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1982-2010 (10xLP + booklet in slip-case)
Cat: PYLN 100. Rel: 23 Oct 18
Techno
  1. Fitness To Purpose (5:04)
  2. Warsaw Ghetto (3:48)
  3. Violent Playground (3:49)
  4. Murderous (5:44)
  5. Smear Body (5:46)
  6. Join In The Chant (6:06)
  7. Alarm (3:42)
  8. Let Your Body Learn (2:53)
  9. Let Beauty Loose (2:24)
  10. Into The Large Air (4:12)
  11. Murderous (instrumental) (5:04)
  12. Fitness To Purpos (mix Two) (4:56)
  13. Join In The Chant (Burn!) (5:25)
  14. Let Your Body Learn (Twelve Inch mix) (6:29)
  15. Join In The Chant (Metal mix) (5:17)
  16. Hearts & Minds (3:48)
  17. For Fun (3:05)
  18. Control I'm Here (3:53)
  19. Captivate (3:58)
  20. TWA (4:56)
  21. Blood Money (4:31)
  22. Shame (4:01)
  23. Drive (5:05)
  24. Without Belief (4:19)
  25. Control I'm Here (Command Control Confront mix) (6:41)
  26. Shame (mix No 2 William Orbit) (5:55)
  27. KIA (PK mix) (4:37)
  28. Captivate (William Orbit mix) (6:13)
  29. Hearts & Minds (mix Subsonic) (6:14)
  30. Backlash (William Orbit mix) (6:15)
  31. Getting Closer (4:16)
  32. Nobody Knows (4:07)
  33. One Mans Burden (3:50)
  34. All Over (3:34)
  35. My Heart (4:07)
  36. Lightning Man (4:58)
  37. Rope (3:26)
  38. Hold On (3:46)
  39. Fun To Be Had (4:46)
  40. Lightning Man (The Industry vs The Ebb remix) (6:33)
  41. Fun To Be Had (long mix George Clinton) (7:15)
  42. Getting Closer (The Kitchen mix) (5:08)
  43. Fun To Be Had (Dust Brothers Master mix) (5:18)
  44. Lightning Man (RSW mix) (5:06)
  45. Getting Closer (The Trance mix) (7:15)
  46. Reasons (4:18)
  47. Lakeside Drive (3:56)
  48. I Give To You (5:06)
  49. Sugar Sweet (3:18)
  50. DJVD (4:20)
  51. Time (4:58)
  52. Ascend (5:17)
  53. Godhead (4:28)
  54. Trigger Happy (4:23)
  55. Family Man (Jaz Coleman mix) (3:56)
  56. Come Alive (Alan Wilder mix) (6:11)
  57. Lovesick (Flood mix) (4:00)
  58. Higher (Barry Adamson mix) (5:58)
  59. Ascend (Vince Clarke Anonymous mix) (5:01)
  60. I Give To You (Pestilence) (6:12)
  61. Godhead (remix) (4:39)
  62. Cherry Blossom (5:31)
  63. Hear Me Say (4:08)
  64. Kick It (3:38)
  65. I Thought (5:21)
  66. Floodwater (3:35)
  67. Border Talk (3:27)
  68. In Decline (5:36)
  69. Living Out Of A Bag (5:37)
  70. Boy (4:18)
  71. Our Own World (5:36)
  72. Friend (Brittle mix) (4:15)
  73. Beats Me (4:37)
  74. Kick It (Adrian Sherwood - Compulsion edit) (4:52)
  75. Kick It (Popular music mix) (3:55)
  76. I Thought (Final Sin) (8:25)
 in stock $215.27
25 (6xLP box + 10" + 7" + 160p book)
Cat: VISIT 25X.
 
Indie
out of stock $221.75
Cat: 734882 Rel: 18 Jul 19 • View all Synth modules
 
High-quality dual linear VCA with mixing functionalities
Notes: Audiophile Circuits League VC Dual Amp contains two fully discrete voltage controllable amplifiers with linear characteristic. It is based on a new circuit design which delivers unheard clarity of sound. To this day there is no other VCA using this special technique!

The module offers a very low harmonic distortion in the whole linear gain range, no crossover distortion and no overshoots nor ringing. Furthermore, it has a very high dynamic range which provides a lot of headroom. The VCAs will amplify the input signal very accurately and it will sound crystal clear, without any coloration, distortion or bleed. Each channel has a Gain potentiometer for manually setting the VCA's initial gain and a control voltage input which is equipped with an attenuverter for scaling the modulation.

Thanks to normalized signal and CV inputs, both VCAs can be used in conjunction - great for processing stereo material. Furthermore, you can create voltage controlled panning effects and crossfades in next to no time. Beside the two individual audio outputs from each VCA, there is a Sum-output which provides the mix of the output of both VCAs and of the signal coming from the Aux-input. This additional input has no level control and is mixed at unity gain. Thus three different signals can be mixed together.

The amplifiers are also suitable for processing control voltages thanks to a completely DC-coupled signal path. Behind its simple appearance, this module shines with its functionality and sound quality!
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 1 in stock $293.14
Cat: 708087 Rel: 23 Jan 19 • View all Synth modules
 
Sample & Hold, Track & Hold, Gated Slew, Clock & Noise generator - black, 12HP
Notes: A real powerhouse module that takes up only 12 HP of rack space. It can generate random and pseudo random control voltages, staircase waveforms, deliberate aliasing of audio signals, portamento type effects, adjustable audio range noise and has many other uses too.

It can be switched between Sample & Hold or Track & Hold modes, and the unique "Restrict" control affects the way the hold output changes with respect to the current input level and previously held output level. With the control fully off the unit behaves just like any other S/H, but at fully clockwise the output is restricted to move by only a small amount after each new sample. The output will still have the same range as the input, but will need more hold commands to get there. This versatile Sample and Hold circuit was designed by Tony Allgood, and is built under licence from Oakley Sound.

The Sample Hold & Slew module also includes a very well featured Slew generator, which includes a Gated Slew function. It can be used independently or chained with the S&H module. Slew mode can be switched between Linear or Exponential Slew types. There is a Gate input, so that the Slew on/off can be switched using an External CV (Gated Slew), and also the Slew control logic can be reversed by a toggle switch that doubles as a manual Slew on/off switch. In addition, it has slew up only, slew down only or slew up and down modes, which are selected with a three-way toggle switch. An indicator LED lights when Slew is active

There is also an inbuilt analogue Noise generator, which is normalised to the input of the Sample and Hold section, and there are both regular and clipped Noise outputs - the Clipped Noise is particularly useful with the sample and hold section, as it is weighted to produce higher random voltages. Both Noise outputs are fed through an internal "Noise Colour" control - at centre position it allows the noise through unfiltered, turning the control anti-clockwise introduces low pass filtering of the Noise, and rotating it clockwise introduces high pass filtering. The Noise source itself is based on an analogue band gap shunt regulator configured in avalanche mode, and it generates white noise with a gradual roll off above 8kHz. It is a little "grainier" in character than the noise from our MiniMod Glide & Noise module (which uses a reverse biased transistor as a noise source), so is a useful compliment to this module as it does not generate exactly the same sounding Noise

Lastly, it includes a wide range clock generator with a rate LED. The range is from one cycle every thirty seconds to around 2 kHz and the clock output is normalised to the Clock Input of the S&H section. It also has a Clock Out jack so that it can be externally patched to other Eurorack modules.
Dimensions: 12HP wide, 26mm Deep
Current draw: 55mA Positive, 40mA Negative
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 1 in stock $223.92
Cat: 708090 Rel: 18 Apr 19 • View all Synth modules
 
Sample & Hold, Track & Hold, Gated Slew, Clock & Noise generator - silver, 12HP
Notes: A real powerhouse module that takes up only 12 HP of rack space. It can generate random and pseudo random control voltages, staircase waveforms, deliberate aliasing of audio signals, portamento type effects, adjustable audio range noise and has many other uses too.

It can be switched between Sample & Hold or Track & Hold modes, and the unique "Restrict" control affects the way the hold output changes with respect to the current input level and previously held output level. With the control fully off the unit behaves just like any other S/H, but at fully clockwise the output is restricted to move by only a small amount after each new sample. The output will still have the same range as the input, but will need more hold commands to get there. This versatile Sample and Hold circuit was designed by Tony Allgood, and is built under licence from Oakley Sound.

