Search dance music

Notes: Rightly considered a Eurorack classic, Plaits is the successor to the much-loved Braids oscillator. Huge range of modes offering everything from speech synthesis to analogue drums. Superb.

Supplier's notes:
Plaits is the spiritual successor of Mutable Instruments' best-selling voltage-controlled sound source, Braids. Not just an MKII version: its hardware and software have been redesigned from scratch.

Just like its predecessor, it offers direct access to a large palette of easily tweakable raw sonic material, covering the whole gamut of synthesis techniques.

Simplicity first:

Gone are the screen, menu system, hidden settings, and the long list of somewhat redundant synthesis models.

Thanks to additional CV inputs, and to the use of three timbre-shaping parameters per model, Plaits is straightforward to use, and much closer to the ideal of one synthesis technique = one model. What were fragmented islands of sound in Braids are now part of a continuum of sounds.

Ready for percussion:

Patch a trigger generator or sequencer into Plaits' trigger input and instantly use the module as a percussive source thanks to its built-in virtual low-pass gate (LPG).

An internal D (decay) envelope generator is normalled to all unpatched CV inputs. Just turn the corresponding attenuverter to add pitch, timbre or morphing modulation. And if plucks and snappy hits are not your thing, patch your own envelope or CV source into the LPG CV input.

Notes: Keyboard meets sequencing in Arturia's all-round controller. USB, MIDI, CV and analogue clock compatibility make this 64-step polyphonic sequencer a true all-rounder. Great value.

Supplier's Notes:
KeyStep 37 goes beyond an easy-to-use 64-step sequencer, arpeggiator and MIDI keyboard. It's responsive, dynamic, expanded in every direction to encourage musical exploration - the controller that's built to help write music and also includes Ableton Live Lite, making it a complete music production starter kit, as well as appealing to veteran musicians. Like KeyStep and KeyStep Pro before it, KeyStep 37 offers unique features not found in any other product.

The familiar KeyStep formula, expanded. KeyStep 37 features a velocity-sensitive 37-note keybed, complete with aftertouch and RGB LED feedback, while remaining lightweight and compact.

At the center of the control panel, you'll find 4 new knobs with an LED screen, giving you instant access to inspiring new expressive tools and MIDI tweaking - total creative control.

The new controls unlock KeyStep 37's unique & enhanced Chord mode. Choose from 12 chord types, an array of strum effects, and spread the voices out into complex velocity-sensitive parts that respond like a stringed instrument.

Map out KeyStep 37's 3-octave keyboard range with a scale of your choice using Scale mode. Any key you play will automatically quantize to the nearest note in the chosen scale.

Tap into the inner workings of your MIDI hardware and software with assignable 16 MIDI CC pa-rameters across 4 switchable banks. Use the 4 new controls to tweak settings on the fly for dy-namic performances.

The core of your setup:

KeyStep 37 is designed to be put in control. An accessible interface, a compact design and com-prehensive connectivity make it the perfect centerpiece for your rig - whatever your needs.

Hook up your synth hardware with MIDI in/out. Control your favorite VST instruments with MIDI over USB. Use CV pitch, gate and mod connections for modular integration. Analog sync in/out keeps everything in time without hassle. The best bit? Use it all at the same time.

Included is a free copy of Ableton Live Lite, an accessible music-making suite for your Mac or PC. Register KeyStep 37 for your free download and get creative right out the box - let the music flow freely.

Notes: The Quad VCA is a compact and feature packed module that is sure to find its way it almost all of your patches. In addition to being used for standard VCA duties it can also be used as a mixer and signal booster.

Features:

- Manual LEVEL control per VCA which is convenient when using the module as a mixer or for biasing when CV modulating the VCA with a bipolar LFO.
- Dedicated CV attenuators with dual colour LEDs for monitoring bipolar CV signals.
- Continuously adjustable response from linear to exponential per VCA.
- Each CV input is normalled to the adjacent one for cascaded control.
- Each output is normalled to the mix input of the adjacent one which allows you to use adjacent sets as submixes or the fourth output can be used as a master mix output when none of the other outputs are patched.
- Each VCA has a boost switch that increases the output level by approximately +6dB (double).

Notes: The Samson S Patch Plus features high quality miniature toggle switches allowing each channel to be configured for either Normalled, Half-Normalled or Thru operation. The S-Patch Plus will provide reliable operation while maintaining a clean signal path with it's solid construction, 48 1/4" phone plugs on the front and 48 1/4" phone plugs on the rear.

You can instantly change any channels configuration without the need to remove the unit from the rack as the mini-toggle switches are conveniently located on the front panel. S-Patch Plus is one of the best entry level patch bays on the market. It helps you work cleaner and faster allowing you to focus on making a better production - a great value for money product for the small home studio owner.

Notes: Tascam's DR-10C-series recorders connect to your lavaliere microphone to create a compact recording system that fits on a belt pack. Two versions are available: the DR-10CL for Lectrosonics mics and DR-10CS for Sennheiser microphones. Additionally, option kits are available for Shure (AK-DR10CH) and Sony/RAMSA (AK-DR10CR.)

The DR-10CL & CS recorders have both inputs and outputs, so they can either be used stand-alone or with a wireless transmitter. When used with a transmitter, the DR-10C acts as a backup to protect against wireless dropouts during recording. For lectures or worship services, the DR-10C can record the entire program before it gets to the front of house system. And for events like weddings and reality TV production, the DR-10C is a compact recording system for body mics.

The lightweight DR-10C runs for hours on a single AAA battery. It records to standard microSD media. Recording features include auto-gain and a low-cut filter for simple setup. Its dual recording feature records a safety track of your audio at a lower level, so in case of distortion you have a non-clipped backup. When multiple units are used, an infrared signal can synchronize settings between recorders.

Whether using it as a backup or as a primary recording system, there's nothing else like the Tascam DR-10CL and CS.

Notes: The fourth release in Korg's DIY-focussed Nu:Tekt series is bundled here with a special edition of Kim Bjorn's Patch & Tweak book, including interviews with Korg synth designers and players.

Supplier's Notes:
The ultimate limited-edition bundle for synth fans, comprising the all-new NTS-2 oscilloscope kit alongside a copy of the new "Patch & Tweak with Korg" book. The book explores semi-modular synthesis and features more than 25 new exclusive interviews with Pete Townshend, Jean-Michel Jarre, Richard Devine and more.

The NTS-2 kit and book were conceived and developed to complement each other, providing not only a fascinating insight into synth usage and history, but also the tools to guide and inspire synth lovers at any stage of their musical journey.

The Nu:Tekt NTS-2 is a DIY Swiss army knife for musicians. Building on a 4-channel oscilloscope, it includes a flexible waveform generator, spectrum analyser, and tuner functions that make it the ideal addition to any studio.

Patch & Tweak with Korg is the latest title in the Patch & Tweak series from Bjooks. It's a fascinating guide to semi-modular synthesis and the music it has inspired. With a focus on the MS-20 Mini, Volca Modular, reimagined ARP 2600 M, and the SQ-1 and SQ-64 sequencers, it features dozens of tutorials, tips, and tricks covering everything from synth basics to advanced sound design. A must-have for synth enthusiasts, it includes interviews with legendary and emerging artists, insights from Korg and ARP engineers, and detailed timelines of Korg synthesizers and ARP's legendary keyboards.

Bundle
Included items: NTS-2, "Patch & Tweak with Korg" book, side panels for NTS-2, Stickers
Weight Gross 1.480kg (52.2oz), Net 1.320g (46.56oz)
Dimensions: 3 x 6.5 x 27.3 cm (10.35 x 2.56 x 10.75 inches)

Book
Number of pages: 216
Weight: 8 kg (28.22oz)
Dimensions: 25 x 25 x 1.6 cm (9.84 x 9.84 x .63 inches)
Featured products: MS-20 / volca modular / ARP 2600 m / NTS-2 and many others.
Featured artists: More than 25 artists including Pete Townshend, Jean-Michel Jarre, Richard Devine, Andrew Huang and many others
Featured Korg / ARP members: Fumio Mieda, Tatsuya Takahashi, Dina Pearlman, David Friend, and many others

NTS-2
Dimensions: 9 x 7.8x 3.9 cm ( 5.08 x 3.07 x 1.53 inches)
Weight: 130g (not including batteries) (4.6 oz)
Power: USB type-C (2.0, 500mA max) or 2x AAA batteries (approx 2 hours running time),
Inputs
Input: 3.5mm Stereo x2, i10V max
Through Output: 3.5mm Stereo x2
Output: 3.5mm Mono x2, i5V max
Oscilloscope
Display modes: Single, Stereo (Input1L-INPUT1R, Input1L - Input2L, Input2L - Input2R), 4ch?XY(Lissajous, 2ch)
Vertical: 10mV~5V/div, AC/DC MODE switchable
Horizontal: 50us~1s/div
Trigger: Auto, Rise, Fall, Single(rise), Single(fall)
FFT (Spectrum Analyser)
Input: mono (1L, 1R, 2L, 2R)
Frequency: 20Hz~20kHz
Tone generator
Wave type: sine, square, triangle, saw, noise, pulse, envelope
Frequency: 1Hz~10kHz, Hz/NOTE mode switchable, [1ms~10s,sec/BPM switchable(pulse, envelope mode)]
Output level: 10Vpp max, V/dB mode switchable
Tuner
Display mode: Needle, Meter
Input: Mono, Stereo (Input1L-Input1R, Input1L-Input2L)
Calibration: 410-480Hz

Notes: Professionally record your vocals anytime, anywhere, simply by placing the Eyeball on your microphone.

