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Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.Visit Juno DJ

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Cat: 700674 Rel: 11 Dec 18 • View all Decksavers + DJ equipment covers
 
2 x silver anodised faceplates for Technics 1200/1210 MK2
Notes: REWORK's premium anodised aluminium faceplates for Technics 1200 and 1210 MK2 decks.

Anodising gives aluminium a deeper, richer metallic appearance than is possible with organic coatings. This is because an anodized coating is translucent, and one can see the base metal underneath the coating.

- Precision cut metal cover that fits right over your existing set up
- Fit perfectly snug with deck lids up or down
- Cut-outs for the hinges
- Four folds ensure maximum strength
- Installing the cover is a breeze. Simply slide them over the tonearm assembly and the cover drops in place
- Turntable NOT included
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$204.43 SAVE 20%
 1 in stock $163.55
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Cat: 643684 Rel: 16 Mar 17 • View all Decksavers + DJ equipment covers
 
Pair of precision cut metal covers for Technics 1200/1210 MK2 turntables - stainless steel
Notes: - Precision cut metal covers that fit right over your existing set up.
- Fit perfectly snug with deck lids up or down.
- Cut-outs for the hinges.
- Four folds ensure maximum strength.
- Installing the cover is a breeze. Simply slide them over the tonearm assembly and the cover drops in place.
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 1 in stock $152.28
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Cat: 717581 Rel: 06 Feb 19 • View all Synth modules
 
Four channel stereo mixer with balanced 1/4-inch & headphone out - 12HP
Notes: The Listen Four Quarters is a four channel stereo mixer with 1/4" (6.35mm) TRS balanced outputs and 1/8" (3.5mm) headphones output. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four Quarters can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.
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 1 in stock $176.27
Cat: 661538 Rel: 17 Oct 17 • View all Effects pedals
 
Octave/Tremolo effects pedal
Notes: The 4ms Nocto Loco is an octave pedal capable of going as low at three octaves down in pitch. It can also function as a tremolo effect with the Pulse and Speed knobs.
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 1 in stock $157.71
Cat: 711005 Rel: 12 Dec 18 • View all Synth module accessories
 
60HP metal enclosure for Eurorack modules with built-in power supply
Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod60 is 60HP with 1.34" (34mm) of available module depth. The built-in power supply has four power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod60 includes twenty (20) M3x8mm stainless steel screws and is compatible with M3 Knurlies.
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 3 in stock $153.32
Cat: 589497 Rel: 09 Dec 15 • View all Synth modules
 
Rotating Clock Divider (RCD) synthesiser module - 4HP wide
Notes: The Rotating Clock Divider (RCD) produces eight divided clock tempos from a single input clock. The divisions range from /1 to /64, including all odd and non-standard divisions such as /3 and /17 and /62. A Rotate CV input re-assigns the division number of each jack, allowing for creative mix-ups and experimentation. A Reset input jack helps to sync/start with an external clock.

Jacks:
- Clock Input (5V to 15V clock, rising edge triggered), max 3kHz
- CV Rotate (0V to +5V input)
- CV Reset (5V to 15V trigger)
- Divided Clock Outputs (8 jacks):
Divide-by-(1+R)
Divide-by-(2+R)
Divide-by-(3+R)
Divide-by-(4+R)
Divide-by-(5+R)
Divide-by-(6+R)
Divide-by-(7+R)
Divide-by-(8+R)
...where R is the CV Rotation.
- Selectable Gate/Trigger mode:
- Selectable Divide range up to Divide-by-64:
Two jumper pins on the back can be pre-set with jumpers plugs, or used with (forthcoming) breakout panel.
- Selectable Auto-reset:
Auto-reset will reset the divide counter every 16/24/32 clocks, which keeps the beats more "dance-able" even when using the "weird" clock divisions (3/5/6/7/9/10/11/etc..) Two jumper pins on the back can be pre-set with jumpers plugs, or used with (forthcoming) breakout panel.
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 2 in stock $150.20
Cat: 601496 Rel: 31 Oct 17 • View all Synth modules
 
3 linear VCA's based on a discrete OTA core
Notes: The ADE-50 provides 3 all-analogue voltage controlled amplifiers based on a modern operational transconductance amplifier design.

The VCA's are designed to provide a good balance between the performance and specification of modern 'on-chip' VCA's and the character and musicality of classic analogue designs.

The OTA core of each VCA is fully discrete - it is built from only resistors, capacitors and transistors - however, the CV conditioning, audio input and output stages are built using high-quality op-amps giving the best balance between musicality, character and performance.

The ADE-50 provides a good signal-to-noise ratio, linearity, attenuation, an output level at unity gain at 5V CV input, minimal CV 'bleed' and minimal output offset/bias.
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 2 in stock $152.29
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Cat: 703320 Rel: 15 Feb 19 • View all PA speakers
 
Weather resistant, IP44 rated indoor/outdoor background speakers - 8" 120W white
Notes: High quality IP44 weather resistant speakers with a main 100mm driver, coupled with a 13mm tweeter, all housed in an efficiently designed moulded cabinet. Each speaker is supplied with a laterally adjustable wall mounting bracket that can also set to various tilt positions for efficient directivity. Designed for indoor or outdoor background music and public address applications.

The box for this item contains:

- 2 x BH series weatherproof background speakers
- 2 x curved mounting brackets
- 2 x mounting plates
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 2 in stock $166.22
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quote 703320
Cat: 686765 Rel: 24 Apr 18 • View all DJ headphones
 
Modular headphones featuring titanium-coated S02 loudspeaker unit
Notes: This preset has been configured with the titanium-coated S02 speaker unit that delivers a punchy and intense sound representation, focusing on bass and low end dynamics.

The combination of the durable H02 nylon headband and the E02 on-ear PU leather earpads, which provides high isolation, results in a powerful, sturdy headphone suitable for live performance and electronic/bass heavy music.

S02 Speaker units:

Engineered with a titanium coated driver to reduce distortion, and designed with an internal vent allowing the middle bass to be more clear and punchy.

H02 Headband:

New reinforced nylon headband with full grip silicone head padding for better grip.

E02 Earpads:

Closed and intense sound representation. Produces strong bass and low end dynamics. High isolation.

C02 Cable:

Coiled 1.5 meter Thermo plastic cable, soft touch surface and can extend to 3.2m, perfect for Dj-ing or small studio usage - comes with 1/4 to 1/8 screw on adaptor.
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 2 in stock $194.01
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quote 686765
Cat: 739203 • View all DJ headphones
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


This configuration is based on the original TMA-1 DJ, which is the preferred choice of a range of acclaimed DJs. Centered sound stage and high isolation.

This preset has been configured with the titanium-coated S02 speaker unit that delivers a punchy and intense sound representation, focusing on bass and low end dynamics. The combination of the durable H02 nylon headband and the E02 on-ear PU leather earpads, which provides high isolation, results in a powerful, sturdy headphone suitable for live performance and electronic/bass heavy music.

Engineered with a 40mm titanium-coated driver to reduce distortion, and designed with an internal vent allowing the middle bass to be more clear and punchy, which is great for picking up the beat. A gradual dip towards the high frequencies prevent listening fatigue.

The Speaker Unit housing is injected moulded from durable ABS material and coated with rubber to give a matte look with a soft feeling. Both plugs feature a cable lock that securely locks the cable in place.

New reinforced injection-moulded headband made from the best engineering nylon grade available. A durable compression moulded silicone headpad gives a better grip and the rugged headband is easy to clean after a long night in the club.

