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Notes: EROS - Boost / 3-Band EQ

EROS is not your typical boost. It will boost clean without overdrive, add a little grit, or add distortion.

It has a 3-band active EQ for precision sculpting.

Place it in front of your amp or pre-amp to add volume or grit to a clean or crunch channel. Or, sculpt your amp's distortion response, as you would with a typical boost. However, you're no longer limited to a narrow frequency range dictated by a single tone control found on a lot of classic boosts.
Similarly, use it before or after the CERES / VESTA or any other pre-amp for even more control over its tones, and in order to get the most out of it based on your power amp situation.

This is not "just another TS style boost," therefore it should not be setup in that way. e.g. don't crank the Level and cut the Gain. Start with both at noon and go from there. The Feel (tight/fat/thick) and Mode (clean/clip/dirt) switches will lose effectiveness the lower the Gain control is set.

Further, the higher Level is cranked the more internal distortion can be generated in the last gain stage, and therefore it will add distortion within the EROS coupled with a higher Gain setting. With a lower Gain setting the last stage will remain unclipped, but a huge signal will slam the front end of any amp. This can be too large a signal to achieve your desired sound. e.g. too much saturation due to lack of headroom in the amp's first stage.

Notes: HERA - Transparent Boost with active 3-band EQ

Like the KSR EROS, HERA is not your typical boost. Where the EROS was designed for playing drop-tuned extended range guitar into the muddiest of amps, the HERA is completely different. HERA is designed to push any amp with more typical standard tunings. This pedal is transparent and the low-end is full, yet clear. It will boost clean without overdrive, add a little grit, or add distortion. HERA has a 3-band active EQ for precision sculpting.

Use it in front to add volume or grit to a clean or crunch channel. Or, put it in the loop for some unique boosting and EQ response changes. Similarly, use HERA before or after the CERES / VESTA or other preamp for even more control over its tones, and in order to get the most out of it based on your power amp situation.

This is not "just another TS style boost," therefore it should not be setup in that way. e.g. don't crank the Level and cut the Gain. Start with both at noon and go from there. The Feel (tight/fat/thick) and Mode (clean/clip/dirt) switches will lose effectiveness the lower the Gain control is set.

Further, the higher Level is cranked the more internal distortion can be generated in the last gain stage, and therefore it will add distortion within the HERA coupled with a higher Gain setting. With a lower Gain setting the last stage will remain unclipped, but a huge signal will slam the front end of any amp. This can be too large a signal to achieve your desired sound. e.g. too much saturation due to lack of headroom in the amp's first stage.

In short, all the controls will interact, and there are countless ways you can run this pedal. Please experiment!

Product Height (cm): 5.700
Product Width (cm): 6.500
Product Depth (cm): 12.200
Product Weight (kg): 0.300

Box Height (cm): 8.300
Box Width (cm): 10.800
Box Depth (cm): 7.100
Boxed Weight (kg): 0.390

Notes: Cutting Room Fllor Pedal

(Echo, Pitch, Modulate, Glitch)

The most original and versatile release from Recovery Effects to date. Unlike any effect you've heard before, it offers mountains of wild modulation, delay, freeze, and stutter. Anything from light lo-fi chorus to broken-tape-deck sounds can be achieved with this unique pedal. Melt, then freeze tones in place, or use it as a gritty echo or faux reverb.

Designed and assembled in Seattle, Washington. Includes a limited lifetime warranty, if registered within 30 days of purchase.

New in V2:

*Intensity and Modulation parameters under one control called "Wow".

*New tape deterioration parameter introduced called "Stability". 2 knobs control "Shape" and "Flutter" in conjunction with Wow.

*CV control for Eurorack modular.

Enclosure size: 4.67" x 3.654" x 1.547"

Notes: Dirty Murals

(Reverb and Delay)

Dirty Murals delivers complex delay and reverb with powerful controls for each, in a small 125B enclosure. Two distinct delay and reverb styles create a variety of rich, lush, ambient, textured sounds.

The first mode offers a modulated "oil can" style delay with shorter, vintage style repeats, paired with a small room reverb. The second mode delivers a long, high fidelity, analog-style delay with a large hall reverb. The reverb level can be dialed to taste or completely removed in either mode, allowing it to function as a traditional delay pedal. The reverb can be boosted while keeping the mix low, generating the effect of a reverb with an adjustable pre-delay.

The Dirty Murals will quickly become an essential part of your sound. It is your go-to delay and reverb solution in a small size that will free up space on your pedalboard by combining the perfect delay and reverb in one device. Includes a limited lifetime warranty, if registered within 30 days of purchase.

Enclosure size: 4.77" x 2.6" x 1.39"

Notes: Endless Summer Pedal

(Real Spring Reverb Booster)

The Endless Summer is an all-analogue, real spring reverb in pedal form. It features a boost allowing you to make things gritty, or go full-on over the top fuzzy and psychedelic. Simply put, it's the coolest sounding and most unique reverb available!

Start with the balance all the way to the left to get a splashy reverb with a slight "buffered" boost. 9 o'clock grits it up and boosts your amp. Things get crazy at 12 o'clock! Dial-in the color and depth with the brightness control.

The Endless Summer is hand-wired in Seattle, Washington. True bypass, lead-free solder, and yes, it has a real-spring-reverb tank inside! It operates on a standard Boss style 9vdc power supply, not included. Includes a limited lifetime warranty, if registered within 30 days of purchase.

Enclosure size: 5.625" x 4.625" x 1.563"

Notes: Gallows In The Morning

(Versatile Double Overdrive Plus Haunting Reverb)

Gallows in the Morning combines two of (Recovery)'s favourite things: gritty overdrive and haunting reverb. Switch between Bold and Brazen to go from shimmering, melancholic tones to monster distortion and foreboding reverberation. The simple controls allow you to easily dial in all the levels to suit your mood.

The clean, independent reverb control is one of the most distinctive features of this pedal. Even with distortion, the reverb is pristine in the mix, adding clarity to heavily distorted and reverberated signals. Using the reverb at 100% makes this pedal ideal for creative studio mixing.

Controls:

Clean: Unadulterated input signal

Dirty: Distorted guitar signal level

Reverb: Reverb level generated from the clean signal, with no dry signal

Volume: Overall volume

Bold: Overdrive

Brazen: Distortion

Gallows In The Morning is hand-wired in Seattle, Washington. It operates on a standard Boss style 9vdc power supply (not included). Includes a limited lifetime warranty, if registered within 30 days of purchase.

Enclosure size: 4.77" x 2.6" x 1.39"

Notes: Ghost Writer Pedal

(Audio to MIDI Device)

Ghost Writer is a pedal that transforms the notes you play into MIDI data. This means you can connect to a synth and literally play your synthesizer from your guitar. You can also trigger phrases or samples, add functionality to your MIDI-equipped pedals, and more.

Independent controls allow you to toggle audio and MIDI signals or use both. The monophonic MIDI data is automatically assigned to MIDI Channel 1, and transmitted through a *3.5mm TRS MIDI cable* on the back of the pedal. The audio is processed through a high-quality buffer stage to ensure no loss of signal.

Ghost Writer provides a simple way to interact with your synths and MIDI-equipped gear as you play. It's an essential tool for creative musicians who are on the search for innovation.

Hand-wired in Seattle, WA. Ghost Writer operates on a standard "Boss" style 9vdc power supply (not included). Includes a limited lifetime warranty, if registered within 30 days of purchase.

Enclosure size: 4.77" x 2.6" x 1.39"

* Type A 3.5mm TRS to 5-pin MIDI Cable *

Notes: Phantom Operator

(Supernatural Random Flux Filter)

This supernatural filter has a mind of its own. With its rhythmic paranormal activity, you may think there's a ghost at the helm. The haunted randomization makes you feel like you've entered the Twilight Zone. Plug into this pedal for endless inspiration that challenges you to compete against an otherworldly spirit!

Achieve rhythmic patterns, complex tremolo, cadenced filters, and hard, glitched-out sounds with Sample and Hold mode. The Voltage Controlled Filter mode is an incredibly smooth, classic low-pass, conducted by the dynamics of the input. Controls allow manipulation of filter frequency, as well as resolution, attack, and decay.

The Phantom Operator includes mode-changing via footswitch, with status and speed indicators. It's 100 percent analog, true bypass, and hand-wired with quality, through-hole components in Seattle, Washington. Powered by a standard 9vdc negative-tip power supply, not included. Includes a limited lifetime warranty, if registered within 30 days of purchase.

Enclosure size: 4.67" x 3.654" x 1.547"

Notes: Sound Destruction Drive V3

(Sonic Destruction, Filter, and Oscillation)

Total sonic destruction tool for guitar, or anything with a 1/4" jack you want to plug into it. It distorts, filters, oscillates, glitches, clips, and does things to your instrument that naturally should not happen. Super thick fuzz, starved splatter, and wild oscillation that can be controlled with an expression pedal. The Sound Destruction Device is unlike anything you've ever heard.

The Sound Destruction Device is hand-wired in Seattle, Washington. True bypass, chrome-plated LED, and lead-free solder. It operates on a standard Boss style 9vdc power supply (not included). Includes a limited lifetime warranty, if registered within 30 days of purchase.

Enclosure size: 4.67" x 3.654" x 1.547"

Notes: White Gold

(Choral Synthesizer)

White Gold creates densely lush harmonized textures, synthesized pads, and shimmering ensembles. Use it on any instrument, drum machine, synth, or vocal. Effortless at any setting, it's designed to resonate, glisten, and always stay musical.

White Gold easily makes a single instrument track resonate and sparkle with beautiful complexity. It is the perfect tool for adding lush, intricate, synth-like layers to any arrangement.

White Gold is hand-wired in Seattle, Washington. Includes a limited lifetime warranty, if registered within 30 days of purchase.

Controls:

Lush is the primary color, adding rich, modulated texture to the original source.
Glimmer blends a shimmering octave up.
Glow adds sparkling 5ths.
Level controls the overall blend.

Enclosure size: 4.77" x 2.6" x 1.39"

Notes: The Can (3U 52hp)

The Can is Sinusoda's 3U 52 hp case that comes with Juice Powerboard, Straw power inlet and 60W power brick. Comes assembled & ready to play. Additional vertical and horizontal connectors of the casing system included. It's a starting point for a truly modular case for modular synths.

You can connect any amount of Sinusoda's Empty Cans or Slim Cans to add more HP to this case.

Juice Powerboard is Sinusoda's Ultra Low Noise power supply solution offering up to +12v: 3A / -12v: 1.5A / +5v: 2A of clean power for your synths. Several Juices can be connected together in series for more power.

Straw power inlet has a USB charging port for your mobile devices, midi devices or lamps.

Side blinds can be cut into blank panels revealing more space - additional 4 hp from the top on both sides, and up to 14 hp from the sideway mount.

For more information on the Sinusoda modular casing system visit https://sinusoda.com

Box dimensions:
368x148x105mm

Box weight:
1,8 kg

Case dimensions:
325x130x85mm

Case depth:
70mm without Powerboard, and 56mm with Powerboard

Case weight:
1,65 kg (power brick included)

Notes: The Can (3U 52hp)

The Can is Sinusoda's 3U 52 hp case that comes with Juice Powerboard, Straw power inlet and 60W power brick. Comes assembled & ready to play. Additional vertical and horizontal connectors of the casing system included. It's a starting point for a truly modular case for modular synths.

You can connect any amount of Sinusoda's Empty Cans or Slim Cans to add more HP to this case.

Juice Powerboard is Sinusoda's Ultra Low Noise power supply solution offering up to +12v: 3A / -12v: 1.5A / +5v: 2A of clean power for your synths. Several Juices can be connected together in series for more power.

Straw power inlet has a USB charging port for your mobile devices, midi devices or lamps.