The Eyeball is acoustical treatment that isolates your microphone from the external environment. Rather than treating your surroundings, the Eyeball is designed to target the two most important variables in the recording process: your voice, and the microphone. By focusing your voice to an isolated microphone, the Eyeball is able to capture the complete spectrum of your voice and reduce much of the external environment, all the while giving you clear and concise vocals free of any coloration. Creating your ideal recording space is as easy as placing the Eyeball over your favorite microphone.

Control Your Sound:
Captures your pure vocal tone without any coloration

Cut back on mixing:
Lessens the need for excess equalization and post production processing

Integrated Pop-Filter:
Includes a built-in, detachable pop filter

Reduce Ambiance and Reflection:
Isolates and treats your space while reducing the external environment

*Please note - microphones shown in product images are NOT included*

Notes: The Meng Qi Wingie Mk2 is a handheld stereo resonator with built-in microphones and stereo line iput.

Version 2 now also offers MIDI input (via 3,5mm TRS jack), an aluminium case, and a better user interface including 3 switches, 26 buttons, 3 sliders and 2 RGB LEDs that indicates the current mode.

There is a USB-Type C jack for power and convenient data transfer. Wingie can also run on a power bank.

To make sure you always have the most up-to-date capabilities, the USB serial chip can be updated easily.

Power supply via USB (Type C)

Dimensions: 116 x 100 x 33mm including switches

Notes: Already a firm favourite. The third incarnation of NI's mini Maschine is better than ever. Sampling, sequencing, synths and much more in a compact box.

Supplier notes:
Meet MASCHINE MIKRO, your flexible, compact companion for making music with a laptop. Use it to tap out beats, play melodies, and build up tracks fast, fun, and hands-on. Want to start creating right away? We've thrown in everything you need including instruments, sounds, effects, and powerful tools like sampling and drum synths.

MIKRO gives you four different ways of getting hands-on with your music using the 16 pads. Drum beats in Pad mode, with color coding for kicks, snares, and other sounds. Switch to Keyboard mode to play melodies with the pads. In Chord mode, it's easy to lay down inspiring chord progressions. And in Step mode, program beats and patterns visually in a classic step-sequencer style on the 16 pads get exciting musical results quickly.

Find, audition, and swap sounds without stopping the music. Browse through your favorite instruments, and load samples, projects and kits. A compact screen guides the multi-function encoder so you know exactly what you're controlling, while staying in the creative flow.

Found a great sample? Hit the Sample button to quickly load it into your project from the software. Record from your audio interface to capture from vinyl, play in a guitar, or grab any other sound into your track. Shape and refine your samples using the powerful editing tools in the MASCHINE software.

You'll find inspiration using the selection of premium sounds, samples, instruments, and FX included with MASCHINE MIKRO. Plus it comes with full versions the popular synths MASSIVE, MONARK, and REAKTOR PRISM.

MASCHINE MIKRO gives you everything you need to get creating music, and it also works as plug-in in Ableton Live, Logic Pro, Cubase, FL Studio, or any other compatible DAW as a VST or Audio Unit. Use it to build up loops, then work with them in your DAW to quickly flesh out tracks, making it a powerful addition to your setup, however you make music.

Don't feel lost staring at a blank screen. Whether you're making your first track, or wanting to step up your game, we've got you covered. Discover exclusive content from our MASCHINE experts covering everything from your first steps, to diving deep into power features with our popular TruTorials.

Notes: Best value Buchla module ever? An official Buchla module produced by TipTop Audio, the 258t is a dual triangle-core oscillator, with sine/sawtooth wave shapes in the top half and sine/square at the bottom. Bags of character.

Supplier's Notes:
Two independent voltage-controlled oscillators. Each has one processing input, a frequency modulation input and a 1V/oct input.

Waveshapes, as well as frequency, can be voltage controlled. Model 258 oscillators feature low sine wave harmonic content, negligible settling error, and high short and long-term stability, even with rapidly changing ambient temperatures.

Trimmers:

There are three trimmers for each oscillator on the back of the module:

1V/oct is the octave tracking trimmer and is set at the factory using high precision instruments.
SHAPE is the trimmer that set the sine wave, for the lower harmonic content of the sine wave.
VC WAVE SHAPE sets the response of the waveshaper to the incoming control voltage. Both SHAPE and VC WAVE SHAPE trimmers are used to adjust the sine wave purity.

Size: 18HP
Depth: 45mm
Power: +12V 70mA / -12V 40mA

Notes: 'Tangle Quartet' is a high quality quad linear voltage controlled amplifier (VCA) providing individual level control of 4 signal inputs with both individual outputs and a combined 'mix' output (for non patched outputs) . Control signal inputs and associated attenuation controls allow for voltage control of signal levels. Control inputs are normalised to 5v thus providing manual mix control in the absence of control signals.

Technical Specifications:

Supply: +/-12V (Reverse voltage protection)
Current Draw: ~80ma
Size: 8 HP
Depth: 32mm (including power header)

Notes: The MFB-522 is a drumcomputer with a fully analogue sound engine that offers plenty of editing capabilities. It includes a step-sequencer with popular TR-style running-light-programming. Memory locations are available for 72 x patterns as well as for 8 x songs.

The step-sequencer allows programming of 72 x basic patterns plus 72 x fill-ins. The latter being associated to the basic pattern memory location, resulting in a two-bar-pattern when using the fill-in. Patterns can be combined to eight songs that each hold a user-definable sequence of up to 64 x patterns. In addition to the instruments, a global accent-track is available. When set, the corresponding step will be played with a higher or lower volume-setting in comparison to the standard level.

The MFB-522's sequencer offers three different steps of shuffling. A stereo output will carry all instruments minus those where individual outputs are in use (bass drum, snare drum/rimshot, claps and Hihat). Using the MIDI-In, drum-sounds can be played with a keyboard or external sequencer. Here, the sound sources act velocity sensitive. Finally, the MFB-522 can be synchronized to incoming MIDI-clock.

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod64X is 64HP with 2.16" (55mm) of available module depth. The built-in power supply has four power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick, or a barrel cable to daisy-chain to a Pod or Row Power that's already powered.

Pods are a perfect way to get started in Eurorack, or add a couple more modules to your monster system!

Made from 100% anodized aluminum, Pods are light, tough and perfect for on-the-go set ups. The power supply can handle up to 1.4A of +12V, which is plenty of juice for even the most modern digital modules. (Or if you prefer to DIY your power supply, Pods are also available unpowered)

Each Pod64X typically will house up to six modules, but more can be accommodated using a multi-power cable accessory.

Mix and match your Pods with desktop synths, effect pedals, drum machines or any musical gear for a flexible modular system. Pods can even daisy- chain with the 4ms Row Power system making them a convenient outboard mini-skiff. Need to add another module? Just add a Pod! Need to pack light for a live set? Just grab the Pods you need and go!

Basic Features:

64 HP of Eurorack modular space
Extra room for deep modules
Standard M3 threaded holes
100% lightweight anodized aluminum
Built-in Power supply
Red, White, and Blue LED power indicators

Includes:

64HP Pod, black anodized aluminum
Built-in power supply with six Eurorack power headers
Extra deep (2.16"/55mm) fits virtually every Eurorack module
M3 x 8mm pan-head screws, stainless steel (20)
Adhesive rubber feet (4)
Does not include barrel cable or power brick
Power Supply:

Four 16-pin Eurorack power shrouded headers
+12V max 1.4A
-12V max 0.67A
+5V max 1.0A
Power input: Two barrel jacks for daisy-chaining
15V-20VDC, 2.1mm positive tip
Exterior dimensions:
Width: 329.7mm (12.98")
Height: 159.5mm (6.28")
Depth: 57mm (2.24")
Interior dimensions:
Max module depth: 55mm (2.16")
Module width: 64HP
Weight:
0.5 kg = 17 oz

Notes: Compact audio and MIDI interface from one of the longest-running and most trustworthy brands in the business. Simple 2x2 setup with clear sound. A great entry-level option for getting sounds in and out of your computer.

Supplier notes:
Equipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M2 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.

The M2 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).

When recording and mixing, nothing is more critical than achieving optimum levels. The M2 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.

The M2 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M2 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!

Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.

Notes: ONE brings organic sound and super low latency sample playback to the modular. It differs from other sample players in that it handles the digital audio bits as a continuously manipulated electrical flow, a feature inspired by our analog knowhow. This unique core makes ONE truly integral within the Tiptop percussive modular ecosystem thanks to a lightweight and responsive digital circuit with a very analog feel.

ONE brings a world of colours to the modular right out of the package. We have invited some of the best sound designers in the Industry to create professional sound libraries with content tailored to the unique sonic framework of the modular synthesizer and that fully takes advantage of ONE's unique qualities. To start with, ONE comes with a SD card loaded with a free set of 60 sounds designed by Glitchmachines. More cards are available to purchase separately each containing carefully selected material with up to 256 sound files. Using your own sample libraries or recordings is easy too, just copy 16 or 24bit mono WAV files onto the SD card, pop the card into ONE and go.

ONE offers several modes of operation, with the primary being the super low latency Trigger mode that retrieves audio data off the SD card adding no artificial processing such as click removal, crossfading, EQ or gain normalization. In this mode, it's a highly transparent player up to 24 bit 96kHz with no interpolation of the audio data: what you put in is what you get out. With a delay as low as 0.25ms from the moment the trigger hits, ONE offers harmonically dense, clear and detailed audio with a great rhythmic feel.

ONE handles external CV through a user selectable multifunction jack. Pitch is the main control with two modes available: Free pitch allows for fine tuning of the playback rate, great for adding subtle vibrato or wild tape speed effects; Quantized pitch maps CV to the standard 12 tone system over 3.5 octaves and is ideal for melodic content. CV can also be used to sequence through files off the SD card allowing far more varied sounds from a single source; almost like an entire percussion section behind the slim panel.