Gold plated plugs ensure optimal connection to your speaker units and the cable locks keeps the cable in place.

Soft on-ear foam cushion covered with PU leather. The thickness of the cushion and the materials used give a closed and intense sound representation. Produces strong bass and low end dynamics.

High isolation. Good for DJing and electronic music. Centred sound stage and high isolation. Height 20 mm. Outer diameter 70mm. Inner diameter 32mm.

Coiled, black, 1.5m thermo plastic cable with soft touch surface. Extends up to 3.2m. Perfect for DJing or small studio use. Comes with 1/4" to 1/8" screw-on adaptor.
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 1 in stock $153.45
Cat: 572312 Rel: 27 Apr 15 • View all DJ headphones
 
Professional DJ preset modular headphones with 40mm titanium coated drivers & 3.2m coiled cable with 1/4" adapter
Notes: This configuration is based on the original TMA-1 DJ, which is the preferred choice of a range of acclaimed DJs. Centered sound stage and high isolation.

This preset has been configured with the titanium-coated S02 speaker unit that delivers a punchy and intense sound representation, focusing on bass and low end dynamics. The combination of the durable H02 nylon headband and the E02 on-ear PU leather earpads, which provides high isolation, results in a powerful, sturdy headphone suitable for live performance and electronic/bass heavy music.

Engineered with a 40mm titanium-coated driver to reduce distortion, and designed with an internal vent allowing the middle bass to be more clear and punchy, which is great for picking up the beat. A gradual dip towards the high frequencies prevent listening fatigue.

The Speaker Unit housing is injected moulded from durable ABS material and coated with rubber to give a matte look with a soft feeling. Both plugs feature a cable lock that securely locks the cable in place.

New reinforced injection-moulded headband made from the best engineering nylon grade available. A durable compression moulded silicone headpad gives a better grip and the rugged headband is easy to clean after a long night in the club.

Gold plated plugs ensure optimal connection to your speaker units and the cable locks keeps the cable in place.

Soft on-ear foam cushion covered with PU leather. The thickness of the cushion and the materials used give a closed and intense sound representation. Produces strong bass and low end dynamics.

High isolation. Good for DJing and electronic music. Centred sound stage and high isolation. Height 20 mm. Outer diameter 70mm. Inner diameter 32mm.

Coiled, black, 1.5m thermo plastic cable with soft touch surface. Extends up to 3.2m. Perfect for DJing or small studio use. Comes with 1/4" to 1/8" screw-on adaptor.
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 6 in stock $164.80
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quote 572312
Cat: 648051 Rel: 26 Apr 17 • View all DJ headphones
 
Professional DJ preset modular headphones with 40mm titanium coated drivers
Notes: The Tonmeister preset has been configured with a powerful, high-sensitivity neodymium S04 speaker unit that delivers a vibrant and detailed sound representation.

The combination of the comfortable H04 nylon headband and the E05 over-ear microfiber earpads, results in a wide soundstage and excellent comfort.
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 1 in stock $185.66
Cat: 688825 Rel: 01 Aug 18 • View all Synth modules
 
Wave twister/distortion module - black, 10HP
Notes: The V-Shape is two modules in one, a wave twister and a distortion/wavefolding module. Both sections of the module are all analogue in design, and both can be used independently, or they can be normalised together in series, so that a waveform can be twisted first and then distorted and wavefolded.

The wave twister can take (for example) a saw tooth waveform as an input and shape it, under manual or external voltage control, through to being a triangle waveform and on to being a ramp waveform, and produces a sound similar to PWM for sawtooths. It will also work with symmetrical waveforms such as triangle and sine waves, again producing PWM like tones.

It can produce a wave twisting effect from most waveforms (with the exception of square waves), whether they are symmetrical or asymmetric. Under many conditions the transfer function is not perfect, so different harmonics may be generated too. The offset control allows a bias to be added to the incoming waveform, either to bias it correctly around zero or offset it for more distortion and harmonics.

The second part of the V-Shape module is a distortion unit, with selectable Soft or Hard Clipping, and the clipping amount can be varied either by a front panel control or an external control voltage with the "Distort" control. The distortion offset control adds or subtracts a bias voltage to the CV signal, to give an extended range of control. There is also a single stage, switchable wavefolder, which can be used with either soft or hard clipped waveforms.
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 2 in stock $198.19
Cat: 708115 Rel: 22 Jan 19 • View all Synth modules
 
MiniMod Glide + Noise, combining two Minimoog circuits in one module - 6HP
Notes: The original MiniMod Glide +Noise module was based exactly on the original Minimoog Model D circuitry, which was designed to be used with the built in Model D keyboard, and because of its vintage design its range was severely limited to 5 or 6 octaves, and it also responded to positive voltages only. Another limitation was that it would not return fully to zero when selecting long glide times, which restricted the range even more.

So we made the decision to re-design the MiniMod Glide + Noise using modern precision parts, and we have come up with an all new circuit which has exactly the same function, but with a hugely extended range. It has the same Glide slope characteristic (a slightly curved Linear Glide) as the Model D on which the MiniMod is based, however in response to many requests from customers we have adjusted the glide up and down speeds so that they are now very similar , which is much more useful in real world applications that the earlier MK1 version which (like the Model D) would glide up considerably faster than it would glide down.

The new Mk2 MiniMod Glide Noise module now has an impressive 14 octave range, and can respond to negative voltages down to -5V. This is a very useful feature, as our MiniMod VCO's will respond to negative control voltages and produce correspondingly low frequencies; so it is now possible to glide down quickly or slowly to crazy sub bass levels! The hold feature has been improved too, it covers the full audio range as well as DC control voltages, and works as a track and hold module with Eurorack signal levels.

A further enhancement is that the Mk2 module can now (using selectable jumpers) transmit or receive pitch CV to the Eurorack power bus; for example, the Glide CV Output can now be directed to the Bus in order to send CV's to (for example) three VCO's via the bus without the need for a passive multi and four patch cords!

The Noise section of the module is unchanged, except that we have slightly boosted the level of the Red Noise output to bring it more in line with Eurorack control voltage levels.

Lastly, it is much shallower - Mk1 Glide Noise had a depth of 54mm, and it was the only MiniMod module that was too deep to fit a skiff style case - and this prevented a full MiniMod system being installed into a shallow Eurorack case. The new MK2 version is only 28mm deep, so this allows both it and a full MiniMod system to be mounted into shallow skiff style Eurorack cases.

Dimensions: 6HP wide, 26mm Deep
Current draw: 36mA Positive, 38mA Negative
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 2 in stock $168.97
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Cat: 637044 Rel: 22 Mar 17 • View all Synth modules
 
Dual LFO with waveshaping, sync input & DC-coupled VCA - dark edition
Notes: This has two LFOs, each with variable waveshape from Saw to Triangle to Ramp waveforms, or variable Pulse width on the Square wave output. LFO 1 has the addition of a low range and a Sync input. The nominal maximum frequency of the LFOs when in Triangle shape is 20Hz, but under certain combinations of settings they will go much higher, well into audio range.

Also included is a DC coupled VCA, the input of the VCA is normalised to the output of LFO 2, so a 0 to +5V input to the VCA CV input gives control of the LFO waveform amplitude. It can also be used as a stand alone VCA.

