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Items 1 to 36 of 36 on page 1 of 1
Cat: 738495 Rel: 08 Jul 19 • View all Synth modules
 
Quad multimode oscillator with a vast array of sonic options
Notes: The Synthesis Technology E370 is a 4-channel DSP-based VCO, 54HP wide module that incorporates features from the E340 Cloud Generator and the E350 Morphing Terrarium (both are discontinued), while adding additional modes from the E352 Cloud Terrarium. It uses 105ma of +12V and 32ma of -12V.

VCO Architecture:

Each VCO is independent in the E370, but the 'pooled CV buss' (see description below) allows sharing of CV and mixing of audio outputs if desired.
The VCO is based upon a unique implementation of wavetable synthesis using 256 fixed-sample-length tables of 16-bit values. Each bank in memory consists of 64 wavetables, in an 8x8 array (like a chessboard). Our proprietary DSP algorithms then allow either smooth or 'glitched' morphing between the wavetables in various ways. The E370 comes with 3 factory banks (192 total waves) and internal FLASH memory to hold 26 user-defined banks. This allows over 1,650 individual wavetables to be accessible. The free, cross-platform WaveEdit program is used to generate and import WAV files to user Banks.

Colour LCD/Navigation:

Everyone hates 'menu-diving', us included. That's why we focused on making the most 'shallow' menu system possible. Everything is just 1 or 2 clicks away. No endless screens and pages to remember. The encoder is a mil-spec Grayhill optical encoder with a 25yr typical life. And if it ever needs replacing, it's on a easy to access cable assembly.

Sharing CV Resources:

The factory default state of the E370 is each VCO has 2 PARMs called X and Y. VCO1 has X1 and Y1, VCO2 has X2 and Y2, and so on. However, these are not 'hard' assignments, just the default ones. You can share ANY of the 8 PARMs across 1-4 VCOs. For example, PARM Y3 can be assigned to all 4 VCOs at once, so turning the PARM Y3 knob and the external MOD Y3 CV is fed to every VCO. This voltage can then modulate each VCO in a different way, depending on where you assign it.

User Wavetables and Patch Storage:

Loading and storing your own wavetables is via the uSD card interface. The uSD card is NOT REQUIRED to run the E370. It is also used for firmware updates. The free application WaveEdit is used to format the wave data and bank data into the proper format used inside the E370.

Audio Output Mixer:

The default state of the Mixer is each VCO is full volume and only appears at its own output jack. Using the Mixer screen, each VCO output can be mixed with all the others. This is useful for the Morph + Phase mode, and also during live performance where only 2 audio outs are commonly used. The mixing levels are fixed in log steps: there is no 'CV-controlled mixing' function.

VCO Modes:

Although the E370 excels at smooth morphing between wavetables (first introduced in the E350 Morphing Terrarium in 2010), traditional VCO waves such as saws, pure sines, and filtered noise (using a 4-pole resonant lowpass ladder filter) can be selected. Thru-zero, linear FM (in 3 ranges) can be used on not just triangle waves (as in an analog VCO) but with ANY waveshape or any wavetable. Here are all the different modes you can place each VCO in, and remember each VCO can be a different mode.
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 1 in stock $1,086.10
Cat: 660460 Rel: 15 Mar 18 • View all Synth modules
 
4-stage Analog Shift Register (ASR) module with built-in quantizer & digital noise generator - 14HP
Notes: The E102 is a 4-tap delay for control voltages (a digital implementation of the Serge ASR - Analog Shift Register). There is also a digital noise generator with 8 different types of noise spectra. With no CV patched into the INPUT jack, the digital noise is sampled. Each clock pulse (internally set by RATE or patched into CLOCK IN) samples the INPUT and stores it as a 14-bit value. Successive clocks then shift the sampled voltage to the next output. The sampled voltage is shifted in the delay line as OUT1 > OUT2 > OUT3 > OUT4. A quad 14-bit DAC drives the outputs with an accuracy of <1mv.

A unique addition to the traditional ASR is the voltage-controlled DELAY. Selectable in 3 ranges, this adds delay stages in-between each output. For example, if DELAY was 2, then it would take 6 additional clocks for the OUT1 to "travel" down the delay line to appear at OUT4. The INPUT is sampled once for each clock, no matter what the DELAY is. The outputs can be quantized to whole-note steps.