Although originally designed to play tightly with our analog drums and envelopes, ONE's rich sound quality encouraged us to make it work in a variety of other applications that are less demanding of sub millisecond timing response. The extra headroom at the core level allows features such as Gated playback, Looping, and Triggering with fades in and out to accommodate different types of sound sources from drum loops to polysynth chords to noise sources and other yet unimagined uses.

ONE offers another useful dimension since it can play CV signals too. Drop in a card with LFO signals, random CV, slopes and envelopes for a whole set of new control and modulation possibilities.

ONE is as simple to use as it is affordable and plays extremely well with its analog cousins - our vision for bringing samples into the modular world.

Notes: The Pitch Fork transposes an instrument's pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage.

The controls are straightforward and intuitive. An 11-position Shift switch selects the maximum transposition interval ranging from D (Detune), a shift of 17 cents, through Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, 1 Octave, 2 Octaves and 3 Octaves. A three position toggle switch controls whether the pitch is transposed up, down or both. In Dual mode, two pitch-shifted signals are output. One follows the shift knob as if in the Up position while the other creates a harmony. Dual Mode settings include M3 up + P5 up, P5 up + 1 Oct down, 1 Oct up + 1 Oct down and many others. A Blend knob controls the mix of the dry signal and the effected signal, and an EXP jack enables the player to control pitch and glissando with an expression pedal.

The Latch button selects Latch or Momentary mode which affects how the footswitch and EXP input behave. In Latch mode, the footswitch toggles between effect on and buffered bypass each time it's pressed and the EXP input continuously varies pitch. In Momentary mode the effect is only on while the footswitch is depressed and when it is released the Pitch Fork goes into bypass.

In Latch mode the EXP input controls pitch shift amount, ranging from unity to the interval set by the Shift knob, and pitch varies continuously throughout the expression pedal's range. In Momentary mode the EXP input controls glissando rate for the Pitch Fork's footswitch. When the bypass footswitch is pressed, the Pitch Fork jumps from bypass to the interval set by the Shift knob. The amount of time it takes to reach that new note is the glissando rate. When the footswitch is released the pitch will return to unity at the same rate. That glissando time can vary between 4 milliseconds to two seconds depending on the heel/toe position of the expression pedal. The default glissando rate is 60 milliseconds when nothing is plugged into the EXP input.

The Pitch Fork comes equipped with an EHX 9.6DC-200mA power supply and also runs on a 9Volt battery.

*UK 230V power adapter included*

Notes: NI's more affordable Komplete Kontrol A range offers a keenly priced take on the flagship S models. Here in 49-key format, the semi-weighted keybed offers great feel.

Supplier's notes:
Get hands-on with your music:

Music-making is at its best when it's fast, fun, and physical. Find the right sound, make it your own, perform, and capture the results - all from a responsive, semi-weighted keyboard. Complete with four premium instruments plus MASCHINE Essentials, A-Series keyboards come with everything you need to bring your ideas to life.

Find your sounds faster:

With hundreds of presets to choose from, finding the right sound can be a chore. With KOMPLETE KONTROL, however, all of your KOMPLETE and NKS presets are intuitively tagged and organised, so finding the right one is fast and easy. What's more, you can hear a preview of each sound as you browse, without loading individual instruments.

Need some serious low end? Use the encoders and OLED display to select SYNTH > BASS > SUB BASS, then listen through the presets and load up the right one for your track.

Pre-mapped and ready to play:

All of your KOMPLETE and NKS instruments and effects are pre-mapped to the KOMPLETE KONTROL hardware by the people who know them best - the instrument designers themselves. Essential parameters like envelope controls and filter cutoffs are instantly displayed on the OLED display as you touch the corresponding knob. That means you can see exactly what you're adjusting in real time - whether it's in kHz, dB, or BPM.

Perform creatively:

With Smart Play, you never need to worry about hitting a wrong note - just pick a scale and play. Activate chord mode to create a rich progression by playing single keys, then switch on the arpeggiator and turn it into an expressive musical performance. And for keyboard novices, Easy Mode maps the white keys to whichever scale you like.

Capture your ideas:

No matter your setup, A-Series is designed to fit right into your existing workflow, with immediate access to transport, mixing, and editing controls in your favourite DAW. Logic Pro X and GarageBand are currently supported, with advanced integration for Ableton Live, Cubase, and Nuendo coming soon after launch. And if you're just getting started, the included MASCHINE Essentials allows you to capture and arrange your ideas direct from your hardware - no additional software needed.

Instruments included:

With more than 4,500 sounds and 9.7 GB of content included, A-Series keyboards come with everything you need to start making music. Register your hardware and get two powerful synths, two meticulously sampled pianos, and more. Plus with MASCHINE Essentials, you'll have all the tools you need to go from inspiration to finished track.

Notes: Built from the same technology found in MOTU's flagship MIDI Timepiece, the Micro Lite is a professional MIDI interface that provides portable, plug-and-play connectivity to any USB-equipped Mac or Windows computer.

The Micro Lite provides 5 MIDI inputs, 5 MIDI outputs, 80 MIDI channels and compatibility with all Mac and Windows software. Large front-panel LEDs illuminate to indicate MIDI activity.

The Micro Lite takes full advantage of USB, giving you high-speed MIDI throughput, sub-millisecond timing accuracy, support for hot-swapping and plug-and-play expansion. Need to connect another sound module or synth? No problem. Just add another MOTU USB MIDI interface via any available USB port. And the Micro Lite is powered by the USB port i no wall wart or AC plug.

With its attractive yet rugged metal casing, the Micro Lite slides easily into a shoulder bag or briefcase for ultra-compact portability and convenient desktop operation. Removable rack attachments, as well as a custom center-joint fastener, are included and allow you to easily mount 2 Micro Lites side by side in a standard 19" equipment rack.

No other MIDI interface offers this much value, performance and portability at such an affordable price.

Notes: Milky Way is a multi effects module with stereo signal flow. Its algorithms are already known from the Blck_Noir and the Grand Terminal.

- Simple and effective 6hp stereo* FX module
- Comes with "T.F.D" firmware installed: 16 types of effects are available, sorted in two banks
- Meta CV effects scanning
- Volume control with VCA

*depending on the effect type

Notes: Tallin is a dual voltage controlled amplifier (VCA) with overdrive, offering some unusual control features and a range of attractive tonal characteristics. Each of the two identical channels offers two simultaneously available inputs for voltage control over signal attenuation or gain, with linear and exponential response to CV. Volume control knobs offer manual gain settings ranging from fully closed (-80dB) up to +18dB. A colour LED indicator displays output signal levels. A soft-clip circuit avoids harsh clipping distortion, while a switchable overdrive circuit offers two carefully crafted distortion responses, simulating the sound of classic tube amplifiers.

Since both CV inputs are simultaneously active, they can be jointly exploited within patches featuring more complex volume control that otherwise would require using two traditional VCAs in series. As the signal path is DC-coupled, Tallin can also be used for handling the control voltages.

Notes: The Pod48X is 48HP with 2.00" (51mm) of available module depth. The built-in power supply has four power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod48X includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.

Notes: A compact Voltage Controlled Oscillator designed for generating SINE waves, Variable wave-SHAPEs, SUB-Octaves, Oscillator SYNC and Linear FM in the analog domain.

The Sub-Timbral Oscillator is the more subtle and melodic friend to the DPO's complex harmonic lattice.

Notes: Sync all your sequencers with ease and control the BPM - that's what we designed the midiclock for!

It's an ultra-stable hardware MIDI-Masterclock generator & has a great knob to give you full control over the tempo of your performances.

The midiclock generates incredibly accurate MIDI Clock messages.

It has two DIN MIDI outputs to connect to your gear. The clock signal can be distributed to more than two slaves by using MIDI Thru and you can start and stop everything with a single button.

Simply attach all devices that have MIDI Clock slave capabilities: Sequencers, synthesizers, drummachines and software like 'Live' from Ableton.

How to actually set the current BPM depends on the operating mode:

While using 'Live' mode, the BPM change immediately by turning the knob. You can use this mode if you want to make smooth tempo changes in your performance and are aware, that every turn of the knob changes the BPM.

In the 'Normal' mode, the changed value must be confirmed with a single click of the knob. This mode is perfect if you want to set your tempo once and simply need a stable clock signal. Accidental turning of the knob doesn't affect your BPM.

Notes: Bring hands-on control to your software with Presonus' simple little USB controller. Physical transport controls and a nice long fader to help streamline your creative process in your DAW.

Supplier's notes:
The latest generation of PreSonus classic USB control surface, the FaderPort enables you to record and mix with a smooth, touch-sensitive, motorized, 100 mm fader; transport controls; and many of the new workflows introduced in the FaderPort 8 and 16. Manage markers, punch in and out with a footswitch (not included), arm tracks, and employ the innovative Session Navigator to control your favourite DAW application quickly and easily. The FaderPort connects via USB 2.0 and offers native control of PreSonus Studio One DAW (Studio One Artist is included), including Control Link support and parameter follow, allowing quick hardware access to any control.

Notes: The Mutant Brain is the central nervous system connecting your modular analogue eurorack system to MIDI gear, especially for percussion, polyphonic notes and sync duties! It packs 16 eurorack compatible outputs into a tiny, super affordable 8HP package.

The 4 CV outputs and 12 Gate/Trig outputs are all universally reconfigurable. Triggers, gates, clock divisions and sync signals, polyphonic keyboard playing, velocity, sequencer transport, LFOs - you name it!

Configuring your patch is easy - just assign each output as you like in the Mutant Brain Surgery configuration utility, then send the MIDI SysEx file to the module and forget about it - the Mutant Brain remembers it all for you.

