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Items 1 to 13 of 13 on page 1 of 1
Cat: 707212 Rel: 06 Dec 18
 
Advanced multifunction delay & looper with up to three seconds of delay time
Notes: The Grand Canyon is EHX's most advanced multifunction delay and looper pedal. It's equipped with 12 effect types plus a fully featured looper capable of recording and overdubbing the Grand Canyon's effects.

The pedal provides superior sound quality, up to three seconds of delay time, tap tempo and nine tap divide settings, stereo output, 13 presets, programmable EXP pedal settings, high quality analogue bypass with soft switching and more. The Grand Canyon's 13 modes are:

1. ECHO - pristine 24-bit digital delay with available bit crush/sample rate reduction and low/high pass filtering

2. MOD - Modulated delay, yields rich flanger, chorus, vibrato, warble and more

3. MULTI - Multi-tap delay, set the exact number of echo repeats up to 31. Includes adjustable swell or decay volume envelopes on repeats.

4. REVERSE - Reverse delay, an easy-to-use reverse delay with an intelligent pick detection algorithm for great sounding reverse echoes

5. DMM - Deluxe Memory Man, re-creates the luscious tone of EHX 's legendary bucket-brigade delay pedal

6. TAPE - Tape Delay, simulates the organic sound of an analogue tape, echo machine including tape distortion, wow and flutter

7. REVERB - Plate reverb plus echo. A reverberant echo where each repeat is followed by a wash of gorgeous plate reverb. Can also be used as a pure reverb without the delay

8. PITCH - EHX's critically acclaimed polyphonic pitch shifting plus digital delay provides pitch-shifted echoes and cascading echo repeats

9.SHIM - Shimmer generates a rich octave-shifted wash of shimmering soundscapes

10. SAMPLE/HOLD - Sample and hold, senses a note being played and produces echoes indefinitely until another note is detected

11. DRUM - Magnetic drum echo that faithfully emulates a classic Binson Echorec style delay. Features an assortment of playback head configurations that let you create musical, rhythmic, echo patterns

12. DOUBLE - Thickens up a mono signal or creates a stereo spread. Includes detune and delay time offset of the left and right outputs

13. LOOPER - Looper with up to 16 minutes of recording time. Includes unlimited overdubs, undo/redo, dedicated stop button, loop fade-out, reverse and speed adjust.
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 2 in stock $272.33
Cat: 735675 Rel: 01 Jul 19
 
2-stage LFO with Sequential, Composite & Modulation modes
Notes: The Malekko Goatkeeper (MGK) is a completely redesigned version of the Lightfoot Labs Goatkeeper, first released in 2007. The core of the pedal is an all analogue tremolo circuit using a THAT Corp VCA, which when combined with the built in waveforms, can produce tremolo sounds from percussive to smooth. The MGK's LFO generation consists of two stages, each with a range of multiplier values and waveform selection.

The two stages can be run in 3 ways:

- Sequential: The two stages are run one after the other
- Composite: The two stages are run simultaneously and the effective waveform is a polyrhythmic composite of the two.
- Modulation: The two stages are run simultaneously and the effective waveform is the equivalent of one modulating the other.

Tempo can be set with the RATE knob or with the Tap/Sync input. The Tap/Sync input accepts a Malekko Lil' Buddy for tap tempo control, or an analogue clock/metronome signal. The DEPTH knob allows the effect to vary from subtle to high intensity.
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 1 in stock $224.78
Cat: 711097 Rel: 05 Dec 18
 
Vintage 4-input Marshall overdrive effects pedal
Notes: The vintage 4-input Marshall, just has that classic and rebellious rock tone we have all grown to love. It helped to define the classic hard rock tones of band and artists including AC/DC, Cream, Jimi Hendrix, Led Zeppelin, Free, Yngwie Malmsteen, and many more.

Mad Professor Loud'n Proud is a vintage 4-input Marshall in a box. It's a compact pedal with a complete amp signal path replicated inside. Not only the preamp but also the power amp containing phase inverter, push-pull stage, and output transformer simulation. This internal structure makes the pedal not only sound but also behave like a real amp.

