Ifang Bondi & The Afro Mandingue Sounds - "Atis-A-Tis" (4:38)
Sory Bamba - "Kanaga 78" (4:55)
African Black - "Nzango" (7:02)
Bunzu Soundz - "Zinabu" (3:21)
Messi Jacques & Les Dissoumbas De Libreville - "Onga Ben Ma Na Mene Mebua" (6:18)
Ofo & The Black Company - "Allah Wakbarr" (3:26)
Damas Swing Orchestra - "Odylife" (2:20)
AKA - "Shake Me" (5:32)
Manu Dibango - "Ceddo" (5:06)
Review: The Africa Seven label might not have been around for very long, but the London-Paris dynasty has certainly established itself as a no.1 outlet for rare, unhinged world music. This is Africa Airways Volume 3: The Afro-Psych Excursion, a gorgeous compilation spanning the years 1972 to 1984, and it clearly offers some of the most magnetic tunes that they label has put out thus far. There isn't a mediocre song in here and, as the saying goes, it's all-killer-no-filler; take African Black's "Nzango", for example, a twisted, FX-heavy tribal experiment, or the more soulful highs and lows of tunes like "Zinabu" by Bunzu Soundz. Rough, dusty, completely psyched-out, and inimitable the whole way through; if you're looking for something that'll get the heads turning, and the diggers jealous, then this is your LP. Highly recommended.
Review: Altered Moods strides into its 11th year of active service with a delectable platter of sumptuous house music presented by Jesus Gonsev. The Spanish producer has previously been spotted on deepArtSounds, Music With Content and his own Troubled Kids label. "Fuerza" is a billowing, dreamy trip loaded with heavy pads and submerged acid, leading into the gritty but soulful crunch of "Old Times." "Gargantua" is a loose-knit creation that celebrates skittering drums pinging around the anchor of the kick while wistful keys smooth the whole jam out. Life Energy taps into this feeling and runs with it on a remix of "Gargantua" that creates a more pumping backbone while amping up the romantic wooze of the melodic content too.
Review: It can't have escaped many folks attention that the last few years have seen something of a psych boom taking place, and it's hard to as much as step out of the house without tripping over a band nicking Brian Jonestown Massacre threads and Spacemen 3 droneathons in pursuit of some heavy-lidded nirvana. Just as well then, that we have bands like Nashville trio The Paperhead around - a band with not only the individual identity to beguile but enough original ideas to make 'Chew' an invigorating listen. With its origins in late-'60s psych-pop and Barrett-esque surreal songcraft, yet replete with Morricone-esque brass, jazz inflections and vocal harmonies, it's a carefree yet naggingly infectious treat.