Hexinverter supply a convenient download pack of pre-configured, ready to use Mutant Brain patches for some select sequencing and drum machine devices on the market today, easily turning those sequencers and drum machines into a modular control powerhouse!

Designed with live and studio performance in mind, the Mutant Brain does away with wasted panel space and complex menu-diving interfaces, while freeing you from the limited "auto-learn" type MIDI interface. An auto-learn interface sometimes doesn't play well with the limitless combinations of different gear setups which today's modular performers play live with.

4 CV Outputs (0V to 8V) can be

Notes (Mono or Polyphonic, V/Oct or V/Hz)
Pitch Bend, Velocity or Aftertouch
MIDI CC values (LFOs, modulation, etc.)
Fixed Voltage Values
12 GATE Outputs (0 to 5V) can be

Note Gates and Triggers
Drum Triggers, Retriggers
MIDI Transport (Start, Stop, Run, Resets)
MIDI Clock Ticks (Divisions)
CC Value Above/Below Threshold
Each GATE output has an adjustable trigger length between 1 and 120ms

Dimensions
8 HP
38 mm deep

Current Draw
19 mA +12V
4 mA -12V

Notes: The Rode NT1-A 1" cardioid condenser microphone has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability typically only featured on some of the most expensive microphones.

With a self noise level of only 5 dBA it is widely recognised as the world's quietest studio microphone. This low noise makes it ideal for vocal recording as well as voice overs and environmental recording.

Packaged in the Complete Vocal Recording Solution, the NT1-A includes everything you need to get a truly professional vocal recording and is ideal for home studio recording.

A studio grade pop shield and shock mount is included, along with a premium microphone cable, dust cover, and an instructional DVD with recording tips.

The NT-1A continues this tradition while improving specifications and tonal qualities. Using cutting edge technology for electronics, RODE has implemented a computer controlled manufacturing line. Unlike many leading brands, all electronic boards are made without human hands assuring high specifications, tight tolerances and unsurpassed consistency. It's built to last with a new computer controlled machine process. This product is also available as a Matching Pair.

The Rode NT1-A large diaphragm 1" cardioid condenser microphone is covered by Rode Microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=HpTKZpoyXzs

Notes: It filters. Ripples is a classic, big-sounding analog four-pole filter in a small 8-HP package. Over the years it has earned its reputation as a no-fuss, elegant choice.

Ripples has two input paths: one with a drive control, allowing the signal to be distorted (or providing enough gain for the processing of line-level signals), and the other totally transparent, preserving the clean-sounding character of the original version of the module.

Three filter modes are available: high-pass, band-pass, and low-pass. The slope (2 or 4 poles) of the band-pass and low-pass outputs is switchable.

Self-oscillation is available for all modes and produces a clean sine-wave on the low-pass output. Unlike many classic 4-pole designs, this filter does not suffer from "loudness drop" when resonance is increased. The resonance loudness compensation circuit brings a slight tone coloration reminiscent of Japanese classics from the 80s, with a very round and liquid resonance.
The low-pass output goes through an internal VCA. This makes Ripples a good final stage module for an inexpensive, or space-constrained, subtractive synthesis synth voice.

A multimode filter
High-pass, band-pass, and low-pass outputs.
Switchable slope control for the band-pass and low-pass outputs. The slope of the high-pass output varies with resonance.
The low-pass output goes through an internal VCA - the perfect "end of subtractive chain" output!

All the CV inputs you need
Un-attenuated frequency CV, calibrated for 1V/Oct tracking of the self-oscillation tone over 4 octaves.
Frequency CV with attenuverter.
Resonance CV. Self oscillation starts at 4V. Control voltages above 5V are non-linearly compressed, for fine control of resonance overdrive.
VCA level for the low-pass output.

8HP
25mm
+12V:35mA
-12V:35mA

Specifications:

Cutoff knob range: 20Hz to 20kHz.

Fully analog, based on the V2164 low noise/distortion quad VCA chip, and LM13700 OTA for that extra bit of non-linearity.

Frequency CV inputs impedance: 100k.

Audio input impedance: 100k.

Resonance input impedance: 22k.

VCA level input impedance: 39k.

All CV inputs handle audio-rate modulations.

Notes: Exciting entry-level interface from legendary studio brand SSL, best known for their high-end mixing consoles and outboard gear. 2-in, 2-out design with 'Legacy 4K' feature to add classic analogue sound.

*** New Loopback feature - May 2023 ***

Loopback allows you to take the output audio stream from your SSL 2 or SSL 2+ and record it back into the DAW (or another application). This can be really useful for music makers, podcasters and streamers.

To take advantage of the new loopback feature of the SSL 2/2+ you will need to update your SSL2/2+ using the SSL USB Audio Firmware updater.

Supplier's notes:
Solid State Logic studio tools have been at the heart of music production for over 40 years, helping world famous artists, producers and studios to create so many of the records you've come to know and love. Now, with SSL 2, you get all that hit-making know-how in your own personal studio.

With beautifully SSL-designed analogue microphone preamps and immaculate 24/192kHz conversion for studio-quality recording, pristine monitoring path and high-performance headphone amp for crystal-clear playback and an intuitive front-panel low-latency monitor mix control, you're always ready to capture the next great performance.

The 'Legacy 4K' mode - inspired by classic SSL consoles, gives you the ability to add extra analogue character and sparkle to your sources when needed.

To top it all off, the included 'SSL Production Pack' software bundle, which includes some of SSL's own studio-grade Native plug-ins and a carefully selected range of DAWs, samples, loops and virtual instruments from industry leaders, gives you an incredible arsenal of tools for creating your next hit.

Notes: Four tracks of simultaneous recording and interchangeable mic capsules make the H5 flexible and powerful enough to meet the evolving needs of today's creators.

The design of the XYH-5 mic capsule allows the H5 to handle up to 140dB SPL- equivalent to the sound of a jet aircraft from less than 200 feet away. And to keep your levels under control, the H5 offers compression limiting.

The H5's rubberized housing and shock-mounted microphones minimize vibration and handling noise, while a low-cut filter helps to eliminate wind noise and other kinds of low frequency rumble.

The H5 utilizes the same high-quality, low-noise preamps as Zoom's H6, ensuring great-sounding recordings in all sonic environments.

The Pre-Record function captures and saves two seconds before you hit Record- perfect for unexpected starts.

The Auto-Record function allows the H5 to automatically start and stop recording at predefined sound levels.

The H5's Backup-Record* function automatically records a duplicate set of L/R tracks with 12db less input gain. The audio safety net helps to protect your recordings.

*44.1 and 48kHz WAV files only.

Inputs and Outputs
Ins: The H5'sXLR/TRS combo inputs can handle both mic- and line-level signals for microphones, wireless receivers, mixers, keyboards and more. Each input has a dedicated gain control knob. The supplied XYH-5 capsule also provides an additional mic/line input via a 1/8" mini phone jack.
Outs: A Line Out with adjustable volume allows you to send audio from the H5 to the input of a camera or other device without the need for an attenuator cable. IN addition, there's a separate headphone output with a dedicated volume control. You can use both outputs simultaneously to route audio to your DSLE while monitoring with headphones.

Record continuously for over 15 hours with just 2 AA batteries or extend your recording time infinitely with the optional AD-17 AC adapter. The H5 can record up to six monophonic WAV files (or up to three stereo files) in any of the following formats: 44.1kHz/16-bit, 44.1kHz/24-bit, 48kHz/16-bit, 48kHz/24-bit, 96kHz/16-bit, 96kHz/24-bit.

Included with the H5:
Operation manual
XYH-5 X/Y mic capsule
AA size (LR6) battery x2
USB cable
Foam windscreen
Case
Steinberg WaveLab LE software download
Steinberg Cubase LE software download

SPECS:

General
RECORDING MEDIA: SD card: 16MB to 2GB , SDHC card: 4GB to 32GB
DISPLAY: Backlit LCD (128 x 64 pixels)

Inputs:
INPUTS L/R [XYH-5 X/Y MIC]: Mic type: Unidirectional
Sensitivity: -45 dB, 1 kHz at 1 Pa
Input gain: -8 to 52 dB
Max sound pressure input: 140 dB SPL
PHONE OUT: Connector: 1/8" stereo mini jack
Output Level: 20 mW +20 mW into 32 O load
BUILT-IN SPEAKER: 400mw 8 O mono

Recording Formats

STEREO MODE: WAV (BWF-compliant)
Sampling frequency: 44.1/48/96 kHz
Bit rate: 16/24 (Stereo)
Maximum simultaneous recording tracks: 2
MP3
Sampling frequency: 44.1kHz
Bit rate: 48/56/64/80/96/112/32/160/192/224/256/320kbps
MULTITRACK MODE: WAV (BWF-compliant)
Sampling frequency: 44.1/48 kHz
Bit rate: 16/24 (Mono/Stereo)
Maximum simultaneous recording tracks: 6 (L/R + INPUT 1/2 + L/R backup)

USB
MASS STORAGE CLASS OPERATION: Class: USB 2.0 High Speed
AUDIO INTERFACE OPERATION: MULTITRACK MODE: Class: USB 2.0 High Speed
Sampling frequency: 44.1/48kHz
Bit rate: 16/24 bit
Inputs / Outputs: 4 / 2
AUDIO INTERFACE OPERATION: STEREO MODE: Class: USB 2.0 Full Speed
Sampling frequency: 44.1/48kHz
Bit rate: 16 bit
Inputs / Outputs: 2 / 2
USB bus powered operation possible
(iPad operation supported in Stereo mode only)

Power Requirements
AA size (LR6) battery x 2
AC adapter: AD-17 (DC5V/1A/USB-type) (optional)
USB bus power

Notes: Row Power is a clean, regulated, and protected power solution for Eurorack systems. Row Power 45 provides enough power for two to three typical Eurorack rows (typically up to about 312HP):
+12V @ 2.0A maximum, 1.5A recommended
-12V @ 1.4A maximum, 1.2A recommended
+5V @ 1.5A maximum, 1.2A recommended

Simply plug a universal power supply (laptop style) into either of the barrel plugs on the 4HP panel. Connect your modules via flying bus cables or the Bus Stick. For custom power systems, the Row Power 45 has a set of easily soldered holes for using large gauge wire or MTA156 connectors to connect to distribution bus boards.