And like a vintage Marshall amp, the pedal has a moderate amount of gain. This is what led us to adding a boost/fuzz to this medium gain overdrive circuit. The pre boost has the capability of pushing 13dB, which adds a nice amount of gain to the pedal. It also thickens the midrange a bit so feel free to experiment with the boost also for a different voicing for the overall tone of the pedal. The fuzz is designed to work like a vintage germanium fuzz. By engaging the fuzz you can find a great variety of tones from a clean tone to a thick and warm fuzzy tones just by rolling the guitar volume. The vintage germanium fuzz + Marshall plexi is a classic tone combination that we absolutely wanted to include to the Loud 'n Proud pedal!

You will also find a switch for two different character voicings in the Loud'n Proud pedal: tighter bass and slightly compressed tone on the left with a looser bass including maximum dynamics on the right. If you love the vintage Marshall amp tone, you will also love this pedal. It's the real deal for those who dare!

Best overdrive pedal for: Emulating vintage Plexi and JTM45 Marshall amplifier, AC/DC tone, Jimi Hendrix Tone, Yngwie Malmsteen tone, Paul Kossoff/Free tone, Led Zeppelin tone, Allman Brothers tone, Eric Clapton/Cream tone, Bluesbreakers tone, classic 60's and early 70's guitar tone, fat dynamic fuzz tone, classic rock tone, your tone.
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 2 in stock $205.32
Cat: 743356 Rel: 10 Oct 19
 
Bass simulator effects pedal for guitar with 9 voices, dry & effect mix knobs, sensitivity & control knobs
Notes: The polyphonic BASS9 Bass Machine transforms a guitar into nine different basses and requires no special pickups, MIDI or instrument modifications. It relies on the same technology powering all EHX 9 Series pedals, like the award winning MEL9 Tape Replay Machine, but features a new algorithm maximized for transposing one to two octaves down with superior dynamics and tracking.

A rotary switch allows the user to select the sound of their choice, as follows:

- PRECISION: Pays homage to the iconic Fender P Bass
- LONGHORN: Emulates the Danelectro 6-string bass, ideal for baritone type tones
- FRETLESS: Features both electric and standup fretless basses.
- SYNTH: A tribute to the classic Taurusr Synthesizer
- VIRTUAL: Lets the user adjust the bass's body density and neck length for a variety of bass sounds
- BOWED: Classic bowed bass
- SPLIT BASS: Makes it possible for the guitarist to play bass on the lower strings (all notes below F#3) and chords or melody with the higher strings.
- 3:03: A polyphonic salute to the sought-after Roland TB-303 vintage bass synth
- FLIP-FLOP: Inspired by EHX's Octave Multiplexer, it provides a '70s style logic driven sub-octave generator that tracks without glitches.

The pedal is equipped with independent Effect and Dry volume controls so guitarists can precisely tune their mix at the Effects output jack, plus an always-active Dry output jack that outputs the input signal at unity gain.

Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs. For example, in PRECISION, CTRL 1 controls the sub-octaves while CTRL 2 imitates the original instrument's tone control.

The BASS9 comes equipped with a standard EHX 9.6DC200mA power supply.
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 2 in stock $221.54
Cat: 746383 Rel: 06 Dec 18
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Grand Canyon is EHX's most advanced multifunction delay and looper pedal. It's equipped with 12 effect types plus a fully featured looper capable of recording and overdubbing the Grand Canyon's effects.

The pedal provides superior sound quality, up to three seconds of delay time, tap tempo and nine tap divide settings, stereo output, 13 presets, programmable EXP pedal settings, high quality analogue bypass with soft switching and more. The Grand Canyon's 13 modes are:

1. ECHO - pristine 24-bit digital delay with available bit crush/sample rate reduction and low/high pass filtering

2. MOD - Modulated delay, yields rich flanger, chorus, vibrato, warble and more

3. MULTI - Multi-tap delay, set the exact number of echo repeats up to 31. Includes adjustable swell or decay volume envelopes on repeats.

