Search dance music

Notes: Five decades of sound processing expertise distilled into a compact multi-effects pedal. Huge processing power derived from the H9000 Harmonizer, featuring classic algorithms and new effects.

***H90 Control app announcement - February 2024 ***

Eventide Audio has announced the immediate availability of the H90 Control iPad app Release 1.7.6, which enables Bluetooth functionality. H90 Control provides remote control access and Program list management for the H90 Harmonizerr pedal. The app lets users manage Program and Preset settings, perform system updates, and import/export User Lists with an easy-to-use interface, all now with the convenience of Bluetooth connectivity.

The release also implements a new Bypass mode in System Settings - "AB Only" - which allows users to bypass just the onboard effects, leaving insert routings active. It also adds support for full user content
backup/restore and log retrieval in H90 Control.

H90 Control for iPad is available for free download from the Apple App Store.

For H90 users who have updated their H90 firmware to 1.7.4+, H90 Control Release 1.7.6 for MacOS and Windows adds Backup/Restore for user content (Programs, Lists, Presets) and system settings.

H90 Control for Mac and Windows is only available for H90 owners who have registered their H90 pedal.

Supplier's Notes:
Beyond the Effect Horizon

The H90 Harmonizer is Eventide's next-generation multi-effects pedal. Whether you want high-quality bread and butter effects or experimental sounds unheard, the H90 has everything you need to inspire your creativity with an intuitive UI designed with players in mind. Discover why top artists and producers have chosen Eventide through the years with 62 effect algorithms and hundreds of Program combinations curated for a variety of instruments and genres. With its comprehensive I/O and flexible routing options, the H90 is designed to be the heart of your rig.

New Technology, New Effects

H90 Harmonizer features modern ARM-based architecture derived from the world's most powerful effects processor, Eventide's flagship H9000 Harmonizer. This paves the way for the ongoing creation of more advanced effects processing techniques. As a result, the pedal not only offers the iconic reverbs, delays, modulation, and pitch shifting effects of the H9 Max but goes far beyond with 10 new powerful algorithms including state-of-the-art, fast-tracking, and warble-free Polyphonic Pitch Shifting. Eventide's proprietary SIFT (Spectral Instantaneous Frequency Tracking) technology clears the road ahead for next-gen effects both long imagined and unimaginable.

Live Performance Machine

The H90 Harmonizer is a live performance powerhouse! The front panel has been reimagined with five push knobs, seven LED buttons, and a hi-res OLED display for greater hands-on control and parameter feedback. Two large push knobs allow you to switch between SELECT, BANK, and PERFORM modes with ease. In PERFORM mode, you get six programmable footswitches. Map functions like tap tempo, preset, insert bypass or momentary states; use them to engage options like reverb freeze, pitch flex, or delay repeat; make multiple instantaneous parameter changes with three Hot Switches .The comprehensive UI allows you to control any parameter with ease. Adjust expression mappings by hand with the PERFORM HotKnob and engage up to six individual assignable parameters with the three push-button Quick Knobs. Get even more control with two inputs for expression pedals or auxiliary switches with up to three buttons. If that wasn't enough, take advantage of the pedal's extensive MIDI control. The H90 comes with hundreds of factory Programs which can be loaded using either SELECT or BANK mode. In SELECT mode, you can navigate your Playlist sequentially without ever missing a detail thanks to the OLED display. In BANK mode, you can quickly load from a bank of 3 Programs, perfect for cueing up a range of sounds for a song. Organizing your favourite sounds has never been easier, simply load a new Playlist and you're ready for the next gig!

Specifications

Inputs 1 - 4: 14 inch TS mono jack
Outputs 1-4: 14 inch TS mono jack
Exp/Ctl 1-2: 14 inch TRS / Expression pedal or Aux Switch
USB Type-C: Use USB 2.0 for control, updates, and MIDI
MIDI In: Five-pin DIN (Female)
MIDI Out/Thru: Five-pin DIN (Female)
DC Input Jack: 5.5/2.5mm plug / Center Positive (+)
Input Impedance (Inst. Level: >600k ohms
Input Impedance (Line Level): >80k ohms
Output Impedance: 220 ohms
Recommended Load Impedance: 10k ohms
Maximum Input Level (Inst): +4dBu
Maximum Input Level (Line): +14dBu

Power
12V DC @ 1A / Center Positive (+), 5.5/2.5mm jack

Dimensions (Product)
English: 6.5" (W) x 5.25" (D) x 2.5" (H)
Metric: 170 (W) x 136 (D) x 68 (H) mm

Dimensions (Package)
English: 10.5" (W) x 7" (D) x 3" (H)
Metric: 265 (W) x 180 (D) x 75 (H) mm
Weight (Product): 1.85 lbs / 0.84 kg
Weight (Package): 3 lbs / 1.36 kg
Shipping Contents: H90, Eventide Sticker, 4x Rubber feet, Guitar pick, Universal power supply with plugs (US, UK, EU, AUS), USB A to Type-C cable, Quick Reference Guide

Notes: Absolute performance power:
VoiceLive 3 Extreme sets you free to focus solely on your performance with groundbreaking FX automation and backing track playback. Awe-inspiring vocal effects and rich guitar sounds run effortlessly by themselves. From the first song idea to the execution of complex live arrangements, everything you've worked for comes together in VL3X.

Audience connection like never before:
Every single detail you need to make your song exceptional - every FX change, every harmony, every loop - every sonic nuance - can be prepared on VL3X before the show. This totally transforms your relationship to the audience. (Oh, and did we say that you can do all of this for over 100 songs?)

Recording & sharing power:
Your inspired backing tracks and FX sequencing are beautifully matched by the onboard audio recorder that allows you to capture everything you do in glorious 24-bit quality. Record every live performance, every home practice, with professional studio fidelity and effects - both vocal and guitar. Turn your tour into EP material or your late night jams into SoundCloud gold.

Your voice: Front & Center:
With a mind-blowing vocal FX path featuring 11 independent effects blocks, over 180 different pre-programmed styles and more than 250 factory presets available right out of the box (and more available for free download), VL3X represents the absolute pinnacle of singers' technology and is the perfect partner for your voice.

No compromise guitar FX & amp tones:
The guitar section of VL3X puts a premium stomp box collection at your feet - with rich tones from legendary FX makers TC Electronic - plus 30 amp emulations that can be customized far beyond belief. Together they make up an unbeatable piece of guitar road-kit.

Building better songs with loops:
Featuring 4 times the storage of VoiceLive 3, VL3X enables you to store every loop snippet or idea you have, allowing you to experiment with real-time song creation and exciting loop jams right until you drop. The smart LoopAssist and metronome functions help you to make tighter loops effortlessly and auto-expand allowing for different loop lengths.

Dedicated vocal PA and guitar out:
What makes VL3X an incredibly flexible performance system is the dedicated stereo vocal and stereo guitar amp outputs. Send your guitar sound directly to your favorite amp completely independent of the vocal output going to the PA - it even works when you're looping.

Endless possibilities:
1. Intuitive display - see your settings at a glance.
2. Stompbox-style access to FX and controls
3. Vocal, Guitar and Looping indicator colours (with back image)
4. All the I/Os you need - including dedicated vocal PA and Guitar Out

Endless styles & genres:
The GENRE feature allows you to easily browse hundreds of presets by style, effects type and artists. Choose a genre that suits you and VL3X will list the presets that match your preference - perfect for when you're looking for that specific sound or need inspiration.

Hundreds of FX to hit:
There's a whopping 250+ factory presets and on-board storage for 500. Download and manage hundreds more via our free VoiceSupport app. Chains of up to 10 FX changes can be added to each preset and accessed with the step button.

Next gen power:
Under the hood VL3X has three independent cores dedicated solely to vocals, guitar and looping. More memory and lightning fast access means double the processing power of our previous benchmark: VoiceLive 2.

Bursting with new:
There are, literally, scores of new features in the VoiceLive3 platform - including vocal FX, guitar FX, the looper, UI, I/O and platform.

Command center:
VL3X is designed to empower you in performance, giving you easy access to presets and sounds while providing complete customization of footswitch functions and deep edit control. The LAYER button allows you to switch between the Vocal, Guitar or Looper/Backing track control layers. Each layer gives you instant access to layer-specific functions via the footswitches, with the LCD display showing a clear view of which footswitch controls what effect.

In& outs:
- 4-channel stereo outputs with dedicated vocal and guitar channels
- Independent headphone and monitor mix
- Combo Jack for Main inputs and automatic input/output sensing
- Monitor mix input and pass-through to other monitors

Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: A unique take on delay and looping, the Meris LVX is designed for ultimate flexibility when processing guitar, synth or line level sources. Stereo in/out, fully customisable signal path and supreme sound quality.

Supplier's Notes:
Meris LVX Modular Delay System

LVX is a Modular Delay System which breaks the paradigm of pre-set delay types in favor of freedom and flexibility.

A completely new UI and user experience has been designed from the ground up to make LVX immediately intuitive to navigate. The architecture of LVX allows ultimate creative freedom to design a custom delay.

The pedal features discrete processing elements and control signal modifiers that can be connected as desired for nearly infinite flexibility in crafting custom sounds. Make room for new memories.

Specs

Conversion: 24 bit A/D and D/A
DSP: 32 bit floating point
Sample Rate: 48000 Hz
Input Impedance: 1 Meg Ohm
SNR: 115 dB Typical
Frequency Response: 20Hz-20kHz
Max Input Level: +9 dBu (instrument level setting), +12.5 dBu: (line/synth level setting)
Power: 9V DC center-negative, 300mA, 2.1mm jack
Bypass: Selectable True Bypass (Relay) or Analog Buffered Bypass
Dimensions 7.25" wide, 4.5"" long, 2" tall. (Same depth and height as all other pedals.)
Weight: 24 ounces

Notes: The vocal FX powerhouse:
What does a vocalist live for? A jaw-dropping vocal sound that takes audiences over the edge. VoiceLive 2 is packed with processing power for all of the vocal effects you need.

A stompbox. For vocalists:
This is the way stompboxes were meant to be: from the body curve that puts switches at their most natural angle for your feet to its intuitive displays. You stay in total control of your sound in every performance.

New naturalplay harmonies:
VoiceLive 2 responds naturally to whatever instrument or music you use. Whether you play guitar, a MIDI keyboard or no instrument at all, VoiceLive 2 serves up brilliant vocal harmonies. Its all-new algorithm is smooth and natural even for extreme vocal styles.

An engineer that listens:
You don't need to set EQ, Compression or De-essing: these are adaptively applied to your voice with the Tone Button. Adaptive Gate reduces mic input when you're not singing and Digital Gain Control is engaged with your feet. All of this means less worry about parameter setting and more focus on what really counts - your music.

