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Notes: The Yamaha MG16 Analogue Mixer. Road Tough. Studio Ready.

The Yamaha MG16 is part of the third generation of renowned MG Series mixers. These compact mixing desks focus on giving you high quality sound for a wide variety of mixing environments. The Yamaha MG16 has the same mic pre amps as their high-end pro mixers. The new MG Series provides serious quality with the reliability and performance capabilities the series is known for.

For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.

With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

Notes: The 3rd generation of the Yamaha MG Mixer brings with it some neat updated features, great build quality and the same great sound and flexibility that we have come to expect from a Yamaha mixing console. Built with a sturdy metal chassis, the MG III series mixers are designed to last.

The MG-06X is a 6 channel mixer with 2 D-Pre Mic inputs for super-quiet operation. The MG-06X has +48v phantom power for condenser mics and XLR balanced outputs to ensure that no matter how big or small your operation is, the MG06X will act as the lynch-pin mixing desk that you can depend upon.

Also on the MG06X are a bank of Yamaha SPX effects to further enhance your sound with no need to add in additional processors.

Notes: Another update for WMD's clever dual VCA, this time a little bigger to give more control. Digital control of CV and attenuation gives lots of creative options. Third time's a charm.

Supplier's Notes:
WMD have done several designs of this circuit over the years, the first one had no knobs, the second was too small, the MKIII is finally how this circuit should be packaged. This module does some really cool stuff and is super useful in any system.

The Digital VCA lets signal through like a normal VCA, but the CV and attenuation level is controlled digitally. This lets us do things like wait until there is a zero crossing to change the amplitude, resulting in clickless amplitude changes.

The Trigger mode causes the VCA to only update when a trigger is received. The addition of a noise circuit for each side let us do a very quick and easy sample and hold that never droops. With no input, 5V is normaled to the attenuator, so you get a 0-5V sample and hold. In Bipolar mode, you can get -5 to +5V.

Both sides have bipolar VCA mode (polarizer), which lets them invert the signal when negative CV comes in. Also known as ring modulation. With the zero crossing detector, this can produce some super wild wave shapes.

Features

Dual VCA Design
Unipolar or Bipolar Operation
DC Coupled Analogue Signal Path
Low Distortion / Low Noise
VCA Closes Completely
Zero Crossing Detector Mode
Trigger Mode
Two Independent Noise Sources
8 bit CV resolution
Great for Fast Envelopes and Sine Bass Sounds

Specifications

Power: +65mA, -45mA
Width: 8HP
Depth: 35mm with cables
Height: Eurorack 3U (128.5mm)
Board Height Behind Panel: 112mm
CV/Signal Input Impedance: 100k
Output Impedance: 1k
UPD in 3.3V Threshold Schmitt Trigger
ZCD produces 15us 5V pulse
5V CV to fully open VCA
Linear VCA response
20Vpp signal handling

Notes: Streichfett combines the best of the now extinct species of String Synthesizers of the 70s and early 80s. Its dual sound engine features a fully polyphonic strings section and a monophonic solo section, which is essential for recreating how adult movies sounded thirty years ago. The Ensemble Effect handles lubrication of the String Section, while the Effects section adds adjustable Phaser or Reverb. Alternatively, the Effect section can be used to animate the strings registration, allowing spectacular sound morphs.

The Solo Section offset presets named Bass, E-Piano or Clavi, and just like in your typical string machine, the sound has little to do with that name. Instead, these are shimmering and slightly percussive sounds that blend well with the string section.

Although the User Interface is simple and easy to comprehend, it controls a rather complex sound engine which is capable to delivers rich and creamy pads unlike any other instrument.

Twelve patches can be stored and selected in the Memory section, USB and MIDI are of course on board.

Notes: Pulse 2 Analog Synthesizer is proof positive that good things can come to those that wait. For ever since this high-quality synthesizer developer discontinued its original rack-mountable Pulse and Pulse+ programmable analogue monosynths boasting ballsy bass tones and legendary leads beyond compare, those Nineties electronic musicdominating sounds have been severely sought after by those in the know. Which was exactly what drove us into development overdrive to produce an all-new Pulse fit for the 21st Century.

As an all-new, all-analogue synthesizer design, Pulse 2 flawlessly delivers exactly what synth connoisseurs around the world have been truly craving for quite some time - three analogue oscillators living in perfect harmony with a VCF (VoltageControlled Filter), yet we did not stop there: the fresh filter circuits in the Pulse 2 now offer 12dB Highpass and Bandpass modes in addition to 24dB/12dB Lowpass for strengthened sound-sculpting flexibility, while we added analogue Filter FM, two Overdrive circuits, and Ring Modulation from OSC 3, together with Paraphonic and Unison modes allowing up to eight-voice chords - a fantastic feature found on our recently-released Rocket Synthesizer.

Pulse 2 is housed in a sturdy metal desktop casing. Alongside its generous 128x64-character backlit LCD, eight eye-catching stainless steel knobs are available to nimbly navigate through the parameter matrix - logically laid out across the front panel for all to see at all times, set the master Volume, and easily edit display-accessible parameters.

