Search dance music

Notes: ***B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition***


The 'Quaid Megaslope' is a five stage function generator or modulator which operates in one of 3 modes; a multistage 'CZ' or 'Juno' style complex envelope, a super flexible LFO and a step sequencer with per step programmable slew or slides.

Each mode produces a varying output voltage moving from point to point across a set number of chained together stages. Each stage features a destination level, an overall rate or time to reach its destination level and a variable slope for the output path to take. As well as direct control, every stage feature voltage control of both level and rate. There are both unipolar and bipolar voltage outputs together with triggers emitted for the end of each stage and the end of a full cycle.

The Quaid Megaslope is designed to be fun, flexible and intuitive to use.

Notes: There is something special about a Keeley Modded Blues Driver. There's something even more remarkable about Andy Timmons' tone.

Since his exposure to this Keeley modded stompbox early on, it has been virtually glued to Andy's board. The Super AT Mod Overdrive captures the magic of the original Blues Driver Phat Mod with the addition of AT Mode. Chord work and harmonies are cleaner and tighter now, without reducing gain.

Asymmetrical Tube Clipping

The new Super AT Mod Overdrive features a return to RK's original clipping style, a 20 year old modification first performed in the Keeley Blues Driver Phat Mod. If you want a drive pedal that responds just like a tube amp, this is it. The topology of the pedal is similar to classic California tube amps, Keeley simply use JFET transistors in place of tubes. Nothing has been left out, even the filtering of an amp's tone stack is designed into the pedal. It's an amp-in-a-box, only better because it's Keeley developed with the guidance of Andy Timmons!

New Tone Switch

There is a new circuit design for the Tone Switch employed in the Super AT Mod. The new AT-mode is voiced for humbuckers and features lower mid-bass frequencies for tighter, more transparent response. The original Keeley PHAT-mode stands ready to put more power behind your favourite single coil equipped guitar. Either way, the Super AT Mod has got you covered.

"The Super AT Mod Overdrive is the ultimate expression of the slightly broken up/clean tone I have been searching for all these years. It also rocks with an amazing overdrive tone that is incredibly amp-like. I already have 2 on my board! Wishing you all the best on your Tone Quest!" - Andy Timmons

Notes: SkipLog, a probability processor with sequence capturing and looping features, along a range of other versatile functions waiting to be explored.

SkipLog is a 3-channel rhythmic probability processor designed for inventive rhythmic exploration in modular setups. Introduce unpredictable rhythmic possibilitis to your creative flow.
SkipLog's basic operation is simple: when a trigger or gate is received at one of its three channels' inputs, the same channel’s Probability knob allows you to control the likelihood of these triggers or gates reaching the output. This inputs are internally connected .

SkipLog continuously captures the binary outcomes of its use, storing them for potential sequences. Activate the Loop function to break from pattern creation and loop the recorded sequences. Individual Loop Length knobs for each channel allow adjustment of the loop sizefrom 1 to 16 or 32 steps (as selected on the back), providing evolving rhythmic patterns.

To fine-tune your arrangement, SkipLog introduces functions like Mute for real-time channel silencing, Inv for signal inversion, and Choke for establishing channel priorities. Lastly, the G/T (Gate/Trigger) Mode enables users to specify whether the channel output is a gate or a trigger.

Dimensions
8 HP
33 mm deep

Current Draw
100 mA +12V
22 mA -12V

Notes: EarthQuaker Devices proudly present to you the new and improved Spatial Delivery V3 Envelope Filter!

EarthQuaker Devices took the already cosmic, original Spatial Delivery and added six available preset slots for you to store your preferred settings - whether they be dissonant sweeps, rhythmic auto wah frequencies, oscillating robot gibberish or honestly whatever filtered frequency fun you want.

Even the expression jack assignment can be saved and recalled in any of the slots so that the signature sounds you dial in are readily available with a quick tap of the switch.

Save your settings confidently on the go thanks to the two modes indicated by the LED Save/Recall switch. Green means you're in Live Mode so what you see is what you get; current control settings will be what you hear. Red means you are in Preset Mode, where your selected pre-saved setting will be what's taking the journey through your amp.

You didn't think this pedal could get any better, and then, bam!

And of course, for all of you Spatial Delivery diehards, all the familiar features of the original are still in place. This baby has three modes with the switchable Up Sweep, Down Sweep, and Sample and Hold functions, along with Range, Resonance and Filter controls.

Get some wild filter sweeps with the Up and Down modes and adjust the Range to control the sensitivity and reaction time of the envelope, which alters the width of the frequency sweep. The higher the Range and harder the attack equals a faster reaction time and higher frequency sweep and vice versa. But again, you're a smart player, you get this stuff.

In the Sample and Hold mode, the filter is controlled by random voltage and the Range controls the speed. The filter can be crossfaded between high pass (counterclockwise), band pass (center) and low pass (clockwise) for a wide variety of voices. The Resonance control goes from zero to the brink of oscillation and adds more body and ring to the filter voice.

Due to its envelope control, it is recommend that you place the Spatial Delivery first in your signal chain, however, experimenting with pairing and signal chain placement can take the potential of the Spatial Delivery even further. How far will you take it? Only time will tell.

Each Spatial Delivery pedal is handmade in Akron, Ohio, USA and is hand delivered... espatially for you.

Notes: The Nectar "Tone Sweetener" strikes aperfect balance between versatility and simplicity. It offers a wide range of tones, spanning from a vintage tweed-style crunch to a full-bodied overdrive, and even a modern high-gain fuzz that pairs wonderfully with any guitar, pedal or amp.

Use the mode toggle to switch between the DRIVE and FUZZZ modes, while the LEDS indicate the selected mode, even when the effect is bypassed. Fine-tune your sound with the TASTE control to set the perfect eq for each guitar or amp.

The Nectar's responsiveness is truly unparalleled, like a delicate bee collecting pollen. Every nuance of your playing is enhanced and sweetened in the best way possible, with plenty of headroom.

True Bypass Design
Power requirement: 9V, 30mA
Made in California, USA

Review: This is a very special and exclusive new version of what is a sonnet cold classic album from the annals of jazz history. Few albums hold the prestige of Getz/Gilberto which was released in 1964 and is a special collaboration between saxophonist Stan Getz, guitarist Joao Gilberto, and composer Antonio Carlos Jobim which very much represents a pinnacle moment in the fusion of jazz and bossa nova. Across its ten tracks, the album weaves a mesmerisng tapestry of melody and rhythm, casting a spell that continues to captivate listeners over half a century later. At the heart lies the symbiotic relationship between two musical giants: Stan Getz, the virtuosic tenor saxophonist renowned for his velvety tone and lyrical phrasing and Joao Gilberto, the Brazilian guitarist and vocalist whose soft, intimate delivery epitomizes the essence of bossa nova.

Notes: 4-in-1 RAT and SD-1 Style Overdrive and Distortion

Keeley put two very different overdrive & distortion pedals in one box and gave you two new sounds in the process. The Keeley Electronics Super Rodent is a 4-in-1 pedal that gives you two well-known distortion circuits and two brand new sounds by way of the toggle switches! It's almost like pedal modelling, except these are 100% analogue circuits and you decide which tone-control or clipping-section you want to play through.

You can play through the classic yellow 'Japanese Super O-Drive' or a 'Rodentia Michigander' distortion circuit, or even better, you can Frankenstein new monster tones with the two hybrid modes.

The creative design keeps the pedal a simple and space-saving three-knob distortion pedal with an amazing tone. It only takes two seconds to make the Super Rodent either buffered-bypass or true bypass, whatever works best on your pedalboard. The Keeley Super Rodent Overdrive and Distortion is entirely designed and manufactured by Keeley Electronics in a new aluminium enclosure.

Tone Control

The Super Rodent gives you two tone control circuits to choose from. When the Tone Switch is down and in the RT Position the tone control simply rolls off high-frequencies. If the Tone Switch is up and in the SD Position you have an active low pass filter and more bass and treble frequencies are available.

Diode Clipping

Hard or Soft Clipping: The Super Rodent gives you both styles of diode clipping. Diodes are used to create hard clipping distortions or smooth overdrive sounds. If the Clipping Switch is in the RT Position it features Hard Diode Clipping which is an edgier, more aggressive tone. When the Clipping Switch is in the SD Position that uses Soft Diode Clipping, like a softly overdriven tube amplifier.

Buffered and True Bypass

The Keeley Super Rodent features our Jfet buffer for noise free switching. Keeley have developed an amazing sounding buffer which not only makes your rig sound better, it gives you silent switching with no tone loss.
No more pops and clicks to distract from your music. If you prefer true bypass, simply press and hold down the foot switch for two seconds and the LED will flash twice to indicate success. True Bypass is great for players that want the effect of plugging directly into their amp when the pedal is off.