This module is very useful for controllers such as the Waldorf KB37 where the modulation wheel gives out 0 to +5V, this can be routed to the VCA CV module so the level of the modulation waveform can be easily controlled. This makes it very easy to add VCO vibrato or filter 'wah' with control of modulation amount from the modulation wheel or other controller.
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 1 in stock $191.93
Cat: 625062 Rel: 22 Sep 16 • View all Synth modules
 
Mini Mod Discrete Cascaded VCA Module
 1 in stock $159.59
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quote 625062
Cat: 708117 Rel: 22 Jan 19 • View all Synth modules
 
MiniMod Glide + Noise, combining two Minimoog circuits in one module - 6HP
Notes: The original MiniMod Glide +Noise module was based exactly on the original Minimoog Model D circuitry, which was designed to be used with the built in Model D keyboard, and because of its vintage design its range was severely limited to 5 or 6 octaves, and it also responded to positive voltages only. Another limitation was that it would not return fully to zero when selecting long glide times, which restricted the range even more.

So we made the decision to re-design the MiniMod Glide + Noise using modern precision parts, and we have come up with an all new circuit which has exactly the same function, but with a hugely extended range. It has the same Glide slope characteristic (a slightly curved Linear Glide) as the Model D on which the MiniMod is based, however in response to many requests from customers we have adjusted the glide up and down speeds so that they are now very similar , which is much more useful in real world applications that the earlier MK1 version which (like the Model D) would glide up considerably faster than it would glide down.

The new Mk2 MiniMod Glide Noise module now has an impressive 14 octave range, and can respond to negative voltages down to -5V. This is a very useful feature, as our MiniMod VCO's will respond to negative control voltages and produce correspondingly low frequencies; so it is now possible to glide down quickly or slowly to crazy sub bass levels! The hold feature has been improved too, it covers the full audio range as well as DC control voltages, and works as a track and hold module with Eurorack signal levels.

A further enhancement is that the Mk2 module can now (using selectable jumpers) transmit or receive pitch CV to the Eurorack power bus; for example, the Glide CV Output can now be directed to the Bus in order to send CV's to (for example) three VCO's via the bus without the need for a passive multi and four patch cords!

The Noise section of the module is unchanged, except that we have slightly boosted the level of the Red Noise output to bring it more in line with Eurorack control voltage levels.

Lastly, it is much shallower - Mk1 Glide Noise had a depth of 54mm, and it was the only MiniMod module that was too deep to fit a skiff style case - and this prevented a full MiniMod system being installed into a shallow Eurorack case. The new MK2 version is only 28mm deep, so this allows both it and a full MiniMod system to be mounted into shallow skiff style Eurorack cases.

Dimensions: 6HP wide, 26mm Deep
Current draw: 36mA Positive, 38mA Negative
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 2 in stock $162.71
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Cat: 544377 Rel: 29 Oct 14 • View all DJ controllers
 
DJ controller designed for use with Serato DJ with oro-grade, adjustable mini innoFADER included
Notes: Put hands-on control at the center of your Serato DJ setup with AMX, a versatile 2-channel mixing surface from Akai Professional. A powerful controller for any performer, AMX controls 2 decks of Serato DJ with an intuitive array of faders, touch-activated knobs, and buttons. Featuring a curve-adjustable mini innoFADER crossfader, dedicated line faders, and control signal inputs, AMX can interface Serato DJ with turntables using Serato NoiseMap (DVS) or HID players over a single USB cable. Built-in headphone and master outputs integrate into any booth or tabletop setup, bringing the trusted Akai Professional hardware experience to stages and studios all over the world. Read on to see what it can bring to your next live performance using Serato DJ.

Serato DJ is a robust program for digital DJ'ing. AMX comes with the full-version, letting you take advantage of precise, powerful audio manipulation in real-time. Already have Serato DJ? AMX unlocks it, providing both a control surface and audio interface to build around or have as an extra controller option. Utilizing Akai Pro's expertise in hardware innovation and sound manipulation mastery, the line between the physical and digital DJ world is extinct.

AMX features two sets of audio inputs, selectable as Line or Phono, to accept signals from Serato timecode vinyl, also known as Serato NoiseMap. This Digital Vinyl System (DVS) lets you DJ with your digital music collection, while maintaining the feel and action of a turntable+vinyl setup. AMX accepts the Serato NoiseMap signal from your turntables and instantly sends it Serato DJ over a USB connection. Until now, similar systems were complex and cost-prohibitive. AMX is a rock-solid, affordable interface that fuses the best of analog feel with the best of digital music access. (Serato DVS Expansion Pack and timecode vinyl are sold separately)

AMX features the renowned innoFADER mini crossfader at the heart of its mixing surface. Coveted for its uncanny response, smooth action, and impossibly-durable build quality, the innoFADER gives DJs of all types unmatched command over transitions and cuts. With a fully-adjustable curve response, the innoFADER mini can be calibrated for turntablists, electronic music DJ's, scratch/battle performers - AMX even includes a fader reverse switch - that can be worked hard, night in and night out.

By themselves, the EQ and Filter knobs on AMX are tactile, responsive controls for shaping tracks and carving out transitions. These knobs also incorporate a dramatic "twist" they react to the human touch. In Touch mode, each knob responds to a twist, a touch, or a combination of both. With a simple tap, you can kill an entire frequency band (or two, or three). Remove your finger and the missing bands become audible again, instantly. With Touch mode disengaged, they function as traditional mixer-style knobs for precision control over each decks' sonic composition.

AMX packs professional functionality into a compact form-factor - take it everywhere. In addition to transport and mixing controls, it features a studio-grade audio interface. Get the mix from your computer to an amplification system with support for 24-bit, 96kHz audio output. As the center of your DVS setup, or as a compact travel-friendly controller, AMX brings the best of the studio to the stage in a way that only Akai Professional can.
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 1 in stock $195.11
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Cat: 431966 Rel: 17 May 12 • View all Studio mixers
 
Multipurpose studio mixer for live sound & recording
Notes: The Allen & Heath ZED-10 mixer is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio input/output making it easy to capture stereo recordings.

Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards.

Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. The ZED-10 is bundled with IK Multimedia's AmpliTube X-GEAR software, giving access to superbly modelled amps and effects.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED-10 is super-flexible and super-easy. No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED-10, select the USB routing on the mixer and the device on your computer and that's it. CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations.
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 3 in stock $186.71
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quote 431966
Cat: 738942 • View all Studio mixers
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


The Allen & Heath ZED-10 mixer is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio input/output making it easy to capture stereo recordings.

Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards.

Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. The ZED-10 is bundled with IK Multimedia's AmpliTube X-GEAR software, giving access to superbly modelled amps and effects.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED-10 is super-flexible and super-easy. No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED-10, select the USB routing on the mixer and the device on your computer and that's it. CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations.
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 1 in stock $176.31
Cat: 584252 Rel: 15 Apr 16 • View all Synth modules
 
12bit digital drum voice synth module with full voltage control and an analog EQ output path - 12HP wide
Notes: Dinky's Taiko' is a 12 bit digital drum voice with full voltage control and an analog EQ output path.

The drum voice consists of 3 parts; a digital noise source with controllable frequency and release time, a wavetable oscillator with start and end frequency settings together with a variable rate (and release time, and finally a mix and tone control for the audio output. All settings, bar the tone control, are both direct and voltage controllable.

The drum voice includes a trigger input as well as accent and choke trigger inputs to add further expressive and rhythmic control.
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 4 in stock $196.09
Cat: 584259 Rel: 15 Apr 16 • View all Synth modules
 
High quality quad linear voltage controlled amplifier (VCA) synthesiser module - 8HP wide
Notes: 'Tangle Quartet' is a high quality quad linear voltage controlled amplifier (VCA) providing individual level control of 4 signal inputs with both individual outputs and a combined 'mix' output (for non patched outputs) . Control signal inputs and associated attenuation controls allow for voltage control of signal levels. Control inputs are normalised to 5v thus providing manual mix control in the absence of control signals.

