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Search results: The Forest
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Pre-orders at Juno
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We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $24.49
(No payment required now - pay when released)
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Pre-orders at Juno
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We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
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Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
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If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 03 May 24 $23.21
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Cat: DEN 358LP.
Jazz
Dance Of The Headless Jazz Expert
The Queen Is About To Spin
Easy Time
All Systems On
Accident In The Forest
C'mon I'll Show You Something
The Caprice
Bad Cat
The Excellent Spiritual Serviceman
Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $30.93
(No payment required now - pay when released)
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Cat: FWF 007.
Jazz
Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $34.55
(No payment required now - pay when released)
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Review: In November 1987, when this radio broadcast from Brussels was originally captured, The Cure were riding high, having been transformed from major cult to all out massive band by their 'best of' collection Standing On A Beach and then delivered their most extensive, ambitious and accessible album to date, Kiss Me, Kiss Me, Kiss Me. This 13 track collection sees the boys from Crawley delivering exquisite pop highlights from that album - see the delicate 'Catch', the synthed up 'Hot Hot Hot' and 'Just Like Heaven' - alongside darker moments from earlierr in their career like the haunting 'Shiver & Shake' and melancholic 83 synth workout 'The Walk'.
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Review: A selection plucked from Robert Smith and co's 1984 Washington show, with a neat collection of tracks from what many would see as the band in their prime. The contrast between raw, speedy new wave anthems like 'Boy's Don't Cry' and '10:15 Saturday Night', the epic gothfest 'A Forest' and the cuter pop idiosycracities of 'The Caterpillar' show how quickly the Crawley gang evolved in their early days. Obviously, they had a long way to go after this, but many would say this is The Cure at their absolute finest.
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Review: Much loved emo post-punk outfit The Cure not only released several superb albums but were also a brilliant band to catch live. Over their career, they played many a seminal live show for radio or TV broadcast and now the best of them has been picked apart and collated on this new five-CD box set. The Broadcast Collection spans 1979 to 1996 and includes all your favourites like 'Killing An Arab', 'Boys Don't Cry' and 'Just Like Heaven' (in fact more than one version of some of those make the cut) next to plenty of lesser-known but no less good jams.
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Review: Manchester trumpeter, band leader and Gondwana label boss Mathew Hallsall is right at the forefront of today's thriving jazz scene. He has an enviable discography that takes in a wide range of jazz styles and the spiritual eastern leaning sounds of When The World Was One make it one of his best. It's the sort of mellifluous record that swells all round you, lifting your spirits filling you with joy and hope. Helping that be the case are the heavenly harps and shimmering piano chords, koto and bansuri flute payed by his Ensemble, but centre stage is always given to Halsall's own beautiful, heart aching trumpet playing. From bold heights to vulnerable lows, this is as good as jazz gets.
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Review: While initially inspired by some of the greats of Ethio-jazz, Leeds outfit The Sorcerers has recently expanded its repertoire to include sounds inspired by 1960s/70s soundtracks (particularly those by Ennio Morricone and Roy Budd), obscure Italian library music and Blaxploitation funk. The band's latest album riffs extensively on these vintage influences, delivering an "original soundtrack" to an imaginary film inspired by a headline in The National Geographic. It's a wonderfully atmospheric and evocative affair, with all 12 tracks sounding so authentically vintage and emotive that they could easily have been made and released 50 years ago. Whether you've checked their previous releases or not, this is well worth a listen.
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Review: Now you've stopped shouting "there's a new Nick Cave album" at everyone who walks past, comes near or might possibly be in earshot it's about time we dived into the contents of the legendary troubadour's 17th studio album. Be warned, though, what lies beneath is deep and immersive enough to drown in, and even the most effective divers wouldn't find a body. A suitably morose introduction, we think. Digressions aside, "Ghosteen" is a majestic, powerful, operatic experience that will change nobody's opinion of Cave and his band, The Bad Seeds. The works are just as innovative, poignant, graceful, melancholic, euphoric and inescapable as ever. Too many adjectives? We're making no apologies. Consider the title number, if that's not too obvious a focal point. Sparse yet grandiose, narrative driven but metaphorical, organic and earthy yet making incredible use of a theremin. Almost impossibly good, sit back and let it wash over your mind.
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Review: Rabid Sweden are currently reissuing a number of The Knife's early records. Silent Shout is arguably the band's most famous. It was their second after the bubbly euro-dance delights of Deep Cuts and proved a marked change in sound and style. Gone were the bright arps, the happy-go lucky drums and upbeat dance songs, and instead came low slung bass, menacing and snaking guitar leads and tortured vocals. All these years later the album has stood the test of time and still very much stands out as a high point in the band's career. This special reissue comes on limited violet vinyl.
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Cat: PC 7981. Rel: 29 Dec 23
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Review: The Cure are one of those bands everyone should know, and do their best to try and see. With their roots in what was a nascent post punk sound, they quickly - like album two, quickly - turned to a darker, altogether weirder and artsier hybrid New Romantic sound before introducing clear pop sensibilities a little later. You can't help but feel they've carved out a completely unique place for themselves in the pantheons as a result. Of course, that's in retrospect and13 studio albums, 30 singles, and 30million unit sales later. But, as this collection of live recordings for broadcasting icon John Peel's BBC radio shows proves, even in their earliest incarnation there was something very different about Robert Smith and comrades. There's not a lot more that needs to be said, really. Perhaps aside from 'buy it'.
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Shake Dog Shake (CD2: live FM Broadcast Recorded At The Paramount Theatre, Seattle, WA, 21st October 1984)
Want (CD3: live FM Broadcast Recorded At Praca Da Apoteose, Rio De Janeiro, Brazil, 26th January 1996)
Review: Given The Cure's particularly brittle sound in their early years, it's an added joy to hear it compressed with a tape-borne level of saturation for this excellent collection of three radio broadcasts. Disc one is given over to a recording from Philipshalle, Dusseldorf in 1981, capturing the band during their seminal run of early, gothic new wave. Disc two comes a few years later at the Paramount Theatre in Seattle, and you can already hear the evolution of the band while still very much ensconced in their funereal splendour and jangling guitar sound. For a greater leap still, head to disc three and the recording from Praca Da Apoteose, Rio De Janeiro in 1996, which was right around the time they released Wild Mood Swings, and marvel at the evolution of one of the finest bands of the era.
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Review: Happy Man are not two words you would usually associate with The Cure frontman and emo poster boy Robert Smith, but this live album is named after their 1984 track 'Happy The Man', naturally enough included here. This selection was recorded while the group was on a third tour of the US having already made a big name for themselves off the back of their recently released 1984 studio record The Top. The fan based turned out (and then some) and got to hear classics such as 'Let's Go To Bed', 'Boys Don't Cry' and a live version of 'Killing An Arab', which closes out this set. A crucial one for diehard fans and curious listeners alike.
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2018's Rick Rubin-produced Shine And Oh So Bright... album may have emphasised their rock roots, but now we're given their creative juices in full flow on their poppiest outing yet, partly inspired by the roster of seminal Chicago label Wax Trax!, the US home to Underworld and The KLF among others. Needless to say, though, the Pumpkins make it sound like they've lived here all along; testament to their unwavering dedication to trying new ideas and knack at pulling them off.
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