements of each fader in real time, perfectly synced with your DAW.

Dual-Layer Mode provides lightning-fast switching between DAW and instrument control. Preconfigured control elements let you connect the X-TOUCH COMPACT for instant operation right out of the box, or download our user-friendly editor application for in-depth configuration, free of charge from www.behringer.com.

16 beautifully equipped rotary controls featuring LED-collars that provide an amber-hued visual read out couple with 39 illuminated buttons to make the X-TOUCH COMPACT a feast for the eyes as well as the hands. They provide direct access to preconfigured or user-mapped key functions. Know in brilliant color if a channel is muted or soloed and see how hot the level is pumping as you make changes during recording or mixing. Arm multiple tracks or adjust panning at the same time and marvel at how you ever relied on a mouse to do a controller's job. The built-in USB interface allows you to connect the COMPACT directly to your Mac or PC for easy right out-of-the-box installation - no drivers required.

Complete USB and 5-pin MIDI integration means you'll be able to interface with more of your favorite devices. Easily connect to a computer via the primary USB port, while simultaneously connecting an external MIDI device.

The dedicated footswitch connector and one foot controller input provide external remote control. The powered multi-TT USB hub provides connectivity for 2 more controllers so it can grow with your career. A "Planet Earth" switching power supply gives you maximum flexibility and efficiency for energy savings. Best of all - the X-TOUCH COMPACT will work flawlessly wherever and whenever you plug it in.

X-TOUCH COMPACT's 9 fully-automated and touch-sensitive 100 mm motorized faders, 16 rotary encoders and 39 illuminated buttons support the most popular communications protocols, giving you tactile control of your favorite DAW, instruments, effects and lighting systems. Visit your local dealer or online reseller to get your hands on the X-TOUCH COMPACT - and get your hands back into the mix!

Notes: The feature-packed XENYX X2442USB mixer allows you to effortlessly achieve premium-quality sound thanks to 10 onboard studio-grade XENYX Mic Preamps and ultra-musical "British" channel EQs - with a semi-parametric mid band for the maximum flexibility in sound sculpting. And our easy-to-use "one-knob" compressors provide total dynamic control for the ultimate in punch and clarity, while respecting all the power and emotion you pack into every note. Add to this our 24-bit, dual-engine Multi-FX processor with 16 editable, professional-grade presets including reverb, chorus, fl anger, delay, pitch shifter and multi-effects - and the X2442USB becomes an incredibly versatile mixer for your live performances.

But the X2442USB wasn't just designed to handle your live gigs; it also provides the state-of-the-art tools you need to make stunning, professional-quality recordings. Along with the built-in USB/audio interface, the XENYX X2442USB comes with all the recording and editing software needed to turn your computer system into a complete, high-performance home recording studio.

All XENYX mixers have one thing in common - great-sounding, high headroom XENYX mic preamps. These state-of-the-art mic pres represent a major step in the evolution of audio technology - and they can easily hold their own, even when compared to the most expensive stand-alone mic preamps. XENYX preamps offer a staggering 130 dB of dynamic range, with a bandwidth that extends from below 10 Hz to well above 200 kHz. Armed with these outstanding mic preamps, XENYX mixers provide such transparent, crystal-clear performance you just might think someone upgraded your mics while you weren't looking.

Our studio-grade compressor is based on classic and famous studio equipment from the 70's. This totally transparent and musical compressor design allows your full dynamic range to shine through until your signal reaches the compression threshold, which is indicated by the highly visible status LED. The compressor increases sustain and gently smoothens out signal peaks, which is especially handy when you're laying down the funk, a la slap and pop - or hammering home your most-aggressive metal lines. The resulting output level lets you unleash powerful and impact-laden bass lines, while still sitting right where you need to be in the mix!

The British consoles of the 1960s and '70s changed the sound of rock and roll - without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The channel EQ on our XENYX mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.

