Search results: KO's

Review: Malian singer, songwriter and instrumentalist Fatoumata Diawara has enjoyed a highly successful career, not just as a musician but also as an actor. Even so, it has taken a string of collaborations - including an appearance on Gorillaz album Song Machine, Season One: Strange Timez - to bring her to a wider audience. London Ko, officially her third solo album, successfully highlights the open-minded, internationalist nature of her work, offering superb, immaculately produced songs that blend her Malian vocals, instrumentation and jangly guitar playing with nods to synth-pop, deep house, electronica, r&b and downtempo beats. Naturally, the album boasts several notable collaborations, with Damon Albarn guesting on 'Nesra', New York hip-hop-turned-soul queen Angie Stone lighting up 'Somaw', and Alberto Fomesca enhancing CD highlight 'Massa Den'.

Review: After Dinner is like one of those molecular gastronomy adventures, where dishes are both playful and highly complex, not necessarily revealing themselves until the very end. Done with talk of food? Let's just say this is a loose art collective led by a composer called Haco, who were concerned with taking musical plurality and splicing disparate elements together to create a kind of friendly Frankenstein's monster of sound.

And friendly it definitely is. Considered a true one-off of Japanese pop-art rock-avant garde, Paradise of Replica is jaunty, it's amusing, it's beguiling and, ultimately, incredibly immersive. There are moments where the clash of pianos plucked straight from a comedy of manners opera and rough electric guitars (to give one example of the juxtapositions) feel rather strange, but it doesn't take too long for you to get sucked right into the centre of this insane sonic universe.

Review: Crimson Voyage is a collaboration between Yoshiko Sai and noise legend Jojo Hiroshige that marked Sai's first album in almost a quarter of a century. The whole thing was improvised and though on paper this is a coming together of two very different artists that you might think might not work, it does. The album landed in 2001 originally and is a beautifully dark, swirling ambient voyage that sees the underrated Japanese vocalists in top form. Her performance is exhilarating throughout and sits atop bursts of dark synth and fuzzy guitar distortions with wordless vocalisations conveying real feeling.

Notes: The GLIDE case is the perfect case for your Teenage Engineering EP-133 K.O. II: an ideal travel solution for mobile producers and musicians.

Expertly designed for a precise fit, this ultra-compact case packs easily into your backpack or carry-on. The rigid moulded exterior will ensure your KO 2 remains in mint condition for years to come.

GLIDE cases are made of EVA material that is durable and lightweight, while providing excellent protection. The 100% premium materials include a water-resistant faux leather exterior, super-soft velvet interior, and an ultra-smooth zipper.

GLIDE Case For Teenage Engineering EP-133 KO II
Perfect fit for the Teenage Engineering EP-133 KO II
Rigid moulded case that provides excellent protection
Super-soft velvet interior and spacious pocket for cables
Compact and lightweight

Specifications

Perfect fit for your Teenage Engineering EP-133 KO II
Premium faux leather exterior and faux fur lining
Mesh compartment for holding cables
High-quality Analog Cases logo zipper puller
Exterior Dimensions: 8.65 x 10.70 x 1.60 Inches
Interior Dimensions: 7.90 x 9.90 x 1.10 Inches

***Please note: the Teenage Engineering EP-133 KO II is not included, it is shown for demonstration purposes only. ***

Review: Here comes Boots & Legs with another one of their sure fire edit batches from the disco house underground. First up Kayroy brings all kinds of Moog-soaked boogie magic to 'Something New', which also features Super Drama in the process. Disco Mortale & Futuristant have a canny fusion of wavey arps and boxy old-skool electro at work on 'Until Together' and Gabto has fun with some exotic synth work on the irrepressible 'Ki Ko Ho (which features Kauan Marco). Marching Machines complete the set with 'Seraphic' - a taut slice of slow-creeping EBM with a little glitter sprinkled on top.