Technical Specifications:

Supply: +/-12V (Reverse voltage protection)
Current Draw: ~80ma
Size: 8 HP
Depth: 32mm (including power header)
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 6 in stock $167.93
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Cat: 679163 Rel: 09 Mar 18 • View all Synth modules
 
Eurorack recreation of classic sampler filter with added resonance & voltage control
Notes: 'MUM M8' is an 8hp Eurorack low pass filter building on the filter design used in the classic Akai S950 12 bit sampler with the addition of resonance, voltage control, clipped saturation and a dedicated VCA.

The low pass filter gives the recognisable super smooth vacuum like tone sucking sound which works magic on complex sources. The addition of clipped overdrive and intentionally aggressive self-oscillating resonance compliment the smooth filter core by juxtaposing it into more wasp like territory with acidic squeals and a more gritty sound.
Mum M8 features dual voltage control with attenuation (and inversion) of filter cut off and voltage control of resonance together with dual audio inputs - one of which includes a VCA to with the capability to aid overdriving signals into the filter core.

The filter core is a 6th Order Butterworth switched capacitor type design featuring an analog core but controlled by a high speed digital clock. This produces the characteristic smooth sounding filter but, as with the original S950, has a relatively high minimum cut off as to avoid 'clock bleed' into the filter output from the digital control. This minimum cut of point (and introduction of bleed if required) can be controlled via trimmers on the rear of the module (see calibration chapter). It is not unusual for there still to be some low-level artefacts from the clock present, particularly during filter sweeps - these add to the filters character.

The motivation for the module came from discussing filters in classic samplers with the artist Jack Adams - aka Mumdance. Jack suggested investigating the S950's filter well known as for it use in classic use in early jungle and hardcore. From that point onward Jack provided inspiration, help and feedback in the development of the filter. Big up Mumdance.
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 5 in stock $185.66
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Cat: 683889 Rel: 28 Mar 18 • View all Synth modules
 
Fuzz module featuring three voltage-controllable parameters - 12HP
Notes: The Baron Samedi circuit produces all sorts of extreme fuzz sounds with a fundamentally gated nature. It's easy to think of the pedal as a supernatural harmonic generator of sorts - with a fuzz sound that goes from tame to obnoxious and a row of three extremely interactive knobs, it's easy to dial in a wide range of broken speaker, AM radio, sub-oscillating and scooped mid sounds - and everything in between.

The heart of this module is the same as that of the pedal, so you can nail all the sounds the pedal has to offer. The attenuverter-equipped CV inputs are designed to drag your yet-pristine synth signals into a chaotic, loud and vulgar afterlife.

With modifications that allow it to be used with modular level signals, the Baron Samedi module can act like a waveshaper or a saturator - but add CV and all bets are off. The LIFE CV deepens or flattens the notch of the tone control, the DEATH CV adds PWM-like textural manipulation, going from very quiet to very loud in the process, and the BURIAL CV acts as a gate of sorts. Some extremely unique, somewhat ring modulation-like sounds can be had when feeding audio-range signals into the DEATH and BURIAL CV inputs. It goes without saying that there is a lot of merit in running CV into all three inputs simultaneously for maximum sonic mayhem.

The module would not be complete without a dry/wet blend knob, useful both as a performance tool and to fine tune the amount of textural distortion desired.
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 1 in stock $162.71
Cat: 665167 Rel: 02 Nov 17 • View all Synth modules
 
Overdrive/distortion module
Notes: Full-blooded distortion - Pit Viper is a solid state overdrive for hard-boiled musicians. The circuit can generate clean, beefy signal boosts. However, its true strengths lie in aggressively screaming distortions with a tangible character.

Pit Viper comes equipped with the following control elements:

- Toxicity: Gain potentiometer - Please turn up for heavy distortion.
- Hiss: Tone knob - Turn clockwise to cut the treble.
- Venom: Volume potentiometer
- Fear: Three-stage soft clipping switch - Activates normal soft clipping or a more tube-like version with less treble.
- Malice: Three-stage hard clipping switch - Activates beefy hard clipping or a spongier version with less treble.
- Blend: Dry / Wet potentiometer
- Bite: CV input plus attenuator to cut the high frequency range. Without a cable plugged in, the knob can be used for adjusting the treble manually.
- Saturation: CV input plus attenuator and on/off switch to influence gain and saturation.
- Filter: CV input plus attenuator and on/off switch to control the Viper's VCF circuit.

Via a jumper on the circuit board, users can choose between several filter types:

- Passive clipped low pass
- Unbuffered high pass
- Buffered high pass
- Buffered low pass

Furthermore, there is a trim potentiometer on the circuit board, which can be used to adjust the gain.

PLEASE NOTE: Any scratches on the front panel are part of the Pit Viper's design.
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 3 in stock $156.45
Cat: 717553 Rel: 28 Mar 18 • View all Effects pedals
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The AFA Baron Samedi Fuzz pays homage to the legendary Jordan Bosstone, but sounds nothing like one. Additional gain and a very strange tone control add aggression, fullness and bite to the sound. The interactivity of the top three knobs make this a raucous device that yields an entire variety of sounds, from a great vintage fuzz tone to synthier sounds with faux-portamento decay.

Guaranteed to summon harmonics from other worlds, the AFA Baron Samedi encapsulates the vulgarity, the madness and sheer joy of the electric guitar. Whether you're playing mellower brass sounds on a jazz solo from hell, gated faux-bass single-note riffs or all-out scooped mid riffs, this pedal will take every note to the afterlife and back.

Did we just say guitar? For those unafraid to experiment and stand out, the Baron is a devastating effect, live or in the studio, to use on drum machines, synthesisers and bass guitar too.

Hand-built with pride in Bombay, India.
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 1 in stock $158.27
Cat: 676907 Rel: 28 Feb 18 • View all Synth modules
 
Crossfold modulation processor - 6HP
Notes: The Crossfold is a new concept wavefolder: A high quality, compact, 8-stage, dual voltage-controlled crossfader, analog wavefolder/waveshaper from Antimatter Audio capable of producing subtle to extreme distortion, folding, and experimental synthesis.

Voltage controlled balance of two audio sources before processing through the high fidelity 8 stage wavefolder creates "crossfolds", unexpected and complex interactions of sound that can resemble through-zero FM synthesis, bizarre distortion, and even more mysterious results.

As lovers of wave shapers, we refined the Crossfold to produce timbres and patches that we were always seeking, patches that were either not possible, or required many more modules to accomplish before the Crossfold.

The Crossfold utilizes high quality op amps, multiple high quality VCA chips, and a small army of resistors and diodes to create a unique, hi fidelity wavefolder capable of producing sounds yet unheard of!

The fold and range controls with voltage control provide the main intensity level, with the range control setting the scope of the fold control, traveling from single folds, up to eight, further into clipping, which compresses and offsets the folds both into the positive and negative range. A built-in output limiter allows you to explore clipping effects without large volume spikes, while still allowing for a musical dynamic range.

The output stage has 3 modes selectable by a switch on the front panel: a voltage-controlled dry/wet of the input crossfader (great for balancing fundamental tones Vs added harmonics), wet vs. input 1 (great for mixing signals for the wet signal while maintaining a single dry signal), or as a final VCA to complete a voice or provide amplitude modulation of the output.