Multiple Row Power modules can be powered from a single power brick by daisy-chaining with an inexpensive barrel cable. The Row Power 45 can also be daisy-chained to 4ms Company's Pod enclosures. Each power supply is independently regulated and protected for ultra-low cross-talk between rows/pods.

The Row Power 45 is compatible with the 4ms Row Power Shield. This device (sold separately) attaches to the back of the Row Power 45 and monitors the amount of current being drawn, as well as the voltages of the power rails. The information is sent over Bluetooth to be displayed on a phone or tablet.

Electrical and Mechanical Specifications

Module Size:
4 HP Eurorack format module

Power Output:
Maximum average load under normal conditions: +12V @ 2.0A, -12V @ 1.4A, +5V @ 1.5A
Maximum average load under any condition: +12V @ 1.5A, -12V @ 1.2A, +5V @ 1.2A
Powered by laptop-style DC power supply: 2.1mm barrel, positive center, 15V-20V.

Included with the Row Power 45:
16-to-16 pin power cable
2 M3 Knurlie screws

Notes: Versatile four-track audio recorder for cinema, music, podcasting and any other application. Easy-to-use compact design with a high-performance feature set and versatile audio I/O, all to produce professional content.

Dual Neutrik XLR/TRS combo jacks support both mic-level and +4dBu line-level. These inputs can accept balanced microphone or line level from Mixers or the FOH console. The microphone preamp includes +48V phantom power and plenty of gain for detailed recordings with condenser microphones, as well as electret type microphones. Using the stereo built-in microphones, you can capture ambient sound of the audience while recording direct from an external console, which is ideal for capturing live performances.

DR-40X allows high-quality recording with its stereo built-in condenser microphones. Every detail is captured from small whispers to loud sounds up to 125dB SPL. These built-in microphones are adjustable unidirectional microphones for recording in an X-Y pattern for tight stereo imaging, or in an A-B pattern for a more ambient recording.

The layout of the DR-40X has been revamped to be quick and easy to work with one thumb. Operations like recording, adjusting levels, deleting bad takes and adding markers are just a button press away.

Connecting to a PC using USB Audio interface mode, and DR-40X becomes a tool for voiceover work, live streaming and songwriting with studio-quality audio.

Writing down what you hear - easier said than done, but it is actually easy with DR-40X. In addition to its capability to capture crisp voice recording, DR-40X can help you with its Jump back function, variable Speed function and equalizer preset for human voice.

In addition to normal stereo channel recording and Dual Recording mode, DR-40X has "4CH Mode" that can record two different stereo feeds simultaneously. The combination of the sources are flexible; recording the built-in microphones along with a pair of external Mics such as close-up and ambient microphones, or recording the built-in Mics along with a balanced line input such as the feed from a mixer along with the sound in the room.

Film-makers and videographers often experience sudden audio volume spikes during filming. An actor could suddenly scream, or a documentary subject could do almost anything.

DR-40X has a Dual Recording mode that captures a copy of your take but at a lower level, as a safety track in case of sudden distortion. Also, Auto recording function can detect the sound input signal level and automatically start recording. The Pre-recording function with up to 2 seconds pre-record provides fail-safe protection.

Peak Reduction works in rehearsal mode or in record. Even if the sound or performance is louder than the sound check you're safe. Combined with Auto level and Limiter for preventing distortion, you never have to worry.

If you don't like the last part of a phrase you just recorded with your guitar, or if you change your mind and want to rephrase narration, the "Overwrite mode" is exactly what you need. Overwrite mode allows punch-in recording from a desired point. It is destructive editing with one level of undo.

The overdubbing function allows for Overdub Recording while playing a previously recorded file. This allows you to record other parts such as a guitar solo over a recording previously made such as at a rehearsal studio. Overdubbing creates a new file, leaving the original file unaffected, making it easy to re-record.

DR-40X support a SDXC card, which can record longer with larger data capacity. If you record one stereo file in 44.1kHz/ 16bit CD quality, 128GB card holds 192 hours maximum. In MP3/ 320kbps, it can record up to 896 hours. (that is 37 days!).

Notes: TASCAM's DR-60DmkII, an update of the award winning DR-60D, is the audio recording solution for on-set filmmakers and videographers. The streamlined design fits perfectly under a DSLR camera rig, without relying on bulky recorders or the limited audio quality of the camera's microphone in. ProSound Network Best of Show The streamlined design fits perfectly under a DSLR camera rig, without relying on bulky recorders or the limited audio quality of the camera's microphone in.

The DR-60DmkII is the next generation of 4-track solid-state recording, based on TASCAM's decades of recording innovation. The upgraded HDDA microphone preamps provide up to 64dB of gain, capturing every nuance of a performance. Up to four channels at a time can be recorded to the internal SD Card, at up to 96kHz/24-bit WAV file resolution. Two of the mic inputs utilize locking XLR connectors with 48V phantom power, the other two use an 1/8" stereo connector for wireless and lavaliere microphones.

A Camera Output sends the mic mix to the camera for later synchronization, and a Camera Input is provided for monitoring playback. An additional headphone out and line out assist the crew during filming. The DR-60DmkII is designed for low-noise operation, including soft touch buttons and dedicated gain controls.

Multiple recording modes are available on the DR-60DmkII. Four-Channel Mode records all four microphone inputs. Dual Recording is an alternate setting, capturing a copy of your audio at a lower level for a distortion-free safety track. Menus and operation are well laid out, owing to decades of innovative recording design.

Reach beyond the limited performance of your camera's audio to capture the other half of your film. At a cost less than competing preamps, the TASCAM DR-60DmkII is the ultimate 4-track recorder designed for filmmakers, television, live events and web broadcast.

Notes: The Rotating Clock Divider (RCD) produces eight divided clock tempos from a single input clock. The divisions range from /1 to /64, including all odd and non-standard divisions such as /3 and /17 and /62. A Rotate CV input re-assigns the division number of each jack, allowing for creative mix-ups and experimentation. A Reset input jack helps to sync/start with an external clock.

Jacks:
- Clock Input (5V to 15V clock, rising edge triggered), max 3kHz
- CV Rotate (0V to +5V input)
- CV Reset (5V to 15V trigger)
- Divided Clock Outputs (8 jacks):
Divide-by-(1+R)
Divide-by-(2+R)
Divide-by-(3+R)
Divide-by-(4+R)
Divide-by-(5+R)
Divide-by-(6+R)
Divide-by-(7+R)
Divide-by-(8+R)
...where R is the CV Rotation.
- Selectable Gate/Trigger mode:
- Selectable Divide range up to Divide-by-64:
Two jumper pins on the back can be pre-set with jumpers plugs, or used with (forthcoming) breakout panel.
- Selectable Auto-reset:
Auto-reset will reset the divide counter every 16/24/32 clocks, which keeps the beats more "dance-able" even when using the "weird" clock divisions (3/5/6/7/9/10/11/etc..) Two jumper pins on the back can be pre-set with jumpers plugs, or used with (forthcoming) breakout panel.

Notes: The NT-USB is a highly versatile side-address microphone that is ideal for recording singing and musical performances in addition to spoken applications such as podcasting and voice-over.

It is fully compatible with all mainstream recording applications on both Windows and Mac OS based computers, as well as the Apple iPad using RODE Rec, GarageBand, or any other recording app that accepts an external microphone. Use on the Apple iPad requires a suitable USB connection adaptor, such as the Apple Camera Connection Kit.

The body of the NT-USB features a zero-latency stereo headphone monitoring (3.5mm) jack, which allows you to monitor the microphone input in realtime, along with dials to adjust the monitoring level and mix between the computer/iPad audio and the microphone input.

A premium pop-filter is included, which fits onto the base of the mic, positioning the filter the ideal distance from the capsule to minimise plosives (hard 'B', 'T' or 'P' sounds that produce a harsh sound) during singing or speech. Also provided is a high-quality stand mount with industry standard 3/8" thread, desktop tripod stand that allows the NT-USB to sit at a comfortable height on a tabletop, and a pouch for storage of the microphone when not in use.

Perfect for streamers and gamers, not just podcasters and voiceovers.

This product is compatible with the Rode PSA1 and the PSA1+.

Notes: Buchla's legendary function generator in an affordable Eurorack module. Four generators can be linked into two pairs, with Transient, Sustained, and Cyclic modes to create envelopes, LFOs and modulation signals.

Supplier's Notes:
The 281t Quad Function Generator comprises four function generators organized in two pairs. All four generators can operate independently or can be linked in pairs to generate more complex output voltages.

Cycle jack enables the cycling of the corresponding function generator using a gate signal.

Trigger button enables the manual triggering of the function generators.

A switch selects one of three modes: Transient, Sustained, and Cyclic.

Upon receiving a pulse, a generator's output voltage ramps up to 10V at a rate determined by the sum of an applied control voltage and the setting of the attack time knob. When in Sustained mode, the voltage will stay high as long as the input pulse is maintained; when not in the Sustained mode, or when the input pulse terminates, the output ramps down to 0V at a rate determined by the sum of the decay cv in and the setting of the decay knob. At the end of the Decay segment, a transient pulse appears at the pulse output. If the 281t is in Cyclic mode, the cycle now repeats.

