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Notes: 104hp wide with two 3U rows and a 1U row.
Powder coated aluminum construction
VESA mount compatible (100mm x 100mm)
Plastic handle for easy mobility
Metal feet can be installed to support multiple angles of jamming.
Secure latching lid with enough depth to keep your patches patched

Expandable

Lid - when you're ready to add more space, the lid can be expanded to be another 104hp x 7U. You can add another set of rails, power supply and power jack and double your available space. (Kit available)
Metal feet - The metal feet can have a pair of rails and rack mounted power added to support another 3U row of 104hp. (Kit available in future)

Connectivity

Audio jacks - set of four jacks for stereo in and stereo out.
MIDI jacks - DIN jacks to support IN, OUT, and THRU MIDI.
USB power - can be used for a lamp to light your case or to charge your phone while recording your set.

Dimensions
557mm x 334mm x 169mm
74mm depth for 1U and bottom 3U row
52mm depth for middle 3U row

Power
+12V - 3A (with plenty of allowance for in-rush current)
-12V - 3A
+5V - 3A (shared with USB power)
36 shrouded power headers

In The Box
Main case
Lid
Metal feet
Power adapter 20V at 6A

Review: Woody McBride's Sounds label continues to dive back in the archives and revive some absolute gold standard techno for modern diggers. This collab effort between McBride (in his DJ ESP guise) and DJ Skull originally came out in 1995, and it still sounds fierce to this day. 'The Drive' is a stripped down tool with all the right chops to tweak out a locked-in raver, but 'G-Rated' is the real gem on the record. In a blistering hailstorm of 303 squelch you get a definitive example of acid techno at its finest. 'The Power' might well find relevance in the present day trance-techno scene thanks to its unsettling leads and relentless forwards thrust.

Review: Alongside De La Soul's 3 Feet High and Rising, A Tribe Called Quest's The Low End Theory and Public Enemy's It Takes a Nation of Millions To Hold Us Back, Dr Dre's solo debut album, The Chronic, is one of the few hip-hop sets that genuinely changed the genre in the months and years after it was released. Three decades on from its original release, it has lost none of its allure - as this celebratory reissue proves. Built on distinctive 'G-funk' beats that heavily reference his hero, George Clinton, a wealth of killer samples, and raps from the cream of the then West Coast scene (his old pal Snoop Dogg is the most prominent voice throughout), it's a kaleidoscopic and sonically vibrant excursion that's every bit as essential now as it was back in 1993.

Review: Where does Dr Dre's 1992 masterpiece, The Chronic, rank in the list of hip-hop's greatest albums? It's certainly up there with the most significant sets of the '90s, delivering as it does a brilliant blend of re-imagined, 'gangsta rap' era G-funk beats (Dre giddily drew not only on his own West Coast synth-funk heritage, but also samples from classic cuts by, amongst others, Malclom McLaren, Parliament, George Clinton, James Brown and Bill Withers) and on-point raps from a veritable who's who of Death Row Records-affiliated rappers - most notably Warren G, Snoop Dogg, Nate Dogg, The Lady of Rage, Kurupt and Daz Dillinger. Now fully remastered and bundled with - fittingly - with some branded rolling papers, The Chronic is a genuine classic that deserves a place in everyone's music collection.