Equipped with our studio-grade 24-bit Multi-FX processor, the X2442USB gives you 16 mind-blowing digital effect presets such as delay, chorus and reverb. Time-based functions can be entered manually by pressing the Tap button in tempo with the music. Apply them to any channel, as well as to the monitors and main output. Of course, if you have treasured outboard gear you've grown attached to, the X2442USB lets you integrate them into the mix - bypassing the built-in FX processor.

Notes: How about eight XENYX mic channels with inserts, dedicated compressors, 3 band EQ with semi-parametric mids and three Aux Sends? You get all that with the X2222USB, plus four stereo line-level channels, two convenient mix subgroups and onboard 24 bit digital FX processing, with dual user-addressable parameter controls. All this and more enclosed in a rack-ready, roadworthy steel chassis.

Notes: The 1970s spawned the first truly portable analog synthesizer, and while it was quickly adopted by lots of renowned musical artists including Jan Hammer, Chick Corea, Rick Wakeman, Jean-Michel Jarre, Isao Tomita and Keith Emerson to name a few, it was somewhat temperamental and very expensive. An ultra-affordable homage to that iconic synthesizer, with all the features of the original and then some, the BEHRINGER MODEL D lets you conjure up virtually any monophonic sound imaginable with incredible finesse and ease. The pure analog signal path is based on authentic VCO, VCF, VCA and ladder filter designs in conjunction with a dedicated and fully analog triangle/square wave LFO. And when it comes to protection and convenience, the MODEL D can even be mounted in a standard Eurorack, making it ideal for the studio and/or the road. Owning a MODEL D is like having your own personal time machine, enabling you to freely embrace the past - or shape the future!

True to the Original:
Great care has been taken in designing the MODEL D including the true to the original "D Type" circuitry with its matched transistors and JFETs, ultra-high precision 0.1% thin film resistors and polyphenylene sulphide capacitors. This highly-focused attention to detail is what gives the MODEL D its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones, stunning effects, progressive organ sounds - and all the way out to the otherworldly sounds of your imagination.

Big, Fat Tones:
The inspired synthesizer tracks laid down in the 1970s and '80s are etched in the annals of progressive rock, wave and synth-pop music forever, making them truly classic in every sense of the word. MODEL D's pure analog signal path with legendary VCO, VCF and VCA circuits, lets you recreate all of that magic - or design incredibly fat and original sounds that will make you a legend in your own right!

VCO Triple Play:
MODEL D's 3 highly-flexible Voltage Controlled Oscillators (VCOs) provide an incredible range of 5 waveforms for sculpting the perfect sound. Oscillators 1 and 2 options include: triangular; triangular/saw; saw; square; wide pulse; and narrow pulse, while OSC 3 features: triangular; reverse saw; saw; square; wide pulse; and narrow pulse. Additionally, all 3 VCOs can be adjusted across an extremely-wide, 6-octave range (LO, 32', 16', 8', 4', and 2'). This amazing flexibility gives you all the tools you need to be your creative best.

24 dB Ladder Filter and VCA:
The very heart of MODEL D's sound is its highly-flexible 24 dB Ladder Filter, which lets you freely experiment with the Cutoff Frequency, Emphasis, and Contour to dial in the perfect sound. MODEL D's Filter Mode switch can be set to either Lo- or Hi-pass for selecting the range of your choice. You can also adjust the Attack, Decay, and Sustain controls to affect the cutoff frequency with time. The VCA Decay switch lets you set the length of time the note lingers after the key has been released. Additionally, support for filter-keytracking allows you to select how much filtering is applied based on the note being played. And if you want to add modulation, just set the Filter Modulation switch to the On position and use the Controllers Mod Mix knob to make it so. The VCA can even be overloaded via MODEL D's feedback circuit to add insane spice and edge to your sounds - without saying "goodbye" to your precious low-end content.