Connectivity comes well catered for courtesy of USB, MIDI In, MIDI Out, Ext In (external analogue signal input), line OUT, and headphone output - not forgetting, of course, CV Out (supporting both the V/octave and Hz/V standards) and Gate Out (V-Trigger- and S-Trigger-compatible), allowing a myriad of suitably equipped older (or newer) synths to be connected to the Pulse 2 to mirror whatever MIDI 'note' information is being played by the Pulse 2, including the output of its powerful ARP (arpeggiator). And if that's not enough to be getting on with, the CV Out can even be modulated in the eight-slot modulation Matrix, making for even more tantalising tone colours and performance possibilities!

Alongside analogue must-haves like a noise generator, Pulsewidth modulation, and hard Sync, other notable features include an Alternating Pulsewidth Modulation mode new to the Pulse 2 (offering a dense PWM sound without affecting perceived loudness), and an XOR Osc mode (that is a binary XOR combination of two PWM oscillators with two distinct output levels - high and low only - capable of producing inharmonic spectra unlike anything associated with any analogue synthesizer other than the original Pulse) - all of which, of course, contribute to kickstarting those still soughtafter sounds right here, right now in the 21st Century. Speaking of which, 500 onboard sound programs should be more than
enough to keep the most diehard synthesist smiling! What's more, all are backwards-compatible with the original Pulseseries, so original Pulse owners can quickly transfer their favourite sounds to their new Pulse 2 via MIDI (dump).

Notes: Offspring from a noble house, the little synthesizer machine with the big and evil sound.

Waldorf is back in the game. With the Blofeld.

This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their pulse, Q, Q+, micro Q, microwave, microwave II/XT, or even the flagship wave.

Notes: *** Synthesizer comes with a free copy of The Waldorf Edition software, including D Pole Filter Module, PPG Wave 2.V & Attack ***

Waldorf are back in the game. With the Blofeld. this synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II/XT, or even the flagship Wave.

Yes, you've heard it right. The Blofeld is not only capable of producing these warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with Wave in their names.

This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s. So when you listen to the Blofeld for the first time, you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era on, and become increasingly popular once more.

In fact it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device. And for a price no-one would have imagined a couple of years ago.

Notes: The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of Bass, Lead, Pad and Effect sounds. Additionally, with its total of six filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These four synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI and additionally via CV/gate (1V/octave) inputs for every synthesizer channel.

Notes: The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of bass, lead, pad and effect sounds. Additionally, with its total of 6 filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These 4 synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI.

www.youtube.com/watch?v=UWFsfUa9pUk

Notes: One of the hardest in the game. Dedicated kick drum synth from analogue experts Vermona. Shape your own sounds from scratch. Killer.

Supplier's notes:
The Kick Lancet generator is a handy analogue percussion synthesizer with priority to kick-drum sounds.

The heart of the Kick Lancet's sound structure is an analogue oscillator that produces sine and square waves, which can blend seamlessly from one to the other. 2 independent envelope generators with a decay/release phase can modulate the oscillator's frequency and the VCA. Additionally the VCO pitch can be modulated by the fast LFO (3Hz to 3 kHz, triangle). Noise and a pulse signal can be added in the mixer section. Vermona have a balls-controller for making it really big.

The Kick Lancet can be triggered by MIDI but beside that there are 3 different trigger inputs. A gate trigger, which impulse can trigger the Kick Lancet in normal way with additional accent or completely dynamical depending on the incoming voltage, a simply short current trigger (i.e. momentary foot switch) and an audio input, which offers the possibility to trigger the Kick Lancet by an audio signal statically or dynamically. Drum pads can also be connected here.

Notes: The Vermona Filter Lancet is a compact but versatile stand-alone multimode filter for your desktop. It's the right weapon against static sound and boredom and made for any kind of audio signal. The filter section itself has 3 modes: low-pass, high-pass and band-pass. The last one works with a slope of 12 dB per octave whereas low- and high-pass are 24 dB filters.

You can give the filter some extra punch with the Balls knob, known from Kick Lancet. It pushes low and high frequencies of the signal before being filtered. And of course the resonance is self-oscillating.

Other than the filter section of Mono Lancet, the Filter Lancet is not based on (Moog-) cascade circuitry. It was inspired by the filters of the Vermona M.A.R.S. respectively DAF-1 and Action Filter.

Without modulation the Filter Lanced would still be a good filter but kind of boring. So it is equipped with a LFO, an envelope generator, an envelope follower and a CV/pedal input. The LFO has 2 frequency ranges and goes up to 250Hz - that's fast. At low frequencies the LFO can be re-triggered by gate- or audio signals. It has sample & hold and five waveforms: saw up and saw down, square, sine and triangle.

The envelope generator can be triggered by the input signal or an additional audio signal as well as by a gate voltage. If triggering it via gate it works as an attack-sustain-release envelope. With audio triggers its mode is attack-decay. The envelope follower transforms the contour of the input signal into control voltages that can serve as modulation source.

The LFO modulation intensity can be set separately from modulation intensity of envelope generator and envelope follower on the VCF- as well as on the VCA section.

