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Cat: 743356 Rel: 10 Oct 19 • View all Effects pedals
 
Bass simulator effects pedal for guitar with 9 voices, dry & effect mix knobs, sensitivity & control knobs
Notes: The polyphonic BASS9 Bass Machine transforms a guitar into nine different basses and requires no special pickups, MIDI or instrument modifications. It relies on the same technology powering all EHX 9 Series pedals, like the award winning MEL9 Tape Replay Machine, but features a new algorithm maximized for transposing one to two octaves down with superior dynamics and tracking.

A rotary switch allows the user to select the sound of their choice, as follows:

- PRECISION: Pays homage to the iconic Fender P Bass
- LONGHORN: Emulates the Danelectro 6-string bass, ideal for baritone type tones
- FRETLESS: Features both electric and standup fretless basses.
- SYNTH: A tribute to the classic Taurusr Synthesizer
- VIRTUAL: Lets the user adjust the bass's body density and neck length for a variety of bass sounds
- BOWED: Classic bowed bass
- SPLIT BASS: Makes it possible for the guitarist to play bass on the lower strings (all notes below F#3) and chords or melody with the higher strings.
- 3:03: A polyphonic salute to the sought-after Roland TB-303 vintage bass synth
- FLIP-FLOP: Inspired by EHX's Octave Multiplexer, it provides a '70s style logic driven sub-octave generator that tracks without glitches.

The pedal is equipped with independent Effect and Dry volume controls so guitarists can precisely tune their mix at the Effects output jack, plus an always-active Dry output jack that outputs the input signal at unity gain.

Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs. For example, in PRECISION, CTRL 1 controls the sub-octaves while CTRL 2 imitates the original instrument's tone control.

The BASS9 comes equipped with a standard EHX 9.6DC200mA power supply.
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 2 in stock $219.28
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quote 743356
Cat: 718636 Rel: 01 May 19 • View all Synthesisers
 
Experimental 25-key paraphonic analogue/digital hybrid synth
Notes: A synthesizer like no other, MicroFreak is a peculiar, exceptional instrument that rewards the curious musician. It blends wavetable and digital oscillators with analogue filters. It features a unique poly-aftertouch flat keyboard. It adds controlled randomness to sequences. This isn't a revolution, it's a mutiny.

This out-there little music machine features a versatile digital oscillator so you can create rare and interesting sounds with ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave give adventurous musicians the chance to explore totally new, unheard possibilities. Like having dozens of synths in just one instrument, both wild-eyed newcomers and seasoned professionals will fall in love with MicroFreak's flexible, powerful synth engine.

Physical modelling, wavetable synthesis, virtual analogue, there is nothing as complete and exciting as the MicroFreak oscillator on the market. It's hard to believe from such a small synth, but here it is, ready for you to explore. Excite your creativity and reward your curiosity with a large, diverse sound palette. MicroFreak features 11 awesome oscillators, 4 bespoke Arturia engines, and 7 modes from our friends at Mutable Instruments.

Inspired by the trailblazing 12-dB Oberheim SEM filter, you can make MicroFreak's filter scream or whisper to taste. The filter is state-variable, and can even auto-oscillate! You can use this is any way you like, from taking the edge of the razor-sharp wavetable sounds, or automating the cut-off by modulating it with keyboard pressure or the in-built sequencer.

Record up to four automations, edit notes per step or use the innovative Spice and Dice sequencer functions to find happy accidents. Add randomization to create evolving, original patterns, and virtually rewire and reconfigure its signal chain and controls with the 5x7 modulation matrix.
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 More than 10 in stock $255.65
Cat: 731192 Rel: 19 Jun 19 • View all Synth modules
 
CV-controlled 5-channel stereo mixer - 10HP
Notes: X-PAN is a compact and powerful 5 channel Voltage Controlled Stereo Mixer with Low Noise and High Headroom allowing for creation of complex panoramic audio imagery in just 10hp.

X-PAN is highly responsive to control signals allowing for exploration of the fluctuating stereo sidebands possible with Audio Rate Crossfading and Panning. X-PAN is Direct coupled for use as a CV Processing and Routing toolbox.

X-PAN consists of two full featured Channels and one simpler Channel. The top two Channels each have voltage controlled cross-fading and panning while the third Channel is a stereo aux input with stereo VCA. All three Channels are combined together at the stereo SUM outputs.
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 4 in stock $212.86
Cat: 728383 Rel: 09 May 19 • View all Synth modules
 
New and improved version of the Qu-Bit Chord - 14HP
Notes: Polyphony is back!

Chord v2 is a plug and play solution for bringing musical polyphony to your system. It contains four oscillator voices, a multitude of waveforms, and intelligent tuning functionality. This new version features an expanded sonic palette and feature set in half the size of the original.

It features three primary modes of operation: Chord, Free Running, and Unison. These three modes allow the oscillators to be tuned as diatonic chords, run independently of each other, or be tuned to the same internal frequency for external v/oct sequencing through independent CV inputs.

The timbral possibilities of the Chord v2 bring its polyphonic tones to life. The module ships with eight banks of waveforms encompassing traditional shapes, vocal synthesis, organ emulation, and chiptune sounds. You can also load custom wavetables using the SD card slot on the front panel.

From harmonic drones to Switched On Bach, the Chord v2 is an unparalleled addition to any Eurorack modular.

Changes from v1:

- Half the size! 14HP down from 28HP
- Eight banks of waveforms
- Full polyphonic mode
- Harmonize in minor mode
- Custom wavetable compatibility
- Expanded chord types
- Improved synthesis engine
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 8 in stock $271.68
Reloop Spin Portable DJ Turntable (portable turntable)
Cat: 735545 Rel: 08 Jul 19 • View all Portable & USB turntables
 
Portable turntable for vinyl lovers & scratch artists
Notes: The ultimate portable turntable.

Reloop SPIN is a portable turntable that guarantees mobile fun anywhere you want! The turntable comes with everything you need out of the box and is especially optimized for scratching and cutting.

Bluetooth streaming of your music:

The Bluetooth Audio Streaming technology allows wireless streaming of music or beats via SPIN - this way the turntable becomes a speaker for your smartphone.

Direct USB recording:

Via the USB recording function it is possible to record your scratches and cuts in MP3 format directly to an USB stick. This interface can also be used for digitizing records.

Includes 7" scratch vinyl:

SPIN comes with a 7'' slipmat and an exclusive 7" scratch vinyl containing specially mastered scratch samples and beats for beginners and experienced scratch artists alike.

Flexible power options:

Enjoy your records on the road: SPIN is extremely portable, not only due to its shape and small form factor, but also thanks to its flexible power options. It can be used with a regular USB power supply unit (5 V, 2 A), USB power bank or rechargeable batteries. The batteries can be inserted in the compartment on the bottom and are sold separately. A power LED keeps you informed about the turntable's operational status. The dust cover protects the turntable and thanks to the handle, SPIN can be carried like a suitcase. Skip-proof rubber feet guarantee stability.

Outstanding for mobile scratching and cutting:

Via the switch on the turntable's top panel you can select between 3 speeds (33 1/3, 45 & 78 rpm) which covers all available speeds. The straight tone arm offers enhanced stability and can be fixed into position with a transportation lock. The pre-installed cartridge has excellent tracking features and holds the groove tightly, even when carrying out fast scratches.

45-mm Crossfader pre-installed:

The precise 45-mm crossfader has a unique form factor and thanks to the two-rail technology it is especially sturdy. Moreover, it is possible to install the crossfader on either side of the platter - simply select your preferred position.

Extensive controls & adjustment possibilities:

On the top panel you can find a start/stop button as well as a pitch control with a range of +/-20 % for precise setting. A tone control can be used to adapt the sound of the lows to your requirements. Volume for the AUX input and master/headphones output can be adjusted via two separate controls. There is also a 7'' adapter for records with a large centre hole.

Reloop SPIN - Connect through vinyl:

Through the combination of turntable and mixer as well as the high connectivity, SPIN is ideal for vinyl lovers as well as scratch artists and aspiring DJs.

- Inputs: AUX 3.5 mm stereo, Bluetooth audio
- Outputs: master RCA, USB (USB-A), headphones 3.5/6.3 mm stereo
- Dimensions: 370 x 95 x 260 mm
- Weight: 1.61 kg
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 More than 10 in stock $210.72
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quote 735545
Cat: 746914 Rel: 11 Sep 19 • View all Handheld recorders
 
Four-track audio recording for music, film, podcasting & beyond
Notes: The H4n Pro isn't just improved, it's superior in every way. With advanced X/Y microphones, incredibly natural-sounding preamps, and a super-low noise floor, you can record everything from the Indy 500 to the fluttering of a hummingbird with extraordinary realism.

Welcome to the new gold standard in field recording.