Making Waves:
You are always in complete control of MODEL D's onboard modulators, which features: adjustable Tune; Mod Depth; LFO Rate; Glide (portamento); and Mod Mix knobs. A range of switches is provided for selecting between: triangle or square wave oscillation; modulation On or Off; OSC 3 or Filter EG (Filter Envelope); and Noise (Mod SRC) or LFO. The Tune knob is used to adjust the frequency of OSC 1, 2 and 3 (as long as the OSC 3 switch is turned off). The internal Noise generator, which is switchable between either Pink or White noise for dramatically expanded waveform generation, is the default modulation source, unless an external Mod Source is connected at the 3.5 mm input jack. As we stated earlier, the BEHRINGER MODEL D is the ultimate mono, all-analog synthesizer in its class - especially when it comes to sound quality, versatility and affordability.

Notes: The ULTRADRIVE PRO DCX2496 is the answer to making your venue sound like it was tuned by the pros. Over the past years the DCX2496 has become an industry standard and several hundred thousand units have been employed in high-end touring as well as install applications. The DCX2496 is the perfect way to manage a multi-speaker sound system in any sized venue - from cinema to sanctuary to concert hall. Featuring 2 inputs, 6 outputs and 24-bit/96 kHz high-end AD/DA converters, this state-of-the-art processor will take your system to the next level and beyond.

Superb Connectivity and Impeccable Sound Quality:

Start with the DCX2496's analog inputs (one suitable as a digital stereo AES/EBU input) and 6 analog outputs - you get maximum flexibility in just one rack space. Superb high-end Cirrus Logic* 24-bit/96 kHz A/D - D/A converters give you ultimate signal integrity - and an extremely-broad dynamic range of 120 dB!

Huge Processing Power:

Speaker protection and processing are the cornerstones for any speaker management system. The DCX2496 features precise dynamic EQs for level-dependent equalization, plus extremely musical parametric EQs that can be applied to all I/O for high-precision signal sculpting. 6 outputs with individual crossover filters, including your choice of Butterworth, Bessel and Linkwitz-Riley designs, each with selectable roll-off characteristics from 6 to 48 dB/octave - perfect for optimizing any 2, 3, or 4-way system. Finally, our "Zero"-attack limiters provide the ultimate in loudspeaker protection on all output channels.

Limitless Control:

In addition to the plethora of EQ filter and crossover options, the DCX2496 offers adjustable delays for all I/O, allowing you to either manually, or automatically correct for room temperature, phase and arrival time differences in order to perfectly configure your delay-line speakers. A PCMCIA slot is provided for storing up to 60 user-defined presets internally, or optionally via your PC for instant recall when moving between multiple venues. The DCX2496 gives you the rock-solid solution for great sound - show after show!

Incredible Sound and Protection Every Time:

The ULTRADRIVE PRO's sleek design, with its high-power 32-bit Analog Device Sharc DSP, ultra-high resolution AKMr 24-bit/96kHz AD & DA converters and maximum processing power provide outstanding audio performance, helping you get the most out of your sound system - no matter where the gig takes you!

Notes: The DEQ2496 is a high-precision digital 24-bit/ 96 kHz EQ/RTA mastering processor, ideal for sophisticated live sound trouble-shooting or audiophile mastering. Whether you're putting the finishing touches on recorded material or creating an optimal live sound for a multi-way PA, the DEQ2496 is built to provide meticulous control.

Equalization. Dynamics. Feedback Correction:

You can have it all with the DEQ2496. How about automatic FFT analysis with Auto EQ? We added that too. The DEQ2496 is a whole rack of ultra-flexible equalization options, dynamics and time-correction solutions, all designed to optimize your rig's sound quality like no other single piece of processing gear. Consider the DEQ2496 your audio engineer's Swiss Army Knife - here are a just few examples: Dual 31-band Graphic Equalizers (stereo linkable) Dual 31-band Virtual Paragraphic Equalizers (stereo linkable) Dual 10-band Parametric EQ's per stereo side Dynamically-activated EQ Feedback Destroyer with Learning Mode Stereo Imager Compressor/Expander Limiter Digital Delay RTA/SPL/FFT Analyzer with Auto EQ function.