The Filter Lancet features a drive circuit right in the input section to add subtle shades of overdrive up to solid distortions.

The Filter Lancet is packed with useful features. It's a great and powerful addition to any synthesizer including Mono Lancet with or without Modular Dock. But Filter Lancet also is designed for stringed instruments. It creates standard effects like WahWah and tremolo with ease and even adds a palette of extraordinary sounds to any effect repertoire.

Notes: Wooden side cheeks for The Vermona DRM1 (any mark).

If you would like to use those instruments as desktop unit you do cover the rack mount wholes with these nice wood sides, the unit feels much more handable and robust while packaging and using it in your live set.

Notes: The new MS Series studio reference monitor stands from Ultimate Support offer unparalleled innovation and strength for professional, project, and home studios alike. The MS-80 is a desktop monitor stand that features non-slip, high-density acoustic foam and an angle-adjustable base that allows the end user to fine tune the sweet spot. The MS-90 is a column monitor stand that offers internal cable management channels and 6000 Series aluminum construction while the MS-100 is essentially a combination of the two!

From top to bottom, all three MS Series stands feature sonic isolation and decoupling components. The MS-90 delivers four non-marring sound decoupling pads that stabilize monitors of varying sizes. The MS-100 and MS-90 feature two rubber couplers between the column and the top/bottom plates and spike decoupling designs under the top and bottom base plates. Add the MS-90 to your studio and discover what you've been missing in your mix!

The MS-100 and MS-90 offer three internal channels that run the length of the column. So your studio remains clear of untidy cables, two channels are designed for audio and power respectively. For additional stability, the larger third channel can be filled with shot or sand.

The MS Series studio monitor stands are made from the highest quality materials, such as Series 6000 aluminum, and backed by award-winning design that marries both form and fashion. The modern studio owner will love the contemporary look while the veteran engineer will appreciate the solid build and versatility.

Depending on the needs of your studio, the MS-90 is available in two studio standard heights: 45" and 36". Both are identical in construction and features except for height. Choose the height that's best for your studio design!

Notes: The APEX Series Keyboard Stands represent over two decades of research and development and are used all over the world by gigging keyboard players and touring musicians. The AX-48 Pro offers everything keyboard players loved about the original APEX keyboard stand while offering a sleek new design and updated features that support a whole new generation of keyboards and workstations. The APEX Series is the finest-looking keyboard stand on the market, and shines the spotlight on keyboard players, while securely supporting their prized instruments.

Technical Specifications

Part Number
17476
Colour: Black
Height: 46" (1168mm)
Weight: 19 lbs. (8.6 kg)
Folded Length: 52" (1321mm)
Load Capacity: Up to 125 lbs. per tier (56.8 kg) or 250 lbs. total (113.6 kg)

Notes: UDG presents the Urbanite Series, cutting edge bags for today's on the go DJ's / Producer's. Each design not only makes you feel good, they make you look great. The Controller Sleeve lets you take a wide variety of your essential gear for your digital set up from one gig to the next. The main compartment includes high-density egg-crate interior padding that protects jog wheels, faders and buttons of various sized equipment. It let's you safely store your digital controller (such as the Native Instruments S3/ S4 MK3/ S2 MK3 or Pioneer DDJ-REV1/ 400 or Numark Mixtrack Pro FX) in the main compartment. The UDG Controller Sleeve is available in 3 sizes: Medium, Large & Extra Large skilfully designed to fit many different models of equipment safely during transport.

Specifications

Colour: Black
Weight 1,70 kg / 3.74 lbs
Outer Dimensions (W x H x D): 56.5 x 37 x 18 cm | 22.2 x 14.5 x 7.1 inch
Inner Dimensions (W x H x D): 54 x 34 x 9 cm | 21.3 x 13.4 x 3.5 inch
Material: Water repellent laminated 600D Polyester exterior
Protection: Egg Crate interior protects jog wheels, faders & buttons
Adjustable foam inserts to customize main compartment to your gear

Extras

Easy grip zipper pulls
Convenient carry handle
Padded shoulder strap

Fits:

NI Traktor Kontrol S3, S2 MK3, S4 MK3, S5, S2 MK2, S4 MK2, Komplete Kontrol S25
Pioneer DDJ-REV1, DDJ-400, DDJ-RB, DDJ-SB3, DDJ-SB2, DDJ-SB, Toraiz SP-16
Numark Mixtrack Pro FX, Mixtrack Platinum FX, NVII/ NV, Mixtrack Pro II, Mixtrack Quad, Mixtrack Pro
Reloop Beatmix 2 MK2, Beatpad 2, Terminal Mix4, Terminal Mix 2
Denon DJ Prime Go, MC6000MK2, MC4000, MC3000, MC2000
Akai MPC Live II, MPC Renaissance, APC-40 MKII, MPK225, MPD232
Novation AFX, Nocturn 25, Launchkey 25, Impulse 25, 25SL MK2
Hercules DJControl Inpulse 300, Universal DJ, DJControl Jogvision/ Air+/ Air+S/ Wave, DJConsule 4-MX, DJConsole RMX 2
Korg Minilogue, Taktile 25
American Audio VMS 5/ VMS 4
Behringer CMD Studio 4A
Allen & Heath Xone 4D
Livid OHM 64
Arturia Origin Desktop
M-Audio Xponent, Axiom 25
Mixars Primo
Gemini G4V DJ, GMX, Slate 4/ 2
Roland DJ 202, JP-8080
Stanton SCS.4DJ
American Audio VMS 4 / 5
Vestax VCI-380, VCI-400DJ, VCM 600
or similar size controllers

Notes: Inspired by the legendary UDG ProducerBag, the UDG Ultimate ProducerBag Large has been created to cater for those electronic musicians who crave more space for their performance equipment.

