Search dance music

Notes: UDG have further fined-tuned already a great design concept of a flight case into one specially for the most discerning DJ/producer. Constructed from solid 9mm thick plywood, the outside is laminated in a black finished honeycomb/hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damages, creating a unique stylish & practical finish.

Extra wide black finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. In addition, in the UDG Ultimate Flight Case Multi Format XXL Black MK3 Plus (Laptop Shelf), there is an extra notebook shelf included for your notebook, mouse and/or any other devices such as effect processor and interfaces. This flight case also features heavy duty spring loaded handles for a secured lift & load.

UDG Ultimate Flight Case Multi Format XXL Black MK3 Plus (Laptop Shelf) not only transport your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black coloured combination.

Colour: Black
Weight: 18,00 kg / 39.6 lbs
Outer Dimensions (W x H x D): 74.0 x 48.1 x 23.4 cm | 29.1 x 18.9 x 9.2 inch
Inner Dimensions (W x H x D): 73.0 x 42.0 x 5.3 cm | 28.7 x 16.5 x 2.1 inch
Material: Heavy duty construction of 9 mm thick plywood
Protection: Improved powder coated and anodized hardware

High density diamond embossed EVA foam & carpeted protective padding
Dual anchor rivets with included washer
Extra-wide black solid aluminium profiles
Secure stacking due to stackable ball corners

Extras

Convenient 80 mm space at rear for connections & PSU storage
Cable access hole with removable UDG emblem cover
Removable front & rear access panel
Adjustable laptop shelf
Includes adjustable foam pads to fit various controllers

Fits:
Laptop up to 19"
Pioneer DDJ-FLX10, DDJ-REV7, DDJ-FLX6, DDJ-1000SRT, DDJ-800, DDJ-1000, DDJ-SX3, DDJ-SX2, DDJ-SX, DDJ-RX, DDJ-SR, DDJ-RR, DDJ-S1, DDJ-T1, DDJ-Ergo
Pioneer XDJ-RX2, XDJ-RX, XDJ-RR, XDJ-R1, XDJ-Aero
NI Traktor Kontrol S8
Numark NS4FX, NS6II, 4Track, N4, Mixdeck Quad, IDJPro
Denon DJ SC LIVE 2, MCX8000, MC7000
Roland DJ-808, DJ-505
Reloop Mixon 8 Pro, Mixon 4, Touch
Gemini CDMP-7000,
Hercules DJControl Inpulse T7
and similar-sized controllers

Notes: The ultimate companion for producers on the move - the UDG Ultimate Producer Backpack Trolley. This sleek and versatile backpack is designed to meet the demands of modern music producers and DJs, combining style, functionality, and durability in one package.

The Producer Backpack Trolley is more than just a bag; it's a travel companion designed to make your life easier while maintaining a sleek, professional look. Whether you're a DJ, music producer, or someone who needs a reliable, feature-packed backpack for travel, this is the perfect choice. Elevate your gear transportation experience with the ultimate in style and functionality. Get yours today!

Specifications

Colour: Black, Orange inside
Weight: 4,25 kg / 9.35 lbs
Outer Dimensions (W x H x D): 39.5 x 62.0 x 32.0 cm | 15.5 x 24.4 x 12.6 inch
Inner Dimensions (W x H x D): 35.0 x 45.5 x 15.5 cm | 13.8 x 17.9 x 6.1 inch
Material: Water Resistant Nylon 420D

Protection

Padded MIDI controller compartment
Inseparable wheel cover
Comfortable moisture absorbent shoulder straps
Ergonomic back padding provide exceptional comfort
Integrated with a TSA combination lock
Easy backpack to trolley mechanism

Extras

Multiple external pockets for accessories & smaller gear
Quick access top pocket
Top & side carry handles
Retractable handle with 2-stage trolley system
Smooth rolling in-line wheels with high quality in-line skate bearings

Fits

Main compartment fits up to 18.4" laptop.
Pioneer CDJ-3000, Ecler Warm4, Reloop RMX-95, Roland SPD-SX Pro, Ableton Push 3

Notes: UDG have further finetuned already a great design concept of a flight case into one especially for the most discerning DJ/ producer. Constructed from solid 9mm thick plywood, the outside is laminated in a black finished honeycomb/ hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damage, creating a unique stylish & practical finish.

Extra wide black finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. The UDG Ultimate Flight Case Denon DJ SC LIVE 4 Black Plus (Wheels) also features roller wheels with high quality in-line skate bearings for convenient transport and heavy-duty, spring-loaded handles for a secured lift & load.

UDG Ultimate Flight Case Denon DJ SC LIVE 4 Black Plus (Wheels) not only transport your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black coloured combination.

Specifications:

Colour: Black
Weight: 14,50 kg / 31.9 lbs
Outer Dimensions (W x H x D): 79.2 x 51.8 x 23.3 cm | 31.2 x 20.4 x 9.2 inch
Inner Dimensions (W x H x D): 72.2 x 34.8 x 7.6 cm | 28.4 x 13.7 x 2.9 inch
Material: Heavy duty construction of 9 mm thick plywood
Protection: Improved powder coated and anodized hardware
High density diamond embossed EVA foam & carpeted protective padding
Dual anchor rivets with included washer
Extra-wide silver solid aluminium profiles
Secure stacking due to stackable ball corner

Extras

Convenient 80 mm space at rear for connections & PSU storage
Cable access hole with removable UDG emblem cover
Removable front access panel
Roller wheels with high quality in-line skate bearings for convenient transport
Fits: Denon DJ SC LIVE 4

Notes: UDG have further fine-tuned what was already a great design concept of a flight case into one especially for the most discerning DJ/producer. Constructed from solid 9mm thick plywood, the outside is laminated in a black finished honeycomb/hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damages, creating a unique stylish & practical finish.

Extra wide black finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. The UDG Ultimate Flight Case Pioneer DDJ-REV5 Black Plus (Laptop Shelf) also features heavy-duty spring-loaded handles for a secured lift & load.

UDG Ultimate Flight Case Pioneer DDJ-REV5 Black Plus (Laptop Shelf) not only transport your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black coloured combination.

Specifications

Colour: Black
Weight: 15,80 kg / 34.76 lbs
Outer Dimensions (W x H x D): 84.4 x 51.5 x 24.3 cm | 33.2 x 20.3 x 9.5 inch
Inner Dimensions (W x H x D): 73.8 x 36.2 x 5.5 cm | 29.1 x 14.3 x 2.2 inch
Material: Heavy duty construction of 9 mm thick plywood

Protection:

Improved powder coated and anodized hardware
High density diamond embossed EVA foam & carpeted protective padding
Dual anchor rivets with included washer
Extra-wide black solid aluminium profiles
Secure stacking due to stackable ball corner

Extras

Convenient 80 mm space at rear for connections & PSU storage
Adjustable laptop shelf
UDG heavy-duty spring-loaded handles
Cable access hole with removable UDG emblem cover
Removable front access panel

Fits

Pioneer DDJ-REV5 controller

Notes: How It Works

Chaining up an EQ, compressor and overdrive pedal will never give you the same result as SkarBassOne achieves, not by a long shot! The precise filters in SkarBassOne is what gives you the extremely surgical tone and the wide range of possibilities without breaking a sweat!

No matter the settings you will always keep the clean powerful low end with this multiband overdrive and that is a must for bass. Controlling the mids of a bass sound has never been easier! You will get out of the way from other instruments masking frequencies and take up all the space that is ment for you and ONLY you!

It might look simple on the outside, but I assure you the inside is a matrix of years with development. The flexible multiband drive is smooth all the way thru it's range and I promise you it will never ever mess with your low end!

Details

Compression:

One knob FET compressor with fast attack and release. It handles dynamics with ease and creates a solid wall of tone.

Compression LED:

Visual indication of how hard the compressor is working.

Mid:

Mid filter to achieve the surgical studio tone! Create a defined, in the pocket frequency response for the bass to sound massive and to make it sit with other instruments. Your band mates will never beg you to turn down your bass again!

Mix:

Quickly set the tonal balance between low frequencies and high frequencies. Find the sweet spot in any situation.

Footswitch:

On/Off switch for Drive and Tone.
Red channel =Drive and Tone active.
Blue channel = Drive and Tone off.
Compression, Mid and Mix is active on both channels.

Drive:

Set the amount of multiband drive, from gentle push to full on bark!

Tone:

Hi-cut filter to control the high frequencies of the output.

