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This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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The "Aux" input is normalized to the four CV inputs, so you can modulate all LFOs with one signal at the same time. Plugging a cable into the CV input breaks its connection from the aux input.
This way you can create more interesting Modulations for your Patches.
You can easily customise LFO speeds to your liking by changing capacitor values on the back.
Features:
- Size: 10hp
- Single SMD Pre-soldered PCB design
- 10 pin power
12 mA +12V
12 mA -12V
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You can select one of the two VCO cores of the engine to Produce Square Waves one and two octaves below the Oscillators frequency. You can blend between -1 and -2 octaves and Set the volume they are Mixed into the Main "Mix" output.
The knobs "VCO1" "VCO2" and "AM" set the level of the selected waveform of each VCO and the AM output from the Engine to the Main Mix. The "Ext In" Input is normalled from the RM output, but you can plug in any other signal to go to the Main Mix.
The V Ref sets a Voltage between 0V and +10V which compares against the Chaos signal from the engine (Chaos attenuator on the Engine doesn't matter). Whenever the Chaos signal is higher in Voltage than the Knob setting, It will Give you a Gate or Trigger signal depending on the switch. There is also a CV input, which offsets your V Ref and can create interesting Rhythms.
Features:
Two Sub-Octave generator with selection switch, Mix knob for -1 and -2 octaves (marked as /2 and /4)
5 Channel Audio Mixer for 4 different Outputs from the Engine and level for the Sub-Octave generator
External Input for Mixing with other signals
Semi-Random Gate or Trigger Output generated by the Chaos signal
Audio-optimized Chaos Output
Separate Outputs for Sub-Octave and Main Mix
Dimensions
8 HP
24 mm deep
Current Draw
6 mA +12V
5 mA -12V
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The CubuSynth VCFA is a multimode VCF with LP,HP and BP modes with integrated VCA, CV control over Frequency, Resonance and Volume.
The CV input for the Frequency features 1V/Oct scaling over about 2~3 octaves. So you can even create plucky melodies
with the resonance in "ringing" mode.
The Gain control can reach a nice, soft saturation.
Key features
- 3 simultaneous outputs for Low Pass, Band Pass and High Pass
- Integrated VCA on input stage
- Input saturation on upper Gain levels
- CV control over Volume, Frequency and Resonance
- Frequency CV scalable for 1V/oct signals (stable up to 2-3 octaves)
- "ringing" appears on upper Resonance levels
Specifications
- Size: 10HP x 3U / 50mm x 129mm
- Depth: 34mm (measured from the front panel)
- Max. Current Draw:
+12V: +14mA
-12V: -14mA
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The EnvGen8 chip was written/designed by Tom Wiltshire aka "Electric Druid".
1 ATTACK (1ms - 10s)
Sets the time, the Envelope takes to reach full level from the moment a gate is detected (Key is pressed)
2 DECAY (1ms - 10s)
Sets the time, after the envelope hits full level, to fade to the level set by the SUSTAIN Knob.
3 SUSTAIN (0% - 100%)
Sets the Volume to stay after the decay, while the GATE input is high.
4 RELEASE (1ms - 10s)
Sets the time for the fade out on falling edge of the GATE input (after the Key is released)
5 MODE switch
Select between exponential and linear curves.
6 PUNCH switch
Adds extra thump to very short percussive envelopes
7 LOOPING MODE switch
Allows selection between three different modes of operation. Gated mode is a normal envelope. Gated Looping will
trigger the ATTACK stage when the GATE goes high, then continue looping whilst the GATE remains high, and will
RELEASE to zero when the GATE goes low. The LFO Looping mode loops continuously and ignores input from the
GATE.
8 TIME (x1 - x100)
Overall Time control which shortens the length of the entire envelope.
9 TIME CV Attenuator
Attenuates incoming CV for Time modulation. Higher voltages will shorten the
length of the envelope.
10 TRIG Input
Re-trigger for the envelope. Useful for Polyphonic patches. Envelope goes to
ATTACK stage on rising edge of 0-5V pulse while Gate can still be on.
11 GATE Input
Normalized to TRIG Input. Envelope goes to RELEASE stage on the falling edge.
12 Level CV Input
Control the overall Volume of the envelope. Can be used for velocity control.
If nothing is plugged in, the Volume stays on max.
13 OUT
CV-output of the envelope (0 to +5V)
14 LED
Indicates the output voltage.
15 TIME CV
CV Input for Time modulation. Higher voltages will shorten the length of the
envelope.
16 INV. OUT
Inverted voltage of the output CV (0 to -5V)
Dimensions
10 HP
25 mm deep
Current Draw
16 mA +12V
16 mA -12V
7 mA 5V
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
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This is the first time a book of this type has been has been published outside of Japan and the first anywhere of this size and scale. It is a unique collection of over 500 albums of free and modern jazz recorded and released in Japan during a period of radical transformation and constant reinvention. An era that saw Japan return from the ravages of World War Two to become a global economic power and emerge as both a technological leader and an international cultural force.
Through a unique gallery of albums, J Jazz charts the development of jazz in Japan from the first stirrings of the modern jazz scene in the mid to late 1950s and on through the hard bop and modal jazz of the 1960s. It steers the reader into the radical directions of the 1970s when free jazz, fusion, post-bop, and jazz-funk opened up a growing number of Japanese jazz artists to a new global audience before consolidating in the mid to late 1980s with a musical scene that laid the path for the contemporary jazz generation to follow.