The Sample Hold & Slew module also includes a very well featured Slew generator, which includes a Gated Slew function. It can be used independently or chained with the S&H module. Slew mode can be switched between Linear or Exponential Slew types. There is a Gate input, so that the Slew on/off can be switched using an External CV (Gated Slew), and also the Slew control logic can be reversed by a toggle switch that doubles as a manual Slew on/off switch. In addition, it has slew up only, slew down only or slew up and down modes, which are selected with a three-way toggle switch. An indicator LED lights when Slew is active

There is also an inbuilt analogue Noise generator, which is normalised to the input of the Sample and Hold section, and there are both regular and clipped Noise outputs - the Clipped Noise is particularly useful with the sample and hold section, as it is weighted to produce higher random voltages. Both Noise outputs are fed through an internal "Noise Colour" control - at centre position it allows the noise through unfiltered, turning the control anti-clockwise introduces low pass filtering of the Noise, and rotating it clockwise introduces high pass filtering. The Noise source itself is based on an analogue band gap shunt regulator configured in avalanche mode, and it generates white noise with a gradual roll off above 8kHz. It is a little "grainier" in character than the noise from our MiniMod Glide & Noise module (which uses a reverse biased transistor as a noise source), so is a useful compliment to this module as it does not generate exactly the same sounding Noise

Lastly, it includes a wide range clock generator with a rate LED. The range is from one cycle every thirty seconds to around 2 kHz and the clock output is normalised to the Clock Input of the S&H section. It also has a Clock Out jack so that it can be externally patched to other Eurorack modules.
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 1 in stock $210.93
Cat: 698447 Rel: 25 Oct 18 • View all Synth modules
 
Analogue waveform animator & dual channel device - silver, 14HP
Notes: The WaveSwarm is a waveform animator and all analogue dual channel device.

Each channel simulates up to six VCO's beating in unison with a different beat frequency between each animation. The fixed beat frequencies are generated by twelve onboard LFO's, and the front panel pots control the level of each of the six animators, along with the level of the dry signal to the final mix. In addition to independent channel inputs and outputs it also has an A+B output, which sums the outputs of the two channels, creating an effect similar to twelve VCO's in unison! This is possible because channel B uses slightly different beat frequencies to channel A, they are not identical.

The input waveform can be saw, triangle, sine or wavetable/complex waveforms, in fact most waveforms with the exception of square or PWM waves will give some form of animation.

A soft clip circuit is built in so that at higher signal levels the signal magnitude is limited by rounding the top and bottom of the waveforms, thus slightly softening the sound. There are soft clip LED indicators for both channels.

It can produce huge, fat drones or supersaw type waveforms from a single sawtooth or triangle wave input.
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out of stock $226.09
Cat: 688775 Rel: 31 Jan 19 • View all Synth modules
 
Flexible five stage function generator - 19HP
Notes: The 'Quaid Megaslope' is a five stage function generator or modulator which operates in one of 3 modes; a multistage 'CZ' or 'Juno' style complex envelope, a super flexible LFO and a step sequencer with per step programmable slew or slides.

Each mode produces a varying output voltage moving from point to point across a set number of chained together stages. Each stage features a destination level, an overall rate or time to reach its destination level and a variable slope for the output path to take. As well as direct control, every stage feature voltage control of both level and rate. There are both unipolar and bipolar voltage outputs together with triggers emitted for the end of each stage and the end of a full cycle.

The Quaid Megaslope is designed to be fun, flexible and intuitive to use.
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 2 in stock $231.48
Cat: 732982 Rel: 02 Jun 19 • View all Bass amplifiers
 
Bass combo amplifier - ideal for home use and live performances
Notes: Ampeg's BA-112 V2 Bass Combo delivers classic Ampeg tone and performance driven features at volume levels ideal for practice, rehearsal or small stages. With Ampeg's all-new grinding Bass Scrambler overdrive and true 60-degree sound reinforcement monitoring angle for added clarity, the BA-112 is perfect for applications that demand great tone at manageable volume levels.
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out of stock $215.27
Cat: 718636 Rel: 01 May 19 • View all Synthesisers
 
Experimental 25-key paraphonic analogue/digital hybrid synth
Notes: A synthesizer like no other, MicroFreak is a peculiar, exceptional instrument that rewards the curious musician. It blends wavetable and digital oscillators with analogue filters. It features a unique poly-aftertouch flat keyboard. It adds controlled randomness to sequences. This isn't a revolution, it's a mutiny.

This out-there little music machine features a versatile digital oscillator so you can create rare and interesting sounds with ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave give adventurous musicians the chance to explore totally new, unheard possibilities. Like having dozens of synths in just one instrument, both wild-eyed newcomers and seasoned professionals will fall in love with MicroFreak's flexible, powerful synth engine.

Physical modelling, wavetable synthesis, virtual analogue, there is nothing as complete and exciting as the MicroFreak oscillator on the market. It's hard to believe from such a small synth, but here it is, ready for you to explore. Excite your creativity and reward your curiosity with a large, diverse sound palette. MicroFreak features 11 awesome oscillators, 4 bespoke Arturia engines, and 7 modes from our friends at Mutable Instruments.

Inspired by the trailblazing 12-dB Oberheim SEM filter, you can make MicroFreak's filter scream or whisper to taste. The filter is state-variable, and can even auto-oscillate! You can use this is any way you like, from taking the edge of the razor-sharp wavetable sounds, or automating the cut-off by modulating it with keyboard pressure or the in-built sequencer.

Record up to four automations, edit notes per step or use the innovative Spice and Dice sequencer functions to find happy accidents. Add randomization to create evolving, original patterns, and virtually rewire and reconfigure its signal chain and controls with the 5x7 modulation matrix.
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 More than 10 in stock $252.90
Cat: 747871 Rel: 01 May 19 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


A synthesizer like no other, MicroFreak is a peculiar, exceptional instrument that rewards the curious musician. It blends wavetable and digital oscillators with analogue filters. It features a unique poly-aftertouch flat keyboard. It adds controlled randomness to sequences. This isn't a revolution, it's a mutiny.

This out-there little music machine features a versatile digital oscillator so you can create rare and interesting sounds with ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave give adventurous musicians the chance to explore totally new, unheard possibilities. Like having dozens of synths in just one instrument, both wild-eyed newcomers and seasoned professionals will fall in love with MicroFreak's flexible, powerful synth engine.

Physical modelling, wavetable synthesis, virtual analogue, there is nothing as complete and exciting as the MicroFreak oscillator on the market. It's hard to believe from such a small synth, but here it is, ready for you to explore. Excite your creativity and reward your curiosity with a large, diverse sound palette. MicroFreak features 11 awesome oscillators, 4 bespoke Arturia engines, and 7 modes from our friends at Mutable Instruments.

Inspired by the trailblazing 12-dB Oberheim SEM filter, you can make MicroFreak's filter scream or whisper to taste. The filter is state-variable, and can even auto-oscillate! You can use this is any way you like, from taking the edge of the razor-sharp wavetable sounds, or automating the cut-off by modulating it with keyboard pressure or the in-built sequencer.

Record up to four automations, edit notes per step or use the innovative Spice and Dice sequencer functions to find happy accidents. Add randomization to create evolving, original patterns, and virtually rewire and reconfigure its signal chain and controls with the 5x7 modulation matrix.
Read more
out of stock $267.03
Cat: 689669 Rel: 14 Feb 19 • View all Synth modules
 
Punchy kick drum module - 6HP
Notes: Kickall is a 6HP compact synth voice that features everything needed to make a big fat Kick sound: A stable VCO that tracks V/oct, a couple of VCAs, envelopes for volume and pitch and an aggressive wave shaper.

The module has been designed with a kick synthesis patch in mind: VCO to VCA with an envelope to open the VCA and another one to change VCO pitch. As addition a CV controlled waveshapper has been added to the VCO and an extra VCA at the end of the signal path to control the volume of the sound to act as kind of an accent.
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MRP:$279.09 SAVE 18%
 3 in stock $228.25
Cat: 699341 Rel: 15 Jan 19 • View all PA amplifiers
 
Class-D amplifier with 1000 watts output & DSP control
Notes: The NX range of power amplifiers pack large Wattages into exceptionally lightweight and rack-mountable packages. And because the NX range is so much more efficient than conventional designs, they run cooler and don't require the massive heat sinks and heavy toroid transformers typically associated with their conventional counterparts. Thanks to our 'Zero-Attack' limiters that offer maximum output level with exceptionally-reliable overload protection and SmartSense Loudspeaker impedance compensation, which provides fully linear frequency response at any speaker load impedance, you can run the NX range full-out for hours on-end. Our revolutionary high-density Class-D technology, combined with an ultra-efficient, switch-mode power supply ensure these feather-light powerhouses will drive your rig effortlessly for many years to come.

Thanks to our High-Density Class-D amplifier Technology, we are able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. Class-D amplification makes all the difference, offering the ultimate in energy efficiency and eliminating the need for heavy power supplies and massive heat sinks. This amazing technology makes it possible to design and build extremely powerful products that are significantly lighter in weight than their traditional counterparts, while using less energy and protecting the environment.

The front panel controls and indicators provide your systems vital signs at a glance. After pressing the Power button, the Power LED lights to show the amp is ready for action. All channels feature positive-detent Gain controls with Signal LEDs that light when a signal is present, as well as Limit LEDs to indicate when the amplifier is running at full capacity. Just as elegant as the front, the rear panel is home to the combo XLR and 1/4" TRS Input connectors, making the NX range compatible with virtually any source, balanced or unbalanced. Professional twist-lock speaker sockets are provided to ensure every drop of output power gets to your loudspeakers.