The Filmmaker's Favourite:
The H4n Pro is packed with features that make it perfect for capturing audio for film. The onboard X/Y microphones deliver spectacular stereo imaging, and two combo input jacks allow you to use your favourite microphones as well. It also includes a headphone/line out jack to easily send high-definition stereo directly to your camera.

Unmatched In Concert:
The Pro is perfect for capturing live performances. Capable of handling up to 140 dB SPL, it can record everything from ear-splitting heavy metal to bass-heavy EDM. Take a line-level stereo feed from your mixing console and capture room ambience with the X/Y microphones to put your listeners front row centre.

Podcasters and Journalists:
The H4n Pro provides the essential combination of mic'ing versatility, portability, and superior audio necessary for impactful storytelling. With support for plug-in power, you can use a lavalier to mic up your subject for podcasts or interviews. Record time-stamped WAV files to sync with video footage in post-production, or embed superior audio directly on your video in real-time through a 1/8" stereo feed.

Mobile Studio:
With overdubbing and punch-in features, as well as studio-grade instrument effects and emulators, you can create songs from start to finish. The Pro also functions as a 2-input/2-output USB audio interface for PC or Mac. Launch your favourite recording/editing software or use the included Cubase LE to start creating.

High-Performance Mic Preamps:
The Pro features the same high performance, low-noise mic preamps as our acclaimed Zoom H5 and H6 Handy Recorders, with recording and playback at resolutions up to 24-bit/96 kHz. The improved noise floor (-120 dBu EIN) captures audio at lower volumes with less noise and fewer artefacts.

Built-in Stereo Recording:
X/Y stereo recording covers a wide area while capturing sound sources in the centre with clarity and definition. The angle of its two unidirectional condenser mics can easily be changed from 90 degrees for a tightly focused stereo image to 120 degrees for a wider image simply by twisting the mic capsules.

The H4n Pro provides an onboard MS decoder for Mid-Side recording with external microphones. This allows you to adjust the width of the stereo image, making it especially useful for sound design and broadcasting.

Inputs:
The two locking combo connectors accept either XLR or 1/4" balanced/unbalanced phone cables, handling mic- and line-level signals as well as instrument-level signals. Phantom Power of +24 or +48 volts can be applied to both inputs. Plus, there's a stereo 1/8" Mic jack for external audio sources, including lavalier microphones requiring 2.5 volts of plug-in power.

Outputs:
A stereo 1/8" Line/Phone Out, with dedicated volume control, allows for headphone monitoring or connection to your DSLR, while the built-in monophonic speaker allows for quick playback reference. In addition, a USB port enables fast file transfer, firmware updates, and use as a 2-in/2-out audio interface for computers.

Form Factor:
A new rubberized, ergonomic body is perfect for use in the field or with a camera, while new locking XLR/TRS connectors ensure your mic cables stay secure. Highly portable, the H4n Pro can travel anywhere for convenient mobile recording.

What's included with the H4n Pro:

- H4n Pro Handy Recorder
- Protective case
- 2 x AA batteries
- Operation manual
- Download license for Steinberg Cubase LE and WaveLab LE software
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 4 in stock $254.57
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quote 746914
Cat: 737960 Rel: 21 Aug 19 • View all Synth modules
 
All-analogue dual stereo crossfader - 6HP
Notes: Stereo patching is becoming more common each day in the Eurorack Modular Synth System and we here at the shop are performing out a ton. Over the past couple years we consistently felt the need for a simple crossfader module that would allow users to switch between two stereo sources, add a stereo effect path, or easily mix a mono source with a stereo one. AXYS was born from this need.

Each crossfader features stereo inputs with normalling for mono to stereo uses as well as independent CV control. Control both crossfaders with one CV easily and decide how the Y will react to X's CV.

Easily transition between two performers similar to a DJ transitioning between decks with one channel and add some master buss effects with the other. Use one channel for adding stereo effects and the other to dial up some nice parallel compression. Perfect for live performance and momentary effect blasts. A simple easy to use module with tons of uses.

All analogue signal path keeps your tone intact and sounding the way you intended it to.
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out of stock $239.61
Cat: 747621 Rel: 20 Sep 19 • View all Synth modules
 
8HP drum/percussion synth module
Notes: Originally inspired by audience applause, hip-hop samples, and classic drum machines, Fracture is a multi-particle percussion synthesizer that applies concepts from classic analogue clap circuits to granular synthesis methods.

It all starts from proprietary micro-samples we recorded specifically for this purpose and ends with an engine built to suit these samples.
Unlike our other percussion module, the Chimera which uses impulse rich samples as it's tonal centre, Fracture uses single impulse samples like Claps, Snaps, Ping Pong Balls, Opening a beer can, and many more. It then plays a group of similar samples back in a psuedo random order for unique hits. Density, Decay, and Tail affect tone and how "tight" your virtual clappers are to playing together.

Our goal was to design a clap percussion module covering the range from classic drum machine claps all the way to full audience applause. We ended up with a module that covers a huge range of timbres beyond claps. We hope this engine provides you with the tools to intuitively create wild percussion sounds that bring your system to life in a new way.
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 5 in stock $238.53
Cat: 742228 Rel: 05 Sep 19 • View all Synth modules
 
Low pass filter, VCA & distortion with brass touchpoints - 14HP
Notes: More aggro filth from the troubled minds at Schlappi Engineering. This time it's a distortion/filter module with touch-sensitive metal conductors for hands-on control. Screaming saturation and self-resonance ideal for angry techno. Nasty.

Supplier notes:
The 100 Grit is a touch-controlled distortion unit inspired by the output section of a vintage synthesizer. Sonically it can range from subtle tone shaping to complete sonic obliteration depending on the positions of the knobs and output chosen
.
The 100 Grit consists of a low pass filter, VCA, and distortion section with 8 touch points, voltage control overdrive, resonance, and frequency, along with a plethora of feedback paths allowing it to operate as a hands-on performance instrument with or without any input.

The touchpoints enable touch-controlled resistive patching between the cv points (gain, frequency, and resonance), sensitive points in the distortion circuit, and different distortion outputs for a mix of touch-controlled audio rate modulation and crackle box-like noise freakouts.

The low pass filter is a 24dB self-oscillating transistor ladder type with a jumper selectable resonance compensation scheme allowing more bass and volume at higher resonance settings.

The VCA is an OTA based circuit, which when pushed past 75% will impart a soft distortion characteristic, turning a triangle wave into a sine before being finally driven into a square wave close to max. If the levels are kept lower it is a reasonably clean vintage-style output section.

The distortion circuit is driven by the VCA, allowing for a voltage controlled gain amount and goes from heavy to extreme, especially when the x100 gain switch is engaged or the various self-modulation/feedback paths are utilized. The circuit is loosely based on a headphone amplifier circuit cranked into instability and self-oscillation.

Each Audio and CV input is normalized to a different feedback path, allowing for wild, self-oscillating distortions and extensive tone control with no external CV applied, or full control from external sources.
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 2 in stock $272.77
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quote 742228
Cat: 747871 Rel: 01 May 19 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


A synthesizer like no other, MicroFreak is a peculiar, exceptional instrument that rewards the curious musician. It blends wavetable and digital oscillators with analogue filters. It features a unique poly-aftertouch flat keyboard. It adds controlled randomness to sequences. This isn't a revolution, it's a mutiny.

This out-there little music machine features a versatile digital oscillator so you can create rare and interesting sounds with ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave give adventurous musicians the chance to explore totally new, unheard possibilities. Like having dozens of synths in just one instrument, both wild-eyed newcomers and seasoned professionals will fall in love with MicroFreak's flexible, powerful synth engine.

Physical modelling, wavetable synthesis, virtual analogue, there is nothing as complete and exciting as the MicroFreak oscillator on the market. It's hard to believe from such a small synth, but here it is, ready for you to explore. Excite your creativity and reward your curiosity with a large, diverse sound palette. MicroFreak features 11 awesome oscillators, 4 bespoke Arturia engines, and 7 modes from our friends at Mutable Instruments.

Inspired by the trailblazing 12-dB Oberheim SEM filter, you can make MicroFreak's filter scream or whisper to taste. The filter is state-variable, and can even auto-oscillate! You can use this is any way you like, from taking the edge of the razor-sharp wavetable sounds, or automating the cut-off by modulating it with keyboard pressure or the in-built sequencer.

Record up to four automations, edit notes per step or use the innovative Spice and Dice sequencer functions to find happy accidents. Add randomization to create evolving, original patterns, and virtually rewire and reconfigure its signal chain and controls with the 5x7 modulation matrix.
Read more
out of stock $264.05
Cat: 746361 Rel: 16 Sep 19 • View all Synth modules
 
Multiband distortion & VCA module
Notes: Distortion is fun, but it's even better when you split it up across the frequency spectrum. Seca Ruina takes an input, splits it up into three frequency bands, and lets you drive them into annihilation. SR includes a bypassable VCA on the output and CV over individual band and universal drive amount. With individual outputs for each band, you can process each band further externally. So much potential in only 6hp!
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 1 in stock $203.23
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Cat: 728569 Rel: 20 May 19 • View all Synth modules
 
synth module with professional trigger input and audio input
Notes: Feel the sizzle as you harness the energy of liquid metal. Forge your sonic desires, and rain hot fire onto the eardrums of your listeners. Cymbals, gongs, bells, and sheet metal are the territory of Crucible.