The Crossfold is capable of combining sources to produce low punchy basses, glassy marimbas, screaming synced leads, morphing alien drones, and much more. It even sounds amazing on bass guitar, thanks to its smooth distortion capabilities!

Antimatter Audio modules are proudly designed and assembled in Portland, OR, USA.
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 1 in stock $188.79
Cat: 617928 Rel: 07 Jul 16 • View all Synth modules
 
Compact performance switch controller for generating triggers and gates - 6HP wide
Notes: Compact performance switch controller for generating triggers and gates. Used manually it provides you with triggers, momentary gates or latched/toggle gates, selectable per each of the five channels.In a sequential context it is a pattern generator with five channels which generates 32 step long sequences which are tapped with your fingers. Patterns can be saved, recalled and chained.

Launch Codes has two primary modes:
The Control Mode is a manual mode where you use the buttons to generate gates and triggers. Gates can be temporary or toggling.
The Sequencer Mode turns the module into a clocked 32-step sequencer with five tracks, reset, performance mutes, a special CV mode and the possiblity to chain patterns.
Sequences are entered by playing the buttons; both gates and trigger can be generated. Triggers are played immediately but recorded in a quantized fashion.

Options, selectable with the Opt button:
- MODE: control mode, sequencer mode with reset or special CV sequencer mode
- LENGTH: pattern length, per pattern; either 8, 16 or 32 steps. When prolonging the sequence length Launch Codes automatically fills the pattern by doubling the data.
- GENERATE: creates variations of the loaded pattern when pressing the button. A copy of the original pattern is loaded into the undo memory so you can recall it anytime.
- LOAD: press ths button for one second to load all saved settings and sequencers. This overwrites all temporary settings.
- SAVE: press this button for a second to save all sequences, mute states, pattern chains and settings.

- CV sequencer: the reset socket now acts as a CV input which modifies the behavoiur of the sequencer:
- CV Step Generate: At 0V the sequencer plays as usual but the higher the CV gets 8max. 5V), the higher the chance of random step generation.
- CV Scrub: The CV can address steps within the sequence, even in addition to the running clock.
- CV Freeze Loop: A CV above 5V freezes the sequence and starts looping it from this point on.

Special settings: manual reset, deactivating the automatic pattern data doubling, selection of the standard CV sequencer mode (CV Step Generate, CV Scrub or CV Freeze Loop).
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 1 in stock $186.70
Cat: 711948 Rel: 10 Jan 19 • View all Synth modules
 
Compact four-channel morphing vector mixer & quadraphonic panner for modular setups - 6HP
Notes: The V3KT is a 6HP, 4-channel morphing vector mixer/quadraphonic panner with dedicated CV logic outs!

V3KT makes it very easy to animate vector mixes/synthesis, dynamic quadraphonic panning, or automate distribution of a signal through quad high-quality VCA channels. With easy operation and dedicated CV logic outs that can be fed back into your patch, it is truly an instantly inspirational piece of kit!
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 1 in stock $189.83
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quote 711948
Cat: 677561 Rel: 15 Jun 18 • View all Compressors limiters & gates
 
2-channel compressor/limiter, ideal for digital or analogue recording devices
Notes: The DUAL LIMITER has a unique design that will enhance the sonic textures of your audio system for years to come. Developed in partnership with studio and live-sound engineers, the DUAL LIMITER is very musical.

The heart of the Dual Limiter is a unique PWM gain control circuit. Combined with its intelligent detector, the result is a Classic sounding compressor/limiter without the traditional nose and distortion artefacts.

The DUAL LIMITER may be used as either a compressor or a limiter with all of the following:

- Multitrack or analogue recording device
- In a mixer's channel insert points
- Between a microphone preamp and signal processors
- Between pre-amplified electronic musical instruments (synthesizers, guitars, bass, samplers, acoustic instruments with pickups) and other line-level equipment
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 2 in stock $155.41
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quote 677561
Cat: 542511 Rel: 01 Aug 14 • View all Compressors limiters & gates
 
Dual / Stereo Compressor / Limiter Expander / Gate unit, rackmountable
Notes: The SC2 is a highly sophisticated and flexible dynamics processor designed for easy operation and great tone. The unit can be adjusted to provide anything from smooth subtle compression to hard limiting. Noise reduction is provided by a fast solid gate or a subtle expander.

The Attack and Release functions allow the user to set the general operating range and then automatically adapt to the audio being processed. A full auto mode is also available. The ultra-precise LED meters while two LED meters clearly display the gain reduction for each channel.
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 2 in stock $166.06
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quote 542511
Cat: 480967 Rel: 10 Apr 13 • View all MIDI controllers
 
Hybrid drum machine
Notes: Arturia's Spark LE drum machine hooks you up with the same awesome groove-making power as the original Spark Drum, but with a more streamlined user interface and smaller, more portable footprint. Fueled by the same software and sound set as the Spark Drum, Spark LE provides you with an incredible range of sample, synthesis, and physical modeling you can use to create killer beats on your Mac or PC. And thanks to its smart and intuitive hardware layout, you'll be laying down grooves with Arturia's Spark LE in no time.

Arturia's Spark LE gives you nearly the same hands-on experience as the original Spark Drum, sacrificing only a handful of encoders and an onboard display for the kind of portability that makes incorporating Spark LE into your performance rig painless. With a near one-to-one correspondence between its hardware controller and its dedicated groove-production software, Spark LE keeps you focused on the music, and your hand off the mouse.

The intuitive layout of the Spark LE drum machine makes it fast and easy to take a moment of inspiration and turn it into a powerful musical masterpiece. And don't let the term Drum Machine fool you, Spark LE has tons of Arturia's synth sounds and instrument samples to add the icing on your groovy cake.

Spark LE gives you 30 drum kits and 480 instrument and synth sounds that cover everything from well-behaved acoustic sounds to mind-bending electronic weirdness. Whatever kind of music you make, Spark LE has the sounds you want plus new ones to inspire you.
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 1 in stock $161.94
Cat: 561278 Rel: 16 Jul 15 • View all MIDI controllers
 
Pro controller & performance sequencer with 2 monophonic step sequencers & 16 track drum sequencer
Notes: The ultimate sequencing powerhouse.

BeatStep Pro is unique: a world-class controller, performance sequencer and composing tool all in one very connectible package.

BeatStep Pro is unlike anything you have ever used on stage or in the studio. Wherever you are, whatever gear is available, taking control of the creative process has never been so easy.

Step into the spotlight

Two independent melodic sequencers and a drum sequencer put thousands of on-the-spot ideas at your disposal.

With BeatStep Pro you are master of the performance, taking full control of virtual devices, analog and digital instruments, drum machines and iPad apps all at once. 16 Projects are instantly accessible, each of which contains 16 sequences per melodic sequencer and 16 patterns for the drum sequencer. That's over 4000 possible combinations per Project!

Each melodic sequence can be up to 64 steps long with individual articulation of pitch, velocity and gate time per note. These are the most powerful step sequencers ever made. The drum sequencer has 16 separate tracks per sequence (one per pad). Record in real time from the pads or use the step buttons for that classic drum machine workflow.

Perfect performance

BeatStep Pro brings together the most unique and sought-after performance effects available: a looper with a touch strip, a randomizer, swing settings and a slew of hands-on controls that will make your performances the stuff of legend.

