Search results: Groove Corporation

Review: Electribe 101's 1990 debut album, Electribal Memories, is undoubtedly one of the strongest sets of the loved-up Balearic house era - a long-player firmly rooted in the Ecstasy experience, from the piano-sporting, wide-eyed tactility of house music of the period, to the after-hours, comedown-friendly downtempo soulfulness that the band's creative force and lead singer, Billie Ray Martin, was always so adept at delivering. This 'Deluxe Edition' expands the album across four CDs via a deep archive dive from dance music historian Bill Brewster. The DJ and author offers-up a wealth of released (and unreleased) club mixes, early versions and alternate takes, while the accompanying booklet features reflections from Billie-Ray Martin and an extensive essay from Pete Paphides.

Review: The man behind the Death Is Not The End label and archival NTS radio show got plenty of people talking earlier in the year when he presented the music on this record on the airwaves. It is a brilliantly authentic document of a very special time in the history of British music culture. Pirate radio was the voice of the underground, the mixing pot for the musical sounds and scenes of the time with their famous phone-ins, shout-outs and adverts all adding to the atmosphere of each broadcast. Relive it now as often as you like with this brilliantly assembled collection.

Review: The Now collections have long been a staple of pretty much everyone's lives. In some cases, they are an introduction to the music of the day for young people looking to broaden their horizons and they have always nailed that MO. Now the series is so old they are also great for looking back on a time to get a good overview of what was going on. Here it is the 80s in the spotlight with endless amounts of singalong classics including from the likes of Phil Collins, Aretha Franklin, Bronchi Beat, Eurythmics, Fine Young Cannibals and many more. It's a fun and nostalgic listen, to be sure.

Review: As the title makes clear, this three-disc, unmixed collection has one simple aim: to soundtrack kitchen discos, living room dances and long car journeys with a jam-packed selection of disco hits and disco-tinged pop favourites. It does a good job at that, even if some of the selections tend towards the lesser-known end of the commercial disco spectrum, with all three discs showcasing such disco must-haves and part-starting sing-alongs as Dan Hartman's soaring 'Relight My Fire' (famously covered by Take That in the 90s), Diana Ross's 'I'm Coming Out', Chaka Khan's inspired 'Young Hearts Run Free', Grace Jones' punk-funk Roxy Music cover 'Love Is The Drug', McFadden & Whitehead's epic 'Ain't No Stopping Us Now' and Cheryl Lynn's peerless 'Got To Be Real'.