Have you ever wanted to start with the smallest cowbell, and then CV it until it becomes a gong larger than the room you're standing in? Crucible makes this possible.

By utilizing classic digital synthesis blocks like delay and digital filters, Crucible can fully synthesize, in real time, sounds similar to thin struck pieces of metal.

We expose the engine to the user through parameters specifically chosen for their sonic resemblance to the "parameters" of a real drum kit cymbal.

Size, Pitch, Tone, and Deform give the user the tools to shape their cymbal. The Excite knob allow the user to shape their exciter, completely changing Crucible's response. Finally, select where the exciter contacts the engine by triggering the EDGE and MID inputs, or trigger both to strike the "bell."

All of this adds up to a module that is lively and energetic, completely mimicking the feeling of playing a real cymbal, while still incorporating WMD's "New Sounds, Maximum Experience" philosophy.

- Realistic sound!

- Positional trigger input. Hit the edge, middle, or bell.

- 3 Model Types: Cymbal, Cracked Cymbal, and Curved Plate

- Audio input for experimental effects.

- Separate Pitch and Size controls for maximum realism.

- Choke input for perfectly timed catches.

- Proprietary Synthesis model using digital filter and delay networks. No samples!
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 4 in stock $262.06
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Cat: 735675 Rel: 01 Jul 19 • View all Effects pedals
 
2-stage LFO with Sequential, Composite & Modulation modes
Notes: The Malekko Goatkeeper (MGK) is a completely redesigned version of the Lightfoot Labs Goatkeeper, first released in 2007. The core of the pedal is an all analogue tremolo circuit using a THAT Corp VCA, which when combined with the built in waveforms, can produce tremolo sounds from percussive to smooth. The MGK's LFO generation consists of two stages, each with a range of multiplier values and waveform selection.

The two stages can be run in 3 ways:

- Sequential: The two stages are run one after the other
- Composite: The two stages are run simultaneously and the effective waveform is a polyrhythmic composite of the two.
- Modulation: The two stages are run simultaneously and the effective waveform is the equivalent of one modulating the other.

Tempo can be set with the RATE knob or with the Tap/Sync input. The Tap/Sync input accepts a Malekko Lil' Buddy for tap tempo control, or an analogue clock/metronome signal. The DEPTH knob allows the effect to vary from subtle to high intensity.
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 1 in stock $222.49
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Cat: 734882 Rel: 18 Jul 19 • View all Synth modules
 
High-quality dual linear VCA with mixing functionalities
Notes: Audiophile Circuits League VC Dual Amp contains two fully discrete voltage controllable amplifiers with linear characteristic. It is based on a new circuit design which delivers unheard clarity of sound. To this day there is no other VCA using this special technique!

The module offers a very low harmonic distortion in the whole linear gain range, no crossover distortion and no overshoots nor ringing. Furthermore, it has a very high dynamic range which provides a lot of headroom. The VCAs will amplify the input signal very accurately and it will sound crystal clear, without any coloration, distortion or bleed. Each channel has a Gain potentiometer for manually setting the VCA's initial gain and a control voltage input which is equipped with an attenuverter for scaling the modulation.

Thanks to normalized signal and CV inputs, both VCAs can be used in conjunction - great for processing stereo material. Furthermore, you can create voltage controlled panning effects and crossfades in next to no time. Beside the two individual audio outputs from each VCA, there is a Sum-output which provides the mix of the output of both VCAs and of the signal coming from the Aux-input. This additional input has no level control and is mixed at unity gain. Thus three different signals can be mixed together.

The amplifiers are also suitable for processing control voltages thanks to a completely DC-coupled signal path. Behind its simple appearance, this module shines with its functionality and sound quality!
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 1 in stock $289.87
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quote 734882
Cat: 742229 Rel: 05 Sep 19 • View all Synth modules
 
Low pass filter, VCA & distortion with brass touchpoints - 14HP
Notes: The 100 Grit is a touch-controlled distortion unit inspired by the output section of a vintage synthesizer. Sonically it can range from subtle tone shaping to complete sonic obliteration depending on the positions of the knobs and output chosen
.
The 100 Grit consists of a low pass filter, VCA, and distortion section with 8 touch points, voltage control overdrive, resonance, and frequency, along with a plethora of feedback paths allowing it to operate as a hands-on performance instrument with or without any input.

The touchpoints enable touch-controlled resistive patching between the cv points (gain, frequency, and resonance), sensitive points in the distortion circuit, and different distortion outputs for a mix of touch-controlled audio rate modulation and crackle box-like noise freakouts.

The low pass filter is a 24dB self-oscillating transistor ladder type with a jumper selectable resonance compensation scheme allowing more bass and volume at higher resonance settings.

The VCA is an OTA based circuit, which when pushed past 75% will impart a soft distortion characteristic, turning a triangle wave into a sine before being finally driven into a square wave close to max. If the levels are kept lower it is a reasonably clean vintage-style output section.

The distortion circuit is driven by the VCA, allowing for a voltage controlled gain amount and goes from heavy to extreme, especially when the x100 gain switch is engaged or the various self-modulation/feedback paths are utilized. The circuit is loosely based on a headphone amplifier circuit cranked into instability and self-oscillation.

Each Audio and CV input is normalized to a different feedback path, allowing for wild, self-oscillating distortions and extensive tone control with no external CV applied, or full control from external sources.
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 2 in stock $279.17
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quote 742229
Cat: 731220 Rel: 15 Jul 19 • View all Synth modules
 
Expander for the Demon Core Oscillator - 8HP
Notes: This module brings polyphonic control to the Demon Core oscillator.

The stacks can be divided between up to 16 polyphonic voices via MIDI or four 1V/oct inputs with attenuator. The oscillator can be set in continuous streaming mode or in MIDI gating mode with an ADSR envelope for each polyphonic voice.

The time sync can be also triggered via MIDI for each voice.
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 1 in stock $254.57
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Cat: 749009 Rel: 19 Sep 19 • View all Filters
 
Polivoks filter chip with CV & Expression pedal inputs
Notes: The Polivoks Filter, from Elta Music, utilizes the classic Soviet filter chip for a unique and iconic filter tone. It provides both CV and Expression pedal inputs, built in LFO, and WOB fader for ultimate control. On board LFO has a fast/slow range switch, and on/off. Separate LFO OUT can be used to control external CV devices. With lowpass, bandpass, highpass, and notch filter types, one can shape tones into whole new realms. The pedal is switched on with a switch, rather than a stomp button, catering towards use as a desktop filter.
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out of stock $282.38
Cat: 732982 Rel: 02 Jun 19 • View all Bass amplifiers
 