Dual 31-band Graphic Equalizers, 31-band Virtual Para-graphic Equalizers and 10-band Parametric:

Naturally, the DEQ2496 has a phase-neutral digital graphic EQ. But in addition, we've added a function that allows you to change the frequency bandwidths from 1/3, to as tight as 59/3. Or, if you prefer the old-school approach to variable bandwidth, we've included 10-bands of parametric filters that can be incrementally fine-tuned all the way down to 1/60 of an octave.

Dynamically-Activated EQ:

Dynamic EQ (DEQ) automatically raises or lowers a defined frequency range based on volume level. It's literally a combination of an equalizer (with frequency centre and bandwidth controls) and a dynamics processor (with Attack, Release, Threshold and Ratio parameters). DEQ opens up a world of both creative mastering and PA problem solving possibilities. We've given you total control with multiple filter types including bandpass mode. And of course you can store DEQ settings for recall at any time manually or via MIDI.

Feedback Destroyer with Learning Mode:

With the digital capabilities we've just listed, it's easy to see why we were able to include a highly-effective Feedback Destroyer (FBQ) feature - it's essentially a dynamically-activated parametric EQ that "watches" the whole frequency spectrum in 1/60-octave bands and then instantly identifies and notches out feedback. FBQ can be run in AUTO mode, or in Single mode. We've also included a Learn mode that generates short audio pulses, raises their gain until feedback occurs, and then locks onto feedback-prone frequencies. For more than 20 years, we have made some of the world's most acclaimed FBQ Feedback Elimination processors. Now you get this revolutionary FBQ Feedback Detection System in every DEQ2496, so your sound system is always completely free from feedback. Utilizing an ultra-fast detection system, this ingenious circuitry helps you recognize and tame feedback frequencies immediately. LEDs on the associated EQ frequency-band fader illuminates, showing you at a glance which fader to lower to overcome the feedback - it doesn't get any easier than this!

Notes: EUROPOWER PMP2000D:
The amazing PMP2000D Powered Mixer packs 2,000 Watts of high-efficiency Class-D output power, while maintaining an incredible power-to-weight ratio. With 14 available input channels, the PMP2000D features 9 of our premium-grade "Invisible" IMP mic preamps with switchable +48 V phantom power, 4 stereo channels, an ultra-high quality KLARK TEKNIK FX processor with 25 presets including studio-class reverbs, delays, pitch shifter and various multi-effects - and dual 9-band stereo graphic EQs. Top it all off with "Wireless-ready" operation, thanks to our high-quality ULM digital wireless microphones (sold separately), and the PMP2000D is the ideal, easy to use, and ready for anything live sound solution!

Class-D - Massive Power, Perfect Sound:
Thanks to our revolutionary Class-D amplifier technology, we are able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. Class-D amplification makes all the difference, offering the ultimate in energy efficiency - and eliminating the need for heavy power supplies and massive heat sinks. This amazing technology makes it possible to design and build extremely-powerful products that are significantly lighter in weight than their traditional counterparts, while using less energy and protecting the environment.

Massive Mono or Stunning Stereo:
The powerful PMP2000D gives you the choice of 2 x 1,000-Watt stereo, 2 x 1,000-Watt dual mono (1 Mains powered output, 1 Monitor powered output), or 2,000-Watt bridged mono modes. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, the PMP2000D can accommodate all of them with ease. This sonic versatility also makes this outstanding powered mixer an excellent choice for churches where vocals and stereo recordings often share face time.

Outstanding "Invisible" Mic Preamps
The EUROPOWER PMP2000D's six mono inputs (plus 3 of the 4 stereo channels) feature our ultra-low noise, high-headroom IMP "Invisible" mic preamps, which have been praised by audio professionals all over the world. These studio-grade mic preamps off er a staggering 130 dB of dynamic range, with a bandwidth that extends from below 10 Hz to over 200 kHz, and are perfectly matched to every conceivable microphone - with up to 60 dB gain and a +48 V phantom power supply. Armed with these superb mic preamps, the PMP2000D provides exceptionally-transparent and crystal-clear sonic performance - making it the ideal choice for both live sound and studio recording applications.