4. REVERSE - Reverse delay, an easy-to-use reverse delay with an intelligent pick detection algorithm for great sounding reverse echoes

5. DMM - Deluxe Memory Man, re-creates the luscious tone of EHX 's legendary bucket-brigade delay pedal

6. TAPE - Tape Delay, simulates the organic sound of an analogue tape, echo machine including tape distortion, wow and flutter

7. REVERB - Plate reverb plus echo. A reverberant echo where each repeat is followed by a wash of gorgeous plate reverb. Can also be used as a pure reverb without the delay

8. PITCH - EHX's critically acclaimed polyphonic pitch shifting plus digital delay provides pitch-shifted echoes and cascading echo repeats

9.SHIM - Shimmer generates a rich octave-shifted wash of shimmering soundscapes

10. SAMPLE/HOLD - Sample and hold, senses a note being played and produces echoes indefinitely until another note is detected

11. DRUM - Magnetic drum echo that faithfully emulates a classic Binson Echorec style delay. Features an assortment of playback head configurations that let you create musical, rhythmic, echo patterns

12. DOUBLE - Thickens up a mono signal or creates a stereo spread. Includes detune and delay time offset of the left and right outputs

13. LOOPER - Looper with up to 16 minutes of recording time. Includes unlimited overdubs, undo/redo, dedicated stop button, loop fade-out, reverse and speed adjust.
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 1 in stock $216.76
EBS
Cat: 718776 Rel: 24 Jun 19
 
Flexible overdrive/compression pedal designed in collaboration with Billy Sheehan
Notes: When Billy Sheehan first turned to EBS to create his signature pedal, he needed to capture the essence of his sound in a pedal to serve him when he could not bring his entire rig. It turned out so great it has been a significant part of his main setup ever since and served thousands of other bass players as well. Now it's time for the ultimate version!

"This pedal is a distillate of several important principles in the signal chain for bass. Compression, distortion, tone-shaping and blending all together", Billy said when EBS released his first signature pedal in 2013. The original concept is still the same, but with more features added along the way.

Since the pedal splits the signal into two parallel paths - one clean and one with distortion - it becomes as if running the sound through two different bass rigs at the same time. The two Clean and Drive Level controls decides how you set the mix and melt the paths together. For a tighter, more defined sound you can engage the built-in compressor. Threshold settings for the compressor can be adjusted inside.

A Phase Inverter switch brings back more low-end to the drive channel at times. The Boost footswitch kicks up the drive gain a notch when needed.

The new and major feature of the Ultimate version is the Hi or Lo Frequency Filter. This switch moves the whole frequency spectrum of the Tone filter up or down, to extend the capabilities of the pedal.

The Hi setting adds a whole new palette of distortion sounds that was not possible to create with previous versions of the pedal.

The individual Effect Loops for each channel can be used to colour the channels individually with external effects. The Clean Loop jack can also be used as a clean input if you have a bass that features dual outputs. It sounds great if you run the lows through the Clean Loop jack while the mids/highs go through the main input, which leaves the lows untouched and only the higher frequencies treated by the drive.

This version has inherited all the features from the Deluxe version (including the possibility to swap the drive chip without the need of soldering). But the palette of sounds you can create is expanded by the new Hi or Lo frequency filter to make it complete.
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 2 in stock $201.67
Cat: 723363 Rel: 26 Apr 19
 
Tracking 24dB/octave multimode filter pedal with 100% analogue circuitry
Notes: Pigtronix Resotron is an analogue filter that brings the sound of 70's keyboard synthesizers to the world of envelope pedals for guitar, bass and beyond. The filter at the heart of the Resotron is based on the SSM2040 chip found in the legendary Prophet 5 and Octave CAT synthesizers. This 24db/octave, state-variable filter provides the full gamut of familiar envelope filter sounds with UP and DOWN sweeping modes, and a sensitivity control to dial in the response of the effect based on how hard you play.