Alternatively, players that want a strong and clear signal whether the Super Rodent is on or off, simply hold the stomp switch down for two seconds and the effect is back to Buffered Bypass (LED flashes three times). Enjoy truly silent switching and let your music be the only voice.

Made In The USA

Keeley have designed, engineered, and manufactured the Super Rodent in Oklahoma City. Everything about the Super Rodent is geared towards the professional musician and their quest for an inspiring tone when the performance demands it. From the inside of the pedal and its meticulously built circuit boards and metal construction audio jacks to the outside of the effect its newly fabricated aluminium enclosure; Keeley make guitar effect pedals to be finely crafted musical instruments.

Notes: Drawing on the classic Boss DS-1 and 'Civil War' Big Muff, the Angry Orange serves up two iconic flavours of distortion and fuzz, plus two hybrid modes via a combination of tone control and clipping settings.

Supplier's Notes:
4-in-1 DS-1 and Civil War Big Muff Style Distortion and Fuzz

Keeley crammed two legendary distortion and fuzz circuits into one stompbox and gave you two new sounds in the process. It's sort of like pedal-modeling except these are 100% old-school, analogue circuits and you decide which tone control or clipping section you want to rock.

Heavily saturate your guitar through either a legendary '78 Japanese Orange Distortion or a '91 Soviet Civil War Fuzz. Use the Angry Orange to make your own fuzzztortions with the hybrid modes, all with only three simple knobs.

This pedal can be True Bypass or Buffered Bypass, it only takes two seconds to switch between the modes. The Keeley Angry Orange is entirely manufactured at Keeley Electronics and is in the new aluminium enclosure.

Tone Control

The Angry Orange gives you two tone control circuits to choose from. When the Tone Switch is up and in the MF Position the tone control is a scooped sounding, passive tilt-style. If the Tone Switch is down and in the DS Position it also features a passive sounding tilt control, voiced a little differently.

Diode Clipping

Hard or Soft Clipping: The Angry Orange gives you both styles of diode clipping. Diodes are used to create hard clipping distortions or smooth overdrive sounds. If the Clipping Switch is in the DS Position it features Hard Diode Clipping which is an edgier, more aggressive tone. When the Clipping Switch is in the MF Position that uses Soft Diode Clipping, like a muffled fuzz tone.

Buffered and True Bypass

The Keeley Angry Orange allows you to quickly switch between either mode. Having a great buffer will make your rig sound strong and clear even when the pedal is off.

Buffered switching prevents the pops and clicks of true-bypass switching. If you want to turn on true bypass, simply press and hold the foot switch for two seconds. Holding the switch for two seconds toggle between modes. True Bypass is great if a buffer might affect the tone of a vintage pedal. Enjoy truly silent switching and a better sounding rig with Keeley's buffered switching mode.

Made In The USA

Keeley design, engineer, and manufacture the Keeley Angry Orange in Oklahoma City. Everything about the Super Rodent is geared towards the professional musician and their quest for an inspiring tone when the performance demands it. From the inside of the pedal and its meticulously built circuit boards and metal construction audio jacks to the outside of the effect its newly fabricated aluminium enclosure; Keeley make guitar effect pedals to be finely crafted musical instruments.

Notes: 4-in-1 Blues Breaker and OCD Style Overdrive and Distortion

Keeley combines two completely different overdrive and distortion circuits to create four different drives in one box. The Blues Disorder has two switches that allow you to separate the tone control from the clipping section.

By mixing and matching the Tone and Drive switches you get two hybrid sounds. With both switches up it's a smooth, soft-clipping Bluesy Breaker. The BB side is a low gain, soft-clipping overdrive. With both switches down it's a fuller sounding, hard-clipping OC Distortion. The clever design keeps the pedal a three knob overdrive with 4 unique sounds.

Switch easily between buffered or true-bypass; whichever sounds best in your rig. The Keeley Blues Disorder Overdrive and Distortion is designed and manufactured entirely by Keeley Electronics in a brand new aluminium enclosure.

Switchable Tone Stacks - Swap Voicings

The Blues Disorder gives you two tone control circuits to choose from. When the Tone Switch is down and in the OC position you will hear an active midrange boost and then the tone control rolls off high-frequency. If the Tone Switch is up and in the BB position you don't have the active mid boost, there's just a simple high-frequency filter and therefore a more transparent sounding overdrive and response.

Switchable Diodes - Hybrid Gain Clipping

The Blues Disorder gives you both styles of diode clipping. Where diodes are placed in the circuit, can have a dramatic effect on gain and compression. This pedal gives you both hard clipping distortion or soft clipping overdrive, depending on the position of the Drive Toggle.

If the Clipping Switch is in the OC position it features Hard-Clipping which is an edgier, more aggressive tone. Alternatively, when the Clipping Switch is in the BB Position, that uses Soft-Clipping and sounds like a softly overdriven tube amplifier.

Buffered and True Bypass

The Keeley Blues Disorder allows you to quickly switch between either mode. Having a great buffer will make your rig sound strong and clear even when the pedal is off.

Buffered switching prevents the pops and clicks of true-bypass switching. If you want to turn on true bypass, simply press and hold the foot switch for two seconds. Holding the switch for two seconds toggle between modes. True Bypass is great if a buffer might affect the tone of a vintage pedal.

Enjoy truly silent switching and a better sounding rig with Keeley's buffered switching mode.

Made In The USA

Keeley design, engineer, and manufacture the Keeley Blues Disorder in Oklahoma City. The Blues Disorder is geared towards the professional musician's demand for an inspiring tone when performance demands it. From the meticulously built electronic circuit boards to the in-house fabricated aluminium enclosure, Keeley pedals are professional grade. Keeley make guitar effect pedals to be finely crafted musical instruments.

Notes: KNOBI is a multi-tool able to mix, attenuate, invert, display and multiply any kind of signal.

Knobi can serve a wide range of purposes - not only to pass butter - and this is true thanks to its internal signal path that makes use of some of the most useful building blocks of analog synthesis: a 4-channel mixer, a three-range offset, an attenuverter, a fixed manual gate and lastly a cascading multiple derived from the output stage of Agogo.

a, b, c and d are Knobi's inputs while r is a fixed 5v reference output. The toggle switch next to d sets the range of the offset - the big knob below the meter. Connect a signal into one of the inputs to visualize its voltage value in the three digits meter. Keep in mind that this reading happens post offset and attenuverter - the smaller knob with (-) and (+) indications.

The pushbutton next to x4 adds a gate of 5v to the mix: with no input connected it will act as a manual gate output. Autopatch the r reference output into one of the inputs to use Knobi as a macro controller thanks the offset knob and switch to set the range and the attenuverter.

x1, x2, x3 and x4 are all cascading copies of the final signal path. Plugging a cable will break the normalization and the multiplication will reset starting from the next output. Four cables plugged in will output a copy at the same factor x1 - unity gain - making Knobi a versatile buffered multiple.

Features

Thermal compensated 5v voltage source with dedicated output.
Four channel mixer with four buffered output.
Built in 3 digits voltage meter post mix / attenuation / inversion.
Offset with a dedicated three positions range toggle.
Manual gate button tied to the mix.
4 cascading outputs in an open design configuration.
Unique signal path: mix - attenuate - invert - add - visualize - multiplicate.
"Whatever" power connector a.k.a. don't mind the polarity.

Technical Specs
Width: 6HP
Depth: 25mm
50mA +12V
30mA -12V

Notes: Programmable Volt/Octave CV calibrator and transposer

Clever four-channel utility module designed to make it easier to achieve perfect oscillator tracking and transpose CV signals. Also includes some neat quantising and portamento features.

The CalTrans solves issues encountered when playing tonal music with a modular system: tracking problems, curves unrelated to Volt per octave ratio, limited octave range, cumbersome transpose, ...

The CalTrans corrects and expands the range of troublesome VCOs and brings V/Oct tracking to anything that oscillates.

Besides calibration, the CalTrans offers live play features. Each channel can be quantized and any combination of them transposed jointly.

A pair of rotary encoders with detent allow an precise selection of octaves and semitones.

VCOs whose tracking doesn't go high enough to follow the leader will see their pitch repositioned in their highest possible octave so that the global harmony is unaffected.

You can add a pinch of portamento and glissando to each channel and save the whole in user presets.

Firmware 1.17 offers:
* User editable input scaling to match sources that don't generate perfect 1V per octave signals.
* Complete rewrite of the main processing with higher precision.
* ... and the unavoidable fixes and tweaks ;-)

The updated user manual 1.4 is much expanded with operations described in exquisite details :-)
.. and a version 1.5 corrects a mistake in the input calibration description and eases the reading elsewhere.