Take control

Control mode lets you trigger clips in your favorite DAW, play sounds from an external device or make magic with your plug-in of choice. Take your music from idea to reality with BeatStep Pro.

Plays well with others (very, very well)

With BeatStep Pro you can connect to virtually any musical device within reach: computers, virtual instruments, modular synths, drum machines; anything with USB, MIDI in and out, CV/Gate outputs, Clock in and out, or DIN sync. From the oldest music technology to the newest and beyond, BeatStep Pro is bound to become the centerpiece of your setup and the heart of your creative efforts for many years to come.
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 3 in stock $198.90
Cat: 646986 Rel: 04 Sep 17 • View all MIDI keyboards
 
Professional-grade 49 key semi-weighted MIDI keyboard & controller, with Analog Lab 2 Software
Notes: ***Limited 'Art Of Keys' Promo! Simply register your KeyLab Essential on the Arturia website. As soon as you've done this you will see MINI V and STAGE-73 V software in your account, available for download. Install it, and get set to create musical magic. Offer ends 30th September 2019***

With everything you need to express your musical ideas, take command of your studio, and perform like you've always dreamed, KeyLab Essential is an intuitive, powerful, carefully crafted controller keyboard that's easy to master.

Music is at the heart of this controller. Every aspect of KeyLab Essential has been carefully chosen to give you the best possible experience when creating and performing. From the responsive keyboard to the intelligently assigned knobs and faders, you'll feel like everything you touch turns to gold. KeyLab Essential makes navigating your track a breeze thanks to the dedicated DAW Command Center, and makes browsing your presets an exciting, inspiring experience.

It's easy to let your concentration drift and your inspiration slip when you spend hours on tedious tasks. KeyLab Essential is the result of careful research, with the aim of streamlining your creative process, giving you more time to express yourself through music. With the KeyLab Essential on your desk and its comprehensive set of music software loaded in your computer, the only required step to start experimenting, composing and recording is sitting in front of them.

Once you've experienced the creative workflow of KeyLab Essential, you'll wonder how you ever made music without it.

Geared for maximum compatibility, KeyLab Essential gives you unadulterated control of your digital world, seamlessly integrating with virtual instruments and DAW software.

KeyLab Essential is packed with clever controls that help you make swift work of everyday tasks within your recording software. Play your track, jog forwards and back, save, toggle your metronome and loop, record, and punch in on the fly. This functionality keeps your hands on the controller and your mind in the music. As well as offering ultimate integration with Analog Lab 2, KeyLab Essential is a universal MIDI controller, compatible with any third-party instruments or software. KeyLab Essential also comes with Ableton Live Lite so you can start recording, editing, and releasing your music with one of the most popular music platforms on the planet.

Whether you're a total newcomer to the world of recording, or a seasoned pro who's set in their ways, KeyLab Essential has the potential to revolutionize your creative process.

A complete keyboard production studio, KeyLab Essential comes with some incredible software titles. Whether you want a searing-hot synth lead or an ethereal string pad, a vintage upright piano or a complex, animated soundscape, KeyLab Essential gives you everything you need to perform and record. All the ingredients of the cocktail are there and ready to be mixed according to your own style.
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 2 in stock $163.76
Cat: 677079 Rel: 14 Nov 16 • View all Audio & MIDI interfaces
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***

iD14 delivers the audio performance of a large format console in a compact and elegant desktop package. iD14 provides a pair of world-class Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I and the revolutionary ScrollControl. With its versatile feature set and intuitive layout, iD14 will become the hub of your studio in no time.

The professional sound you deserve:
We are the only company that use the same Class-A mic pre design throughout our entire product range, whether you're in the studio with an Audient console or on the road with iD14, you're always guaranteed the same world class Audient sound. Developed by design legend David Dearden and optimised over 18 years of refinement, our mic pre is used by thousands of professional studios around the world. With its versatile nature and smooth tone, the iD14 will quickly become your 'go to' mic pre.

Brilliance on the inside enables brilliance on the outside:
iD14 provides you with high performance AD-DA converters from Burr Brown, the leaders in converter technology. Quality in the analogue stages of design comes from years of experience as analogue console designers, and when coupled with outstanding converter technology it enables you to hear audio as it's supposed to sound. The importance of converters should never be underestimated. Experience audio the Audient way. Brilliance on the inside enables brilliance on the outside.

Simply scroll to control:
Get hands on control of your software with iD14's ScrollControl. With a touch of a button iD14's volume encoder becomes a virtual scroll wheel that allows you to adjust DAW hosts, plug-in parameters, iD14's mixer app and even scroll through your iTunes library - just like you're adjusting a piece of hardware. Wherever your mouse pointer hovers, the iD knob can scroll to control!

Plug in and be inspired:
As well as offering you 2 channels of mic pre, iD14 has a harmonically rich JFET D.I input. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine straight in and start recording instantly.

Customise your control surface:
It gets even better! When not using the virtual scroll wheel, the iD button can be assigned to control iD14's monitoring features. Following in the footsteps of its critically acclaimed big brother iD22, we've still included DIM, CUT, Polarity Reverse, Mono Sum, Talkback and Cue Mix monitoring, all of which can be assigned to the iD button.

Grows with your needs:
Need to track drums? No problem! As your system grows, iD14 can be expanded via the optical input connector, supporting both ADAT and S/PDIF. Enabling you to expand up to ten inputs via an eight-channel mic pre, such as the ASP800.

Discover just how simple it can be:
We understand the need to keep things simple and iD14's mixer app was designed with that in mind. Whether you're creating low latency cue mixes or utilising the flexible monitor control, iD14 tightly integrates the hardware and software making the recording process easy. Enabling you to concentrate on what's really important - the music.

Quality deserves protection:
iD14 has been designed to last, from its all-metal construction, hand finished aluminium knobs and high grade component selection, iD14 will stand up to countless late nights in the studio and days on the road.
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 1 in stock $184.63
Cat: 632727 Rel: 14 Nov 16 • View all Audio & MIDI interfaces
 
2-in/4-out high performance USB audio interface
Notes: iD14 delivers the audio performance of a large format console in a compact and elegant desktop package. iD14 provides a pair of world-class Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I and the revolutionary ScrollControl. With its versatile feature set and intuitive layout, iD14 will become the hub of your studio in no time.

The professional sound you deserve:
We are the only company that use the same Class-A mic pre design throughout our entire product range, whether you're in the studio with an Audient console or on the road with iD14, you're always guaranteed the same world class Audient sound. Developed by design legend David Dearden and optimised over 18 years of refinement, our mic pre is used by thousands of professional studios around the world. With its versatile nature and smooth tone, the iD14 will quickly become your 'go to' mic pre.

Brilliance on the inside enables brilliance on the outside:
iD14 provides you with high performance AD-DA converters from Burr Brown, the leaders in converter technology. Quality in the analogue stages of design comes from years of experience as analogue console designers, and when coupled with outstanding converter technology it enables you to hear audio as it's supposed to sound. The importance of converters should never be underestimated. Experience audio the Audient way. Brilliance on the inside enables brilliance on the outside.

Simply scroll to control:
Get hands on control of your software with iD14's ScrollControl. With a touch of a button iD14's volume encoder becomes a virtual scroll wheel that allows you to adjust DAW hosts, plug-in parameters, iD14's mixer app and even scroll through your iTunes library - just like you're adjusting a piece of hardware. Wherever your mouse pointer hovers, the iD knob can scroll to control!

Plug in and be inspired:
As well as offering you 2 channels of mic pre, iD14 has a harmonically rich JFET D.I input. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine straight in and start recording instantly.