VloopLOOP your vocals and guitar:
We give you a single button to control the looping of your effects, vocal and guitar inputs. Simply press to play, overdub, stop, undo or erase. There's up to 15 seconds of stereo looping and 30 seconds of mono.

Access yuor vocal power:
1. Access to 6 FX blocks with Almost Unlimited Combinations.
2. Easy Editing of All Parameters.
3. Simple Preset Chaining with Step Feature.
4. Complete I/O Connectivity including USB for Updates, Backups and Audio Streaming.

Complete connectivity:
VoiceLive 2 connects you to everything you could possibly need:
- Guitar input with auto-mix, Guitar FX as well as transparent pass-thru
- Stereo 1/8" (MP3 player) input
- Stereo XLR, 1/4" and Headphone outputs
- MIDI in, out and thru
- Expression pedal input
- USB for updates, back-up and audio streaming

More mic, more control:
Now you can control your FX from a mic engineered for the sonic realities of modern vocal performance. Add the TC-Helicon MP-75, the Sennheiser e835 FX, or use the main control button on the TC-Helicon MP-76. We call it Mic ControlTM because, with it, you control the stage.

Notes: Meris describe the MercuryX as the most flexible studio reverb pedal ever made. A bold claim, but hear them out. Immense power with eight custom algorithms in a modular architecture. Full stereo with a wealth of programs from lush plates and twangy springs to experimental weirdness.

Supplier's Notes:
The Meris MercuryX takes the heart and soul of Mercury7 and expands it far beyond sci-fi into the highest quality and most flexible studio reverb ever created in a pedal format. Its modular reverb system format breaks the paradigm of pre-set reverb types and inspires new discoveries. MercuryX features the same easy to use UI as LVX, making it immediately intuitive to navigate.

All of Meris' passion for pro audio has made it into both the algorithms and hardware performance of this pedal. MercuryX combines 8 custom Meris reverb algorithms and incorporates those into a modular system architecture that first introduced with the award winning LVX pedal. It features discrete processing elements and control signal modifiers that can be connected as desired for infinite flexibility in crafting custom reverbs.

Here is a deep dive into the 8 different reverb structures in MercuryX. Each Reverb Structure has Gate controls that can be used to dial in a range of gated reverb effects including the classic percussive gate sound, reverse tail reverb sounds, and slow breathing textures.

Similar to the Dry Blend control of the Predelay, each Reverb Structure features a Predelay Blend control that allows you to put some or all of the predelay reflections in parallel with the reverb tank.

Ultraplate - Adapted from Mercury7, Ultraplate is an inspiring and lush plate with a fast build. Use the Ultraplate's flexible decay range to create a wide range of studio textures.

Cathedra - Adapted from Mercury7, Cathedra is a massive and ethereal algorithm with a slow build. Cathedra is perfect for scifi textures and recreating C-beams glittering in the dark near the Tannhauser gate.

Spring - A flexible algorithm that can be voiced to replicate both the amp based reverb sounds and the classic studio spring tanks featured on early recordings.

78 Room - A lively and direct sound. This algorithm is great for transforming static sounding virtual amps into the difficult to capture sound of a great amp live in the room with you. The Room algorithm features a unique infinite mode (Maxed out Decay controls) that interacts with the Tank Mod to provide deep chorused and flanged reflections.

78 Plate - Fast and dense, the 78 Plate algorithm is a good match for beefing up percussion and vocals.

78 Hall - A large hall with a medium build up of reflections. Great for building up ambient walls of sound. The Hall algorithm's extended reflections are a great base for sculpting with the Bass/Mids/Cross controls. Deep rumbling bass caverns and ethereal upper mid emphasized halos of sound are easy to create. Explore the additional sparse mode for the Hall when Diffusion is set Low.

Prism - The Prism Strucure is an dual tank that allows you to build your own geometric rooms by specificying the size and distance and reflectivity. Prism features a highly configurable modulation section which allows different modulation phases per side to further increase the stereo image.

Gravity - The Gravity Structure works by accelerating indivual windows of your signal and stretching them across the horizon.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: The TranZformer GT is a multifunction pedal that is designed to easily and affordably bring the world-famous analog sound of API to your guitar. Offering the user an unsurpassed level of sonic control, the TranZformer GT combines an API 525 feedback-type compressor with a guitar-optimized 3 band equalizer, both independently in/out switchable. The unit also features phase invert switches on each output, ground lift, clip indicator and transformer output. Like all API products, the TranZformer GT is built to API's exacting standards and remains true to the design philosophy that has made API the leader in professional analog gear for nearly 50 years.

Notes: Musicality Meets Integration:
G-System is a masterpiece. It asks: what if a guitarist could have it all? And then delivers in a package almost too good to be true. The best of the best effects, complete integration and optimization of your gear and total control over your effects and sounds pedal board. And, the added Massimo Mantovani mod essentially optimises the input-design and upgrades a number of components, which results in a super-transparent tone with a very snappy response, added punch and optimal tonal transparency.

- 25 effects in the best quality money can buy
- Total control over sounds, including amp channel switching
- Total integration, including 3 powered loops for your pedals

Pure Music In Effect:
G-System offers a complete range of guitar effects, but what makes them so different is their sound. We poured all our knowledge but also our hearts and love for music into these sounds and it shows - dual DSP full 96 KHZ / 24 bit conversion and processing meets tone that just raises the hairs on your arm right of the bat.

Obey The Way You Play:
How you play is unique and your challenges are different from any other guitarist. That is why we made G-System like a ball of clay: completely moldable to what you need it to be. Custom button lay-out and assignment, multiple actions with one button press, custom effect routing - you name it, and G-System does what you need to sound your best.

It's OK To See Other People:
G-System has no drive effects. Why? Cos most guitarists have their favourite distortion/overdrive boxes anyway. So Instead of competing with them, we aimed to integrate them seamlessly, and make them part of them system via 4 analog loops and even add 9VDC outputs - life can be so easy.

*Photographed stompbox effects not included*

Notes: The EHX 95000 Performance Loop Laboratory is the company's most advanced looper to date, featuring six mono tracks and one stereo mixdown track per loop. It will record up to 375 minutes and 100 loops with a 16GB Micro SD card and switching between loops is quick and easy.

The 95000 is housed in a rugged, aluminum chassis with a control layout that has been optimized for use as both a foot pedal and tabletop unit. This design ensures that the player can take maximum advantage of the looper's powerful performance capabilities.

The 95000 also features a robust I/O including two audio inputs, each capable of handling a microphone (phantom power is included), instrument or unbalanced line input so the unit can readily connect to all sound sources. Left / right outputs, a Monitor out and a Headphone Out are included.

Download free drum loops for the 95000.

Import / export .WAV files to MAC or PC via the built-in USB port
TAP Button allows you to set loop BPM
Quantize or non-quantize (free running) recording modes
Speed adjust over a 2-octave range
Overdub or punch in / out recording
Reverse playback and recording
Loop progress may be displayed in Bar/Beat format
Expression pedal control over loop volume
Left/right outputs, Monitor Out, Headphone Output
Power adapter included

SPECIFICATIONS
Circuit
Digital
Bypass
Buffered Bypass
Audio
Stereo
Power Supply
9.6VDC-500mA power adapter included
Dimensions (in)
12.75 x 6 x 2.75
Current Draw
320mA
Year Released
2018

Notes: The Eventide H9 Max features 45 algorithms and 99 factory presets from Space, TimeFactor, PitchFactor and Modfactor. More Presets are available via the H9 Control app and offer a huge range of effects; you may never need another stomp box again.

The H9 Max Stomp Box is fully controllable via its simple front panel one-knob user interface, but can also be controlled via a free iOS app, H9 Control, which can be downloaded to your iPhone or iPad for live editing, creating and managing presets and changing system settings wirelessly via Bluetooth. H9 Control is also available for your Mac and PC via USB.

The Eventide H9 features stereo audio I/O, MIDI I/O, Expression Pedal, and Auxiliary Switch inputs.

The H9 comes loaded with a set of Eventide's most popular algorithms taken from their award winning stomp boxes:

From ModFactor:
- Liquid Chorus
- Organic Chorus
- Shimmer Chorus
- Classic Chorus
- Phase XO Chorus
- Bias Tremolo
- Opto Tremolo

From PitchFactor:
- H910
- H949
- Crystals
- Tuner

From TimeFactor:
- Tape Echo
- Vintage Delay

From Space:
- Shimmer
- Hall

Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: Transcend musical boundaries with the Aeros Gold Edition looper pedal. Create, perform and record both parallel and sequential loops. Dual modes and quantization options adapt to your playing style. Intuitive hands-free navigation and silent footswitches offer a superior playing experience.

The Aeros Gold Edition is packed with powerful, innovative features. Use the built-in Mixer Mode to adjust track volumes on the fly. Import your own backing tracks to fuel your performance. Loop without stress thanks to error-friendly features like auto quantize, Intelligent End-of-Measure Forgiveness, and easy undo/redo commands. The Aeros Gold Edition can serve as a MIDI transmitter (Master) or receiver (slave) sending and receiving a plethora of MIDI commands like time signature, transitions, start/stop and more.

Utilize built-in effects like auto-fade in/out, reverse track and loop decay. Record up to 20 minutes of mono audio per track (10 hours per song). The Aeros Gold Edition elevates recording and songwriting with studio-grade 24-bit audio and 32-bit floating point processing. Operate line and instrument levels, send your inputs anywhere, and select between stereo and mono audio.

Parallel and Sequential Looping Capabilities
Write complete songs with multiple tracks
On-board Live Mixing View
Adjust track volumes on-demand
Flexible Dual Playing Modes
2x2 and 6x6, for boundless creativity
Innovative, Adaptive Dynamic Read Memory
Record up to 10 hours in mono
High-res Touch Screen Display
Access your features with ease
Colour-coded Cues and Waveforms
Stay locked in to your performance
Industry-leading Loop Capacity
Up to 36 in a single song
Industry-Leading Memory System And Connection

If you have a BeatBuddy or MIDI Maestro, Aeros will sync with them automatically via MIDI. Once connected, auto quantize your loops to the measure of the beat, utilize powerful Aeros functionality with a single button press and more. The built-in Quick Start Guide will get you up and running fast, and detailed changelogs keep record of every new command.

Take songwriting and performance to the next level. Spark your creativity and do more of what you love. Aeros users get access to feature-packed Firmware Updates, bringing diverse new abilities to your looper pedal. You can download them over Wi-Fi with one press.