In the Quadrature mode, generators A and B (or C and D) operate in tandem with their functions shifted by ninety degrees in relation to each other.

Size: 28HP
Depth: 32mm
Power: +12V 160mA / -12V 55mA

Notes: Tried-and-tested portable recording solution from Zoom, featuring interchangeable input capsules to suit a range of purposes, from podcasts to music. High quality and compact size.

Supplier's Notes:
Six interchangeable input capsules make the ZOOM H6 the ultimate recorder for film, video, podcast and music. Its advanced preamps make it the best-sounding one, too. Unmatched abilities. Award-winning quality. Meet the H6 Handy Recorder.

The H6 is a podcaster's dream with inputs for every guest and phantom power for every mic. Easily monitor your levels on the H6's crisp, color LCD screen, and use its individual gain knobs to control the levels of each input. The H6 is intuitive and easy to use.

Featuring interchangeable mic capsules, 4 combo inputs and 6 tracks of quality recording, the H6 is ready to record on any set and in any scene the director throws at you.

Say hello to your personal multitrack recording studio. With up to six* discrete line- or mic-level inputs and the ability to overdub, the road from great idea to perfect track just got a lot shorter.

*Optional EXH-6 mic capsule required.

The H6 is always listening, saving the two seconds^ of audio captured right before you hit RECORD.
^One second when recording at 96k.

The Auto-Record function allow the H6 to automatically start and stop recording at predefined sound levels.

The H6 offers four XLR/TRS combo jacks with dedicated pad switches and gain control for distortion-free capturing. The H6 features two 1/8" outputs, a stereo line out as well as a headphone out with dedicated volume control.

The H6's USB port enables it to serve as a multi-channel audio interface for your laptop or iOS tablet.

When the H6 is set to "Stereo Mix" in the USB menu, it acts as a 2-input/2-output interface; when set to "Multi Track," it acts as a 6-input/2-output interface.

Record continuously for over 20 hours with just 4 AA batteries or extend your recording time indefinitely with the optional AD-17 AC adapter.

The H6 can record up to six monophonic WAV files (or up to three stereo files) in any of the following formats:
44.1kHz/16-bit
44.1kHz/24-bit
48kHz/16-bit
48lHz/24-bit
96kHz/16-bit
96kHz/24-bit

The Zoom H6 comes with free download licenses for Steinberg's Cubase LE music production software and WaveLab LE audio editing software, enabling you to not only capture, but create.

Here's what comes included with the H6:

Quick guide
XYH-6 X/Y mic capsule
AA size (LR6) battery x 4
Cubase LE & Wavelab LE Software

Notes: Viol Ruina is an all-analogue distortion and lowpass filter with an internal envelope follower and self-modulating cutoff. The four-pole design is reminiscent of the classic filters we all know but with a completely new and slightly ridiculous twist. The independently addressable distortion circuit takes VR into overdriven paradise with a shocking amount of drive. Built-in envelope following makes an easy way to create dynamic patches with the flick of a switch, and feedback FM takes VR to a whole new realm of filthiness. Run a sound through VR, you'll get something cool out of it.

Notes: Listen Professional circum-aural closed back headphones are the essential work tool for music production. Their tonal balance and precision in terms of audio spectrum make them perfect to evaluate the sound work quality. In addition, their comfort and accessories will make them very attractive for people travelling on business trips. The sound quality and the dynamics of these headphones are very surprising considering that this quality is usually found on more expensive items. The attention to detail of these headphones can be also shown thanks to the various patents and technologies which belong to Focal. Hence, a brand-new driver membrane was developed. The main goal was to propose a solution which would keep all the dynamics from the original track while reproducing accurately every single detail on the whole audio spectrum. Even if Listen Professional headphones are closed, they produce a very lively sound, giving the feeling of semi-open headphones while still providing the isolation of closed headphones.

Focal's core expertise:

The speaker driver has been given a 100% Mylar suspension, whereas the central dome is composed of a Mylar-titanium alloy to provide more rigidity and extended frequency response in the upper end of the spectrum. Thus, the moving part is extremely light, enabling the transducer to exceed 40kHz on a flat baffle. The reproduction of the bass and sub-bass registers also received a great deal of attention. The team of engineers managed to combine two factors which are hardly compatible: a tuning frequency which is as low as possible and extremely low distortion (0.3% at 1kHz - 100dB).

Ear cushions - the ideal acoustics:

The size of the ear cushions (height, width and depth) gives them a volume which makes it possible to achieve a great tonal balance. Microfiber provides a more linear bass response providing a better acoustic output, whereas the acoustic tissue, which is closer to the speaker driver, offers great absorption and linearity in the 3-9kHz register. The bass and lower mid-range sections benefit from remarkable tonal balance and excellent articulation: where compression and frequency response generally suffer on closed-back headphones.

For a frequent and intensive use:

Listen Professional is also equipped with a headband boasting a unique design to ensure comfort and durability. Its curve remains consistent, regardless of the shape or size of the user's head. Combined with the layer of silicone underneath the headband, this ensures that the weight is spread out evenly over the head, preventing the user from feeling any pressure in certain areas, which can be very uncomfortable during long working sessions. The horizontal and vertical rotation of the ear cups operate thanks to one single part: a joint integrated into each one. The ear cups also feature a black structured covering, making them resistant to impacts and scratching.

Provided Accessories:

Rigid carrying case. Thermoformed shell in the shape of the headphones. Can store one cable and an iLok key (not provided), all within its compact dimensions. Two OFC copper 24AWG cables with a very low resistance.

- 5m spiral for domestic use
- 1.2m cable fitted with a 3.5mm stereo jack connector
- 3.5mm and 6.35mm jack adapter

Notes: Forward-thinking controller designed to play nicely with Presonus's own Studio One DAW or Ableton Live. Velocity- and pressure-sensitive RGB pads, context-sensitive screen and eight rotary encoders.

Supplier's Notes:

Modern musicians, performers, and producers need to move quickly from programming drums and samples to playing synth lines and back again. ATOM SQ was designed as a versatile and expressive MIDI pad controller for contemporary music production. Its unique design is optimized for both classic TR-style 16-step beat sequencing and drum pattern editing in Studio One or playing instruments and launching clips in Ableton Liveiyet its staggered and RGB-lit pad configuration is instantly familiar to anyone who's played a controller keyboard. Advanced features let you change the keyboard scale, and a built-in arpeggiator makes the ATOM SQ the most expressive controller you'll ever use. In fact, it's the best PreSonus Studio One MIDI controller available.

A complete production toolkit.
Included with ATOM SQ, Studio One Artist music production software enables you to compose, record, and produce without getting distracted by the tools or hemmed in with track limitations. Easy to learn and intuitive to use, Studio One's unique drag and drop workflow and powerful tools will let you produce faster than ever before. Also included are two carefully-curated loop libraries with custom Impact XT kits. New to version 5: Studio One Artist now lets you use your favorite third-party VST and AU plug-in effects and virtual instruments. You also now have complete support for Studio One Remote to use as a second screen or as remote Studio One control on your iPadr or Android™ tablet. And with ATOM SQ, you have the most flexible PreSonus Studio One MIDI controller available. PreSonus Sphere users now have access to a new exclusive portal loaded with custom-designed tools and curated content by featured PreSonus artists.

Ableton Live integration and more.
ATOM SQ is also unique Ableton Live controller, designed for production and live performance. You can launch clips and scenes during a performance, select devices and edit parameters, navigate tracks and scenes, control each track's volume, panning, and send levelsiplus do all your drum programming in Ableton from the ATOM SQ! Ableton Live Lite is included, so you can get to creating right away. It comes with all of Live's essential workflows, instruments and effectsieverything you need to record songs, create hands-on with your controller, take music made in your apps further and so much more.

Navigation and transport control
ATOM SQ is more than an expressive pad controlleriit also lets you navigate many aspects of Studio One without a mouse and keyboard. You've got transport controls for stop, play, record, and a dedicated Click Track toggle. You can even zoom in and out of your timeline and navigate among your tracks, all without skipping a beat.

Deep control at your fingertips
Deep integration with Studio One's Pattern Editor allows for evolving step sequences that will bring your productions to life. Insert a pattern, change its length, add new variations, and change scalesiright from the ATOM SQ. Need to make changes on the fly? ATOM SQ lets you open the Studio One Pattern Editor, select and edit steps individually, and even copy, paste, duplicate, and delete events, all using tactile controls. You'll build compositions faster than ever before using the built-in step sequencer in Studio One and ATOM SQ. It's fast and easy for anyone who knows how to program a drum machine. And you'll find experimenting to yield particularly rewarding results, because ATOM SQ can constrain your performance to the scale of your choice. No more wrong notes!

However, wherever.
ATOM SQ is highly configurable. You can freely remap instrument parameters to different hardware controls, so your rotary encoders can control everything from filter cutoff to drum tuning, for the ultimate drum programming experience. You can colorize the RGB LEDs as you please to color-code your loops and samples. ATOM SQ's LCD screen is used to display context-sensitive information, and uses a dynamic button system that changes functions depending on the task at hand. Need to add more swing to your arpeggiator or change the CC assignment of a controller? The LCD screen details functions you need, right when you need them for the job at hand.
ATOMSQ

Wherever sound takes you...
With its unique staggered-pad layout, contextual screen design, and customization tools, ATOM SQ lets you stay in the moment of creation. Its small-footprint, USB bus-powered design means you can slip it right into your bag and produce anywhere you and your laptop might happen to go, and the complete suite of integrated software lets you start creating right out of the box. Whether you're in the studio, on stage, or on the road, ATOM SQ gives you the freedom to create, wherever sound takes you.