Side blinds can be cut into blank panels revealing more space - additional 4 hp from the top on both sides, and up to 14 hp from the sideway mount.

For more information on the Sinusoda modular casing system visit https://sinusoda.com

Box dimensions:
368x148x105mm

Box weight:
1,8 kg

Case dimensions:
325x130x85mm

Case depth:
70mm without Powerboard, and 56mm with Powerboard

Case weight:
1,65 kg (power brick included)

Notes: A really clever take on looping, falling somewhere closer to granular synthesis depending on how you use it. Layer and repeat multiple sound sources to create textures, chords and unique timbres.

Supplier's Notes:
Endless Processor is a dual-channel infinite sound sustainer machine.

Put your favourite instruments, unique timbres, or field recordings - virtually any sound - and make it last forever.

It is not a looper in the usual sense - Endless Processor resynthesizes your sounds to create a perfect clickless stream while preserving the timbral and tonal character of the original.

Endless Processor always listens to audio input and keeps a most recent history. Experiment with sustaining little bits of a sample or make a massive wall of sound with the ability to select how much memorized audio to process.

Stack your sounds to create harmonies, textures, or drones with 5 layers per channel. Each layer can be re-processed or cleared while keeping other ones in place. Set fade-in and fade-out time to quickly or gradually introduce a new layer or remove the existing one.

Additional controls will help you to adjust or shape a channel volume (think built-in VCA).

Dimensions
16 HP
25 mm deep

Current Draw
125 mA +12V
10 mA -12V

Notes: Rock solid build quality, simple design and the endearingly tactile feel of arcade buttons. The MIDI Fighter Spectra is your straightforward, effective controller for DJing and live performance.

*** Firmware update June 2023 ***

If you just bought your Midi Fighter Twister or haven't used the utility in a while chances are you might need to update it's firmware with the latest and greatest. This is a fairly straightforward process as long as you take some extra precautions.

1. Download and install the MF Utility if you don't have it already on your computer (PC/Mac).

2. After you check that any other MIDI related applications (Ableton, Traktor, etc) are closed connect your Twister directly to your computer and open the MF Utility. DO NOT USE A USB HUB

3. Click on "File>Export Settings" and select a destination, this will back up your Twister's settings if you have customized your Twister beforehand and make sure you export it outside of the "Midi Fighter Utility" folder since your OS might lock this location and prevent the MFS file from being generated successfully. If you just got your Twister you can skip this step.

4. If a new firmware is available for your device you should see a message in the utility as soon as your device is detected.

5. Click on the orange UPDATE FIRMWARE button and accept the pop up message warning you not to use a USB hub.

6. Once this process finishes your device will reboot and the MF Utility will now show it has successfully updated the firmware!


Supplier's Notes:
The best buttons in a professional MIDI controller
High performance MIDI controller
Designed to stand up to rigors of touring artists
Full colour configurable arcade buttons
Limited editions available with rare button colours/types
Built on the familiar format of DJ TechTools' legendary Midi Fighter line, the Spectra is back! It has full-colour ring lighting, six side-mounted, configurable function buttons, and support for all software that supports MIDI including Traktor, Ableton, Serato and more. These are the best buttons in the world.

What Makes The Spectra Great?

Every night around the world professional DJs, VJs and musicians rely on the Midi Fighter because:

Engineered to Last

The buttons alone are rated at 5 million presses - which essentially mean they will never break. You can be confident this controller will survive any tour.

Musical Feel

Arcade buttons bounce back with spring loading for ultra fast playback and easy triplets & drum rolls. It's popular for a reason.

Easy To Carry

Small footprint that won't bloat your gig bag and fits easily in the DJ booth.

The Best Buttons In The World

Most MIDI controllers feel like a plastic toy with the same buttons as your TV remote. The Midi Fighter Spectra is a professional grade instrument with the best buttons in the world, genuine Sanwa arcade buttons. These are built to take a beating and are a joy to play.

MIDI Fighter Spectra Buttons:
Cost $2.50 each
Rated to last 5 million presses
Full 2mm of travel
Bounces back like a real drum
Made in Japan in small quantities
Ball bearing contacts work every time
Clear audible feedback
Only on the Midi Fighter
Industry leading ultra low latency

Why is the Arcade button so popular?

The arcade button is a one of a kind with unique mechanics and feel that is built to be played hard!

Rapid Fire Play - The button is spring loaded and bounces back like a real drum for ultra fast triggers.

Clear Musical Action - With 10mm of musical travel and a clear audible feedback when pressed, this button plays like an instrument should.

Start playing music instantly

SoundPacks are a new plug and play standard. They keep the drums and instruments in the same place on a 16 button grid, so you can load up any pack and instantly start getting creative. The Midi Fighter Spectra is the instrument of choice for anyone playing SoundPacks and finger drumming.

Start Playing Today - Thousands of SoundPacks are available for free

Musical Talent Required - FingerDrumming is a real musical skill that is a lot of fun and the Midi Fighter Spectra is the better choice of controller for serious finger drummers.

16 buttons = One song - Each pack intuitively places a full song on 16 simple buttons making it possible to get incredibly creative, quickly.

Technical Details

Key Features:
Built proper, you can pass it onto your grandkids and it will keep ticking
Map its buttons to any midi-compatible effect or software
Official mappings for popular DJ and production software
Customizable, animated LED colour rings

Requirements:
The Midi Fighter Spectra is a class compliant, plug and play controller
Works with any computer that has a USB port and supports MIDI
Connector: USB 2.0 Type B (cable included)

Size + Weight:
Height: 6" / 15.24cm
Width: 6" / 15.24cm
Depth: 1.5" / 3.81cm
Weight: 1.3lb / 0.6kg

Notes: The best buttons in a professional MIDI controller
High performance MIDI controller
Designed to stand up to rigors of touring artists
Full colour configurable arcade buttons
Limited editions available with rare button colours/types
Built on the familiar format of DJ TechTools' legendary Midi Fighter line, the Spectra is back! It has full-colour ring lighting, six side-mounted, configurable function buttons, and support for all software that supports MIDI including Traktor, Ableton, Serato and more. These are the best buttons in the world.

*** Firmware update June 2023 ***

If you just bought your Midi Fighter Twister or haven't used the utility in a while chances are you might need to update it's firmware with the latest and greatest. This is a fairly straightforward process as long as you take some extra precautions.

1. Download and install the MF Utility if you don't have it already on your computer (PC/Mac).

2. After you check that any other MIDI related applications (Ableton, Traktor, etc) are closed connect your Twister directly to your computer and open the MF Utility. DO NOT USE A USB HUB

3. Click on "File>Export Settings" and select a destination, this will back up your Twister's settings if you have customized your Twister beforehand and make sure you export it outside of the "Midi Fighter Utility" folder since your OS might lock this location and prevent the MFS file from being generated successfully. If you just got your Twister you can skip this step.

4. If a new firmware is available for your device you should see a message in the utility as soon as your device is detected.

5. Click on the orange UPDATE FIRMWARE button and accept the pop up message warning you not to use a USB hub.

6. Once this process finishes your device will reboot and the MF Utility will now show it has successfully updated the firmware!

What Makes The Spectra Great?

Every night around the world professional DJs, VJs and musicians rely on the Midi Fighter because:

Engineered to Last

The buttons alone are rated at 5 million presses - which essentially mean they will never break. You can be confident this controller will survive any tour.

Musical Feel

Arcade buttons bounce back with spring loading for ultra fast playback and easy triplets & drum rolls. It's popular for a reason.

Easy To Carry

Small footprint that won't bloat your gig bag and fits easily in the DJ booth.

The Best Buttons In The World

Most MIDI controllers feel like a plastic toy with the same buttons as your TV remote. The Midi Fighter Spectra is a professional grade instrument with the best buttons in the world, genuine Sanwa arcade buttons. These are built to take a beating and are a joy to play.

MIDI Fighter Spectra Buttons:
Cost $2.50 each
Rated to last 5 million presses
Full 2mm of travel
Bounces back like a real drum
Made in Japan in small quantities
Ball bearing contacts work every time
Clear audible feedback
Only on the Midi Fighter
Industry leading ultra low latency

Why is the Arcade button so popular?

The arcade button is a one of a kind with unique mechanics and feel that is built to be played hard!

Rapid Fire Play - The button is spring loaded and bounces back like a real drum for ultra fast triggers.

Clear Musical Action - With 10mm of musical travel and a clear audible feedback when pressed, this button plays like an instrument should.

Start playing music instantly

SoundPacks are a new plug and play standard. They keep the drums and instruments in the same place on a 16 button grid, so you can load up any pack and instantly start getting creative. The Midi Fighter Spectra is the instrument of choice for anyone playing SoundPacks and finger drumming.

Start Playing Today - Thousands of SoundPacks are available for free

Musical Talent Required - FingerDrumming is a real musical skill that is a lot of fun and the Midi Fighter Spectra is the better choice of controller for serious finger drummers.

16 buttons = One song - Each pack intuitively places a full song on 16 simple buttons making it possible to get incredibly creative, quickly.

Technical Details

Key Features:
Built proper, you can pass it onto your grandkids and it will keep ticking
Map its buttons to any midi-compatible effect or software
Official mappings for popular DJ and production software
Customizable, animated LED colour rings

Requirements:
The Midi Fighter Spectra is a class compliant, plug and play controller
Works with any computer that has a USB port and supports MIDI
Connector: USB 2.0 Type B (cable included)

Size + Weight:
Height: 6" / 15.24cm
Width: 6" / 15.24cm
Depth: 1.5" / 3.81cm
Weight: 1.3lb / 0.6kg

Notes: Contour is a quad envelope generator. Each channel has looping, CV over attack and decay, as well as unique chaining capabilities. This makes for the creation of complex modulation patterns with a minimum amount of trigger sources. Cycle times range from 5ms all the way to 20 minutes, providing an extremely wide range. In addition to its full feature set and four channel architecture, the ergonomic interface makes it ideal for performance scenarios.

CV over attack and decay

Looping mode

Linear and exponential shapes

Unique chaining capabilities

Wide range from 5ms to 20 minutes

Tech Specs

Width: 20hp
Depth: 23mm
Power: 72 mA +12V, 29 mA -12V, 0 mA 5V

Notes: Chance is a unique modulation source that uses chance operations to create musical voltages. Inspired by John Cage's use of the Chinese divination text, I Ching, Chance generates random voltages in response to a digitally generated coin toss.

Four distinct algorithms provide signals like smooth and discrete, while the wavetable and blend outputs take full advantage of its microcontroller core, utilizing lookup tables, and digital interpolation to create a one-of-a-kind voltage source. Upon each successive clock pulse, coin toss seeds all outputs with new randomly chosen values.

Freeze stops everything in its tracks and holds each output at its current state. After countless hours, Chance will continue to surprise with new, unbelievable improvisations.

Chance operations in Eurorack

Four random voltage outputs with attenuverters

Unique voltage generation algorithms

Erratic gate burst and autonomous rhythm trigger outputs

Freeze control stops everything in its tracks

Coin toss random voltage reseed

Digital noise and analogue white noise outputs

Steady master clock output with rate CV

Tech Specs

Width: 14HP

Depth: 34mm

Power: 45 mA +12V, 17 mA -12V, 0 mA 5V

Notes: Introducing SUM0, a voltage-controlled oscillator with expanded harmonic possibilities, in a Eurorack format.

The 4 classic waveforms are generated by a meticulously designed oscillation engine.

You can modulate its frequency and its pulse width thanks to its integrated LFO, capable of reaching audible frequencies to achieve expressive modulations with the simple touch of a switch.

Expand the voice of your system by creating complex waveforms and high harmonic content thanks to its output mixer. This mixer also has an input to integrate an external signal to the mix output.

Of course, all its parameters (FM, PWM, SYNC, V/OCT) are at your fingertips through its patch points on the front panel.