The rear panel is also where you'll find the switches that enable the NX amp range to run in your choice of dual mono, stereo or mono bridge modes. The ranges built-in Crossover switch sets the amp to Full-Range mode, where the output is sent unfiltered to your loudspeakers, or Bi-amp mode, which sends only the low-frequency content (<100 Hz) to passive subwoofers, while the high-frequency content (>100 Hz) is channelled to your full-range loudspeakers.

Our new SmartSense Technology puts the punch back into Class-D amplification, providing vastly improved full-range frequency response with more powerfully-dynamic bass, and smoother high-frequency reproduction. The resulting output is no longer dependent on the actual load, but is rendered perfectly ruler flat via impedance compensation. NX's design also incorporates a significantly-higher damping factor that yields better amplifier control over the loudspeaker for stronger audio reproduction especially in the LF area.

Sporting massive output ratings, lightweight Class-D technology and an equally lightweight price tag plus all the amenities a professional audio engineer could ask for the BEHRINGER NX range of power amplifiers are serious amps for your most demanding applications.
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out of stock $201.21
Cat: 699338 Rel: 25 Oct 18 • View all PA amplifiers
 
Class-D amplifier with 1000 watts output
Notes: The NX range of power amplifiers pack large Wattages into exceptionally lightweight and rack-mountable packages. And because the NX range is so much more efficient than conventional designs, they run cooler and don't require the massive heat sinks and heavy toroid transformers typically associated with their conventional counterparts. Thanks to our 'Zero-Attack' limiters that offer maximum output level with exceptionally-reliable overload protection and SmartSense Loudspeaker impedance compensation, which provides fully linear frequency response at any speaker load impedance, you can run the NX range full-out for hours on-end. Our revolutionary high-density Class-D technology, combined with an ultra-efficient, switch-mode power supply ensure these feather-light powerhouses will drive your rig effortlessly for many years to come.

Thanks to our High-Density Class-D amplifier Technology, we are able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. Class-D amplification makes all the difference, offering the ultimate in energy efficiency and eliminating the need for heavy power supplies and massive heat sinks. This amazing technology makes it possible to design and build extremely powerful products that are significantly lighter in weight than their traditional counterparts, while using less energy and protecting the environment.

The front panel controls and indicators provide your systems vital signs at a glance. After pressing the Power button, the Power LED lights to show the amp is ready for action. All channels feature positive-detent Gain controls with Signal LEDs that light when a signal is present, as well as Limit LEDs to indicate when the amplifier is running at full capacity. Just as elegant as the front, the rear panel is home to the combo XLR and 1/4" TRS Input connectors, making the NX range compatible with virtually any source, balanced or unbalanced. Professional twist-lock speaker sockets are provided to ensure every drop of output power gets to your loudspeakers.

The rear panel is also where you'll find the switches that enable the NX amp range to run in your choice of dual mono, stereo or mono bridge modes. The ranges built-in Crossover switch sets the amp to Full-Range mode, where the output is sent unfiltered to your loudspeakers, or Bi-amp mode, which sends only the low-frequency content (<100 Hz) to passive subwoofers, while the high-frequency content (>100 Hz) is channelled to your full-range loudspeakers.

Our new SmartSense Technology puts the punch back into Class-D amplification, providing vastly improved full-range frequency response with more powerfully-dynamic bass, and smoother high-frequency reproduction. The resulting output is no longer dependent on the actual load, but is rendered perfectly ruler flat via impedance compensation. NX's design also incorporates a significantly-higher damping factor that yields better amplifier control over the loudspeaker for stronger audio reproduction especially in the LF area.

Sporting massive output ratings, lightweight Class-D technology and an equally lightweight price tag plus all the amenities a professional audio engineer could ask for the BEHRINGER NX range of power amplifiers are serious amps for your most demanding applications.
Read more
out of stock $201.21
Cat: 699342 Rel: 25 Oct 18 • View all PA amplifiers
 
Class-D amplifier with 3000 watts output & DSP control
Notes: The NX amplifier range with DSP packs large wattages into exceptionally lightweight and rack-mountable packages. Plus, the built-in DSP and 24-bit/96 kHz converters ensure the ultimate signal integrity with an extremely broad dynamic range. And because the NX range is so much more efficient than conventional designs, it runs cooler and doesn't require the massive heat sinks and heavy toroid transformers typically associated with its conventional counterparts. Thanks to our 'Zero-Attack' limiters that offer maximum output level with exceptionally-reliable overload protection and SmartSense Loudspeaker impedance compensation, which provides fully linear frequency response at any speaker load impedance, you can run the NX range full-out for hours on-end. Our revolutionary high-density Class-D technology, combined with an ultra-efficient, switch-mode power supply ensure this feather-light powerhouse will drive your rig effortlessly for many years to come.

Thanks to our High-Density Class-D amplifier Technology, we are able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. Class-D amplification makes all the difference, offering the ultimate in energy efficiency and eliminating the need for heavy power supplies and massive heat sinks. This amazing technology makes it possible to design and build extremely powerful products that are significantly lighter in weight than their traditional counterparts, while using less energy and protecting the environment.

The front panel controls and indicators provide your systems vital signs at a glance. After pressing the Power button, the Power LED lights to show the amp is ready for action. All channels feature positive-detent Gain controls with Signal LEDs that light when a signal is present, as well as Limit LEDs to indicate when the amplifier is running at full capacity. Just as elegant as the front, the rear panel is home to the combo XLR and 1/4" TRS Input connectors, making the NX range with DSP compatible with virtually any source, balanced or unbalanced. Professional twist-lock speaker sockets are provided to ensure every drop of output power gets to your loudspeakers.

For sound engineers requiring high-level control capability, the NX range amplifier comes ready for action right out-of-the-box. The built-in DSP and 24-bit/96 kHz converters ensure the ultimate signal integrity with an extremely broad dynamic range. DSP section features sophisticated delay, crossover (3 filter types, up to 48 dB/octave), EQ (8 parametric, 2 dynamic), dynamics processing and lockable security settings. A convenient front panel LCD display allows you to setup and make adjustments directly at the amplifier, without the need for a PC.

Our new SmartSense Technology puts the punch back into Class-D amplification, providing vastly improved full-range frequency response with more powerfully-dynamic bass, and smoother high-frequency reproduction. The resulting output is no longer dependent on the actual load, but is rendered perfectly ruler flat via impedance compensation. The NX ranges design also incorporates a significantly-higher damping factor that yields better amplifier control over the loudspeaker for stronger audio reproduction especially in the LF area.

You can also set up, control and monitor your amplifier using your computer via USB and immediately gain access to a whole new level of amplifier control. NX EDIT is the ideal way to manage installed systems, and to create custom presets for live sound and production environments.
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out of stock $227.57
Cat: 736449 Rel: 15 Jul 19 • View all Synth modules
 
Facilitates effects processing between eurorack, guitar pedals & electronic instruments
Notes: Want to connect outboard gear to your eurorack synthesizer without taking up valuable HP in your case? The INTRFX allows eurorack-level signals to be processed with pedals and/or outboard effects, and also allows line-level instruments to be processed with eurorack modules. Each of its three channels has an Interchange Switch to swap this mode, as well as an FX Blend parameter which can be controlled via CV. Because of its compact physical design, the INTRFX can be placed almost anywhere and connected to eurorack systems with 3.5mm patch cables rather than bulkier 1/4-in cables.

Feedback effects can be achieved by switching into the "wrong" mode, sending the FX return back into the FX send, while still allowing for dry signal blend and modulation. Channels can also be patched into one another and toggled between modes for experimental routing. Conveniently, each channel can operate as a reversed linear VCA for both audio and DC signals if no effects are used.