Technical Specifications

Type: Looper Pedal with Digital Mixer
Looper: 6 x Song Parts, 6 x Stereo Tracks, Unlimited Song Memories
Looping Time: 20 Minutes Mono (1-track), 48hrs Mono (Max Memory w/ 32GB Card)
Effects: Reverse, Fade In/Out, Loop Decay
Channels: 4 (L/R Main + Aux L/R)
Faders: 7 x Digital

Signal Processing: 32-bit Floating Point
Sample Rate: 44.1kHz
Bit Depth: 24-bit
Inputs: 2 x 1/4" (L/mono, R), 1 x 1/4" TRS (Stereo Aux)
Outputs: 2 x 1/4" (L/mono, R), 1 x 1/4" TRS (Stereo Aux)
MIDI I/O: 5-pin In/Out
USB: 1 x Micro-B
Other I/O: Wi-Fi, Bluetooth
Bypass Switching: Digital Dry Through
Storage: Internal, SD Card (up to 32gb, Not Included)
Screen: 4.3" Diagonal, Touch Enabled

Power Source: 9V DC Power Supply (Included)
Power Usage: 300mA

Height: 2.2"
Width: 7.8"
Depth: 5.6"
Weight: 2 lbs. 4 oz.

Notes: Limited-edition Zanzibar blue version of Soma's unique memory station, combining looping effects with real-time performance options, allowing you to craft and perform soundscapes while manipulating live sound.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: A seriously classy analogue delay here. MN3005 bucket brigade chips deliver vintage 80s-style warmth and character, with full stereo signal path and MIDI control of modulation, oscillation and tap division.

Supplier's Notes:
Cozy up and immerse yourself in true stereo analogue delay with eight MN3005 bucket brigade chips to create warm, rich repeats capable of 1200ms of delay time with parallel, ping-pong and series delay modes.

Independently control the delay times and modulation of the left and right channels to create syncopated repeats or keep them locked in to the same timing for classic delay sounds.

The Meraki stereo analogue delay uses eight MN3005 bucket brigade chips to create warm, rich repeats.

Capable of 1200ms of delay time with parallel, ping-pong and series delay modes. Independently control the delay times and modulation of the left and right channels to create syncopated repeats or keep them locked into the same timing for classic repeat sounds.

Versatile Delay Modes

Explore parallel, ping-pong, and series delay lines to craft your unique sound. Create syncopated rhythms or classic repeats with independent control over the left and right channels.

Precise Controls

Mix: Dial in the perfect blend of wet and dry signals with the Mix control, offering full wet/dry mix capability.

Feedback Left/Right: Fine-tune the amount of repeats in each channel, from subtle echoes to full oscillation.

Mod Depth/Rate: Add depth to your repeats with adjustable modulation, creating a chorus/vibrato effect in the repeats. Secondary functions allow wave shape and modulation phase adjustments as well.

Time: Tailor your delay time from 80ms to 1200ms, offering a wide range of sonic possibilities.

Tone: Shape the tone of your delay repeats with the Tilt EQ, cutting lows and boosting highs or vice versa.

MIDI Implementation

Digitally manipulate controls like time, modulation, tap tempo, tap division, and more with five-pin MIDI integration.

Tap into Creativity

Tap Division Left/Right Switch: Choose between quarter note, dotted eighth, and eighth note repeats for each channel.

Feedback Mode Switch: Select between Parallel, Ping-Pong, and Series delay lines for diverse rhythmic textures.

Sync/Left/Right Switch: Fine-tune settings independently for each side, unlocking a world of mismatched timings and creative possibilities with fully independent time, divisions, and mod depth/rate/shapes.

Bypass Options

Choose between True-Bypass or Buffered Bypass for trails, and toggle between Trails (default) or Relay (no trails) with the Bypass switch.

Tap Tempo and Expression Control

Take command of your timing with the Tap Tempo switch, or use external tap or an expression pedal for even more dynamic control over time or modulation depth.

Ready for takeoff

Hold the Tap switch to ramp up repeats and send the pedal into self-oscillation. Fun tip: Get extra creative with sound exploration with MIDI control over oscillation and tap division manipulation.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Eventide H9 Max features 45 algorithms and 99 factory presets from Space, TimeFactor, PitchFactor and Modfactor. More Presets are available via the H9 Control app and offer a huge range of effects; you may never need another stomp box again.

The H9 Max Stomp Box is fully controllable via its simple front panel one-knob user interface, but can also be controlled via a free iOS app, H9 Control, which can be downloaded to your iPhone or iPad for live editing, creating and managing presets and changing system settings wirelessly via Bluetooth. H9 Control is also available for your Mac and PC via USB.

The Eventide H9 features stereo audio I/O, MIDI I/O, Expression Pedal, and Auxiliary Switch inputs.

The H9 comes loaded with a set of Eventide's most popular algorithms taken from their award winning stomp boxes:

From ModFactor:
- Liquid Chorus
- Organic Chorus
- Shimmer Chorus
- Classic Chorus
- Phase XO Chorus
- Bias Tremolo
- Opto Tremolo

From PitchFactor:
- H910
- H949
- Crystals
- Tuner

From TimeFactor:
- Tape Echo
- Vintage Delay

From Space:
- Shimmer
- Hall

Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!

Notes: Easily one of the best looper pedals on the market. Huge power from this six-track effect, allowing you to perform in new and creative ways. Great clear sound and user-friendly design.

Supplier notes:
6 Track, Stereo Looper Pedal with Touch Enabled Screen, Hands Free Mixing, and Simultaneous Parallel and Sequential Looping

The Aeros Loop Studio includes 3 hours of mono recording time (1.5 stereo), upgradeable to 48 hours when using SD card

This pedal includes 2 x 1/4" (6.35mm) inputs, 2 x 1/4" (6.35mm) outputs, expression pedal support, MIDI in/out, 1/4" (6.35mm) stereo aux input, and 1/4" (6.35mm) stereo aux output.

Built in wifi and bluetooth for over the air updates, the Aeros Loop Studio offers a revolutionary looping experience

Featuring the ability to create 36 unique loops per song, the Aeros Loop Studio goes beyond what's expected of a looper pedal. Add unlimited overdubs for each loop, and record up to 48 hours (when using an SD card).

Blurring the lines between traditional loopers and audio workstations, the Aeros Loop Studio allows you to mix your tracks live during a performance using the built-in scroll wheel, and gives the ability to save and export songs. This will let you share your best loops with your fans.

With its 4.3" touch-enabled screen and color coded cues and waveforms, the Aeros looper will never leave you wondering where you are in the loop.

Additionally, the Aeros Loop Studio packs tons of power into a small form factor. Coming in at just 7.8"? x 5.6" (198 x 142 mm), the Aeros lets you add a 6 track, stereo looper to any pedalboard.

Of course, the Aeros had to be fully compatible with Singiular Sound's drummer pedal: The BeatBuddy. Using the two together is a plug and play experience.

This new looper also features bluetooth and wifi, enabling us to add exciting new features with over the air updates. Simply put, there's no other pedal that can match the Aeros Loop Studio.

SPECIFICATIONS
Quantize your tracks in any time signature or play in freeform mode.

6 parallel tracks and 6 song parts for a total of 36 distinct loops per song and in an industry first, but also, simultaneous parallel and sequential looping.

Unlimited overdubs enable you to create layers and depth in your loops without worrying about restrictions.

Save your loops with the USB port or an SD card.

3 hours mono, 1.5 hours stereo recording time (20 minutes per song) using internal storage and up to 48 hours storage when using an SD card.

32-bit floating point processing, 24-bit recording, professional DACs, <1ms latency, and 20hz - 20kHz range for studio quality recordings.

Digital dry through bypass.

In addition, wifi compatibility for over the air updates and exciting, yet to be announced features.

Bluetooth for reasons.

Four built-in footswitches with our comfort+ switch tops (perfect for playing barefoot or in socks).

There is a built-in scroll wheel for hands-free mixing during a performance.

MIDI in/out ports for syncing seamlessly with the BeatBuddy, other drum machines, effects, and more.

Additionally, it is compatible with any external expression pedal.

I/O: two 1/4" (6.35 mm) inputs, two 1/4" (6.35 mm) outputs, one 1/4" (6.35 mm) stereo aux input, one 1/4" (6.35 mm) stereo aux output.

9v (center negative), 360mA power supply included.

4.3" (109 mm) touch-enabled display.

Small form factor: 7.8" x 5.6" x 2.2" (198 x 142 x 56 mm).

Lightweight: 2lbs 4oz (936 g).

Aluminum construction with chip resistant black coating.

Requires Male to Male MIDI Cable for connecting to the MIDI Maestro and Male to Male MIDI Cable as well as MIDI Breakout Cable for connecting to the BeatBuddy

Notes: ***B-STOCK: Box opened, product in perfect working order***


A unique take on delay and looping, the Meris LVX is designed for ultimate flexibility when processing guitar, synth or line level sources. Stereo in/out, fully customisable signal path and supreme sound quality.

Supplier's Notes:
Meris LVX Modular Delay System

LVX is a Modular Delay System which breaks the paradigm of pre-set delay types in favor of freedom and flexibility.

A completely new UI and user experience has been designed from the ground up to make LVX immediately intuitive to navigate. The architecture of LVX allows ultimate creative freedom to design a custom delay.

The pedal features discrete processing elements and control signal modifiers that can be connected as desired for nearly infinite flexibility in crafting custom sounds. Make room for new memories.

Specs

Conversion: 24 bit A/D and D/A
DSP: 32 bit floating point
Sample Rate: 48000 Hz
Input Impedance: 1 Meg Ohm
SNR: 115 dB Typical
Frequency Response: 20Hz-20kHz
Max Input Level: +9 dBu (instrument level setting), +12.5 dBu: (line/synth level setting)
Power: 9V DC center-negative, 300mA, 2.1mm jack
Bypass: Selectable True Bypass (Relay) or Analog Buffered Bypass
Dimensions 7.25" wide, 4.5"" long, 2" tall. (Same depth and height as all other pedals.)
Weight: 24 ounces

Notes: Through the decades, top players have depended on Eventide: Jimmy Page, Frank Zappa, Brian May, Eddie Van Halen, Steve Vai, Robert Fripp, John Petrucci, and Adrian Belew, to name a few. Now, for the first time these effects are portable AND affordable. Stompbox simple, PitchFactor fits on your pedalboard or in your gigbag.

Top recording studios worldwide use Eventide effects on hit after hit. PitchFactor includes Eventide's best pitch-changing effects from the past 39 years without compromising quality OR flexibility.

Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals.

Easy to upgrade; download new software from the Internet and install via USB.