And of course, assembled with a load of passion in Bocuma's studio-workshop in Guadalajara.

Nerdy-specs:

22HP
+12V > 12mA -12V > 12mA

Notes: The Collective is a brand new fuzz pedal designed by Hungry Robot. The Collective is an over-designed, complex fuzz pedal, a true desert island fuzz designed to please the most ardent fuzz connoisseur. The Collective covers a lot of ground with plenty of external controls as well as over a DOZEN internal parameters to narrow down that perfect fuzz tone. The Collective is a pedal that requires and encourages exploration. The Collective has three fuzz circuits in one box. On top of that there is a 2-band State Variable Filter and a chatotic feedback loop.

Starting at the top of the pedal, the "Conventional" knob is a traditional sounding fuzz. This is meant to balance out the more chaotic fuzz tones and provides a bread-and-butter sound when you need it. The "Low Spectrum" and "High Spectrum" knobs are part of an active State-Variable Filter, similar to the one found on The Lumen. The "Synthetic" knob is a logic based CMOS fuzz that can be described using the words, velcro-ey, synth-ey, gate-ey, and glitch-ey. The "Pristine" knob allows you to blend in your clean signal when you need a bit of pureness to balance out the crazier sounds. On the left is the "Overload" knob. This controls the amount of signal let back through an internal feedback loop. The output of the fuzz is fed back into the input causing self-oscillation and some gnarly textures. Underneath the knob is a dedicated momentary footswitch to activate the feedback loop or you can latch the feedback loop ON by flipping the toggle switch up. On the right is the "Submerge" knob. This is a monophonic sub-octave fuzz. Similar to the "Synthetic" fuzz, this is also CMOS-based, so similar gated, unstable tones. The "Submerge" also has a dedicated momentary footswitch to add in the sub-octave with its own toggle switch that can latch the sub-octave.

Controls

Conventional: Adjusts the volume of the Conventional Fuzz
Synthetic: Adjusts the volume of the Synthetic Fuzz
Pristine: Adjusts the volume of the clean signal.
Overload: Controls how much feedback is looped back into front end when Overload is active.
Latching Toggle Next to Overload: Latches the Overload effect ON when up. When down, the effect is bypassed.
Footswitch Below Overload: Momentary control of Overload effect. Does the opposite of what the Toggle Mode is set to.
Submerge: Amount of Submerge, monophonic sub-octave is sent to the output.
Latching Toggle to Submerge: Latches the Submerge effect ON when up. When down, the effect is bypassed.
Footswitch Below Submerge: Momentary control of Submerge effect. Does the opposite of what the Toggle Mode is set to.
Middle Footswitch: Master Bypass

Technical specifications:

Current Draw: 97 mA
Dimensions: 5.7" x 4.7"
Powering: 9V DC - Negative Center - 2.1mm Barrel

Notes: Deluxe version of Hungry Robot's excellent lo-fi Wardenclyffe pedal, introducing elements like Snake (white noise) and Campfire (vinyl crackle) to your signal.

Supplier's Notes:
This pedal is a Deluxe expansion of the Wardenclyffe pedal, with the same great Wardenclyffe vibes, and base circuit and coding. Here's what's new (spoiler: it's a lot).

The Deluxe now has tap tempo control, as well as a wider range of modulation rates, and an LED rate indicator. Also new is an independent control over the level of the ambient PAD. The CLOCK knob controls the operating frequency of the DSP.

Lower frequencies turn the signal into an ultra-muddled, borderline unusable, muddled lo-fi mess. The DETUNE toggle splits the signal into two and tastefully detunes one of them for a lush chorus effect. The CRUSH toggle adds a gnarly bit crusher to the signal.

The three small knobs on top are a Vinyl Noise simulator, to mimic an old record player. The Snake knob adds a filtered white noise/hiss to the mix. The Campfire knob adds a crackle effect. The Pop knob (adds a random popping effect. The Wardenclyffe was already a very solid pedal, but it's now got a claim to be the most feature packed lo-fi pedal out there.

Notes: The Aether is a modulating delay pedal.

The initial vision for the design of The Aether came shortly after the release of the Wardenclyffe Deluxe. The intention was to take design the philosophies and incorporate tonal characteristics that made the Wardenclyffe so special, but this time as a delay pedal.

At the heart of The Aether is a PT2399, tap tempo delay. It has the standard Echo, Feedback, and Time controls you would expect on any delay, but what makes it special is the Color, Saturation, and Degrade Controls. The Color toggle completely changes the character of the Aether and has two voices: Warm Analog and Bright Tape. The Saturation knob is a gain adjustment that overdrives the delay chip. The Degrade toggle adds lofi textures and artifacts to the delay line. The Degrade toggle removes a very vital section of the delay circuitry that keeps the delay stable with longer delay times. As you increase the delay time, the artifacts become more present and lofi.

The Aether uses a simple, but versatile modulation LFO core inspired by the Wardenclyffe, but with more features. The LFO cores sets it apart from other modulated delays out there. The speed of the modulation core can be set 3 different ways: Rate knob, tap tempo tact switch, and Sync toggle. When the Sync toggle is set to its middle position, the LFO can run at whatever speed you want. When the Sync toggle is in the up position it is synced to the delay time. When the Sync toggle is in the down position, it is synced to delay time, but in half-time for slower evolving moduation. The Shift knob determines the depth of the modulation; this has plenty of range in case you want to get really obscene. The Stray toggle changes the LFO from a typical Sine wave to a Slewed Random waveform. Creative exploration of the modulation section of The Aether is strongly encouraged. The way the delay rate and LFO rate interact with each other can yield very creative results.

Notes: ILLUMINATOR is an eight channel converter that turns Eurorack and analog CV signals into a voltage that drives LEDs and LED strips, creating a unique light show in sync with your live performance. CV signals coming from your music gear are already pulsating with the different parts and sounds of your track, so there is no need for any kind of programming or light operator.

You can focus on playing your set and let ILLUMINATOR take care of the rest, creating a dynamic visual show that follows your tracks down to every note and beat!

No presets, no memory- just your music driving the lights. Create intense strobe-like effects by connecting rapid hi-hats from your analogue drums, or use slow external LFOs for a moody ambience during your ambient sessions.

ILLUMINATOR is compatible with standard 12V LED strips that are affordable and widely available. LED strips are flexible and typically come with adhesive on the back, so it's easy to attach them to any objects and surfaces, including irregular and unusual ones. It can be your Eurorack case, synth stands, walls of the venue, furniture and even your body! This way you can create a unique light show that would otherwise require an expensive (and unwieldy!) lighting setup. Everything you need for your ILLUMINATOR show easily fits into a small backpack for just a couple hundred euros.

ILLUMINATOR can also run an art installation, as LED strips are far from its only application. It can drive anything that accepts DC 12V with a current up to 0.5A. You can hook up anything from motors, electromagnets to old-fashioned filament bulbs. It's the perfect beating heart for your weird mechanical steampunk orchestra. Your imagination is the limit!

ILLUMINATOR accepts all types of CV signals in the range from 3 to 20 volts. Each of the eight channels contains an individual trimmer pot that defines the sensitivity of the channel. It not only adjusts the optimal input range for connected CV sources, but it can also set the brightness of each LED strip. Default factory setting for all trimmer pots is made for the range of 5V, compatible with most gear out of the box.

Applying bipolar CV is also possible but the negative part of the signal will not light up the LEDs (everything below zero will be processed as zero).

CV signals can be connected to ILLUMINATOR using Eurorack mini-jacks or PULSAR-23-like pins and alligator clips. PSU DC IN and all outputs are standard DC sockets 5.5×2.1mm center plus.

Technical specs

Number of channels: 8
Supply voltage: DC 12V
Supply voltage socket: 5.5 × 2.1 mm (center plus)
Output voltage: DC 12V
Output LED socket: 5.5 × 2.1 mm (center plus)
Maximum total power of all channels: 48 watts
Maximum total current of all channels: 4A
Recommended maximum current for one channel: 0.5A
Absolute maximum current for one channel: 1.5A
Input voltage range: 3 - 20 Volts
Input impedance / with correct adjustment of the input sensitivity: > 5.7 kOm / 100 kOm
Input sockets: Eurorack mini-jacks and Pulsar-23 / Ornament-8 pins
Number of mini-jack sockets: 8 (1 for each channel)
Number of Pulsar-23 pins: 9 (1 for each channel + 1 common ground)
LED Items: 8
LED Color: 4000K x 2, Red x 2, Blue x 2, Green x 2
LED Length: 1.5 + 3 m cable
LED Power: 4.8 W/M
LED Voltage: DC 12V
LED IP Rate: IP65
Power supply Input: 100 - 240 VAC, 1.5 A, 50/60 Hz
Power supply Output: 12 DC, 5A
Dimensions: 275 x 70 x 40 mm
Weight: 300 g
Box size: 375 x 310 x 85 mm
Box weight: ~ 800 g

Product dimensions
Illuminator: 275 x 70 x 40 mm
Box: 375 x 310 x 85 mm
Net and gross weight
Illuminator net weight: 300 g
Gross weight: ~ 800 g

Notes: ALM's first analogue oscillator is a typically smart design, featuring thru-zero FM, continuously morphing wave shapes, dual subs and voltage-controlled FM index.

Supplier's Notes:
The 'TAZM-O' is an analogue triangle core oscillator featuring through-zero frequency modulation and a collection of some of ALM's favourite features of classic oscillator designs.

It includes a continuous morphing wave/pulse width shape control inspired by the Serge NTO, dual SH-101 style varied pulse sub octave outputs, a voltage controlled FM Index typically found in larger complex oscillators, a built in output level VCA and voltage controlled octave transposition similar to the multipliers found on Akemie's Castle digital FM VCO.

Designed to act as the primary oscillator in your system the 'TAZM-O' offers a wide range of timbral and patch flexibility within a relatively compact 12HP size, making it the perfect fit for any modular system.

Continuous crossfading wave shape with direct and voltage control.
Through-zero FM input with direct and voltage controlled mod index.
Dedicated outputs for sine (or triangle), saw and square sub-1 & sub-2.
Primary output with level VCA.
V/Oct input with approx 8 octave range.
Octave transpose CV input ranging 3 octaves.
Hard Sync input.
LFO mode with bipoler LED indication.
Rear switches for selecting Sub-2 pulse width, and sine/triangle waves.
Skiff friendly with reverse power polarity protection.
Made in England.

Dimensions
12 HP
38 mm deep

Current Draw
70 mA +12V
60 mA -12V

Notes: Cory Wong is a Grammy-nominated artist renowned for laying down some of the finest grooves across all genres. The Wampler Cory Wong Compressor is at the heart of his legendary tone. More than just a Compressor and a Boost pedal, this dynamic toolkit shapes your tone with sparkling cleans and responsive compression either direct to your amp or straight into your recording interface. Prepare to find the funk!

The Wampler Cory Wong compressor features two soft footswitches that operate each function of the pedal. For the Compressor side there is also complete control over Volume, Sustain, Attack, and Blend as well as Brian Wampler's signature Tone control which can be dialled in to add sparkle and chime to your guitar's tone.

For the boost side there is a single rotary boost control that adjusts the amount of boost activated and a profile switch that sets the mode of the boost circuit from a flat boost to a rich saturated boost with an extra vibrancy around the 550Hz range. The Blend control controls the amount of dry and compressed signal in the compressor circuit.

The Compressor is operated by the independent "Compress" footswitch on the left, the LED will turn green when active. The Boost is controlled by the independent "Boost" footswitch on the right and the LED will turn blue when the boost is active. This particular boost was based on the classic MDX Strat boost style circuitry (once favoured by Eric Clapton). When both sides are active, the LED turns Rainbow white. On the right hand side of the pedal there is a "Comp On" switch which permanently engages the compressor circuit when depressed - useful for a live environment where you want to really just stomp down for boost. The left hand side has an XLR socket to go direct to a PA system or mixing board, and a "Ground Lift '' switch which can be used to eliminate unwanted ground noise.