KLARK TEKNIK - The Reverb that Made History:
KLARK TEKNIK is recognized worldwide as one of the most prestigious British audio companies, with a 40-year pedigree and even a TEC Lifetime Achievement Award to back it up. The Company has designed and manufactured products for world-class artists, and their legendary DN780 reverb processor is considered by leading audio engineers around the world as the industry standard. Check out their website to learn more about KLARK TEKNIK's legendary heritage.
BEHRINGER is proud to incorporate custom-engineered KLARK TEKNIK effects into their products. Featuring 25 world-class presets to choose from including reverb, chorus, flange, delay, pitch shift and many other amazing effects, KLARK TEKNIK created the 24-bit, studio-grade effects engine for BEHRINGER - to give your performance that truly professional finishing touch.

Own the Stage with Digital Wireless:
Get wireless-ready with the built-in, dedicated connectivity of our ULTRALINK ULM Series wireless microphone system (to be ordered separately). Wireless gives you maximum freedom and mobility without the need to run cables. The highest-quality sound is provided thanks to the ULM's digital, license-free 2.4 GHz frequency spectrum.
The ULM wireless system combines professional-quality sound with simple setup and an intuitive interface for legendary audio performance right out of the box. Just plug in the ULM receiver "dongle", and instantly you have an exceptional wireless mic system. Freeing you from cables is the simple and easy way to own the stage.

Getting Connected:
Use the 2-Track RCA inputs to feed in external stereo signals; conversely, the 2-Track RCA outputs can be used to send line-level signals from the mixer to a recording device. Powered outputs on the PMP2000D are available in the professional, twist-lock Speakon-compatible variety. In addition you'll find a convenient 1/8" (35 mm) Aux In jack for connecting your smartphone or mp3 device for playing backing tracks, or prerecorded music during your breaks.

Notes: ***B-STOCK: Original box damaged, product is in different packaging but in perfect working order***

The ULTRADRIVE PRO DCX2496 is the answer to making your venue sound like it was tuned by the pros. Over the past years the DCX2496 has become an industry standard and several hundred thousand units have been employed in high-end touring as well as install applications. The DCX2496 is the perfect way to manage a multi-speaker sound system in any sized venue - from cinema to sanctuary to concert hall. Featuring 2 inputs, 6 outputs and 24-bit/96 kHz high-end AD/DA converters, this state-of-the-art processor will take your system to the next level and beyond.

Superb Connectivity and Impeccable Sound Quality:

Start with the DCX2496's analog inputs (one suitable as a digital stereo AES/EBU input) and 6 analog outputs - you get maximum flexibility in just one rack space. Superb high-end Cirrus Logic* 24-bit/96 kHz A/D - D/A converters give you ultimate signal integrity - and an extremely-broad dynamic range of 120 dB!

Huge Processing Power:

Speaker protection and processing are the cornerstones for any speaker management system. The DCX2496 features precise dynamic EQs for level-dependent equalization, plus extremely musical parametric EQs that can be applied to all I/O for high-precision signal sculpting. 6 outputs with individual crossover filters, including your choice of Butterworth, Bessel and Linkwitz-Riley designs, each with selectable roll-off characteristics from 6 to 48 dB/octave - perfect for optimizing any 2, 3, or 4-way system. Finally, our "Zero"-attack limiters provide the ultimate in loudspeaker protection on all output channels.

Limitless Control:

In addition to the plethora of EQ filter and crossover options, the DCX2496 offers adjustable delays for all I/O, allowing you to either manually, or automatically correct for room temperature, phase and arrival time differences in order to perfectly configure your delay-line speakers. A PCMCIA slot is provided for storing up to 60 user-defined presets internally, or optionally via your PC for instant recall when moving between multiple venues. The DCX2496 gives you the rock-solid solution for great sound - show after show!

Incredible Sound and Protection Every Time:

The ULTRADRIVE PRO's sleek design, with its high-power 32-bit Analog Device Sharc DSP, ultra-high resolution AKMr 24-bit/96kHz AD & DA converters and maximum processing power provide outstanding audio performance, helping you get the most out of your sound system - no matter where the gig takes you!