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Pre-orders at Juno
This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
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If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 26 Apr 24 $15.21
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Cat: DB2CD 132. Rel: 11 Jan 24
Reggae Classics/Ska
Review: By the close of the 1960s, Lloyd 'Charmers' Tyrell was firmly established as one of Jamaica's premier talents, having previously made his mark as a key member of leading vocal outfits, The Charmers and The Uniques. His move into record production in 1968 swiftly resulted in numerous Jamaican hits, with his success attracting the attention London-based reggae music giant, Trojan Records, with whom he swiftly signed a licensing deal in 1969. As the 60s drew to a close, Trojan released the first two best-selling instrumental albums, Reggae Is Tight, on which the multi-talented Charmers demonstrated his keyboard-playing talents over a dozen fast-passed rhythm tracks. Hot on its heels came a second non-vocal collection, on which the performer-turned-producer displayed an equal degree of dexterity on piano, with leading Jamaican band, The Dragonaires backing him on a dozen instrumental cuts of early reggae favourites. Both these hugely popular LPs feature on this double-disc set, which also includes the remainder of his instrumental output from the golden age of boss reggae sounds.
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Cat: LMS 5521921. Rel: 07 Dec 23
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Review: Some 35 years after volumes one and two landed in stores, Dutch label High Fashion Music has finally got round to releasing a new instalment of the High Fashion Disco compilation series, featuring fresh and recent rubs of classic cuts. Naturally, Dutch veteran and label regular Ben Liebrand delivers some killer interpretations (see his fantastic version of Johnny Guitar Watson's 'A Real Mother For Ya' and energy-packed rework of The Flirts' Bobby Orlando-produced anthem 'Passion'), while there are also must-check rubs from Moplen (two tweaks of T-Connection's Miami Disco classic 'Do What You Wanna Do' and similarly inspired tweak of Karen Young's 'Detour'), Dave Lee as Joey Negro (hot versions of Ashford & Simpson and Karen Young), and the ubiquitous Dr Packer (see his stand-out take on Donna Allen's cover of Maze classic 'Joy & Pain').
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PWL Extended: Big Hits & Surprises Vol 1 & 2 (mixed 3xCD)
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Review: Intergalactic Conexion EP comes as the brand new four-track slab of heat by the Dutchman known as Furz. Lending his talents to local label Hoarder, the four cuts here are primed for bondmaking in the dance: opener 'Intergalactic Connection' says it all, with its repeated vocal refrain over a light-hearted instrumental organ-squelcher. Runners-up like 'Better Get Ready' and 'Double Funk' nod to cheesy Euro and Italo house tropes, but indulge them in a kitsch, not trite, way.
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Live In Detroit 1970 (limited gatefold numbered orange vinyl 2xLP)
Cat: JER 29. Rel: 01 Jan 90
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Review: Marking 60 years since the late singer's birth, I Can Only Be Me celebrates the striking talent of Eva Cassidy with an ambitious project. Christopher Willis and William Ross teamed up to compose new arrangements for some of Cassidy's best loved songs, which have been recorded by none other than the London Symphony Orchestra. 'Songbird' is the centrepiece of the project, which made use of new breakthroughs in AI technology to add new dimensions to Cassidy's performance in line with Willis and Ross' new compositions. It's a posthumous collaboration like no other, sure to delight fans who always dreamed of where else Cassidy's music might have taken her if she hadn't died so young.
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Cat: CDSUND 5606. Rel: 06 Jan 23
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Review: The 50th anniversary of Colin Blunstone's legendary opus One Year is marked with this new and expanded edition. The seance half of the record features a deeper diver into the introspective world of the artist with Colin singing and only his acoustic guitar for company. One Year is a record of lush instrumentation but sparse atmospheres that are always intimate. On the accompanying That Same Year the artist manages to draw you in ever closer for a more meditative sound. The record comes with liner notes by the man himself with unseen photos from the year he recorded this special oeuvre.
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Review: There's nothing quite like the experience of an authentic P-funk show. Given the fact their music always sounded like a raucous live jam even in the studio, George Clinton's assembled throng of Parliament Funkadelic visionaries were already hardwired to take it to the stage. There are plenty of essential eras for this most mighty of funk phenomena, and here's a recording from one such period in 1989. There's everything you could wish for from Clinton and his crew, with some of the greatest P-funk anthems slipping in alongside some deeper cuts, all delivered in that thrilling, anything-could-happen extended style that defines the live sound of this most vital of funky forces.
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Los Kifers (limited hand-numbered 10'' LP + insert + autographed card)
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Review: A standout score for a standout animation, Sierra the visual treat offers an insight into creator Sander Joorn's childhood: a father's obsession with rally driving turning his child into a car tire. A surreal idea many can get on board with given the predisposition of parents to pressure youngsters into rekindling their failed dreams, Estonian producer Misha Panfilov's sonic accompaniment is just as original.
If you're familiar with the artist's aural palette then the contents here will not come as much of a surprise, albeit this is still wholly original stuff. There's a playfulness that makes you think the genius in question would likely be a laugh riot to meet at the bar, with audible depth meaning the live show that follows will transports you to another dimension. Here, moments of bouncing, childlike electronica meet grander ambient classical, with the occasional 1960s elevator pastiche thrown in for good measure.
… Read moreIf you're familiar with the artist's aural palette then the contents here will not come as much of a surprise, albeit this is still wholly original stuff. There's a playfulness that makes you think the genius in question would likely be a laugh riot to meet at the bar, with audible depth meaning the live show that follows will transports you to another dimension. Here, moments of bouncing, childlike electronica meet grander ambient classical, with the occasional 1960s elevator pastiche thrown in for good measure.
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Cat: CRJAM 010T. Rel: 05 Aug 22
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Bob Marley & The Chineke! Orchestra (limited heavyweight vinyl LP)
Cat: 384071 8. Rel: 22 Jul 22
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Review: Bob Marley & The Chineke! Orchestra marked the 60th anniversary of Jamaican Independence with a special concert that showcased Marley's most famous songs all recorded with new instrumentation and orchestration. Trevor Nelson presented the project and he tapped up Skip Marley, an inheritor of his family's famous musical legacy and who made his debut UK performance for this concert which was recorded for this album on Island Records. British singer-songwriter JP Cooper plus Jamaican born and Birmingham based soul, gospel and R&B legend Ruby Turner also featured.
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Cat: DISCOEDITS 01. Rel: 30 Mar 22
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Review: DJ Junk is ironically named because all of the joints on this new 12" disco edit label are superb. Each one adds a house feel to some classic tunes from days gone by. 'Right In The Socket' kicks off with leggy drums and slapping hits next to jumbled toms and congas. It's a real cosmic crowd pleaser. 'Ready Get Down' then ups the ante with some taught and tight drum kicks overlaid with noodling guitar funk and big vocals. On the flipside, things get deeper with 'What I Got Is What You Need' which is a soul drenched stomper with heartfelt feel coos and last of all comes the more spaced out and spacious 'If You Want Me' which builds in teasing layers of well-filtered funk.
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Cat: 194398 214917. Rel: 01 Jan 90
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Review: Live in Detroit was a 1970 show by American psych and blues rock band the Doors, recorded at the Cobo Arena in May of that year during the same time when they were recording their last studio album, LA Woman. It was one of the longest ever live gigs the band played and amongst the 25 tunes they offered up, there were eight big blues standards including 'Back Door Man', Junior Parker's 'Mystery Train' and 'Crossroads' by Robert Johnson. Because the gig played so late, it got the band banned from the Como Arena. The album was mixed and mastered by long-time Doors' sound engineer Bruce Botnick.
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