Dimensions
6 HP
36 mm deep

Current Draw
44 mA +12V
8 mA -12V
0 mA 5V

Notes: Save nearly 50 pounds with Erica's double Pico Drums bundle, including two chainable modules which combine to create a powerful drum and sample setup in a total of just 6 HP.

Supplier's Notes:
Erica Synths Pico DRUM1 module gives you two independent and great sounding drums with versatile control over different parameters and a huge collection of drum samples.

Features

2 independent drums
64 samples for each drum
USB interface for user sample upload
Independent control over Pitch, Decay and Level for each drum
Independent control over Pitch, Decay and Level for each drum
Separate triggers for each drum
Audio output of mixed drum sounds
Exclusive switch to select how the two drums interact with
Each other when triggered at the same time
12bit resolution, 44kHz sampling frequency

You can chain up several Pico Drums and get one of the smallest modular drum setups in the modular world!

With Pico Serie, the question was posed - is it possible for ANY superior functionality synth module to be wide 3HP wide and affordable? Yes, it is.

Technical specifications:

Resolution: 12 bit
Sample rate: 44 kHz
Power consumption: +35mA, -15mA
Module width: 3HP
Module depth: 35mm

Notes: ***B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition***


LYRA8-FX is a processor that can give you a significant part of the mysterious LYRA-8 sound thanks to the FX section from the LYRA-8, expanded with CV controls and packed into a Eurorack module.

It contains a double modulated lo-fi delay with cross-feedback and the unique possibility of self-modulation, where the delay output signal modulates its own sample rate. Also, it packs a parallel distortion with CV control of the drive. The distortion is after the delay. It's much more than a delay - you can get a simple reverb, comb filter, chorus and much more cool FXs which are hard to describe.

It has a famous LYRA-8 build quality - no SMD, no twisted plastic shafts.

Pots:
IN volume
Stage 1 delay time
Stage 2 delay time
Stage 1 delay time modulation depth
Stage 2 delay time modulation depth
Delay feedback
Delay feedback CV amount
Delay mix
Distortion drive
Distortion mix
Distortion drive CV amount

Switches:
- Stage 1 delay time modulation source
Stage 2 delay time modulation source

Ins:
Audio in
Delay time CV
Delay feedback CV
Distortion drive CV

Outs:
Main audio out
Delay only out

Dimensions:
Width: 20HP
Depth:40mm

Power consumption:
+12V - 90ma
-12V - 20ma

Notes: ***B-STOCK: Box opened, product in perfect working order***


mioXM - more connectivity than you can shake a stick at.

With mioXM it's never been easier to get all of your MIDI gear talking to each other. Harness the power of iConnectivity advanced computer and network connectivity and experience why mioXM redefines what a MIDI interface can and should do.

Connect all your MIDI devices (USB-MIDI, DIN-MIDI, RTP/Network-MIDI) and let this rugged, versatile interface put you in control of your MIDI devices and workflow.

On stage or in the studio, RTP/Network-MIDI capability means you are no longer constrained by cable length or limited USB ports. Stack multiple interfaces and computers on a network for ultimate scalability and flexibility.

With mioXM, you're able to streamline and expand your MIDI setup, and do it faster, better, and in creative and exciting new ways.

What makes mioXM unique? The iConnectivity difference.

Powerful network MIDI capabilities:

Network connectivity means MIDI wherever you need it. Regular USB connectivity limits you to keeping your interface within 15ft of your computer. Network / Ethernet connectivity gives you up to 330ft / 100m connection between you and your interface.

Drop an interface in every room of your studio, or place an interface virtually anywhere in a venue.

RTP/Network-MIDI is not bound by some of the same restrictions as USB-MIDI.

Easy renaming of network ports - have them show up the way you want them to in your DAW.

Access to more than12 ports per interface.

iConnectivity's unique network technology is as easy to use as USB! Enjoy your new-found MIDI power without extra headaches.

Use your 12 network MIDI ports anyway you want. Connect each of the 12 RTP-MIDI sessions to any combination of physical or virtual I/O ports. Almost any combination is possible.

Configuring mioXM:

Introducing a new version of iConnectivity's Auracle control software: taking the simplicity of workflow that the original Auracle introduced but now with the added deep configuration functionality that iConnectivity become known for. All the deep configuration options you asked for: MIDI merging, filtering, remapping, and deep routing are all there and super easy to use.

Presets onboard:

Need to configure your MIDI setup in multiple ways? No problem!

Store and recall up to 4 presets directly on the interface, without even needing a computer!

Easily recall unique MIDI routing, filter and merging setups to preset scenes, all from the front of mioXM.

What's in the box
1 x mioXM
1 x USB cable
1x Ethernet cable
1 x mioXM 12V 36W Power Power Supply with interchangeable blades (NA, EU, UK and AU (Australia only)).

Device Specifications:

Width: 214 mm/8.43 in
Height (1U): 37 mm/1.46 in
Depth: 140 mm/5.51 in
Weight: 992g/2.13 lbs

mioXM fits comfortably in iConnectivity's iCRS Interface Rack Shelf

System Requirements

Macintosh
Mac OS X 10.11 or greater
1 free ethernet or USB port

Windows
Windows 10 or greater
1 free ethernet or USB port

iOS
iOS 8 or greater with Camera Connection Kit (CCK)*
CoreMIDI compatible app

Notes: Lattice is a 16HP 12-step sequencer composed of a 4x3 grid of steps that can be
navigated horizontally, vertically or sequentially from step 1 to step 12. Sending a trigger
into one of the 3 progression inputs will move the sequencer forward a single step. This
will result in a 3-step, 4-step or 12-step sequence depending on the input used. The
Lattice starts to become much more interesting when a combination of the 3 progression
inputs are used, opening the doors to much more complex melodic sequences.

Dimensions
16 HP
21 mm deep
Current Draw
33 mA +12V
4 mA -12V
0 mA 5V

Notes: EcoSynth is a small, portable Eurorack modular case solution, designed for your desktop! It's a practical solution designed to save your hard-earned cash for modules. If you're looking for a small desktop solution to augment other desktop electronic hardware, this is for you. If you need a larger case, EcoSkiff passes on the savings for more traditional size racks like 84HP and 104HP.

Save on money and space: get just as much HP as you need!

Available in the following sizes:
24HP
44HP
64HP
84HP
104HP

Features and specifications:
Over-current protection: shuts off each power rail automatically if modules use too much current on that rail
The skiff goes together with just a Phillips head screwdriver!
Comes with 3mm slide nuts
Max module depth: 44mm
Max module depth above power supply: 33mm

Specifications, 64HP-104HP:
Power output:
+12V @ 2A
-12V @750mA
5V@ 1.5A
Power connectors: 15
Daisy chains to another EcoSkiff, Skiff Power, Five Amp Power, or Schottkey DC

Requires a 12V 5A center positive power brick with a 5.5mm x 2.1mm tip.
Assembly required, but no soldering needed.

Notes: Software Edition of the unique Touche modulation controller. Convert four-axis gestures into modulation data, controlling your DAW and plugins over USB. Intuitive expression.

Supplier's notes:
Get ready to unlock expression in your music more easily than you might ever have imagined was possible.

Push your software synths further

Press Touche SE to activate a filter on your favourite third-party VST or gently bow Touche SE's plate to add arpeggiator action to the favourite built-in synth of your DAW. These are 2 examples of the many possibilities Touche SE can interact with software synthesizers translating your gestures into data. Touche SE (Software Edition) shares the same build quality, patented mechanism and sound library as the classic Touche. Through USB-only connectivity, it precisely allows you to modulate any sound, from the subtlest brush to the wildest strike.

Sturdy & precise

Touche SE boasts a solid monoblock design with few replaceable moving parts, equipped to translate anything from the softest touch to the roughest rhythms, with pinpoint precision.

Universally compatible

Touche SE is compatible with any software synthesizer thanks to its USB-only output and companion software Lie, capable of hosting any 3rd party VST.

Ready to use

Touche SE ships with 250 pre-made mappings for all best-selling VST instruments.

Sounds included
Touche SE is bundled with UVI Workstation, a plug-in providing over 250 custom-designed instrument sounds. These sounds come pre-mapped with Touche SE so you can focus on producing.

A new tactile playing experience

Touche SE bypasses the traditional limitations of MIDI controllers' keybeds, seamlessly connecting your gestures to sound. Less programming, less automation, more creativity!

Touche meets your favourite synth VSTs

Watch how Touche concretely interacts with software synths, adding a new layer of life to the sounds you already love.

Powerful companion software

Meet Lie, Touche SE's control centre and companion software. Lie allows you to:

Browse easily the included sound library (+250 presets)
Host any third party plug-in and map it to Touche and Touche SE
Create mappings for hardware gear in a blink (Touche only)
Adjust Touche's sensitivity to your taste

Rediscover your favourite plugins

A beautifully engineered hardware instrument, able to translate anything from the softest touch to the roughest rhythms, with pinpoint precision.