Fits: Pioneer DJM-S5, Toraiz SP-16, Denon DJ Prime Go, Novation AFX, Akai MPC Live II, Reloop Elite, Rane Seventy, Seventy-Two, NI Maschine Jam, and various pedalboards

The UDG ProducerBag Large offers increased space for performers using laptops up to 18.4" and larger MIDI Controllers. Constructed from high quality fabrics, the backpack style UDG ProducerBag Large features padded walls with an adjustable divider to create an internal partition to suit your own requirements. Available in black, the bag offers both comfortable transportation and padded protection for your valuable items.

Specifications

Colour: Black, Orange inside
Weight: 3,25 kg / 7.15 lbs
Outer Dimensions (W x H x D): 56.0 x 45.0 x 18.0 cm | 22.0 x 17.0 x 7.1 inch
Inner Dimensions (W x H x D): 46.5 x 32.0 x 15.0 cm | 18.3 x 12.6 x 5.9 inch
Material: Water Resistant Nylon 420D
Protection: Padded MIDI Controller compartment
Bottom guards fabrics protect from scuffing and abration.

Extras

6 pockets for Accessories and smaller gears
Top carry handles
Ergonomic detachable shoulder strap
Integrated combination lock.

Fits:

Up to 18.4" laptop
Pioneer DJM-S5, Toraiz SP-16, DJS-1000, DJM-750MK2
NI Traktor Kontrol S2 MK2, Maschine Jam/ MK3/ MK2, Traktor Z2
Denon DJ Prime Go, MC6000 MK2, MC3000
Numark iDJ Live II, Mixtrack II / Pro II
Rane Seventy, Seventy-Two
Akai MPC Live II, APC 40 MK2, MPD232, MPD26, MPD32
Reloop Elite, Beatpad/2, Beatmix, Digital Jockey-3, Jockey 3 Remix, Terminal Mix 2
Novation AFX, 25SL MK2, Launchkey 25, Nocturn 25
Hercules DJConsole RMX2, DJControl Jogvision, DJ Control Air+ S
M-Audio Oxygen 25, Trigger Finger Pro, Xponent
Stanton SCS.4DJ, DJC.4
Livid OHM 64
Vestax VCI-380/400/400DJ,
Arturia Drumbrute, Keylab 25
Various pedalboards

Notes: The UDG Ultimate DIGI Backpack Black/Orange Inside is specially designed to cater for the laptop-based generation DJ affording them maximum functionality with performance orientated style.

Fits: Pioneer DJM-S5, DDJ-XP2, DDJ-200, Akai MPC Live II, NI Maschine MK3/ Jam, Numark Scratch, PT01 Scratch, or similar size controllers.

Ultimate DIGI Backpack specially designed for the laptop DJ. Constructed from high quality water resistant Nylon, it contains a cleverly designed side entry compartment for a laptop up to 15.4" without having the hassle of going through the main body of the bag. The bag main compartment can hold an extra laptop and it can also hold a Native Instruments MASCHINE MK2 size MIDI controller. There is a detachable interface pouch and on top of the bag there is a padded, quick access headphone pocket. There are 5 zipped compartments to securely store USB sticks, SD cards, wires and cables, AC power adapters, compact camera's, MP3 player, and other accessories.

Specifications

Colour: Black, Orange inside
Weight: 1,80 kg / 3.96 lbs
Outer Dimensions (W x H x D): 43.0 x 31.0 x 28.0 cm | 16.9 x 12.2 x 11.0 inch
Inner Dimensions (W x H x D): 42.0 x 30.0 x 13.0 cm | 16.5 x 11.8 x 5.1 inch
Material: Water Resistant Nylon 450D
Protection: Various padding used

Extras

Front compartment with organization panel and detachable pouch for audio interface
5 exterior pockets for personal essentials, including one with earbud pass-through for Mp3 players
S-curved shoulder straps for ultimate comfort.