The most common use of the E102 is having each OUT drive a VCO. If you have a step sequencer, then use the sequencer's clock into CLOCK IN and the sequencer's CV out to INPUT. The 4 OUTs will then generate a musical canon (like "Row Row Row Your Boat") when driving 4 VCOs. Each VCO will play the same note as the prior clocked output. This is of course assuming DELAY = 1. DELAY is not the same as a 'clock divider': when DELAY is not 1 (say it is 12), then every sample clock, the INPUT is fed into the delay. In this case there are 12 clock-delay stages between each out. If 0.25V was sampled and appears at OUT1, then 12 clocks later that same 0.25V appears at OUT2. There is no delay from INPUT to OUT1. The delays are OUT1 to OUT2, OUT2 to OUT3, and OUT3 to OUT4. OUT1 is a 'traditional' sample/hold.
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 1 in stock $248.40
Cat: 660467 Rel: 24 Jan 18 • View all Synth modules
 
Frequency Shifter/Ring Modulator/Phase Shifter with wavetable modulation - 14HP
Notes: The E560 is a triple-mode effects module: a thru-zero frequency shifter, a phaser, and a ring modulator. What sets the E560 apart from other DSP effect modules is the unique carrier wave morphing feature. Traditional frequency shifters and phasers use sine waves as the carrier/modulator, but the E560 has eight different carrier waves that can be continuously cross-faded to create never-before heard soundscapes. The eight carrier waves are specifically selected to give the widest sonic palette, from simple frequency shifts, to 64-note "pattern sequences," to extreme harmonic content.

There are three operating modes available: Shift, RM, and Phase.

SHIFT is a frequency shifter that can shift thru-zero with two simultaneous outputs (down and up). Like traditional frequency shifters, a sine carrier will generate a smooth shift but the E560's seven other waves will generate a vast array of harmonic content and even patterns of evolving timbral shift.

RM is a standard ring modulator (4-quadrant multiplying VCA) with a twist: the two outputs are always forced into quadrature (90 degree phase shift). The eight carriers can produce everything from tremolo effects to gating to high degrees of distortion.

PHASE is an E560 exclusive mode. The audio input is applied to an eight-stage all-pass network. The two audio outputs are in quadrature, but in turn phase shifted from 0 to 360 degrees relative to the input. Not only that, the "vector" the phase shift follows is the data in the carrier wavetable. The phase shifting can be linear (saw wave), traditional (triangle), or bouncing all over the place (64-random phase waveform).

Not only do you have full control over the chosen effect, but also the Wet/Dry mix, and applying either positive or phase-inverted (negative) feedback, this introduces peaking at certain harmonics or cancellation of those harmonics. Applying a slow LFO to the feedback CV can produce a wide range of constantly changing spectral content.

There are four CVs available to control the E560 in real-time. All four of the panel controls have a corresponding CV input, so that you can "turn" all 4 knobs at once by applying 4 CVs.

The E560 is another unique DSP-based module that has no equal in the modular world, in any format. If you're stuck in a musical rut and looking for a new module with a wide range of sounds, the E560 might be exactly what you're looking for.
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 2 in stock $312.83
Xjenza Eletronika EP (hand-stamped 12")
Cat: GTD 002. Rel: 08 Jul 19
Electro
  1. Jupiter Bazz (4:58)
  2. Xjenza Eletronika (5:23)
  3. Traveller (5:06)
  4. Waiting Rooms (5:45)
  5. How It Feels (3:41)
 in stock $12.99
Cat: DRIVE 002. Rel: 04 Apr 18
Electro
  1. Harmonic Disassembly (6:25)
  2. Skyline (7:41)
 in stock $9.09
FORTHCOMING
IC 4406 EP
IC 4406 EP (blue marbled vinyl 12")
Cat: NBL 005. Rel: 30 Sep 19
Electro
  1. Expansion 303
  2. Noisy Shouts Of Joy
  3. Octagon
  4. Breathe
coming soon $14.81
Cat: OR 92. Rel: 11 Jul 17
Dub
  1. Chock Full & Dub (3:02)
  2. Chock Full & Dub (version) (3:26)
 in stock $7.80
Cat: SCR 001. Rel: 18 May 17
Disco/Nu-Disco
  1. Southern California Style (5:50)
  2. Thinking About You (5:27)
 in stock $20.53
Wired EP (12")
Cat: SYNT 015. Rel: 15 May 18
Techno
  1. Call It On (6:21)
  2. Wired (4:57)
  3. Wired (DJ Pepo remix) (5:47)
  4. Pushover (5:57)
Played by: Ben Sims, Tasha, S-File
 in stock $10.38
Cat: 700730 Rel: 03 Jul 19 • View all Synth modules
 
Eurorack visual generator module
Notes: STRUCTURE is a visual generator module that is based internally on an OpenGL GLSL node based platform. It uses the concept of node structures to push visuals through the system.

STRUCTURE contains a video input system that you can select between two formats, Composite video or LZX 1V RGB (with sync applied to rear of module). The Composite input does full colour decoding. Input video can be mixed through effects, with other generators, effected with audio, etc. Input video can be NTSC or PAL, 480i. STRUCTURE auto detects and converts video inputs.

STRUCTURE contains two mirrored video outputs, both composite, selectable to NTSC or PAL 480i.

Two audio rate CV inputs can be used with audio nodes to generate audio based visuals, effects moved by audio waveform, XY plotting of audio inputs, or just used at low frequency CV inputs when not using audio nodes.