Extraordinary sounds included

Touche SE comes with a professionally-designed sound library, so you can start exploring right after installation. Explore ripping basses, soaring leads, evocative pads and pounding percussion, all pre-mapped to take full advantage of the hardware.

Expand your soundscape with Touche's expansions and instruments plugins

Need more sounds? Expansions and instrument plugins are an ideal playground for Touche. Discover a whole new universe of sounds and playing articulations, fully compatible with Touche and its software companion, Lie.

Touche SE

Touche SE (Software Edition) uses your gestures to add expression to your favourite software synthesizer plug-ins. It includes a sound library of 250 sound presets, designed to take full advantage of Touche SE's extensive control capabilities. Touche SE also ships with more than 250 pre-mappings for famous third-party VST instruments.

USB Powered
4 axes with customizable sensitivity
Lie: macOS 10.11 and higher / Windows 10, VST / AU format, hosts VST instruments only
9.7" x 3.9" x 2.4" / 246 x 100 x 62 mm

Box content:

Touche SE
1x Standard USB Cable

Notes: Updated version of Arturia's consistently popular MIDI keyboard series, featuring a bigger screen and new performance features.

Supplier's Notes:
Arturia's new KeyLab Essential 3 offers a new level of accessible, enjoyable, and creative music making, redefining the essence of a modern universal keyboard controller.

From its refreshing new design, to its vastly upgraded creative workflow, to an expanded software package, it promises to shake up the affordable controller market by empowering modern musicians and sound explorers looking to expand their setup without breaking the bank.

Main selling points

Fit for any style and any setup

For DAW producers, musicians with hybrid setups, or performers using hardware; enhance any creative setup or musical style with MIDI out & USB power, deep DAW compatibility, and premium software.

The new standard for affordable keyboard controllers

A keyboard controller that doesn't need tons of controls, menu diving, or complex configuration to operate. KeyLab Essential 3 looks modern, feels great, and removes creative barriers for next-level music making.

Directly-linked with Arturia's industry-leading software ranges

Many musicians and producers will be familiar with Arturia's award-winning software; KeyLab Essential 3 is part of the same range, seamlessly integrating with Analog Lab V, Pigments, and V Collection.

New Features:
New creative features: Scale Mode, Chord Mode, and Arpeggiator, making composition, songwriting, and beat-making more intuitive than ever.
Custom DAW integration: KeyLab Essential 3 features custom scripts for deeper control over DAWs, including Ableton Live Logic Pro X, FL Studio, and more.
More versatile presets: The 2000 presets included with Analog Lab V are no longer limited to vintage sounds; users can enjoy unique hybrids, modern synths, orchestral sounds, and more.
Easier controls & interface: RGB-backlit pads with velocity and pressure sensitivity, contextual button, and a bright new 2.5" LCD screen for real-time feedback.
Expanded software package for beginners & pros: Now includes Analog Lab V, 2 pianos (UVI Model D, NI's The Gentleman), plus subscriptions to Loopcloud and Melodics.

Notes: The Lunar Phaser offers three styles of swirling stereo phase modulation. Choose from Vibe - a thumping Uni-Vibe effect, Classic - a resonant and creamy 4-stage phaser, and Multi - a highly animated, yet smooth and satisfying 8-stage phaser. Explore the sonic landscape even further by sweeping the Shape knob to gradually morph the LFO wave shape from a smooth, undulating sine wave to an aggressive and choppy square wave.

Pedal Features

3 Flavours of Phase Modulation

3 Presets - use Preset Mode to save a different preset to each of the three toggle switch positions. When the pedal is engaged, all of the parameters instantly jump to their saved value, regardless of the knob positions.

Stereo Input and Output Jacks - Create deep and wide stereo modulation or engage one of the Lunar's many Signal Routing options (see Neuro App Features for details).

Universal Bypass - Select either analogue buffered or relay based true bypass.

Expression Control - Compatible with Source Audio expression pedals and the Hot Hand 3 Universal Wireless Effects Controller.

Tap Tempo - Sync your phase modulation rate to the rest of the band with Source Audio's External Tap Tempo switch. Set beat divisions (quarter, eighth, triplet, and 16th) with the Speed knob.

Neuro Editor Features

Connect the Lunar Phaser to the Neuro Mobile App (a free download for iOS and Android) and explore the full power of effect downloading, customization, and sharing that comes with every Ones Series pedal.

Interchangeable Algorithms - It is possible to download ANY of Source Audio's phaser, flanger, and chorus algorithms directly to your Lunar Phaser for no additional cost. The same goes for the Gemini Chorus Mercury Flanger, so owning one of Source Audio's One Series modulation pedals is essentially like owning all three.

Customize Effects - Tweak an additional set or parameters including Frequency (the center point of the modulation), Output Level, Tremolo, Low Retain, a Parametric EQ, and more.

Save and Share Customized Presets; Once you've fine-tuned an effect, save it to your personal effects library and share it with the growing community of Neuro users.

Download Presets - Explore Source Audio's ever-expanding, library of free effect presets.

Envelope Follower Mode - Set the modulation source to envelope follower and control phaser modulation in the style of pick sensitive "auto wah" effects.

Signal Routing Options - The stereo Inputs and Outputs can be routed in a number of different ways including True Stereo, Mono to Stereo, Dual Mono, Sidechain Envelope, External Effects Loop, and more.

Simple Connection - The Neuro App. connects with the Lunar Phaser via the mobile device's headphone jack and stereo Input 2 on the pedal. A Neuro App connector cable (1/8" to 1/4") is included with the pedal.

MIDI Features

The Lunar Phaser also features full MIDI capabilities when coupled with the Neuro Hub.
Preset Saving - Save up to 128 effect presets.

Multi Pedal Scene Saving - Connect up to five One Series or Soundblox 2 pedals to the Neuro Hub and create 128 multi pedal scenes, recallable via MIDI program change messages.

External Expression Control - Connect the Neuro Hub to any Source Audio expression pedal, Hot Hand 3 Wireless Effects Controller or third party TRS (Tip Hot) expression pedal and manually control effect modulation. It's also possible to assign simultaneous expression control to multiple knobs and individually program their range and direction.

MIDI Clock - Sync your phaser modulation with external MIDI clock messages.

Specifications:
Includes 9v DC power supply (300mA / Negative Tip)
Includes 1/8" to 1/4" cable for Neuro Mobile App connection.
Power Consumption - 150mA
USB port - Connects to Mac or Windows PC for firmware updates and the forthcoming in-depth effects editing software.
Brushed anodized aluminium housing.
Dimensions: L: 4.5 in./11.4cm x W: 2.75 in./7cm x H: 2 in./5.1cm (including knobs)

Notes: Music's best octave pedal in a powerhouse pico package!

EHX's smallest and most powerful compact Polyphonic Octave Generator yet. The Pico POG takes the streamlined simplicity of the Micro and Nano POGs and fits it all into an ultra-compact chassis and adds a powerful tone control. The tightest octave effect now fits on the tightest of pedalboards.

The EHX Pico POG features a lighting fast feel that will track every note and chord you play with precision. Dial in Sub Octave to add stumble rumble or monstrous thunder. Add Octave Up for ethereal air or max it out to shred into another galaxy. Perfectly blend 3-voice tones for fat synthy madness. The 3 mode Tone control lets you tailor your sound to fit into any pocket no matter how massive or small.

Controls on the Pico POG include dedicated volumes knobs for the SUB OCTAVE, OCTAVE UP, and DRY voices. These three controls act as a mixer for infinite possible voice mixes. The TONE knob features three modes controlled by the FILTER button. In Tone Mode, the knob acts as a tilt-EQ with a flat frequency response in the center, more treble and less bass as you turn the knob clockwise, and less treble and more bass as you turn the knob counterclockwise. In this mode, the EQ is applied to all 3 voices. In Low Pass Filter mode, the knob cuts highs in the Sub and Octave Up voices, while High Pass Filter mode cuts lows in the Sub and Octave Up Voices.

Lightning-fast tracking with perfectly precise octave tones

3 volume knobs control level of SUB OCTAVE, OCTAVE UP, and DRY tones

TONE knob with 3 filter modes

Tone Mode applied tilt-EQ to all output

Low Pass Mode applies a resonant low pass filter, which allows low frequencies to pass while cutting higher frequencies of the Sub and Octave Up voices

High Pass Mode applies a high pass filter, which allows high frequencies to pass while cutting lower frequencies of the Sub and Octave Up voices

Power adapter included

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: A fresh twist on a simple 303-style acid synth, featuring a triangle/sawtooth/square wave VCO, multi-mode resonant filter, simple AD envelope and a VCA which can be overdriven. Excellent value.

Supplier's Notes:
ADDAC started this module with the idea of developing a complex drum source however, somewhere along the process, it was clear how much better it performed as a synth voice and this lucky accident was embraced.