Notes: The Skorn da Bask table top module is the same module as the eurorack version but in a hammond 1590BB enclosure and aluminium panel, it can be powered thru a 2,1mm negative pin power jack, compatible with Boss and Ibanez standard power supplies.

Thanks to their routing options, the VCOs can not only be used to generate audio signals, but for modulating the VCF's cutoff frequency as well. Besides processing internally produced saw tooth waves, the filter is also usable for editing sound coming from other modules. Typical Touell Skouarn, the Skorn da Bask distorts like hell. Primary application: The creation of dirty, experimental sound structures and abstract rhythms.

The front panel of Skorn da Bask shows three areas highlighted in red. These zones contain the connectors and control elements for the oscillators. Each VCO comes equipped with a pitch CV input, a tune potentiometer and two switches for defining the routing as well as the frequency range used. In detail, the oscillators can be connected to the audio or CV input of the filter. Thanks to their range switches, each VCO is able to work with audio or low frequency rates. The pitch input does not follow the standard 1v per octave.

After all, Skorn da Bask is not an ordinary oscillator module, but an experimental sound generator.

The low pass filter features a slope of 24 dB per octave. A potentiometer named FreqaNs regulates the circuit's cutoff parameter, Dasson sets the resonance. For processing external signals, there is an audio input. As long as a cable is plugged into this socket, the VCOs are disconnected from the filter's audio path. Third-company modules, like an envelope or LFO, can influence the VCF's frequency via a CV input. For damping modulation signals coming from the oscillators, there is an attenuator knob. The audio output is equipped with a level potentiometer. High settings lead to juicy overdrive effects.

Notes: An ART wavetable dual oscillator mono voice source that can be used to build polyphonic patches and multi voice patches. It generates its harmonically rich sound using two 80s vintage D/A converters to feed your filters and effect processors. VORTEX comes loaded with dozens of wavetables, plus additional user wavetables can be loaded from the front panel SD card. A detune knob controls the second VCO and adds effects from deep phasing to a sub octave. The position knob and CV input selects waves in the tables and vibrato from LFOs to create FM. Like other ART sound generators a dedicated Gate output manages the voice envelope or any modulation synced to that voice. VORTEX is a great companion to the analog ATX1 and a must for digital synthesist enthusiasts.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 80mA / -12V 25mA

Notes: A classic all analogue saw VCO core with 3 switchable modes, ART, 1V/Oct, LFO and is recommended as the basic building block for ART systems. It is designed for patching analog polyphonic synths from discrete modules or multi-mono patches in ART mode. When using ART the ATX1 takes care of the tuning including accounting for temperature changes. In 1V/Oct mode the ATX1 runs as a standard old school modular VCO. LFO mode drops the frequency range and is great for patching vibrato to other ATX1s among other things. The ATX1 outputs variable waveshapes with manual or CV control. Classic FM, PWM and hard sync are provided. A dedicated Gate Out in ART mode manages the voice envelopes or any modulation synced to that voice. TipTop consider the ATX1 the best sounding analogue VCO they have ever created.

Size: 8HP - Depth: 40mm / 1.5"

Power: +12V 105mA / -12V 33mA

Notes: ART QUAD QUANTIZER is a four channel CV to ART Quantizer to play ART oscillators from CV sequencers, LFOs and anything that outputs CV. This is TipTop#s second ART controller option and is designed for those of us playing ART without a computer or MIDI source. The inputs take in positive, negative, bipolar CV voltages. Scales include Major Minor and the five other modes (Dorian, Lydian, etc). The module is simple to set up with a simple menu and one knob with switch for navigation. The 4th channel can be set to generate Chords and polyphonic note streams for ART Polyphonic oscillators.

Size: 8HP
Depth: 40mm / 1.5"
Power: +12V 38mA / -12V 4mA

Review: American blues-slanted rock band the Black Crowes put out their second album The Southern Harmony and Musical Companion back in May 1992. It was the first time Marc Ford had featured on lead guitar in place of Jeff Cease who was sacked the year before. It also marked the first time Eddie Harsch joined on keys and set a record at the time for being the first album to feature four rock number ones, and the album itself also climbed to the top spot in the Billboard 200 album chart. Its mix of blues and Southern styles often sees the album being included in lists of the best rock albums of all time.

Review: While Florida's Deicide are arguably still one of the most recognisable death metal acts in the scene, many (apart from avid devotees) might be shocked to learn that the vast majority of the group's albums, primarily their formative and quintessential Roadrunner releases, have received little to no vinyl pressings. Roadrunner Years is set to rectify this absurdity with a grandiose boxset, spanning from 1990-2001, and including the first worldwide versions of, 'In Torment In Hell', 'Insineratehymn', and 'When Satan Lives', as well as the first North American vinyl releases of, 'Serpents Of The Light', and, 'Once Upon The Cross'. Limited, numbered, and complete with an exclusive poster, inserts, sticker-sheet, as well as a pressing of the infamous, 'Feasting The Beast' EP, which is regarded as the project that led to the band's initial signing with the illustrious label, few artists who boast such decrepit, blasphemous material rarely pull such a touching gesture for their listeners.

Notes: Stonk it's a joystick controller with 2 channels of CV and 2 of audio. It's a CV generator, looper & audio processor.

Very hands on module which can be a chaos pad or DJ looper.

Features:

2 audio in & out (AC coupled)
2 CV in & out (DC coupled) i5V
2 extra CV outputs +/-10V
12 illuminated push buttons
CV & Audio looper (2:30 per channel)
LFO
Euclidean envelope generator
Multimode Filter
Stereo Reverb
Wave
VCA

The audio AD/DA is 24 bit, 48 KHz, the internal audio handle is 32 bit float.

The CV AD/DA is 16/12 bits, 12 KHz.

The extra CV outputs are the analogue sum and difference of the CV outputs 1 & 2.

Each channel has 6 modes available. By default 2 parameters are assigned to the horizontal & vertical axes but this can be easily tweaked, so it's possible to control any of them (frequency, symmetry, offset or amplitude of the LFO, for example) not only with the joystick but with the 2 CV inputs.

The polarity control & offset of every parameter can also be modified on every mode and every channel.

6 presets for store and recall not only the joystick assignment and settings but all the parameter values for all modes and channels.

Size 12 HP
mA +12V
mA -12V

Notes: Lattice is a 16HP 12-step sequencer composed of a 4x3 grid of steps that can be
navigated horizontally, vertically or sequentially from step 1 to step 12. Sending a trigger
into one of the 3 progression inputs will move the sequencer forward a single step. This
will result in a 3-step, 4-step or 12-step sequence depending on the input used. The
Lattice starts to become much more interesting when a combination of the 3 progression
inputs are used, opening the doors to much more complex melodic sequences.

Dimensions
16 HP
21 mm deep
Current Draw
33 mA +12V
4 mA -12V
0 mA 5V

Notes: Cells adds a number of additional features to Lattice:

A 3x4 grid of keys to select steps manually and play the sequencer more like an instrument.

Forward / Reverse mode controlled by a CV trigger and physical button.

Random step selection by CV trigger.

CV selection of the current step - great for inputting a positive envelope or LFO to cycle through the steps on the Lattice.

Gate output - Whenever a new step is navigated to, a pulse will be output by Cells in order to trigger a voice's envelope. Pressing on the keypad will also output a constant gate signal.

Dimensions
16 HP
35 mm deep

Current Draw
24 mA +12V
0 mA -12V
0 mA 5V

Notes: The OpticTone is a combination of a 12dB multi-mode Vactrol Filter and a Vactrol Voltage Controlled Amplifier.

It is a completely original circuit inspired by the singular nature of Vactrols and their fluid and natural character.

The Filter section provides the three fundamental filter types: Lowpass, Bandpass and Highpass.

A Resonance knob with voltage control input is available for improved modulation flexibility. The feedback knob interacts with the Resonance path, tempering it from creamy resonance to wacky self-oscillation.

Filter and VCA run in parallel, both are controlled by the Freq/Amp knob and it's associated voltage-control input. The combination of both signals can be crossfaded with a dedicated knob.

The Freq/Amp is also controlled with direct touch control on the panel via the 3 lines below the knob.

The filter frequency control can be inverted by the Inv Freq switch, providing the possibility to change the filter direction. This feature allows the filter to "close" when the VCA is "opening" or the other way around.

The Ping input allows to generate the well known vactrol filter percussive sounds if a gate or trigger signal is provided. The Ping frequency if controlled by the Freq/Amp knob, ranging from low kicks drums to high pitch bongos.

There is also a Drive knob to take care of your saturation needs. The Overdrive range is wide, from soft textural clipping to heavy distortion.