Three CV rate inputs can be used to modulate a variety of controls on each node.

All CV can be set independently to 1V or 5V expected input. Each CV has a scale control and a positive offset control for fine tuning incoming CV voltages.

A joystick can be used to modulate controls in real time, or used to record motion information that is played back in a loop. In addition, the joystick has a metal hat for nice weighted movement.

STRUCTURE can also generate 3D graphics, animate properties of the 3D objects, and allow you to map and node type to the texture of the 3D objects (like video).

Three gate inputs, usable by local buttons as well.

Three macro knobs on the top right, allow for global changes to the output node which are user configurable.

STRUCTURE has a USB input, which you can attach MIDI interfaces, MIDI keyboards, controllers, etc, or even a standard PC keyboard or numeric keypad. You can assign actions or state changes to trigger from any of these input sources.

SDCARD on front and back. Backside SDCARD stores system, front side stores user presets, images, configurations, objects, custom shaders, etc.

STRUCTURE has a full colour 320×240 preview screen which also provides lots of feedback when using.
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 4 in stock $862.64
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2hp
Cat: 714255 Rel: 17 Dec 18 • View all Synth modules
 
Speech synthesiser/formant oscillator with speech & FOF synthesis algorithms - 2HP
Notes: Vowel is a speech synthesis and formant oscillator. It synthesizes and approximates the human voice by generating vowel sounds. These can be manipulated to provide deep low baritones, or high pitched squeaks. Two unique algorithms provide separate takes on this exciting synthesis method and allow for a multitude of talking synth sounds.
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 2 in stock $92.50
Cat: 731216 Rel: 18 Jun 19 • View all Synth modules
 
4 variable waveshape operators for linear FM synthesis - 30HP
Notes: Implementing frequency modulation synthesis completely from scratch in firmware, the Quad Operator is able to provide a modern take on frequency modulation synthesis.

- One knob per function design for true ease of use
- Any FM algorithm is possible via modulation matrix
- The Algo expander provides algorithm save/recall and crossfading capabilities
- Independent output per operator
- Virtual VCA per operator for both animating modulation and output volume control
- Includes a dedicated "AR FM" input with its own modulation sends, designed to bring an audio rate signal in from your rack for use as a modulator. Try processing a phase locked operator, and feeding it back in!
- Each operator can also be unlocked then tuned and patched independently, making the module a great general purpose oscillator bank
- Convincing digital emulation of classic analogue waveshapes - sine, triangle, square, and saw
- An LFO mode, enabled the generation of phase locked, complex modulation signals
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 3 in stock $431.31
Cat: 580353 Rel: 04 Sep 15 • View all Synth modules
 
Multi-Voice, Multi-Algorithm synthesiser module - 14HP wide
Notes: The tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer module named for the music hall considered by some to be the location of the first electronic music concerts. It was coded by Tom Erbe with the goal of presenting three historically important pioneering electronic tone generation techniques less often implemented within the modular synthesizer.

The tELHARMONIC's roots go back further than the advent of electronic music, as it also takes a new approach to handling music theory in the modular context. TONIC, INTERVAL, DEGREE and D-GATE, allow for patch-programming of complex chord progressions, scales, melodies and playing styles. This Voltage Controlled Music Theory guides the Algorithms in a unified way, whereas CENTROID, FLUX and H-LOCK sculpt the timbre of each Algorithm uniquely, allowing for complex sounds to be created around a unified melodic structure and pattern.

***FIND THE SPIRATONE INSIDE YOUR TELHARMONIC***

Spiratone:
The Spiratone is a form of Shepard Tone generator. It is a sonic barber pole that creates the auditory illusion of a tone that continually ascends or descends in pitch, yet ultimately seems to get no higher or lower.

It occupies the same space as the tELHARMONIC. To find it, have nothing patched to D-Gate and HOLD H-LOCK for 5 seconds. The sound will dramatically change... you've found the Spiratone inside your tELHARMONIC.
Multi Voice Shepard Tone generator inspired by Jean-Claude Risset "Computer Suite from Little Boy: Fall," 1968 & James Tenney "For Ann (rising)," 1969

CENTROID sets spacing of the oscillators

INTERVAL allows for complete control of modulation depth and direction

FLUX adds random pitch fluctuations

8 octaves of continuous 1V/ Octave pitch control

8 octaves of quantized pitch control

DEGREE Modulation able to be synchronized by clock or gate via D-Gate input

Gate Out completes the conversation between Spiratone and rest of system!