In addition to these vintage-correct filter tones, the Resotron pushes the envelope pedal concept to a whole new level by using an analogue pitch-tracking system to move the cutoff frequency of the filter up and down. The pitch-following filter effect found in the Resotron moves around based on the notes you play instead of how hard you play. The attack time and rate of filter motion can be adjusted - using the GLIDE knob - to dial in how long it takes for the cutoff to travel between pitches.

"The pitch-following effect found in the Resotron is analogous to the "key-follow" function found on the original Minimoog and many other classic analogue keyboards," says Pigtronix president David Koltai. "Using our all-analogue pitch-tracking circuit to control cutoff frequency, the Resotron delivers mind-blowing filter motion for guitar players. I've dreamt of making this pedal for years, and it's finally here."

The Resotron has the ability to operate in Low Pass, Band Pass or High Pass modes. Each of these filter voices has a distinctive character that can be manipulated by adjusting the PEAK knob, progressively feeding the filter back upon itself to increase the resonance (or "Q") of the filter, right up to the point of self-oscillation. A push-button OSCILLATE function allows you to go even further - turning the Resotron into an analogue synthesizer pedal that follows both the pitch and dynamics of your playing. The synthesizer sounds created by the Resotron can be radically altered by switching between the LPF, BPF and HPF modes. This allows users to access waveforms that range from subtle voice emulations to bombastic, aggressive lead sounds, as well as ultra-smooth sub bass tones.

Before the pedal's input signal hits the Resotron's filter, it passes through an optical compression stage derived from the Pigtronix Philosopher's Tone pedal. The increased volume and punch from this compressor can then be mixed into the audio signal using the BLEND control - without affecting the SENSITIVITY of the envelope. Resotron accepts active CV and passive TRS expression pedal inputs for foot-controlled filter sweeps and outboard modulation, which is mixed in parallel with the on-board pitch-following and amplitude tracking systems.
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 1 in stock $257.19
Cat: 730429 Rel: 29 Apr 19
 
Vertical, pedalboard-friendly version of the Instant Lo-Fi Junky pedal
Notes: This pedal was designed to emulate the sounds and textures of the Lo-Fi Loop Junky in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled signal and listen to it become a luscious emulsification that can be blended to the most perfect depth. Achieve new haunting chorus sounds and pulsating vibrato. Unusual and fun, you've never heard anything quite like it.
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 1 in stock $209.64
Cat: 708317 Rel: 23 Jan 19
 
Five-knob fuzz pedal featuring two new old-stock sixties germanium transistors
Notes: This limited-edition pedal utilizes a NOS 1960s 2N404 germanium transistor and a modern PNP silicon transistor which, when combined, provide a more aggressive tone than our standard Fuzz Factory model.

Packed with knobs that let you control everything from tight, radically fuzzy sounds that gate off instantly when you stop playing, to inter-modulating oscillations that fight for control of your guitar as your notes decay, to shortwave radio sounds, ripping velcro and octave-like fuzz.

This pedal can run off a 9V battery or a standard centre-negative 9VDC power supply.

Assembled in Minneapolis, MN USA using high grade, through-hole components.
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out of stock $215.05
Cat: 717051 Rel: 03 Jun 19
 
Versatile modulation effects pedal
Notes: The Mad Professor Double Moon is a small, easy to use and super versatile pedal for a wide variety of modulation sounds. True analogue bucket brigade signal paths with a Tone control makes the Double Moon a long-awaited modulation pedal for today's guitar player.

Double Moon pedal has 11 carefully designed modes that will let you dial in, not only all of the classic modulation effects, but far beyond that. All of the sounds are easily reached from a rotary switch: 3 chorus effects, 3 dual chorus effects, 3 flanger effects, flanger+chorus and a vibrato.

You can further on fine tune the LFO wave or Regen depending on the mode by the Control knob. The Depth knob will let you dial in the desired amount of the effect and the Speed knob will control the speed of the effect.