Whether you'd like to patch eurorack through some classic pedals or run a drum machine through your gnarliest modules, INTRFX makes these connections easy and flexible.
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 7 in stock $204.45
out of stock $234.73
Cat: 721508 Rel: 01 Jan 90 • View all PA speakers
 
CD Series active PA cabinet
Notes: 2-way active PA speakers in high impact moulded enclosures with built-in high power class-D amplifiers. Each cabinet is fitted with side and top carrying handles and can be mounted via a 35mm pole mount or angled as a wedge monitor. Inputs for mic and line level signals are provided on XLR or 6.3mm jack with a line output on XLR. Punchy and powerful cabinets for compact and efficient sound reinforcement.
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out of stock $215.27
Coltrane '58: The Prestige Recordings (60th Anniversary Edition) (remastered) (180 gram vinyl 8xLP box set in hardback book sleeve)
Cat: 720536 5. Rel: 10 May 19
Jazz
  1. Lush Life (13:55)
  2. Come Rain Or Come Shine (8:47)
  3. The Believer (13:47)
  4. Nakatini Serenade (11:04)
  5. Lover (7:58)
  6. Russian Lullaby (5:35)
  7. Theme For Ernie (4:57)
  8. You Say You Care (6:18)
  9. Good Bait (12:09)
  10. I Want To Talk About You (10:58)
  11. Lyresto (5:44)
  12. Why Was I Born (3:13)
  13. Freight Trane (7:21)
  14. I Never Knew (7:06)
  15. Big Paul (14:06)
  16. I See Your Face Before Me (9:58)
  17. Rise & Shine (6:57)
  18. Little Melonae (14:06)
  19. If There Is Someone Lovelier Than You (9:21)
  20. By The Numbers (12:05)
  21. Black Pearls (13:11)
  22. Lover Come Back To Me (7:28)
  23. Sweet Sapphire Blues (18:15)
  24. Spring Is Here (6:54)
  25. Invitation (10:21)
  26. I'm A Dreamer (Aren't We All) (7:03)
  27. Love Thy Neighbor (9:24)
  28. Don't Take Your Love From Me (9:15)
  29. Stardust (10:43)
  30. My Ideal (7:36)
  31. I'll Get By (As Long As I Have You) (8:10)
  32. Do I Love You Because You Are Beautiful (5:14)
  33. Then I'll Be Tired Of You (9:30)
  34. Something I Dreamed Last Night (10:51)
  35. Bahia (6:14)
  36. Goldsboro Express (4:46)
  37. Time After Time (7:45)
 in stock $232.57
Dimensions (limited white vinyl 7xLP box + 20 page booklet)
Cat: TBC.
 
Techno
  1. A New Day
  2. Downbeat
  3. Slac
  4. F.U
  5. Dimension Intrusion
  6. Substance Abuse
  7. Another Time (Revisited)
  8. Theychx
  9. UVA
  10. Into The Space
  11. Mantrax
  12. Nitedrive
  13. Logikal Nonsense
  14. Train Trac 1
  15. Train Trac 2
  16. Last Tram
  17. The Day After (Mv's mix)
  18. Train Abuse
  19. Kaboose
  20. Computer Space
  21. Runner
  22. Santctuary
  23. Last Day
out of stock $270.43
Cat: 738639 Rel: 09 Jul 19 • View all Synth modules
 
Four voltage controlled LFO's/ VCO's with triangle & rectangle outputs in one single module - 22HP
Notes: Module A-143-4 is a fourfold voltage controlled low frequency oscillator (LFO). As the frequency range includes moderate audio frequencies it can be used as a four-fold VCO too.

- Four independent VCLFOs/VCOs with triangle core
- Frequency range switches: low (bottom position) = LFO mode, high (top position) = VCO mode
- Two frequency control CV inputs for each unit
- CV1 without attenuator (~ 1V/oct)
- CV2 with attenuator
- Manual frequency control
- Internal jumpers for the frequency range of the manual frequency controls:
- Jumper not installed: ~ +/- 1 octave range (mainly for VCO applications)
- Jumper installed: ~ +/- 5 octaves range (mainly for VCLFO applications)
- Sync inputs: Combined Reset/Direction inputs for unit #1 - #3 / Separate Reset and Direction inputs for unit #4 (normalled sockets, i.e. Reset is connected to Direction if the Direction socket is unused) / Up/both/down direction switch for unit #4, for technical details concerning the Reset and Direction function please refer to the sketch below
- Triangle and rectangle outputs for each unit
- Typ. output voltage range -5V ... +5V for both outputs (i.e. about 10 Vpp, symmetrical with reference to 0 V)
- Red/yellow LED displays for the triangle outputs (red = negative output voltage, yellow = positive output voltage)
- Common control section with two CV inputs and manual control (these inputs and controls affect the frequency of all four units)
- Sum outputs for triangle and rectangle with red/yellow LED displays
- Optional ultra-low frequency mode: for this a negative voltage can be applied via a jumper internally to the CV2 input of each unit and the common section (i.e. a negative voltage is normalled to the socket CV2 in question). Then the CV2 - - Attenuator control works as a negative frequency control (i.e. turning up this control lowers the frequency). Herewith LFO periods up to about one hour (or even more) are possible.
- Optional CV bus access via jumper (i.e. the module can pick up the CV from the A-100 bus, e.g. generated by a Midi/CV or USB/CV interface A-190-x or a bus access module A-185-1/2), if the jumper is installed the bus CV affects all four units as the bus CV is added to the CV generated by the common control section
- Typ. frequency range: < 0.001 Hz (~ one hour, LFO mode with ultra-low option) ... 15 kHz (VCO mode with installed frequency range jumpers for the manual frequency controls)
- Heat-up time: ~ 15 minutes (required to heat-up the main circuit by the affixed oven)

The module was planned mainly as a quad VCLFO. But we added a range switch (nothing but a switch for two different capacitors) so that even audio frequencies are possible and the module can be used as VCO with some restrictions too. Because of the closeness of the main circuitry (i.e. four VCO cores within less ~ 1 square millimetre) the oscillators may lock if the frequencies are very close to each other and the VCO frequencies interact marginally. If a high quality quad VCO is required the A-111-4 is recommended as this module has four separate VCO circuits available.

The reset circuitry is optimized for the LFO mode. As it takes some time to discharge the oscillator capacitor the discharge time had to be chosen so that the capacitor is fully discharged in LFO mode. In the high range (where a much smaller capacitor is used) this will cause a zero state duration in the 0.3 ms range if the oscillator is synced (during this time the capacitor is shortened for discharge).
The control scale of the inputs "CV1" is about 1V/octave. To improve the behaviour in the VCO mode a tempco circuit is used to keep the temperature of the exponential converter at a fixed temperature (similar to the tempco option of the DIY SYNTH). That way the frequency of the VCOs (and even the VCLFOs) is nearly independent from the environment temperature. But the accuracy (1V/octave scale and temperature compensation) is not as precise as for the dedicated VCOs A-110 and A-111-1.
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 1 in stock $209.85
Cat: 676695 Rel: 20 Dec 18 • View all Synth modules
 
Four-channel MIDI-CV interface for playing polyphonic patches - 16HP
Notes: Module A-190-5 is a four voice Midi/USB to CV/Gate interface. For each voice a pitch control voltage (CV1, 1V/octave standard to control VCOs), a gate output (to control envelope generators) and two additional control voltages (CV2, CV3) are available. The two additional CV outputs can be controlled by Midi velocity, volume, modulation, pitch bend, after touch or free assignable Midi controllers.

- Four voice monophonic (i.e. to control four monophonic voices by four succeeding Midi channels)
- Four voice polyphonic (i.e. to control four monophonic voices by one Midi channel) with several sub-modes (e.g. rotating/non-rotating)
- Two voice polyphonic (i.e. to control two monophonic voices by one Midi channel)
- Unisono

The basic mode is selected by means of a momentary switch (probably Mode or Algor.) and is shown in the LC display. Certain parameters of each mode can be edited (e.g. the midi channel(s), the midi reference note for 0V CV, assigned controllers for CV2 and CV3). For this the momentary switch Edit/Play is used. The parameter values (e.g. midi channels) are shown in the display and can be modified by means of the momentary switches 1...4. In Play mode the LEDs of these four switches display the gate states.
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 1 in stock $274.75
Eagles Legacy (180 gram vinyl 15xLP box set in slip-case + 52 page booklet + photos + memorabilia)
Cat: 008122 7932459. Rel: 02 Nov 18
 
Rock
  1. Eagles
  2. Desperasdo
  3. On The Border
  4. One Of These Nights
  5. Hotel California
  6. The Long Run
  7. Long Road Out Of Eden
  8. Long Road Out Of Eden
  9. Eagles Live
  10. Eagles Live
  11. Hell Freezes Over
  12. Hell Freezes Over
  13. The Millennium Concert
  14. The Millennium Concert
  15. Singles & B-Sides
out of stock $234.93
EBS
Cat: 718776 Rel: 24 Jun 19 • View all Effects pedals
 
Flexible overdrive/compression pedal designed in collaboration with Billy Sheehan
Notes: When Billy Sheehan first turned to EBS to create his signature pedal, he needed to capture the essence of his sound in a pedal to serve him when he could not bring his entire rig. It turned out so great it has been a significant part of his main setup ever since and served thousands of other bass players as well. Now it's time for the ultimate version!

"This pedal is a distillate of several important principles in the signal chain for bass. Compression, distortion, tone-shaping and blending all together", Billy said when EBS released his first signature pedal in 2013. The original concept is still the same, but with more features added along the way.

Since the pedal splits the signal into two parallel paths - one clean and one with distortion - it becomes as if running the sound through two different bass rigs at the same time. The two Clean and Drive Level controls decides how you set the mix and melt the paths together. For a tighter, more defined sound you can engage the built-in compressor. Threshold settings for the compressor can be adjusted inside.