All voltage controlled inputs have an attenuator-inverter knob.

Features:

Vatrol based 12dB multi-mode Voltage Controlled Filter: Lowpass, Bandpass and Highpass.
Vactrol Based Voltage Controlled Amplifier.
Crossfade between VCF and VCA section.
Voltage controlled Resonance.
Ping Input for percussive sounds generation.
Cutoff Frequency polarity inversion switch. Doesn't change VCA polarity
Overdrive and Feedback controls.
Attenuator/inverter knobs on all voltage controlled inputs
Touch control over Frequency and Amplitude.


Specs:

Width: 10HP
Depth: 33mm
Power consumption: 55mA +12 / 55mA -12
Eurorack Format
Doepfer power connection

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


Get ready for Round 2

Meet the next evolution of the world's most sold sampler. Based on the legendary PO-33 K.O!, the new EP-133 K.O. II adds more power, more sampling capabilities, a fully reworked sequencer and brand new punch-in 2.0™ effects. Introducing a workflow that lets you go from idea to track faster than ever. It's pocket operators gone pro.

The champ is here

A versatile machine with an impressive set of features, K.O. II is the new champion in and outside the studio. Unrivaled by anything in its class, this is the sampler you've always wanted.

Record sounds around you, sample your voice, favorite synths, vinyl records or whatever audio that you've got on your phone.

Sequence your samples and loops. Make use of the curated selection of drums, bass and keys that come pre-loaded on your K.O. II.

Tweak and automate things like filter, pitch and more... add stereo effects, compressor and next generation punch-in effects.

Knock out features

9 projects each with 80,000 notes
Projects contain 4 groups, each with 99 patterns
Patterns have 12 tracks for samples and midi
Variable pattern length per group (1 to 99 bars)
12 mono / 6 stereo voice polyphony
Use groups to mix and match patterns on the fly
Record and automate all 12 fader assignments
Sequence in free time or quantized with swing
Assign any pad to one of 16 midi channels
Loop mode from OB-4 with length and slide
12 pressure and velocity sensitive pads
Instantaneous time correction and erase
Slice samples live or automatically
Stereo / mono sampling at 46.875 kHz / 16-bit
Punch-in 2.0: effects (pressure sensitive)
Arrange quickly using the instant commit feature
32-bit float signal chain, 24-bit ADC/DAC
Sync io for ext. Gear. 8th, 16th note or sync24
6 built-in send FX and a master compressor
Drag and drop samples using the sample tool

The sequencer engine of the K.O. IIO provides an intuitive, fast way of building up beats and variations using 4 groups x 12 patterns. Like most DAWs, you can instantly swap patterns per group, experiment with different combos to find what beat and bass lines work together. The commit button helps you freeze a point in time and move on, adding a verse or a break. It all happens in real time while playing.

Built-in mic and speaker
USB-C
Midi output
Midi input
Sync output
Sync input
Audio input
Audio output
4x AAA batteries

One-two punch

Vintage style keys with a modern touch, combining tactility with pressure sensitivity.

10" EP format

Comes in a limited edition 10" collector's box

Tech specs:

K.O.II highlights

Sampling frequency: 46 kHz / 16-bit
Internal signal chain: 32-bit
999 sample slots
64 mb memory
Preset samples
High resolution sequencer
Built-in FX
Fader and pressure sensitive pads
Six stereo voices, twelve mono
Runs on 4x AAA batteries with the option to be powered via USB-C

Dimensions and weight

240 mm x 176 mm x 16 mm
9.45" x 6.93" x 0.63" inches
620 g / 22 oz

Stereo input

24 bit
SNR: 96 dba
Analogue gain: 0 - 12 dB
Max level: 8 DBU, 2.0 VRMS

Stereo headphone/line output

24 bit
SNR: 98 dba
Max level: 5 DBU, 1.4 VRMS

MIDI input and output
TRS type A, MMA compliant

Sync input and output
Sync 8 ppm, 16 ppm, 24 PPQN
Start / stop

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Get ready for Round 2

Meet the next evolution of the world's most sold sampler. Based on the legendary PO-33 K.O!, the new EP-133 K.O. II adds more power, more sampling capabilities, a fully reworked sequencer and brand new punch-in 2.0™ effects. Introducing a workflow that lets you go from idea to track faster than ever. It's pocket operators gone pro.

The champ is here

A versatile machine with an impressive set of features, K.O. II is the new champion in and outside the studio. Unrivaled by anything in its class, this is the sampler you've always wanted.

Record sounds around you, sample your voice, favorite synths, vinyl records or whatever audio that you've got on your phone.

Sequence your samples and loops. Make use of the curated selection of drums, bass and keys that come pre-loaded on your K.O. II.

Tweak and automate things like filter, pitch and more... add stereo effects, compressor and next generation punch-in effects.

Knock out features

9 projects each with 80,000 notes
Projects contain 4 groups, each with 99 patterns
Patterns have 12 tracks for samples and midi
Variable pattern length per group (1 to 99 bars)
12 mono / 6 stereo voice polyphony
Use groups to mix and match patterns on the fly
Record and automate all 12 fader assignments
Sequence in free time or quantized with swing
Assign any pad to one of 16 midi channels
Loop mode from OB-4 with length and slide
12 pressure and velocity sensitive pads
Instantaneous time correction and erase
Slice samples live or automatically
Stereo / mono sampling at 46.875 kHz / 16-bit
Punch-in 2.0: effects (pressure sensitive)
Arrange quickly using the instant commit feature
32-bit float signal chain, 24-bit ADC/DAC
Sync io for ext. Gear. 8th, 16th note or sync24
6 built-in send FX and a master compressor
Drag and drop samples using the sample tool

The sequencer engine of the K.O. IIO provides an intuitive, fast way of building up beats and variations using 4 groups x 12 patterns. Like most DAWs, you can instantly swap patterns per group, experiment with different combos to find what beat and bass lines work together. The commit button helps you freeze a point in time and move on, adding a verse or a break. It all happens in real time while playing.

Built-in mic and speaker
USB-C
Midi output
Midi input
Sync output
Sync input
Audio input
Audio output
4x AAA batteries

One-two punch

Vintage style keys with a modern touch, combining tactility with pressure sensitivity.

10" EP format

Comes in a limited edition 10" collector's box

Tech specs:

K.O.II highlights

Sampling frequency: 46 kHz / 16-bit
Internal signal chain: 32-bit
999 sample slots
64 mb memory
Preset samples
High resolution sequencer
Built-in FX
Fader and pressure sensitive pads
Six stereo voices, twelve mono
Runs on 4x AAA batteries with the option to be powered via USB-C

Dimensions and weight

240 mm x 176 mm x 16 mm
9.45" x 6.93" x 0.63" inches
620 g / 22 oz

Stereo input

24 bit
SNR: 96 dba
Analogue gain: 0 - 12 dB
Max level: 8 DBU, 2.0 VRMS

Stereo headphone/line output

24 bit
SNR: 98 dba
Max level: 5 DBU, 1.4 VRMS

MIDI input and output
TRS type A, MMA compliant

Sync input and output
Sync 8 ppm, 16 ppm, 24 PPQN
Start / stop

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


Get ready for Round 2

Meet the next evolution of the world's most sold sampler. Based on the legendary PO-33 K.O!, the new EP-133 K.O. II adds more power, more sampling capabilities, a fully reworked sequencer and brand new punch-in 2.0™ effects. Introducing a workflow that lets you go from idea to track faster than ever. It's pocket operators gone pro.

The champ is here

A versatile machine with an impressive set of features, K.O. II is the new champion in and outside the studio. Unrivaled by anything in its class, this is the sampler you've always wanted.

Record sounds around you, sample your voice, favorite synths, vinyl records or whatever audio that you've got on your phone.

Sequence your samples and loops. Make use of the curated selection of drums, bass and keys that come pre-loaded on your K.O. II.

Tweak and automate things like filter, pitch and more... add stereo effects, compressor and next generation punch-in effects.