Utilizes High performance DSP hardware with 24bit, 48kHz codec, 32 bit floating point processing

Reasonable power consumption

Pairs well with Optomix

Video demo - https://www.youtube.com/watch?t=1&v=Mz6n-tzX5Xk
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 1 in stock $333.62
Synthesis (reissue) (limited heavyweight vinyl LP)
Cat: BEWITH 046LP. Rel: 23 Nov 18
Funk
  1. Collision Course (3:12)
  2. The Executive (3:31)
  3. Hovercraft (2:27)
  4. Big Black Cadillac (2:18)
  5. Deadline (4:06)
  6. Hit Me, Hit Me (2:37)
  7. Forum (3:07)
  8. Where The Action Is (2:16)
  9. Getting It Together (4:09)
  10. Helter Skelter (2:59)
  11. Alto Glide (5:01)
  12. Mermaid (4:00)
 in stock $21.31
2hp
Cat: 704937 Rel: 01 Oct 18 • View all Synth modules
 
Powerful, easy-to-use speech synthesiser & oscillator
Notes: Vowel is a speech synthesis and formant oscillator. It synthesises and approximates the human voice by generating vowel sounds. These can be manipulated to provide deep low baritones, or high-pitched squeaks. Two unique algorithms provide separate takes on this exciting synthesis method and allow for a multitude of talking synth sounds.
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 1 in stock $125.75
Synthesis Live (CD+DVD)
Cat: EAGDV 097. Rel: 26 Oct 18
Metal
  1. Overture/Never Go Back
  2. Lacrymosa
  3. End Of The Dream
  4. My Heart Is Broken
  5. Lithium
  6. Bring Me To Life
  7. Unraveling (Interlude)/Imaginary
  8. Secret Door
  9. Hi-Lo
  10. Lost In Paradise
  11. Your Star
  12. My Immortal
  13. The In-Between/Imperfection
  14. Speak To Me
  15. Good Enough
  16. Swimming Home
  17. Synthesis Live (DVD)
 in stock $15.58
FORTHCOMING
ERM Polygogo Polygonal Stereo Oscillator Synthesis Module
coming soon TBA
Cat: 655315 Rel: 31 Jul 17 • View all Synth modules
 
Analog bassdrum synthesis with sub-oscillator - 13HP
Notes: Not just another clone or continuation of the 808-esque, acid-style kicks of the Mutant Bassdrum - the Mutant BD9 seeks to explore uncharted bassdrum territory by having an integrated sub-oscillator for maximal auditory obliteration.

Parametric bassdrum synthesis offers creative control of the core sound:
- The primary analog VCO offers classic 909-esque sinusoidal bassdrums, but can also be switched to generate a square wave bassdrum
- The PITCH of the VCO spans several octaves, from about 30Hz to 240Hz, and can be modulated with voltage control
- A novel PITCH DECAY circuit allows you to adjust the duration and AMOUNT of the pitch-modulation envelope applied to the bassdrum, from short blips to exaggerated tom-like sweeps
- The AMPLITUDE DECAY allows adjustment of the length of the bassdrum, from short punchy kicks to massive booms. This parameter is voltage-controlled with a snappy CV response time, allowing you to modulate the duration of your kicks per step.
- The CLICK generator is responsible for the attack intensity of the BD9. A fair amount of circuitry goes into creating this subtle punch at the beginning of the kick. The level of this effect is adjustable up to a fairly dramatic extremity.
- The overall timbre of the BD9 varies with the DRIVE control from warm, analog bassdrums at low settings to speaker-shattering overdriven sounds at high settings. Output levels are modular-level signals, unlike many classic line-level percussive devices.

Still not heavy enough? Try the sub-oscillator:
- A square wave sub-oscillator derived from the primary oscillator's pitch can be mixed in (manually and with voltage control) to the BD9. The effect can be subtle deepness or extreme timbre changes.
- A jumper on the back of the module allows you to select between the sub-osc being a raw square wave or having some of the high frequency components removed with a lowpass filter.
- At high OUTPUT DRIVE and SUB LVL combinations, the sub-oscillator can be modulated with CV to saturate the BD9 output in evolving ways.
- The SUB OCT can be set to 0, -1 or -2 octaves down from the primary oscillator. A drop of 0 means that you can mix an equal-pitch square wave with a sinusoidal primary wave.

Designed for the contemporary modular synthesizer:
- Plenty of Eurorack-compatible control voltage inputs with bipolar attenuverters allow synthesis of dynamic percussion
- A practical analog trigger circuit allows activation of the BD9 from many signal sources (anything with a positive-going edge lasting 2ms or longer). Most electronic drum pads can also directly trigger the Mutant BD9.
- An accent input accepts analog voltage control (0 to 5V will fully modulate the volume from low to high)
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 1 in stock $234.88
Cat: 677171 Rel: 31 Jul 17 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Not just another clone or continuation of the 808-esque, acid-style kicks of the Mutant Bassdrum - the Mutant BD9 seeks to explore uncharted bassdrum territory by having an integrated sub-oscillator for maximal auditory obliteration.