Bass combo amplifier - ideal for home use and live performances
Notes: Ampeg's BA-112 V2 Bass Combo delivers classic Ampeg tone and performance driven features at volume levels ideal for practice, rehearsal or small stages. With Ampeg's all-new grinding Bass Scrambler overdrive and true 60-degree sound reinforcement monitoring angle for added clarity, the BA-112 is perfect for applications that demand great tone at manageable volume levels.
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out of stock $212.86
Vinyl Collection Two (remastered) (limited gatefold 180 gram vinyl 10xLP box set + book in slipcase)
UMC
Cat: 673137 9. Rel: 21 Jun 19
Rock
  1. Let's Get Rocked (LP1: Adrenalize) (4:56)
  2. Heaven Is (3:30)
  3. Make Love Like A Man (4:18)
  4. Tonight (4:01)
  5. White Lightning (7:00)
  6. Stand Up (Kick Love Into Motion) (4:28)
  7. Personal Property (4:21)
  8. Have You Ever Needed Someone So Bad? (5:17)
  9. I Wanna Touch U (3:38)
  10. Tear It Down (3:39)
  11. Desert Song (LP2: Retroactive) (5:14)
  12. Fractured Love (5:12)
  13. Action (3:40)
  14. Two Steps Behind (acoustic version) (4:14)
  15. She's Too Tough (LP3: Retroactive) (3:38)
  16. Miss You In A Heartbeat (4:05)
  17. Only After Dark (3:48)
  18. Ride Into The Sun (3:14)
  19. From The Inside (4:09)
  20. Ring Of Fire (4:42)
  21. I Wanna Be Your Hero (4:30)
  22. Miss You In A Heartbeat (Electric version) (4:53)
  23. Two Steps Behind (Electric version) (4:26)
  24. Truth? (LP4: Slang) (2:59)
  25. Turn To Dust (4:13)
  26. Slang (2:39)
  27. All I Want Is Everything (5:15)
  28. Work It Out (4:48)
  29. Breathe A Sigh (4:07)
  30. Deliver Me (3:05)
  31. Gift Of Flesh (3:46)
  32. Blood Runs Cold (4:25)
  33. Where Does Love Go When It Dies (4:00)
  34. Pearl Of Euphoria (6:14)
  35. Demolition Man (LP5: Euphoria) (3:27)
  36. Promises (3:56)
  37. Back In Your Face (3:22)
  38. Goodbye (3:38)
  39. All Night (3:38)
  40. Paper Sun (5:22)
  41. It's Only Love (4:11)
  42. 21st Century Sha La La La Girl (LP6: Euphoria) (4:07)
  43. To Be Alive (3:53)
  44. Disintegrate (2:53)
  45. Guilty (3:46)
  46. Day After Day (4:36)
  47. Kings Of Oblivion (4:19)
  48. Tonight (LP7: Rarities Volume Two - demo) (4:24)
  49. When Love & Hate Collide (demo) (5:59)
  50. From The Inside (bonus track) (4:12)
  51. Two Steps Behind (bonus track) (4:11)
  52. She's Too Tough (Joe's demo) (3:41)
  53. Miss You In A Heartbeat (Phil's demo) (5:35)
  54. Tonight (acoustic) (4:17)
  55. SMC (bonus track) (1:14)
  56. Hysteria (LP8: Rarities Volume Two - live In Germany 29/05/92) (7:17)
  57. Photograph (live In Germany 29/05/92) (4:44)
  58. Pour Some Sugar On Me (live In Germany 29/05/92) (5:10)
  59. Let's Get Rocked (live In Germany 29/05/92) (5:42)
  60. Armageddon It (live At The Hard Rock Cafe, Singapore 26/10/95) (4:39)
  61. Two Steps Behind (live At The Hard Rock Cafe, Singapore 26/10/95) (4:17)
  62. From The Inside (live At The Hard Rock Cafe, Singapore 26/10/95) (3:45)
  63. Animal (live At The Hard Rock Cafe, Singapore 26/10/95) (3:54)
  64. When Love & Hate Collide (live At The Hard Rock Cafe, Singapore 26/10/95) (4:24)
  65. Pour Some Sugar On Me (live At The Hard Rock Cafe, Singapore 26/10/95) (4:29)
  66. When Love & Hate Collide (LP9: Rarities Volume Three - Piano & String version) (4:16)
  67. Can't Keep Away From The Flame (Japanese 'vault' - bonus track) (2:36)
  68. Truth? (5:04)
  69. Move With Me Slowly (bonus track) (6:13)
  70. Work It Out (Viv's demo) (3:32)
  71. Bringin' On The Heartbreak (live At The Molson Centre, Montreal 11/10/96) (4:21)
  72. Switch 625 (live At The Molson Centre, Montreal 11/10/96) (3:43)
  73. Miss You In A Heartbeat (live At The Molson Centre, Montreal 11/10/96) (5:22)
  74. Work It Out (live At The Molson Centre, Montreal 11/10/96) (4:19)
  75. Deliver Me (live At The Molson Centre, Montreal 11/10/96) (3:05)
  76. When Saturday Comes (LP10: Rarities Volume Three - bonus track) (4:16)
  77. Jimmy's Theme (bonus track) (3:08)
  78. Burnout (bonus track) (4:09)
  79. Immortal (bonus track) (3:49)
  80. World Collide (bonus track) (3:41)
  81. I Am Your Child (bonus track) (3:30)
  82. Demolition Man (live At Magness Arena, Denver 09/12/99) (3:27)
  83. When Love & Hate Collide (live At The Kokusai Forum Hall, Tokyo 02/10/99) (4:10)
  84. Paper Sun (6:15)
  85. Goodbye (3:40)
out of stock $200.02
Coltrane '58: The Prestige Recordings (60th Anniversary Edition) (remastered) (180 gram vinyl 8xLP box set in hardback book sleeve)
Cat: 720536 5. Rel: 10 May 19
Jazz
  1. Lush Life (13:55)
  2. Come Rain Or Come Shine (8:47)
  3. The Believer (13:47)
  4. Nakatini Serenade (11:04)
  5. Lover (7:58)
  6. Russian Lullaby (5:35)
  7. Theme For Ernie (4:57)
  8. You Say You Care (6:18)
  9. Good Bait (12:09)
  10. I Want To Talk About You (10:58)
  11. Lyresto (5:44)
  12. Why Was I Born (3:13)
  13. Freight Trane (7:21)
  14. I Never Knew (7:06)
  15. Big Paul (14:06)
  16. I See Your Face Before Me (9:58)
  17. Rise & Shine (6:57)
  18. Little Melonae (14:06)
  19. If There Is Someone Lovelier Than You (9:21)
  20. By The Numbers (12:05)
  21. Black Pearls (13:11)
  22. Lover Come Back To Me (7:28)
  23. Sweet Sapphire Blues (18:15)
  24. Spring Is Here (6:54)
  25. Invitation (10:21)
  26. I'm A Dreamer (Aren't We All) (7:03)
  27. Love Thy Neighbor (9:24)
  28. Don't Take Your Love From Me (9:15)
  29. Stardust (10:43)
  30. My Ideal (7:36)
  31. I'll Get By (As Long As I Have You) (8:10)
  32. Do I Love You Because You Are Beautiful (5:14)
  33. Then I'll Be Tired Of You (9:30)
  34. Something I Dreamed Last Night (10:51)
  35. Bahia (6:14)
  36. Goldsboro Express (4:46)
  37. Time After Time (7:45)
 in stock $229.97
Cat: 743514 Rel: 01 Jan 90 • View all Studio mixers
 
***B-STOCK: Box opened, product unused***
Notes: Designed for permanent installation, the TASCAM MZ-372 offers versatile routing, mixing, and control of multiple audio sources in an attractive easy-to-operate 3U package. For maximum flexibility, source content can include music, spoken word (microphone), turntable, and more - all easily controlled via familiar sliders and assignment controls.

Flexible I/O:

The MZ-372 allows multiple audio sources (19 total) to be mixed, muted, and routed to two (2) redundant outputs, controlled by familiar volume sliders and assignment buttons. Input signals can be inserted via six (6) audio channels, each consisting of two (2) sets of unbalanced RCA-type stereo pairs, and six (6) XLR inputs for a total of twelve (12) sets of RCA-type inputs and six (6) XLR inputs. In addition, channels 2/3/4 can be set to accommodate phono-level signals for use with a turntable. Lastly, and located conveniently on the front panel, one additional XLR input is available driving a studio quality mic preamp and ducking circuit for easy voiceover and announcement work.

Multiple Zone Outputs:

Twin outputs each feature a combination of balanced XLR or RCA unbalanced connectors for easy integration into virtually any audio system. This flexibility allows combinations of microphones, CD/DVD/Blu-ray players, instruments - or any other audio source - to be selected or muted, and sent simultaneously to the dual outputs, each with its own volume control. Finally, the convenient "talkover" function will automatically lower any mixed channel source, so the microphone connected to the front panel can easily be can be heard in whichever zones you choose.

Easy, Immediate Control:

Familiar volume sliders, switches/buttons, EQ knobs, and mute buttons make the MZ-372 simple and fast to operate and set up. There is even a master recording stereo output, which can send audio to an external recorder which makes event or music performance capturing easy. The Booth outputs provide another stereo feed with independent control for additional monitoring.
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 1 in stock $298.44
Tascam Series 102i USB Audio & MIDI Interface (USB audio & MIDI interface)
Cat: 718909 Rel: 27 Jun 19 • View all Audio & MIDI interfaces
 
10-in/2-out portable USB 2.0 audio/MIDI interface with DSP mixer
Notes: Expandability, both internal and bundled effects processing, internal mixing, external software control, and more for studio, home, and live recording. With a new look, including an angled tabletop design and large, easy-to-grab knobs, TASCAM sets a new standard for mid-grade audio interfaces.

Supreme Audio Fidelity:

It all starts with the best sound: TEAC and TASCAM have more than 60 years of high grade audio design experience. TASCAM Ultra-HDDA (High Definition Discrete Amplifier) mic preamp circuitry guarantees transparent natural tone with ultra-low noise.

24-bit/192 kHz:

A new-generation TASCAM audio interface engine delivers high-definition, 24-bit/192 kHz recording and solid stability.

Expandable input capability to grow into:

Easily add more input channels to accommodate future growth by using external microphone preamplifiers with S/MUX optical inputs to record drums, guitars, keyboards, vocals, and more. Each S/MUX optical port can accept up to 8 channels of audio input from an ADAT- or S/MUX-compatible device.

Well-designed interface for quick production:

TASCAM SERIES audio interfaces feature a large, easy-to-grab Monitor control knob that ensures you can quickly adjust the monitor output level. Their angled tabletop design offers easy access to all front-panel controls. A handy Monitor Balance control enables mixing live input with computer playback for zero-latency monitoring. Each analogue input channel is served by an individually switched +48 volt phantom power supply for condenser microphones.