Features 10 of Eventide's signature stereo or mono pitch+delay effects:
Diatonic
PitchFlex
Quadravox
Octaver
HarModulator
Crystals
MicroPitch
HarPeggiator
H910 / H949
Synthonizer

Notes: ***B-STOCK: Original box damaged, product is in different packagaing but in perfect working order***


The Eventide H9 Max features 45 algorithms and 99 factory presets from Space, TimeFactor, PitchFactor and Modfactor. More Presets are available via the H9 Control app and offer a huge range of effects; you may never need another stomp box again.

The H9 Max Stomp Box is fully controllable via its simple front panel one-knob user interface, but can also be controlled via a free iOS app, H9 Control, which can be downloaded to your iPhone or iPad for live editing, creating and managing presets and changing system settings wirelessly via Bluetooth. H9 Control is also available for your Mac and PC via USB.

The Eventide H9 features stereo audio I/O, MIDI I/O, Expression Pedal, and Auxiliary Switch inputs.

The H9 comes loaded with a set of Eventide's most popular algorithms taken from their award winning stomp boxes:

From ModFactor:
- Liquid Chorus
- Organic Chorus
- Shimmer Chorus
- Classic Chorus
- Phase XO Chorus
- Bias Tremolo
- Opto Tremolo

From PitchFactor:
- H910
- H949
- Crystals
- Tuner

From TimeFactor:
- Tape Echo
- Vintage Delay

From Space:
- Shimmer
- Hall

Notes: Never before has there been a more dazzling collection of reverb algorithms combined with delays, pitch shifting, tremolo, modulation, and special effects in such a compact and affordable package.

The Space features 12 of Eventide's signature reverb combination effects culled from the H8000FW and the Eclipse V4 along with some startling new magic. The Space includes 100 x presets, including presets crafted by Flood and Alan Moulder (The Killers, Nine Inch Nails, Smashing Pumpkins, My Bloody Valentine, 30 Seconds to Mars, PJ Harvey and Them Crooked Vultures), Justin Meldal-Johnsen (Beck, Nine Inch Nails), Richard Devine (sound designer, synthesist, performer, remixer), Vernon Reid (Living Colour), Amedeo Pace (Blonde Redhead), Alex Somers and Jonsi Birgisson (Jonsi and Alex, Sigur Ros), Amadeo Pace (Blonde Redhead) and John Agnello (Patti Smith, Sonic Youth, Dinosaur Jr., and Kurt Vile). These unique effects, previously available only in Eventide rack processors, are now available in a compact, roadworthy package. Never before has there been a more dazzling collection of reverb algorithms combined with delays, pitch shifting, tremolo, modulation, and spatial effects in such a compact and affordable package.

12 of Eventide's signature Reverb Combo Algorithms:
Room
Plate
Spring
Hall
Reverse
Shimmer
ModEchoVerb
DualVerb
Blackhole
MangledVerb
TremoloVerb
DynaVerb.

Notes: The GE300 from MOOER is the flagship multi-effect instrument processor. By combining the well-received Micro Preamp series, TONE CAPTURE instrument matching technology, tri-voice polyphonic synthesizer module, and a wide-range of guitar effects and tools, the GE300 embellishes every single motive for creation from your mind with nuanced details.

The GE300 contains dual-DSP processors delivering the fastidious detailed characterizes of every delay, reverb, modulation or amp model inside. Thanks to the intuitive and simple UI, controls, and connection ports, the GE300 is an all-in-one working station for musicians whether in a live situation, at home, or in the studio. With the synth module, your instrument will be transformed into an electronic synthesizer without the need for special pickups or instrument modifications, allowing you to spark your creativity with more possibilities.

The SYNTH ENGINE has 3 independent voices with their own parameters for waveform, pitch, attack, level, filter and arpeggiator. The signal path from the instrument input is split and routed directly to the front of each synth voice so they remain completely parallel and independent from one another. The thru dry signal can also be mixed parallel to the entire synth effect block, so you can opt for synth only or mix it with your guitar signal.

TONE CAPTURE is an intelligent learning and comparison engine that can be used to create your very own digital models by sampling real-life equipment. The GE300 is the only MOOER product that features three different TONE CAPTURE modes.

AMP & STOMP MODE can be used to sample your favourite stomp box or amplifier. This can then be applied to an existing amp or drive pedal model within a preset to transform it into your sample.

GUITAR MODE allows you to capture the EQ characteristics of your instrument. Have you ever found yourself searching for a single instrument that has all the different guitar sounds you need? Be it classic country twang, warm ballsy blue tones, the funkadelic "4-position", tight thrashing djent, Piezo acoustic-electric - GUITAR MODE can sample any guitar, provided it has some form of pickup, and create a detailed digital guitar model using MOOER's proprietary non-linear IR technology.

CAB MODE allows you to create your own Impulse Response models of speaker cabinets to use instead of using the CAB effect block already installed on the GE300. GE300 has 108 digital amp models that utilize MOOER's non-linear amp modelling technology.

Each model has been designed based on samples taken directly from real-life tube amplifiers. It is not only the accurate recurrence of the original amps' tone but also the dynamics and feel of a real tube amp. 43 IR based factory speaker cab models with 20 user slots to load in your favourite 3rd party IR files. (Up to 2048 sample pts) 164 high-quality effects that cover all the bases from your favourite stompboxes, plugins and studio rack units. 30 minute capacity loop station with undo/redo, direct dubbing, reverse + 1/2 time effects. Looper sessions can be stored and backed up for import /export of audio files. Recall that new song idea you had any time, or load in your favourite backing tracks to jam along with!

MIDI IN/MIDI OUT/THRU with easy mapping and external ctrl switching to control your other pedals and amps. Direct, low latency USB audio lets GE300 double up as a digital audio interface and become a "one-stop-shop" solution for recording guitar. Apart from that, editor software on computer makes it an all in one working station. Firmware update via USB available.

Notes: Through the decades, top players have depended on Eventide: Jimmy Page, Frank Zappa, Brian May, Eddie Van Halen, Steve Vai, Robert Fripp, John Petrucci, and Adrian Belew, to name a few. Now, for the first time these effects are portable AND affordable. Stompbox simple, TimeFactor fits on your pedalboard or in your gigbag.

Top recording studios worldwide use Eventide effects on hit after hit. The TimeFactor includes Eventide's best delay effects from the last 39 years without compromising quality or flexibility.

Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals.

Easy to upgrade; download new software from the Internet and install via USB.

Notes: Through the decades, top players have depended on Eventide: Jimmy Page, Frank Zappa, Brian May, Eddie Van Halen, Steve Vai, Robert Fripp, John Petrucci, and Adrian Belew, to name a few. Now, for the first time these effects are portable AND affordable. Stompbox simple, the ModFactor fits on your pedalboard or in your gigbag.

Premier recording studios worldwide use Eventide on hit after hit. The ModFactor features Eventide's 29 best modulation effects without compromising quality or flexibility.

Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals.

Easy to upgrade; download new software from the Internet and install via USB.

29 of Eventide's signature stereo or mono effects:
Liquid chorus
Shimmer chorus
Organic chorus
Classic chorus
Negative phaser
Postive phaser
BiPhase phaser
Feedback phaser
PhaseX0 phaser
WahWah Q-Wah
Voc-Wah Q-Wah
Positive flanger
Negative flanger
Jet flanger
Thru-o flanger
Lowpass modfilter
HiPass modfilter
BandPass modfilter
Standard rotary
Giant rotary
Bias tremolo
Opto tremolo
Modern vibrato
Vintage vibrato
Retro vibrato
Pitch undulator.
Feedback Undulator
Ring (DC) Ringmod
String (AC) Ringmod
Studio quality sound

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


The Eventide H9 Max features 45 algorithms and 99 factory presets from Space, TimeFactor, PitchFactor and Modfactor. More Presets are available via the H9 Control app and offer a huge range of effects; you may never need another stomp box again.

The H9 Max Stomp Box is fully controllable via its simple front panel one-knob user interface, but can also be controlled via a free iOS app, H9 Control, which can be downloaded to your iPhone or iPad for live editing, creating and managing presets and changing system settings wirelessly via Bluetooth. H9 Control is also available for your Mac and PC via USB.

The Eventide H9 features stereo audio I/O, MIDI I/O, Expression Pedal, and Auxiliary Switch inputs.

The H9 comes loaded with a set of Eventide's most popular algorithms taken from their award winning stomp boxes:

From ModFactor:
- Liquid Chorus
- Organic Chorus
- Shimmer Chorus
- Classic Chorus
- Phase XO Chorus
- Bias Tremolo
- Opto Tremolo

From PitchFactor:
- H910
- H949
- Crystals
- Tuner

From TimeFactor:
- Tape Echo
- Vintage Delay

From Space:
- Shimmer
- Hall

Notes: Prepare for perfection:
Imagine the perfect sound engineer taking your vocals to awe-inspiring heights. Imagine the rich tones of a premium stomp box collection. Imagine a songwriting tool setting your creativity on fire, both when writing and performing. Now, stop imagining and fire up VoiceLive 3.

Your voice, front and center:
VoiceLive 3 gives you a mind-blowing vocal effects path more comprehensive than anything created before. It features 11 independent effects blocks, over 180 different styles, and more than 250 factory presets available right out of the box (and more through free downloads).

No compromise guitar FX & amp tones:
The guitar section of VoiceLive 3 rivals even the most pristine pedal boards - thanks to legendary FX from TC Electronic like Flashback Delay, Hall of Fame Reverb, Corona Chorus, and Vortex Flanger. You can also choose just the perfect amp emulation from vintage British to classic American.

Building better songs with loops:
Looping on VoiceLive 3 gives you the ability to experiment with real-time song creation or exciting loop jams. Arrange and re-arrange backing tracks with flexible verse-chorus-bridge switching. The LoopAssist function helps you make tighter loops effortlessly and auto-expand loops to allow different lengths.

Dedicated vocal PA and guitar out:
You can send your vocal sound to the PA while your guitar sound goes to your favorite amp. This killer feature also works if you're looping; the stereo vocal loops go to the PA while the stereo guitar loops go separately to the amps.

Easy control of endless possibilities:
1. Intuitive display - see your settings at a glance.
2. Stompbox-style access to FX and controls.
3. Vocal, Guitar and Looping indicator colors.
4. All the I/Os you need - including dedicated vocal PA and Guitar Out.

Endless styles & genres:
The GENRE feature allows you to easily browse hundreds of presets by style, effects type and artists. Choose a genre that suits you and VoiceLive 3 will list the presets that match your preference - perfect for when you're looking for that specific sound or need inspiration.

Hundreds of FX to hit:
There's a whopping 250+ factory presets and on-board storage for 500. Download and manage hundreds more via our free VoiceSupport app. Chains of up to 10 FX changes can be added to each preset and accessed with the step button.