Parametric bassdrum synthesis offers creative control of the core sound:
- The primary analog VCO offers classic 909-esque sinusoidal bassdrums, but can also be switched to generate a square wave bassdrum
- The PITCH of the VCO spans several octaves, from about 30Hz to 240Hz, and can be modulated with voltage control
- A novel PITCH DECAY circuit allows you to adjust the duration and AMOUNT of the pitch-modulation envelope applied to the bassdrum, from short blips to exaggerated tom-like sweeps
- The AMPLITUDE DECAY allows adjustment of the length of the bassdrum, from short punchy kicks to massive booms. This parameter is voltage-controlled with a snappy CV response time, allowing you to modulate the duration of your kicks per step.
- The CLICK generator is responsible for the attack intensity of the BD9. A fair amount of circuitry goes into creating this subtle punch at the beginning of the kick. The level of this effect is adjustable up to a fairly dramatic extremity.
- The overall timbre of the BD9 varies with the DRIVE control from warm, analog bassdrums at low settings to speaker-shattering overdriven sounds at high settings. Output levels are modular-level signals, unlike many classic line-level percussive devices.

Still not heavy enough? Try the sub-oscillator:
- A square wave sub-oscillator derived from the primary oscillator's pitch can be mixed in (manually and with voltage control) to the BD9. The effect can be subtle deepness or extreme timbre changes.
- A jumper on the back of the module allows you to select between the sub-osc being a raw square wave or having some of the high frequency components removed with a lowpass filter.
- At high OUTPUT DRIVE and SUB LVL combinations, the sub-oscillator can be modulated with CV to saturate the BD9 output in evolving ways.
- The SUB OCT can be set to 0, -1 or -2 octaves down from the primary oscillator. A drop of 0 means that you can mix an equal-pitch square wave with a sinusoidal primary wave.

Designed for the contemporary modular synthesizer:
- Plenty of Eurorack-compatible control voltage inputs with bipolar attenuverters allow synthesis of dynamic percussion
- A practical analog trigger circuit allows activation of the BD9 from many signal sources (anything with a positive-going edge lasting 2ms or longer). Most electronic drum pads can also directly trigger the Mutant BD9.
- An accent input accepts analog voltage control (0 to 5V will fully modulate the volume from low to high)
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 1 in stock $219.30
Cat: 655329 Rel: 31 Jul 17 • View all Synth modules
 
Analog snare drum synthesis with external input - 13HP
Notes: From classic electro snares to warping, alien percussion, the Mutant Snare is a radical departure from the static sounds of the 808!

MIX and DRIVE:
- MIX lets you blend between the SHELL and SNAPPY tones that make up the overall snare drum
- Turn up the DRIVE to get overdriven snare tones with intense harmonics. The purple LED indicates when the snare begins to overdrive
- Like the other Mutant Drums, signal levels have been normalized for modular level input and output (up to 20Vpp)

SHELL synthesizes the drum skins:
- Analog bridged-t sinewave oscillators, for those organic-sounding tones we've come to love from the 808
- TONE control blends between the two sinewaves of different frequency
- SHELL PITCH lets you tune one of the sine waves, to change the pitch of your snare drum

SNAPPY adds some noise to the snare:
- An analog white noise generator feeds the SNAPPY circuit
- An external input lets you patch any sound source you like into the SNAPPY generator
- Voltage control of SNAPPY decay
- SNAPPY feeds into an analog selectable high-pass or band-pass filter
- Voltage control of filter cutoff frequency
- When nothing is plugged into the cutoff CV input, the SNAPPY envelope OR the adjustable sinewave from the SHELL generator normalize through the CV attenuverter for cutoff CV. A jumper on the back of the module allows you to select which of these internal modulation signals are routed here
- Filter has three resonance settings: classic 808 (low resonance), high resonance, and self oscillation
- Bipolar attenuators (aka: 'attenuverters') on CV inputs
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 1 in stock $234.88
FORTHCOMING
Grayscale Supercell Granular Synthesis Module (grey panel version, an expanded version of Clouds by Mutable Instruments)
Cat: 739128 • View all Synth modules
 
Expanded take on Mutable Instruments' famous Clouds granular texture synthesiser - grey faceplate, 34HP
Notes: Clouds, the granular synthesis module from Mutable Instruments, was discontinued in 2017. Supercell brings back Clouds in a more accessible 34 hp form factor, offering an improved user interface and several additional features:

- Each of the Blend parameters (Feedback, Panning, Mix, and Space) have dedicated knobs with their own CV inputs and inverting attenuators (attenuverters).

- The inputs and outputs now have mute switches, stereo VCAs, and separate VU meters. The knobs act as offset controls when their respective VCA inputs are patched.

- A stereo output gain control has been added, providing an additional +6 dB of gain to compensate for low output levels when using certain parameter combinations.

- The complex process of changing the sampling time and managing presets has been simplified with dedicated switches and status LEDs.

- Extensive modulation options for all parameters including direct patching of external CV, distribution of one CV to all parameters via the AUX input, or an internal smooth random CV that is normalized to any unpatched inputs when AUX is also unpatched. The attenuverters control the modulation depth in all three cases. As of firmware v1.01 the internal modulation rate can be adjusted within a range of 1 to 100 Hz.