Dual headphone monitoring:

The SERIES interface has 2 individual headphone amplifiers which offer powerful enough dual headphone monitoring.

Control Software for Matrix Mixing, Effects Processors, and More:

Free, easy-to-use TASCAM Control software manages faders, processing, and the ability to route any audio input (analogue, optical, and USB) to any audio output.

Built-in DSP Effects and Processing:

A DSP input and output mixer is complemented with digital reverb, compressor, phase invert, and 4-band EQ for each channel. Having these processors included internally eliminates all latency issues and takes the load off the computer allowing the PC/Mac to process the audio more efficiently.

Mobility:

TASCAM SERIES interfaces support tablets and other mobile devices and are compatible with many applications to meet your recording needs now and in the future.

Start Making Music Immediately with Bundled Software:

TASCAM SERIES audio interfaces are bundled with world-class software. Record with Steinberg Cubase LE DAW for Windows and Mac computers and Steinberg Cubasis LE DAW for iPad. Then process your audio with IK Multimedia AmpliTube guitar/bass modelling and effects software. Finish your high-quality, polished recording projects with IK Multimedia T-RackS mastering software. Both free standing and plug-in versions of AmpliTube and T-RackS are included.

iZotope award-winning plug-in included:

Tascam SERIES 102i/208i - iZotope Neutron Plug-inNeutron Elements provides an easy, fast way to a professional mix - and it is included with every purchase of a Tascam SERIES interface. Neutron brings mix workflows to the 21st century with four modern mixing tools in one mothership plug-in, featuring mix assistance powered by machine-learning with unrivalled quality and speed.
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 3 in stock $247.09
Dimensions (limited white vinyl 7xLP box + 20 page booklet)
Cat: TBC.
 
Techno
  1. A New Day
  2. Downbeat
  3. Slac
  4. F.U
  5. Dimension Intrusion
  6. Substance Abuse
  7. Another Time (Revisited)
  8. Theychx
  9. UVA
  10. Into The Space
  11. Mantrax
  12. Nitedrive
  13. Logikal Nonsense
  14. Train Trac 1
  15. Train Trac 2
  16. Last Tram
  17. The Day After (Mv's mix)
  18. Train Abuse
  19. Kaboose
  20. Computer Space
  21. Runner
  22. Santctuary
  23. Last Day
out of stock $267.41
Cat: 738639 Rel: 09 Jul 19 • View all Synth modules
 
Four voltage controlled LFO's/ VCO's with triangle & rectangle outputs in one single module - 22HP
Notes: Module A-143-4 is a fourfold voltage controlled low frequency oscillator (LFO). As the frequency range includes moderate audio frequencies it can be used as a four-fold VCO too.

- Four independent VCLFOs/VCOs with triangle core
- Frequency range switches: low (bottom position) = LFO mode, high (top position) = VCO mode
- Two frequency control CV inputs for each unit
- CV1 without attenuator (~ 1V/oct)
- CV2 with attenuator
- Manual frequency control
- Internal jumpers for the frequency range of the manual frequency controls:
- Jumper not installed: ~ +/- 1 octave range (mainly for VCO applications)
- Jumper installed: ~ +/- 5 octaves range (mainly for VCLFO applications)
- Sync inputs: Combined Reset/Direction inputs for unit #1 - #3 / Separate Reset and Direction inputs for unit #4 (normalled sockets, i.e. Reset is connected to Direction if the Direction socket is unused) / Up/both/down direction switch for unit #4, for technical details concerning the Reset and Direction function please refer to the sketch below
- Triangle and rectangle outputs for each unit
- Typ. output voltage range -5V ... +5V for both outputs (i.e. about 10 Vpp, symmetrical with reference to 0 V)
- Red/yellow LED displays for the triangle outputs (red = negative output voltage, yellow = positive output voltage)
- Common control section with two CV inputs and manual control (these inputs and controls affect the frequency of all four units)
- Sum outputs for triangle and rectangle with red/yellow LED displays
- Optional ultra-low frequency mode: for this a negative voltage can be applied via a jumper internally to the CV2 input of each unit and the common section (i.e. a negative voltage is normalled to the socket CV2 in question). Then the CV2 - - Attenuator control works as a negative frequency control (i.e. turning up this control lowers the frequency). Herewith LFO periods up to about one hour (or even more) are possible.
- Optional CV bus access via jumper (i.e. the module can pick up the CV from the A-100 bus, e.g. generated by a Midi/CV or USB/CV interface A-190-x or a bus access module A-185-1/2), if the jumper is installed the bus CV affects all four units as the bus CV is added to the CV generated by the common control section
- Typ. frequency range: < 0.001 Hz (~ one hour, LFO mode with ultra-low option) ... 15 kHz (VCO mode with installed frequency range jumpers for the manual frequency controls)
- Heat-up time: ~ 15 minutes (required to heat-up the main circuit by the affixed oven)

The module was planned mainly as a quad VCLFO. But we added a range switch (nothing but a switch for two different capacitors) so that even audio frequencies are possible and the module can be used as VCO with some restrictions too. Because of the closeness of the main circuitry (i.e. four VCO cores within less ~ 1 square millimetre) the oscillators may lock if the frequencies are very close to each other and the VCO frequencies interact marginally. If a high quality quad VCO is required the A-111-4 is recommended as this module has four separate VCO circuits available.

The reset circuitry is optimized for the LFO mode. As it takes some time to discharge the oscillator capacitor the discharge time had to be chosen so that the capacitor is fully discharged in LFO mode. In the high range (where a much smaller capacitor is used) this will cause a zero state duration in the 0.3 ms range if the oscillator is synced (during this time the capacitor is shortened for discharge).
The control scale of the inputs "CV1" is about 1V/octave. To improve the behaviour in the VCO mode a tempco circuit is used to keep the temperature of the exponential converter at a fixed temperature (similar to the tempco option of the DIY SYNTH). That way the frequency of the VCOs (and even the VCLFOs) is nearly independent from the environment temperature. But the accuracy (1V/octave scale and temperature compensation) is not as precise as for the dedicated VCOs A-110 and A-111-1.
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 1 in stock $207.50
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out of stock $203.23
Cat: 718919 Rel: 23 Apr 19 • View all Synth modules
 
Expander for XAOC Devices Praga mixer
Notes: The XAOC HRAD is an expander for their Praga voltage-controlled mixing console, adding CV control for Aux levels, master level control, gate-controlled muting, and other powerful features.

- Additional set of controls for the PRAGA mixer
- Stereo sum level control
- Euro/line switchable output level
- Sum LED meters
- Stereo headphone amp
- Cue input
- Mix/solo cue auditioning
- Individual AUX inserts
- Voltage control over AUX send amount
- Two stereo controls for AUX return level
- Gate inputs for VC channel muting
- Power drawn from Praga
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 3 in stock $231.04
Cat: 732121 Rel: 28 May 19 • View all Drum machines
 
True analogue sounding drum machine accompanied with 12 PCM voices
Notes: UNO Drum is the ultimate beat creation station for anyone and everyone to create warm, punchy, high-quality, and inspiring grooves. Made in collaboration with Italian analogue specialist Soundmachines, UNO Drum follows the acclaimed UNO Synth, combining massive analogue tone with digital flexibility and convenience.

UNO Drum makes it easy to program and perform using the widest sonic palette to add professional drum grooves to your music.

12 killer sounding drum elements:

UNO Drum offers 6 true analogue drum sounds for the warmest, richest, and most dynamic drum sounds possible. This includes 2 different kick drums, snares, claps, and hi-hats - the core kit that characterizes the most iconic analogue drum sounds of all time.

Plus, added PCM elements (with 54 samples to choose from) are available for additional sonic flavours. Toms, rims, cowbells, rides, and crash cymbals help you create complex, unique, and full rhythm tracks. UNO Drum lets you use up to 12 elements in total between analogue and digital sounds (11 voice polyphony).

All of the above can be stored and recalled on the fly with 100 drum kit presets, all pre-programmed and fully editable at your leisure. It's a breeze to find an IK inspired kit that catches your ear and tweak to fit your taste, or create your custom kits from scratch. Make something you like and save and store for later use - UNO Drum is ready to recall your beats whenever you are.

UNO Drum also offers 3 master effects: analogue drive and compressor and a stutter effect. Turn up the drive to make your grooves hit harder with an aggressive edge. Add compression to make your tracks tighter, gluing together your rhythm with a fat and heavy punch. Like what you hear? Good. Your settings will save right with your kit for instant recall. Stutter offers adjustable depth, from subtle tremolos to full-on slices, to create different feeling sounds and grooves.

