Search results: Venus

Review: Having set out their stall via a fine first collaborative release on Bordello a Parigi a couple of months back, Mytron and Ofofo pitch up on Multi-Culti. As you'd expect from a label with such a strong track record of multi-cultural musical fusion, much of the EP defies easy categorization. Sure, you'll find a chunk of Italo-influenced electro ("Non-Binary Joys on the Venus Holodeck") and a couple of slabs of madcap disco-funk fusion ("Si Jambo" and "2Tac Onana"), but also a heavyweight slab of low-slung punk-funk/post disco ("Czary Mary"). Oh, and the skewed electro-funk-meets-intergalactic synth pop insanity of "Something for Your Mind", which also boasts some notably brain-melting vocoder action. More, please!

Review: Black Key recruit the consistently excellent Dan Piu for their nineteenth vinyl release, laying out three tracks of sophisticated deep house. Opener, "Venus Agenda" (which Piu claims is one of his all-time favourites), builds with reverb-soaked claps and the faintest hint of acid in the bass line, before skipping hi hats and lush pads move us in a deeper direction, soon making way for a haunting, yet beautiful lead - this one really is a thing of wonder. "Mother's Love" immediately heads in a different direction, with sublime keys and a subtle, yet highly effective bass line, and a sparsely used vocal sample heightening the mood when it appears. Finally, "Altarf" again takes us to new territory, with the opening, pacey 45 seconds quickly making way for dreamy pads and a perfectly crafted bassline, underpinned by a broken beat kick and expertly programmed hi hats. This package firmly shows why Piu is in such high demand with some of the best labels in the business.

Review: Ever-changing Slovenian collective Laibach seems to have mellowed with age, with the band's inherent desire to court controversy (see their 2015 performances in North Korea for a relatively recently example) currently curtailed. Love Is Still Alive, which marks their first new music since the release of last year's well-received album Wir Sind das Volk, is actually an "extension" of the music they wrote to soundtrack the 2019 film 'Iron Sky -The Coming Race'. It is, they say, a "trip through space music genres of recent decades" (albeit with bonus nods to country, pop and so on) that loosely tells the story of a spaceship full of post-apocalyptic survivors making their way across the solar system. It's a lot of fun, all told, with the band expertly showcasing the breadth of their musical knowledge as well as skip-fulls of imagination.

Review: Novaj Records presents its second vinyl release - 'Space Energy', an electrifying compilation EP inviting listeners on an interstellar journey through a wide array of sonic cosmologies, in good stead with the nascent trend of space-age acid house emergent of late. Lauching into the boundless realms of space, the likes of Donnie Cosmo's 'Venus Transit', MLink's 'Frequencia' and Sunaas' 'Flash Dancer' are all as enchanting as they are out-of-body-experience-inducing.

Review: Johnny Malek is a Detroit-based fashion designer-turned-producer who makes a strident arrival on Yoruba with this EP of gospel-infused deep house. It's a potent approach which chimes perfectly with Osunlade's esteemed label, reportedly prefacing a larger project to come. There is an abundance of Afro house drums on 'I Promise', an anthem in the making with a vocal which will lodge itself in the hearts and minds of any assembled throng it's faced with. 'Venus Rising' maintains the vibe, confirming Malek's arrival as an artist to keep tabs on in the new wave of deep house artists.

Review: You'd be hard pushed to find a more genre bending sound than the one perfected by Travis Sullivan's Bjorkestra. The jazz collective rework and reinterpret the work of Bjork Gudmundsdottir, a hugely influential pop artist over the last quarter of a century. These two tunes both break borders and travel far and wide. They were first covered a decade ago and have been put out as part of a live album before now, with the talented Becca Stevens on vocals. They have dynamic big band grooves that are perfect for the club with plenty of cool British jazz-funk overtones.