Knock out features

9 projects each with 80,000 notes
Projects contain 4 groups, each with 99 patterns
Patterns have 12 tracks for samples and midi
Variable pattern length per group (1 to 99 bars)
12 mono / 6 stereo voice polyphony
Use groups to mix and match patterns on the fly
Record and automate all 12 fader assignments
Sequence in free time or quantized with swing
Assign any pad to one of 16 midi channels
Loop mode from OB-4 with length and slide
12 pressure and velocity sensitive pads
Instantaneous time correction and erase
Slice samples live or automatically
Stereo / mono sampling at 46.875 kHz / 16-bit
Punch-in 2.0: effects (pressure sensitive)
Arrange quickly using the instant commit feature
32-bit float signal chain, 24-bit ADC/DAC
Sync io for ext. Gear. 8th, 16th note or sync24
6 built-in send FX and a master compressor
Drag and drop samples using the sample tool

The sequencer engine of the K.O. IIO provides an intuitive, fast way of building up beats and variations using 4 groups x 12 patterns. Like most DAWs, you can instantly swap patterns per group, experiment with different combos to find what beat and bass lines work together. The commit button helps you freeze a point in time and move on, adding a verse or a break. It all happens in real time while playing.

Built-in mic and speaker
USB-C
Midi output
Midi input
Sync output
Sync input
Audio input
Audio output
4x AAA batteries

One-two punch

Vintage style keys with a modern touch, combining tactility with pressure sensitivity.

10" EP format

Comes in a limited edition 10" collector's box

Tech specs:

K.O.II highlights

Sampling frequency: 46 kHz / 16-bit
Internal signal chain: 32-bit
999 sample slots
64 mb memory
Preset samples
High resolution sequencer
Built-in FX
Fader and pressure sensitive pads
Six stereo voices, twelve mono
Runs on 4x AAA batteries with the option to be powered via USB-C

Dimensions and weight

240 mm x 176 mm x 16 mm
9.45" x 6.93" x 0.63" inches
620 g / 22 oz

Stereo input

24 bit
SNR: 96 dba
Analogue gain: 0 - 12 dB
Max level: 8 DBU, 2.0 VRMS

Stereo headphone/line output

24 bit
SNR: 98 dba
Max level: 5 DBU, 1.4 VRMS

MIDI input and output
TRS type A, MMA compliant

Sync input and output
Sync 8 ppm, 16 ppm, 24 PPQN
Start / stop

Notes: ***B-STOCK: Box opened, product in perfect working order***


A creative new approach to sampling, the first release from Teenage Engineering's EP Series is an evolution of the PO-33 K.O! Pocket Operator. Sample, program, sequence and produce in one comapact, retro box.

Supplier's Notes:
Get ready for Round 2

Meet the next evolution of the world's most sold sampler. Based on the legendary PO-33 K.O!, the new EP-133 K.O. II adds more power, more sampling capabilities, a fully reworked sequencer and brand new punch-in 2.0™ effects. Introducing a workflow that lets you go from idea to track faster than ever. It's pocket operators gone pro.

The champ is here

A versatile machine with an impressive set of features, K.O. II is the new champion in and outside the studio. Unrivaled by anything in its class, this is the sampler you've always wanted.

Record sounds around you, sample your voice, favorite synths, vinyl records or whatever audio that you've got on your phone.

Sequence your samples and loops. Make use of the curated selection of drums, bass and keys that come pre-loaded on your K.O. II.

Tweak and automate things like filter, pitch and more... add stereo effects, compressor and next generation punch-in effects.

Knock out features

9 projects each with 80,000 notes
Projects contain 4 groups, each with 99 patterns
Patterns have 12 tracks for samples and midi
Variable pattern length per group (1 to 99 bars)
12 mono / 6 stereo voice polyphony
Use groups to mix and match patterns on the fly
Record and automate all 12 fader assignments
Sequence in free time or quantized with swing
Assign any pad to one of 16 midi channels
Loop mode from OB-4 with length and slide
12 pressure and velocity sensitive pads
Instantaneous time correction and erase
Slice samples live or automatically
Stereo / mono sampling at 46.875 kHz / 16-bit
Punch-in 2.0: effects (pressure sensitive)
Arrange quickly using the instant commit feature
32-bit float signal chain, 24-bit ADC/DAC
Sync io for ext. Gear. 8th, 16th note or sync24
6 built-in send FX and a master compressor
Drag and drop samples using the sample tool

The sequencer engine of the K.O. IIO provides an intuitive, fast way of building up beats and variations using 4 groups x 12 patterns. Like most DAWs, you can instantly swap patterns per group, experiment with different combos to find what beat and bass lines work together. The commit button helps you freeze a point in time and move on, adding a verse or a break. It all happens in real time while playing.

Built-in mic and speaker
USB-C
Midi output
Midi input
Sync output
Sync input
Audio input
Audio output
4x AAA batteries

One-two punch

Vintage style keys with a modern touch, combining tactility with pressure sensitivity.

10" EP format

Comes in a limited edition 10" collector's box

Tech specs:

K.O.II highlights

Sampling frequency: 46 kHz / 16-bit
Internal signal chain: 32-bit
999 sample slots
64 mb memory
Preset samples
High resolution sequencer
Built-in FX
Fader and pressure sensitive pads
Six stereo voices, twelve mono
Runs on 4x AAA batteries with the option to be powered via USB-C

Dimensions and weight

240 mm x 176 mm x 16 mm
9.45" x 6.93" x 0.63" inches
620 g / 22 oz

Stereo input

24 bit
SNR: 96 dba
Analogue gain: 0 - 12 dB
Max level: 8 DBU, 2.0 VRMS

Stereo headphone/line output

24 bit
SNR: 98 dba
Max level: 5 DBU, 1.4 VRMS

MIDI input and output
TRS type A, MMA compliant

Sync input and output
Sync 8 ppm, 16 ppm, 24 PPQN
Start / stop

Notes: EcoSynth is a small, portable Eurorack modular case solution, designed for your desktop! It's a practical solution designed to save your hard-earned cash for modules. If you're looking for a small desktop solution to augment other desktop electronic hardware, this is for you. If you need a larger case, EcoSkiff passes on the savings for more traditional size racks like 84HP and 104HP.

Save on money and space: get just as much HP as you need!

Available in the following sizes:
24HP
44HP
64HP
84HP
104HP

Features and specifications:
Over-current protection: shuts off each power rail automatically if modules use too much current on that rail
The skiff goes together with just a Phillips head screwdriver!
Comes with 3mm slide nuts
Max module depth: 44mm
Max module depth above power supply: 33mm

Specifications, 64HP-104HP:
Power output:
+12V @ 2A
-12V @750mA
5V@ 1.5A
Power connectors: 15
Daisy chains to another EcoSkiff, Skiff Power, Five Amp Power, or Schottkey DC

Requires a 12V 5A center positive power brick with a 5.5mm x 2.1mm tip.
Assembly required, but no soldering needed.

Notes: The SSL 2611 V-Gates 2.0 is an updated version of Synthetic Sound Labs' popular 2610 with improved circuitry, simple panel graphics and only 8 HP width. It sports a powerful combination of features for your clocking and gating pleasure. In fact, there are well over 300 variations of gates, functions and modes. And many of these functions can be voltage controlled!

Analogue knobs on a digital gate?
Absolutely! You bet! Although knobs might seem to make more sense for analogue, with digital functions the knobs actually allow very versatile selections of what Synthetic Sound Labs call "Sub-Functions". These sub-functions allow you to adjust how the gate outputs react with the input clock, among other things.

Modes, functions and sub-functions
The 2611 has two Modes - analogue & digital - each with three Functions. Functions (and sub-functions) allow control over how the outputs respond to the input. Sub-functions in digital mode, allow the outputs to selectively follow the input pulse width and control up/down actions.

Sub-functions in analogue mode, controls the number of outputs affected by the input CV. In Analog mode, the 2611 follows an input control voltage (CV) to produce unique combinations of output gate signals. Binary, Step and Slope functions are available. A clock output is available that produces a 1 millisecond (ms) pulse for each change of output state.

In Digital mode, the outputs change in step with the input clock. Binary, Step and Random functions are available. This makes the 2610 very useful in creating rhythmic patterns, as well as random (no patterns) outputs. The outputs respond from DC to about 400 Hz.

Diffused red LEDs display the output states. The Initial and external CV input controls respond linearly. Knobs are conveniently placed to allow ample room for manual adjustment. Top quality 1/8" jacks permit smooth, effortless patching. Quality, solder masked, fiberglass-epoxy printed circuit boards with precision computer controlled part placement and meticulous hand-crafted assembly assure years of trouble-free service.