Customise your control surface:
It gets even better! When not using the virtual scroll wheel, the iD button can be assigned to control iD14's monitoring features. Following in the footsteps of its critically acclaimed big brother iD22, we've still included DIM, CUT, Polarity Reverse, Mono Sum, Talkback and Cue Mix monitoring, all of which can be assigned to the iD button.

Grows with your needs:
Need to track drums? No problem! As your system grows, iD14 can be expanded via the optical input connector, supporting both ADAT and S/PDIF. Enabling you to expand up to ten inputs via an eight-channel mic pre, such as the ASP800.

Discover just how simple it can be:
We understand the need to keep things simple and iD14's mixer app was designed with that in mind. Whether you're creating low latency cue mixes or utilising the flexible monitor control, iD14 tightly integrates the hardware and software making the recording process easy. Enabling you to concentrate on what's really important - the music.

Quality deserves protection:
iD14 has been designed to last, from its all-metal construction, hand finished aluminium knobs and high grade component selection, iD14 will stand up to countless late nights in the studio and days on the road.
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 More than 10 in stock $187.76
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quote 632727
Cat: 695403 Rel: 09 Jul 18 • View all DJ headphones
 
Professional closed-back on-ear headphones
Notes: The ATH-PRO7X professional DJ headphones combine the comfort and low-profile style of an on-ear design with powerful 45 mm drivers capable of handling 2,000 mW of input power. This combination gives DJs extremely accurate high-fidelity audio reproduction - even at loud volumes - from a pair of headphones that are easy to wear through even the longest gigs.

The ATH-PRO7X headphones come with two interchangeable cables - a 1.2 m - 3.0 m (3.9' - 9.8') coiled cable and 1.2 m (3.9') straight cable - that lock in place to ensure a secure connection during active DJ use. The headphones are lightweight, but built to hold up under rough use. And the soft durable earpads and headband are designed to provide hours of listening comfort.
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 3 in stock $153.37
Cat: 695404 Rel: 10 Aug 18 • View all Studio headphones
 
On-ear professional monitor headphones
Notes: Designed for studio, broadcast and mobile applications, the ATH-M60x on-ear professional monitor headphones utilize the same proprietary 45 mm large-aperture drivers found in the legendary ATH-M50x headphones, delivering exceptional clarity throughout an extended frequency range with accurate bass response. The low-profile, closed-back, on-ear design provides excellent sound isolation and a great fit, which is enhanced by the exceptional comfort and durability of the memory foam earpads and headband. The headphones come with three interchangeable cables (1.2 m - 3.0 m coiled, 3.0 m straight, and 1.2 m straight - each with a 3.5 mm (1/8") mini-plug), a 6.3 mm (1/4") screw-on adapter, and a protective carrying pouch.
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 1 in stock $166.82
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quote 695404
Cat: 598254 Rel: 22 Jan 16 • View all Wireless microphones
 
Wireless UHF beltpack system
Notes: Introducing AT-One, Audio-Technica's entry level UHF wireless system.

With a 2 x 4 channel frequency plan for enhanced flexibility, sturdy but stylish build quality and a simple user interface, AT-One is ready to become your perfect wireless companion.

AT-One is designed with simplicity and ease-of-use in mind. Equipped with a practical carrying case, rack-mount kit and detachable antennae, AT-One is the perfect balance of price and performance, ideal for those looking for accurate, reliable performance at an entry level price.

The AT-One's frequency plan is divided into two groups with 4 available channels in each group split between the Europe wide license free frequency range and the LTE duplex gap. Users can choose up to 4 channels within one group.

Available in three configurations, AT-One can be purchased with a beltpack or handheld transmitter. The ATW-11F comes equipped with a sturdy, discreetly designed beltpack, providing 10mW RF output power, damping switch and a battery life of 10 hours.

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 1 in stock $165.84
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quote 598254
Cat: 704180 Rel: 01 Oct 18 • View all Audio & MIDI interfaces
 
Version 2 of the MIDI clock shifter featuring powder-coated steel enclosure
Notes: The audiowerkstatt midi-clock-shifter v2 helps you to move your MIDI-slave as many MIDI-clock-ticks as you want forward or backward, while running in synchronisation to the MIDI-master. A 7-segment-display shows the direction and number of MIDI-clock-ticks, the MIDI-slave has been moved.

A tool, for on-the-fly correction of a MIDI-slave, that is not reliable or to push a loop, that is not recorded in a rhythm, to that rhythm.

And a tool to have fun with playing around with two sequencers and do things like e.g. going slightly forward and backward with one of them.

You can set whether only the MIDI-clock and MMC commands (start, stop, continue) are sent or the MIDI-data, received at the MIDI-in, will be mixed with that.

All settings will be saved and restored at startup.
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 1 in stock $155.42
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quote 704180
Cat: 691664 Rel: 31 May 18 • View all MIDI converters & accessories
 
Converts analog trigger clock signals to MIDI clock signals & vice versa
Notes: The Audiowerkstatt trigger2midi2trigger v2 has all functions of the classic version 1, but comes in a powder-coated steel-enclosure and stores its settings.

If used as trigger-clock-to-MIDI-clock-converter or MIDI-clock-to-trigger-clock-converter, there is always a MIDI-clock-signal (incl. start/stop) sent at the "midi out"-jack. At the tip of the "clock"-phone-jack, an analog trigger-clock-signal (v-trigger: 0v/5v, s-trigger "open"/"closed") is sent. The tip of the "start/stop"-phone-jack is 5v while the masterclock is running and 0v while the masterclock is paused for v-trigger and "closed" while the masterclock is running and "open" while the masterclock is paused, if s-trigger is used.

A clock-source can be connected to the "midi in"-jack or to the ring of the "clock"- and "start/stop"-phone-jack.

Normal insert-cables can be used to connect the analog inputs/outputs. If only the analog outputs are used, normal phone-jack-cables (mono or stereo) can be used.

The following parameters can be adjusted:

1. Clock-source (MIDI-clock or analog trigger-clock).
2. Trigger-type of the analog input (s-trigger or v-trigger).
3. Trigger-type of the analog output (s-trigger or v-trigger).
4. Clock-divider of the incoming analog trigger-clock (1/4, 1/8. 1/16 or 1/32).
5. Clock-divider of the outgoing analog trigger-clock (1/4, 1/8. 1/16 or 1/32).
6. Pulse-length of the outgoing analog trigger-clock (adjustable in 6 steps, the pulse-length is calculated dependent on clock-divider and clock-frequency).

In addition to the clock-signal, start-/stop-signals from the masterclock are detected and processed, but it is also possible to send start-/stop-signals manual.

The settings for the analog output (trigger.type out, clock.divider out and pulse.length) can be changed without losing synchronisation, while the masterclock is running.

The Audiowerkstatt trigger2midi2trigger v2 can also be used as a tool for analog-trigger-signals, if it isn't used as a converter.

The following uses are possible:

a) "S-trigger" to "V-trigger" converter
b) "V-trigger" to "S-trigger" converter
c) Analog clock-divider
d) Analog clock-multiplier
e) Gate to trigger converter
f) Trigger to gate converter with adjustable gate-length

Power: 9-12V AC or DC (polarity doesn't matter)
Dimensions: 112 mm x 72 mm x 48 mm
Weight: 290g
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 1 in stock $179.41
Cat: 486442 Rel: 06 Apr 13 • View all Vocal microphones
 
Dynamic vocal microphone
Notes: Vocals, lead & backing: extremely wide & flat frequency response for premium PA systems and broadcast.