It features a VCO with a [FREQUENCY] and [FINE TUNE] knob plus a dedicated CV Input and Attenuator knob (tunable over 4 octaves).

The VCO waveform output is achieved by selecting either a Triangle or Saw through a switch. the selected waveform can then be mixed/balanced against the square wave. The resulting mix is then sent to the Filter.

The Filter features a [CUTOFF] and [RESO] resonance knob plus a Cutoff CV Input and Attenuverter knob.

A 3 position switch is used to select the filter type: Highpass, Bandpass or Lowpass.

The resulting output is then sent to the VCA.

The VCA features an Input with [INPUT GAIN] knob which at maximum can amplify the incoming signal by a factor of 2.

This is a very important control, it accepts any signal Trigger, Gate or CV. Whatever input is plugged in the signal is then fed through an AD with a very short attack and controllable decay through the [VCA DECAY] knob plus the CV Input and Attenuverter knob. The resulting slewed signal is then used to control the VCA gain.

This signal is also sent to the CV OUTPUT as well as the LED monitor.

The Accent input adds to the Input signal creating a different amplitude output.


The CV OUTPUT is normalled to the Frequency and Cutoff inputs.

Tech Specs:
9HP
4cm deep
80mA +12V
80mA -12V

The [INPUT GAIN] knob

Usually Attack/Decay envelopes have a maximum voltage of +5v, no matter if the input gate is +5v or above the AD will clip at +5v. In this case, this clipping method was not used, and instead ADDAC allowed the incoming voltage to determine the maximum AD voltage, meaning that if a +5v gate is present then the AD maximum voltage will be +5v but if a gate of +10v is sent then the AD maximum voltage will be +10v.
This also means that with higher input voltages the decay, although falling at the same speed, will be longer than with lower voltages as it has a longer range to go back to 0v.

As previously mentioned, The [INPUT GAIN] knob can amplify the incoming input by a factor of 2, allowing to use a standard +5v gate or envelope and being able to make the resultant AD go up to +10v.

The AD signal is responsible for opening the VCA. Up to +5v the VCA will open to unity gain above this value the VCA will start to amplify and eventually saturate and distort. This saturation will add harmonics to the signal which will change its gentle timbrical nature to a more unique and peculiar timbre that will make the module shine in Acid contexts.

Adding high levels of Resonance or even filter self oscillation in combination with high VCA saturation will create even more harmonics that ADDAC highly encourage the user to explore.

Notes: Caroline Guitar Company Icarus V2 is a great boost/overdrive and is based on the preamps of our Parabola and Meteore pedals.

This pedal incorporates two different gain stages: a clean, full-response stage capable of up to +12db boost, and a tailored clipping stage that overdrives a mix of silicon and Russian germanium components for colorful light to medium drive. A simple but elegant high-cut control helps keep things pleasant, and an internal switch converts this pedal from true to buffered bypass to maintain signal flow through long cable runs or effect chains even when "off".

It makes small amps sound big and mild-mannered drives sound excited. It whips sloppy fuzzstortions into fighting shape and gives gauzy sterile echoverbs character. It is the signal sweetener you never knew you needed until you plug it in. Handmade in the USA, you simply aren't going to find a better magic bullet for your sound than this.

Notes: The Wave Transformer is a complex single oscillator with 7 audio outputs. Its method of wave shaping differs from other complex oscillators in that it is not based upon classic wave folding such as is common in West Coast synthesis, or filtration such as is common in East Coast synthesis.

This analogue, vintage-voiced, voltage-controlled oscillator features over 8 octaves of accurate pitch tracking. Its 7 simultaneous wave outputs include a unique Complex output. This strange and novel output varies between a simple waveform (triangle, unless you patch a signal into the Shape Insert jack) and a complex transformation of the harmonic structure of the original waveform. It contains a unique mixture of the fundamental frequency, odd order harmonics, even order harmonics and subharmonics. The Sub Octave panel control will determine whether the sub harmonics are derived from one octave down, two octaves down, or are muted altogether. It will vary from a simple waveform to a silhouette of your cat watching you as you react to a "present" that it left for you on the counter. No, seriously.

The module's Transform control morphs from a basic waveform through many strange iterations into a complex, gnarled mass of audio mutations at the Complex output using an asymmetrical multi differential audio transmutation circuit. You can yield countless variations on these permutations by combining this novel circuit with Hard Sync, Soft Sync, Linear FM and Exponential FM.

Additionally, you can mute the source waveform to use the circuit as a harmonic gate/VCA, rendering the Wave Transformer a voice unto itself.

If that is not enough, there is a Shape Insert that allows you to transform external oscillations and modular-level audio sources.

Notes: The Dual Stereo Gate (DXG) music synthesizer module is a Dual Stereo Low Pass Gate and Mixer. It follows in the footsteps of the QMMG, Optomix, RxMx, DynaMix, and LxD. Unlike its predecessors, the DXG is specifically oriented around mixing stereo signals, making it an important addition to any system containing modules like XPO, QPAS, Morphagene, Mimeophon, and other stereo modules by Make Noise or others.

Unique to the DXG is a new low pass gate circuit that does not use vactrols. This circuit is 100% analogue and its response was arrived at after many months tailoring it to meet or exceed the expectations that have been set by all the vactrol low pass gates that Make Noise has created over the years.

In the past, Make Noise produced the Dynamix module and Dynamics circuit in the 0-COAST, both of which are vactrolless LPGs; however, the DXG is a completely new approach which better implements the gentle single pole filtering of a low pass gate, while also emulating the slow decay and memory of the vactrol based low pass gate. This new circuit makes possible the consistency of response necessary for versatile stereo use, while also keeping the module small and affordable so that it can be a key part of just about any modular system.

As on all of Make Noise's low pass gates, the DXG's Control parameter is used to set both the amplitude and the frequency content of the sound that passes through it. The control parameter tends to open faster than it closes, imparting a subtle decay phase onto any envelope shape that is used to modulate it.

Unlike previous low pass gates made by Make Noise, all the DXG's inputs and outputs are stereo. Each set of inputs is normalled so that the left input can be used for a mono signal, sending a copy to both left and right outputs. The Auxiliary inputs are also a stereo pair with mono normalization. These normalizations allow for the DXG to be used as a simple three channel stereo mixer, with one or two of the channels additionally being used for dynamics control and note event generation. The Aux inputs can be used to chain together larger decentralized mixes using additional DXG modules, or X-PAN, Optomix, modDemix etc.

Features

- Make Noise's first Stereo Low Pass Gate

- Vactrol-free design for classic Low Pass Gate sounds, but with the balance and consistency needed for true Stereo

- Fully Stereo i/o for easy integration into a Stereo-equipped modular synthesizer

- All Left inputs normalled for easy use with Mono signals

- STRIKE Input allows use of Gate signal to trigger Low Pass Gate circuit, creating "plucking" or "pinging" sound from any Gate

- Summing stage with Stereo AUXiliary IN allows for chaining of multiple units, creating larger mixes

- Part of a decentralized mix console integrated throughout the system along with X-PAN, Optomix, XOH, etc.

- Pairs well with XPO, QPAS, Morphagene, Mimeophon, Spectraphon etc.

Width: 8hp
Power:
74mA @ +12V
86mA @ -12V
Module Depth (incl power cable): 43mm

Notes: New all CLEAR EDITION for the new Stokyo Record Mate Portable Record Player.

Portable turntable on the Columbia Portable GP series, reengineered with the original crew for an all brand-new construction (mainly internal parts, molds and arm assembly)

Classic adapter and tonearm function of playing records on the wall (upright)

Play 12-inch or 7-inch records (3 -inch records with the STOKYO 3"adapter) on RM-1 portable turntable w/ pitch adjust

Output via built-in "new improved" speaker or RCA output

Each unit is battery or AC powered (batteries not included)

This model is exclusive to North America at 120V, with the transformer included.

Product under limited warranty for 1 year of purchase from STOKYO and authorized dealers

Warranty is limited to the RM series only and not the domestic GP series in Japan.

A cool back story from one of the founders at STOKYO :

"The story goes back around 22 years ago when the good folks at Xexxn would allow me to distribute these on the low for diggers and DJs overseas.

A few years later we (STOKYO and friends) did have the opportunity to take over manufacturing but ironically I was also at Vestax and at the time we had the Handy Trax.

Fast forward to 2019, this project took over 2 years but with the help of some original engineers, our manufacturing partner and the love we all shared for the original GP/GMX we bring you the all improved version.

The RM-1 and RMX -1 "RECORD MATE" series is the overseas edition. (GP-3R/GMX-3R are the JPN domestic model)

Updated molds, internal board, parts, new speakers, new case/tonearm construction, magnetic stereo cartridge (like you'll find on an AT-LP60), but everything else like the OG. The first model will be exclusive for the Americas (@ 120v).