A Phase Inverter switch brings back more low-end to the drive channel at times. The Boost footswitch kicks up the drive gain a notch when needed.

The new and major feature of the Ultimate version is the Hi or Lo Frequency Filter. This switch moves the whole frequency spectrum of the Tone filter up or down, to extend the capabilities of the pedal.

The Hi setting adds a whole new palette of distortion sounds that was not possible to create with previous versions of the pedal.

The individual Effect Loops for each channel can be used to colour the channels individually with external effects. The Clean Loop jack can also be used as a clean input if you have a bass that features dual outputs. It sounds great if you run the lows through the Clean Loop jack while the mids/highs go through the main input, which leaves the lows untouched and only the higher frequencies treated by the drive.

This version has inherited all the features from the Deluxe version (including the possibility to swap the drive chip without the need of soldering). But the palette of sounds you can create is expanded by the new Hi or Lo frequency filter to make it complete.
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 2 in stock $201.88
VARIOUS
Electric Eclectics (20x12" + 1-sided 7" in silk-screened luminescent sleeves + t-shirt (large) in flat packed wooden box limited to 247 copies)
Cat: FREE 001 L. Rel: 07 Feb 19
 
Electro
  1. Carl Finlow - "The Lure Of Perfection"
  2. Carl Finlow - "FMeral"
  3. Carl Finlow - "Fundamental Force"
  4. Carl Finlow - "Subaqua"
  5. Microlith - "Untitled 81 4"
  6. Microlith - "Untitled 97 4"
  7. Microlith - "Untitled 103 6"
  8. Microlith - "Untitled 105 2"
  9. Cignol - "Blanket Data"
  10. Cignol - "Sys Reboot"
  11. Cignol - "Acid Tears"
  12. Cignol - "Number"
  13. MetaComplex - "Simulation Model"
  14. MetaComplex - "Digital Reflection"
  15. MetaComplex - "Cellular Warfare"
  16. MetaComplex - "DataCortex"
  17. MetaComplex - "Hadron Escape"
  18. MetaComplex - "Cognitive Map"
  19. Nullptr - "Many Worlds"
  20. Nullptr - "Amsler Grid"
  21. Nullptr - "Zonules"
  22. Nullptr - "Vitreous"
  23. Nullptr - "Sclera"
  24. Nullptr - "2nd Build"
  25. Nullptr - "Heterophoria"
  26. Scape One - "Chaotic Solitude"
  27. Scape One - "Fissle"
  28. Scape One - "Gneiss"
  29. Scape One - "Quartz"
  30. Nebenprodukt - "Biomimicry"
  31. Nebenprodukt - "Greenwashing Companies"
  32. Nebenprodukt - "Zero Liquid Discharge"
  33. Nebenprodukt - "Marine Calamities"
  34. Nebenprodukt - "Electrochemical Oxidation"
  35. Nebenprodukt - "Fluid Dynamics"
  36. Nebenprodukt - "Blue Dyed Organism"
  37. Franck Kartell - "Halo"
  38. Franck Kartell - "Lueurs"
  39. Franck Kartell - "Phosphorescence"
  40. Franck Kartell - "Electroluminsecence"
  41. Franck Kartell - "Flash"
  42. Franck Kartell - "Retour A L'Obscurite"
  43. KAN3DA - "Island Sky"
  44. KAN3DA - "Leda & The Swan" (Full version)
  45. KAN3DA - "Choirpeggio"
  46. KAN3DA - "Kohonen Network"
  47. KAN3DA - "Complex Jam"
  48. Das Muster - "Veranderungen"
  49. Das Muster - "Die Verlorenen"
  50. Das Muster - "Bedurfnisse Erwecken"
  51. Das Muster - "Die Ankunft Des Meisters"
  52. Das Muster - "Optionen"
  53. Das Muster - "Unbekannte Krafte"
  54. Das Muster - "Horizontale Drehung"
  55. Das Muster - "Zeittunnel"
  56. Das Muster - "Optionen" (The Lover At Galibier Alek Stark remix)
  57. Johan Inkinen - "Freakzone"
  58. Johan Inkinen - "The Blue Nights"
  59. Johan Inkinen - "My RRE Material"
  60. Johan Inkinen - "Alley Cruise"
  61. Johan Inkinen - "Rottweiler GBG"
  62. Johan Inkinen - "The Silent Callback"
  63. Luxus Varta - "Liquid Days"
  64. Luxus Varta - "Varta"
  65. Luxus Varta - "Lumeria"
  66. Luxus Varta - "Sonic Dream"
  67. Luxus Varta - "Werner"
  68. Luxus Varta - "1991"
  69. Obergman - "Coherence"
  70. Obergman - "Dual Manifolds"
  71. Obergman - "Helicoverpa"
  72. Obergman - "Interlaced"
  73. Obergman - "Hidden Variable"
  74. Obergman - "Continuum Slice"
  75. Foreign Sequence - "Stellar Parrot Funk"
  76. Foreign Sequence - "Greasy Strangler"
  77. Foreign Sequence - "Space Out"
  78. Foreign Sequence - "The Dancer"
  79. Foreign Sequence - "Dunal Symbiosis"
  80. Mesak - "Cry For Oldschool"
  81. Mesak - "A Plus B"
  82. Mesak - "(I Want) Blood!"
  83. Mesak - "Zuleima"
  84. Mental Note - "The Balloon Women Of Helium 8008"
  85. Mental Note - "Krankenhaus"
  86. Mental Note - "Stink Valve (Pungent Funk Expunger)"
  87. Mental Note - "Hydrogenated Triangles"
  88. Mental Note - "Sick Willian"
  89. Cygnus - "El Gato"
  90. Cygnus - "El Cocodrila"
  91. Cygnus - "Cycario"
  92. Cygnus - "You Like Danger"
  93. Noise&Noise - "Sociology Of The Universe"
  94. Noise&Noise - "God & Man Die Together"
  95. Noise&Noise - "Cybernetics"
  96. Noise&Noise - "The Clash Of Civilizations"
  97. Noise&Noise - "Ephemeral Human"
  98. Noise&Noise - "Humans Are The Sex Organs Of Technology"
  99. Noise&Noise - "Respect For The Deep Sea"
  100. Noise&Noise - "Abstract Materialism"
  101. Hieroglyphica - "Reaction RMX"
  102. Heimelektronik - "808tec"
  103. Darren J Horgan - "Analog Frequency"
  104. Acidulant - "Metronix"
  105. Jensen Interceptor - "Unknown Future"
  106. Luke Eargoggle - "Twilight Zone"
  107. Automatic Tasty - "Fuck Sake, My Heart Has Unwravelled (& Now The Threads Keep Catching On Everything)"
  108. Mutex - "Binary Perceptions"
  109. Aquagonia - "Contro Tempo"
  110. Noamm - "Empty Love"
  111. Binary Digit - "Full Bucket Experiment"
  112. Martin Matiske - "Loving Me"
  113. Arpanet - "Einstein Ring"
 in stock $290.98
VARIOUS
Electric Eclectics (20x12" + 1-sided 7" in silk-screened luminescent sleeves + t-shirt (extra large) in flat packed wooden box limited to 247 copies)
Cat: FREE 001 XL. Rel: 23 Apr 19
 