Review: Clommunity is a label from the good people of Kyiv club Closer, which is one of the most revered and respected in Europe right now. This third outing deals in the sort of deep and intimate sounds you can expect to hear in the club on any given night and it comes from Closer resident Yone-ko, who is a techno maestro from Japan but currently based in Berlin. There is a melancholy to thee tunes, with their wispy pads and dreamy chords, while the rolling, scuffed up drums lock you into a state of trance. Minimal in design yet maximal in impact, this is high-grade stuff.

Notes: This ergonomic stand model is specially designed for the new sampler/sequencer by Teenage Engineering. To achieve a more comfortable use of this beautiful machine, we decided to offer two possible positions: Studio and Live.

The Studio version has a higher angle and elevation, allowing it to be placed in our setup without obstructing rear connectors of other equipment. The Live version has a lower angle, and the front of the EP-133 remains at the level of the supporting surface. This facilitates its use while standing.

Both versions have silicone pads on their bottom to prevent slipping or scratching the surface where it rests. The wooden rods that connect both sides of the stand provide rigidity and stability to the assembly.

Notes: Enhance the resilience and sophistication of your Teenage Engineering EP-133 K.O.II with our tailor-made Decksaver protective cover. Recognising that your K.O.II is more than merely a device, but an integral part of your musical voyage, it warrants the utmost in care and protection. The Decksaver cover is poised to provide precisely that, serving as a formidable protector against external hazards.

This bespoke-engineered cover is designed specifically to match the contours of your EP-133, preserving its stylish, slender profile whilst offering unparalleled protection. Crafted from high-grade polycarbonate, it establishes a strong defence against dust, liquid spills, and unexpected impacts. With this cover, you're free to delve into your musical explorations, devoid of concerns over the common perils that might harm your valued instrument.

The Decksaver cover delivers total protection for every control and feature of your EP-133. Whether you're producing beats in the studio, performing live, or concocting sounds on the go, this cover is your indispensable shield against abrasions, bumps, and contamination. Embrace the liberty of creativity, reassured by the knowledge that your instrument is securely guarded by the Decksaver armour.

Beyond its protective qualities, the Decksaver cover also shines in terms of convenience. Its transparent design allows you to showcase your K.O.II's unique aesthetic while keeping it protected. The cover supports efficient cable management, enabling you to apply or remove it with ease as needed. This obviates the need for frequent setups and disassemblies, offering immediate access to your instrument whenever inspiration strikes.

Transporting your EP-133 becomes effortless with the lightweight and compact Decksaver cover. Its slender profile means it easily slips into your backpack, gig bag, or carrying case, ensuring your instrument remains shielded from knocks, scratches, spills, and impacts during transit. With the Decksaver cover, you can confidently bring your EP-133 K.O.II to any location, secure in the knowledge that it is well-protected wherever you venture.

The Decksaver lid for the EP-133 K.O.II is more than a mere protective accessory; it signifies your dedication to your music. It offers the reassurance that your instrument is consistently safeguarded, allowing you to concentrate on broadening your musical boundaries. Let the Decksaver cover be a companion on your musical journeys, ensuring your K.O.II is always primed for the next auditory adventure.

Dimensions

Weight: 0.16 kg
Length: 18.1 cm
Width: 24.5 cm
Height: 3.3 cm

Material: Smoked clear polycarbonate.

WARNING: When your Decksaver cover is in place, please ensure that your equipment is kept away from direct and high heat sources, such as radiators, fires and sunlight.

Review: Kilo Kish (aka Kish Robinson) is an interdisciplinary artist and performer who has worked with Vince Staples, Miguel, Jean Dawson and Jesse Boykins III and this, her sophomore album. It's a psychedelic piece of pop art with infectious hooks and industrial beats that muses on the issues of identity, status, and race. The production is often maximalist in a fun 80s fashion with ice-cold staccato raps, self-assured bars and playful elements that keep you locked. This first pressing comes on special transparent blue vinyl via Diggers Factory.