Wider sonic palette:

UNO Drum lets you freely swap analogue and digital elements, so you never have to feel limited by pre-set combinations. Between the analogue engine designed by SoundMachines and samples drawn from IK's award-winning SampleTank sound & groove workstation, the diverse collection of sounds encourages fresh ideas and unique creation.

Producers, beat-makers, creators, and DJs alike can always count on UNO Drum to find their groove. With the help of UNO's sound editing controls, options are always available for the key parameters of each sound element. Tweak the Tuning of your kicks for sub-rattling hip-hop, adjust Snap for punchy EDM drums, push the Decay for thundering industrial sounds, and so much more. UNO Drum's in - depth control encourages experimentation to take your drum tracks far beyond the usual.

Easy to use and perform:

12 touch-sensitive pads line the centre of UNO Drum, offering two velocity zones for more expressive live playing and easier programming. These can be used to play entire beats live with a pad-style feel, or to easily add your own live flare on top of pre-programmed rhythms.

Fully programmable to suit your style:

Whether you prefer 808s or MPCs, UNO Drum makes it easy to program the way you want.

The step sequencer lines the bottom of UNO Drum, showing 16 steps and 4 pages. Tap a step and hit a pad to add a hit to that selected step, or use the Record button play within a pattern. The sequencer also allows you to automate up to 8 parameters per step, for radically different sounds on each beat.

Integrates in any Live, Studio, or Mobile Set-up:

Use UNO Drum at home, in the lab, in DJ booth, and beyond. UNO offers USB and traditional MIDI via 2.5mm jacks (cables included) to integrate with both your Mac/PC and iOS device or traditional outboard MIDI gear, so no matter your rig UNO Drum will pair perfectly.

***Now featuring IK Multimedia UNO Drum Editor for Mac/PC and iPad***

This plug-in and standalone app offers seamless control over all parameters and convenient kit and pattern management.

The UNO Drum Editor is available as a free download for everyone (requires firmware 1.0.2 or above). For more information and to download the editor, please visit: www.unodrum.com/editor
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 5 in stock $218.74
Cat: 739889 Rel: 02 Oct 19 • View all Synth modules
 
Four-channel precision adder, buffered mult, and transposition tool
Notes: Quantus Pax is a four-channel precision adder, buffered multiple, and polyphonic transposition utility. Each channel has two CV inputs and can be further modified by the three Xpose inputs. QP is made with high quality low-tolerance resistors for unbeatable accuracy. Patch-wide key changes, polyphonic movement, mathematically derived melodies, and more are all to be had with this simple but useful utility.
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 3 in stock $253.51
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Cat: 741570 Rel: 29 Jul 19 • View all Synth modules
 
Dynamic rhythm generator module
Notes: Integra Funkitus takes up to four input rhythms and combines and modifies them into rhythm outputs. There are three modes: two based on probability and one on generalized logic combinations.

Feed up to four rhythms from a rhythm module (such as Numeric Repetitor) into the inputs.

Connect the gate outputs to percussion modules, then turn the knobs to control how the rhythms are combined and modified.

Size: 8HP Eurorack
Depth: 1 Inch
Power: 2x5 Eurorack
Draw +12V: 50 mA
Draw -12: 5 mA
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 3 in stock $235.32
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Cat: 742231 Rel: 21 Aug 19 • View all Synth modules
 
Versatile band-pass filter - 12HP
Notes: TRSHMSTR is a collaborative effort between WMD and electro-dance heavyweights MSTRKRFT. TRSHMSTR features an aggressive combination of band-pass filtering (FLTR) and distortion (DRV). The FLTR and DRV sections can be used independently or together to produce a wide variety of tone-shaping, from subtle distress to full-on acid destruction. The INs and OUTs of the FLTR and DRV sections are cross-normalled, so you can run your signal through FLTR and into DRV or vice-versa with no extra patching.
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 1 in stock $239.61
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Cat: 736453 Rel: 21 Aug 19 • View all Studio monitors
 
Single 2-Way active studio monitor with wave guide
Notes: Updated version of the hugely popular E8. Reshaped waveguide gives a broader sweet spot, while new bass drivers extend the bottom end. The originals were already great value - these are even better.

Supplier notes:
With their smooth, accurate frequency response; powerful amplification with tons of headroom; and acoustic tuning functions that ensure you always get the best sound... it's no wonder that the original Eris-series studio monitors have been a runaway hit since their introduction. The Eris E8 XT is a substantial update to a lauded classic. Deeper lows and a wider, more controlled sweet spot (thanks to its new EBM wave guide design) mean that our best-selling studio monitors just got even better.

Studio speaker with a wide sweet spot:

We outfitted the Eris XT studio monitors with a new EBM (Elliptical Boundary Modelled) wave guide designed by none other than Hugh Sarvis of WorxAudio, the mind behind our award-winning CDL loudspeakers and lauded R-Series monitors. The result? A superior high-frequency response and wider 100-degree horizontal dispersion to create a broader sweet spot. It's ideal for group listening and collaboration - while narrow vertical dispersion reduces reflections from your desk. Silk-dome tweeters ensure snappy, accurate transient reproduction.

Lows that go lower:

The familiar woven composite low-frequency driver still offers Eris' signature tight, clear bass; plenty of punch and no flub. Eris E8 XT studio monitors sport a ported enclosure that is larger than that of their predecessors, allowing them to reach down to an astonishing 35 Hz. That's 10 Hz below previous models - with no subwoofer required!

Set up your studio monitors for your room:

We know modern recording studios can be anywhere from a spare bedroom to a multi-million dollar facility; that's why every studio monitor we make is equipped with controls that ensure the flattest response in your mix environment. Acoustic tuning controls allow you to configure the Eris E8 XT perfectly for your room - you get Low-cut, Mid, and High controls, as well as 3-way acoustic space tuning that allows you to easily compensate for the sonic consequences of speaker placement against a wall or in a corner.

Studio monitor connections:

It's easy to feed audio to your Eris E8 XT studio monitors from an audio interface, mixer, monitor controller, or almost any other line-level source. Eris E8 XT monitors provide balanced XLR, balanced 1/4" TRS, and unbalanced RCA line-level inputs. You'll have no problem hooking your Eris speakers up to virtually anything.

Accuracy defined:

Suitable for both home recording studios and professional mix engineering, the Eris XT studio monitors combine sterling audio quality with the flexible tuning and connectivity you've come to expect from PreSonus. It's Eris, remastered.
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 2 in stock $212.86
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Cat: 708090 Rel: 18 Apr 19 • View all Synth modules
 
Sample & Hold, Track & Hold, Gated Slew, Clock & Noise generator - silver, 12HP
Notes: A real powerhouse module that takes up only 12 HP of rack space. It can generate random and pseudo random control voltages, staircase waveforms, deliberate aliasing of audio signals, portamento type effects, adjustable audio range noise and has many other uses too.

It can be switched between Sample & Hold or Track & Hold modes, and the unique "Restrict" control affects the way the hold output changes with respect to the current input level and previously held output level. With the control fully off the unit behaves just like any other S/H, but at fully clockwise the output is restricted to move by only a small amount after each new sample. The output will still have the same range as the input, but will need more hold commands to get there. This versatile Sample and Hold circuit was designed by Tony Allgood, and is built under licence from Oakley Sound.

The Sample Hold & Slew module also includes a very well featured Slew generator, which includes a Gated Slew function. It can be used independently or chained with the S&H module. Slew mode can be switched between Linear or Exponential Slew types. There is a Gate input, so that the Slew on/off can be switched using an External CV (Gated Slew), and also the Slew control logic can be reversed by a toggle switch that doubles as a manual Slew on/off switch. In addition, it has slew up only, slew down only or slew up and down modes, which are selected with a three-way toggle switch. An indicator LED lights when Slew is active

There is also an inbuilt analogue Noise generator, which is normalised to the input of the Sample and Hold section, and there are both regular and clipped Noise outputs - the Clipped Noise is particularly useful with the sample and hold section, as it is weighted to produce higher random voltages. Both Noise outputs are fed through an internal "Noise Colour" control - at centre position it allows the noise through unfiltered, turning the control anti-clockwise introduces low pass filtering of the Noise, and rotating it clockwise introduces high pass filtering. The Noise source itself is based on an analogue band gap shunt regulator configured in avalanche mode, and it generates white noise with a gradual roll off above 8kHz. It is a little "grainier" in character than the noise from our MiniMod Glide & Noise module (which uses a reverse biased transistor as a noise source), so is a useful compliment to this module as it does not generate exactly the same sounding Noise

Lastly, it includes a wide range clock generator with a rate LED. The range is from one cycle every thirty seconds to around 2 kHz and the clock output is normalised to the Clock Input of the S&H section. It also has a Clock Out jack so that it can be externally patched to other Eurorack modules.
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 1 in stock $208.57
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Cat: 734840 Rel: 15 Jul 19 • View all Synth modules
 
Analogue VCO focused on all aspects of modulation - 12HP
Notes: The OSC1 from Future Sound Systems presents a voltage-controlled analogue oscillator with a few features unexpected of a basic oscillator, with a particular focus on covering all bases of signal modulation. Once triangle, sinusoidal and pulse waveforms are derived from its sawtooth core, each waveform is passed through a VCA. The outputs from these VCAs are then summed at the Mix output, which can be switched between 2- and 4-quadrant-multiplication modes. These two QM modes allow for a plethora of amplitude modulation effects to be achieved. Level controls for each waveform dictate both static level, but also depth of modulation through careful design of the control summation. Each individual waveform output is taken pre-VCA for maximum patching flexibility.