- The inputs and outputs now include stereo VCAs and separate VU meters. The knobs act as offset controls when their respective VCA inputs are patched.

- Pitch is now controlled by two separate inputs: the V/Oct input is exponential and the Pitch input is linear. When both inputs are used, their voltages are summed.

- A manual Trig switch (for capturing individual grains) has been added, in addition to the Trig input that was present on Clouds.

All other features of the original Clouds remain intact, including access to the alternate modes. Thanks to Olivier Gillet for making the original Clouds hardware and firmware available under open-source licenses. Third-party firmware such as Parasites (by Matthias Puech) and Beat Repeat (by Julius Kammerl) will be supported in future firmware updates after the initial release of the module.
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coming soon $464.57
One Instrument Sessions (140 gram vinyl 12")
Cat: ONEINST 002. Rel: 03 Dec 18
Ambient/Drone
  1. Aria (Synthesis Technology - E340 Cloud Generator) (21:47)
  2. The Morning After (Roland SH-01A) (7:44)
Review: The first release on One Instrument saw artists like Korridor, Serena Butler and Yair Elazar Glotman demonstrating new experimental sides to their studio practice. The second release comes from Italian master Neel, who presents two distinct demonstrations of his unique touch and deep gear knowledge. The A side is a lingering ambient piece captured from the tail end of a session using the E340 Cloud Generator oscillator, while the B side focuses on the Roland SH-01A, itself an update of the iconic SH-101. The results of these two intriguing, limitation oriented excursions are as compelling as you would expect.
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$8.05 SAVE 25%
 in stock $6.04
Cat: HNRLP 013. Rel: 04 May 18
Psych/Garage Rock
  1. Synthesis (3:46)
  2. Reverse Pyramid (5:58)
  3. Nexus (4:13)
  4. Chrome Together (1:52)
  5. Colonization (5:45)
  6. Atlantic Tariff (4:29)
  7. Pyramid (4:43)
  8. Kumla Revisited (3:14)
  9. Metavideo (3:43)
  10. Samsa's Escape (5:39)
 in stock $18.19
Hanna (Soundtrack) (limited 180 gram audiophile vinyl LP + insert)
Cat: MOVATM 081. Rel: 18 Aug 16
Soundtracks
  1. Hanna's Theme (2:09)
  2. Escape 700 (5:16)
  3. Chalice (1) (0:50)
  4. The Devil Is In The Details (3:19)
  5. Map Sounds/Chalice (2) (0:16)
  6. The Forest (1:07)
  7. Quayside Synthesis (1:20)
  8. The Sandman (1:46)
  9. Marissa Flashback (2:44)
  10. Bahnhof Rumble (2:38)
  11. The Devil Is In The Beats (2:33)
  12. Car Chase (Arp Worship_ (4:57)
  13. Interrogation/Lonesone Subway/Grimm's House (4:28)
  14. Hanna vs Marissa (1:45)
  15. Sun Collapse (0:11)
  16. Special Ops (1:28)
  17. Escape Wavefold (3:21)
  18. Isolated Howl (0:43)
  19. Container Park (3:45)
  20. Hanna's Theme (feat Stephanie Dosen - vocal version) (5:25)
 in stock $17.41
SKREAM/VARIOUS
Fabriclive 96 (mixed CD)
Cat: FABRIC 192. Rel: 19 Jan 18
Minimal/Tech House
  1. Hieroglyphic Being, Sarathy Korwar & Shabaka Hutchings - "Ashrams"
  2. Bufiman - "Peace Moves"
  3. James Burton - "Sounds Of A Different Colour" (Kincaid & Sinal remix)
  4. Alexkid - "Yonqui"
  5. Jon Rundell - "Jack The Bass"
  6. Skream - "An Ode To Mr Smith"
  7. Santos Rodriguez - "Untitled B2"
  8. Floorplan - "Made Up My Mind"
  9. Radio Slave - "Screaming Hands" (Tuff City Kids 'Krautdrums' mix)
  10. Sascha Funke - "MZ"
  11. Greg Venezia - "Lies"
  12. Steve Murphy - "They Are Controlled" (part 1)
  13. LA Synthesis - "Agraphobia" (original mix/2015 remastered version)
  14. Skream - "SDN"
 in stock $4.94
Horology III: Tape Reel: Recordings & Art 1978-1980 (limited 4xLP in slip case + inserts)
Cat: VOD 154. Rel: 13 Mar 19
Industrial/Noise
  1. PTI (Thorugh Latex Mirrors) (7:35)
  2. Theatre Of Eroticism 2 (5:58)