Notes: U-PHORIA UMC1820:
The incredible U-PHORIA UMC1820 bridges the gap between your creativity and your fans. This blazingly fast USB 2.0 studio-in-a-box will have you recording your next masterpiece in minutes with all the connectivity required for your microphones, guitars, keyboards and even MIDI devices.
Record the perfect vocal right to your computer-based DAW thanks to the 8 astonishingly clear, world-class MIDAS-designed mic preamps, which include +48 Volt phantom power for condenser microphones, all going through studio-grade 24-Bit/96 kHz converters for the best possible sound quality. It also provides I/O support for S/PDIF, ADAT and S/MUX formats. Whether you're a singer-songwriter, producer on the go, or just need a rock-solid interface for running backing tracks at a gig, the ultra-dependable U-PHORIA UMC1820 will help you shine in the digital domain.

Studio in a Little Black Box:
When it's time to make recording history on your Mac or Windows computer, plug in microphones, instruments or line level sources to the UMC1820's 8 combination XLR/TRS inputs for the ultimate in studio flexibility! Connect and communicate with MIDI devices to add the benefit of control surfaces to your studio workflow. And since the UMC1820 is compatible with all popular recording software including Avid Pro Tools*, Ableton Live*, Steinberg Cubase, and others - it's ready for anything.

96 kHz Precision:
You take your tracks seriously, and the UMC1820 respects that, providing up to 96 kHz resolution for even the most demanding applications in music as well as video post-production. Work with confidence and accuracy in your favourite recording software for professional results every time.

MIDAS - The Legend in Sound Quality:
Ever since its formation in the 1970s, MIDAS has had a long history of innovation and leadership in the world of audio mixing consoles. Employed by the most famous touring acts and installations world-wide, legendary MIDAS consoles such as the XL4 and Heritage H3000 quickly became industry standards.
MIDAS has earned their impeccable reputation due to their no-compromise approach for audio and build quality and in particular for their Award-winning Mic Preamps which are considered by industry experts as the industry's best sounding designs. Building on this legacy, the XL8 and PRO Series of Live Mixing Systems continue this great heritage of Award-winning audio quality.
BEHRINGER is proud to incorporate a MIDAS designed mic preamp for the ultimate in high quality audio reproduction in both live and studio environments. Find out more about MIDAS' amazing legacy by visiting their extensive website.

Convenient Monitoring:
The UMC1820 mix control allows zero-latency direct monitoring, which means musicians can experience their performance clearly and with no delay or lag in the returning signal, resulting in a better performance and recording. Its powerful phones output has its own level control and Monitor A/B source select for DJ-style cueing. Plus we provide free audio recording, editing and podcasting software, plus 150 instrument / effect plug-ins - just a download away at behringer.com.

Getting Connected:
The U-PHORIA UMC1820 provides 18 inputs and 20 outs and built-in MIDI I/O to sync your favorite hardware. You'll have ultra-easy control via your computer for producing a richer performance. On the rear panel of the UMC1820, you'll find the USB 2.0 port for hassle-free connection, and plenty of analog playback output options including 1/4" TRS, RCA and XLR. Built-in MIDI I/O allows you to connect keyboards and other outboard MIDI hardware.

Lots of Digital I/O:
ADAT input allows you to connect a BEHRINGER ADA8200 (sold separately), expanding to a total of 16 MIDAS-designed mic preamplifiers, so you can mic the entire band! And there are enough outs to feed separate headphone mixes to each performer. Naturally, the UMC1820 supports all standard I/O formats, including S/PDIF, ADAT, S/MUX and analog.

Tracktion - Record, Edit, Mix and Share
Tracktion is one of the world's fastest and easiest Digital Audio Workstations (DAW) for composing, recording, editing, mixing and sharing your music with the world. Featuring a single-screen interface, and pushing the envelope in design elegance, Tracktion brings together outstanding Pro DAW features, such as dynamic automation, unlimited track count, MIDI recording and support for VST and AU plug-ins. This powerful music production software gives you all the tools of an entire professional-grade recording studio. Learning a DAW has never been easier, thanks to their vast and readily available library of resources.
As our way of saying "Thank You", when you register your (insert the product name) at behringer.com, we'll reward you with a complimentary download code for the full version of Tracktion. Recording and editing couldn't be easier. To learn more about Tracktion, visit tracktion.com/support/videos.

Notes: Limited edition black version of hte KeyStep 37 gets a slick new look but retains the same creative blend of keyboard control, step sequencer and arpeggiator. Different colour, same killer value.

Supplier's Notes:
KeyStep 37 Black Edition goes beyond an easy-to-use 64-step sequencer, arpeggiator and MIDI keyboard. It's responsive, dynamic, expanded in every direction to encourage musical exploration -the controller that's built to inspire.

This Limited Edition Black Edition includes 3 CV cables, Arturia Analog Lab Intro virtual instrument, and Ableton Live Lite.

More is more

The familiar KeyStep formula, expanded. KeyStep 37 Black Edtion features a velocity-sensitive 37-note keybed, complete with aftertouch and RGB LED feedback, while remaining lightweight andcompact.

At the center of the control panel, you'll find 4 new knobs with an LED screen, giving you instant access to inspiring new expressive tools and MIDI tweaking - total creative control.

Music made interactive

The new controls unlock KeyStep 37's unique & enhanced Chord mode. Choose from 12 chord types, an array of strum effects, and spread the voices out into complex velocity-sensitive parts that respond like a stringed instrument. Map out KeyStep 37's 3-octave keyboard range with a scale of your choice using Scale mode. Any key you play will automatically quantize to the nearest note in the chosen scale. Tap into the inner workings of your MIDI hardware and software with assignable 16 MIDI CC pa-rameters across 4 switchable banks. Use the 4 new controls to tweak settings on the fly for dy-namic performances. The core of your setup KeyStep 37 Black Edition is designed to be put in control. An accessible interface, a compact design and comprehensive connectivity make it the perfect centerpiece for your rig - whatever your needs. Hook up your synth hardware with MIDI in/out. Control your favorite VST instruments with MIDI over USB. Use CV pitch, gate and mod connections for modular integration. Analog sync in/out keeps everything in time without hassle. The best bit? Use it all at the same time. Included is a free copy of Ableton Live Lite, an accessible music-making suite for your Mac or PC. Register KeyStep 37 Black Edition for your free download and get creative right out the box - let the music flow freely.

Included Software:

Analog Lab Intro
Ableton Live Lite
MIDI Control Center

Notes: Yet more bargain Buchla collabs from TipTop Audio with this dual voltage processor. Generate CV outputs algorithmically based on multiple inputs, allowing for some seriously complex modulation.

Supplier's Notes:
Model 257 Dual Control Voltage Processor consistsof two identical sections, each of which permits several applied control voltages to define a single output voltage according to the equation:

(Va * K) + ((Vb * (1-M)) + (Vc * M)) + Voset = V_out

The algebraic manipulations possible with this module include addition, subtraction, scaling, inversion, and multiplication. Also incorporated is the capability of using one control voltage (M) to transfercontrol from one applied voltage (V_b) to another (V_c).

Functions

- Attenuverter
Va is the voltage input a for attenuverter (left jack on the panel)
K knob can scale the incoming Va voltage either positively or negatively

- Crossfader
Vb is the voltage input b for the left side of the crossfader (second jack from the left)
+.5 switch adds 5 volts to the input of Vb
Vc is the voltage input c for the right side of the crossfader (fourth jack from the left)
M scales Vb from 1 to 0 based on the position of M knob
M scales Vc from 0 to 1 based on the position of M knob
The middle CV input at M/M can crossfade between Vb and Vc (third jack from the left)
The M knob and M CV added together to control crossfade position

- Oset
Voset Adds 0 - 10 volts to any combination of Va + Vb + Vc

- Output
Vout is the combined voltage of the attenuverter, crossfader and oset (right jack on the panel)

Specifications:

Size: 14HP - Depth: 25mm
Power: +12V 45mA / -12V 22mA

Notes: The PRO-SOLO Mk3 converts MIDI data into CV- gate and clock signals. The operation is easy and clear, settings can be saved in non-volatile memory. High-resolution 16-Bit converters provide accurate tracking and fast response. 1V/oct and Hz/V characteristics are possible as well as normal gate and Switched Trigger (S-Trig).

The unit features two CV- and one gate output, additionally there's an analogue clock output. MIDI thru socket can also be used as DIN-Sync output or it can output two additional voltages with a special cable. MIDI synched LFO.

Notes: The Kenton Pro-DCB brings instant MIDI to those much-loved instruments, the Juno-60 and Jupiter-8 (must have an existing DCB 14 pin). Just plug in and go.

As well as offering control of notes (and program change on Jupiter-8), the interface also has output sockets for filter control and arpeggio clocking. In addition, it boasts a built-in programmable LFO and works both ways (ie. it's bi-directional), so your Juno can be used as a master keyboard if required. We think that you'll find this the most comprehensive MIDI-DCB converter available today, and it's fast too.

2 x 3.5mm mono jack to 1/4" mono jack leads for Clock and VCF are included as well as the selected DCB lead.

*Supplied with UK 3-pin power adapter

Notes: The NTG2 is a lightweight condenser shotgun microphone, designed for professional applications in film, video, television and broadcast. Its full frequency response, low noise and audio transparency makes it ideal in a range of applications including filmmaking, voice-over and streaming. It can operate either from P48 phantom power or via a removable AA battery for maximum flexibility in the studio or in the field. It also features a switchable high-pass filter for added flexibility.