Next gen power:
Under the hood VoiceLive 3 has three independent cores dedicated solely to vocals, guitar and looping. More memory and lightning fast access means double the processing power of our previous benchmark: VoiceLive 2.

Bursting with new:
There are, literally, scores of new features in VoiceLive3 - including vocal FX, guitar FX, the looper, UI, I/O and platform.

Command center:
VoiceLive 3 gives you easy access to presets, sounds and switching between them, while providing complete customization of switch functions and deep edit control. Use the LAYER button to change between the vocals, guitar and loop control layers. Each mode gives you instant access to layer-specific functions via the footswitches. The LCD display gives you a clear view of how footswitch controls correspond to effects.

In & Outs:
- 4-channel stereo outputs with dedicated vocal and guitar channels
- Independent headphone and monitor mix
- Combo Jack for Main inputs and automatic input/output sensing
- Monitor mix input and pass-through to other monitors

Make it a hit:
The HIT button turns on multiple effects at once to add effect layers or to create quick A/B scenes for each preset. Use it to add dazzling vocal effects for the chorus, or strip down a guitar part for the verse, or even a combination of both vocal and guitar effects changes - you decide.

Extend control with Stompbox Expansion:
Add a Switch-3 accessory pedal to extend your on-the-fly control. Assign any presets or custom combination of Guitar, Vocal FX - or even Looping . There's also Switch-6 so you can break out even more features.

It comes with ears:
VoiceLive 3's built in RoomSense technology listens to your music to guide your harmonies. RoomSense can also be blended in with your headphone mix to allow you to hear the room sounds - especially useful with in-ear monitors.

Notes: Well on its way to becoming a cult favourite already, Empress's Zoia brings modular synthesis to a compact pedal format. Create effects, synths, controllers or modules to integrate with other instruments.

Supplier's Notes:

The ZOIA is basically a modular synthesizer in pedal form. Instead of being a delay effect or tremolo, the ZOIA provides the modules necessary to build a delay or tremolo from the ground up. But since you're the one building it, you can make it do whatever you want. With the ZOIA you can build your own custom effects, synthesizers, midi controllers, and virtual pedal boards. And to make life a little easier, these modules have been created for all your standard guitar effects. So for instance, if you want a phaser, you can just plop down a phaser. You don't have to break out the textbooks to learn that they're built out of all-pass filters. (Of course, if you're a nerd like us, you can use the ZOIA to build them out of all-pass filters).

Input Impedance: >= 1M ohms
Output Impedance: 100 ohms
Frequency Response (-3dB): 10Hz - 23.4kHz
Total Harmonic Distortion: 0.22%
Dynamic Range: 105.5 dBA
Input Headroom (no pad): +0.5 dBu
Input Headroom (6dB pad): +5.7 dBu
Input Headroom (12dB pad): +10.8 dBu
Output Headroom: +16.2dBu
Power Input Connector: 2.1mm Barrel Connector
Power Input Voltage: 9V DC (center negative)
Required Current: 300mA
Height (enclosure only): 1.75"
Height (including controls): 2.625"
Length: 5.7"
Width: 3.75"
Weight: 1.5lbs

Notes: This premium LI version of Mooer's fantastic GE1000 pedal features a built-in lithium ion battery and benefits from a snazzy 'Walking Star' paint job. Same great sound as the standard version.

Supplier's Notes:
MOOER has consistently pleased the guitar pedal market with its GE multi-effect range, and its latest addition, the GE1000LI, is set to be no exception. The GE1000LI, built with a futuristic and sleek "Walking Star" design, builds upon past GE products, offering an even larger range of guitar processing effects, preamps, amp simulators, and features than previous entries.

Installed with a Lithium-ion battery, the GE1000LI enables guitarists to use the pedal even when mains power is unavailable. When combined with the pedal's synchronizable Groove Station drum machine, digital tuner, AI-driven equalizer, and looper, GE1000LI users are empowered to craft fully loaded compositions without needing backing tracks, bandmates, or expensive gear.

The GE1000LI comes preloaded with an impressive bank of guitar effects and amp simulations, but this is augmented further through MNRS GE Cloud support. MOOER's MNRS files consist of IR samples from real amplifiers, facilitating authentic feeling tones that can be downloaded, uploaded, and shared via MOOER's 'GE Cloud' app for free. The GE1000LI also supports third-party IR files of up to 2048 sample points, enabling further expansion of the pedal's portfolio of amp simulators.

Further adding to the GE1000LI's impressive amplification and tone features, the GE1000LI includes a cutting-edge AI-driven automatic equalizer, a first for MOOER. This automatically adjusts a 5-band EQ based on the user's playing and music style choice, providing further possibilities for creativity whilst still providing the flexibility of a manual-controlled EQ interface.

MOOER hasn't only focused on tone and pitch with the GE1000LI exclusively, which is illustrated perfectly by the integrated Groove Station rhythmic toolkit, consisting of a style-specific drum machine and a looper. These features have been designed to work both independently and in tempo synchronization, making them adaptable for all types of jam. The looper even includes automated record and count-in functions, activating the loop recording when an input signal is detected, providing a unique hands-free looping experience.

MOOER has always excelled at providing innovative UI experiences, and the GE1000LI is set to continue this trend. The pedal features a 5-inch high-quality coloured touch screen designed for intuitive multi-effect workflows while keeping some fan favourites from previous GE pedals. These include the signature MOOER multi-purpose control dials, buttons, and a quick-access expression pedal.

Additional flexibility can be found within the pedal's cutting-edge control systems, including programmable MIDI ports, bundled preset management software, and compatibility with the MOOER mobile app.

This level of flexibility is matched by the pedal's audio routing solutions, which feature Bluetooth playback, USB audio interfacing, serial and parallel TRS stereo FX LOOP compatibility, and industry-standard input and output ports.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Well on its way to becoming a cult favourite already, Empress's Zoia brings modular synthesis to a compact pedal format. Create effects, synths, controllers or modules to integrate with other instruments.

Supplier's Notes:

The ZOIA is basically a modular synthesizer in pedal form. Instead of being a delay effect or tremolo, the ZOIA provides the modules necessary to build a delay or tremolo from the ground up. But since you're the one building it, you can make it do whatever you want. With the ZOIA you can build your own custom effects, synthesizers, midi controllers, and virtual pedal boards. And to make life a little easier, these modules have been created for all your standard guitar effects. So for instance, if you want a phaser, you can just plop down a phaser. You don't have to break out the textbooks to learn that they're built out of all-pass filters. (Of course, if you're a nerd like us, you can use the ZOIA to build them out of all-pass filters).

Input Impedance: >= 1M ohms
Output Impedance: 100 ohms
Frequency Response (-3dB): 10Hz - 23.4kHz
Total Harmonic Distortion: 0.22%
Dynamic Range: 105.5 dBA
Input Headroom (no pad): +0.5 dBu
Input Headroom (6dB pad): +5.7 dBu
Input Headroom (12dB pad): +10.8 dBu
Output Headroom: +16.2dBu
Power Input Connector: 2.1mm Barrel Connector
Power Input Voltage: 9V DC (center negative)
Required Current: 300mA
Height (enclosure only): 1.75"
Height (including controls): 2.625"
Length: 5.7"
Width: 3.75"
Weight: 1.5lbs

Notes: Immerse yourself and go beyond the boundaries of what is possible with a conventional guitar or synth pedal. GHOST PEDAL brings you new possibilities of tone shaping with its state of the art flexible audio routing chain, allowing you to jump between dimensions with a single press of a button.

From earth shaking subharmonics and distorted drones to angelic shimmer reverbs and anything in between, GHOST is a PEDAL for the adventurous sound designers and the most demanding guitar and synth players. Intuitive UI coupled with hands-on control and preset storage allows you to stay in the now and focus on your performance.

Unique user interface showing parameter values and real-time modulations

Line or high-impedance JFET guitar inputs with cabinet simulator

Full MIDI control over every parameter incl. MIDI clock over LFO and delay

True relay stereo, buffered and trails bypass modes

Bipolar LFO and expression pedal assignments to any parameter

3 reverb and 3 filter types, incl. comb with resonator, six possible routing variations

Reverb freeze, delay looper, spring reverb with virtual spring excite

Three footswitches let you change assignable parameters (tap tempo/freeze/spring excite), select presets and bypass with your feet

Notes: The H9 features a simple, one-knob user interface which allows easy Effect Editing and Preset Selection. Two onboard Footswitches let you change Presets, Tap Tempo, and Bypass with your feet during live performance.

While the H9 is fully controllable via its front panel, a free editor/librarian, H9 Control, can be downloaded to your Mac, PC, or iOS device. Use the H9 Control app for live editing, creating and managing presets, and changing system settings.

H9 even connects via Bluetooth to iPods, iPhones and iPads for wireless live control.

The H9 features stereo audio I/O, MIDI I/O, Expression Pedal, and Auxiliary Switch inputs.

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


The H9 features a simple, one-knob user interface which allows easy Effect Editing and Preset Selection. Two onboard Footswitches let you change Presets, Tap Tempo, and Bypass with your feet during live performance.

While the H9 is fully controllable via its front panel, a free editor/librarian, H9 Control, can be downloaded to your Mac, PC, or iOS device. Use the H9 Control app for live editing, creating and managing presets, and changing system settings.

H9 even connects via Bluetooth to iPods, iPhones and iPads for wireless live control.

The H9 features stereo audio I/O, MIDI I/O, Expression Pedal, and Auxiliary Switch inputs.

Notes: Pigtronix Infinity is the world's most musical looping pedal. Simple to operate, yet tremendously powerful and flexible, the Infinity Looper from Pigtronix sets a new world standard for latency-free looping. Our state-of-the-art looping platform provides instantaneous record, playback, dub, undo and redo, on two stereo loop pairs that can be configured in several ways. On top of superior speed and a unique, performance friendly feature set, Infinity Looper sounds downright incredible thanks to its discreet analog limiter stages, transparent analog pass-through and 24 bit / 48 kHz HD recording engine.

Infinity's innovative "SYNC MULTI" mode provides a multiplier function allowing the length of Loop 2 to be 1, 2, 3, 4 or 6 times the length of Loop 1. The two loops can also be run out of sync or even in SERIES, for verse / chorus song structures. Ninja style input split mode assigns Input 1 to Loop 1 and Input 2 to Loop 2, effectively allowing performers to record and overdub separate instruments on separate loops, into isolated amps simultaneously.