The Wampler Cory Wong Compressor delivers all of this with the premium build quality Wampler is known for.

Get boosted

Cory was keen for a choice of boost, that allowed him to choose either a flat volume boost or a rich, saturated boost that could push his midrange a little when the boost switch is engaged. There is a single rotary boost control that adjusts the amount of boost activated and a profile switch that sets the mode of the boost circuit from a flat boost to a rich saturated boost with an extra vibrancy around the 550Hz range.

Two switches, no dancing

There are two footswitches which each control the functions of the pedal. When Compress is switched the LED will turn blue. When the Boost is switched on the LED will turn green. If you have both the Boost and Compressor active the LED will turn Rainbow white. Use the Comp On switch to permanently engage the compressor and avoid the pedalboard tap dance when you want to add boost!

Go straight into your draw

The pedal features a Wampler first - a balanced XLR output enabling it to be plugged directly into a computer interface, mixing desk, or PA for those signature bright and clean tones. Theres an independent switch to lift the ground in case of additional hum.

Total tone controls

The Compressor side offers complete control over Volume, Sustain, Attack, and Blend as well as Brian Wampler's signature Tone control which can be dialled in to add sparkle and chime to your guitar's tone.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Quantus Trajecta is a quad envelope designed with polyphony in mind. Quantus Trajecta's envelope structure takes the functionality from Noise Engineering's beloved Loquelic and Cursus Iteritas Percido modules, and adds even more control and mode options like Tremolo and ADSR.

Each parameter is CV controllable, and each control universally adjusts all four envelopes for easy polyphonic tracking. Quantus Trajecta is performable, musical, and most importantly, fun.

Notes: Dual Balanced ins and outs for the studio or the road. Interface your rack with the balanced line level world; send and return to pedals or desktop FX units; patch in and out of your DAW, external synths, drum machines and other line-level instruments.

Get Connected

Audio I/O (2023 edition) allows you to effectively interface your Eurorack modular system to the balanced line-level world (+4 dBu). You can send and return to rack mount/desktop fx units, patch to external line-level instruments like synths and drum machines, interface to a DAW and much more.

The 2023 edition moves the TRS jacks to the top of the panel

The rear-mounted 3-pin CHAIN IN connector allows you to sum (in parallel) other audio sources to go from Eurorack level to the BAL LINE OUTPUTS. This could be from modules like the Mixup 3U, Xfade 1U, Stereo Mix 1U, and XY I/O 1U. You could also use this to connect with the 3-pin headers on the Palette and 7U cases audio i/o boards.

The rear-mounted 3-pin CHAIN OUT connector allows you to directly connect the level-shifted BAL LINE IN to the inputs of other compatible devices such as the Mixup 3U, Outs 3U, Stereo Mix 1U, XY IO 1U, and Headphones v2 1U. You could also connect the to the TRS jacks of the Palette and 7U cases audio i/o boards.

Features:

2 x Balanced TRS 1/4" to Eurorack modular level input paths
2 x Eurorack modular level signals to Balanced TRS 1/4" output paths
4 x six stage analog led VU meter to monitor all inputs and outputs simultaneously
Input path has up to 20 dB of gain, which allows you to patch in low-level consumer level signals and boost them.
Output path steps a nominal Eurorack level (10 Vpp) down to +4 dBu with up to +6 dB gain
3pin CHAIN IN connector
3-pin CHAIN OUT connector

Dimensions
10 HP
39 mm deep

Current Draw
75 mA +12V
70 mA -12V

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


*** New features in version 2.0 ***

The new features expand its capabilities meaning it's easier to use whilst making it a more flexible music production tool.

Resampling

Patterns and tracks can be resampled by internally recording the audio output into a new sample. Real-time resampling of your keyboard playing is also possible.

Chopping

Two new voice modes called 'Drum' and 'Chop' auto-slice samples easily with the newly developed Downbeat Divider*. Sliced sections of a sample are then spread across the keyboard making finger drumming possible.

Remix Effect

A beat repeater effect 'R.MIX', added to the master effect options, makes glitchy real-time performances possible.

The new features are designed to work well with each other so you can easily create drum tracks with auto-slicing and record lively performances that are not constrained by the grid of the internal step sequencer.You can also resample samples and tracks for infinite effects processing.

A quirky take on sampling from this 12-bit groovebox inspired by classic 12-bit samplers like the Akai MPC60. Gritty, distinctive sound and some nice sequencing options.

Supplier's Notes:
Retro sampling engine with 12bit Sampler mode

The LIVEN Lofi-12 has a 16bit - 12kHz/24kHz sampling engine with the 12bit Sampler mode that will turn any sound into a pleasing lo-fi sound.

Like the many legendary samplers that were released in the late 80s, this is a genuine low-bit and low sampling frequency sound that cannot be obtained authentically with bit crusher effects and other modern sound degrading tools.

Up to 4 seconds mono sampling per sample slot (2 seconds mono sampling at the 24kHz mode). Start and end point trimming, pitch adjustment, reverse playback, sustain loop, filtering and LFO modulation are all possible.

Easily play samples chromatically across the keyboard

Sounds sampled by the LIVEN Lofi-12 are automatically assigned to the keyboard and can be played easily at different pitches.

The well-known vintage sampler technique of sampling a 33 RPM vinyl at 45 RPM then slowing it down created the gritty, lo-fi sound that is often heard in '90s hip-hop.
The LIVEN Lofi-12 makes it easy to recreate that sound!

80 carefully selected lo-fi preset sounds are included.

Powerful 4-track sequencer with parameter and sound locking
The LIVEN Lofi-12 is equipped with the powerful 4-track step sequencer that has earned the LIVEN XFM a solid reputation.

You can easily create a 4-part song by selecting a sampled sound for each track, and with the Sound Lock function, you can easily switch sampled sounds for each phrase or sequencer step, allowing you to use an almost infinite combination of sounds within a single song.

Sequence up to 64 steps per pattern.

Save up to 64 patterns.

Sub-divide the tempo down to 32nd notes.

Program notes step by step or record them in real time. Additionally, you can also input notes to specific steps while the sequencer is playing to add variation.

The Parameter Lock function allows you to record knob changes into your patterns. This can be recorded live, or programmed in step by step.

The Sound Lock function allows you to record selected sound changes into your patterns. You can use an almost infinite combination of sounds within a single song.

Laid-back knob for creating drunk beats
The Laid-back knob on the LIVEN Lofi-12 allows you to delay the start of the selected sampled sound.

For example, you can slightly delay the snare drum sound in your drum pattern, or use the Parameter Lock function to shift the sound timing later for each step individually.

11 types of Effects each track and 8 types of Master Effect
The LIVEN Lofi-12 features independent effects on all four tracks.
You can select from 11 types of effects from the LIVEN series, and the effect parameters can be automated in steps using the Parameter Lock function.

In addition, 6 types of high-quality Reverbs + Cassette Tape Simulator and Vinyl Simulator are included as the master effect.
The send amount can be adjusted for each track for mixing.

Specifications

Sampler
16bit - 12kHz or 24kHz (switchable) linear PCM sampling (mono)
12bit Sampler mode
Sampling up to 4 seconds per sample (12kHz) or 2 seconds per sample (24kHz)
Auto start sampling function with the input level (input level can be set)
Start/end point, attack, release, pitch, and level adjustment
Reverse playback
Sustain loop settings
Maximum polyphony: 10 voices
128 sample memory slots (16 x 8 banks)
Import and export of a slot or banks of samples (via MIDI)
*Import of audio files from PC/Mac is not supported.


10-note polyphonic mode
Mono mode with adjustable glide time
Legato mode with adjustable glide time
Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)

Filter
Low Pass
High Pass
Band Pass
Each track has its own filter and envelope

LFO
Each track has one LFO which can affect both pitch and filter cutoff with separate adjustable levels
Adjustable LFO Shapes
Adjustable start time delay for each LFO

Sweep
Sweep with adjustable speed, range, and curve

Effects

Track effects

One effect per track
Chorus
Flanger
Tremolo
Delay
Distortion
Bit Crusher
Low Pass Filter
High Pass Filter
Isolator
Tilt EQ
Compressor

Master effects

Reverb send amount can be set independently for each track
Hall Reverb
Room Reverb
Arena Reverb
Plate Reverb
Tunnel Reverb
Infinity Reverb
Cassette Tape Simulator
Vinyl Simulator

Sequencer

4 tracks
Up to 64 steps per pattern
64 patterns
Step length can be set from 1/1 to 1/32
Real-time recording
Directly enter notes for each step when playback is on or off
Enter longer notes (Tied notes)
Metronome and pre-count function
Step copy and paste function
Track copy and paste function
Transpose function
Swing function
Pattern BPM / Global BPM can be set
Pattern chain function

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Dreadbox go back to their roots with this reissued analogue beast. Simple but effective single-oscillator monophonic design with a three-pole resonant filter and analogue distortion.

Supplier's Notes:
Dreadbox's highly anticipated Bass Synthesizer is finally back.

Its Deep and Dark sound is here to haunt you ...

All Analogue Bass Synthesizer
Faithful Reproduction of the 2016 Hades
1 Oscillators with 2 Sub Octaves and 2 Waveforms with PW control
3-pole Resonating Low Pass Filter
1 AD/RS envelope and a AR Amp Envelope

OTA VCA
OTA Distortion
Wide Range Triangle LFO
11 patch points for an astonishing spectacular modular experience
Compact, USB powered, Eurorack Format (42HP)

Monophonic Epicness
Super Fat Oscillator
2x Sub Octaves for extra headroom
Special Internal Bass Boost Circuit
Warm Filter
Drive effect for aggressive sounds
CV outputs: Envelope, LFO, Mod Wheel, 1v/oct
CV inputs: PW, Cutoff, VCA, CV, Gate

Specifications & Connections

USB powered (1.5 Watts)
50 Playing hours with 20,000mA portable power bank
MIDI IN via DIN5
14 MONO TS Jack Out

Dimensions: 21.5 x 13 x 6.5 cm
Weight: 0.9 kg

Requirements

USB-A Adapter (5v) with 1000mA or more
MIDI device or keyboard that is equipped with DIN5 midi output
Monitor, Amp or Headphones

Included in the box

Hades Eurorack module
42 HP case
1x DIN5 to 3.5mm adapter (specs as found at midi.org)
1x Ribbon cable

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The latest and greatest version of one of the most popular microphones around. XLR and USB connections both offer warm sound suitable for vocals, instruments and podcasting.

Supplier's Notes:
The NT1 5th Generation is a revolutionary studio condenser microphone that fuses the classic sound signature of the iconic NT1 with cutting-edge, next-generation technology. It features RODE's groundbreaking (patent-pending) Dual Connect output, offering both XLR and USB connectivity for incredible versatility, a world-first "unclippable" 32-bit float digital output, advanced digital signal processing, and more, all while delivering the same warm, silky character, extremely low noise, and high SPL handling that the NT1 is renowned for. The NT1 5th Generation is a true studio workhorse that excels on everything from vocals and speech, to guitar, piano, drums and percussion - the ultimate studio microphone.

The Iconic Original Studio Microphone, Reborn

The NT1 5th Generation is the latest evolution of the iconic NT1. First introduced in 1991, the NT1 is the world's most popular studio microphone, renowned for its warm, classic sound and incredible versatility. The NT1 5th Generation takes the much-loved and respected core of the NT1 and introduces state-of-the-art features while preserving the legendary sound quality that made the original the go-to microphone for countless creators. A perfect marriage of tradition and innovation.