Electro
  1. Carl Finlow - "The Lure Of Perfection"
  2. Carl Finlow - "FMeral"
  3. Carl Finlow - "Fundamental Force"
  4. Carl Finlow - "Subaqua"
  5. Microlith - "Untitled 81 4"
  6. Microlith - "Untitled 97 4"
  7. Microlith - "Untitled 103 6"
  8. Microlith - "Untitled 105 2"
  9. Cignol - "Blanket Data"
  10. Cignol - "Sys Reboot"
  11. Cignol - "Acid Tears"
  12. Cignol - "Number"
  13. MetaComplex - "Simulation Model"
  14. MetaComplex - "Digital Reflection"
  15. MetaComplex - "Cellular Warfare"
  16. MetaComplex - "DataCortex"
  17. MetaComplex - "Hadron Escape"
  18. MetaComplex - "Cognitive Map"
  19. Nullptr - "Many Worlds"
  20. Nullptr - "Amsler Grid"
  21. Nullptr - "Zonules"
  22. Nullptr - "Vitreous"
  23. Nullptr - "Sclera"
  24. Nullptr - "2nd Build"
  25. Nullptr - "Heterophoria"
  26. Scape One - "Chaotic Solitude"
  27. Scape One - "Fissle"
  28. Scape One - "Gneiss"
  29. Scape One - "Quartz"
  30. Nebenprodukt - "Biomimicry"
  31. Nebenprodukt - "Greenwashing Companies"
  32. Nebenprodukt - "Zero Liquid Discharge"
  33. Nebenprodukt - "Marine Calamities"
  34. Nebenprodukt - "Electrochemical Oxidation"
  35. Nebenprodukt - "Fluid Dynamics"
  36. Nebenprodukt - "Blue Dyed Organism"
  37. Franck Kartell - "Halo"
  38. Franck Kartell - "Lueurs"
  39. Franck Kartell - "Phosphorescence"
  40. Franck Kartell - "Electroluminsecence"
  41. Franck Kartell - "Flash"
  42. Franck Kartell - "Retour A L'Obscurite"
  43. KAN3DA - "Island Sky"
  44. KAN3DA - "Leda & The Swan" (Full version)
  45. KAN3DA - "Choirpeggio"
  46. KAN3DA - "Kohonen Network"
  47. KAN3DA - "Complex Jam"
  48. Das Muster - "Veranderungen"
  49. Das Muster - "Die Verlorenen"
  50. Das Muster - "Bedurfnisse Erwecken"
  51. Das Muster - "Die Ankunft Des Meisters"
  52. Das Muster - "Optionen"
  53. Das Muster - "Unbekannte Krafte"
  54. Das Muster - "Horizontale Drehung"
  55. Das Muster - "Zeittunnel"
  56. Das Muster - "Optionen" (The Lover At Galibier Alek Stark remix)
  57. Johan Inkinen - "Freakzone"
  58. Johan Inkinen - "The Blue Nights"
  59. Johan Inkinen - "My RRE Material"
  60. Johan Inkinen - "Alley Cruise"
  61. Johan Inkinen - "Rottweiler GBG"
  62. Johan Inkinen - "The Silent Callback"
  63. Luxus Varta - "Liquid Days"
  64. Luxus Varta - "Varta"
  65. Luxus Varta - "Lumeria"
  66. Luxus Varta - "Sonic Dream"
  67. Luxus Varta - "Werner"
  68. Luxus Varta - "1991"
  69. Obergman - "Coherence"
  70. Obergman - "Dual Manifolds"
  71. Obergman - "Helicoverpa"
  72. Obergman - "Interlaced"
  73. Obergman - "Hidden Variable"
  74. Obergman - "Continuum Slice"
  75. Foreign Sequence - "Stellar Parrot Funk"
  76. Foreign Sequence - "Greasy Strangler"
  77. Foreign Sequence - "Space Out"
  78. Foreign Sequence - "The Dancer"
  79. Foreign Sequence - "Dunal Symbiosis"
  80. Mesak - "Cry For Oldschool"
  81. Mesak - "A Plus B"
  82. Mesak - "(I Want) Blood!"
  83. Mesak - "Zuleima"
  84. Mental Note - "The Balloon Women Of Helium 8008"
  85. Mental Note - "Krankenhaus"
  86. Mental Note - "Stink Valve (Pungent Funk Expunger)"
  87. Mental Note - "Hydrogenated Triangles"
  88. Mental Note - "Sick Willian"
  89. Cygnus - "El Gato"
  90. Cygnus - "El Cocodrila"
  91. Cygnus - "Cycario"
  92. Cygnus - "You Like Danger"
  93. Noise&Noise - "Sociology Of The Universe"
  94. Noise&Noise - "God & Man Die Together"
  95. Noise&Noise - "Cybernetics"
  96. Noise&Noise - "The Clash Of Civilizations"
  97. Noise&Noise - "Ephemeral Human"
  98. Noise&Noise - "Humans Are The Sex Organs Of Technology"
  99. Noise&Noise - "Respect For The Deep Sea"
  100. Noise&Noise - "Abstract Materialism"
  101. Hieroglyphica - "Reaction RMX"
  102. Heimelektronik - "808tec"
  103. Darren J Horgan - "Analog Frequency"
  104. Acidulant - "Metronix"
  105. Jensen Interceptor - "Unknown Future"
  106. Luke Eargoggle - "Twilight Zone"
  107. Automatic Tasty - "Fuck Sake, My Heart Has Unwravelled (& Now The Threads Keep Catching On Everything)"
  108. Mutex - "Binary Perceptions"
  109. Aquagonia - "Contro Tempo"
  110. Noamm - "Empty Love"
  111. Binary Digit - "Full Bucket Experiment"
  112. Martin Matiske - "Loving Me"
  113. Arpanet - "Einstein Ring"
out of stock $290.98
Cat: 743356 Rel: 10 Oct 19 • View all Effects pedals
 
Bass simulator effects pedal for guitar with 9 voices, dry & effect mix knobs, sensitivity & control knobs
Notes: The polyphonic BASS9 Bass Machine transforms a guitar into nine different basses and requires no special pickups, MIDI or instrument modifications. It relies on the same technology powering all EHX 9 Series pedals, like the award winning MEL9 Tape Replay Machine, but features a new algorithm maximized for transposing one to two octaves down with superior dynamics and tracking.

A rotary switch allows the user to select the sound of their choice, as follows:

- PRECISION: Pays homage to the iconic Fender P Bass
- LONGHORN: Emulates the Danelectro 6-string bass, ideal for baritone type tones
- FRETLESS: Features both electric and standup fretless basses.
- SYNTH: A tribute to the classic Taurusr Synthesizer
- VIRTUAL: Lets the user adjust the bass's body density and neck length for a variety of bass sounds
- BOWED: Classic bowed bass
- SPLIT BASS: Makes it possible for the guitarist to play bass on the lower strings (all notes below F#3) and chords or melody with the higher strings.
- 3:03: A polyphonic salute to the sought-after Roland TB-303 vintage bass synth
- FLIP-FLOP: Inspired by EHX's Octave Multiplexer, it provides a '70s style logic driven sub-octave generator that tracks without glitches.

The pedal is equipped with independent Effect and Dry volume controls so guitarists can precisely tune their mix at the Effects output jack, plus an always-active Dry output jack that outputs the input signal at unity gain.

Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs. For example, in PRECISION, CTRL 1 controls the sub-octaves while CTRL 2 imitates the original instrument's tone control.

The BASS9 comes equipped with a standard EHX 9.6DC200mA power supply.
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 2 in stock $221.76
Cat: 707212 Rel: 06 Dec 18 • View all Effects pedals
 
Advanced multifunction delay & looper with up to three seconds of delay time
Notes: The Grand Canyon is EHX's most advanced multifunction delay and looper pedal. It's equipped with 12 effect types plus a fully featured looper capable of recording and overdubbing the Grand Canyon's effects.

The pedal provides superior sound quality, up to three seconds of delay time, tap tempo and nine tap divide settings, stereo output, 13 presets, programmable EXP pedal settings, high quality analogue bypass with soft switching and more. The Grand Canyon's 13 modes are:

1. ECHO - pristine 24-bit digital delay with available bit crush/sample rate reduction and low/high pass filtering

2. MOD - Modulated delay, yields rich flanger, chorus, vibrato, warble and more

3. MULTI - Multi-tap delay, set the exact number of echo repeats up to 31. Includes adjustable swell or decay volume envelopes on repeats.

4. REVERSE - Reverse delay, an easy-to-use reverse delay with an intelligent pick detection algorithm for great sounding reverse echoes

5. DMM - Deluxe Memory Man, re-creates the luscious tone of EHX 's legendary bucket-brigade delay pedal

6. TAPE - Tape Delay, simulates the organic sound of an analogue tape, echo machine including tape distortion, wow and flutter

7. REVERB - Plate reverb plus echo. A reverberant echo where each repeat is followed by a wash of gorgeous plate reverb. Can also be used as a pure reverb without the delay

8. PITCH - EHX's critically acclaimed polyphonic pitch shifting plus digital delay provides pitch-shifted echoes and cascading echo repeats

9.SHIM - Shimmer generates a rich octave-shifted wash of shimmering soundscapes

10. SAMPLE/HOLD - Sample and hold, senses a note being played and produces echoes indefinitely until another note is detected

11. DRUM - Magnetic drum echo that faithfully emulates a classic Binson Echorec style delay. Features an assortment of playback head configurations that let you create musical, rhythmic, echo patterns

12. DOUBLE - Thickens up a mono signal or creates a stereo spread. Includes detune and delay time offset of the left and right outputs

13. LOOPER - Looper with up to 16 minutes of recording time. Includes unlimited overdubs, undo/redo, dedicated stop button, loop fade-out, reverse and speed adjust.
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 2 in stock $272.60
Cat: 746383 Rel: 06 Dec 18 • View all Effects pedals
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Grand Canyon is EHX's most advanced multifunction delay and looper pedal. It's equipped with 12 effect types plus a fully featured looper capable of recording and overdubbing the Grand Canyon's effects.

The pedal provides superior sound quality, up to three seconds of delay time, tap tempo and nine tap divide settings, stereo output, 13 presets, programmable EXP pedal settings, high quality analogue bypass with soft switching and more. The Grand Canyon's 13 modes are:

1. ECHO - pristine 24-bit digital delay with available bit crush/sample rate reduction and low/high pass filtering

2. MOD - Modulated delay, yields rich flanger, chorus, vibrato, warble and more

3. MULTI - Multi-tap delay, set the exact number of echo repeats up to 31. Includes adjustable swell or decay volume envelopes on repeats.

