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Search results: Delilah
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in stock $24.36
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Invaluable Vol 1 & 2 (limited translucent berry vinyl LP + poster (indie exclusive))
Cat: TPLP 1826LTD. Rel: 02 Nov 23
Balearic/Downtempo
in stock $27.23
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Pre-orders at Juno
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Mood Swings (limited gatefold neon orange vinyl LP (indie exclusive))
Cat: 602465 085525. Rel: 09 Apr 24
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Actual Life 3: January 1 - September 9 2022 (clear vinyl LP)
Cat: 505419 7439995. Rel: 30 Mar 23
Balearic/Downtempo
Review: Fred Again's latest album Actual Life 3: January 1 - September 9 2022 is the third installment in a series of albums by the British artist which has received positive reviews from music critics and been praised for its experimental sound and emotional depth. The LP features songs that document his personal experiences and thoughts over a period of time. His musical style can be described as a blend of electronic, dance and pop with introspective and emotive lyrics, often incorporating samples from various sources, including personal recordings to create a unique and eclectic sound. The album features collaborations with various artists, such as Kieren Hebden, Jamie XX and Skrillex, among others.
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Kissworld: The Best Of Kiss (gatefold 180 gram vinyl 2xLP + MP3 download code)
Cat: 773751 2. Rel: 29 Mar 19
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Actual Life 3: January 1 - September 9 2022 (clear vinyl LP)
Cat: 019029 6227882. Rel: 27 Oct 22
Balearic/Downtempo
Review: Fred Again seems to be one of the most talked about artists of the year. Part of that centers around the astonishing Boiler Room set he served up, but also plenty of credit is due for the music he makes. A lot of that is summed up here on Actual Life 3, the third installment of his series after the previous two back in 2021 and recent collabs with the likes of Swedish House Mafia and Future. It shows off his mastery of a range of different sounds and scenes across 13 fun and fresh tunes that are backed with emotive beats and catchy hooks as well as some standout vocals.
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Review: You may have caught the striking quality of Ego Ella May and Theon Cross' lead single for Blue Note Re:imagined II, and now the full compilation has arrived. For such a long-standing, heritage label, Blue Note have recognised the renewed moment jazz is having and responded with an exciting look into those artists forging new paths. Given the importance of tradition and roots within jazz, it's fascinating to see how a new generation tackle totemic works from Blue Note's gargantuan history. From Nubiyan Twist to Conor Albert, Maya Delilah to Reuben James, the featured artists serve as a crucial primer of what's good in jazz right now, and the hit rate is high from start to finish.
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Review: When he ran into the enigmatic Klaus Nomi, David Bowie met his match. At least in so far as wildly extravagant styles and ideas go. That's no discredit to the legacy of Britain's lost icon, more a case that his sometime East German musical partner, who died in1983, was similarly Not Of This World. Find the footage of them performing together on Saturday Night Live if you don't believe us. 29 years later, it's interesting to sit down with Nomi's music alone, sans insane visual stimuli. This, his debut album from 1981, explains why Bowie was so excited at his discovery. A vocal range that can give us something like Ricky Wilson of B52s (albeit singing in German) and epic, symphony hall-filling, countertenor operatic highs with equal skill. A set of tracks that are every bit the instrumental partners to those references. It's fun, wild, weird, theatrical, hugely entertaining and musically impressive.
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Cat: SLT 101. Rel: 12 Mar 21
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The Glory Of C-F-G/Jukebox/Crossfire In The Poolroom/Spoonful/Earth: Out, Demons, Out/(Love Will) Not Fade Away (9:44)
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Review: Florence Welch's globe-straddlingly successful epic-pop project has made its name largely through no-holds-barred emotion and rapturous melodrama, and although this third album has largely been trumpeted as a return to a more stripped-down and less over-the-top approach, long-term fans of the couture-clad siren needn't worry too much. 'How Big, How Blue, How Beautiful' remains true to her heart-on-sleeve approach and the cinematic splendour she's made her trademark. Crucially, even beneath the orchestral arrangements and the life-or-death vocal declamations, the songs on this record shone through as memorable and emotive enough to withstand the level of ornamentation around them, and fit to have Florence's fearsome pipes send them skyward.