Specifications


Controls
-Initial CV (analogue) / Function Controls (digital)
-External CV Amount
-Mode Selector: Analog / Digital
-Function: Binary, Step, Slope (analogue) / Binary, Step, Random (digital)

Inputs
- Reset (digital) / CV In (analogue); 0 to +5V
- Clock In (digital); 0 to +5V

Outputs
- Clock Out (analogue); 0 to +5V
- Step (Stage) outputs - x8; 0 to +5V

Indicators
- Step (Stage) LEDs (Soft Red) - x8

Frequency Range
DC to ~400Hz - (At rates greater than about 60Hz, jitter is more apparent)

Power
+12V @ 21 ma, -12V @ 3 ma
10 pin Euro standard connector.

Size
Width - 8 HP (Euro rack)
Depth - < 33mm (1.25") behind panel Skiff ready


(Due to continual product improvements, specifications are subject to change without notice.)

Notes: What happens when you apply 1950's era Soviet technology to a modern analogue synth? You get the new SSL 2530 Tube VCA / Timbral Gate module - a wild blend of vacuum tube warmth and distortion, along with an incredibly useful VCA that is so much more than the sum of its parts.

The 2530 uses miniature pencil-sized vacuum tubes that were developed and refined by the Russians over 60 years ago. They are exceptionally low current and low voltage devices - so there's no need to generate the traditional high-voltage power supplies that are required for most other vacuum tubes. Very cool stuff!

While it's a surprisingly good VCA, it really shines when it's over-driven - rounding and folding the input waveforms like nothing else available. In some modes, it's prone to whacky self-oscillation that can be made to lock onto the harmonics of the input waveform in cascading howls. Totally adjustable and controllable.

In conjunction with and licensed by Ken Stone (CGS), Synthetic Sound Labs has further expanded on Ken's designs to include several other circuit enhancements to make your Russian dreams "Come True".

SSL has added LEDs behind the tube to visually emulate the warm glow of the filament, and pulsating blue LEDs that simulate tubes as they are being driven by control voltages. A custom acrylic window shows off the effects in true retro fashion.

Specifications

Controls
- DRIVE 1 - Drive 1 attenuator
- DRIVE 2 / FB - Drive 2 and normalized feedback attenuator
- INIT GAIN - Manual CV gain input
- CV AMT - CV Input gain attenuator

Switches (x2)
- FeedBack (On/Off)
- Bias (Dist/Off/Clean) (Recommend setting to Off when not in use to prolong tube life)

Inputs
- DRIVE 1 - Variable gain Signal input
- DRIVE 2/FB - Variable gain Signal input - Input switch selectable feedback from output
- CV IN - Controls output gain. Attenuation control

Outputs
- OUT - Audio Output (AC Coupled)

Power
- Current draw: +12V @ 24 ma. and -12V @ 32 ma.
- 10 pin shrouded & keyed Euro standard. Cable included.

Size
- 8 HP
- < 1.5" behind panel

Notes: Boom, tong, boing, clank, ting. From bass drums, toms, bongos, congas and tablas to finger cymbals, garbage pail lids, and yes, even cowbells.

The ThunDrum 2140 is a flexible two oscillator FM percussive membrane / metal based drum voice in a 8 HP Eurorack module. It's larger cousin is Synthetic Sound Labs' MU format 1140.

Synthetic Sound Labs tried hundreds of modular patch variations to get to the best combination of simplicity and tonal versatility in a reasonably priced, compact and user-friendly format.

The main Tone oscillator (VCO) has a linear control response and is adjustable from zero (not thru-zero) to several kilohertz, but the key to the 2140's unique sound is its enveloped linear FM (frequency modulation).

A secondary wide range "sine" FM oscillator output is routed thru an internal VCA (FM Amount). As pre-patched, the modulation depth is controlled by the Envelope output. This allows higher harmonic contents at the beginning attack of the envelope, which trail off as the tone decays. Of course, this is entirely under your control, and you can easily patch around this normalization and create your own variations.

Synthetic Sound Labs designed the main Tone oscillator to actually "stall" (zero frequency) at the lowest settings so that you can get unique musically useful pulsing effects when modulated.

The Tone oscillator has several sources from which its frequency can be modulated:

A secondary wide range FM oscillator with initial and external amount controls
External linear CV input with attenuator for controlling the overall pitch
Envelope control of pitch with (+/-) reversible attenuator
It also has a Color control that goes from triangle, to pseudo-sine to rounded square waves. You decide which is right for your patch. Using an external filter to control the harmonics can make some really cool sounds.

ThunDrum's inputs and outputs provide a great deal of creative patching capabilities. Features include a lighted trigger button and smooth metal shaft pots that allow adjustment over a wide tonal palette.

Synchronous Envelope

The ThunDrum employs a unique circuit Synthetic Sound Labs call "synchronous envelope" that deserves some explanation. Normally, if you create a patch that has very short, percussive attack times using a free running oscillator, VCA and envelope generator, it's likely that you will hear slight clicks when triggered because the signal output could be turned on at ANY point in the VCOs waveform.

To prevent the clicks, the circuit waits for the VCO signal to cross the zero-voltage boundary before beginning the attack phase of the envelope, thus eliminating the click. This has some limitations and drawbacks, however. If the tone oscillator is set to a very low frequency (or stalled), the envelope attack will never start or will start with a slight delay. It may take a bit of control fiddling to get to the sound you're looking for, but you'll have fun experimenting.

Specifications

Controls
- Tone Pitch
- Tone Colour
- External Pitch Amount
- Pitch Envelope Amount (+/-)
- FM Rate
- Ext FM Amount
- Initial FM Amount
- Envelope Decay Time
- Trigger Button (lighted)

Inputs
- FM Amount CV
- Pitch CV: Bipolar +/- 5V. Roughly linear.
- Decay / Choke CV: 0 to 5V.
- Trigger: Logic ~1.2V threshold.

Outputs
- Envelope: 0 to ~5V.
- Audio: AC Coupled.

Frequency / Decay Ranges
- Tone VCO: 0 to ~9 KHz
- FM Oscillator: Approx. 15 Hz to 2.2 KHz
- Envelope Decay: Approx. .002 to 8 Seconds

Indicators
- Decay level LED (in Manual Trigger button)

Power
- Current draw: +12V @ 40 ma, -12V @ 20 ma

Size
Width - 8 HP
Depth - <1.5" behind panel with connectors

Notes: The SSL 2521 Segwencer™ 2.0 Euro module is an updated version of Syntehtic Sound Labs' popular 2520 with improved circuitry, simple panel graphics and only 8 HP width - and is indeed in a class of its own. The name derives from the audio term "segue" (fading from one sound to another), and the synth term "sequence" (moving from one point / sound to another), and once combined, there is a synergy that blasts these concepts into a totally new way of morphing sounds, textures and even control voltages.

Before we go any further, a bit of explanation is probably in order. If you know a bit about pipe organ history, you know that a "crescendo" pedal is not a simple volume control. Pipe organs can control volume by opening and closing louvers in front of the pipes (called "swell"), but can't really control brightness / timbre. A crescendo can add the perception of brightness and impact by adding more "ranks". This is typically done with a separate pedal that the artist moves forward to bring in brighter and louder sounds. On a pipe organ, the mechanics of this are fairly straight-forward but technically complex. As the artist goes from soft to loud with the crescendo pedal, several "switches" are sequentially engaged. Each successive switch causes a new pipe rank to sound, therefore it becomes increasingly fuller with each stage of the crescendo pedal.

So, what is the SSL Segwencer? In a typical Voltage Controlled studio environment, a control voltage is fed to the "Depth" input which (through an on-board attenuator) controls which of the four Segwencer channels is active based on the input voltage. Each channel of the Segwencer has a separate built in VCA (DC coupled!) input and output, as well as a convenient Mix output that can frequently save a mixer.

By this description, you might think that the Segwencer harshly "switches" from channel to channel - which is not in itself a bad thing. Here is where the Segwencer really shines.

The Segwencer has a "Width" panel control that literally softens the progressive transitions between the channels. So YOU have complete control over the transition of the "switch" point between the channels, and the "softness" of how that channel switches. Really cool!

Obviously, using a voltage pedal could emulate the actions of a crescendo pedal, but how about feeding the Depth input with an envelope generator? What about an LFO, or even keyboard velocity voltages. And since the VCAs are DC coupled, imagine possibilities of Segwencing control voltages, or even CVs AND audio in the same segwence? The combinations are staggering.

Imagine taking each basic waveform from a VCO into each input of the Segwencer and having the Segwencer smoothly blend the waves? Or how about a sine wave into channel "A" out to a audio mixer, an LFO into channel "B" out to the VCOs CV input, and a wavefolded sine into channel "C" out to the audio mixer? Result: Sine, to FM modulated sine, to distorted sine.