Game-changing Connectivity

Featuring RODE's groundbreaking, patent-pending Dual Connect output, the NT1 5th Generation can either be connected to an audio interface or mixer via XLR or directly to a computer via USB for studio-grade, plug-and-play recording. Unprecedented flexibility for any studio setup.

Classic Sound on the Cutting-edge

The NT1 5th Generation delivers the same warm, silky character, extremely low noise, and high SPL handling capability that the original is revered for, with improved circuitry for even lower self-noise - an astonishingly low 4dBA, making it the world's quietest studio condenser microphone. When using the XLR output, it delivers the rich, classic studio condenser sound you know and love from the NT1. When using the digital output, you get this same sound plus a slew of cutting-edge features to further enhance your audio for recording pro studio sound directly into your computer.

The Digital Studio of the Future

The NT1 5th Generation features a professional-grade audio interface built into the microphone, which is perfectly optimised to preserve its pristine audio fidelity and also offers a range of highly innovative features for enhanced sound, including the ultra-low-noise, high-gain Revolution Preamp™, high-resolution (192kHz) A/D conversion and advanced digital signal processing. This is so much more than just a studio condenser microphone, it's an all-in-one digital recording solution.

The "Unclippable" Microphone

The NT1 5th Generation features a world-first 32-bit float digital output - a revolutionary recording format that allows you to record everything from a whisper to a scream, the softest guitar to the loudest drummer without having to worry about setting your gain - simply adjust your audio after recording and all the dynamics of your performance will be maintained, with zero risk of clipping or distortion. Gamechanger.

Versatility Like No Other

With its smooth frequency response, extremely low noise, high SPL handling, flexible connectivity options and powerful digital capabilities, the NT1 5th Generation offers versatility like no other studio mic. It excels in any recording application, from vocals and speech to guitars, drums to piano, and can fit into any workflow, from a solo bedroom recording setup to a professional studio.

Craft Your Sound

Craft your sound with advanced APHEXr audio processing, driven by the NT1 5th Generation's powerful on-board DSP. Add compression, a high-pass filter, noise gate, and the legendary APHEXr Aural Exciter™ and Big Bottom™ to your audio with ease using the free RODE Connect and RODE Central companion apps. Dial in the perfect sound with the touch of a button using the intuitive VoxLab™ editor or fine-tune each processor using the advanced editor.

Premium Components, Built to Last

Made from premium components, the NT1 5th Generation is built to the highest standard in RODE's state-of-the-art manufacturing facilities in Sydney, Australia. The HF6 capsule is precision manufactured to sub-micron tolerances to ensure the utmost consistency in tonality and frequency response and is internally shock-mounted for minimising external vibrations. The body is machined from rugged aluminium and is available in black or silver, with high-grade finishes that are extremely resistant to scuffs and scratches, ensuring the NT1 5th Generation is ready to take on the rigours of recording day in, day out.

Everything You Need to Start Recording

The NT1 5th Generation comes with everything you need to start recording in the box, including XLR and USB cables, and a studio-grade shock mount and pop filter for minimising unwanted artifacts in your recording caused by plosives, knocks and bumps.

Unlock More Creative Potential with the RODE App Suite

The NT1 5th Generation is compatible with a range of free RODE apps, including the RODE Central companion app, RODE Connect podcasting app and UNIFY streaming app, all of which allow you to configure settings, access the advanced DSP, update firmware and more.

Specifications

Acoustic & Electrical Specifications

Acoustic Principle: Pressure gradient
Active Electronics: JFET impedance converter with bipolar output buffer
Capsule: 1.00"
Polar Pattern: Cardioid
Address Type: Side
Frequency Range: 20Hz - 20kHz
Output Impedance: 100O
Maximum SPL: 142 dB SPL
Equivalent Noise (A-weighted): 4dBA
Sensitivity: -32 dB re 1 Volt/Pascal (25 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz
Analogue Power Requirements: Via XLR: P48
Analogue Output Connection: 3-pin XLR

Digital Specifications

Digital Power Requirements: Via USB: 5V
Digital Output Connection: USB-C
Bit Depth: 24-bit / 32-bit floating point
Sampling Rate (kHz): 48 / 96 / 192
Processing: APHEX digital signal processing (only available at 48kHz / 24-bit)
Minimum OS Requirements: Windows 10 Mac OS 10.15

Mechanical Specifications

Weight (grams): 308

Dimensions (millimetres):
Length: 52
Width: 52
Height: 189

Box Contains

1 x NT1 5th Generation
1 x SC29
1 x XLR-6
1 x SM6

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Eurorack and Newtonian physics meet in this clever 'movement simulator' module, capable of acting as a VCO, LFO, envelope generator, filter and more.

Supplier's Notes:
Inertia is a universal movement simulator. It generates output curves from input stimuli and the weight of its own motion-that is, its inertia.

Just as Newton described the motion of the planets and the motion of earthly bodies with a single set of laws, so too Inertia brings together several seemingly disparate musical functions with a single, elegant abstraction. Inertia can be used as:

A rich oscillator with 5+ octaves of temperature-compensated V/O and CV over skew
A quadrature sine wave oscillator
An LFO divider
A filter with controllable, skewable resonance, from a light touch to screaming glitches
An envelope generator with nuanced, natural sounding control over the minutiae of the attack and decay stages
An intuitive sine wave skew LFO
A phase locked loop
A voltage controlled exponential slew limiter
A slew limiter with controllable overshoot and settling (like a Wogglebug)
A percussive sound generator
And more uses that we haven't yet discovered

Inertia achieves all this complexity with simple controls. The exponential rate at which the output rises and falls can be set by the rise and fall controls. Inertia then follows an input signal according to these two rates, producing a first order and second order output. But things get interesting with the momentum controls. When you add some rise or fall momenta, the output signal exceeds its target in that direction before returning to its destination. With momentum, you can create ADSR-like envelopes, skewed filter resonance, etc. When momentum is all the way up, Inertia self-oscillates, acting like an LFO or VCO.

In addition to rise/fall mode, Inertia can be set to value/skew mode, in which these same parameters are controlled as overall frequency, plus the skew between rise and fall rates, and overall momentum, plus the skew between rise and fall momenta. An LED colour and position indicates which mode is being used.

Inertia is inspired by the Dual Universal Slope Generator (DUSG), invented by Serge Tcherepnin for his Serge synthesizer system. Rather than duplicate the DUSG in a new wrapper, Inertia builds on the innovative, abstract impulse at the heart of the DUSG to create something different and new. This all-analogue circuit is original both in concept and execution, but it grows in rich soil.

Size: 14HP
Depth: 25mm
Power Consumption +12V 72mA, -12V 72mA
Timing Range: 50s-7ms (low), 7Hz-50kHz (high)
Tuning Accuracy: ~5 octaves
Self-Oscillation Range: -6V-+6V peak
Full I/O Range: -9.5V-+9.5V peak
Input Impedance: 50kO
Output Impedance: 150O
Output Drive: 2kO (min), 20kO+ (ideal)

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Limited run of 600!

Introducing Subway, an 8 input, 1 output scanning crossfader in 6 HP. Transit for your signals!

8 inputs and correlating on/off switches let you decide how many signals are a part of the line. Then, smoothly fade from one signal to the next using the knob or an external CV source.

Subway is compatible with both audio and control voltage so it can be used for creating morphing waveshapes out of wavetables, complex modulation from multiple CV sources, as a simple waveshape selector for oscillators with multiple outs, and lots more. Find new sonic territories by combining multiple sounds and cycling through them at audio rate. Meticulously route CV to create preset destinations throughout a set.

The journey is yours, let Subway take you there.

Controls

Scan Knob - Master control over which input is going into the output. Knob becomes offset when CV is applied to Scan CV input.

Enable Switches - Control which input is active. Off LED means the input is removed from the output selection. Dim LED means the input is active, but not yet selected. Bright LED means the input is currently being sent to the output.


Specifications

PCB height: 112mm
Depth: 38mm (with cables)
Power: +80mA, -22mA
Saves settings after 1 minute of inactivity.
Digitally controlled analogue signal path operates at 48kHz.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


A multi-purpose module designed to combine noise and modulation sources, slew, sample-and-hold, envelope following and more. Extremely versatile way to add randomness and controlled movement to patches.

Supplier's Notes:
Flurry collects and connects a number of practical modular synthesis tools, focused on clocks, noises, and randomness to create a module that is rife with opportunities for exploration and experimentation. Equally capable as a synthesis source, modulator, clock, or signal modifier; It is bound to find a way to bring new life and dimensions to your synth patches.

Core Functions:

A clock and random pulse source with adjustable and modulatable rate
Accurate pink and white noise sources
Analogue sample & hold and track & hold circuits with very low droop
Analogue slew with adjustable slew time and edge selection (rising edge, falling edge, or both)
Envelope follower
16 noise synthesis algorithms, each with 2 parameters.

One of Flurry's more interesting aspects is its collection of digital noises, which provide a wealth of interesting noises, suitable for either audio or modulation purposes. Each noise type has its own pair of unique parameters to further dial in the desired characteristics, with the primary parameter under CV control.

Most people consider noise to be "undesirable," and product developers expend great effort to design circuits that minimize noise. So why make a module designed specifically to create noise?

Indeed, unwanted noise is undesirable. But not all noise is unwanted. Synthesizing the sound of wind or waves are a couple of the more obvious uses for a noise generator, but the possibilities go far beyond. The crack of a snare hit; the breathiness of a flute sound; an added sizzle to a resonant pad - all are within the sonic domain of noise.

But noise has many other benefits beyond simply being heard. Noise happens to make a wonderful modulator. When noise is used to modulate a filter's cutoff frequency, or an oscillator's pitch or pulse width, then all sorts of raspy, buzzy, gritty timbres are obtained.

Noise is also a key ingredient in sample & hold circuits - a technique most commonly used to generate stepped, random voltages. The circuit works by sampling an input signal's voltage each time you send it a clock pulse, and holding that voltage until the next clock pulse. So, naturally, Flurry also contains the requisite clocking tools! Two of the most common destinations for the S&H output are a filter's cutoff frequency (creating stepped, clocked timbral changes), and oscillator pitch (which produces random notes at clocked intervals).
Of course, you might not always want your voltages to change so abruptly at each clock pulse. Maybe you'd prefer they wobble about gradually and with more grace? To do that, you need a slew circuit, and once again Flurry has you covered - allowing you to select not just the slew time, but also whether the slew is applied to rising voltages, falling voltages, or both. A flick of the switch, and that Slew circuit becomes an envelope follower, enabling Flurry to generate envelopes from input signals (syncing to drum hits are a common use).

With all these features, plus the ability to create random pulses, clock to external pulses, and perform more esoteric track & hold duties, Flurry is a noise lover's toolbox.

Width: 8HP
Depth: 34mm
Power: 116mA @ +12V 30mA @ -12V

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


As probably many of you know the MIX BX (like Feedback's PRE BX channel strip) is based on a very popular mixer used by techno artists in the nineties and loved for its specific sound.

Tech specs:

- 35HP front panel
- 35mm depth behind front panel including the power connector
- 6 mono input jacks ( 1 per channel)
- Pot controls for channels : Gain, Hi, Low, Aux1 send, Aux2 send, Pan, Volume
- 6 mute switches (1 per channel)
- Pot controls for master : Master Level, Headphone Level, Aux1 Return, Aux2 Return
- 2 x mono aux send jacks
- 4 mono input jacks for two stereo Aux returns
- 2 jacks for master left and right out
- one 3.5mm stereo jack for headphone out
- boxed 10 pin euro power (+12V / -12V)

- Input Level from -50dBm to -10dBm
- EQ Hi +-10dBm/10kHz shelf type
- EQ Low +-10dBm/100Hz shelf type
- Output Level 20Vpp

Notes: Empress Effects' Most Versatile Distortion Pedal Ever

Get any high-gain tone from crunch to crushing, with advanced EQ and gating for total control over sound and silence.