Modulation effects from mild to deep, motionless to faux-Leslie type, it's all there with the added Tone control!
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 2 in stock $215.05
Cat: 719167 Rel: 22 Mar 19
 
Fully analogue echo/delay effects pedal
Notes: The Supro Delay is a premium, all-analogue echo pedal that uses a pair of new-production MN3005 "bucket brigade" IC chips to deliver sounds ranging from 20ms slapback up to 600ms of buttery vintage delay. Far superior in fidelity to the low-voltage MN32XX series chips more commonly used in modern stompboxes, the high-voltage MN3005 IC chips found in the Supro Delay provide sweeter echoes with dramatically increased headroom and dynamic range, due to their robust 15V power rails.

In addition to TIME, REPEATS and LEVEL knobs, the Supro Delay features a newly-designed FILTER control that provides both low-pass and band-pass functions on a single knob. This unique filter design provides both the dark and murky echoes associated with BBD analogue delays as well as bright tape echo sounds that evolve over time with extended repeats. Drawing inspiration from the golden era of analogue pedals and recording to tape, the Supro Delay was designed by Howard Davis, master engineer behind the legendary late-1970's EHX Deluxe Memory Man and the Pigtronix Echolution.

Supro Delay offers an Expression input which can be assigned to control of the TIME, REPEATS or LEVEL knobs using a standard TRS expression pedal. The Supro Delay comes housed in a custom-made anodized aluminium chassis and features soft-touch, click-free, true bypass switching, as well as internally switchable Dry Kill and Trails functions. The Supro Delay runs on standard 9VDC power, using internal voltage-doubling to provide world-class headroom in a compact analogue delay pedal.
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 2 in stock $267.99
Cat: 712754 Rel: 03 Dec 18
 
Analogue dual-filter/wah stomp box
Notes: Versatile Wah Multi-Effects Pedal
The Sonuus Wahoo is an innovative multi-effects pedal designed for use with guitars, synths and more. What sets the Wahoo apart from the rest of the FX pedals out there is its coupling of Wah and Filter effects in a single unit. The dual analog filters deliver exceptional clarity with a wide sonic palette you can control. The wide frequency and resonance range allows you to achieve virtually any Wah or Filter sound you can think of. The versatile design makes it ideal for a range of music genres and applications, from the classic British Wah sound to the resonant bass envelope filters.

Pure Analog Signal Path
The fully analog signal path is incorporated to capture the warmth and grit of analog circuitry, resulting in a unique sound and tonal palette. You can adapt the analog circuit's response to create virtually any sound or tone you desire. The pedal features 100 factory presets and 100 user presets, allowing you to save and recall settings instantly. This gives you the ability to create your own custom filters for added versatility. You can achieve everything from vocal vowel Wah to Overdrive and everything in between.

InfiniQ Pedal Sensor
The pedal itself utilises the unique patented InfiniQ pedal sensor. This custom position sensor provides high-end precision and control with no mechanical couplings. On conventional guitar pedals, the unit operates using a potentiometer. The downside of this is that they can wear out quite quickly, making your effects scratchy and not concise. The innovative InfiniQ pedal sensor eliminates this, ensuring the pedal will never wear out.

Ergonomic Controls
The flexible control panel features an ergonomic layout with clearly annotated controls. The top of the pedal features up and down navigation buttons, allowing you to toggle between presets. The pedal is comprised of three sections: Level, Filter and Mode. Each section is designed to control various parameters, the Level section features an encoder that allows you to switch between Drive, Output, Dry/Wet and Filt Mix settings. The Filter section allows you to switch between Hi/Lo Q, Hi/Lo Frequency and the Shape of your filter, while the Mode section lets you switch between various modes for added flexibility.

Robust, Compact Design
The compact and highly robust design ensures a long life span and optimal durability. The metal body and high-grade materials make the Wahoo perfect for life on the road, easily withstanding the rigours of transportation and extensive live use. Transparent-True-Bypass allows you to reap all the benefits of true-bypass without the problem of switching noise. Additionally, the pedal features a USB connection which can be used with the Wahoo Desktop Editor Software, allowing you to edit and manipulate presets. The USB-MIDI can also be used to sync internal LFOS and automate the filter parameters.
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 1 in stock $216.12
Cat: 712753 Rel: 03 Dec 18
 
Analog volume effects stomp box for guitar & bass
Notes: Voluum is a volume-based multi-effect stomp box with a digitally controlled high-fidelity pure-analogue signal chain. Constant high-voltage (>30V) analogue power rails ensure high-headroom with low distortion and low noise for maximum signal clarity. A high-bandwidth fully-analogue signal path ensures there is no digital distortion to corrupt your signal, and allows high dynamic range signals to be processed flawlessly. Digital control gives you the ability to store presets and remotely-control the effects via MIDI.