The Pigtronix Infinity also provides a long awaited AUX Loop output intended to send looped audio to stage monitors. This is especially helpful for drummers to hear and stay in time. An expression pedal jack for Loop Volume allows hands-free control of the overall audio output. We thought of everything and kept only the F.A.T

MIDI input for beat clock sync causes loop start and stop points to obey Pro Tools or any other DAW / sequencer that outputs MIDI. The Infinity's USB access allows you to transfer your music to a computer at full 24bit, 48kHz resolution for further mixing, mastering or immediate publication. We have also implemented audio upload with automatic format conversion, allowing you to upload virtually any digital audio file onto the Infinity Looper.

THE MUST-HAVE PIGTRONIX pedal for any musician. The Infinity Looper will inspire compositional depth and engaging performances; it is the ultimate practice and performance tool for every style of music.

*UK 3-pin power adapter included*

*1/4" TRS lead included*

Notes: Realistic simulations of spaces, as well as never-before-heard surreal ambiances are represented with stunning sound quality. Sporting stereo ins and outs, a small footprint and all the controls at your finger-tips, it strikes the perfect balance of control and ease of use, avoiding laborious menus. Presets, the versatile control port, and MIDI open up a world of possibilities for live performances. Whether you're looking for a classic spring, realistic room or new sonic flavors to expand your creativity, this pedal delivers. And....it's got a beer mode!

The pedal has 12 algorithm types, some include multiple variations. For example, vintage and studio plate, dark and bright springs. Also, as more algorithms get added you can update your pedal via the SD Card. It's the pedal that keeps on giving.

Pristine sounding classic hall, plate, spring and room sounds that rival or surpass studio units costing many times more.

A complete palette of tweak-able ambient sounds that offer the creative player so much territory to explore and make their own.

All the algorithm controls are sitting on a knob in front of you, no fiddling through laborious menus.

Many algorithms have infinite hold settings or the ability to tap in delay time.

Features a signal to noise ratio of >104dB and maintains an analog dry path.

Settings can be saved to 35 presets. With three stomp switches, accessing the presets is easy.

Bank style or scrolling style preset modes.

It can be configured to run with true bypass or buffered bypass if you want to hear trails.

3 variations to choose from, perfect for recording, practicing or for gigs without an amp.

Get hum-free operation when operating in stereo with two amps. Output 2 is isolated with a transformer to eliminate nasty ground loops.

48kHz sampling, with 24 bit conversion and 32 bit internal processing.

Dry signal is left untouched, and blended with the wet signal using VCA. (no zipper noise, hooray!)

The Universal Control Port allows you to connect an expression pedal, external tap switch, control voltage, external audio input and MIDI - all using a standard 1/4" jack!

The Advanced configuration menu lets you configure how your reverb works. Select from true or buffered bypass, 0-35 presets, MIDI configuration, Control port control(expression pedal, external tap, control voltage and MIDI) as well as which style of preset system to use, input signal pad, output transformer enable and more!

The enclosure measures approximately 5.7" by 3.75" by 1.75", which is delightfully small when considering all the features packed into this unit.

Notes: Designed in collaboration with former Periphery bassist Adam Getgood, aka Nolly, the ADAM is a full extreme distortion signal chain in one pedal: compression, distortion, cabinet simulation, EQ and more.

Supplier's Notes:
The Aggressively Distorting Advanced Machine is the result of a collaboration with one of the most celebrated artists in today's metal scene - Adam "Nolly" Getgood. This pedal captures Nolly's entire tonal arsenal meticulously refined by years of in-depth testing and experience in one striking enclosure.

ADAM has three fully programmable rotating footswitch presets. Each of these stores your unique blend of compression, distortion, impulse responses, EQ parameters, and signal chain settings. Featuring a unique and innovative top-notch precision touch slider interface, for its 6-band programmable EQ.

It also incorporates a USB-C audio interface and balanced stereo outputs for studio monitors and is equipped with an extra accurate chromatic tuner, that also works well with down-tuned guitars and basses.

Compression- Controls the amount of input gain to the compressor and intelligently applies the correct amount of makeup gain so that your signal is always driven at the appropriate level, no matter how much compression is applied.

Drive- Adds distortion and drive to your signal. Crank this knob to apply Nolly's favorite vintage distortion to the distorted part of the signal chain.

Character- Changes the tone of the distortion, adding brightness to the distortion signal.

Blend- Mixes between the distortion signal and the clean sidechain signal

Level- Controls the master volume of ADAM.

Input- This is the primary instrument input on ADAM. Connect your instrument or output from your pedal board to the 1/4" mono jack.

Aux In- The stereo input of ADAM enables the playback of backing tracks while practicing or recording. Connect your mobile phone, laptop etc. to the 1/8" stereo jack.

Headphone Output- The headphone output can handle headphones with an impedance of 16 - 600 ohms. Connect your headphones to the 1/8" stereo jack and set the desired level from the dedicated potentiometer next to the jack.

Balanced Outputs- The two balanced outputs add routing versatility and the option of using ADAM as a fully equipped audio interface.

Direct Output- An XLR output with a ground lift switch provides a reliable standard connection to a mixing desk or an external audio interface for a guaranteed low-noise signal.

MIDI In- A standard 1/8" TRS jack allows connecting an external MIDI controller to ADAM for even more flexibility.

USB- The USB-C port unlocks ADAM's USB audio interface capabilities and enables interaction with the Darkglass Suite desktop app, allowing for software updates and access to the Darkglass IR library, containing hundreds of cabinet simulations.

DIMENSIONS: 18 x 12 x 6 cm

Weight: 0.7 kg

Notes: Spanning the gamut of known delay possibilities and beyond, the Echosystem could be the ultimate delay-crafting tool. Faithful emulations of classics like digital, tape and analog delays are numerous, as well as Empress' own take on each of these delay styles. Moving beyond the traditional, the vast amount of sonic ground the Echosystem can cover becomes apparent. Check out the ambient modes when you're feeling chilled out, or perhaps a visit to the multi tap modes for a taste of inspiration.

The Dual Engine functionality allows any 2 of these delays to be used together, routed in either parallel, series, or left/right configurations.

In addition to delays, there's the super-useful reverb combos, which will elevate any guitar part. Oh, and don't forget Whisky mode, best accompanied by a dram of whatever you've got!

The pedal has 12 algorithm types, all with multiple variations. For example, there are 4 different tape delays on tap.

Emulations of classic tape and analog units are available, as well as our take on these types of delay.

All the algorithm controls are sitting on a knob in front of you, no fiddling through laborious menus.

Global tap tempo as well as local tempo with lots of subdivisions are available on all modes, in addition to being able to set the delay time directly with the knob.

Features a signal to noise ratio of >104dB and maintains an analog dry path.

2 delays can be used at the same time, each with its own full set of controls and routed in serial, parallel or left/right.

Settings can be saved to 35 presets. With three stomp switches, accessing the presets is easy.

Bank style or scrolling style preset modes.

It can be configured to run with true bypass or buffered bypass if you want to hear trails.

Cabinet Simulator - 3 variations to choose from, perfect for recording, practicing or for gigs without an amp.

Get hum-free operation when operating in stereo with two amps. Output 2 is isolated with a transformer to eliminate nasty ground loops.

48kHz sampling, with 24 bit conversion and 32 bit internal processing.

Dry signal is left untouched, and blended with the wet signal using VCA. (no zipper noise, hooray!)

The Universal Control Port allows you to connect an expression pedal, external tap switch, control voltage, external audio input and MIDI - all using a standard 1/4" jack!

The Advanced configuration menu lets you configure how your delay works. Select from true or buffered bypass, 0-35 presets, MIDI configuration, Control Port(expression pedal, external tap, control voltage and MIDI) as well as which style of preset system to use, input signal pad, output transformer enable and more!

The enclosure measures approximately 5.7" by 3.75" by 1.75", which is delightfully small when considering all the features packed into this unit.

Notes: CERES - 3 Channel High Gain Preamp

The CERES preamp, contains signature tones from three of KSR's full-size tube amplifiers - the Ares, the Artemis/Gemini, and the Colossus.

Ultimately, the CERES preamp distills the KSR sound into a small package, it features many of the same functions present on all KSR amps - such as the Mode, Feel, and Bright switches. Moreover, this pedal provides the ultimate mobile tone versatility from weekend gigs to fly rigs. It also delivers the KSR signature sound to any board or interface for live and studio applications.

Top mounted jacks allow for easy integration into your existing pedal board. Unique to this pedal operation, 3 bypass modes are included.

- True Bypass, Buffered Bypass, and Clean Bypass. In True and Buffered bypass the pedal operates as expected, no tonal coloration.

The Clean Bypass mode enables the top row of Tone and Volume knobs accessing the Clean channel. These various Bypass Modes allow for integration into any style of rig - from driving a power amp directly (Clean mode), hitting a clean amp down the chain on your pedal board (True Bypass mode), or at the start of your pedal board, driving your other pedals into a clean amp (Buffered mode).

Both of Cere's distortion channels have the same switches and controls, and work in the same manner. However, Rhythm is inherently tighter and more aggressive than the Lead channel. Lead is more compressed and smoother and fatter overall. The Clean channel is not designed to get the "pushed" sound with the Level increased, rather it is designed to stay clean.

The gain controls in all channels feature the same range from clean to saturated signals and operate as close as possible to the full size KSR amps. They function without any unwanted top-end artifacts typically associated with solid-state circuits. The CERES EQ options then make for a highly versatile Pre-Amp pedal giving you as much control.

The operating method the CERES was designed to work best with, is to run it into the input of the effects loop return of any amplifier head or directly into a power amp, but it will also work just as well when run into a clean channel with some EQ tweaking.

The CERES includes two integrated footswitch buttons to activate the 3 channels. The left button toggles between Bypass and Rhythm/Lead. The right button toggles between Rhythm and Lead. With the Bypass Mode switch set to Clean, bypassing the pedal actually activates the Clean channel.

This pedal has been manufactured in KSR's Cincinnati facility. CNC machining, powder coating, laser etching, circuit board assembly are all performed under the KSR roof - no outsourcing.

Product Height (cm): 5.700
Product Width (cm): 12.400
Product Depth (cm): 14.400
Product Weight (kg): 0.610

Box Height (cm): 8.300
Box Width (cm): 19.100
Box Depth (cm): 20.000
Boxed Weight (kg): 0.770

Notes: Proper futuristic amp modelling and effects courtesy of Mooer's next-level GE1000, featuring AI-driven auto-EQ and a five-inch touchscreen. Hook up to the GE Cloud app to edit and share sounds.

Supplier's Notes:
MOOER has consistently pleased the guitar pedal market with its GE multi-effect range, and its latest addition, the GE1000, is set to be no exception. The GE1000, built with a futuristic and sleek "Walking Star" design, builds upon past GE products, offering an even larger range of guitar processing effects, preamps, amp simulators, and features than previous entries.