Key Features:
Premium dual-powered shotgun microphone
Operates from either P48 phantom power or AA battery
Low noise and full frequency response
Highly directional
High-pass filter (80Hz)
Lightweight and easy to use

What's in the Box
Dual-power Shotgun Microphone
1 x NTG2
Padded Zip Pouch
1 x ZP2
Durable Mic Clip
1 x RM5
Windshield Svm
1 x WSVM

Specifications

Acoustic & Electrical
Acoustic Principle
Line Gradient
Active Electronics
JFET impedance convertor with balanced transformer output
Capsule
0.50"
Polar Pattern
Supercardioid
Address Type
End
Frequency Range
20Hz - 20kHz
Output Impedance
250O
Maximum SPL
131dB SPL
Maximum Output Level
6.9mV (@ 1kHz, 1% THD into 1KO load)
Sensitivity
-36.0dB re 1 Volt/Pascal (15.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Equivalent Noise Level (A-Weighted)
18dBA
Power Requirements
AA Battery and P48
Output Connection
XLR

Mechanical
Weight (g)
161
Dimensions (mm)
280 (H) x 22 (W) x 22 (D)

Notes: At 84hp wide the NiftyCASE isn't super tiny or super huge, in fact, it's just right for all of the cardboard boxes bought to ship it to you in. Aside from the 84hp width NiftyCASE features ample +12v -12v and +5v power for your modules. It will also take Din MIDI from any DIN MIDI device and USB MIDI from your computer and turn it into eurorack compatible CV, gate, mod, and clock.

MIDI to CV, gate, clock, and mod

It's all built into the case. Make your instrument and don't waste precious hp (space for modules) on power and MIDI tools. you can plug NiftyCASE into your computer via USB or 5pin MIDI DIN device and send it MIDI. It will convert it into CV, gate, mod, and clock. Sequence with your DAW, jam with your controllers, or do something wacky, NiftyCASE has got you covered.

Power

Built-in power saves space for more of your modules, and keeps things good and easy.

As is, you can plug up to 10 modules into NiftyCASE's 10 gang flying bus that provides a peak 1500mA of +12v, 500mA -12v, and 500mA +5v, covering all industry standard power requirements

Specs:
Useable case area = 84hp
Internal depth = 55mm
Weight = 1.8kg
6.8cm x 44.6cm x 18.6cm
Range of cv out 1 = 0-10V
Range of cv out 2 = 0-10V
Voltage output gate 1 - off =0 on =5(off = 0 on = 4.65)
Voltage output gate 2 - off =0 on =5(off = 0 on = 4.65)
Voltage output mod = 1-10V
Voltage output clock - off =0 on =5
Power output for modules
+12V - 1500mA peak output**
-12V - 500mA peak output**
+5V - 500mA peak output**
1/4" ts mono output on rear
MIDI in via USB and 5 pin Din
MIDI thru via 5 Pin Din and USB

Included in the box:

NiftyCASE
NiftyCASE switching power supply with blades for NA, EU, UK, and AU

* Please note that the right and left sides of NiftyCASE fit very flush. It is recommended to favour a module with a pcb 1mm or more narrower than it's front panel for use on the left and right sides of the case (this amount or more of tolerance is fairly common on many modules).

** The NiftyCASE power supply is designed only to power modules that are being used in the NiftyCASE. Modifying the case or using it otherwise to power external cases & external modules is not advised.

Notes: Receives MIDI data from a single MIDI OUT (e.g. sequencer or master keyboard) and produces identical copies at the 25 MIDI THRU sockets. These can then be connected to the MIDI INs of sound modules or other devices which require MIDI signals sent to them.

High quality Kenton MIDI Thru box with opto-isolated MIDI In and separate drive for each MIDI Out. Powered from a mains adaptor (wall wart) so you can fit and forget.

Comes with multi-regional power supply

Notes: Introducing the HATS909, part of our new series of drum modules that brings those classic percussion sounds into the modular synth world, instantly turning your system into a self-contained music machine.

The HATS909 is the TR-909's original Closed and Open Hi-Hats circuits adapted for use in Eurorack modular synthesizer format and was tested to sound like a machine coming fresh off the assembly line back in the 80's Improving on the original, we have added some great new features that expand the sound palette of hats that can be produced with this small, powerful module.

The original TR-909 circuit is made with a combination of low-fi 6-bit sound samples that pass through a series of analog elements to provide envelope and filtering to the source sound. The HATS909 module allows for manual and voltage control of the sample's tuning, which provides anything from crushed hats and short ticks to the original sound and anything in between. A modulation switch allows you to tap a voltage control to either the tune input or the internal VCA for modulation with external control signals or for adding AM or FM synthesis in the audio range from external oscillators, other drum sounds, or just about any sound source. HATS909 also offers a switch for a direct tap to the output of the original sample, bypassing all other internal analog processing, giving you the pure source sound for synthesis any way you want with your own modules.

Just like the other drums in this series, the HATS909 high-powered output gain stage allows you to further harmonize the sound through distortion and clipping. On each gate input, we have designed a dual pulse-shaper circuit so you can trigger your HATS909 with trigger/gate signals from step sequencers, clock dividers, or any other pulse/clock sources.

Notes: VCO:

- Tune: manual tune control (with an internal jumper the range can be set to ~ +/-1 half an octave or ~ +/-2.5 octaves)
- Oct: range switch -1 / 0 / +1 octave
- Mod: modulation depth (attenuator wired to the Mod. socket)
- Dest: switch that is used to address the modulation to frequency modulation (position FM) or pulsewidth modulation (positon PM), in centre positon no modulation
- PW: manual pulsewidth control for rectangle waveform, PW can be also modulated by the Mod. input as mentioned above
- Wave: waveform switch (sawtooth / off / triangle), the sum of the waveform chosen by this switch and the rectangle is fed into the VCF (to turn the rectangle off the PW control has to be set fully CCW or fully CW)
- 1V/Oct. (socket): external CV input for VCO frequency (1V/octave)
- Access to internal bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)
- Triangle core VCO, frequency range about 32Hz ... 8kHz

Balance unit:

- The balance unit is made of two VCAs which are controlled by the sum of manual Balance control and the balance CV input in the opposite direction.
- The audio input of VCA1 is hard-wired to the VCO output, audio input 2 is connected to the socket Ext.In.
- The output of the balance unit is used as audio input for the VCF
- Bal.: manual balance control, fully CCW the internal VCO is used, fully CW the external signal (Ext.In) is used, at centre position both signals have about the same level
- CV Bal.: CV input for balance (range about 0...+5V)
- Ext. In: external audio input for VCA2, about 5 Vpp level required for similar loudness as the internal VCO
- This socket is normalled to the internal VCO suboctave f/2 signal (rectangle with half the frequency), if no external signal is applied the suboctave signal is used as the second signal for the balance unit

VCF:

- 24 dB low pass
- Frq: manual frequency control
- FM1: frequency modulation depth (attenuator wired to the VCF FM1 socket, the socket is normalled to the internal Envelope signal and then FM1 controls the modulation depth of the internal envelope applied to the filter)
- FM2 (socket) : second CV input for VCF without attenuator (about 1V/octave), can be used e.g. for VCF tracking by connecting the same CV which is used also for the VCO frequency
- Res: manual resonance control (up to self oscillation)
- If the VCO is turned off (waveform switch = centre position, pulsewidth control = fully CCW or CW) and the VCF resonance is set to maximum the module can be used as a sine oscillator, the tracking at socket VCF FM2 is about 1V/octave (not as precise as the VCO but much better than most other filters)
- ~ 11 octaves frequency range (~ 10 Hz ... 20kHz)

VCA:

- Gain: manual amplitude control (initial gain), can be used to open the VCA without envelope signal
- VCA (switch): used to switch between gate and envelope as control signal for the VCA, in centre position the VCA is not controlled by envelope or gate
- Note: when gate is used the VCA is controlled directly by the gate signal (i.e. hard on/off), this may lead to clicking noise under certain conditions (especially with low VCO/VCF frequencies)
- Special control scale: exponential scale in the range from about -20dB to -80/90dB, linear scale from about -20dB to 0dB
- Remark: this special control scale results in a loudness behaviour that is a bit different from pure linear or exponential VCAs
- Out: audio output of the module (= VCA output)

Envelope:

- Gate (socket): Gate input (min. +5V), can be normalled to the bus gate signal by means of a jumper
- Att: manual control for Attack
- D/R: manual control for Decay/Release
- Env. (switch): used to switch between A/D, ADSR and A/R mode of the envelope generator, in centre position (ADSR) the sustain level is fixed to about 50%
- Envelope (socket): envelope output (about +10V)
- CVT (socket): CV input for time control, by means of two internal jumpers one can select which time parameters are controlled by the CVT input (e.g. A only or D/R only or A/D/R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question)
- Envelope LED display
- Attack time range: ~ 1ms ... 5 sec (can be extended by using the CVT input)
- Decay/Release time range: ~ 1ms ... 15 sec (can be extended by using the CVT input)

Notes: The Shifty is essentially a combination of four sample and hold stages, a sequential gate and sequencer controller. This collection of functions allows for some specific and useful utility application.

One of the primary uses for Shifty is to take a monophonic sequence source and route each new note of the sequence to up to four different synthesizer voices in a specific pattern. In this way you can create pseudo polyphonic sequences since each voice can be triggered to play and sustain while the next voice int the sequence gets triggered. Another term for this is hocketing.

The other main application of the Shifty is to function as an Analog Shift Register. In this mode each new gate input received causes the current set of pitches to be shifted to new output locations as a new one is added and the oldest one is replaced. This can be an interesting way to create chords that are up to four stacked notes when used with a pitch sequence source that has a harmonious series of notes (e.g. a pentatonic scale works really well). Even just using two of the outputs will yield very interesting melodic interplay and is an excellent way to make a simple sequence much more complex and interesting.

In a more basic way the Shifty could be used as a simple Sample/Track and Hold module or as a sequential gate.