The Heavy Menace is the most versatile distortion pedal Empress Effects ever created. It's an evolution of the original Heavy with new features and a compact enclosure.

In addition to the original Heavy and Heavier modes, the Heavy Menace adds a new Lite(ish) mode, covering any high-gain sound from classic hard rock to searing modern metal.

Enhanced EQ

The 3-band circuit on Heavy Menace is one of Empress Effects' best.

The Weight control adjusts a high-pass filter in the distortion circuit to shape low-end character. Turn it up for a thick, full sound, or turn counterclockwise for a tight response that's perfect for palm muting and extended-range guitars.

Midrange is a key element of a great distorted sound, so the mid frequency is sweepable from 200 Hz to 2.5 kHz to dial in the sweet spot for your guitar and amp. Scoop for a tight, aggressive sound, or push to add definition and cut through a mix.

True or Buffered Bypass

The Heavy Menace offers both true bypass for maximum transparency, and buffered bypass to protect against signal loss over long cable runs.

Adaptive Gate

Players loved the gate on the original Heavy. Envelope followers in the circuit respond to your playing, letting sustained notes decay naturally but clamping down quickly during fast stops.

On the Heavy Menace, this gate is now footswitchable, with two available modes of operation. In normal bypass mode, the gate doesn't affect the signal if the distortion is off, while independent bypass mode is like having separate distortion and gate pedals.

A key input has also been added so you can optionally trigger the gate with an external signal. This is particularly useful if you have additional pedals before the Heavy Menace in your signal chain, such as a low-gain pedal for stacking. Split a clean signal with a pedal like Empress Effects' Buffer+ and connect it to the Gate Key Input, and the gate will behave consistently regardless of changes at the main input.

Specifications

Input Impedance: 1MO
Output Impedance: 100O
Frequency Response (-3dB): 35Hz - 17kHz
Input Voltage: 9-12VDC
Required Current: 250mA
Power Input Connector: 2.1mm Barrel Connector
Height (Enclosure Only): 1.5"
Height (Including Controls): 2.5"
Length: 4.8"
Width: 2.6"
Weight: 1lb

Notes: Roucha Legio is a 12 dB /octave state-variable stereo multimode filter available on the Legio DSP+oscillator platform.

Noise Engineering received tons of requests for NE filters over the years, and Roucha Legio is their first dedicated release. The filter features lowpass, bandpass, and highpass settings and tracks frequency via the dedicated encoder and extremely accurate 1v/8va CV input. Roucha Legio's CV-controlled resonance parameter can go from clean to acidy-squelchy for bassline joy. Add CV for filter sweeps that will knock your socks off. Of course, because it's a Noise Engineering module, there's a Fold knob. Add wavefolding to the signal chain before, after, or both before and after the filter.

Noise Engineering have made it easy to carry out dramatic buildups and cuts with Roucha Legio. Just tap the encoder to bypass; tap again to turn the filter on again. Want to automate it? Send a gate into the Bypass input. The filter will remain bypassed as long as a high gate is present.

Roucha Legio is also a DSP and oscillator platform: users can change the firmware on any Legio module, 100% free, to any other firmware in the Legio series.

Dimensions
6 HP
38 mm deep

Current Draw
140 mA +12V
22 mA -12V

Notes: Roucha Legio is a 12 dB /octave state-variable stereo multimode filter available on the Legio DSP+oscillator platform.

Noise Engineering received tons of requests for NE filters over the years, and Roucha Legio is their first dedicated release. The filter features lowpass, bandpass, and highpass settings and tracks frequency via the dedicated encoder and extremely accurate 1v/8va CV input. Roucha Legio's CV-controlled resonance parameter can go from clean to acidy-squelchy for bassline joy. Add CV for filter sweeps that will knock your socks off. Of course, because it's a Noise Engineering module, there's a Fold knob. Add wavefolding to the signal chain before, after, or both before and after the filter.

Noise Engineering have made it easy to carry out dramatic buildups and cuts with Roucha Legio. Just tap the encoder to bypass; tap again to turn the filter on again. Want to automate it? Send a gate into the Bypass input. The filter will remain bypassed as long as a high gate is present.

Roucha Legio is also a DSP and oscillator platform: users can change the firmware on any Legio module, 100% free, to any other firmware in the Legio series.

Dimensions
6 HP
38 mm deep

Current Draw
140 mA +12V
22 mA -12V

Notes: Updated version of Arturia's consistently popular MIDI keyboard series, featuring a bigger screen and new performance features.

Supplier's Notes:
Arturia's new KeyLab Essential 3 offers a new level of accessible, enjoyable, and creative music making, redefining the essence of a modern universal keyboard controller.

From its refreshing new design, to its vastly upgraded creative workflow, to an expanded software package, it promises to shake up the affordable controller market by empowering modern musicians and sound explorers looking to expand their setup without breaking the bank.

Main selling points

Fit for any style and any setup

For DAW producers, musicians with hybrid setups, or performers using hardware; enhance any creative setup or musical style with MIDI out & USB power, deep DAW compatibility, and premium software.

The new standard for affordable keyboard controllers

A keyboard controller that doesn't need tons of controls, menu diving, or complex configuration to operate. KeyLab Essential 3 looks modern, feels great, and removes creative barriers for next-level music making.

Directly-linked with Arturia's industry-leading software ranges

Many musicians and producers will be familiar with Arturia's award-winning software; KeyLab Essential 3 is part of the same range, seamlessly integrating with Analog Lab V, Pigments, and V Collection.

New Features:
New creative features: Scale Mode, Chord Mode, and Arpeggiator, making composition, songwriting, and beat-making more intuitive than ever.
Custom DAW integration: KeyLab Essential 3 features custom scripts for deeper control over DAWs, including Ableton Live Logic Pro X, FL Studio, and more.
More versatile presets: The 2000 presets included with Analog Lab V are no longer limited to vintage sounds; users can enjoy unique hybrids, modern synths, orchestral sounds, and more.
Easier controls & interface: RGB-backlit pads with velocity and pressure sensitivity, contextual button, and a bright new 2.5" LCD screen for real-time feedback.
Expanded software package for beginners & pros: Now includes Analog Lab V, 2 pianos (UVI Model D, NI's The Gentleman), plus subscriptions to Loopcloud and Melodics.

Notes: Freaq FM 8-bit Digital FM Generative Synthesiser

2 independent FM voices each with user-controllable waveform, modulation envelope and LFO, integrated with a 16-step generative sequencer.

Voices

2 independent 8-bit FM voices

2-operator FM (for old-school Prince Of Persia vibes!)

Multi-mode FM ratios - quantised, free-multiple, independent

Multiple operator waveforms for carrier & modulator - Sine, Triangle, Overdriven triangle, Saw, Square, Noise, Off

Attack/Decay modulation envelope per voice

LFO per voice with multiple waveforms and configurable destination: modulation envelope (attack, decay or depth), FM ratio, note length

Sequencer

2/1.5 track polymetric sequencer with up to 16 steps per track (Both tracks use same note sequence but can have different step-counts for poly-metric rhythms)

Multiple generative algorithms - (semi)random notes, (semi)random runs, arpeggio, drone

Sequence mutates/evolves at user-defined rate & note-density

Selectable tonic, octave & scale - Ionian (Major), Minor (Dorian), Pentatonic, Phrygian (GOA!), Octaves, Fifths

Tap-tempo control

Sync input & output (Korg Volca compatible)

16-step parameter-lock recording of synth parameters (track 1 only)

Hardware

Mono audio output (16KHz 14-bit DAC)

Sync input / output (0-5V rising-edge)

Powered by an Arduino Nano V3

112mm (w) x 100mm (d) x 40mm (h)

7-12V DC or micro USB powered

Specifications and Architecture

Voice Architecture
Voice 1
Voice 2
Carrier - 8-bit digital oscillator
Octave 0-7
Waveform - Sine, Triangle, Overdriven Triangle, Saw, Square, Noise, Off

Carrier - 8-bit digital oscillator
Octave 0-7
Waveform - Sine, Triangle, Overdriven Triangle, Saw, Square, Noise, Off

Modulator
FM Ratio
FM Ratio Mode - quantised, high-multiple, low-multiple, fixed
Waveform - Sine, Triangle, Overdriven Triangle, Saw, Square, Noise, Off

Modulator
FM Ratio
FM Ratio Mode - quantised, high-multiple, low-multiple, fixed
Waveform - Sine, Triangle, Overdriven Triangle, Saw, Square, Noise, Off

Modulation Envelope
Depth
Attack time
Decay time

Modulation Envelope
Depth
Attack time
Decay time

LFO
Depth
Rate
Waveform - Sine, Triangle, Overdriven Triangle, Saw, Square, Noise, Off

LFO
Depth
Rate
Waveform - Sine, Triangle, Overdriven Triangle, Saw, Square, Noise, Off

Parameter Locks
Per-step parameter locks:
Note length
LFO depth
FM Ratio
Modulation envelope attack, decay & depth

Parameter locks apply to track 1, but are recorded into the track with the longest sequence length. For example, if Track 1 has 3 steps and track 2 has 16 steps, you will record a 16-step parameter-lock sequence which is applied to track 1
Sequencer Architecture
Track 1: Sequence Length, Current Step
Track 2: Sequence Length, Current Step

Shared: Sequence Notes, Sequence Mutation Rate, Sequence Note Density, Sync pulse clock division (1-4 steps per pulse)

Specifications

Synthesis:2-operator FM, 8-bit digital oscillators

Polyphony: 2 bi-timbral voices

Sequencer: 2/1.5 track 16 step polymetric sequencer

Modulation: Attack/decay envelope per channel, Multi-waveform LFO per channel, Parameter locking per step (voice 1 only)

I/O:
Mono audio out
Sync in / out
DC power 9-12v
Micro USB (power and firmware update)
Eurorack power (with modification)

External Sync Input:
3.5mm mono jack
0-5V rising edge sync pulse
1-4 steps per pulse (user configurable)

External Sync Output:
3.5mm mono jack
0-5V rising edge sync pulse (15ms)
1 pulse output per 1-4 steps (user configurable)

Signal Output: 3.5mm mono jack, Signal output 14-bit 16384Hz DAC

Microprocessor: Arduino Nano V3 (ATMEGA328P)

Power supply:
Micro USB
9-12VDC 2.1mm Positive tip
Can be adapted for +12V eurorack power

Display: 8 x 8 LED matrix
Power consumption: 300mA @ 12VDC
Dimensions: 111mm (w) (~22HP) x 100mm (d) x 40mm (h)

Notes: Mid Thing v2 is a flexible MIDI to CV converter. Allowing polyphonic notes handling, envelope and LFO generation as well as all available MIDI messages to be converted into CV.

This is a huge upgrade from the previous beloved MIDI Thing, which adds a screen for easy configuration, 12 assignable ports, TRS, USB Host and Device, MIDI merge OUT, a web configuration tool, and a VCV rack bridge counterpart.

Features

12 Configurable ports
TRS type A MIDI IN and OUT, USB host and device connectivity.
Configuration screen with intuitive menu diving.
Web configuration tool.

Specifications

Current Draw: +12V: 150mA, -12V: 5mA
Width: 6HP
Deepth: 30mm including power connector
Aluminium, heat-treated front panel.
Designed, kits prepared and assembled in Barcelona.

Notes: The B32 controller has 32 buttons as you can never have too many buttons. Especially trigger sequencers benefit from this nice button array. The B32 is also a very good match for the M4 motor fader controller, since with the M4 you need buttons for switching fader layers are presets more than pots.

Shipping includes a short ribbon cable for connecting the controller to the master or to the previous controller. If you want to place the controller further away from the master, you can purchaser longer ribbon cables here in the shop.

You can connect up to 16 controllers to each DROID master.