4. REVERSE - Reverse delay, an easy-to-use reverse delay with an intelligent pick detection algorithm for great sounding reverse echoes

5. DMM - Deluxe Memory Man, re-creates the luscious tone of EHX 's legendary bucket-brigade delay pedal

6. TAPE - Tape Delay, simulates the organic sound of an analogue tape, echo machine including tape distortion, wow and flutter

7. REVERB - Plate reverb plus echo. A reverberant echo where each repeat is followed by a wash of gorgeous plate reverb. Can also be used as a pure reverb without the delay

8. PITCH - EHX's critically acclaimed polyphonic pitch shifting plus digital delay provides pitch-shifted echoes and cascading echo repeats

9.SHIM - Shimmer generates a rich octave-shifted wash of shimmering soundscapes

10. SAMPLE/HOLD - Sample and hold, senses a note being played and produces echoes indefinitely until another note is detected

11. DRUM - Magnetic drum echo that faithfully emulates a classic Binson Echorec style delay. Features an assortment of playback head configurations that let you create musical, rhythmic, echo patterns

12. DOUBLE - Thickens up a mono signal or creates a stereo spread. Includes detune and delay time offset of the left and right outputs

13. LOOPER - Looper with up to 16 minutes of recording time. Includes unlimited overdubs, undo/redo, dedicated stop button, loop fade-out, reverse and speed adjust.
Read more
 1 in stock $216.98
Cat: 745481 Rel: 19 Sep 19 • View all Filters
 
Polivoks filter chip with CV & Expression pedal inputs
Notes: The Polivoks Filter, from Elta Music, utilizes the classic Soviet filter chip for a unique and iconic filter tone. It provides both CV and Expression pedal inputs, built in LFO, and WOB fader for ultimate control. On board LFO has a fast/slow range switch, and on/off. Separate LFO OUT can be used to control external CV devices. With lowpass, bandpass, highpass, and notch filter types, one can shape tones into whole new realms. The pedal is switched on with a switch, rather than a stomp button, catering towards use as a desktop filter.
Read more
 1 in stock $285.57
Cat: 749009 Rel: 19 Sep 19 • View all Filters
 
Polivoks filter chip with CV & Expression pedal inputs
Notes: The Polivoks Filter, from Elta Music, utilizes the classic Soviet filter chip for a unique and iconic filter tone. It provides both CV and Expression pedal inputs, built in LFO, and WOB fader for ultimate control. On board LFO has a fast/slow range switch, and on/off. Separate LFO OUT can be used to control external CV devices. With lowpass, bandpass, highpass, and notch filter types, one can shape tones into whole new realms. The pedal is switched on with a switch, rather than a stomp button, catering towards use as a desktop filter.
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out of stock $285.57
Cat: 682570 Rel: 19 Sep 19 • View all Filters
 
Polivoks filter chip with CV & Expression pedal inputs
Notes: Vintage Soviet synth circuitry reimagined. CV input, LFO output and pedal control for versatility. Easily one of the most brutal filters on the market. Legendary.

Supplier notes:
The Polivoks Filter, from Elta Music, utilizes the classic Soviet filter chip for a unique and iconic filter tone. It provides both CV and Expression pedal inputs, built in LFO, and WOB fader for ultimate control. On board LFO has a fast/slow range switch, and on/off. Separate LFO OUT can be used to control external CV devices. With lowpass, bandpass, highpass, and notch filter types, one can shape tones into whole new realms. The pedal is switched on with a switch, rather than a stomp button, catering towards use as a desktop filter.
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out of stock $285.57
Cat: 752843 Rel: 19 Sep 19 • View all Filters
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Vintage Soviet synth circuitry reimagined. CV input, LFO output and pedal control for versatility. Easily one of the most brutal filters on the market. Legendary.

Supplier notes:
The Polivoks Filter, from Elta Music, utilizes the classic Soviet filter chip for a unique and iconic filter tone. It provides both CV and Expression pedal inputs, built in LFO, and WOB fader for ultimate control. On board LFO has a fast/slow range switch, and on/off. Separate LFO OUT can be used to control external CV devices. With lowpass, bandpass, highpass, and notch filter types, one can shape tones into whole new realms. The pedal is switched on with a switch, rather than a stomp button, catering towards use as a desktop filter.
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 1 in stock $265.29
Cat: 714521 Rel: 22 Jan 19 • View all Synth modules
 
4 stereo channels performance mixer - 6HP wide
Notes: More than just a mixer - The Cockpit can not only be used to sum up mono and stereo signals with modular or line level, but as an effect insert for smartphones and tablets as well. Additionally, the module offers a ducking compressor plus sidechain input. Several Cockpits can be daisy-chained to form a large mixing setup. The audio paths feature a completely analog design to guarantee high-class sound.
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out of stock $255.28
Cat: 714523 Rel: 22 Jan 19 • View all Synth modules
 
Expansion module for access to "Terminal" and "Grand Terminal's" deep functions - 10HP wide
Notes: Gateway is an expansion module for Endorphin.es Terminal. Via a set of CV-inputs you get more control over the envelopes of Terminal.

Gateway also gives you the possibility to use the Terminal-AD-envelopes as oscillators. Furthermore you get two separate Autotune-sections with which VCOs can be tuned automatically within a second (usually quicker).

With the VCF mode switches you can enable a 12 db VCF on the appropriate "Gate".

Gateway gets connected via two ribbon cables directly to the Terminal backside. In that case a connection to the system bus is not necessary.

However you can use Gateway also without Terminal, e.g. for its autotune feature. In that case you need to connect it to the system bus.
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out of stock $222.83
out of stock $205.52
Cat: 690950 Rel: 25 Oct 18 • View all Synth modules
 
Stereo effects processor - 16HP
Notes: Erica Synths Black Hole DSP 2, an updated version of Black Hole DSP features 24 custom effects, designed in close co-operation of Erica Synths team rider KODEK and creator of SpinCAD software Gary Worsham. Each effect has 3 manually and CV controllable parameters, manual and CV control over sampling frequency for spanning from 48kHz to really Lo-Fi crunchy sound and full analogue dry/wet control. All effect parameter settings can be saved to the memory and instantly recalled with the effect, which makes Black Hole DSP II ideal for live performances.
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 2 in stock $290.98
Cat: 717577 Rel: 31 Jan 19 • View all Synth modules
 
Stereo mixer featuring 3 mono channel strips with level potentiometers - 14HP
Notes: Erica Synths Black Output is a high-quality output mixer and a stereo panner with balanced outputs and headphone amplifier for monitoring your modular masterpieces.

All inputs are buffered, we use stereo potentiometers (similar to those used in high quality studio mixers) for panning, IN4 is a stereo input with simultaneous level adjustment for both channels, IN3 has a CV controlled auto-pan function. There is also a 6.3mm jack for the balanced outputs and headphones.
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 1 in stock $258.53
Cat: 690937 Rel: 25 Oct 18 • View all Synth modules
 
Synth module for creating bass drum sounds - 14HP
Notes: Bass Drum is developed in collaboration with the French company e-licktronick and it's Erica Synths' take on analogue bass drum circuits adapted for modular systems. Massive, punchy sound, Accent & CV control over key parameters of the module make it distinctively expressive in live performances.
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 2 in stock $258.53
Cat: 712709 Rel: 10 Dec 18 • View all Synth modules
 
Distinct topology digital/analogue cymbals module - 10HP
Notes: Erica Synths Cymbals is a distinct topology digital/analogue module, where cymbal samples are passed through AS3330 based VCA and controlled via envelope generators of unique design. The module features 10 sets of custom Crash and Ride cymbal samples with Tune control and individual Decay control. Accent and CV control over Tone and Decay allow you to create lot of variations in the Cymbals track. An extra feature is sample looping - when it's on, a certain part of the sample is looped while the envelope decay is on, thus creating a distinct, delay-like effect. Cymbal samples are developed by producer and musician Nero Bellum.
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 1 in stock $206.60
Cat: 702204 Rel: 19 Oct 18 • View all Synth modules
 
Dedicated drum mixer with a compressor - 14HP
Notes: Erica Synths Drum Mixer with extended headroom and a dedicated drum compressor of unique design keeps each drum sound clearly distinguishable and adds power to the final mix. Bonus feature - effects send output allows to apply external effects to the signals on the first three inputs. LEDs next to each input give visual feedback on the signal level.
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 1 in stock $207.69
Cat: 690947 Rel: 01 Nov 18 • View all Synth modules
 
Two Spin FV-1 chips in one module, each filled with eight custom effect programs
Notes: To add some space to your compositions and nuances in sound design Erica Synths Dual FX module brings you two identical sections of 8 custom effects with two adjustable and CV controllable parameters.