As we continue to improve more parts to clear Global compliances, we also await for more parts with supply issues due to the Pandemic for our Global/EU model we aim to make available later in '22.

For those who pre-ordered, we originally aimed for an earlier ship date and our sincere apologies with all the port congestion but good news, it is on stateside awaiting customs. Arriving soon.

Thank you for the patience.

Big up to the crew for making this happen, grinding everyday and for your love we have for vinyl."

Notes: *** B-STOCK: Box opened, but product is in excellent condition and in perfect working order ***


Field recorder meets interface in this clever offering from IK's iRig range. Essentially a 4-in/2-out audio and MIDI interface with built-in mics, the Quattro is portable, versatile and high quality.

Supplier's Notes:
Pro recording and performing, in the palm of your hand

iRig Pro Quattro I/O is a professional-quality 4 in / 2 out portable audio and MIDI interface packed with everything needed for field recording and content creation, for serious sound and flexibility - anywhere.

Small enough to fit in the palm of your hand, the iRig Pro Quattro I/O still packs in four high-quality, low-noise mic preamps; instrument, RCA and TRS inputs; plus XLR balanced, 3.5mm stereo and headphone outputs - and full MIDI I/O!

iRig Pro Quattro I/O works right out of the box with iPhone, iPad, Android, Mac and PC, but can also serve as a stand-alone mic preamp or line mixer, with a built-in limiter and direct monitoring so you're always guaranteed the perfect take.

Packed with a swiss-army-knife's worth of tools, iRig Pro Quattro I/O ensures you're ready for anything, anywhere.

As a mobile interface

Connected to a computer or mobile device, the iRig Pro Quattro I/O will work as a high-quality, multi-channel audio and MIDI interface with a full array of inputs and outputs so you'll always be prepared for any recording or need. Fully MFi-certified, no adaptors are required for iPhone or iPad for reliable field performance on any device.

As a broadcast / podcast interface

Enable STEREO mode and iRig Pro Quattro I/O mixes all sources down to stereo for streaming or recording. Monitoring is easy thanks to a dedicated headphone output with independent volume control and direct monitoring. Or use MONO mode for streaming to social media; Loopback lets you duet your favourite videos easily.

As a field recording interface

With an onboard microphone and optional stereo mic capsules, iRig Pro Quattro I/O turns your iPhone, iPad, Android device into a full-featured, professional field recorder.

As a stand-alone mixer

iRig Pro Quattro I/O also works as a preamp and mixer: just power it via battery, USB or DC IN and use the full set of inputs/outputs to capture and mix multiple sources to your DSLR camera with professional quality.

Always perfect recordings with the safety backup channels

In STEREO and MONO mode, inputs 3 and 4 can be used as safety channels: recording the same signal as input 1 and 2 but reduced by 12dB as a backup in case the sound source unexpectedly overloads the main channels.

Audio quality without compromise... wherever you are

Up to 24-bit, 96 kHz sample rate Ultra-low-noise mic preamps with full +48v phantom power Professional-quality, transparent A/D and D/A conversion Built-in limiter, for input 1-2, to protect against clipping Multitrack, stereo or mono internal mixdown.

Specifications

Microphone Input
Microphone Input: balanced female 3-pin, XLR. Pin 2: hot / Pin 3: cold / Pin 1: ground
Microphone Input Level: from 6 mVpp to 1.4 Vpp
Microphone Input Impedance: 3.2 kOhms
Gain Range: 40 dB
Phantom Power: +48V i 4V
Frequency Response: 20 Hz - 20 kHz +/-1.5dB
Input Noise: -103 dB(A), -97 dB RMS

Instrument Input
Instrument Input: unbalanced, Hi-Z, TS 1/4" Jack, Tip: signal / Shield: ground
Instrument Input Level: from 30 mVpp to 6.9 Vpp
Instrument Input Impedance: 1 MOhms
Gain Range: 27 dB
Frequency Response: 20 Hz - 20 kHz +/-1.5dB
Input Noise: -103 dB(A), -97 dB RMS
Stereo Headphone Output
Connector: 1/8" TRS Jack. Tip: right / Ring: left / Shield: ground
Headphone Level Control numbered thumbwheel
Headphone Level Power 100mW into 50 Ohms

Stereo Headphone Output
Connector: 1/8" TRS Jack. Tip: right / Ring: left / Shield: ground
Headphone Level Power 100mW into 50 Ohms

MIDI Input/Output
Connector: 2x2.5mm TS Jack
Other Input/Output
DC barrel: 1x DC barrel. For power and device charging.
Device Connector: mini-DIN

Common
Conversion: 24-bit A/D, 24-bit D/A
Sampling Rate: 44.1 kHz, 48 kHz, 88.2 kHz and 96 kHz

Power:
- USB bus powered when used with a computer
- Battery powered (2xAA included) when used with an iOS device
- DC power supply (not included, iRig PSU 3A sold separately)*

Package includes
iRig Pro I/O universal Audio-MIDI interface
Lightning to Mini-DIN connection cable with charging features (60cm/23.62")
USB-A to Mini-DIN connection cable (60cm/23.62")
USB-C to Mini-DIN connection cable (60cm/23.62")
2.5mm TRS male to MIDI female adapter (10cm / 3.9")
2 x 1.5V AA Battery
Velcro strip

Dimensions
Size: 43mm/1.69" x 127mm/5" x 37mm/1.46"
Weight: 120g/4.23oz (batteries excluded)

Notes: Freaq FM 8-bit Digital FM Generative Synthesiser

2 independent FM voices each with user-controllable waveform, modulation envelope and LFO, integrated with a 16-step generative sequencer.

Voices

2 independent 8-bit FM voices

2-operator FM (for old-school Prince Of Persia vibes!)

Multi-mode FM ratios - quantised, free-multiple, independent

Multiple operator waveforms for carrier & modulator - Sine, Triangle, Overdriven triangle, Saw, Square, Noise, Off

Attack/Decay modulation envelope per voice

LFO per voice with multiple waveforms and configurable destination: modulation envelope (attack, decay or depth), FM ratio, note length

Sequencer

2/1.5 track polymetric sequencer with up to 16 steps per track (Both tracks use same note sequence but can have different step-counts for poly-metric rhythms)

Multiple generative algorithms - (semi)random notes, (semi)random runs, arpeggio, drone

Sequence mutates/evolves at user-defined rate & note-density

Selectable tonic, octave & scale - Ionian (Major), Minor (Dorian), Pentatonic, Phrygian (GOA!), Octaves, Fifths

Tap-tempo control

Sync input & output (Korg Volca compatible)

16-step parameter-lock recording of synth parameters (track 1 only)

Hardware

Mono audio output (16KHz 14-bit DAC)

Sync input / output (0-5V rising-edge)

Powered by an Arduino Nano V3

112mm (w) x 100mm (d) x 40mm (h)

7-12V DC or micro USB powered

Specifications and Architecture

Voice Architecture
Voice 1
Voice 2
Carrier - 8-bit digital oscillator
Octave 0-7
Waveform - Sine, Triangle, Overdriven Triangle, Saw, Square, Noise, Off

Carrier - 8-bit digital oscillator
Octave 0-7
Waveform - Sine, Triangle, Overdriven Triangle, Saw, Square, Noise, Off

Modulator
FM Ratio
FM Ratio Mode - quantised, high-multiple, low-multiple, fixed
Waveform - Sine, Triangle, Overdriven Triangle, Saw, Square, Noise, Off

Modulator
FM Ratio
FM Ratio Mode - quantised, high-multiple, low-multiple, fixed
Waveform - Sine, Triangle, Overdriven Triangle, Saw, Square, Noise, Off

Modulation Envelope
Depth
Attack time
Decay time

Modulation Envelope
Depth
Attack time
Decay time

LFO
Depth
Rate
Waveform - Sine, Triangle, Overdriven Triangle, Saw, Square, Noise, Off

LFO
Depth
Rate
Waveform - Sine, Triangle, Overdriven Triangle, Saw, Square, Noise, Off

Parameter Locks
Per-step parameter locks:
Note length
LFO depth
FM Ratio
Modulation envelope attack, decay & depth

Parameter locks apply to track 1, but are recorded into the track with the longest sequence length. For example, if Track 1 has 3 steps and track 2 has 16 steps, you will record a 16-step parameter-lock sequence which is applied to track 1
Sequencer Architecture
Track 1: Sequence Length, Current Step
Track 2: Sequence Length, Current Step

Shared: Sequence Notes, Sequence Mutation Rate, Sequence Note Density, Sync pulse clock division (1-4 steps per pulse)