Notes: A playground of sound

With sounds and tools for any genre and style, Komplete 14 Standard packs the best of NI into one powerful bundle. Explore flagship synths, expressive sampled instruments, and studio-grade effects, including latest releases Kontakt 7, Playbox, 40's Very Own Drums & Keys, and Session Guitarist - Electric Mint, plus fresh additions from iZotope, Plugin Alliance, and Brainworx.

What's new?

Check out the latest and greatest additions to Komplete 14 Standard.

Kontakt 7

The latest version of the world's favourite sampler, with a brand-new updated Factory Library, enhanced browsing, and improved instrument-building technology.

Playbox

Kickstart ideas and refresh your workflow with randomisation, chord generation, and sample layering.

Session Bassist - Prime Bass

The classic sound of a 70s-style single coil electric bass guitar, with over 350 patterns.

Session Guitarist - Electric Mint

The distinct and versatile sound of a 1960 solid-body USA-made electric guitar, with 222 patterns.

BX_Oberhausen

A powerful recreation of a 70's analogue synth legend, with full polyphony of up to 32 voices, created by Brainworx.


Ozone 10 Standard

Mastering made easy. The latest version of the industry's most comprehensive professional audio mastering software delivers AI-powered assistive technology that helps bring balance to your music.
Plugin Alliance effects

Plugin Alliance comes to Komplete 14, bringing all-new effects including Unfiltered Audio's LO-FI-AF, and Brainworx's bx_crispytuner.

Play Series Additions

Fresh Play Series additions, including 40's Very Own drums & keys, Deft Lines, Ignition Keys, Empire Breaks, Soul Sessions, Glaze, and Melted Vibes.

Added expansions

15 new Expansions, including Backyard Jams, Body Mechanik, Bumpin Flava, Mother Board and Neo Boogie, plus latest Massive X Expansions Kino, Wake, Fade, and more.

Specifications:

System requirements

macOS 10.15, 11 or 12 (latest update)

Windows 10 (64-bit, latest Service Pack) or Windows 11 (latest Service Pack)

Intel Core i5 or equivalent CPU, or Apple Silicon (using Rosetta 2), 4 GB RAM (6 GB recommended)

10 GB free disk space (260 GB for complete installation)

Graphics hardware support for OpenGL 2.1 or higher, and Direct 3D 11.1 or higher

An internet connection is required to install and activate the products in this collection. Once installed, all products can be used offline. Certain products may require additional free downloads.

MASSIVE X requires an AVX compatible CPU.

Supported interfaces

Supports ASIO, Core Audio, WASAPI

Runs in 64-bit VST, AU, AAX hosts

Product includes

Installation files, 25,00 € e-voucher for the Native Instruments web shop, and one "Buy any Plugin for $29.99" e-voucher for the Plugin Alliance web shop.

Additional info

Total download size is 230 GB. You don't have to download all products at once: Native Access allows you to download and install individual KOMPLETE products any time you want.

Required hard disk space depends on how many products/libraries you want to install. To install all products and libraries, 260 GB free disk space is required.

Please note: The installation process may temporarily require up to 80 GB of additional free disk space on your system-drive - even if you're installing KOMPLETE on an external hard drive. This number significantly decreases for smaller products, or if products are being installed one by one.

All products included within a single edition of a KOMPLETE 14 bundle are part of one user license and can only be used as a single entity. A maximum of three installations on three machines are allowed as long as only one installation is used at any given time. The individual products cannot be resold separately

Notes: Part of Sonicware's Liven groovebox series, this time focussing on granular synthesis and effects processing. 128-step sequencer and shimmer reverb allow you to create grooves.

Supplier's Notes:
Sample, slice, transform and reconstruct audio to synthesize completely new sounds

The LIVEN Texture Lab offers a wide variety of sound textures ranging from beautifully lush ambient pads to chaotically aggressive experimental noise that will take you to new sonic frontiers.

The Texture Lab uses a granular processor that slices sounds into grains ranging from 2 ms to 1 second in length, then transforms and reconstructs them in a variety of ways, including manipulating grain shape, density, time warp, spatial position, and playback method to create entirely new sounds.

Granular synthesis parameters are easily accessed from 10 knobs and are designed for intuitive control

Granular synthesizer with granular effects processor mode

The LIVEN Texture Lab is a 4-voice polyphonic synthesizer that can record 32 samples of up to 6 seconds, generate grains from any part of a sample, and synthesize them using two modulations sources, an envelope generator, and process the sound through different filter types.

The Texture Lab can also be used as an effects processor for real-time granular processing of stereo signals from the line input. It is also possible to freeze the flowing sounds for 6 seconds to add granulated sound effects.

Shimmer reverb for fantastical and majestic sounding spaces

The LIVEN Texture Lab features six high-quality stereo reverb types. All reverb types have a shimmer parameter that allows you to layer reverb on top of reverb in octaves to create fantastical and majestic sounding spaces.

128-step sequencer with parameter locking

The LIVEN Texture Lab is equipped with a high-performance 128-step sequencer that has earned the LIVEN series a solid reputation. In addition to recording notes, it can also record changes in granular processing parameters over time.

You can record knob operations in real time or directly record parameters to specific steps allowing for more complex sound textures.

Specifications

[Granular processor]

Synthesizer mode
- Sampling up to 6 seconds per sample (16bit - 32kHz mono, Start/end point adjustment)
- Auto start sampling function with the input level (input level can be set)
- Internal resampling function
- 32 sample memory slots

Effects processor mode
- Real-time processing of stereo signals from the line inputs
- Freeze function


- Pitch: Pitch of the sample (i2 octaves)
- Position, Length/FB: The sample range for generating grains (with random position function)
- Speed, Direction: Playback speed, scan direction, and playback direction of the grains.
- Size, Shape: Size and shape of the grains (with random function)
- Timing, Jitter: Interval of generating grains (with our original LUSH setting)
- Density: Number of the grains (up to 64 grains in legato mode)
- Diffusion: Diffusion width of the grains
- Blend: Balance between the sample and the granular sound mix
- Modulation 1: LFO assignable to various parameters (with wave shape selection, start fade-in time, retrigger, and tempo sync)
- Modulation 2: LFO assignable to various parameters (with wave shape selection, retrigger, and tempo sync)


- Attack
- Release


- Low Pass
- High Pass
- Band Pass

Reverb effects
6 high-quality reverbs with Shimmer reverb parameters
- Hall
- Room
- Arena
- Plate
- Tunnel
- Infinity


- 4-note polyphonic mode (Up to 16 grains per voice, internal sequencer records up to 3 voices of polyphony)
- Mono mode (Up to 32 grains, adjustable glide time)
- Legato mode (Up to 64 grains, adjustable glide time)
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)

[Sequencer]
- 1 track
- Up to 128 steps per pattern
- 128 patterns
- Step length can be set from 1/1 to 1/32
- Real-time recording
- Directly enter notes for each step when sequencer is on or off
- Enter longer notes (Tied notes)
- Metronome and pre-count function
- Undo/Redo function
- Transpose function
- Swing function
- Pattern BPM / Global BPM can be set
- Pattern chain function
- Parameter Lock function to record parameter settings for each step
- RANDOM function to play back steps in random order
- STUTTER function to play back only the step being pressed

[MIDI]
- Notes, control changes, clock input/output
- IMPORT/EXPORT of user data (Including samples) via Sysex
- Firmware update via Sysex

[Unit]

27 keys (with a hold function)


- 15 physical control knobs
- Optional LATCH function prevents jumps in value when knob position and parameter values do not match.
- One physical encoder for fine adjustments.
- LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Endless Processor is a dual-channel infinite sound sustainer machine.

Put your favourite instruments, unique timbres, or field recordings - virtually any sound - and make it last forever.

It is not a looper in the usual sense - Endless Processor resynthesizes your sounds to create a perfect clickless stream while preserving the timbral and tonal character of the original.

Endless Processor always listens to audio input and keeps a most recent history. Experiment with sustaining little bits of a sample or make a massive wall of sound with the ability to select how much memorized audio to process.

Stack your sounds to create harmonies, textures, or drones with 5 layers per channel. Each layer can be re-processed or cleared while keeping other ones in place. Set fade-in and fade-out time to quickly or gradually introduce a new layer or remove the existing one.

Additional controls will help you to adjust or shape a channel volume (think built-in VCA).

Dimensions
16 HP
25 mm deep

Current Draw
125 mA +12V
10 mA -12V

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Introducing SUM0, a voltage-controlled oscillator with expanded harmonic possibilities, in a Eurorack format.

The 4 classic waveforms are generated by a meticulously designed oscillation engine.

You can modulate its frequency and its pulse width thanks to its integrated LFO, capable of reaching audible frequencies to achieve expressive modulations with the simple touch of a switch.

Expand the voice of your system by creating complex waveforms and high harmonic content thanks to its output mixer. This mixer also has an input to integrate an external signal to the mix output.

Of course, all its parameters (FM, PWM, SYNC, V/OCT) are at your fingertips through its patch points on the front panel.

And of course, assembled with a load of passion in Bocuma's studio-workshop in Guadalajara.

Nerdy-specs:

22HP
+12V > 12mA -12V > 12mA

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Beads is a reinvention of Mutable Instruments' Clouds.

The concept is the same, live granular processing of an incoming audio signal, and the labels on the panel remain familiar.

The similarities stop here. The hardware and software have been redesigned from the ground up, with several goals in mind: a crisper and broader sound palette, more control, better playability, and direct access to exciting new features.

Beads' vastly improved specifications allow a higher audio quality, a longer buffer, the use of better interpolation and anti-aliasing algorithms, and key DSP blocks to run at a faster rate. Granular processing can now go to new territories, such as formants, wavetables, hard-sync-like sounds, or crispy noise.

The range of parameters, their response to the turn of a knob or a CV modulation have all been refined, for new possibilities such as reverse playback or percussive envelopes.

Control. To trigger or schedule grains, Beads provides new features to divide or randomize an external clock or trigger stream, spray bursts of grains in response to a gate, or get the grain rate to track a V/O CV or the frequency of an external oscillator.

Chaos. Each key parameter of a grain comes with its own attenurandomizer, which allows direct CV control, CV control of the randomization (spread) of this parameter, or internal randomization using some of Marbles' algorithms.

Character. Beads provides four audio quality settings, which go well beyond buffer sample rate and bit-depth: they affect the clock of the converters, the amplitude limiting and saturation of the signal path, the tone of the reverb, and additional media-emulation effects. From a pristine digital device to a dirty cassette, through a mode reproducing some of Clouds' characteristics.

Beads can operate as a delay without the need to switch to a different mode: just ask it to play a never-ending grain. Its DENSITY, TIME and SEED controls are repurposed to allow various features such as tap-tempo, beat slicing, time-stretching, or comb-filtering at rates tracking V/O.

Without any audio input, Beads will granularize 8 internal banks of wavetables.

All parameters have a dedicated knob.

14HP
25mm
+12V:100mA
-12V:10mA

Audio acquisition
Stereo I/O with automatic level detection.
Manual override of the level detection.
Automatic mono/stereo switching through patch cable detection.
Recording time: 4s (48kHz 16-bit, stereo) to 32s (24kHz u-law, mono).
Four quality modes, with different tone and reverb characters:
48kHz 16-bit
32kHz 12-bit with Clouds emulation
24kHz 12-bit with a hi-fi dry signal path
24kHz u-law with cassette emulation
The FREEZE button and the gate input freezes the content of the recording buffer, allowing you to dive into its sonic details.
Auto-saving of the FREEZE buffer.

Granular synthesis
Three grain generation modes:
Latched (continuous), with a periodic or randomized rate, tracking V/O.
Gated, with bursts of grains triggered by the press of the SEED button or an external gate.
Clocked, with randomization or division of an external clock or trigger signal.