Dual FX combines two Spin FV-1 chips in one module, each filled with eight custom effect programs with two adjustable and CV controlled parameters per effect and analogue dry/wet circuit. All parameter settings can be saved with the effect and recalled instantly during the performance. Also the output of the first FX section is normalised to the second input so creating huge layers of effects is easy.
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 1 in stock $288.82
Cat: 690941 Rel: 06 Feb 19 • View all Synth modules
 
Sample-based drum module with analogue VCA & decay envelope - 10HP
Notes: Hi-Hats D is Erica Synths take on classical digital hi-hats. Instead of using an integrated circuit DAC chip Hi-Hats D are using 6-bit discrete DAC for that unmistakable crunchy sound. For amplitude shaping samples are passed trough AS3330 based VCA and are controlled with an analogue envelope generator for versatile and snappy sound. Extra feature is Open Hi-Hat looping - when it's on, a certain part of the sample is looped while the envelope decay is on, thus creating distinct, delay-like effect.

Erica Synths Drum Sequencer has connectors for internal Trigger and Accent connections to Erica synths Drum modules. The connections are made via six wire ribbon cables with 2x3 connectors (similar to Eurorack PSU connectors), and you can save some patch cables if you have a lot of Erica Synths Drum modules. Internal connections will work only with Erica Synths modules and no other manufacturer module will support this functionality. If you have Erica Synths Drum Sequencer and other Erica Synths Drum modules and want to use internal connections, select "Hi-Hats D with internal connectors" option. If you do not want to use internal connections, select cheaper "Hi-Hats D without internal connectors" option.
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out of stock $237.97
Cat: 712706 Rel: 10 Jan 19 • View all Synth modules
 
Drum modulator featuring two independent modulation/pitched noise sources
Notes: Erica Synths Modulator is an advanced modulation and pitched noise source with focus on rhythmic (but not limited to) compositions in mind. It features two identical syncable to the BPM LFOs/noise sources with selectable morphing waveshapes. LFO frequency can be manually adjustable, as well as they provide frequency divisions and multiplication in Sync mode. Each LFO has two outputs- main one and secondary one with adjustable phase, so you can create evolving modulations. Furthermore, LFOs can be linked to work at the same frequency and the first LFO has built in VCA to control output signal amplitude.
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 1 in stock $214.18
Cat: 690939 Rel: 25 Oct 18 • View all Synth modules
 
Synth module for creating punchy tom sounds - 16HP
Notes: Toms is developed in collaboration with the French company e-licktronick and it's Erica Synths' take on analogue toms circuits adapted for modular systems. Massive, punchy sound, Accent and Tone CV make it distinctively expressive in studio and live performances.
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 1 in stock $297.47
Cat: 731213 Rel: 08 May 19 • View all Synth modules
 
Quad VC/Envelope - 10HP
Notes: The FLAME "X-4" is a compact multifunctional 4x Envelope/VCA module, which combines in a very small space (10HP) 4 AR envelopes and 4 separate VCAs.

The module complements quad VCOs (eg the FLAME "4VOX") to control 4 VCAs per envelope generator in a small space.

Each channel can be used separately as an AR envelope generator with VCA, or even as a VCA.

There are 3 modes:

AR: 4 CV controllable separate Attack/Release envelopes on 4 VCA channels (per gate)
AD: 4 CV controllable separate Attack/Decay envelopes on 4 VCA channels (one shot per trigger)
VCA: 4 CV controllable separate VCAs

There is available a three-level switch for three different envelope rates from extremely short to long.

The envelope shape is set with the sliders (also adjustable via CV inputs).

In addition, the envelope can be looped (gated AD envelope loop).
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 2 in stock $204.45
Cat: 744064 Rel: 12 Sep 19 • View all Synth modules
 
Digital wavetable oscillator - 16HP
Notes: Klang Stadt is the latest FC iteration of Electric Druid's VCDO digital wavetable oscillator. It features a number of advantages over the previous Waverider design:

- Improved PWM filtering
- Addition of Sub Two output
- Addition of Klang output
- Addition of Xmod feature
- Onboard LFO for riding the waves
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 2 in stock $229.32
Cat: 717551 Rel: 06 Feb 19 • View all Synth modules
 
All-in-one Eurorack synth voice
Notes: Product is a full featured modular synthesiser which you can use without patching. Or you can use it as the heart of your modular system. Each component part is fully modular, but also features pre-patched normalised signal paths for fast set up of new and exciting sounds.

Product is a combination of three individual Frequency Central modules:

- XVCO TWO
- Raging Bull 3.0 VCF/VCA
- System X Envelope

Plus:

- Onboard LFO for PWM and FM
- Onboard noise source

Product features a motherboard on which all pots, switches and sockets are mounted, this is also where the pre-patched normalising happens. So the onboard LFO is available for both FM and PWM of the VCO. The three VCO waveforms are available at the three VCF signal inputs. 1V/oct input, LFO and ADSR are available at the three VCF signal inputs. By some cunning switching, the VCA can be operated by either ADSR or gate input, alternatively it can be set to drone position. Also available are signal outputs from the LFO and noise generator. All pre-patched connections can be broken simply by inserting a jack into the relevant socket.

To simplify the build process for DIYers, there are three daughterboards that plug into the Product motherboard: VCO daughterboard, VCF/VCA daughterboard, and ADSR/noise daughterboard. First you can build and calibrate the VCO daughterboard, plug it into the Product motherboard, get it running and have some fun with it. Then build the VCF/VCA daughterboard, and add it to you expanding modular synthesiser. Finally build the ADSR/noise daughterboard, and your synth is complete.
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out of stock $290.99
Cat: 734840 Rel: 15 Jul 19 • View all Synth modules
 
Analogue VCO focused on all aspects of modulation - 12HP
Notes: The OSC1 from Future Sound Systems presents a voltage-controlled analogue oscillator with a few features unexpected of a basic oscillator, with a particular focus on covering all bases of signal modulation. Once triangle, sinusoidal and pulse waveforms are derived from its sawtooth core, each waveform is passed through a VCA. The outputs from these VCAs are then summed at the Mix output, which can be switched between 2- and 4-quadrant-multiplication modes. These two QM modes allow for a plethora of amplitude modulation effects to be achieved. Level controls for each waveform dictate both static level, but also depth of modulation through careful design of the control summation. Each individual waveform output is taken pre-VCA for maximum patching flexibility.

Shape modulation of the triangular, sinusoidal and pulse waveforms is also available. Both the triangular and sinusoidal waveshapes can be skewed forward or backward into ramp-like shapes, whilst shaping the pulse wave gives standard pulsewidth modulation.

Frequency modulation is available in both Linear and Exponential modes. The OSC1 also tracks to 1V/Octave over four octaves in its audible (HF) range, but can also be used as a low frequency oscillator in LF mode.

A Sync input allows for the OSC1 to be reset by an external signal. A rising edge will reset the sawtooth wave to its peak, from which it descends. The Inject input, meanwhile, allows for external signals to interfere with the sawtooth core. This allows for intermodulation-type effects to be produced, and opens new realms of chaotic oscillations.
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 3 in stock $247.72
Cat: 717639 Rel: 17 Jan 19 • View all DJ mixers
 
2-channel DJ battle mixer with highly adjustable Innofader-ready crossfader
Notes: The PMX-10 is a 2-channel mixer designed to meet the needs of the most demanding scratch addicts, with a highly adjustable Innofader-ready crossfader, 8 RGB performance pads per side, and professional inputs and outputs (including booth output). The rugged all-metal chassis means the PMX-10 can take a beating for years to come. The real secret sauce in the PMX-10 is the MIDI and audio interface functionality. Every control on the PMX-10 sends MIDI - not just the dedicated MIDI functions like the cue buttons and effects controls. This combined with the built-in 2-channel audio interface allows the PMX-10 to also work as a fully stand-alone MIDI controller. With the PMX-10, you'll get a lot for not a lot.

2-Channel Combat-Ready Performer:

PMX-10 is a digital mixer, MIDI controller, and a soundcard all-in-one. Featuring combo TRS/XLR mic input, microphone input with gain control, recording output, it offers multiple device connectivity for any DJ who needs flexibility.

Clean & Easy user experience:

Offering tremendous strength and rigidity, the PMX-10 lets you get expressive with its intuitive one-knob action. Its instinctive layout lets DJs mix, beat, and scratch to their creative desire and is ideal for use by a beginner or even a studio expert professional.

16 RGB Performance Pads:

The PMX-10 adds 8 responsive pads per side for well-timed triggering of hot cues and samples and no matter where you're, the backlit pads give you precise visual feedback in any lightning condition.

Take Control Of Your Music:

The dedicated MIDI controls lets you load a track or engage a loop right where you need them. It also has an easily replaceable and removable crossfader with adjustable curve control to assign any channel to either side of the crossfader.
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 2 in stock $292.06
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