Review: Here's an all-time classic to kick back and roll a fat one to. 1996 was a landmark time for trip-hop and downtempo, and alongside DJ Shadow's Endtroducing came this silky smooth delight from Japanese turntablist maestro DJ Krush and jazz trumpeter Toshinori Kondo. Smoky beats and laconic chord licks form the perfect backdrop to Kondo's muted trumpet, and the mood just unfurls from the get-go in a brilliant reimagining of what lounge jazz could be in the fusion-fuelled 1990s. It's a benchmark which has been often imitated and rarely bettered, more than worthy of a remaster and repress on double vinyl.

Review: On this latest drop on EPM, the steadfast UK techno label welcomes steadfast UK techno titan Mark Broom for a collaboration with Australian in Berlin Patrik Carrera. The result is four slices of no-nonsense jackhammers from two experts in the field, leading in with the edgy loops and bludgeoning kicks of 'Kos' and neatly stepping over to the shoulder-shaking pressure of 'ZZZZ'. 'Track 4' features one of those deadly chord stabs which just lands squarely between the eyes, while 'F9' rides the cymbals mercilessly and keeps an abundance of funk in the low end - pure dancefloor dynamite in action from two well-versed detonators.

Review: Many people's first taste of Nocow was amid the second half of the dubstep era - a time when boundaries between established genres and more explorative, contemporary and adventurous beats were blurring, feeding directly into the beautiful mess we see before us today in the dance music scene. Since then, he has graced us with a raft of excellent work which, much like the ethics of the time he emerged from, never really stand still or regurgitate. The difference between Odinocow and 2017's Ledyanoy Album is a case in point. Whereas then we were going through sounds that owed much to 1990s ambient techno, IDM, and associated noises, here we take a very different path, with a haunted R&B undertone running throughout the work, and plenty of nods to polished beach house, trance, and chill wave.

Review: Selected rare Togolese recordings featured here from between 1971 to 1981. According to label Hot Casa, finding these tracks and their rights holders was quite the task, involving numerous trips all over the west African country bordered by Ghana , Benin and Burkina Faso. They have selected 13 tracks, which they've charmingly described as 'a snapshot of some hundreds of rare and often forgotten tapes from the most prolific, professional and exciting phase of the country's recording history'. Highlights on this compilation not limited to: Akofa Akoussah's sultry and bittersweet crooning on "I Tcho Tchass", the life affirming Afrobeat vibes of Aime Orchis Mathey's very obscure "Tralala Vo Dou" and of course the very funky and groovy hoedown that is Adamah & Agbote's "Dzo Le Gbo Nye" .

Review: 11 years on from DJ Koze's one and only commercial mix, 2004's All People Is My Friends for Kompakt, the Pampa boss lines the 50th DJ Kicks mix, following high profile contributions from Nina Kraviz and Actress. This vinyl edition offers the best of both worlds really, featuring some 17 highlights of Kozalla's selection in their original form spread across two slabs of vinyl whilst !K7 have also thrown in a CD copy of the mix so you can hear how it's all done Koze-style. As you'd expect Koze presents one of the more far-reaching selections in the series, with Madlib-produced Freddie Gibbs nestling up alongside William Shatner, Boards of Canada remixes, Broadcast whilst the likes of Marcel Fengler, Session Victim and Frank & Tony offer some deepness.

Review: In the words of Lisa Stansfield, some of us live for the future and some of us wonder. Others, meanwhile, just love to bash out the rave bangers. Others like DJ Kos and his pals Billy Daniel Bunter, Sanxion, Karma Krew and Dubious. All of them delivering premium euphoric goods on this limited coloured vinyl. Following Bunter and Sanxion's hair-raising remix and Kos's timeless original come two more weapons. The mysterious Karma Krew go for the feels with sweeping pads and skippy beats on 'Cracking Up' while Dubious's 'Heartbreak' takes another classic vocal sample and hurls it several decades into the future. Live for it.