The GE1000 comes preloaded with an impressive bank of guitar effects and amp simulations, but this is augmented further through MNRS GE Cloud support. MOOER's MNRS files consist of IR samples from real amplifiers, facilitating authentic feeling tones that can be downloaded, uploaded, and shared via MOOER's 'GE Cloud' app for free. The GE1000 also supports third-party IR files of up to 2048 sample points, enabling further expansion of the pedal's portfolio of amp simulators.

Further adding to the GE1000's impressive amplification and tone features, the GE1000 includes a cutting-edge AI-driven automatic equalizer, a first for MOOER. This automatically adjusts a 5-band EQ based on the user's playing and music style choice, providing further possibilities for creativity whilst still providing the flexibility of a manual-controlled EQ interface.

MOOER hasn't only focused on tone and pitch with the GE1000 exclusively, which is illustrated perfectly by the integrated Groove Station rhythmic toolkit, consisting of a style-specific drum machine and a looper. These features have been designed to work both independently and in tempo synchronization, making them adaptable for all types of jam. The looper even includes automated record and count-in functions, activating the loop recording when an input signal is detected, providing a unique hands-free looping experience.

MOOER has always excelled at providing innovative UI experiences, and the GE1000 is set to continue this trend. The pedal features a 5-inch high-quality coloured touch screen designed for intuitive multi-effect workflows while keeping some fan favourites from previous GE pedals. These include the signature MOOER multi-purpose control dials, buttons, and a quick-access expression pedal.

Additional flexibility can be found within the pedal's cutting-edge control systems, including programmable MIDI ports, bundled preset management software, and compatibility with the MOOER mobile app.

This level of flexibility is matched by the pedal's audio routing solutions, which feature Bluetooth playback, USB audio interfacing, serial and parallel TRS stereo FX LOOP compatibility, and industry-standard input and output ports.

Notes: Fuzz meets synth meets reverb in this clever pedal. Built-in drone VCO, noise generator, LFO and effects allow you to warp and twist input signals into completely new tones and textures.

Supplier's Notes:
Grone 2 Dark Drone machine Pedal Version

Blocks description

Drone VCO:

Generates sound based on equations converted to analogue signals, there are sixteen equations selected by algorithm up pot. Four LEDs indicate equation number in binary mode. Three Pots modify numbers used by the equation, A0, A1 and A2, fourth pot Sample Rate controls pitch and speed of the oscillation. There's an expression jack input, EXP2 for controlling sampling rate.

NOISE GENERATOR: White noise with noise level pot.

Voltage Controlled Filter: MS20 resonant low pass filter, with CUT frequency pot control, RESONANCE, MODULATION 1 amount pot, Expression jack input 1 controls filter cuttoff.

LFO1: Low frequency oscillator routed to MOD1 from VCF, RATE and WAVEFORM shape Pots.

Waveforms are: ramp up, ramp down, square, triangle, sine, sweep, random levels, random slopes

FUZZ Section: gain stage that affects input signal, with controls for input gain and level.

Effects Section: Consists of a chorused reverb with delay, adding octave up or down component, with freeze function

Pots controls:
1-Blend controls mix of effects over final output signal
2-Octave blends mix a pitched signal to the input of the reverb
3-Octave -1 +1 controls tuning of pitch component
4-Repeat controls feedback of delay component
5-Balance controls mixture from reverb and delay.
6-Pitch controls the sampling rate of the whole effects section, modifying delay time and reverb decay.

Footswitches:
1- Synth: mutes or enables the drone VCO and noise generator
2-Filter: Bypass for the VCF
3-Fuzz: Bypass for the fuzz that processes the input signal.
4-reverb: Bypass for the reverb/delay section
5-Freeze: toggles freeze function for reverb section

Jacks:
Input, Expression 1 input (VCF) Expression 2 (VCO sample rate), Output

Notes: Hugely powerful multi-algorithm effects, from basic modulation sounds like chorus and vibrato through to complex chains, reverbs, filters and much more. Seriously impressive stuff.

Supplier's Notes:
Synesthesia is an advanced, yet user friendly dual-channel multi-modulation engines, capable of running two modulation algorithms simultaneously. Packed with 38 classic and modern algorithms and 3 different DSP routing schemes Synesthesia offers limitless sonic possibilities.

Synesthesia is not just another modulation pedal. By marrying a powerful dual-engine architecture with rich and deep algorithms we provide players with immersive and 'colorful' modulation effects experience, hence the name : Synesthesia.

Synesthesia for everyone. with carefully designed user interface and comprehensive feature sets, Synesthesia is suitable for professional musicians, recording musicians, performers, as well as bedroom guitarists.

Up to 38 on-board algorithms - more may be made accessible via the SymmLab editor.

Flexible DSP Routings :
CASCADE
MIXTURES
LR-SPLIT

Preset mode- conveniently recall your favorite patches from an easy-to-navigate banks of 32 presets.

Stompbox mode - stomp the footswitches to control the individual DSP, just like using individual stompboxes.

Comprehensive external control

Expression Pedal - with adjustable heel and toe values.
Control Voltage (CV) - takes 0 - 2.5 V control voltages.
Aux Switches - accepts up to 3 external switches for versatile control (tap-tempo, bank up/down, etc).
MIDI In / MIDI Thru - nearly all features and functionalities of the pedal are opened to MIDI access, including MIDI clock.

Tap-Tempo
You can tap in your tempo using an external tap pedal, via Midi, or on the pedal itself.

Space saving
12 cm x 12 cm (4.7" x 3.5"), impressively small for a pedal that can replace 3 or more individual stompboxes.

Switch effects order (pre or post)
Effortlessly via the switchable Pre/Post configuration (specified on per-preset basis).

Pre / post Setup

Signal Post
Set to "PRE" :
Pedal A < Pedal B < Synesthesia
Set to "POST" :
Synesthesia < Pedal A < Pedal B
Tips : normally Pedal A and Pedal B would be overdrive or distortion pedals.

Specification
Input impedances : 1 MOhm.
Output impedances : 500 Ohm.
DAC / ADC resolution : 24 bits.
Current draw : ~240 mA.
Input / Output jacks : 1/4 inch TS.
USB Connector : Type B
Weight : 800 grams (1.6 lbs).
Dimension : 12 (L) x 12 (W) x 5.5 (H) cm
Power requirement : 9VDC / 240mA, negative-center plug (Power supply is not included).

Notes: Experience the legendary analogue tones of the original Univibe with modern functionalities. The Uni-Verb is a modern twist on the classic Univibe. However, J Rockett have added features to enhance the already amazing effect you get. The Uni-Verb recreates the classic sounds you would expect but J Rockett have also added a vintage spring tank reverb to make it drip even more. The Uni-Verb runs at 24v just like the original but that is achieved internally. You only need to use a standard negative tip 9v supply making it much more convenient without having to fuss with conversion. The classic Univibe sounded best before drives and other effects, so a loop was built in, enabling you to separate the Vibe and Reverb. Both effects can be run individually or together. Some of the features of a classic Univibe left it a little basic such as a lack of control over the turnaround thump of the effect. The Uni-Verb has two separate controls for the chorus section (Chorus Mix and Intensity) allowing complete control over the intensity and turnaround thump of the chorus. The intensity control also controls the vibrato, however, the Chorus/Mix control does not. Both sections blend seamlessly into the output control which allows for slightly more volume than a vintage Univibe and both effects will vibe/chorus faster and slower than the original. Modern iterations of the vintage Univibe tend to be too intense and less musical, J Rockett have achieved the perfect balance just like the original and added Reverb on top for more atmosphere.

Packaging dimensions: 14 x 8.8 x 5.7 cm
Weight: 0.9kg

Notes: Sleepless nights closer than ever

The Nocturnal is the fruit of the collaboration between Noli and Collision Devices

This pedal was a custom order for him and Collision Devices decided to build it as a limited edition.

Artwork by Noli.

Pass from the Dusk, through the Night to the Dawn with the Nocturnal.

The Nocturnal has a lifetime warranty. Of course.

3 effects, one pedal

Dusk

Modulated Delay

Warmed and inspirational delay based on a tape delay circuit.

Settings:

Mix: Controls the mix between Full Dry or 50% Dry / 50% Wet

Time: Time between each repetition. From a few ms to 1 second. Signal quality turns to Lo-Fi when it's pushed to long repeats.

Feedback: Number of repetitions. Able to self oscillate very easily when the knob is around 7.5.

Modulation: Amount of modulation in the delay repetitions. Create a sort of old tape effect

Speed: Modulation's frequency from 0.1 to 20 Hz.

Night

Dynamic Tremolo

Turn a huge amount of shimmer and reverb into it to make it oscillate faster.

Settings:

Sens: Sensibility, turn it clockwise to make the tremolo more sensitive to your attack

Depth: Controls the tremolo's volume

Dawn

Shimmer

Create bright soundscapes and loose the notion of time until the sunrise.

Settings:

Blend: Controls the amount of Dry / Wet signal. You can have a full Wet reverb.

Reverb: Reverberation time. Max 15 sec.

Shimmer: Makes the reverb shimmer

Filter: Digital filter. Low pass. Lets you make the shimmer darker or more shiny

Colour: Bandpass active and analogue filter around 3.3 kHz. Controls the Q of the filter.

Specs

Maximum current draw: 250 mA
Input Impedance: 1 MOhm
Size: 119 x 116 x 56mm

The use of an isolated power supply is recommended for powering all Collision devices Pedals.

Power supply not included.

The pedal is true bypass

Voltage: +9V DC (negative centre)
Output Impedance: 1 0 KOhm
Weight: 700 grams

Notes: The Seabee is a multi-chorus pedal that delivers the finest analogue bucket brigade chorus tones, but like any Beetronics, it goes a few steps further. By digitally controlling the chorus delay time, the Bees have created Harmochorus - a never-before-heard pitch shifting modulation that can certainly inspire new genres.

Three Chorus modes provide the classic, lush chorus and vibe sounds we all love, with each mode offering the ability to control the effect in different ways. Vary between two different speeds and/or depths, go from zero to full depth intensity, or even increase the chorus delay time for a whole new spectrum of sounds.

Three Harmochorus modes give you a unique and inspiring new approach to the effect. The easiest way to explain it's that, when clean, it sounds like angel bees are accompanying you, and when paired with some buzz, it sounds like a swarm of killer bees producing the most dangerous pitch shifting modulation are after you! You can choose between two different pitches and speeds, a combination of twelve chords and twelve different arpeggio patterns, or simply choose between thousands of random patterns.

No matter which mode you choose, the Seabee will navigate you to inspiring and creative places.