Over 500 full-colour sleeves from many of the leading names in Japanese jazz sit alongside rare and private pressings that tell a story of constant change and musical exploration. J Jazz includes profiles of several leading record labels such as East Wind, Frasco, King Records, and Nippon Columbia as well as critical independents such as Three Blind Mice, ALM, and Aketa’s Disk. J Jazz includes interviews with celebrated jazz photographer Tadayuki Naito, and pianist Tohru Aizawa, bandleader on the totemic spiritual jazz album, Tachibana Vol 1, as well as free-jazz record collector and jazz musician Mats Gustafsson.
The book also features a chapter on albums by non-Japanese artists that only received a Japanese release, with collectible, rare, and obscure releases by figures such as Herbie Hancock, Miles Davis, Mal Waldron, Steve Lacy, and Art Blakey. J Jazz includes Japanese jazz charts from some of the world’s leading jazz DJs including Gilles Peterson, Toshio Matsuura, Paul Murphy, and Shuya and Yoshihiro Okino. Among the specialist content is a feature on obi strips by record dealer and Japanese jazz expert, Yusuke Ogawa, plus a special article on Japanese Blue Note albums.
Across its 300-plus pages, J Jazz includes a detailed introduction contextualising the music, tracing the story of Japan’s fascination with jazz back before the war. It also features biographical information on many of the key artists involved in shaping the post- war Japanese jazz scene including Sadao Watanabe, Toshiko Akiyoshi, Masabumi Kikuchi, Masahiko Togashi, Terumasa Hino, Yosuke Yamashita, Fumio Itabashi, Masayuki Takayanagi, Takeo Moriyama, Isao Suzuki, and many more.
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This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
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This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
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This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
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This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
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This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
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This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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The UDG Ultimate Pick Foam Flight Case Pioneer PLX-CRSS12 is designed to keep your Pioneer PLX-CRSS12 protected from accidental damage when you transport it to and from gigs. They're compact and lightweight yet tough enough to keep your gear safe.
Specifications
Colour: Black
Weight: 4,30 kg / 9.46 lbs
Outer Dimensions (W x H x D): 49.0 x 42.3 x 21.0 cm | 19.3 x 16.6 x 8.3 inch
Inner Dimensions (W x H x D): 47.0 x 40.5 x 18.8 cm | 18.5 x 15.9 x 7.4 inch
Material: Aluminium
Protection:
Corrosion resistant aluminium profiles with strong rounded corners
Fully-lined with high density foam protective padding
Pick & pluck foam
Two side strong butterfly lock
Rubber feet at the bottom for support in standing position
Extras
Lighter weight than traditional flight cases
Black Diamond finishing surface
Ergonomic & sturdy carry handle
Removable access panel
Fits
Pioneer PLX-CRSS12 turntable
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This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
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This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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Magnetic mobile filmmaking cage
MagSafer compatible
In-built cable management slots
Five cold shoe mounts for attaching microphones and lights
14-inch and 3/8-inch threads for use with tripods, handles and other accessories
Facilitates portrait and landscape shooting
Mechanical specifications
Mounting Options:
Cold Shoe Mounts: 5
Standard 1/4-inch Thread: 14
ARRI 1/4-inch Thread: 17
3/8-inch Threads: 2
Weight (grams): 285
Dimensions (millimetres):
Length: 245
Width: 35.5
Height: 126
What's in the box
1 x Phone Cage
1 x Magnetic Phone Mount
1 x Locking Screw
quote 1010180
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
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The 1971 classic album by Canadian singer-songwriter Joni Mitchell, Blue is widely thought by many music lovers to be one of the best albums of all time. Already well into her career by the time of its release - it's her fourth album - it was certainly Mitchell's best yet, reflecting a period in her life where she took a break from touring and live performing to focus on creation. Its confessional and poetic lyrics, not to mention the distinctively groggy yet idyllic guitar and piano playing on songs like 'All I Want', 'River', 'A Case Of You', heard Mitchell encapsulate the various milestones, Renaissances and turning points of the contemporary rock landscape of the 1970s, into a singular LP.
At the heart of the two-input MIDI merger is a small, powerful ARM processor with plenty of buffer memory. Two MIDI streams are mixed to one output and can also be tapped via an additional second output. Two LEDs signal the operation of the merger: one LED indicates MIDI activity at the inputs, and a second LED warns of too much data at the inputs.
The second group of functions consists of two independent, separate MIDI THRU distributors. The MIDI data at the respective MIDI input can be picked up and distributed at the three THRU outputs. If required, a 1-to-5 distributor can be created from the two units by connecting an output of the left group to the input of the right group.
Features:
4x MIDI IN (TRS-B)
2x MIDI-OUT (TRS-B)
6x MIDI-THRU (TRS-B)
Powered via Doepfer connector
quote 990518
Twenty years ago it sounded like an oddly poignant evocation of pre-millennial tension. Two decades later it stands as an eerily prescient glimpe into the technological alienation and dislocation of of a new era. Yet more importantly, OK Computer is no more or less than a sparkling, dramatic and moving collection of songs that haven't lost any of their impact in the interim. The sound of a band stubbornly refusing to follow up the stadium-strafing stylings of its predecessor The Bends - and instead bursting headlong into experimentation and wild creativity -is portrayed in still more vivid colours by the alarmingly strong collection of out-takes and B-sides collected herein, Yet there's no getting away from the chill and spark that marked out OK Computer from everything surrounding it in the post-Britpop malaise, and continues to do so in the pre-Brexit counterpart.