Four grain parameters:
TIME. Temporal position within the buffer.
SIZE. Grain duration from 0.03 to 4 seconds, forward or backward playback.
SHAPE. Morphing between four key shapes of the grain envelope: solid rectangular, snappy decay, smooth bell, or reversed.
PITCH. With V/O tracking.

Attenurandomizers
Available for each of the four parameters of a grain, sampled each time a grain is started:
Direct CV control.
CV control of the amount of gaussian randomization.
Internal randomization with an independent, uniform or peaky, random source.

Delay
Control of both the base delay clock rate (DENSITY), and its multiplication (TIME), with optional random taps.
Tap tempo with the SEED button or an external signal.
Enveloping of delay repeats, with the SHAPE setting.
Pitch shifting of the delayed signal, controlled by PITCH.

Signal flow
Feedback path delay: 1 sample.
Independent knobs for feedback, dry/wet amount, and reverb amount.
CV input assignable to each of these three parameters, or to variable combinations of them.
When unpatched, the R output is summed to the L output.
Optional generation of a gate signal on the R output.

Specifications
All inputs: 100k impedance.
Audio codec: 24kHz, 32kHz or 48kHz, 24-bit.
16-bit CV capture.
Processing rate: audio-rate for the SEED and FREEZE inputs, 4kHz for the CV inputs.
Latency: 0.25ms.
CV input range: +/- 8V for grain parameters, +/- 5V for density (with V/O tracking) and assignable CV.
Internal processing: 32-bit floating point.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Great value from this compact, portable multi-track recorder. Record instruments or vocals anywhere. Pre-loaded drum loops and built-in synth instruments help you get started.

Supplier's Notes:
The R12 Multitrak - Live to make music.

The R12 is made for musicians who live to make music. And they want the freedom to make music wherever they go.

All you need on-board

Compact and mobile, you can record and mix songs without a computer. Use the R12's full-colour LCD touchscreen to cut, copy, loop, and edit your tracks.

Amazing sound

The R12 has super-clean preamps and you'll love the way they sound. With two XLR/TRS inputs, and 8 tracks of audio, the R12 is perfect for recording everything from demos to release-ready songs.

Fully loaded

The R12 includes a send effects channel offering reverb, chorus and delay with a ddedicated effects return fader. For advanced tones, you can use presets and effects from Zoom's Guitar Lab.

Take it everywhere

The R12 provides up to 5 hours on four AA batteries allowing you to bring your production anywhere. Additionally, you can use the R12 with the included AD-17 power adapter, or a USB battery.

The R12 also has pan and a 3-channel EQ for each track and a compressor on inputs 1 and 2.

Playback. Play along.

Use Sequence Play to create a playlist of your projects. Then use them as backing tracks, whether you're playing live or rehearsing a set.

It starts with a groove

With 150 preloaded drum loops in a variety of patterns and genres, the R12 provides a versatile rhythm section for any project.

Import audio files

Add additional audio samples by importing files into your R12 via Micro SD card or USB thumb drive.

From headphones to monitors

The R12 includes an 1/8" stereo headphone jack as well as dedicated 14" monitor outputs.

Interface + control surface

Use the R12 as a stereo audio interface with your favorite DAW or streaming platform, via USB-C. As a control surface, the transport controls and faders make it easy to adjust and control your software during production.

Attention to detail

Connections

Connect microphones, instruments or line level devices like keyboards, mixers and more.

Hi-Z

Input 1 on the R12 has a Hi-Z switch, allowing you to plug your guitar directly into the recorder.

Phantom Power

Both inputs on the R12 offer 48V Phantom Power for condenser microphones.

Stay in time. Every time.

Activate the fully customizable click track with the press of a button. Click balance blends the metronome with your playback audio and routes it to your headphones and/or the main outputs.

Add some synth

The R12 has 18 FM synth instruments built in. They can be played by plugging in a MIDI keyboard via USB-C or programmed using the touchscreen.

What's in the box:
R12 MultiTrak
AD-17 AC Adapter
USB Cable

Specs

INPUTS / OUTPUTS
INPUTS - MIC/LINE (mono): 2
OUTPUTS - MASTER OUT: 1
PHONES: 1

INPUTS
MIC/LINE (MONO) Connectors: 2 XLR/TRS combo jacks (Balanced, XLR: 2 HOT / TRS: TIP HOT)
Input gain: +6 ~ +50 dB
Input impedance: XLR: 3.9 kO TRS: 3.9 kO/1 MO (when Hi-Z ON, INPUT 1 only)
Phantom power: +48 V (switchable separately for INPUTS 1 and 2)
Equivalent input noise: -121 dBu or less (IHF-A) at +50 dB/150 O input
Frequency response: -1.0/+0.5 dB: 20 Hz - 20 kHz

OUTPUTS
MASTER OUT - Connectors: 2 TRS phone jacks (balanced)
Maximum output level: +14 dBu
Output impedance: 200 O
PHONES Connectors: 1 stereo 3.5mm mini jack
Maximum output level: 45 mW + 45 mW (into 32 O load)
Output impedance: 10 O

RECORDER
Maximum simultaneous recording tracks: 2
Maximum simultaneous playback tracks: 8
Recording format: 44.1kHz, 16/24-bit, mono/stereo WAV
Recording media: Cards compatible with microSDHC specifications 4 GB - 32 GB

TRACK SETTINGS
EQ
High: 10 kHz, 12 dB, shelving
Middle: 2.5 kHz, 12 dB, peaking
Low: 100 Hz, 2 dB, shelving
Pan: L100 - R100

EFFECTS
Input Dynamics: Comp/Limiter/Gate
Patch memory effects: 3 types can be used simultaneously
50 patch memories
Guitar Lab supported
Can be assigned and used as an insert (input) or send effect
Dedicated send effects: 10 types of spatial effects

TUNER: Chromatic/Guitar/Bass/Open A/Open D/Open E/Open G/DADGAD

CLICK (METRONOME)
Time signatures: 3/4, 4/4, 6/8
Tempo range: 40.0 - 250.0 BPM

POWER
Batteries: 4 AA (alkaline, lithium, or rechargeable NiMH)
AC adapter: ZOOM AD-17 (5V/1.0A)

RHYTHM LOOPS
Sound source format: PCM
Number of loops: 150

SYNTH
Sound source format: FM
Polyphony: 8
Number of sound types: 18 (and a PCM drum kit)

DISPLAY: 2.4" (320×240) full-color touchscreen LCD

USB
CONNECTOR: USB Type-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.

AUDIO INTERFACE FUNCTION:
2-in/2-out or 2-in/2-out (iPad): USB 2.0 Full Speed - 44.1 kHz, 16/24-bit
2-in/4-out: USB 2.0 High Speed - 44.1 kHz, 16/24-bit

MASS STORAGE FUNCTION
Device: USB 2.0 High Speed (5 V/200 mA power supplied when host)
GUITAR LAB CONNECTION: USB 1.1 Full Speed
DAW CONNECTION (CONTROL SURFACE): USB 1.1 Full Speed

MASS STORAGE FUNCTION
Host: USB 2.0 High Speed (5V/200 mA power supplied)

USB MIDI KEYBOARD CONNECTION: USB 1.1 Full Speed (5 V/200 mA power supplied)

ESTIMATED CONTINUOUS OPERATION TIME USING BATTERIES
During playback with +48V off and 32O headphone load
Alkaline batteries: about 5 hours
NiMH batteries (1900 mAh): about 5 hours
Lithium batteries: about 11 hours
* The above values are approximate. Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

POWER CONSUMPTION: 5 W maximum
DIMENSIONS: 256 mm (W) × 158 mm (D) × 61 mm (H)
WEIGHT (including batteries): 827 g
NOTE: 0 DBU = 0.775 VRMS

Notes: The DISTURBANCE is an extreme filter, flanger, and phaser with modulation like you've never heard before.

DISTURBANCE's controls allow for a wide range of sounds to be sculpted perfectly to your needs. The 'Tensity' knob changes the feedback amount and structure of all effects, with two totally different intensity options to choose from for each disturbing modulation. The Filter allows for deep swells and piercing resonance with highpass and lowpass options.

The Flanger creates a classic modulation sound with options for watery, multi-tap delay matrixes or a screaming flange with distorted feedback. Last but certainly not least, the Phazer mode is a psychedelic 8-stage phaser sound with options for mellow filtered scoops on one side and combination phaser/flanger on the other.

But that's not all - the pedal introduces a brand-new way to control an effect: The custom designed modulation core lets you pause the LFO where it stands and listen to the strange world of frozen modulation. Not only does this new system control its own sounds, the DISTURBANCE includes a CV OUT jack which lets the modulation control signal be sent to whatever device dares let it in.

Go forth and DISTURB and bend, break, and twist your sound!

Notes: Six segment generator. Looping or one shot envelope generator. Chainable, so it can be expanded to link multiple units.

An exact hardware replica of the Mutable Instruments Stages.

Dimensions
14 HP
25 mm deep

Current Draw
80 mA +12V
20 mA -12V
0 mA 5V

Notes: dsp.cpoffee's custom everything-including-kitchen-sink dsp development platform.

At the core of this is an Electrosmith Daisy Patch Submodule, combined with a 12-bit 4 channel SPI DAC [DAC7554], and supporting hardware for more IO

Features
- 8x pots normalled to +5V
- 8x CV in breaks normalled connection and pot acts as an attenuator
- 2x gate in
- 2x gate out
- High-fidelity stereo in/out (Daisy Patch Submodule, using an WM8731 codec)
- 2x 12-bit CV out from Daisy Patch Submodule, scaled to -5v to 10v
- 4x 12-bit CV (or lofi audio w/ some hacking) from external DAC7554, scaled to -7v to 7v
- TRS MIDI in/out (in is auto-sensing for type a/b)
- SD card slot
- Expansion header for +5v, +3v3, SPI, UART, I2C, and USB connections

Notes: Pan and cross fade up to three signals with AJH's versatile Triple Cross. Four different modes allow you to set up the three channels in numerous ways, for both audio and CV processing.

Supplier's Notes:
The Tone Science Triple Cross module is a design collaboration between electronic musician/composer Ian Boddy and AJH Synth.

It features three independant cross fader and panner channels, and it can be used with both audio and CV signals. Each of the channels can be configured in one of four different ways:

1) One In, One out Linear VCA

2) Two in, One out crossfader

3) One in, Two out panner,

4) Two in, Two out cross fader & reversing panner combined.

Audio rate modulation can also be used on the CV inputs to create Ring modulation and Cross modulation type sounds. Each channel has a dedicated Fade control, CV input, and CV Level attenuverter. These can be used together to bias incoming CV signals.

The L1 and L2 outputs from channels 1 and 2 are normalised to channel 3's inputs, which also have their own level controls to balance incoming signals. This allows very interesting, complex fading and panning between four different input sources, to either Mono or Stereo outputs..

The Triple Cross is very versatile, yet relatively simple to understand and use. However, as they say "knowledge is power", so do spend a little time reading about how to configure the channels in the four different modes, and how to combine all three channels together to create a super-powerful Four to Two to One cross fader.
Each of the three channels can be configured in four different ways, and all three can be used simultaneously. They do not all have to be in the same mode, so we could for example use channel 1 as a cross fader, channel 2 as a Panner for completely different signals, and channel 3 as a Linear VCA, again for different signals.

Specifications

Effective CV Range for CV-1, CV-2 and CV-3 is 0 to +5V with attenuverter fully clockwise or 0 to -5V with attenuverter fully anticlockwise.
Maximum permissible CV Range for CV-1, CV-2 and CV-3 is -12 to +12V
IN 1A to IN 3B Input levels -5V to +5V, levels up to +/-10V are possible however some clipping may occur.
Module Width: 14hp
Module Depth: 26mm (Including power lead)
Current Usage: 80mA Positive, 72mA Negative