Search results: Free 2 Dance

Review: The Nuggets series first landed in the 70s as an early example of the kind of 'diggers delight' compilations that looked deep into hidden corners to find rare, unfathomable sonic treats. The focus of these albums was the 60s psychedelic explosion, when every town was teeming with kids in garages experimenting with music (and, er, possibly the odd refreshment or two). Volume two of the series is just as seminal as volume one, as we get treated to some seriously heady gear from helices of The Lovin' Spoonful and The Sonics amongst many other lesser-spotted gems.

Review: As the title makes clear, this three-disc, unmixed collection has one simple aim: to soundtrack kitchen discos, living room dances and long car journeys with a jam-packed selection of disco hits and disco-tinged pop favourites. It does a good job at that, even if some of the selections tend towards the lesser-known end of the commercial disco spectrum, with all three discs showcasing such disco must-haves and part-starting sing-alongs as Dan Hartman's soaring 'Relight My Fire' (famously covered by Take That in the 90s), Diana Ross's 'I'm Coming Out', Chaka Khan's inspired 'Young Hearts Run Free', Grace Jones' punk-funk Roxy Music cover 'Love Is The Drug', McFadden & Whitehead's epic 'Ain't No Stopping Us Now' and Cheryl Lynn's peerless 'Got To Be Real'.

Review: South African Warrick Sony is a ground breaking composer who was behind the Kalahari Surfers project which now gets a vital spotlight courtesy of Emotional Rescue. This compilation shows how effortlessly eclectic his sound was - from jive rhythms to jazz, tabla to political speeches and much more in between. A Hindu pacifist who was once conscripted into the South African Defense Force, he founded this group as a way out getting his ides out there, calling on other musicians as and when he needed them. It was the first radical white anti-apartheid pop in South Africa and as this vital collection shows it explored polyrhythms, slow motorik, dub sound collage and even a goofy cover of Nancy Sinatra.

Review: 'Moonage Daydream' is the latest addition to the Bowie franchise; an epic film of never-seen-before Bowie footage, recolourised and repackaged to form an experimental cinematic odyssey for today's generation of art rock lovers. The soundtrack sees an insta-release to complement the launch of Parlophone's new digital streaming service; it's got an exclusive early version of 'Hunky Dory' in there, as well as a live version of 'Rock n' Roll With Me'. A kaleidoscopic LP from the master of reinvention, posthumously reinventing himself once more.

Review: Narada Michael Walden is now 71 years old and has enjoyed a hugely successful career, with his CV boasting extensive work with Quincy Jones, years spent playing with jazz-funk greats, a stint as journey's drummer, and - perhaps most significantly - production credits on huge 1990s releases by Whitney Houston, George Benson and Mariah Carey. Yet instead of retiring or resting on his laurels, he's turned to writing, recording and producing his own music. Euphoria is an undeniably funky, accessible and pop-tinged affair, with Walden adding his own vocals to backing tracks that sit somewhere between 21st century revivalist disco, nu-disco, prime Prince and Radio 2-friendly AOR pop. As you'd expect from someone with his contacts book, there are some high-profile guests dotted across the album, most notably Carlos Santana, Sting and Stevie Wonder.

Review: Milwaukee outfit Impulse are one of those soul bands that melt the heart. Their buttery smooth vocals and the funky grooves down low are a perfect accompaniment to late night smoochy sessions or dance parties alike. Made up of Wisconsin musicians incising Michael Reese, Cedrick Rupert, Jeffrey Williamson and Robin Gregory, they wrote and recorded their self-titled album at Wally Heider's Studio in San Francisco but it never ended up getting a proper release, until now. There are some raw and guttural sounds like 'What's That Sound' in among the more loved-up moments, which helps make it a real doozy.

Review: It almost (almost) feels pointless to pitch why you should buy Moonage Daydream. After all, David Bowie was one of the 20th Century's best selling and most influential artists. And that legacy continued through the early-21st, when he represented an increasingly rare breed of visionary artist capable of building entire worlds. He straddled mainstream popularity and experimentalism with ease. So, you're probably going to pick up a copy of this on sight and spec alone.
Nevertheless, some context may help. 'Moonage Daydream' is, of course, the title of one of Bowie's most enigmatic and defining tracks, which would go on to form the basis for the concept album The Rise & Fall Of Ziggy Stardust and the Spiders From Mars. Now it's also the name of a new documentary about the life and times, and incredible work, of the man in question. In terms of soundtrack, that translates as two discs of rare and iconic material, from 'The Jean Genie/Love Me Do/The Jean Genie' medley (recorded at the final date of the Ziggy tour in 1973), to alternative mixes of tracks like 'Modern Love'.