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The Abandoned Kurhaus Concert: Den Haag Netherlands 8th August 1964 (limited cassette)
Cat: CGOC 3. Rel: 25 Jan 22
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Review: On July 9th 1995, Jerry Garcia had just turned 53 and took the sated for what would be the very pastime with The Grateful Dead. It was evident fo all in attendance at this gig in Chicago that he was a very ill man - his face was pallid, his body was shaking. The whole tour is said to have been something of a disaster form start to finish but there are times in this set that all that was forgotten and Gerry manages to working his magic and make for some real musical bliss. This double album was The Grateful Dead's last ever concert with Jerry, who died in his sleep a week later on August 9th 1995. It is now pressed to vinyl for the first time.
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Cat: SVART 278LP. Rel: 25 Feb 22
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Blue Note Re:imagined II (Japanese Edition) (limited unmixed SHM CD with obi-strip)
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Cat: VHJD 215. Rel: 26 Jun 23
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Review: The first Blue Note Re:imagined album was frankly brilliant - an imaginative, inspired and thoroughly brilliant set of covers of classic cuts from the label's catalogue, expertly realised by a cast of 21st century UK jazz and soul talents - so hopes are naturally high for this sequel. We shouldn't have worried, to be honest, because it's another terrific collection. Our picks of a very strong bunch include Swindle's orchestra-sporting, jazz-funk-goes-hip-hop-soul take on Donald Byrd's 'Miss Kane', Ego Ella May's gently dubby, head-nodding and sunrise-ready re-imagining of Chico Hamilton's 'The Morning Side of Love', an ultra-dreamy, pedal steel-sporting cover of 'Harvest Moon' courtesy of Maya Delilah, and a tactile neo-soul interpretation of Marlena Shaw classic 'Feel Like Making Love' by Kay Young. Impeccable.
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Blue Note Re:imagined II (limited gatefold clear vinyl 2xLP)
Cat: 456481 2. Rel: 29 Sep 22
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Review: As the title suggests, this brand new compilation from the legendary jazz label Blue Note finds a wealth of the UK's most exciting new and young talents turn their hand at reimagining a selection of classic Blue Note tracks. The wonderful sax player Yazz Ahmed kicks off with her take on 'It' which his all alluring and deep, and across the other 15 cuts the likes of Brit Award-winning Jorja Smith appears with her own distinctive voice, the much hyped - and rightly so - Nubya Garcia also adds her own contribution and Aussie soul boy Jordan Rakei serves up some buttery sounds.
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Cat: CLOLP 3254. Rel: 16 Nov 22
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Cat: RLGM 14421PMI. Rel: 15 Dec 22
Psych/Garage Rock
Promised Land
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Franklin's Tower
One More Saturday Night
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Might As Well
Mama Tried
Ramble On Rose
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Deal
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Promised Land
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Dancing In The Street
Samson & Delilah
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Cat: 008122 7819514. Rel: 11 Jan 24
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Review: Terrapin Station is the ninth studio album by Grateful Dead, and it captures the band as they moved into a new era following a two year hiatus from touring. It's notable they were paired by their new label Arista to work with producer Keith Olsen, who brought a cleaner finish to the band in a move away from their rawer psychedelic origins. The recording process was focused on a more palatable end result than the wild frontiers of their early days, but that didn't stop them from laying down sprawling, proggy epics like the 16-minute long title track. Originally released in 1977, it's landmark release in the band's mountainous back catalogue, repressed here on translucent green vinyl.
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Cat: ART 11. Rel: 26 Jul 23
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Review: There must be something in the water right now cause as well as a new limited edition picture disc featuring a wealth of The Beatles covers, we're also treated to this limited translucent green salt featuring a load of covers from their archival rivals, The Rolling Stones. This one collects together their covers from between 1963 and 1964 when they were often found adding their own blues-rock twist to well known pop hits. The likes of 'Memphis Tennessee', the Lennon-McCartney penned 'I Wanna Be Your Man' and '(Get Your Kicks On) Route 66' all feature.
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