Search results: Nana

Review: The Polyversal Souls are renowned for the strength of their collaborative singles, which to date have featured all manner of legends and rising stars from the underground African music scene. This time around, the German-Ghanaian band provides high-grade backing for guest vocalist Frank Karikari, son of legendary Highlife musician Ralph Karikari. The A-side medley of "Siakwaa/Nana Agyei" is particularly good, with Karikari's confident lead vocal rising above shuffling, soft-focus drums and ear-catching juju guitars. Flipside cut "Odo Agye Gye Me" is great, too, offering a slightly more upbeat and undeniably percussive fusion of highlife/Afrobeat fusion.

Review: Amaro Freitas's Y'Y marks a departure from his previous work, delving into humid, spacious compositions influenced by indigenous Amazonian music. Freitas's polyrhythmic piano playing, described as a fusion of lacy delicacy and propulsive thumping, takes center stage, displaying his remarkable ability to blend diverse influences seamlessly. Tracks like 'Uira (Encantada da Agua) - Vida e cura' feature prepared pianos and intricate basslines reminiscent of Ethio-jazz, pushing the boundaries of traditional jazz into avant-garde territory. In the album's second half, Freitas engages in dynamic collaborations with guests like Jeff Parker and Brandee Younger, adding layers of texture and depth to his compositions. "Y'Y" represents a bold exploration of cultural fusion and experimentation, solidifying Freitas's position as a visionary pianist and composer in the contemporary jazz landscape.

Review: Portuguese producer Fradinho takes care of the fourth release from Eclectic Beats Music and does them proud. This is a sunny and worldly trip through broken beat with hints of musical styles from Brazil and Africa, jazz licks, funk and soul. The lively instrumentalism brings plenty of energy to the cuts starting with 'Afro Fado' which has big horns and 'Brasilenco' which is aimed squarely at the rump. 'Cabanas' is a more pensive and spiritual cut and 'Freedom' pairs soft chords with prickly stick work. Two further gems will have you moving and feeling in equal measure.

Review: Victoria Osei and Theresa Owusuaa are Ahemaa Nwomkro, which is a phrase that translates as 'queens of Nwomkro.' Nwomkro is an Ashanti style music that influenced Highlife, a style of music closely linked to Kumasi, Ghana's cultural capital and a city in the middle of the jungle. The pair link up with young highlife talents here and the results are pure, good time sounds that trill with energy, pickle rhythms and earthy percussion as well as some subtle synth work that brings a contemporary edge.

Review: Ahemaa Nwomkro means queens of Nwomkro, an old Ashanti Musial style that was hugely influential in the early formation of genres like the Highlife take on Kumasi, which is the cultural capital of Ghana in the middle of the jungle. Those queens are Victoria Osei and Theresa Owusua and here they team up with young Highlife musicians generation Akule Pepe on guitar. He worked for many years with Highlife legend Alex Konadu and these songs here show just how well pure Nwomkro work with textbook Highlife.