The effects chain comprises five effects (noise gate, compressor, LFO (tremolo), volume control and limiter) which can be used in any combination. As you'd expect from Sonuus, we've gone further to bring you a pedal that's innovative, sounds superb and packs more value than anything else on the market.

Create
It's simple to tweak settings on the carefully designed control panel. Once you have created what you want, you can save it to one of 100 internal presets.

Clear metering

Meters to let you instantly see what's happening with dedicated meters for the volume level, gate and compressor gain reduction.

Gate / Expander

In its simplest form a noise gate cuts the signal when its level falls below a set threshold. The Voluum noise gate not only gives you control over the threshold, but also enables fine control over over how quickly it reacts and how much the signal should be reduced in level. Combined with a smooth transition from open to closed, Voluum gives you ultra-transparent gating that reduces the noise when you're not playing without introducing any audible artifacts.

Compressor

The compressor in Voluum features an intelligent make-up gain which means you only need to think about how much compression you want to apply. This also allows dynamic modulation of the compressor. For example, you can smoothly vary the amount of compression being applied without affecting your signal level - another unique Sonuus innovation.

Variable attack and release times let you configure the effect to suit your performance and even these can be pedal-controlled. While other compressors are either on or off, the Voluum compressor gives you glitch-free pedal-control to enhance the subtleties of your music.

LFO (tremolo)

Tremolo is a classic effect where a low-frequency-oscillator (LFO) modulates the volume of your instrument. The Voluum LFO (tremolo) lets you recreate this effect, while giving you many more options. Smooth tremolo sounds with multiple waveforms featuring envelope and pedal-controlled speed variation, as well as MIDI-clock sync to keep the tremolo in time with your sequencer.

Volume

The volume effect on Voluum lets you change volume, but without compromising your tone. But just doing that would be boring! Voluum lets you cut or boost the signal level to any level you desire while providing fine control over the feel of the pedal: how its position maps to the volume change. You can also configure fades where the pedal acts as a switch and the volume fades up or down smoothly over a preset time to give you super-smooth fades that are impossible to do just by using foot-control.

In envelope mode, the level change is triggered when you play a new note, or strum a new chord. Combined with built-in ADSR shaping, you can create synth-like tones from your instrument.

Limiter

The high voltage analogue power rails in Voluum give great sonic quality, but it means that high output levels can overdrive other effects in your chain. The limiter effect can be engaged to limit the signal peaks to keep them within the range of your other effects to avoid nasty clipping distortion. The limiter can also limit asymmetrically which can add sweeter-sounding overdrive to limited signals.

Perform
As well as being ideal at home or in the studio, Voluum has special features that make it perfect on stage. The sturdy, lightweight aluminium chassis, paired with modern robust electronic design ensures that Voluum will stand up to the demands of the toughest gigs. The large bright display is readable outdoors but can also be dimmed when required in low-light environments.

A lock switch ensures that settings cannot be changed accidentally in the heat of a performance, but still allows you to select which preset to use. Foot-operated selection of presets lets you access what you need with minimum hassle. Powered by 9VDC, 4xAA batteries or USB, and with modern-yet-retro styling, you can be sure Voluum will fit into your rig.

MIDI
With both USB-MIDI and standard 5-pin MIDI connections, Voluum was designed to be connected! Any effect that can be controlled by the pedal can also be controlled by MIDI messages allowing you to automate effects or remotely control them in real-time. Program change messages can also be sent to Voluum to select the effects you need for particular songs.

Unique patent-pending pedal sensor

Sonuus' patent-pending position sensor
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out of stock $230.17
Items 1 to 13 of 13 on page 1 of 1

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