Search results: Tony Jones

Review: A month before he passed away in December 2002, Joe Strummer delivered what turned out to be his final performance - a benefit gig for striking firefighters at Acton Town Hall, where he was backed by his then band the Mescaleros. This must-have CD presents that performance in its entirety, including the infamous ending - where Strummer's former Clash bandmate Mick Jones emerged from the audience to join him on stage for performances of 'Bank Robber', 'White Riot' and 'London's Burning' (it was the first time the two had performed together since 1983). Recorded for a radio broadcast, the gig was undoubtedly special, with Strummer and his bandmates powering through classics including 'Police & Thieves', '(White Man) In Hammersmith Palais' and 'I Fought The Law'.

Review: Now's ongoing Yearbook series has reached 1973, a 12-month period in which saw an Oil Crisis, the opening of the World Trade Center in New York, and the withdrawal of US troops from Vietnam. Musically, as the four-disc set proves, pop was being pulled in different directions, with new stars emerging (David Bowie, Elton John, Roxy Music, David Essex and various members of the Osmond family) former 'Fabs' settling into their new solo careers (John Lennon, Paul Wings), Glam rock increasing in popularity (Mud, Sweet, Wizzard, T-Rex, Slade), and soul beginning to evolve into disco (the Spinners, Michael Jackson, the O'Jays, Diana Ross, Harold Melvin and the Blue Notes). Throw in a few massive hits from megastars (Billy Joel, Paul Simon, Elvis Presley), and you have an on-point pop summary of 1973.

Review: While lots has been written about the influence of Black American soul and R&B artists on Britain's most successful (white) bands of the 1960s, little focus has previously fallen on the music of black Britons - and others from elsewhere in the Commonwealth who called the UK home - during the same period. Gotta Get A Good Thing, which tells the story of black music in Britain in the "swinging sixties", is therefore long overdue. Musically, it skips through soul, rhythm & blues, ska, rocksteady and more besides, offering up tracks from both well-known names and overlooked artists. Throw in extensive liner notes - including an introductory essay from Fitzroy Facey of the Soul Survivors - and you have a genuinely essential compilation.