The VCA inputs are conveniently normalized, so - How about a voltage controlled quad panner with each output going to a separate speaker? Or maybe three or four VCOs in a musical chord (or discord if that floats your boat), each into a separate Segwencer input, with the Segwencer "Mix" output as audio? Result: Think about it.

You'll probably find youself using at least one Segwencer for just about every patch!

Specifications
Controls
- Width
- Depth CV Amount
- Peaks / Slope selection switch

Inputs
- 4 DC Coupled Linear VCAs
- Depth CV

Outputs
- 4 DC Coupled Linear VCAs
- 1 DC Coupled Mix output

Indicators
- 4 Channel Activity LEDs (Red)

Power
+15V at..ma, -15V at..ma, 16pin Eurorack header.

Size
Width - 8HP
Depth - <45mm (1.5") behind panel

Notes: New all CLEAR EDITION for the new Stokyo Record Mate Portable Record Player.

Portable turntable on the Columbia Portable GP series, reengineered with the original crew for an all brand-new construction (mainly internal parts, molds and arm assembly)

Classic adapter and tonearm function of playing records on the wall (upright)

Play 12-inch or 7-inch records (3 -inch records with the STOKYO 3"adapter) on RM-1 portable turntable w/ pitch adjust

Output via built-in "new improved" speaker or RCA output

Each unit is battery or AC powered (batteries not included)

This model is exclusive to North America at 120V, with the transformer included.

Product under limited warranty for 1 year of purchase from STOKYO and authorized dealers

Warranty is limited to the RM series only and not the domestic GP series in Japan.

A cool back story from one of the founders at STOKYO :

"The story goes back around 22 years ago when the good folks at Xexxn would allow me to distribute these on the low for diggers and DJs overseas.

A few years later we (STOKYO and friends) did have the opportunity to take over manufacturing but ironically I was also at Vestax and at the time we had the Handy Trax.

Fast forward to 2019, this project took over 2 years but with the help of some original engineers, our manufacturing partner and the love we all shared for the original GP/GMX we bring you the all improved version.

The RM-1 and RMX -1 "RECORD MATE" series is the overseas edition. (GP-3R/GMX-3R are the JPN domestic model)

Updated molds, internal board, parts, new speakers, new case/tonearm construction, magnetic stereo cartridge (like you'll find on an AT-LP60), but everything else like the OG. The first model will be exclusive for the Americas (@ 120v).

As we continue to improve more parts to clear Global compliances, we also await for more parts with supply issues due to the Pandemic for our Global/EU model we aim to make available later in '22.

For those who pre-ordered, we originally aimed for an earlier ship date and our sincere apologies with all the port congestion but good news, it is on stateside awaiting customs. Arriving soon.

Thank you for the patience.

Big up to the crew for making this happen, grinding everyday and for your love we have for vinyl."

Notes: New all BLACK EDITION for the new Stokyo Record Mate Portable Record Player.

Portable turntable on the Columbia Portable GP series, reengineered with the original crew for an all brand-new construction (mainly internal parts, molds and arm assembly)

Classic adapter and tonearm function of playing records on the wall (upright)

Play 12-inch or 7-inch records (3 -inch records with the STOKYO 3"adapter) on RM-1 portable turntable w/ pitch adjust

Output via built-in "new improved" speaker or RCA output

Each unit is battery or AC powered (batteries not included)

This model is exclusive to North America at 120V, with the transformer included.

Product under limited warranty for 1 year of purchase from STOKYO and authorized dealers

Warranty is limited to the RM series only and not the domestic GP series in Japan.

A cool back story from one of the founders at STOKYO :

"The story goes back around 22 years ago when the good folks at Xexxn would allow me to distribute these on the low for diggers and DJs overseas.

A few years later we (STOKYO and friends) did have the opportunity to take over manufacturing but ironically I was also at Vestax and at the time we had the Handy Trax.

Fast forward to 2019, this project took over 2 years but with the help of some original engineers, our manufacturing partner and the love we all shared for the original GP/GMX we bring you the all improved version.

The RM-1 and RMX -1 "RECORD MATE" series is the overseas edition. (GP-3R/GMX-3R are the JPN domestic model)

Updated molds, internal board, parts, new speakers, new case/tonearm construction, magnetic stereo cartridge (like you'll find on an AT-LP60), but everything else like the OG. The first model will be exclusive for the Americas (@ 120v).

As we continue to improve more parts to clear Global compliances, we also await for more parts with supply issues due to the Pandemic for our Global/EU model we aim to make available later in '22.

For those who pre-ordered, we originally aimed for an earlier ship date and our sincere apologies with all the port congestion but good news, it is on stateside awaiting customs. Arriving soon.

Thank you for the patience.

Big up to the crew for making this happen, grinding everyday and for your love we have for vinyl."

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Excellent quality portable turntable from the legendary Stanton brand. Rechargeable batteries, Bluetooth streaming and recording direct to USB. Ideal for portablism.

Supplier's Notes:
Stanton STX

Limited edition portable scratch turntable

Razor sharp cuts, right away

The STX is the only portable turntable that comes with a factory-installed mini Innofader Nano crossfader. Designed to last over 4 million cycles, this buttery-smooth fader and can be easily swapped between left and right positions to accommodate both left-handed and right-handed scratch styles. The independent crossfader Cut-In and Curve knobs deliver an unrivalled level of crossfader customization, allowing DJs to precisely calibrate the crossfader to suit their own style. This level of customization, along with the ultra-stable platter and tonearm, makes it easy to achieve the absolute cleanest cuts possible.

Scratch whenever, wherever

Second only to a sharp, ultra-precise crossfader, ease of portability is vital for a portablism-focused turntable. High-quality rechargeable Lithium-ion batteries are included with the STX, providing enough portable power for hours of mobile use. The batteries can easily be charged by connecting the unit to a computer or wall charger using the USB C input. For extended scratch sessions, the USB C input can also be used with external power sources for even more cutting time. To top everything off (literally), the latching lid also functions as a stackable, latching base, bring the STX to standard turntable height.

Well-connected for creators

Performing with beats and loopers is as simple as connecting a smartphone wirelessly with Bluetooth or with the 1/8" stereo input. The USB port with one-touch recording makes it fast and easy to record high-quality session audio for social media content creation, while the stereo RCA outputs allow you to connect external mixers and speakers for live performances.

Performance ready

The modification culture is alive and well in the portablism world. Since the inception of this art form, we've seen ingenious designs and customizations. The most popular and utilitarian mods are already included on the STX, including a Start/Stop button, an on-board speaker, and a pitch slider with Ultra-Pitch selection switch. These key features allow for inspiring performances right out of the box and provide a solid foundation upon which DJs can further customize to match their own unique portablist style.

Features

Mini Innofader Nano crossfader installed
Independent Crossfader Cut-In and Curve controls
Rechargeable batteries (included)
USB C input for charging batteries and for external power connection
Bluetooth and 1/8" stereo input for smartphone looper apps
Direct-to-USB recording
Built-in speaker
Pitch slider with Ultra Pitch option
Stackable latching lid
Start/Stop button
33 1/3, 45, and 78 RPM switch
Stereo RCA outputs
1/4" and 1/8" headphone jacks

Technical Specifications

Connections

(1) RCA line-level output (stereo pair)
(1) 1/4" (6.35 mm) stereo headphone output
(1) 1/8" (3.5 mm) stereo headphone output
(1) 1/8" (3.5 mm) stereo input
(1) USB-C port (charges the internal battery)
(1) USB-A port (USB flash drive recording)
Speeds 33 1/3, 45, 78 RPM (45 RPM adapter included)

Power

(2) 3.7V Li-ion batteries
Dimensions (width x depth x height)

13.0" x 13.0" x 4.0" (3.25" without cover attached)
330.2 x 330.2 x 101.6 mm (82.6 mm without cover attached)
Weight: 5.3 lbs./2.4 kg

Notes: The ZIO Analog Bass Preamp + DI is an ultra-low noise, all-analogue preamp and DI for bass guitar. The pedal offers maximum headroom and a simple but flexible set of tone shaping controls. ZIO Bass can be used as a direct input using the balanced XLR output for connection to a mixer or audio interface as well as with headphones through its dedicated headphone jack.

The ZIO Bass features a simple control panel. The OUTPUT knob offers +12db of additional boost plus a significant amount of cut. The BASS and FOCUS controls work best in tandem - use the BASS knob to increase low-end output and the FOCUS knob (which adjusts the cut-off point of a high-pass filter) to eliminated excessive lows and create added punch. The TREBLE knob boosts or cuts the high frequencies, providing enhanced articulation without adding harshness.