Fits:

Up to 15.4" laptop, LP's
Pioneer DJM-S5, DDJ-XP2, DDJ-200, DDJ-XP1, DDJ-SP1, DDJ-WeGO 3/ 4, Toraiz Squid
NI Maschine MK3/ Jam/ MK2
Denon DJ MC2000, SC2000
Akai MPC Live/ II, MPD226, MPD232, MPD32, MPD26, MPK Mini MK II, MPC Element, MPC 500, APC 20, APC Key 25
Ableton Push/ 2
Allen & Heath Xone 23/ C, Xone 43C
Novation Launch Control XL, LaunchPad Pro, Circuit, Twitch, Numark Scratch, Omni Control, Stealth Control, Party Mix, iDJ Live II, Mixtrack Edge
Reloop Beatmix, Digital Jockey III/ II, Mixage IE, Neon
Roland Aira MX-1, TR-707, MC-202, TR-8, TR-8S
Korg MicroKey 25
M-Audio Oxygen 25, Trigger Finger Pro,
Arturia Drumbrute
Gemini FirstMix Pro, Slate2, Slate4, CDJ-700,
Hercules P32 DJ Controller, Universal DJ, DJ Consule 4-MX, DJ Control Air S, DJ Control Wave, DJ Control Instinct
Livid CNTRL:R
Stanton DJC.4
Vestax Spin 2, VCI-300/MK2, VCI-100/MK2
Audio interface or MP3/MP4 player, books and magazines

Notes: A good quality guitar lead with metal jacks and cable protectors.

Ideal for connecting your guitar to FX/Amps - Ideal for most electric guitars. Made from quality screened cable with 6.35mm mono jack/jack connectors.

Notes: Microphone foam windshield with an internal opening of 35 x 60mm.

Notes: What is the Sherman Filterbank 2?

A powerful analog filtering and distortion unit with a huge frequency range and a killing TUBE overdrive behavior.
Easy and FUN to use, live and in the studio
A small modular system? YES!
Another 303 clone? NO!
Affordable? YES!
Application: processing every sound source, effect mixing, expanding modular systems, etc.

What you get:

Independent low pass, band pass and high pass filters with resonance, frequency and ADSR (positive - negative) controls
These are switchable between parallel or serial
The second filter has a 6 octave switch, and is synchronizable with the first filter
1 ADSR generator for these filters with an external output for use with more filterbanks or modular systems, triggered by the incoming signal, by a second sounds source, or by a gate
1 FM input for the filters, internal or external audio, LFO or CV
1 VCA overdrive with AR generator also
1 ring modulator input, internal or external audio, LFO or CV

The original Sherman Filterbank (Version 1) is no longer being made and is thus now completely being replaced by this new version !

The global look has remained the same, but there have been added several strong functions. To summarize :

There are 5 extra NEW SWITCHES, 1 extra INPUT (for footpedal), 2 extra new LEDs, a NEW COLOR (silver-grey) with an improved (long-lasting) varnish layer.
The inner electronics have also been adapted to achieve an EVEN BETTER SOUND-QUALITY
We also do have new packing-boxes (silver, with photo on upper side), new flashy stickers (silver) and new adaptors (with Sherman-logo).
All this with the famous solid SHERMAN-QUALITY and the well-known thorough & speedy AFTER-SALES service (repairs).

What's new?

There are 5 extra switches and 2 extra LEDs, and on the back panel there's one pedal input jack. A reworked front-panel lay-out and the grey metal color.

The pedal input allows foot control of freq1and bypass/effect switching. You can rewire an old wah (because they have a switch on board) as shown by te diagram in 'extra stuff'.
A 5mm big green LED indicates "Effect on" on the FB 2
A 3-way switch on the input stage allows Hi boost as well Hi cut (both boosting high frequencies at input)
Another 3-way switch allows "Sensitrig" (which makes the triggering twice as sensitive for, e.g. clean string pad filtering) and "Limit", which leaves the filters more "breathing room" for self-oscillation if the input stage is extremely overdriven.
A 3-way switch has 2 general transpose functions : +1 Octave and + Quint which works nice with monophonic signals, and has a specific dirty character.
A 3-way switch for the really powerful and quite revolutionary "Tracking" function - a monophonic pitch follower, that tunes filter 2 to the incoming pitch, and makes filter 1 slave of filter 2 via the harmonics switch. E.g. in position 2, filter 1 will be pitched one octave higher than filter 2, but still following the pitch. This extra switch activates the "tracking" in a normal or deep "track low" position, with stunning basses as result.

The "revolutionary" aspect of this function is that never before any similar system enhances "on the spot" harmonics and creates new harmonics with fat analog circuits.
An extra white LED indicates when the tracking system is "locked on".
At last there is an 3-way function switch in the LFO section, allowing sawtooth wave shape OR AR retrig : this forces an LFO restart from the AR trig with pumping grooves as unavoidable result. If you want to receive a new brochure, please ask your dealer first.

The Sherman Filterbank is now also midi controlable via kenton control freaks (a small portable hardware console, including sliders)

All the finger-tip MIDI control you need, instantly to hand. Forget your mixer maps and do it all in real-time. An ideal solution for the gigging musician, or the musician who likes to save time & settings. The Kenton Control Freaks are made in the U.K., by Kenton, and are preprogrammed with profiles for the Sherman Filterbank as well. Hundreds of additional profiles are available for download FREE from the Kenton website.

PLEASE NOTE: SUPPLIED WITH EU 2 PIN ADAPTER PLUG ONLY.