Specifications

Synthesis:2-operator FM, 8-bit digital oscillators

Polyphony: 2 bi-timbral voices

Sequencer: 2/1.5 track 16 step polymetric sequencer

Modulation: Attack/decay envelope per channel, Multi-waveform LFO per channel, Parameter locking per step (voice 1 only)

I/O:
Mono audio out
Sync in / out
DC power 9-12v
Micro USB (power and firmware update)
Eurorack power (with modification)

External Sync Input:
3.5mm mono jack
0-5V rising edge sync pulse
1-4 steps per pulse (user configurable)

External Sync Output:
3.5mm mono jack
0-5V rising edge sync pulse (15ms)
1 pulse output per 1-4 steps (user configurable)

Signal Output: 3.5mm mono jack, Signal output 14-bit 16384Hz DAC

Microprocessor: Arduino Nano V3 (ATMEGA328P)

Power supply:
Micro USB
9-12VDC 2.1mm Positive tip
Can be adapted for +12V eurorack power

Display: 8 x 8 LED matrix
Power consumption: 300mA @ 12VDC
Dimensions: 111mm (w) (~22HP) x 100mm (d) x 40mm (h)

Notes: High-quality compact studio monitors for the uncompromising creator

HS Series speakers have become the standard in studio monitors, trusted for many years by the world's top audio engineers, producers, and artists. Now Yamaha has redefined their essence in a compact housing. The HS3 and HS4 are powerful tools to help create a wide range of audio content-from music production to video editing-that meets the expectations of creators who have limited space and need to keep the volume down but do not want to compromise on monitoring quality.

Sound that is always true to the original

The HS3 and HS4 continue the design philosophy and know-how of previous Yamaha studio monitors. No effort has been spared in the pursuit of the optimal product, and the resulting speakers comprise carefully selecting parts such as a high-performance class-D amp, a highly resilient MDF cabinet, and woofers and soft dome tweeters that deliver a sound that is faithful to the source despite their small size. They also feature proprietary "Twisted Flare Port" technology that reduces air turbulence noise in the bass reflex port, providing clear and accurate bass. That's the secret to why the HS3 and HS4 deliver outstanding resolution, sound image, and depth, with a flat response across all bandwidths without any colouring of the original sound.

Optimal sound tailored to your environment

The sound produced by speakers is sometimes affected by the surrounding environment.

The rear panels of the HS3 and HS4 are equipped with ROOM CONTROL and HIGH TRIM functions that allow you to make adjustments to achieve the ideal sound for any environment, such as reducing the unneeded, exaggerated low-end that can often occur when speakers are placed next to walls.

Inputs and controls to fit any use case

The rear panel of the HS3 and HS4 is equipped with combination XLR/TRS phone, RCA, and stereo mini connectors, allowing you to connect to a wide range of professional and consumer equipment such as computers, audio interfaces, audio mixers, and electric instruments. The most commonly used features-power button, volume knob, and headphone connector-are located in the front for easy access.

Compact and portable

The compact size of the HS3 and HS4 was made possible thanks to the highly efficient class-D amp. Using one amp for two speakers has enabled us to both reduce the weight of the speakers and simplify the cable connections. They take up little space even in a small bedroom studio, and are easy to take with you on the road.

General specifications

Speaker type: 2-way powered speaker, Bass-reflex type
Frequency response (-10dB): 70 Hz - 22 kHz
Frequency response (-3dB): 85 Hz - 20 kHz
Crossover: 3.2 kHz
Maximum Output Level (Measured peak, IEC noise@1m): 100 dB SPL
Components: HF: 0.75" Dome, LF: 3.5" Cone
Nominal impedance: 6 O
I/O connectors: [Input Connector] L Side: COMBO (XLR/TRS Phone) ×2, RCA ×2, Stereo Mini, R Side: Speaker Input; [Output Connector] L Side: Headphone, Speaker Output
Output power: 26 W + 26 W (Dynamic, RL=6 O), 20 W + 20 W (THD 0.1%, 1kHz, RL=6 O)
Input sensitivity: LINE 1 (COMBO): +4 dBu, LINE 2 (RCA, ST Mini): -10 dBu (Volume: Maximum)
Input Level: LINE 1 (COMBO): +20 dBu, LINE 2 (RCA, ST Mini): +6 dBu (Maximum Input)
Input impedance: LINE 1 (COMBO): 20 kO, LINE 2 (RCA, ST Mini): 10 kO
Controls: Front: Volume, Rear: ROOM CONTROL SWITCH (0/-2/-4 dB under 500 Hz), HIGH TRIM SWITCH (+2/0/-2 dB above 2 kHz)
Indicators: Power ON (White LED)
Power requirements: Depending on area of purchase; 100-240 V, 50/60 Hz (*)
Power consumption: 15 W
Cabinet material: MDF

Dimensions

Width: L Side: 132 mm (5.2"), R Side: 132 mm (5.2")
Height: L Side: 223 mm (8.8"), R Side: 223 mm (8.8")
Depth: Side: 189 mm (7.4"), R Side: 177 mm (7.0")

Net weight: L Side: 2.8 kg (6.2 lb), R Side: 2.1 kg (4.6 lb)

Accessories: Stereo Mini - RCA Cable 1.5 m, Speaker Cable 2.5 m, Anti Slip Pad, Quick Start Guide, Safety Guide
Packaging: Pair

* While this product will work at a voltage of between 100 V to 240 V, as limiter settings vary depending on the supply voltage, make sure to use this product at the supply voltage indicated on the rear panel of this product.

Notes: Some of our favourite compact studio monitors get updated with Bluetooth streaming for convenience. Enjoy punchy studio-reference sound via wired connection to your interface, then stream from mobile devices for casual listening.

Supplier's notes:
Presonus' best selling studio monitors just got better! Eris 5 BT media reference monitors deliver studio-quality sound in an elegant, compact form factor that makes them ideally suited for bedroom studios, video production, and high-fidelity gaming setups.

With 50 watts per side of onboard power, the Eris 5 BT reference monitors pack a serious punch, while still delivering clear, accurate audio. The weave and nature of the Eris 5 BT's 5.25-inch woofer result in tight bass that you can feel, as well as cleaner overall sound. The one-inch silk-dome tweeter produces refined high-frequencies and is designed to radiate sound with a wide pattern, creating a large optimal listening area. Improved speaker voicing over previous designs delivers richer lows and a smoother crossover transition for articulate, accurate transient reproduction through the frequency range and a less-fatiguing listening experience.

A convenient front-panel knob sets the level of both the power amp and the loud, clear headphone amplifier, with its front-panel jack. With four types of inputs, including fast, reliable, stereo Bluetoothr 5.0 connectivity, it's easy to connect just about any audio source to your Eris 5 BT reference monitors. High- and low-frequency controls let you easily adjust your Eris speaker's frequency response to compensate for the acoustics of your space and create the most accurate sonic reproduction possible.

Need a little more low end? Add an Eris Sub8 BT to build a perfectly matched 2.1 sound system that fits almost anywhere.

Features

5.25-inch, woven-composite, low-frequency driver
1-inch, ultra-low mass, silk-dome, high-frequency driver
Fast, reliable stereo Bluetoothr 5.0 wireless input
100W, Class D dual amplification
55 Hz to 20 kHz frequency response
104 dB SPL (Peak, @ 1 meter)
High- and low-frequency Acoustic Tuning controls
Balanced, 14-inch TRS inputs; unbalanced, 1/4-inch stereo and RCA inputs; and integrated stereo headphone amplifier with front-panel 1/4-inch output
Protection: RF interference, output-current limiting, over-temperature, turn-on/off transient, subsonic filter
Power Saver mode (engages after 40 minutes)
Comes with speaker wire, 1/4-inch TRS to stereo RCA cable, and stereo RCA to stereo TS cable

Versatile connectivity.

PreSonus Eris 5 BTs connect wirelessly using Bluetooth 5.0 or via a wired connection to virtually any line-level audio source, using rear-panel 14-inch TRS and RCA inputs and a front-panel, 1/4-inch stereo line input. You also get a convenient (and loud!) front-panel, 1/4-inch stereo headphone jack; connecting headphones mutes the speakers.
Built to match your room.

Unlike other home audio speakers that hype the bass at the expense of other frequencies, Erisr speakers provide an even response throughout the frequency range, from bass to treble. This means you'll hear your favourite music exactly as artists and engineers intend it to be heard. High and Low Acoustic Tuning controls let you dial in the Eris 5 BTs precisely to your environment to further ensure the best sound possible.

Honest. Expressive. Powerful.

Like all PreSonus media reference monitors, the Eris 5 BT offers consistent, accurate listening. Their stylish design makes them a welcome addition to living rooms, compact home theatre setups, and gaming rigs, and their smooth and even frequency response ensures that your music - and everyone else's - will sound incredible.