The OM6 is a dynamic vocal microphone used for live performances, studio and broadcast applications. The OM6 touts a broad frequency response, full-bodied and articulate sound reproduction, resistance to feedback and ability to handle high SPLs in excess of 144dB without distortion.

The OM6 has a tight and uniformly controlled hypercardioid polar pattern which helps isolate vocals. Designed with condenser-like qualities, the OM6 has a smooth, rising response between 2kHz -10kHz along with a flat, fully extended bass response from 60Hz - 1kHz. This, in conjunction with an extremely tailored mid-range, makes the OM6 an excellent choice for broadcast and live recording.

Designed, assembled and tested by Audix in the USA.

http://www.youtube.com/watch?feature=player_embedded&v=nIgWR7RD_1E
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 2 in stock $167.74
Cat: 681320 Rel: 15 Mar 18 • View all Studio headphones
 
Closed-back circumaural headphones featuring unique Vari-Voice design with three selectable modes
Notes: The MixPhones MP1 Triple Play Personal Monitor with Vari-Voice is the first ever multiple use headphone, suitable for use in the live sound, DJ, studio recording, mixing playback and listening applications. The unique design allows the user to move between normal neutrally voiced stereo field, monaural (mono), and a specially contoured "mix" mode that focuses the midrange frequencies to simulate the sound of our Mixcubes and allow better articulation of critical mix frequencies.

The MixPhones MP1 is the creation of industry professional and end users that need more than just another headphone. This elegant piece of industrial audio jewellery is made to sound as good as it looks. From the choice of materials to create a physical enclosure to meet audio needs and visual aesthetics, to the generous ear cups designed comfortably isolate and enclose any ear lobe, these are professionally designed for serious users. The generous padding and pivot design ensure a comfortable fit for all day and use in the most demanding environments.
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 2 in stock $177.97
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The MixPhones Mp1 Triple Play Personal Monitor with Vari-Voice is the first ever multiple use headphone, suitable for use in the live sound, DJ, studio recording, mixing playback and listening applications. The unique design allows the user to move between normal neutrally voiced stereo field, monaural (mono), and a specially contoured "mix" mode that focuses the midrange frequencies to simulate the sound of our Mixcubes and allow better articulation of critical mix frequencies.

The MixPhones MP1 is the creation of industry professional and end users that need more than just another headphone. This elegant piece of industrial audio jewelry is made to sound as good as it looks. From the choice of materials to create a physical enclosure to meet audio needs and visual aesthetics, to the generous ear cups designed comfortably isolate and enclose any ear lobe, these are professionally designed for serious users. The generous padding and pivot design ensure a comfortable fit for all day and use in the most demanding environments.
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 1 in stock $183.30
Cat: 458576 Rel: 15 Jun 12 • View all Record sleeves
 
Pack of 1200 x 7" sleeves with 2 holes, and no inner sleeve required
Notes: Pack of 1200 sleeves with 2 holes, and no inner sleeve required.
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 4 in stock $191.09
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quote 458576
Cat: 688798 Rel: 10 Sep 18 • View all Synth modules
 
Flexible dual waveform module - 7HP
Notes: Timber is very flexible wave shaping module that can produce rich timbres by adding harmonics to simple waveforms (triangles and sinewaves) or any other signal. It has 2 different unique wave shaping circuits - I. - the WAVE DRIVER and II. -the WAVE FOLDER and voltage-controlled crossfader to fade between the different circuits or between one of them and the clean input signal.

Both circuits share the same control voltages: the SHAPE which sets the input amplification before the wave shaping circuit and the SYMMETRY control which adds voltage offset to the input signal to provide various asymmetric overdrives or wave folding sounds. There is also voltage FBK CV jack which when provided with positive voltages feeds respective portion of the output signal back to the input which results in chaotic and aggressive behaviours. It is calibrated to work well with 5V gate voltages.

I. the WAVE DRIVER is an overdrive circuit with one folding stage and it has 2 configuration 3-way switches (9 different configurations). The drive switch can set the overdrive character to SOFT or HARD or something in between. The FOLD switch can set the folding threshold to HI or LO or it can turn the folding stage off in the NO position.

II. the WAVE FOLDER is a novel take on the serge style wavefolding circuit which has specific behaviour to abuse the high gain of the input amplification stage to provide rich high frequency timbres with higher settings of the SHAPE parameter. It has a configuration switch which can either activate clean 4 stage wavefolding in the OK position or highly asymmetric folding stage in the KO position that provides strange metallic character. The NO position provides only the very last overdrive-folding stage.
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 2 in stock $185.66
Cat: 596930 Rel: 18 Dec 15 • View all Samplers
 
Monophonic granular sampler with MicroSD card slot - features software version 2.5
Notes: microGranny 2 is a monophonic granular sampler. It reads wav samples from microSD card and applies granular algorithms to them. You can also adjust start, end, sample rate (tuned or free run), crush and envelope (attack release). MIDI Input allows external control of all parameters as well as transposition of the samples, or playing individual grains by different keys.

Version 2.5 update:

- Added "store instant loop" feature (go to instant loop and press save combo (FN>REC) = start and end point will match the points you marked in instant loop and instant loop switches off)
- Way more detailed control of grain size and shift speed - curve mapping for the parameters
- Improvements in stability
- Improved randomizer
- Fixed midi clock absence bug
- Fixed midi grain playback in reverse
- Removed midi side chain function
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 2 in stock $181.49
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quote 596930
Cat: 668626 Rel: 09 Nov 17 • View all Synth modules
 
Quad MIDI to CV converter - 6HP
Notes: MIDI Thing is a compact 4 channel MIDI to CV/Gate interface featuring 12 bit conversion that allows V/Oct control with around 1 cent precision.

MIDI Thing offers four different functional modes:

- Mono: One MIDI channel - Pitch, velocity, bend, modulation & gate
- Duo: Two MIDI Channels - 2x Pitch, velocity & gate
- Multi: Four MIDI Channels - 4x Pitch & gate
- Drum: Eight trigger outputs

All modes have Clock and ST/SP outputs.

- Current needs: +12V: 32mA, -12V: 8mA
- Width: 6 HP
- Depth: 30 mm (inc. power connector)
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 2 in stock $186.70
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quote 668626
Cat: 689667 Rel: 14 Jun 18 • View all Synth modules
 
Probabilistic & pingable burst generator - 8HP
Notes: Burst is a Pingable Trigger Burst generator with distribution, probability and time division control. It will create multiplications of your triggers, leading to doubles, triplets, quintuplets and true polyrhythms for your modular system.

The module allows you to add voltage controlled redrums and dynamic ratcheting effects for your patches. In addition, Burst works like a regular clock source and trigger for other modules via its Tempo and End of Cycle outputs.
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 2 in stock $173.14
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quote 689667
Cat: 486192 Rel: 09 Apr 13 • View all DJ mixers
 
Professional 7 channel rack mount DJ mixer
Notes: The VMX100 offers two dual input stereo channels for connection of up to four stereo sources, selectable on the top panel. A basic ULN mic input with level control is also provided.

Each stereo channel sports a great-sounding 2 band kill EQ with 32 dB of attenuation and a 45mm Ultraglide fader.

The PFL section features a channel 1/ channel 2 balance control, while the main section is equipped with a dual 10-segment LED level meter, which displays your choice of main or PFL signals, as well as stereo main mix and tape outputs.

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 2 in stock $164.80
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