Notes: Stickies are double-sided adhesive pads, used to affix small, personal microphones directly onto the skin or on top of clothing. The pads are sandwiched with a soft fabric to prevent the mount from creaking when the mic is attached. The materials used are hypoallergenic.

Notes: The VXLR is used to convert a mono 3.5mm mini-jack to a 3-pin XLR.

Notes: Designed for handheld interview and presentation applications, the Reporter features an omnidirectional dynamic capsule that is designed to allow the user freedom of use, without the technique related issues typical of directional end-address microphones.

Additionally its frequency response has been specially tailored for voice reproduction, to maximise intelligibility and deliver crisp, clear results in almost any condition.

The microphone features a durable die-cast aluminium alloy body coated in a discrete matte black anti-glare finish. An innovative multi-layer mesh basket protects the microphone from environmental noise without the need for a bulky and distracting foam wind shield.

It is supplied with a removable microphone 'flag' that can accommodate high visibility branding.

The Reporter is covered by Rode's industry leading support guarantee, with a twelve month warranty 'out of the box' that is easily increased to ten years free of charge, following online registration of the microphone.

Notes: The NT5 matched pairs are a masterpiece of small-diaphragm cardioid-condenser microphone design.

Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer.

Finished in durable satin nickel, the NT5 is intended for either single or stereo X/Y mic set-ups. The NT5 matched pairs comes supplied in a custom carry case with windshields and mounts.

NT5 - Matched Pair Box Contains :

As of 2022, the updated packaging is made from engineered cardboard instead of foam or plastic blister, making it more environmentally friendly, and they all share a unified look to further enhance brand consistency.

RODE have also made a change to the box contents removing the hard cases and including a zip case instead. This has meant that the new dimensions of the packaging are significantly smaller than the original packaging.

2 x NT5
2 x RM5 (mic clip)
2 x WS5 (windshield)
1 x ZP1 (zip pouch)

Notes: The NT-USB is a highly versatile side-address microphone that is ideal for recording singing and musical performances in addition to spoken applications such as podcasting and voice-over.

It is fully compatible with all mainstream recording applications on both Windows and Mac OS based computers, as well as the Apple iPad using RODE Rec, GarageBand, or any other recording app that accepts an external microphone. Use on the Apple iPad requires a suitable USB connection adaptor, such as the Apple Camera Connection Kit.

The body of the NT-USB features a zero-latency stereo headphone monitoring (3.5mm) jack, which allows you to monitor the microphone input in realtime, along with dials to adjust the monitoring level and mix between the computer/iPad audio and the microphone input.

A premium pop-filter is included, which fits onto the base of the mic, positioning the filter the ideal distance from the capsule to minimise plosives (hard 'B', 'T' or 'P' sounds that produce a harsh sound) during singing or speech. Also provided is a high-quality stand mount with industry standard 3/8" thread, desktop tripod stand that allows the NT-USB to sit at a comfortable height on a tabletop, and a pouch for storage of the microphone when not in use.

Perfect for streamers and gamers, not just podcasters and voiceovers.

This product is compatible with the Rode PSA1 and the PSA1+.

Notes: The DeadCat VMP is a furry wind cover for the VideoMic Pro, designed for use in windy environments.

Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent.

Notes: 3 pin XLR plug to RCA phono socket.

Notes: Great value sub from one of the rising brands in the studio monitor market. 10-inch speaker design reproduces frequencies all the way down to 20 Hz for precise monitoring of bass.

Supplier's notes:
To hear what's really going on at the bottom of your mixes, you need a subwoofer that speaks the truth. The Temblor T10 lets you take charge of the low-frequency foundation of your mix with a combination of quality components and design, plenty of inputs and outputs, and extensive user controls not normally available in this price range.

An ideal companion to Eris and Sceptre active reference monitors, the T10 complements full-range monitors without overshadowing them, extending the reach of your full-range system's low end with a musical and natural approach.
Powerful and musical, Temblor features high-quality components and design that enable it to deliver fast and accurate transient response, extending low frequencies without a hint of "tubbiness" or overshoot.

The Temblor T10 is an active subwoofer with a 10-inch glass-composite driver, built-in crossover, high-temperature voice coil, and damped rubber surround. Its cabinet features a front-firing, bass-reflex acoustic port and optimized, resonance-suppressing internal bracing. The enclosure has integrated rubber feet for stable placement.

In addition to outstanding accuracy and a frequency response that ranges from 20 Hz to 130 Hz, this combination of features enables the subwoofer to produce higher volume - up to 113 dB SPL - with less power than a sealed-box design. But make no mistake; the T10 has plenty of juice: 250 watts of Class AB power.

The result is a subwoofer that delivers accurate, tight low end and outperforms subs costing far more. With Temblor T10, you hear what the foundation of your mix really sounds like so you can produce your best mix from top to bottom.

The T10 provides more user controls than any other subwoofer in its class, enabling seamless integration into your listening environment.

The Temblor T10's extensive user controls include input gain (-30 dB to +6 dB, continuously variable) and a continuously variable low-pass filter (50 Hz to 130 Hz) that let you create a seamless crossover transition between your full-range studio monitors and subwoofer for a more accurate listening environment.