Specs

Electronics
Voltage: 220-240V UK
Wattage: 100 Watts
Input impedance: 10 kO

Performance

Peak SPL: 104 dB (@ 1 meter)

Speakers
Crossover frequency: 3.3 kHz

Hardware
Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard
Audio controls: Volume High Frequency (+/-6 dB, center 10 kHz, continuously variable) Low Frequency (+/-6 dB, center 100 Hz, continuously variable)
Monitor inputs: Bluetooth 5.0, One - Stereo 1/8", Two - Balanced 14" TRS, Two - Unbalanced RCA
Power amplifier type: Class D

Measurements
Dimensions: 7.00 x 10.20 x 7.90 in
Product depth: 7.9" (20 cm)
Product height: 10.3" (26.16 cm)
Product width: 7" (17.8 cm)

Notes: Cutting Room Fllor Pedal

(Echo, Pitch, Modulate, Glitch)

The most original and versatile release from Recovery Effects to date. Unlike any effect you've heard before, it offers mountains of wild modulation, delay, freeze, and stutter. Anything from light lo-fi chorus to broken-tape-deck sounds can be achieved with this unique pedal. Melt, then freeze tones in place, or use it as a gritty echo or faux reverb.

Designed and assembled in Seattle, Washington. Includes a limited lifetime warranty, if registered within 30 days of purchase.

New in V2:

*Intensity and Modulation parameters under one control called "Wow".

*New tape deterioration parameter introduced called "Stability". 2 knobs control "Shape" and "Flutter" in conjunction with Wow.

*CV control for Eurorack modular.

Enclosure size: 4.67" x 3.654" x 1.547"

Notes: Dirty Murals

(Reverb and Delay)

Dirty Murals delivers complex delay and reverb with powerful controls for each, in a small 125B enclosure. Two distinct delay and reverb styles create a variety of rich, lush, ambient, textured sounds.

The first mode offers a modulated "oil can" style delay with shorter, vintage style repeats, paired with a small room reverb. The second mode delivers a long, high fidelity, analog-style delay with a large hall reverb. The reverb level can be dialed to taste or completely removed in either mode, allowing it to function as a traditional delay pedal. The reverb can be boosted while keeping the mix low, generating the effect of a reverb with an adjustable pre-delay.

The Dirty Murals will quickly become an essential part of your sound. It is your go-to delay and reverb solution in a small size that will free up space on your pedalboard by combining the perfect delay and reverb in one device. Includes a limited lifetime warranty, if registered within 30 days of purchase.

Enclosure size: 4.77" x 2.6" x 1.39"

Notes: Introducing the Octahive v2, one of Beetronics' legendary bees that has been buzzing since day one! This pedal draws inspiration from the iconic '70s octave pedals, blending vintage tones with modern enhancements.

In "Buzzz" mode, prepare to unleash a ferocious high-gain fuzz that's perfect for low riffage and powerful chords. Enter the mystical "Octave" mode and watch as you're transported to a mind-bending psychedelic wonderland. And here's a tip fit for a Queen Bee: Roll down the "Pre" control, switch to your neck pickup, and watch those beautiful octave harmonics take centre stage.

But that's not all! Beetronics have matched vintage tone with cutting-edge features to enhance your playing experience. Hold the footswitch to instantly switch from "Buzzz" to "Octave", giving you complete control over your sonic destiny. And with a quick double tap, seamlessly shift between modes, keeping your creative flow buzzing.

With three footswitch profiles (fast, medium, lazy), you can customize the speed of your momentary switching. It's all about tailoring the pedal to perfectly suit your unique vibe!

The Octahive v2 is here to deliver the sweetest high octave buzz and allow your creativity to soar. Embrace the hive magic and let your sound bee heard like never before!

Successor to the original Beetronics Octahive
Smaller box size with same dimensions as the Beetronics Vezzpa & Fatbee (Babee Series design)
2 modes: Buzzz (Vintage Fuzz) and Octave (High Octave Fuzz)
Intelligent Bypass switch: double-click to flip modes; hold to momentarily switch between modes
3 footswitch profiles selectable to define speed when momentarily switching between modes via the hold function: fast (20 ms), medium (100 ms), lazy (250 ms)

Specs

Pedal Size - 4.5" x 2.5" x 2.25" (including knobs, switches and etc)
Pedal Weight - 0.80 lbs / 0.3 kilos
Package Weight - 0.90 lbs / 0.4 kilos
Package Size - 4.85" x 2.55" x 3.50"
Requires 9VDC power supply (Center Negative)
*Does not include power supply

Review: Dorothy Ashby's importance as a jazz pioneer can't be overstated, and now we have the expansive box set that truly does justice to her immeasurable talent. The field of jazz harpists is not a cluttered one, but Ashby's reputation dominates for good reason, and now New Land have gathered together six LPs spanning 1957 to 1965. Where possible, the albums (including The Swinging Harp Of Dorothy Ashby, Hip Harp and In A Minor Groove) have been remastered from original tapes, and the release comes with a 44-page book which delves deep into Ashby's life and places the importance of her music and what she represented as a Black female artist excelling against all odds.

Notes: Cells adds a number of additional features to Lattice:

A 3x4 grid of keys to select steps manually and play the sequencer more like an instrument.

Forward / Reverse mode controlled by a CV trigger and physical button.

Random step selection by CV trigger.

CV selection of the current step - great for inputting a positive envelope or LFO to cycle through the steps on the Lattice.

Gate output - Whenever a new step is navigated to, a pulse will be output by Cells in order to trigger a voice's envelope. Pressing on the keypad will also output a constant gate signal.

Dimensions
16 HP
35 mm deep

Current Draw
24 mA +12V
0 mA -12V
0 mA 5V

Notes: Customised to transport and protect the new Pioneer DDJ-FLX10 Controller. Crafted from 9 mm vinyl laminated plywood, sturdy aluminium profiles and heavy duty butterfly latches, it provides you with secure transport and workstation in one. Thanks to the integrated gliding laptop platform and the convenient cable access port, the setup is ready for action in no time at all.

Fits

Pioneer DDJ-FLX10

Basics

Heavy duty construction of 9 mm vinyl laminated plywood
Solid aluminium profiles and spring loaded latches
Incl. gliding laptop platform (removable)
Full padded interior keeps controller well-protected
Detachable front cover/panel

Specs

Outer measures: 83 x 56,5 x 23 cm
Inner measures: 71,6 x 39,1 x 5,3 cm (Controller-compartment)
Weight: 16,9 kg
Colour: black/silver

Notes: Introducing Jazzman's own exclusive range of brand new 7" hard-wearing wooden record cases, in equal measure stylish and functional, solving the age-old problem of storing, transporting & displaying your precious 45s once and for all!

The PRO Large holds 150 x 7" records, and is available in your choice of 2 finishes: Dark Walnut or Graphite Grey.

This new updated design is again custom made to an exact specification in limited numbers. They don't just look the business, they've been built for professional use and will last for many years to come.

Ugly, bulky industrial cheap n' nasty mass-produced flight cases they are not! No flimsy plastic, chipboard, MDF or cheap cardboard either! These cases are hand-crafted from ethically-sourced & hard-wearing wood, the ultimate 7" record cases for all serious record collectors & professional DJs.

Each case has been hand-made in the EU from wood that has been sourced from managed and sustainable forests. They have been custom built to Jazzman's exact specifications before being stained and lacquered for a durable finish:

The lid is fully removable via detachable metal hinges so you have unfettered access to your records
Interior lined with soft & durable black felt to add both extra cushioning and a luxurious feel. Each interior is also embossed once with Jazzman's shiny 45CASE logo
All corners made with extra strong interlocking dovetail joints
Dual metal catches on the front are lockable with padlocks (not included) to keep your records secure from unwanted attention
Strong metal brackets feature on all corners to further protect against knocks & damage
Wood sourced from managed and sustainable forests
The base has 4 sturdy rubber feet to protect the bottom of the case when standing
Each cases has dual compartments, securely holding up to 150 of your prized 7" records. The interior dimensions will also accommodate double-bagged 45s.

Important note: due to the innate variability of wood grain, each box is unique and will differ slightly to the image shown. Records are for illustration purposes only and are not included!

Details:

Exterior size: 420 x 220 x 220mm
Weight when empty: 3.2kg (7lb)
Weight with 150 records: 11kg (24lb)

"I'm really impressed with this box, nobody's made them like this for years, a nice new home for my best stuff" - Mark 'Butch' Dobson (World #1 Northern Soul DJ)

"Jazzman are already known for making great records, well done to them for making the nicest record boxes I've seen in years" - Norman Jay MBE

"Sturdy and with a classic design, this is the best 7" box I have come across" - Eddie Pillar (Acid Jazz)

"Northern, Funk, Rockabilly, Garage - these are the boxes to keep 'em in, f*** marvellous!" - The Legendary Keb Darge