Its simple layout with only three knobs hides a multitude of possibilities with alternate controls, three ramp shapes, tap tempo, a 4-way tone filter, feedback control, and a rate that ranges from very slow to ultra-fast waves, even reaching ring modulator ranges.

There are two stereo output options, 16 onboard presets, full MIDI control, expression in, external tap and 4 input level options so you can process guitar, bass, all kinds of active pickups or synthesizers and still keep the bucket brigade in its sweetest spot?

It's hard to believe that an analogue chorus can be so complete, versatile, unique and intense - all at the same time. But get ready, because Tone Fishing is about to beecome a thing.

Analogue sound path with the finest bucket brigade chorus tones.
3 Chorus modes / 3 Harmochorus modes
Never before heard pitch shifting chorus with arpeggios and random patterns.
Truly expressive ramping gives you musical control.
16 Onboard presets, Tap Tempo, MIDI, Expression and more.
Selectable input level (supports guitar, bass, active pickups, synthesizers and more)
Hand-assembled in Los Angeles, CA.

Packaging Dimensions: 15.2 x 13.7 x 7.6 cm
Weight: 0.49 kg

Notes: The #1 EQ pedal returns - better than ever

Empress Effects brought back the most sought-after Parametric EQ pedal, with groundbreaking upgrades.

Everything people loved about the original ParaEq was kept, and more fidelity and control have been added.

More Control

Whether you're trying to cut through a mix or fix a feedback issue, you need precision! The ParaEq MKII offers the most control of any pedal EQ on the market.

More Sweetness

Effortlessly sweeten your tone with beautiful sounding, super smooth Baxandall filters for broad high and low frequency shelving adjustments on the Deluxe.

More Power

The ParaEq MKII pedals operates internally at 27V, providing clean headroom without unwanted clipping.

More Purity

This pedal is able to offer the most control without degradation to the tone due to minimal circuit topology00-the opposite of graphic EQs.

Why Choose Parametric EQ over Graphic EQ?
Parametric VS Graphic EQ Graph
Graphic equalizers provide a convenient visual sense of the EQ curve. However, there is a tradeoff in transparency and precision.

The graph here shows the ParaEq MKII Deluxe (cyan) and a 7-band graphic EQ pedal (magenta) both providing a +4dB boost at around 2 kHz. As can be seen, the ParaEq is much more precise in the changes it can make, whereas the graphic EQ affects nearly the entire frequency spectrum. Furthermore, at around 10kHz the ParaEq is providing unity gain, whereas the graphic EQ is attenuating the signal by nearly 6dB. This makes the ParaEq a more transparent circuit than the graphic EQ.

This combination of transparency and precision is why recording studio control rooms are dominated by parametric equalizers, and why they're a great choice for creative and corrective EQ on your pedalboard.

Which ParaEq Do You Need?

The original ParaEq has been loved and trusted by musicians on a variety of instruments for over a decade. Both the ParaEq MKII and the ParaEq MKII Deluxe feature a low-noise, transparent signal path that is extremely versatile.

With three fully parametric bands, you can simultaneously achieve broad tonal shaping and precise fine-tuning to sculpt your perfect sound.

The ParaEQ MKII Deluxe will appeal to players who:

Need high-pass and low-pass filters for precision work at the frequency extremes
Want the glorious sound of Bandaxall filters for sparkling high end or extra weight in the low end
Want to be prepared for any EQ situation

Specifications

Input Impedance: 1MO
Output Impedance: 100O
Frequency Response (-3dB): 22Hz - 25kHz
Total Harmonic Distortion: < 0.05%
Noise: > 107dB
Headroom: +30dBu
Input Voltage: 9VDC Centre-Negative
Required Current: 300mA
Power Input Connector: 2.1mm Barrel Connector
Height (Enclosure Only): 1.5"
Height (Including Controls): 2.5"
Length: 3.5"
Width: 4.5"
Weight: 1lb

Notes: Ultra-versatile stereo reverb pedal with eight contrasting algorithms for flexibility and character. Expression pedal highly recommended for real-time hands-free modulation.

Supplier's Notes:
Space Reflections

ROOMS is a stereo, multi-function digital reverb capable of searing volume, gated walls of sound, and long, trailing reverberant ambiances with an intuitive array of controls designed with live mood-bending in mind.

ROOMS was designed to the highest standards of flexibility and audio fidelity. A studio-quality mixer section provides independent DRY and FX controls over six meticulously programmed reverb algorithms; ROOM, DIGIT, PEAK, GATE, WAVE, and GONG. Each different verb is capable of a universe of sounds, and ROOMS is here to help you explore them.

ROOMS' creative I/O switching and dual-mono dry signal lines allow for a wealth of possible mono and stereo configurations, making it easy to route signals for parallel processing or stereo amplifier setups.

Controls

FREQ: Controls the frequency parameter of the current mode.

DEPTH: Controls the depth parameter of the current mode.

TIME: Controls the reverb time in all modes.

DRY: Controls the volume of the dry signal, from -inf to 20x gain.

FX: Controls the volume of the reverb signal, from -inf to 20x gain.

ALT: Engages the ALT mode, switching between two sets of controls. When active, FREQ is controlled with the F knob, DEPTH with the D knob, and TIME with the T knob. Additionally, the ALT mode turns on expression control of either FREQ or TIME using the F?T Switch on the side of the pedal. NOTE: Expression control ONLY works in ALT mode and when an expression pedal is plugged in.

Expression Pedal: Almost any expression pedal will work with ROOMS. When not plugged in, the controls work as normal. NOTE: Expression control ONLY controls the F or T knobs when ALT mode is engaged and when an expression pedal is plugged in.

Modes & Parameters

FREQ knob : DEPTH knob

1 - ROOM: Tone of Decay : Pre-Delay
A classic reverb that simulates many different rooms.

2 - DIGIT: Delay Time : Delay Feedback
A filter matrix verb capable of creating otherworldly resonances and fractured repeats.

3 - PEAK: Filter Frequency : Filter Resonance
A super intense bandpass filter combined with an ambient reverb.

4 - GATE: Decay Tone : Gate Response Time
A gated reverb. Short reverb times create a classic gate effect, long reverb times create a controllable freeze effect.

5 - WAVE: Modulation Frequency : Modulation Depth
Creates a pitch vibrato effect. Lowering TIME will blend out the reverb signal, allowing sweeps from chorus/vibrato to long modulated reverbs.

6 - GONG: Modulator Frequency : Blends from Aliasing (left) to Ring Modulation (right)
Ethereal, crushed reverb sounds guaranteed to make you star in the upcoming remake of DUNE and live out your sci-fi fantasies of space travel and galactic domination.

Specifications

Dimensions: 5.95" x 3.86" x 2.96" (including hardware).
Weight: 18 oz.
Power: 80 mA, 9V (runs on a standard 2.1 mm negative center 9V adapter).

Notes: All of the features of the original Geiger Counter, with so much more. 16 footswitchable presets, MIDI control over presets, bit depth and sample rate blending, dry/wet mix, an end of signal filter - the most powerful pedal WMD have ever created. Designed for the pro to really dial in new, undiscovered sounds, never before heard in a distortion pedal.

Notes: Not just another reverb pedal. The Ventris's party trick comes from its dual stereo reverb engines, allowing for smooth switching between presets. Top quality 56-bit processing and 14 different modes.

Supplier's Notes:
Create rich, spacious reverberations with the Ventris Dual Reverb. The Ventris features 14 meticulously crafted reverb engines built on two completely independent 56-bit signal processors, essentially housing a matching pair of high-powered, stereo reverb pedals in a single box. The pedal's dual DSP architecture provides massive processing muscle, adjustable preset spillover time, and advanced dual reverb effects. Step into a vast realm of ambient space.

The supremely intelligent Ventris Dual Reverb features two completely independent 56-bit reverb processors, essentially housing a matching pair of high-powered reverb pedals in a single box. The Ventris's powerful dual processing architecture gives the pedal some serious advantages including massive processing muscle, adjustable preset spillover time, and the ability to create dual reverb effects.

The power to combine two reverb engines truly expands the pedal's ambient possibilities. Run dual reverb effects in a parallel or cascading signal path, or split your reverbs and send a different effect to each of the pedal's two Outputs.

Massive Processing Power: Dual processing eliminates bloated all-in-one reverb programs. Instead of being forced to allocate 5% of the processing power to something vital and complex like the True Spring reverb, we can now dedicate 100% of the processor, opening the door to a new frontier of realism and sonic exploration.

True Spillover: Seamless "spillover" from one preset to the next is an enormous advantage in live situations. Switch from one reverb preset to another without abruptly cutting off the trail of the previous effect. And, the dual reverb engines make it possible to program (with the Neuro Desktop Editor) the decay rate of the first reverb trail.

Source Audio's two man engineering team of Bob Chidlaw and Jesse Remignanti took extreme care in crafting the Ventris Reverb's exceptionally spacious tones, covering all the bases from beautifully natural reverberations to haunting "unnatural" tones. The Ventris Dual Reverb includes 12 onboard reverb engines as well as an ever-expanding collection of reverb effects available via the Neuro Mobile App or Neuro Desktop Editor. Click the boxes below for details on each engine.

The True Spring engine is the perfect example of the Source Audio engineering team taking full advantage of the Ventris Dual Reverb's immense processing might. True Spring flawlessly captures all the subtleties and idiosyncrasies of classic spring reverb equipped amplifiers, including the characteristic "drip" associated with the vintage effect. Spring reverb simulation was a major challenge, requiring a deep understanding of the physical characteristics of reverb springs, advanced experience in sound design, and exceptional processing power. Chief Scientist Bob Chidlaw drew upon all his knowledge and experience in the creation of the True Spring engine, from his days as head engineer at Kurzweil to the creation of Source Audio's Soundblox 2 Dimension Reverb. The result is a supremely natural sounding reverb effect.

Includes 9v DC power supply (400mA / Negative Tip)
Includes 1/8" to 1/4" cable for Neuro Mobile App connection.
Power Consumption i 280mA
Brushed anodized aluminum housing.
Dimensions: L: 4.5 in./11.4cm x W: 4.5 in./11.4cm x H: 2 in./5.1cm (including knobs)
Weight: 1 lb./0.45 kg.
Maximum Input Level: +6.54 dBV = 8.76 dBu = 2.12 V RMS = 6.0 V p-p
Full Scale Output Level: +6.54 dBV = 8.76 dBu = 2.12 V RMS = 6.0 V p-p
Input Impedance: 1 MegaOhm (1 M?)
Output Impedance: 600 Ohm (600 ?)
110 dB DNR Audio Path
24-bit Audio Conversion
56-bit Digital Data Path