A switchable high-pass filter removes frequency content below 80 Hz from the full-range signal sent from the T10 outputs to the main monitors, avoiding destructive cancellation and reinforcement in the T10's upper range.
The result is a subwoofer that can be adjusted to perfectly complement not only our Sceptre CoActual and Eris active studio monitors but virtually any studio monitor.

The T10 also features a momentary footswitch (included) that bypasses the subwoofer, high-pass filter, and Sub Out. This allows your audio source signal to pass directly through the Temblor T10 to the full-range studio monitors, making comparing your mix with or without sub frequencies quick and easy. This helps to ensure your mix will sound good on a wide variety of systems.

Of course, we didn't forget the "small things" that can make a big difference: polarity invert and a ground-lift switch.

No other subwoofer anywhere close to the Temblor T10's price range offers a comparable selection of inputs and outputs.

The Temblor T10 provides a choice of three input pairs: two sets of balanced inputs (XLR and 1/4" TRS) and one pair of RCA unbalanced inputs. Pairs of inputs are provided in order to accept a stereo signal from your audio source.
When both of the balanced connections are in use, the TRS inputs will take precedence over the XLR inputs. The RCA inputs will sum into either balanced connection.

You get two pairs of balanced outputs: XLR and 1/4" TRS. The full-range signal connected to the stereo inputs on the T10 is passed through to these outputs so you can connect them to your main left and right studio monitors. If the High Pass Filter switch is engaged, frequencies below 80 Hz are not sent from these outputs.

The T10 also has a balanced XLR output that sends the low-frequency signal from the low-pass filter to a second Temblor T10 for the ultimate in smooth low end.

Notes: Are you and your session players and bandmates tired of straining to hear underpowered headphones? That's why Jim Odom and his jambalaya-fueled team of engineers designed 150 mW headphone amps for the HP4 headphone-distribution system.

These headphone amps are not just loud enough for session and stage use, they're loud enough to explode the oysters in a Po' Boy sandwich. Yet the sound is clear and clean, with a wide dynamic range. At last, everybody will be able to heariassuming they are capable of hearing. Be careful with that level control.

Simplicity is the HP4's hallmark. You get left and right line inputs, left and right line outputs with level control, and the 4 x headphone outs. You can globally mute the headphone outs, adjust the overall headphone level, sum the stereo signals to mono, and mute the rear-panel Monitor outputs.

The HP4 can sit on a tabletop or can be screw-mounted to a standard rack tray (not included), where it requires just 1/3 rackspace. And if your needs grow, you can use the line outputs to feed the inputs of a second HP4 or an HP60. Chain as many headphone systems as you need.

So listen up. Quit struggling with mediocre headphone amps. Get the HP4 and hear everything loud and clear. You owe it to your music.

www.youtube.com/watch?v=GOt3LDMtsFM

Notes: Heavy duty keyboard stand with 5 height adjustments via a robust locking mechanism. The product is easy to assembly and folds down to a very compact size for storage.

Ideal for Use with Most Keyboards
Quick and Simple self-assembly
Light Weight and Portable with a Maximum load of 22kG
Folds Down for Easy and Compact Storage

Notes: A metal professional standard floor microphone stand with boom arm that is adjustable for height, angle and extension. The product features tripod style foldaway legs and has a remarkable stability when in use. The Boom arm extends 760mm.

Notes: Acoustic isolation pads decouple monitor speakers and eliminate vibrations/resonance, and in some instances eliminates resonant coupling from the surface to which the speakers are situated. Using the angled isolation pads gives greater detail and depth across the frequency spectrum, allowing for easier and cleaner mixing.

The high density foam allows the speaker to be separated from the surface while the non-slip surface ensures the speaker stays in place. The kit contains 2 components for different configurations (horizontal/angled).

Product Dimensions (mm): 190x240

Notes: Acoustic isolation pads decouple monitor speakers and eliminate vibrations/resonance, and in some instances eliminates resonant coupling from the surface to which the speakers are situated.

Using the angled isolation pads gives greater detail and depth across the frequency spectrum, allowing for easier and cleaner mixing. The high density foam allows the speaker to be separated from the surface while the non-slip surface ensures the speaker stays in place. The kit contains 2 components for different configurations (horizontal/angled).

Product Dimensions (mm): 263mm x 380mm

Notes: Acoustic isolation pads decouple monitor speakers and eliminate vibrations/resonance, and in some instances eliminates resonant coupling from the surface to which the speakers are situated. Using the angled isolation pads gives greater detail and depth across the frequency spectrum, allowing for easier and cleaner mixing.

The high density foam allows the speaker to be separated from the surface while the non-slip surface ensures the speaker stays in place. The kit contains 2 components for different configurations (horizontal/angled).

Product Dimensions (mm): 310x310

Notes: Multi-purpose high quality XLR to XLR audio cables from Neo by Oyaide.

Notes: Multi-purpose high quality XLR to XLR audio cables from Neo by Oyaide.

Notes: Multi-purpose high quality XLR to XLR audio cables from Neo by Oyaide.