The GRIT toggle enables a mild distortion to mimic the transformer-style breakup from high-end bass amps. GRIT mode's gain level can be adjusted for more or less distortion with the GAIN control located on the side of the pedal. The SCOOP toggle engages a special midrange cut to clean up "muddy" mid-range frequencies. The SCOOP profile is based on the "Pultec Trick" - a setting commonly used with vintage Pultec Equalizers to add clarity.

The pedal has three outputs that can be used individually or simultaneously. The OUTPUT jack connects to an amplifier or pedalboard.

The DIRECT OUT is a balanced XLR output that sounds great running into a mixer or audio interface for recording or live sound applications. The HEADPHONE jack features a high dynamic range, low noise amplifier that is capable of driving low impedance studio headphones.

Notes: Turn on to the vintage charm of natural spring reverb coupled with pulsing tremolo. Source Audio doesn't depend on the off-the-shelf reverb effects processors found in many modern reverb pedals, we meticulously craft every one of our proprietary effects engines and load them to high-powered, 56-bit Sigma DSP. The two-man engineering team of Bob Chidlaw and Jesse Remignanti put years of collective man-hours into capturing every nuance and idiosyncrasy of the spring reverb and tremolo effects from some of the music gear industry's most iconic guitar amps and outboard gear. The result is indisputable sound quality with magnificent tonal depth and precision.

The Spring Reverbs

The True Spring's reverb effects are based on a mechanical design originated by the Hammond Organ Company in the late 1930s. This stark design uses a pair of input and output transducers to inject an instrument's dry signal into an actual set of spring coils and capture the very distinct reverberations as the sound bounces back and forth within the springs. Of course, Leo Fender adopted this design in the 1960s with the some of his "blackface" amplifiers and a revolution was born.

Short Spring Reverb: Modelled after the unmistakable twang of "blackface" amplifiers of the 1960s. After extensive research we found tremendous diversity in the spring reverb sounds of a variety of amps. Some offered a tighter, less animated tone while others sounded "drippier," with longer sustain and livelier reverb trails. The SHORT Spring reverb engine offers a taut sound with a quick decay and smooth trails.

Long Spring Reverb: Produces long and deep reverb decays with noticeable "drip" and highly animated trails. The LONG Spring engine is not as dramatic as the TANK Reverb engine, but does offer an extremely authentic representation of some of the livelier reverb tanks found in vintage combo amps.

Tank Spring Reverb (Outboard Spring): Captures the unmistakable effect of the tube driven outboard spring tanks of the 60s. The sound of reverb tanks like the classic Fender 6G15™ are characterized by their "drippy" attack and animated trail. This original two-spring design produces a bouncing, delay like sound inseparable from the early days of surf rock and spaghetti western soundtracks.

Pedal Features

Three Distinct Spring Reverb and Tremolo Effects.

Two Modes of Operation - Use the pedal in Standard Mode for a classic (non-preset) stompbox experience or turn on Preset Mode and save a user preset (including reverb/tremolo effects and knob positions) to each of the three toggle switch positions.

Flexible Stereo Routing - The True Spring is equally at home in a mono or stereo rig. The pedal's stereo inputs and outputs offer a variety of routing options such as Stereo to Stereo, Mono to Mono, Mono-to-Stereo, Stereo Sum-to-Mono and External Loop Mode.

Universal Bypass - Select Active Analog (Buffered) or True Bypass.

Secondary Tremolo Controls - Press and hold the CONTROL INPUT button to access the True Spring's tremolo effects (DWELL knob controls tremolo DEPTH / TONE knob controls tremolo RATE / toggle switch selects tremolo type).

Expression Control - Compatible with Source Audio expression pedals and the Hot Hand 3 Universal Wireless Effects Controller. Assign up to three simultaneous parameters with editable depth and direction.

External Tap Tempo - Use the Source Audio Tap Switch to tap in the tremolo rate with a choice of four different beat divisions (quarter, eighth, triplet, and sixteenth).

External Tremolo Engage and Bypass - Use the Source Audio Tap Switch to engage or disengage the tremolo effects on top of an active spring reverb.

Neuro Editor Features

Connect the True Spring Reverb to the Neuro Mobile App (a free download for iOS and Android) or the Neuro Desktop Editor (a free download for Mac or Windows computers) and explore the power of effect downloading, customization, and sharing that comes with every One Series pedal.

Interchangeable Algorithms - Upload any of the additional reverb or tremolo effects directly to the pedal at no additional charge.

Customize Effects - Tweak an additional set of parameters including advance EQ, pre-delay, diffusion, reverb modulation, virtual spring length, and more.

Save and Share Customized Presets - Once you've fine-tuned an effect, save it to your personal effects collection in the cloud and share it with the growing community of Neuro users.

Download Presets - Explore Source Audio's ever-expanding library of effect presets. Choose from Source Audio Factory presets or presets created and published by members of the Neuro Community.

Signal Routing Options - Re-route the stereo Inputs and Outputs in a number of different ways including Auto Detect, True Stereo, Mono to Stereo, External Effects Loop, and more.

Simple Connection - The Neuro Mobile App. connects with the True Spring via the mobile device's headphone jack and Stereo Input 2 on the pedal. A Neuro App connector cable (1/8" to 1/4") is included with the pedal.

USB Connection - Use the pedal's mini USB port to connect the True Spring to the Neuro Desktop Editor, which can be used to edit presets or download the latest pedal firmware.

MIDI Features

The True Spring Reverb also features full MIDI capability and simplicity when coupled with the Neuro Hub (formerly Soundblox Hub).

Preset Saving - Save up to 128 effect presets.

Multi Pedal Scene Saving - Connect up to five One Series and Soundblox 2 pedals to the Neuro Hub and create 128 multi pedal scenes, recallable via MIDI program change messages.

External Expression Control - Connect the Neuro Hub to any Source Audio expression pedal, Hot Hand 3 Wireless Effects Controller or third party TRS (Tip Hot) expression pedal and manually control effect modulation or assign individual or simultaneous expression control to any adjustable parameter.

MIDI Clock - Sync your tremolo rate with external MIDI clock messages.

Specifications

Includes 9v DC power supply (300mA / Negative Tip)
Includes 1/8" to 1/4" cable for Neuro Mobile App connection.
Power Consumption - 165mA
USB port - Connects to Mac or Windows PC for firmware updates and the forthcoming in-depth effects editing software.
Brushed anodized aluminum housing.
Dimensions: L: 4.5 in./11.4cm x W: 2.75 in./7cm x H: 2 in./5.1cm (including knobs)

Notes: The Spectrum Intelligent Filter is the most powerful stereo filter effect pedal ever created. Building on almost 15 years of filter pedal technology and know-how, Spectrum is the culmination of Source Audio's finest envelope sounds and best thinking on how to easily incorporate those sounds into rigs of all types. The pedal not only features finely crafted envelope filter effects inspired by some of the most iconic and sought-after effects pedals on the market, it also includes buzzing, synth-like octave/distortion/filter effects. The pedal is a cleverly integrated, all-in-one funk/psych/electronic/jam machine. Whether you want to easily plug and play with its six carefully crafted factory sounds, browse the ever-growing Neuro library for additional sounds created by Source Audio and other Spectrum owners, or use the Neuro's deep sound editing tools to create your own highly personalized presets, this filter pedal will satisfy the needs of any guitar, bass, keyboard, horn, or (insert your instrument here) player.

Pedal Features

Six Onboard Presets: Choose from six different onboard envelope filter effects. Vintage sounds include effects inspired by the iconic Mu-Tron- and Lovetone Meatball pedals, as well as contemporary envelopes with thumping octave-down effects and buzzing synth-like tones.

Simple 4-Knob Control Panel: Adjust 8 different parameters with 4 knobs. Primary controls include Input Level, Modulation Depth, Frequency Starting Point, and Envelope Speed. Alternate controls (accessible by pressing the ALT button) include Envelope Sensitivity, Wet/Dry Mix, Resonance, and Output Volume.

Excellent Envelope Filter Response: Use the Spectrum's Input Gain, Sensitivity and Speed controls to dial in the perfect envelope response for your needs. Maybe you like slow and smooth envelope movement while you really dig-in on the strings, or possibly you want a quick moving filter that responds to light picking - either way is achievable with the Spectrum.

Growing Library of Published Presets: For quick access to a world of great tones, try sampling sounds from a vast collection of published presets created by the Source Audio team and the ever-growing Spectrum Neuro Community.