  3. Reversal Of Light (3:31)
  4. TSO (Throbbing Sweeping Obscene) (5:51)
  5. Time Loops (The Texture Of Two Tape Recordings Genitals & Genosis (1:47)
  6. Butcher Bacon Window Pain (2:37)
  7. Fragment 3 Through Later Mirrors PTI Soundtrack (4:11)
  8. Mass (5:07)
  9. Resonator (13:14)
  10. Chronons (1:19)
  11. Tape Treatment (0:53)
  12. The Time Come (5:28)
  13. The Transfiguration Of Memory By Liquid Pain (7:33)
  14. Installation Section 1 (Genitals And Genosis / The Texture Of Two Tape Recordings) (10:00)
  15. Fragment 1 Through Latex Mirrors PTI Soundtrack (2:05)
  16. Fragment 2 Through Latex Mirrors PTI Soundtrack (0:30)
  17. Oedipus (2:17)
  18. The Girl (3:44)
  19. Room (4:28)
  20. The Theatre Of Erotism (Extract) (6:17)
  21. Post Future Theme 1 (4:27)
  22. 1.51 (1:21)
  23. Ocean (4:10)
  24. Windscale (2:43)
  25. Film Of Our Death (2:49)
  26. Synchromesh (1:55)
  27. Plastic (3:07)
  28. Sex Textures (4:13)
  29. Lomticks Of Time (5:10)
  30. Post Future Theme 2 (4:44)
  31. Susan's Party (3:30)
  32. Somnambulist (6:08)
  33. Tape Treatment 2 (6:09)
  34. Mass 2 (2:43)
  35. Mechanism (2:07)
  36. Live Intro Chainsaw Massacre Treated Excerpt (5:32)
  37. 2.28 (2:24)
  38. Pretty Strangely Girl (4:11)
  39. Primal Synthesis (4:40)
  40. I Am David The One (2:33)
  41. Post Future Theme 3 (2:45)
  42. Film Of Our Death V2 (2:52)
  43. Clockwork People V2 (1:58)
  44. Chronons (part 2) (0:47)
  45. Lomticks Of Time (Instmental) (5:11)
  46. Thriobbing Sweeping Obscene End Sequence (0:39)
  47. Oedipus (2:43)
  48. Post Future Theme 4 (3:29)
  49. The Time Come Instrumental (2:39)
  50. 1958 (4:11)
Played by: Vincent Inc
 in stock $87.29
Cat: ELP 018. Rel: 09 May 16
Experimental/Electronic
  1. Mysterious Package (1:02)
  2. Beats (6:45)
  3. The Clicker (2:09)
  4. Synthesis Energy (1:48)
  5. Ghosts (version 1) (3:40)
  6. The Ship Is Landing (4:00)
  7. Gem Mountain (1:51)
  8. Aerial Tones (3:26)
  9. Organ (2:41)
  10. Intermittent Beat Transmission (5:06)
  11. Shake (3:31)
  12. Twinkle (2:40)
  13. Flash (0:48)
  14. I Am The 6th Gender (beats only) (3:22)
  15. Dance Party (vocal) (3:52)
  16. Compute This Sucka (1:52)
Review: As this collection on Ale Natalizia's Ecstatic proves, Gavin Russom's experiments with the far out reaches of electronic music dates back to the mid-'90s. Russom is perhaps best placed to explain the context: "Arriving in New York City I found myself surrounded by an incredibly intense field of stuff to take in; late night radio mixes which featured distinctly New York sounds like freestyle and hip hop, clubs where house, techno and jungle played to drugged-out and/or completely sober sweaty crowds and beard scratchers alike, no wave, new wave, disco, afro-Caribbean, art rock and experimental music records I would pick up at thrift shops or used record stores." This is clearly heard throughout Source Cognitive Eyes, a compilation of sonic sketches recorded between 1996 and 1998 which waves no faithfulness to any one genre of style. Instead, Russom paints a wild and distorted picture, one that has been replicated these days through labels like LIES or The Trilogy Tapes. This is cutting-edge gear for the time it was recorded, and it's no surprise that it is only now that Russom has been brave enough to resurrect the tapes.
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$14.10 SAVE 50%
 in stock $7.05
VARIOUS
Cat: AFSLP 001. Rel: 12 May 14
Electro
  1. Ian Martin - "Frame Reality"
  2. Shemale - "Allotment Last Winter"
  3. Federico Leocata - "EinzZuZwei"
  4. Das Muster - "Projektionsfelder"
  5. Obergman - "Sunspot Cycle"
  6. Koova - "Monteur"
  7. Linear Synthesis - "Cycloaddition"
  8. DMX Krew - "Data Storm"
  9. Elect - "If U Don't Want Me" (part 1)
  10. DJ Stingray - "Cyberslut"