Notes: Multi-purpose high quality XLR to XLR audio cables from Neo by Oyaide.

Notes: d+ series bring the highest quality and a cool designed in your sound system such as DJ gears, audio interface, speaker, mixer, effector, synthesizer and all sound gears.

About the product planning for the d+ series, we contemplated the best combination of materials and the structure for today's music and situations.

You might already have seen d+ class B series somewhere. That's why they always have a desire to improve the sound quality and the cable's transmission influences the total sounds.

Many professionals are using the d+ series and you can easily get the goodness on your sound system.

Notes: d+ series bring the highest quality and a cool designed in your sound system such as DJ gears, audio interface, speaker, mixer, effector, synthesizer and all sound gears.

About the product planning for the d+ series, we contemplated the best combination of materials and the structure for today's music and situations.

You might already have seen d+ class B series somewhere. That's why they always have a desire to improve the sound quality and the cable's transmission influences the total sounds.

Many professionals are using the d+ series and you can easily get the goodness on your sound system.

Notes: Multi-purpose high quality XLR to RCA audio cables from Neo by Oyaide.

Notes: d+ series bring the highest quality and a cool designed in your sound system such as DJ gears, audio interface, speaker, mixer, effector, synthesizer and all sound gears.

About the product planning for the d+ series, we contemplated the best combination of materials and the structure for today's music and situations.

You might already have seen d+ class B series somewhere. That's why they always have a desire to improve the sound quality and the cable's transmission influences the total sounds.

Many professionals are using the d+ series and you can easily get the goodness on your sound system.

Notes: Multi-purpose high quality 1/4" TRS to XLR audio cables from Neo by Oyaide.

Notes: Used by artist's such as Dubfire, Richie Hawtin and Carl Craig the d+ RCA series is specialized for DJs and designed according to feedbacks of DJs, Artists, and Clubs. By connecting between a DJ mixer and some DJ equipments such as CDJ, Traktor and Serato, you can get a huge advantage about the sound quality.

About the product planning for the d+ RCA series, Neo contemplated the best combination of important materials and factors such as its structure, conductor, insulator, shielding, outer sheath, and contact of plug.As a matter of course, for not only a data compressed file but also WAV, AIFF, and CD, it contributes to dissolve the stiffness and shallowness of digital sounds. In addition, its hi-definition playback property helps for making a good quality file recording for vinyl sound capturing.

Notes: Used by artist's such as Dubfire, Richie Hawtin and Carl Craig the d+ RCA series is specialized for DJs and designed according to feedbacks of DJs, Artists, and Clubs. By connecting between a DJ mixer and some DJ equipments such as CDJ, Traktor and Serato, you can get a huge advantage about the sound quality.

About the product planning for the d+ RCA series, Neo contemplated the best combination of important materials and factors such as its structure, conductor, insulator, shielding, outer sheath, and contact of plug.As a matter of course, for not only a data compressed file but also WAV, AIFF, and CD, it contributes to dissolve the stiffness and shallowness of digital sounds. In addition, its hi-definition playback property helps for making a good quality file recording for vinyl sound capturing.

Notes: Used by artist's such as Dubfire, Richie Hawtin and Carl Craig the d+ RCA series is specialized for DJs and designed according to feedbacks of DJs, Artists, and Clubs. By connecting between a DJ mixer and some DJ equipments such as CDJ, Traktor and Serato, you can get a huge advantage about the sound quality.

About the product planning for the d+ RCA series, Neo contemplated the best combination of important materials and factors such as its structure, conductor, insulator, shielding, outer sheath, and contact of plug.As a matter of course, for not only a data compressed file but also WAV, AIFF, and CD, it contributes to dissolve the stiffness and shallowness of digital sounds. In addition, its hi-definition playback property helps for making a good quality file recording for vinyl sound capturing.

Notes: Multi-purpose high quality TRS to TRS audio cables from Neo by Oyaide.

Notes: d+ series bring the highest quality and a cool designed in your sound system such as DJ gears, audio interface, speaker, mixer, effector, synthesizer and all sound gears.

About the product planning for the d+ series, we contemplated the best combination of materials and the structure for today's music and situations.

You might already have seen d+ class B series somewhere. That's why they always have a desire to improve the sound quality and the cable's transmission influences the total sounds.

Many professionals are using the d+ series and you can easily get the goodness on your sound system.

Notes: Multi-purpose high quality RCA to XLR audio cables from Neo by Oyaide.

Notes: Used by artist's such as Dubfire, Richie Hawtin and Carl Craig the d+ RCA series is specialized for DJs and designed according to feedbacks of DJs, Artists, and Clubs. By connecting between a DJ mixer and some DJ equipments such as CDJ, Traktor and Serato, you can get a huge advantage about the sound quality.

About the product planning for the d+ RCA series, Neo contemplated the best combination of important materials and factors such as its structure, conductor, insulator, shielding, outer sheath, and contact of plug.As a matter of course, for not only a data compressed file but also WAV, AIFF, and CD, it contributes to dissolve the stiffness and shallowness of digital sounds. In addition, its hi-definition playback property helps for making a good quality file recording for vinyl sound capturing.