Unprecedented Sound Sculpting Options: The powerful Neuro Desktop Editor (Free download for Mac and Windows) and Neuro Mobile App (iOS and Android) offer maximum sound exploration possibilities. Use Neuro's additional filter, octave, and distortion blocks to create highly unique effects.
Supreme Tracking: If tracking matters to you (and it should), you will be amazed by the lightning quick response from the Spectrum's octave effects.
128 MIDI Accessible Factory Presets - The addition of a third party MIDI controller with USB host provides access to any of the pedal's 128 Factory presets.

Stereo Inputs and Outputs: Use the Neuro Editor's panning controls to route each Voice to any location in a full stereo spread.

Compact Design - The durable, anodized aluminium housing has a small footprint and sturdy hardware. Dimensions: L: 4.5 in./11.4cm x W: 2.75 in./7cm x H: 2 in./5.1cm (including knobs).

Universal BypassTM - Select either analogue buffered or relay based True Bypass.

USB Port - Class compliant USB-MIDI allows the Spectrum to work as a plug-and-play device with recording software running on Mac and Windows recording software or any third party MIDI controller with USB host. The USB port also offers connectivity to the Neuro Desktop Editor providing access to deep editing possibilities and pedal firmware updates.

USB to Mobile App Connectivity - Connect the Mobile App to your Spectrum Intelligent Filter via the USB port on the top of the pedal and enjoy two-way communication between the pedal and your Neuro Mobile App. This means you can see all of your Spectrum preset settings on the App. in real time. (Lightening to mini Type B USB cable for iPhone) (Type-C to mini Type B USB cable for Android).

External Expression and Tap Tempo Control - Use the Control Input jack with the Source Audio Dual Expression Pedal (expression control to multiple parameters) or Tap Switch (adjust LFO rates on the fly).

Neuro Editor Features

Connect the Spectrum Intelligent Filter to the Neuro Desktop Editor (a free download for Mac or Windows computers) or the Neuro Mobile App (free for iPhone and Android) and explore the power of effect downloading, customization, and sharing that comes with every One Series pedal.

Growing Library of Published Presets: Quickly test and download sounds from the ever-expanding collection of published User Presets created by Source Audio and the rest of the Spectrum Filter/Neuro Editor Community.

Deep Effects Editing Capabilities: Use the Neuro Desktop Editor (free download for Mac and Windows) or the Neuro Mobile App (free for iOS and Android) to create, store, and share highly customized filter effects.

25 Different Filters: Choose from a huge collection of filters including several types of low-pass, band pass, multi-pole, and phaser effects.

Dual Filter Effects: Run two different envelope filters simultaneously, each with its own envelope response as well as Frequency, Depth, Direction and Q controls.

Octave Effects: Use the Spectrum's two Octave Voices to mix in octave effects. Choose from one or two octaves down or one octave up.

11 Styles of Envelope Follower: Choose from 11 different types of envelope follower with adjustable attack/decay as well as ADSR triggering envelopes.

14 Different LFO Wave Shapes: Use LFO (Low Frequency Oscillators) to control filter modulation. Choose from eight different LFO wave shapes, including sine, square, sample and hold, saw tooth, and more.

13 Types of Distortion: Choose anything from a subtle drive effect to extremely fuzzy Foldback effects.

USB Connection - Use the pedal's mini USB port to connect the Spectrum to the Neuro Desktop Editor, which can be used to edit presets or download the latest pedal firmware.

MIDI Features

The Spectrum Intelligent Filter responds to MIDI Program Change (PC) and Continuous Controller (CC) messages via its mini USB port. The USB port handles communication between the Spectrum and digital audio workstations (DAW) on Mac and Windows machines as well as external MIDI controllers with USB host support.

Preset Saving - Save up to 128 effect presets.

MIDI Mapping - Use the Neuro Desktop Editor to easily map MIDI Continuous Controller (CC) messages to a comprehensive list of parameters.

Preset Recall - Use MIDI CC numbers 103 & 104 to recall any of the Spectrum's 128 MIDI accessible presets.

MIDI Clock - Sync the Spectrum's LFO rate with external MIDI clock messages.
The Neuro Hub - Connect the Spectrum to the Neuro Hub and use MIDI CC messages to control parameters or recall presets.

Note: As of Hub fw 1.18 and Spectrum fw 1.05, the Spectrum can now be added to scenes, is visible through the Hub, and can be controlled by PC messages, giving you the full access to 128 preset slots.

Specifications

Includes 9v DC power supply (300mA / Negative Tip)
Includes 1/8" to 1/4" cable for Neuro Mobile App connection.
Power Consumption - 165mA
USB port - Connects to Mac or Windows PC for firmware updates and the forthcoming in-depth effects editing software.
Brushed anodized aluminium housing.
Dimensions: L: 4.5 in./11.4cm x W: 2.75 in./7cm x H: 2 in./5.1cm (including knobs)

Notes: The Lunar Phaser offers three styles of swirling stereo phase modulation. Choose from Vibe - a thumping Uni-Vibe effect, Classic - a resonant and creamy 4-stage phaser, and Multi - a highly animated, yet smooth and satisfying 8-stage phaser. Explore the sonic landscape even further by sweeping the Shape knob to gradually morph the LFO wave shape from a smooth, undulating sine wave to an aggressive and choppy square wave.

Pedal Features

3 Flavours of Phase Modulation

3 Presets - use Preset Mode to save a different preset to each of the three toggle switch positions. When the pedal is engaged, all of the parameters instantly jump to their saved value, regardless of the knob positions.

Stereo Input and Output Jacks - Create deep and wide stereo modulation or engage one of the Lunar's many Signal Routing options (see Neuro App Features for details).

Universal Bypass - Select either analogue buffered or relay based true bypass.

Expression Control - Compatible with Source Audio expression pedals and the Hot Hand 3 Universal Wireless Effects Controller.

Tap Tempo - Sync your phase modulation rate to the rest of the band with Source Audio's External Tap Tempo switch. Set beat divisions (quarter, eighth, triplet, and 16th) with the Speed knob.

Neuro Editor Features

Connect the Lunar Phaser to the Neuro Mobile App (a free download for iOS and Android) and explore the full power of effect downloading, customization, and sharing that comes with every Ones Series pedal.

Interchangeable Algorithms - It is possible to download ANY of Source Audio's phaser, flanger, and chorus algorithms directly to your Lunar Phaser for no additional cost. The same goes for the Gemini Chorus Mercury Flanger, so owning one of Source Audio's One Series modulation pedals is essentially like owning all three.

Customize Effects - Tweak an additional set or parameters including Frequency (the center point of the modulation), Output Level, Tremolo, Low Retain, a Parametric EQ, and more.

Save and Share Customized Presets; Once you've fine-tuned an effect, save it to your personal effects library and share it with the growing community of Neuro users.

Download Presets - Explore Source Audio's ever-expanding, library of free effect presets.

Envelope Follower Mode - Set the modulation source to envelope follower and control phaser modulation in the style of pick sensitive "auto wah" effects.

Signal Routing Options - The stereo Inputs and Outputs can be routed in a number of different ways including True Stereo, Mono to Stereo, Dual Mono, Sidechain Envelope, External Effects Loop, and more.

Simple Connection - The Neuro App. connects with the Lunar Phaser via the mobile device's headphone jack and stereo Input 2 on the pedal. A Neuro App connector cable (1/8" to 1/4") is included with the pedal.

MIDI Features

The Lunar Phaser also features full MIDI capabilities when coupled with the Neuro Hub.
Preset Saving - Save up to 128 effect presets.

Multi Pedal Scene Saving - Connect up to five One Series or Soundblox 2 pedals to the Neuro Hub and create 128 multi pedal scenes, recallable via MIDI program change messages.

External Expression Control - Connect the Neuro Hub to any Source Audio expression pedal, Hot Hand 3 Wireless Effects Controller or third party TRS (Tip Hot) expression pedal and manually control effect modulation. It's also possible to assign simultaneous expression control to multiple knobs and individually program their range and direction.

MIDI Clock - Sync your phaser modulation with external MIDI clock messages.

Specifications:
Includes 9v DC power supply (300mA / Negative Tip)
Includes 1/8" to 1/4" cable for Neuro Mobile App connection.
Power Consumption - 150mA
USB port - Connects to Mac or Windows PC for firmware updates and the forthcoming in-depth effects editing software.
Brushed anodized aluminium housing.
Dimensions: L: 4.5 in./11.4cm x W: 2.75 in./7cm x H: 2 in./5.1cm (including knobs)