Shape modulation of the triangular, sinusoidal and pulse waveforms is also available. Both the triangular and sinusoidal waveshapes can be skewed forward or backward into ramp-like shapes, whilst shaping the pulse wave gives standard pulsewidth modulation.

Frequency modulation is available in both Linear and Exponential modes. The OSC1 also tracks to 1V/Octave over four octaves in its audible (HF) range, but can also be used as a low frequency oscillator in LF mode.

A Sync input allows for the OSC1 to be reset by an external signal. A rising edge will reset the sawtooth wave to its peak, from which it descends. The Inject input, meanwhile, allows for external signals to interfere with the sawtooth core. This allows for intermodulation-type effects to be produced, and opens new realms of chaotic oscillations.
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 3 in stock $244.95
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Cat: 723363 Rel: 26 Apr 19 • View all Effects pedals
 
Tracking 24dB/octave multimode filter pedal with 100% analogue circuitry
Notes: Pigtronix Resotron is an analogue filter that brings the sound of 70's keyboard synthesizers to the world of envelope pedals for guitar, bass and beyond. The filter at the heart of the Resotron is based on the SSM2040 chip found in the legendary Prophet 5 and Octave CAT synthesizers. This 24db/octave, state-variable filter provides the full gamut of familiar envelope filter sounds with UP and DOWN sweeping modes, and a sensitivity control to dial in the response of the effect based on how hard you play.

In addition to these vintage-correct filter tones, the Resotron pushes the envelope pedal concept to a whole new level by using an analogue pitch-tracking system to move the cutoff frequency of the filter up and down. The pitch-following filter effect found in the Resotron moves around based on the notes you play instead of how hard you play. The attack time and rate of filter motion can be adjusted - using the GLIDE knob - to dial in how long it takes for the cutoff to travel between pitches.

"The pitch-following effect found in the Resotron is analogous to the "key-follow" function found on the original Minimoog and many other classic analogue keyboards," says Pigtronix president David Koltai. "Using our all-analogue pitch-tracking circuit to control cutoff frequency, the Resotron delivers mind-blowing filter motion for guitar players. I've dreamt of making this pedal for years, and it's finally here."

The Resotron has the ability to operate in Low Pass, Band Pass or High Pass modes. Each of these filter voices has a distinctive character that can be manipulated by adjusting the PEAK knob, progressively feeding the filter back upon itself to increase the resonance (or "Q") of the filter, right up to the point of self-oscillation. A push-button OSCILLATE function allows you to go even further - turning the Resotron into an analogue synthesizer pedal that follows both the pitch and dynamics of your playing. The synthesizer sounds created by the Resotron can be radically altered by switching between the LPF, BPF and HPF modes. This allows users to access waveforms that range from subtle voice emulations to bombastic, aggressive lead sounds, as well as ultra-smooth sub bass tones.

Before the pedal's input signal hits the Resotron's filter, it passes through an optical compression stage derived from the Pigtronix Philosopher's Tone pedal. The increased volume and punch from this compressor can then be mixed into the audio signal using the BLEND control - without affecting the SENSITIVITY of the envelope. Resotron accepts active CV and passive TRS expression pedal inputs for foot-controlled filter sweeps and outboard modulation, which is mixed in parallel with the on-board pitch-following and amplitude tracking systems.
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 1 in stock $254.57
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Cat: 736449 Rel: 15 Jul 19 • View all Synth modules
 
Facilitates effects processing between eurorack, guitar pedals & electronic instruments
Notes: Want to connect outboard gear to your eurorack synthesizer without taking up valuable HP in your case? The INTRFX allows eurorack-level signals to be processed with pedals and/or outboard effects, and also allows line-level instruments to be processed with eurorack modules. Each of its three channels has an Interchange Switch to swap this mode, as well as an FX Blend parameter which can be controlled via CV. Because of its compact physical design, the INTRFX can be placed almost anywhere and connected to eurorack systems with 3.5mm patch cables rather than bulkier 1/4-in cables.

Feedback effects can be achieved by switching into the "wrong" mode, sending the FX return back into the FX send, while still allowing for dry signal blend and modulation. Channels can also be patched into one another and toggled between modes for experimental routing. Conveniently, each channel can operate as a reversed linear VCA for both audio and DC signals if no effects are used.

Whether you'd like to patch eurorack through some classic pedals or run a drum machine through your gnarliest modules, INTRFX makes these connections easy and flexible.
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 7 in stock $202.17
Cat: 744064 Rel: 12 Sep 19 • View all Synth modules
 
Digital wavetable oscillator - 16HP
Notes: Klang Stadt is the latest FC iteration of Electric Druid's VCDO digital wavetable oscillator. It features a number of advantages over the previous Waverider design:

- Improved PWM filtering
- Addition of Sub Two output
- Addition of Klang output
- Addition of Xmod feature
- Onboard LFO for riding the waves
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 2 in stock $226.76
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Cat: 730429 Rel: 29 Apr 19 • View all Effects pedals
 
Vertical, pedalboard-friendly version of the Instant Lo-Fi Junky pedal
Notes: This pedal was designed to emulate the sounds and textures of the Lo-Fi Loop Junky in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled signal and listen to it become a luscious emulsification that can be blended to the most perfect depth. Achieve new haunting chorus sounds and pulsating vibrato. Unusual and fun, you've never heard anything quite like it.
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 1 in stock $207.50
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Cat: 717051 Rel: 03 Jun 19 • View all Effects pedals
 
Versatile modulation effects pedal
Notes: The Mad Professor Double Moon is a small, easy to use and super versatile pedal for a wide variety of modulation sounds. True analogue bucket brigade signal paths with a Tone control makes the Double Moon a long-awaited modulation pedal for today's guitar player.

Double Moon pedal has 11 carefully designed modes that will let you dial in, not only all of the classic modulation effects, but far beyond that. All of the sounds are easily reached from a rotary switch: 3 chorus effects, 3 dual chorus effects, 3 flanger effects, flanger+chorus and a vibrato.

You can further on fine tune the LFO wave or Regen depending on the mode by the Control knob. The Depth knob will let you dial in the desired amount of the effect and the Speed knob will control the speed of the effect.

Modulation effects from mild to deep, motionless to faux-Leslie type, it's all there with the added Tone control!
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 2 in stock $212.86
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Cat: 733645 Rel: 29 May 19 • View all Synth modules
 
Complex oscillation module - 22HP
Notes: The Noisy Oscillator module is an oscillator that mixes two signals: a 'regular' wave (sawtooth/square/triangle) and a 'tonal noisy' wave. This adds a special noisy layer over the sound, that adds 'air', grit or dirt, depending on the combinations you make. The MOD parameter acts on the noisy waveforms:

- Sonar Noise: a white noise filtered by a resonant bandpass filter, with 1V/oct tracking of the filter frequency. The MOD parameter controls the resonance.
- Wind Noise: white noise filtered by a comb filter, with 1V/oct tracking of the base frequency (delay). The MOD parameter controls a 6dB/oct hipass filter.
- Arcade Noise: LFSR noise source as can be found on the SID soundchips (Commodore) or Sega Arcade games. The MOD parameter controls again a 6dB/oct hipass filter.

The noisy wave can be set equal, or 1 or 2 octaves above the regular wave.

The module has two voices, with their own set of CV and output connectors. This can be used to play in a full 2-voice polyphony, or in a 2-voice unison. The outputs can be separate, using both output connectors, or mixed, using only the connector of the second voice.

Next to the 1V/oct pitch CV, the module offers CV control over pitch (FM), the MOD parameter and the sound level:

- FM CV: pitch control normalled to 0V, attenuated with the FM knob (+ and -). This allows for Frequency Modulation up to the lower audio range. It's of course a digital module, so higher frequencies can start inducing aliasing and digital artefacts.
- MOD CV: CV control for the MOD parameter, normalled to 0V and attenuated with the CV AMT knob (+ and -).
- LEVEL CV: CV control for the sound volume, normalled to 7.5V. With this CV control you can omit an external VCA stage if you want.