Review: Some two years in the making, the double LP Datafunk Vol 1 compilation from UK label Abstract Forms finally arrives and should be classed under "worth the wait" by anyone with an interest in all strands of electro purism. Datafunk Vol 1 essentially demonstrates how respected Abstract Forms are as a label within the electro community with new and exclusive contributions from such luminaries as DJ Stingray, DMX Krew, mystery Bunker entity Shemale, Further Records Rotterdam correspondent Ian Martin and Andreas Gehm's Elec Pt 1 project. Don't skip on the lesser known names such as Das Mooster or Obergman however as their productions help lend Datafunk Vol 1 a sense of cohesion, with "Cycloaddition" from the unheralded Linear Synthesis a notable highlight. If Abstract Forms want to spend another two years working on a second volume that's fine with us!
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 in stock $18.97
Cat: ACEW 008. Rel: 17 Dec 18
Electro
  1. Metis (5:06)
  2. Leda (5:41)
  3. Synthesis (4:52)
  4. Magnetic Force (5:36)
 in stock $10.38
Alive01 (CD)
Cat: NO 915. Rel: 17 Nov 17
Techno
  1. Indiana Intros
  2. Indivisible Lights
  3. Alternative Artefacts
  4. Synthesis
  5. Earlier Reflections (E Honda remix)
  6. Beat By Dre (Funfzigga Pfennig Ghetto Raid Regime Change reshuffle)
 in stock $15.07
Synchromy (CD single)
Cat: HT 009. Rel: 16 Oct 06
Rock
  1. Skara Brain
  2. Tone Poem
  3. Iron Mountain
  4. Ap(parenthe) Synthesis
  5. Mint Cairo
 in stock $1.03
Cat: DEMIAN 01. Rel: 04 Dec 18
Techno
  1. Ancient Worship Rituals (4:53)
  2. Police Brutality (5:36)
  3. Awake My Judgment (6:50)
  4. Encoded DNA Synthesis (5:17)
 in stock $11.95
VARIOUS
Born Into Madness 2 (unmixed 2xCD)
MOL
Cat: MOL 004. Rel: 22 Mar 19
Experimental/Electronic
  1. Susobrino - "Momo El Nomada De La Sombra"
  2. Sebastian Counts - "Outward Bound"
  3. Wudub?! - "Frequencies" (feat Che)
  4. Bandarlog - "Omerta"
  5. Ver.ward - "Drive"
  6. Oto Kopter - "Wachten"
  7. Mariska Neerman - "Time Has No Meaning"
  8. Mobach - "Loulou"
  9. Samowar - "Temper"
  10. Neotropic - "Life In The Elsewhere"
  11. Rolando Simmons - "Forest (Multigrain2)" (feat Stella Wahlstorm)
  12. Mark Van Hoen - "I'll Be There"
  13. Konsistent - "Koukin Blues"
  14. Face Invader (J. Leach) - "If You Like This You're Not Me"
  15. Kettel - "The Field For The Horse"
  16. Francis Juno - "FZ Ballade"
  17. Sk'p - "Loopstones"
  18. Legowelt - "Track 18"
  19. Line 47 - "Josie Has An Orange Animal"
  20. Rawakari - "Or Zen 10 3b"
  21. Hab - "Do You Mind"
  22. Auberg1ne - "Spiral"
  23. Syntheon - "1 Each 10 Minutes"
  24. The Belgium - "Soul Of Souls"
  25. The Revolving Eyes - "Sounds Like A Melody"
  26. P1nkf1re - "Corrupted Flp Lament 13"
  27. Cale Sexton - "The Basin"
  28. Sound Synthesis - "Analogic"
  29. Fah - "Teal Ranger" (live)
 in stock $10.91
VARIOUS
Born Into Madness 2: Part 01 (LP + hand-numbered poster limited to 100 copies)
MOL
Cat: MOL 004LP1. Rel: 22 Mar 19
Techno
  1. Sebastian Counts - "Outward Bound" (3:45)
  2. The Belgium - "Soul Of Souls" (4:33)
  3. Mobach - "Ioulou" (5:49)
  4. Francis Juno - "FZ Ballade" (3:03)
  5. Legowelt - "Track 5" (5:41)
  6. Kettel - "The Field For The Horse" (2:28)
  7. Cale Sexton - "The Basin" (4:52)
  8. P1nkf1re - "Corrupted Flp Lament 13" (3:54)
  9. Sound Synthesis - "Analogic" (5:32)
  10. Auberg1ne - "Spiral" (4:19)
 in stock $18.19
Cat: CLREC 080. Rel: 12 Jun 19
Progressive House
  1. Tears (5:20)
  2. Go Back (4:47)
  3. It Never Ends (3:51)
  4. Symphony (5:05)
  5. Colony (edit) (2:29)
  6. Synthesis (edit) (3:26)
  7. Life Tree (edit) (3:38)
 in stock $10.38
FORTHCOMING
La Recherche De L'absolu EP
Cat: RITMUAL 001.
Minimal/Tech House
  1. Sunny Synthesis
  2. Sine Formulas
  3. Atoms Heart
  4. Monolyth Dreams
coming soon $11.69
Items 1 to 36 of 36 on page 1 of 1

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