The CV signals of the second voice (upper row of connectors) are always normalled to the signal of the first voice (lower row), so you can use a single LFO for some FM vibrato or tremolo on both voices, for example. Only the V/oct connector of the second voice is normalled to the first voice with an extra addition of a fixed voltage that can be set using a trimmer at the backside of the module. This way you can use the 2 voices to play in unison with a fixed pitch separation you can set on the backside.
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 3 in stock $298.44
Cat: 731213 Rel: 08 May 19 • View all Synth modules
 
Quad VC/Envelope - 10HP
Notes: The FLAME "X-4" is a compact multifunctional 4x Envelope/VCA module, which combines in a very small space (10HP) 4 AR envelopes and 4 separate VCAs.

The module complements quad VCOs (eg the FLAME "4VOX") to control 4 VCAs per envelope generator in a small space.

Each channel can be used separately as an AR envelope generator with VCA, or even as a VCA.

There are 3 modes:

AR: 4 CV controllable separate Attack/Release envelopes on 4 VCA channels (per gate)
AD: 4 CV controllable separate Attack/Decay envelopes on 4 VCA channels (one shot per trigger)
VCA: 4 CV controllable separate VCAs

There is available a three-level switch for three different envelope rates from extremely short to long.

The envelope shape is set with the sliders (also adjustable via CV inputs).

In addition, the envelope can be looped (gated AD envelope loop).
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 2 in stock $202.17
Cat: 730432 Rel: 11 Jun 19 • View all Synthesisers
 
Bass line generator with a rhythmic chord section
Notes: The Arpopone from LepLoop is a little synth-voice for generating a melody or bass line and a chord section at the same time. It is based on analog ramp dividers of which each one generates a voltage ramp starting from a master clock that can be internal or external.

Trig1 and Trig2 potentiometers set the number of clock pulses.

With the Trig Mix switch it is possible to select between a single trigger (1 or 2) or both (1+2) to advance the scales.

The Scale Step potentiometer sets the number of steps for the two scale generators.
In the mixer section, the two scales are summed together to obtain a more complex pattern. The amount of each scale can be set by two controls and can be positive (ascending scale) or negative (descending scale).

With the VCO Pitch knob, the melody can be transposed while maintaining the same interval between notes.

The note generated by the VCO is fed to a chain of dividers to obtain four sub harmonics of the original note. One of these is the bass section with its own filter and envelope, the other three form the chord section with their envelope.

The two envelope sections are identical, both have a selector for different trigger sources:

Trig1 & Trig2: the envelope starts at the flash of the green LED (bass) or yellow LED (chord)
SB1 & SB2: the envelope starts at the first step of Scale1 (bass) or Scale2 (chord)
White & Blue: the envelope follows the intensity of the white LED (bass) or the blue LED (chord). Except for this setting the envelope length is set by the two controls Bass ENV and Chord ENV. Additionally, an EXT CV input allows to provide an external envelope.
The bass channel is passed through a resonant low-pass filter with Cutoff and Resonance control.

Finally the Bass and Chord channels are mixed together. The output level is set by the Bass LEV and Chord LEV controls.
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 3 in stock $298.44
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Cat: 730434 Rel: 11 Jun 19 • View all Drum machines
 
Polyrhythmic drum module featuring raw analogue drum sound
Notes: - 3 x external audio out
- 1 x audio out
- 3 x cassation bass drum
- With clock
- Internal or external
- Trigger in
- Click out

The MULTI CASSA is an electronic Eurorack module for percussion sound and special FX. Created by LEP Laboratories, the MULTI CASSA module takes inspiration from the Leploop synth. MULTI CASSA is a combination of two modules with different pitch settings, the first maintains the original pitch, the second increases the pitch to recreate the sound off high tom or snare drum.

TRIG MIX: The rhythm played by the MULTI CASSA is the sum of the two trig IN1 and IN2. The trig mix pot adjusts the mix between the two trig input, which is great for creating polyrhythms.

FREQUENCY: Adjusts the pitch of the sound, also effects the resonance.

RESONANCE: Adjust the resonance, i.e. the damping time of the case. Beyond a certain level the MULTI CASSA can go into permanent oscillation. The level at which the oscillation begins varies with frequency.

DISTORTION: Adjusts the level of signal distortion.
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 5 in stock $266.35
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Cat: 739133 Rel: 16 Jul 19 • View all Synth modules
 
Random looping sequencer - black faceplate, 12HP
Notes: Permutation is a set of random sequencers that use a digital shift register to generate unpredictable CV and gate patterns that can be locked into repeating loops. The concept is based on the Turing Machine, an open source module designed by Tom Whitwell.

Permutation retains the core functionality of the Turing Machine while adding new features such as dedicated outputs for each bit of the shift register, CV inputs for all parameters, and an internal bipolar VCA. Locked sequences are also saved across power cycles.
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out of stock $251.36
Cat: 739134 Rel: 16 Jul 19 • View all Synth modules
 
Random looping sequencer - silver faceplate, 12HP
Notes: Permutation is a set of random sequencers that use a digital shift register to generate unpredictable CV and gate patterns that can be locked into repeating loops. The concept is based on the Turing Machine, an open source module designed by Tom Whitwell.

Permutation retains the core functionality of the Turing Machine while adding new features such as dedicated outputs for each bit of the shift register, CV inputs for all parameters, and an internal bipolar VCA. Locked sequences are also saved across power cycles.
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 1 in stock $228.90
Cat: 739131 Rel: 16 Jul 19 • View all Synth modules
 
Random looping sequencer - black faceplate, 18HP
Notes: Permutation is a set of random sequencers that use a digital shift register to generate unpredictable CV and gate patterns that can be locked into repeating loops. The concept is based on the Turing Machine, an open source module designed by Tom Whitwell.

Permutation retains the core functionality of the Turing Machine while adding new features such as dedicated outputs for each bit of the shift register, CV inputs for all parameters, and an internal bipolar VCA. Locked sequences are also saved across power cycles.
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out of stock $265.27
Cat: 739132 Rel: 16 Jul 19 • View all Synth modules
 
Random looping sequencer - silver faceplate, 18HP
Notes: Permutation is a set of random sequencers that use a digital shift register to generate unpredictable CV and gate patterns that can be locked into repeating loops. The concept is based on the Turing Machine, an open source module designed by Tom Whitwell.

Permutation retains the core functionality of the Turing Machine while adding new features such as dedicated outputs for each bit of the shift register, CV inputs for all parameters, and an internal bipolar VCA. Locked sequences are also saved across power cycles.
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out of stock $265.27
Cat: 739135 Rel: 16 Jul 19 • View all Synth modules
 
Random looping sequencer - black faceplate, 6HP
Notes: Permutation is a set of random sequencers that use a digital shift register to generate unpredictable CV and gate patterns that can be locked into repeating loops. The concept is based on the Turing Machine, an open source module designed by Tom Whitwell.

Permutation retains the core functionality of the Turing Machine while adding new features such as dedicated outputs for each bit of the shift register, CV inputs for all parameters, and an internal bipolar VCA. Locked sequences are also saved across power cycles.
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out of stock $200.02
Cat: 739136 Rel: 16 Jul 19 • View all Synth modules
 
Random looping sequencer - silver faceplate, 6HP
Notes: Permutation is a set of random sequencers that use a digital shift register to generate unpredictable CV and gate patterns that can be locked into repeating loops. The concept is based on the Turing Machine, an open source module designed by Tom Whitwell.

Permutation retains the core functionality of the Turing Machine while adding new features such as dedicated outputs for each bit of the shift register, CV inputs for all parameters, and an internal bipolar VCA. Locked sequences are also saved across power cycles.
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 1 in stock $200.02
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Cat: 745481 Rel: 19 Sep 19 • View all Filters
 
Polivoks filter chip with CV & Expression pedal inputs
Notes: The Polivoks Filter, from Elta Music, utilizes the classic Soviet filter chip for a unique and iconic filter tone. It provides both CV and Expression pedal inputs, built in LFO, and WOB fader for ultimate control. On board LFO has a fast/slow range switch, and on/off. Separate LFO OUT can be used to control external CV devices. With lowpass, bandpass, highpass, and notch filter types, one can shape tones into whole new realms. The pedal is switched on with a switch, rather than a stomp button, catering towards use as a desktop filter.
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 1 in stock $282.38
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Cat: 682570 Rel: 19 Sep 19 • View all Filters
 
Polivoks filter chip with CV & Expression pedal inputs
Notes: Vintage Soviet synth circuitry reimagined. CV input, LFO output and pedal control for versatility. Easily one of the most brutal filters on the market. Legendary.

Supplier notes:
The Polivoks Filter, from Elta Music, utilizes the classic Soviet filter chip for a unique and iconic filter tone. It provides both CV and Expression pedal inputs, built in LFO, and WOB fader for ultimate control. On board LFO has a fast/slow range switch, and on/off. Separate LFO OUT can be used to control external CV devices. With lowpass, bandpass, highpass, and notch filter types, one can shape tones into whole new realms. The pedal is switched on with a switch, rather than a stomp button, catering towards use as a desktop filter.
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out of stock $282.38
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